#this is happening huh

[game-weaver]

Yugi stood there in the open doorway. The dingy, dim light filtered out into the dark, stretching his shadow along the floor. He was still panting, tears and sweat still dripping down his face, blood still falling to the floor in a soft tap, tap, tap. He did it. He tore down the wall he had built to keep his sorrow and grief to himself, to swallow down his pain where no one would feel it aside from himself.

He remembered when he boarded it up. How many times he had come to his room after the duel, as if hoping or waiting, even if he knew Atem would never come back. Until one day he just couldn't take it anymore and lashed out, threw things, manifested boards and chains and locked the door. He thought he would remain like that for forever after that and yet…

Atem came back.

Their bond remained there, even if diluted.

Letting out a shaky breath, he turned and stepped back into his room, back to the door, and turned his gaze up to the ceiling. For better or worse, he did it. He tore it all down, emotions that he bottled away were loose. Tears fell harder as his legs gave out and he collapsed to the floor. The force of the emotions made him want to be sick, it was like a dizzying hurricane, making the room spin.

[crowiin]

welcome to the world

[glassrooibos]

Everything stays right where you left it huh guys

[lonelyzarquon]

[dreamyluigi]

something something luigi doesn't remember the final events of spm or dimentio at all after he's defeated (but mario remembers everything)

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[ninjasmudge]

your honour he cant help it hes a kitty. he missed them

[bunnieswithknives]

You made a little mess there bud

[alinalal-art]

persona 4 nostalgia :D

twitter | shop | patreon

[sualne]

i imagine Mihawk doesn't know how to act around children.

(timeline)

[cloud-bees]

My episode pitches for Tales of the Clones:

(Mr. Filoni pls feel free to steal all of these I require no credit only more clone footage pls my good sir)

- how Cody got his scar

- Wolffe losing his eye

- What happened to Cody after he went AWOL

- Kix’s story from looking into the chips to waking up 50 years later

- why Emerie was created and how she got to be working for Hemlock

- Jango meeting some of the first clones

- how Gregor, Rex, and Wolffe ended up going into retirement together

- what Cody has been doing since he left the Empire

- how Cody and Rex met

- more of the 104th and Plo Koon

- how tf Gregor survived that explosion

- The Bad Batch as cadets

- Cody’s whereabouts after he defected

- Cut meeting Suu

- Bad Batch raising Omega on Pabu when she’s a teenager

- a look into what Cody has been up to since we last saw him

- Echo finding out about Fives

- where is Cody

- Captain Howzer during the Clone Wars

- C O D Y.

[theminecraftbee]

for no reason in particular, i am once again saying that even if the work you're doing is with a content creator you love and on a project you're all passionate about and you trust everyone involved and they would never, say, ghost everyone involved for months leaving you in legal limbo in regards to the ip you've spent the past three years of your life on while everyone is clamoring for a statement or any guidance at all from you...

you should write a fucking contract.

and if someone tells you "we don't need contracts it'll be better that way", run the other direction.

you know. for no reason in particular.

[mustfindcreativeusername]

Sometimes I remember he died, he was dead for real, but SO MANY people loved him SO MUCH that he was brought back to life and got to have so many more adventures and get old and eventually retire and yes it's a fictional character but sometimes I think about that and I have to lie down and have a cry about it. We love you Sherlock Holmes

[eightfish]

An old woman in a Florida swamp told me she once knew a man who had been killed by a stab in the heart from a great blue heron.

[starlooping]

i love making system related-arts. have an art of my sub-system with lagtrain

from left to right: mal/mael (it/its), lumière/loop (they/them), fritrin/frin (he/they) and me, siffrin/loop/traveler (they/them)