#this is aimed at an audience of one person and that person is ME.

[suppenzeit]

toki watches a certain 1998 film and thinks what it would look like if his best friends were in it

extremely silly and self-indulgent, yet i put enough thought into these to share my thought process for each design (also i made a bonus cat)

Nathan is a very goth mix of Macavity and Munkustrap. His fur is messy and spiky because it makes him look scary (same with the huge spikes on his collar)!! (the Macavity/Munk thing works personality-wise too, he's extremely intimidating but he is also a leader of sorts, and at least somewhat responsible)

Skwisgaar is literally just early Japanese Tugger, down to the little heeled boots. I figure Toki would see Tugger and Skwis similar in the sense that they get all the ladies and love to steal a show.

Toki is just a regular ol cat! Wanted him to be pretty nondescript like all those swing cats. Now, whether he has a Mistoffelees-style transformation into the bestest cat-guitarist is up to you to decide (Now. Would Skwis sing Tokis praises like Tugger does Mistos? Who knows, but I'm sure Toki would enjoy it).

Thank god for Street Cat Tugger for showing me how to deal with dreads on a cat! Otherwise I just wanted some asymmetry and stripes. Pickles has a very distinct design in the show anyways so it fits.

Murderface gets to have his vest! He also gets to be very Bill Bailey/Tumblebrutus coded with his spotty appearance and a patch over his eye. The ears are a bit of a copout but in my defense I'm still not sure how I see his hair texture-wise.

Anyway, I've rambled enough. Here's what Charles would be, in this hypothetical Cats-verse

[sailormoonandme]

#honestly. i think sometimes that. people just hate to see girls winning (being powerful)#male heroes are almost always paired with weaker women and no one bats an eye#those women have to be saved time and time again and no one bats an eye#and those tropes DO come from sexism where those women are often not characters but plot devices#whereas mamoru is treated like an actual character#and there is absolutely nothing wrong with having the romantic interest being there just for emotional and moral support#as long as they are treated like characters#female romantic interests are not given that treatment most of the time. mamoru is#and sure I LOVE joking about how takeuchi made mamoru pathetic on purpose but#he isn't even THAT pathetic#he just happens to be dating the most powerful being in the whole universe what is he supposed to do? 😭#sailor moon#and of course the fights are not gonna be focused on him#this was written by and for girls guys we're guests here

The vibe I personally got from the above (which I FULLY admit I might be misinterpreting and mean no offence if I have) is that the 'Mamoru is useless crowd' is coming sexist men who are saying it because they myopically expect a man to be strong and dominant and a woman to be weaker and submissive. Again, perhaps that was me misreading the intention behind the statement. However, if that was the intention (or close enough to it) I feel there are some important nuances to be taken under consideration here. Most particularly with the 'this was written by and for girls guys we're guests here'.

The first is that whilst the manga was 100% made for a female audience and happened to catch some male readers too,* the anime (the most famous and influential rendition of the franchise) was not.

Obviously, being the early 1990s you had a predominantly (though it should be noted, not exclusively) male staff who were adapting the source material, chielf among them being the 3 male over all directors of the anime. Their work was also responsive to the actors, and we know that in the case of Mamoru and Rei's voice actors their performance definitely influenced how they were consequently written and characterised.

Finally, the anime was not aimed exclusively at a female demographic, it was casting a wider net. To be certain, young girls was definitely their primary audience, and overwhelmingly so. But they absolutely had a mind towards aiming it at young boys and older family members as well. Whilst reading a manga is 9 times out of 10 a solitary experience, back in the pre-streaming days an anime TV show going out in the evenings was inevitably going to be more of a family affair as it was the glowing box in the corner of the living room everyone shared in.

Moving, on in my observations of the fandom from the last 15 years (I became a fan in 2010) the 'Mamoru is useless' crowd, whether they are saying it scathingly, mockingly or in an attempt at analysis have not overwhelmingly been male fans. As you would expect from a brand made by, about and exclusively/primarily for a female demographic the vast majority of the fanbase are women. Therefore, inevitably, the discourse and narratives surrounding the fandom or brand are almost exclusively generated and perpetuated by them. Of course, there ARE male fans who also perpetuate these narratives as well, but they are ultimately a minority within the fandom.

To be perhaps a bit scathing honestly, rather than coming from a place of prejudice wherein you expect men to be dominant and women to be passive, the 'Mamoru is useless' crowd seem to me to actually come from two places:

a) Post-modern/irony/meme internet culture which seems a bit allergic to sincerity and/or actually engaging with the material in proper context (snarkiness is the golden rule to live by)

b) Prejudice from women towards male characters

And the thing is this isn't really a matter of stereotypes being perpetuated so much as it is a matter of demographics.

The way the 'Mamoru is useless' crowd discuss or treat the character is practically identical to how a contingent of the Spider-Man fandom (which I am deeply familiar with) treat Mary Jane, or how I have observed some Superman fans treat Lois Lane. In both cases they are a minority and I'd like to believe the same is true of the Sailor Moon fandom, with the Mamo-haters being a mere vocal minority.

However, my larger point is this. If you have a franchise made by one gender, about a character of the same gender (especially if it is from their POV), aimed at an audience of the same gender, the audience are inevitably going to be both more sympathetic to their POV and also potentially less sympathetic to their love interest if they are of the opposite gender.

As I said, I am deeply familiar with the Spider-Man fandom (I am talking the comic books as well as adapted media, like I can tell you Mary Jane's ringtone) and honestly the Mamoru-bashers (again most of whom were women) were extremely similar to the Mary Jane-bahsers (most of whom were men).

Obviously, the specifics of their statements varied (though there were commonalities) but it amounted to the same thing.

By default, side with the main character, condemn the love interest whenever they were not 100% supportive and affirming of the main character (even if their point was valid). Maybe Usagi should study more rather than go out on dates. Maybe Peter Parker shouldn't fight the villain when he has a concussion.

Bash the love interest for being pointless to the narrative. 'He just throws roses and leaves!'/'She is just there to look pretty!'

Also bash them if they got 'too involved'**. 'He saves Sailor Moon every episode. This is sexist because it reinforces the idea of damsels-in-distress'/'Why can't Spider-Man psychoanalyse himself? Why does Mary Jane (the psychology major who has known him since he was 18 and, as an actress, is used to getting inside peoples heads) HAVE to be the person who tells him to let go of his crippling guilt (which is connected to childhood trauma) due to not saving someone this issue?'

Zero in on tiny actually insignificant traits or out of context moments of their characters and exaggerate them. See Mamoru being a jerk to Usagi for the first half of the first season when he didn't know her very well and then he NEVER treated her like that ever again for the consequent 170+ episodes/See the same handful of out of context comic book pages where Mary Jane is arguing with Spider-Man

Be utterly ALLERGIC to looking at situation from the love interest's POV. 'Why did Mamoru (the dubass 18 year old kid who grew up a lonely orphan which has given him obcious trust and social skill issues) have to break up with Usagi without telling her the truth! All that happened was he got frequent visions (like the ones that told him about the Silver Crystal in season 1) where a scary disembodied person told him and showed him that if he keeps dating Usagi she and the whole world will die.'/'Why can't Mary Jane stop being an angry bitch and be totally fine and supportive of her husband going out to fight a gang of super powered serial killers whilst he has a concussion and 3 broken ribs?'

This isn't a problem exclusive to either character, fandom or even contingents within the same fandom. Seiya bashers are very much a thing within Sailor Moon fandom. You best believe there are Rose Tyler haters within Doctor Who. Hell, I have seen no end of female Spider-Man readers apply all the above bullet points in the inverse, side with MJ (or whatever female character is in question) whilst bashing Peter Parker without looking at things from his point of view; or just bash Peter in general 'he is SO dumb for doing this thing that actually most people in that same situation with the same knowledge base as he had would do loloolololololololololol'.

It is a very sad and frustrating fact, but the default setting of fandoms is that the average audience member is going to default side with the main character or more frequently whatever character is of their gender, without ever trying to make the leap into looking at the OTHER person's POV.

Finally, I think 90% of the time the tropes and patterns we can observe in how the narratives themselves treat the superhero love interest character are simply a matter of a domino effect.

You are making a superhero story.

What do superheroes do? They save people and/or fight villains. Therefore, the optimal combination is they are saving people from the villains.

What is more engaging to the audience than saving random civilians? Saving characters the audience know.

What is even more engaging than that? Saving someone the audience know and care about.

How do you make them care? By investing time into who the person being saved is.

What is the optimal way of doing that? By making them a supporting character who therefore appears frequently.

What could justify them appearing frequently? They are part of the superhero main character's social circle, which raises the emotional stakes even higher as there will now be a direct personal cost to the hero's failure.

If they are going to be a supporting character probably the role they have in the hero's social circle should be one that naturally lends itself to drama, conflict and emotional engagement, regardless of if they are in jeopordy or not, what should that be? Well, if they are a love interest this means you can tell stories about them building a relationship, having ups and downs in that relationship, deal is jealousy, deal with romantic rivals and attach a subtextual emotional stake for the character's future as this love interest may well be who they marry, have children with, etc. This is therefore potentially even more potent than a friend or parental figure.

Are love and war perrennial topics most human beings are inherently interested in because, as ultimately very smart apes, we have evolved to be violent to survive and/or reproduce offspring so our genetics also survive? Yes we have, which is why sex and violence sells and also why action orientated stories (including superhero fiction) so often incorporates at least some romance elements.

Oh hey, what gender is your superhero going to be? Well, since most superheroes (including Sailor Moon) were created at a time where male or female were the only only two options people knew about or accepted, I guess one of those two. Probably the one I myself am (since statistically most people are cisgender) because it makes it easier for me to write them and writing is incredibly difficult as it is and I need to do it quickly enough to make money and afford food.

So what sexuality are you going to select for them? Well, since most superheroes were ALSO created at a time where heterosexual was the only socially acceptable option, I guess that one. But even if I was able to write my character as not heterosexual, I'd still give them a female love interest if they were male and a male love interest if they were female because statistically most people are heterosexual and/or grew up in a heteronormative society therefore it is very likely I myself have experience dating women (if I am a man) or men (if I am a woman) and I should probably stick with what I know because writing is incredibly difficult as it is and I need to to quickly to earn money to afford food.

Doesn't all the above make it extremely likely that if you are a man writing a superhero story you are going to frequently wind up writing a damsel-in-distress just as a consequence of following what would be the most narratively logical and engaging for your audience? Yes, it would.

Doesn't all the above ALSO make it extremely likely that if you are a woman writing a superhero story, or a man making a 1992 anime adaptation of a superhero created by a woman, you are going to frequently wind up writing a dude-in-distress for the exact same reasons? Yes it would.

Doesn't ever doing the damsel/dude-in-distress trope fundamentally undermine the agency and worth of the love interest character? Only if that is mainly or ALL they amount to, but NOT if they have a character in their own right, even one who's main role in the narrative is as a love interest (much the way Luna's main role is Usagi's mentor or J. Jonah Jameson's main role is Spidey's boss). To single them out because their main role is love interest is, if anything, an example of double standards as the same logic is not applied to any other supporting characters who are not love interests. Obviously, the top priority of any good superhero story is the characterisation and role of the main character, with the supporting characters existing to in fact support them in that capacity, not share truly equal priority. This is why my story is called 'Spider-Man'/'Sailor Moon' as opposed to 'Spider-Man and Mary Jane and J. Jonah Jameson'/'Sailor Moon and Tuxedo Mask and Luna'

Is there any precedence for writing superhero narratives like that, wherein you have supporting characters who' can be good characters in their own right but whose fundamental purpose is to ultimately uphold the main character? Yes there is, for example the Epic of Gilgamesh which is literally over 4000 years old.

It sounds as if criticism of the damsel/dude-in-distres trope should be nuanced and taken on a case by case basis wherein we put the specific narrative under examination into its full and proper context.

.

.

.

...Yes...

You choose a gender for your character. You choose a sexuality for them. You perhaps make the narrative choice to give them a love interest, because romance is a subject human beings have been engaged by love and war since forever, and

*Something some observers (IIRC including Takeuchi herself) attributed to the input from her male editor.

**Obviously as a fan, I DO want Sailor Moon or Spider-Man to be characters mainly saving the day and solving the problem in the story. But there is a balance and nuance to this. If Spider-Man is massively defined by his scientific intelligence I'd expect him to be the one to solve the scientific problem. If Usagi is massively defined by her empathy, I don't want Mamoru's to be the one shooting the heart shaped magic weapon powered by his compassion.

Mamoru is NOT useless in the Anime Part Tri: Power & Worth

Last time we compared Anime and Manga Mamoru's power levels in order to dissect the idea that anime Mamoru, in being less powerful than Usagi is unworthy of being her romantic partner.

However, there was a lot more I wanted to unpack from this particular idea the 'Mamoru is useless' brigade are prone to pushing. Specifically on the very notion of linking power to worthiness.

Power Creep

This is one of my shorter points but, its seems rather insane to suggest that Mamoru needs to be of a minimal power level to be worthy of Usagi.

Usagi in both versions is at least functionally the most powerful entity in the known universe. Even if we go arc by arc, she is almost always the most powerful person on the good guys team. The time period before she obtained the Silver Crystal was only time when the gap in power between herself and the other Senshi was in any way close, and even then it depended on who you were talking about. Mercury was clearly weaker than Usagi, her attack was a glorified smokescreen. Was she unworthy of Usagi's friendship? Were Makoto and Rei the MOST worthy of Usagi's friendship because they were the most powerful Senshi?

Did they all become progressively less worthy of her time and affection as Usagi steadily grew ever more powerful across the series? In Crystal Tokyo, when Usagi could transform the barren frozen Earth into a glittering utopia, did she have 0 friends because she was now just THAT powerful?

Was Star Serious Laser just so powerful that it meant Seiya ranked highest of all for Usagi's affections? After all, I do not see anyone arguing that Seiya was not powerful enough to be worthy of Usagi's love...almost like there is a double standard in play...

And how demeaning of Neo-Queen Serenity, who was so powerful she could terraform a lifeless planet Earth into a glittering utopia, to allow the now incalculably weaker King Endymion to have sex with her and thereby conceive Chibi-Usa.

Or...does this work by you simply have to be of a minimal power level and then you can be worthy of Usagi no matter how powerful she gets?

Please enlighten me fellow Moonies?

Power DOES NOT = Worthiness

Finally...isnt it just plain old reductive to equate power with worthiness?

Sailor moon is a super hero at the end of the day, so let's look at examples from other superhero fiction. In fact, lets look at the most famous example within the genre.

Superman is by far and away the most famous (though not necesarilly popular) of all superheroes across the globe. Superman can fly, has super streangth, super speed, enhanced durability, heat vision, x-ray vision and sometimes can freeze stuff with his breath. And whilst the exact degree of all of those abilities has varied (originally he was stronger than ten men, later he could pull multiple planets at the same time) he has always been mindbogglingly more powerful than even the most elite of human athletes.

And who has he frequently been paired up with from the past 85 years?

Oh, that's right. A human woman, Lois Lane. She might be extraordinary in her own way, but she isn't going to be bench-pressing a tank anytime soon.

Ah, but there are those who reject the most famous superhero couple in pop culture for that very reason, arguing that Superman should instead be with someone who is powerful in their own right like he is. Someone like, say, Wonder Woman?

The problem here being that...well...Wonder Woman is almost always weaker than Superman. By a WIDE margin. At the end of the day, she is incredibly strong but her strength has limits whilst Superman's are in fact dependant upon circumstances. If he absorbes enough yellow sunlight he is functionally limitless in how powerful he can become. So...is Wonder Woman unworthy of Superman too?

Regardless, let's instead turn our attentions to something more comparable to Sailor Moon.

In Dragon Ball Z the Goku and Vegeta and Gohan can annihilate whole Solar Systems but Mary human women, falling for them because of their strong, wilful and aggressive personalities.

In Yu Yu Hakusho, written by Naoko Takeuchi's husband, the main character is a demonic prince basically and falls for a normal human.

How about all the boxers, MMA fighters, wrestlers and action movie stars who marry people who are not in those kinds of professions, people who are physically weaker than them?

All of them unworthy too?

Power DOES NOT = Worthiness, regardless of gender

Ah, but these are all where the man is more powerful. But...if we argue that the situation is different in the reverse...isn't that just a classic (say it with me folks) double standard?

Are we to seriously entertain the rather backwards argument that a man is not worthy of a woman's affection if they are weaker than her?

If so let's look at some other examples.

She Hulk has dated normal humans Wyatt Wingfoot and John Jameson.

Carol Danvers has the power of a star and has fallen in love with War Machinw, who is a man with high tech armour nowhere close to that power level.

Jean Grey has been more powerful than her lovers Cyclops and Wolverine since even before she became the Phoenix, a cosmic entity so powerful it consumes stars for energy.

Wonder Woman has the power of the Greek Gods and her frequent lover, and in her original canon husband, was a regular human soldier.

In Cutey Honey F, the magical girl reboot of the classic 70s anime that helped inspire Sailor Moon, Honey can annihilate and create anything she can want. She is in love with a demonic prince, but ultimately marries a normal man and private eye who always had her back despite being put of this depth with the threats they faced.

And what about all the women in real life who have married, or remained married to men with disabilities? Men who by any metric are physically weaker than their wives? For example, all the women that married or remained married to soldiers who were horribly injured during either World War? Or, any of the wives of Stephen Hawkins, with even his first wife aware of his illness.

All of which is to say...maybe Mamo is worthy of Usagi's love regardless of him being less powerful than her.

Conclusion

Mamoru in the anime...

Is.

Not.

Useless.

Please.

For.

The.

Love.

Of.

<insert whatever/whomever you worship here>.

Fucking.

Stop.

Claiming.

He.

Is.

[surreal-duck]

es rarepair week day 6 - holiday/shopping

i think about the flambé santa bears a normal amount

[magniloquent-raven]

yall mfers need to stop

[macchiatosdumptruck]

And another thing-

I'm not a super big fan of the way that CK subtly reframes (through the perspective of other characters criticizing Daniel in story) Miyagi very obviously sharing his culture with Daniel out of mutual respect and affection as, instead cultural appropriation.

Why? For what purpose?

[jenny-dreadful]

yk that, like, stock b-plot that’s like, “[character] has a compulsive need to be liked by everyone, and someone doesn’t, so now they’re killing themselves trying to get the holdout to like them” ? i hate that shit lol

[ihopeinevergetsoberr]

academic rivals request! viktor x fem!reader, nsfw

request: @4-leafed pls... if u have time pls write a viktor x reader that r both geniuses at the academy but very much toe the line of rivalry and sexual tension...i love competitive smart people that fall in love when the rivalry becomes respect ... and they FREAK IT!!! possibly in a lab ! up to you : 3c

i liked this request so much that i ended up writing a decent-ish one-shot….

update: i wrote a part 2 because it was highly requested! you can read it here :)

rating: explicit

word count: 3,5k

warnings: academic rivals. LOTS of dialogue and bickering. dubious science because i skipped it in school, had to do some basic chemistry revision to write this pornographic catastrophe, so please pat me on the back. rough sex? rough… foreplay, that’s for sure. dirty talk, if you can call bickering that. penetration. reader tries to slap viktor, spits in his mouth and he cums in his pants. normally, i only write vanilla stuff, so i have no idea how it turned out THIS kinky (at least for me okay). not proofread (yet). nsfw under the cut:

—

“How do you take your coffee?”

His voice betrays the feeble intention of civility, fusing that polite inquiry into a hiss—a phonetic torture you didn’t even know could occur before. So much for killing you with kindness. Outstaging quips by desecrating courtesies. 

“I don’t care,” you mutter on autopilot. Can’t let him in on any personal preferences, no matter how insignificant. “Just don’t put arsenic in it.” 

Viktor scoffs. Puts the kettle away and peers at you over his shoulder, all wretchedly complacent. 

“So the rest of the periodic table is welcome, I presume?” 

Viktor. The local Nikola Tesla knock-off. Never a moment of peace with him; and the fierce taste of competition grows coppery in your mouth whenever he’s in your sight—the most handsome trigger of your cheek-biting reflex.

His name is an insult on your lips and you want to taste it. Chew it, crush it with your teeth and spit right out, preferably aiming for those poignant eyes seeking you in every classroom—so eager to light up with objection the second your opinion differs from his. 

Always the first prick to disparage your input. A never-resting generator of all the meticulous ways to denounce your projects. 

“If I may.” 

Sickeningly polite, too. With that lithe finger pointing in the air— so irritatingly comical. He may not, but there isn’t a chance he’ll shut up, now, is there?

And so he’d clear his throat, straightening his tie in that ridiculously solemn fashion. As if stepping on a pedestal to deliver a life-changing speech—not some shallow nitpicking regarding your circuit breakers. All eyes on him while his kept staring only into your soul. Special treatment, if you will. 

You will not.

“Using magnetic frames is careless,” he’d state. With his hand imposingly pointing to the blueprint on your slide. “Copper coils may oxidize. Not to mention the overheating. I would use thermoplastics. They’re significantly more efficient. And heat-resistant.”

Oh please. Like someone here gives a shit about what you’d use. 

But you can’t say that. Not in a room full of professors. And, judging from the countless nods of approval, the shits were, in fact, being given. 

“Too risky,” you oppose. “Thermoplastics often degrade at high temperatures. Electric insulation is not worth the damage of releasing hydrocarbons. I assumed that you’d be aware of that, Viktor. But I suppose that was an omission on my part.” 

More nods of approval, now in your favour. Here it goes again—the ever-lasting spectacle of hatred. Elegant, when entertaining the audience. Anything but discreet, in private. A perpetually drawn game of chess. By repetition, not agreement. Both of you refuse to retreat until checkmate. 

Oh yes, the sentiment was mutual. You and Viktor were notorious for tearing at each other's throats. The things you’d sacrifice to make that more than a mere metaphor, though. To pull him by that neat tie to sweet asphyxiation and hear him rasp for mercy with eyes full of pathetic condemnation. And he dreamed of that, too. His cane was itching to give you a smack—to paint your behind a plum so deep you’ll have troubles sitting without wincing. When it came to making metaphors literal, he’d pick being the pain in your ass.

However, your mentors couldn’t care less about the rivalry. The Collegiate Inventors Competition was coming up. And who could possibly make better candidates than two greatest minds of the engineering department, with academic excellence so accurately neck and neck that both of your names now occupy the honorary first place in every ranking table? 

That’s how you ended up with your sentence—three weeks of after-hours cooperation in the lab with the incorrigible bastard himself, a quarter of which you’d already successfully wasted on pointless bickering. Well, not without achieving some common grounds. The choice of prototype landed on one of your personal ambitions—a wearable exoskeleton for post-surgery rehabilitation, with plenty of robotics involved. Endorsed by Viktor, for once. The greater good must have swallowed even his dispute. Off to a nice start, if someone were to ask you.

However, the first issues struck early: on the very stage of development. Viktor volunteered for modelling: meaning, the framework would be custom, to accommodate his spine specifically. An object lesson for everyone involved, it would seem—but only in an ideal world. Which, considering what you had at hand (acrimony, bitterness, an entire picky bit of gall), was filtered out by default.

Now, five gruesome days and who’s-even-counting-anymore restarts later, you’re nowhere near close to at least a draft, yet borderline keen on murdering each other. And you’re certain the latter is approaching. He did just contemplate putting arsenic in your cup, after all. 

Viktor stirs the coffee. Watches his reflection smudge in the dark, whirly water, shooting you an askance glance from beneath thick brows when you start stirring yours—the spoon clanking a tad too loud, as if you were doing it on purpose. Which, you undoubtedly were. 

“Stop that,” he groans, almost leaping out of his chair. Heavy, disturbed gaze meets your cheeky simper. “You don’t have to stir it so thoroughly. It’s not like you take it with sugar anyway.”

“Of course.” You shrug. “I don’t drink slop.”

“Oh, I figured. There’s nothing sweet about you, so why would your coffee be any different?”

“There’s plenty of sweetness about me. I simply don’t squander it on entitled pricks.” 

That finally grounds him. And you’re giddy for the way his sturdy hand grips the cup so hard that it almost shatters into his palm, knuckles growing pale enough to match the porcelain. More so when you take a loud, languid sip, feigning innocence. Fully wallowing in his darling, defeated speechlessness. 

“Excuse you,” he mutters. “Entitled?!” 

“So you agree with the ‘prick’ part?” 

“Yes, and I take great pride in it. You may mark me flustered.” 

“Don’t forget to bust in your pants.”

Viktor sneers: chapped lip twitching, scowl growing defensive. Lanky legs untangle as he rises to his feet, towering above you in an angry lean on his cane—long frame transforming into your personal, scrawny menace, pissed exhale sharp and nasal above your head. And you admit to looking small beneath him—all hunched shoulders, weak smile finally tumbling lopsided. 

“Don’t you dare call me entitled,” he demands—and means it. It’s palpable in the way he twists the handle of his cane, the squeaky sound violently scratching your brain. “I sweated blood to achieve my privileges in this establishment.”

You huff, rolling your eyes. “So did I, and yet you keep ordering me around as if I’m some braindead apprentice. We’re counterparts, Viktor. You’re supposed to be mindful of my perspective.”

“I never see you being mindful of mine,” he counters.

And, well. You can’t argue with that. 

Your coffee break continued in avoidant silence, but the ambience simply reeked of hostility—stifling enough to make you leave the lab feet first. The deadline’s chokehold besieging your neck wasn’t of any help, either—you had to submit the draft for approval by Sunday. And, so far, you haven’t even agreed on the design plan. 

You shoot Viktor a reluctant glance. Pensive, he sat slouched over his parchment, emitting pure peril. Like his shoulder blades might stab you if you attempt a single tap, belligerently peeking through the thin shirt. You tucked your lip under your teeth, chewing hard, tongue running over every small, neurotic wound inside your mouth. Fruitless negotiations held a special spot amongst your least favourite endeavours, but this conundrum called for a desperate measure.

“Viktor.” You winced at how chocked up it came out. He noticed that, too—because of course he did—turning in his chair to nod at you, ever so shit-eatingly. Lancing eyes scrutinised their way up to your face. What an affront. 

“Yes?” Always chiding in that condescending tone of his. Hissy ‘s’ echoed in the lab, gnawing at your nerves. 

“We have to submit something by the end of this week. Let’s at least decide on the blueprint.” 

“Fine.” He shrugged, returning to his sketch. “We’re going with mine.” 

“No!” You snapped. “We’re coming up with a new one. Together.” 

Viktor hummed in mock consideration. The strand of hair he’s been twirling unraveled, claiming more attention than you deemed him worthy of. Sighing, he lazily reached for your graph, frowning as his eyes started skimming over the scribbles. You made your way to the desk, claiming a spot behind his shoulder. That required a tacit truce. 

“You really want to wield… hydraulic actuators?” He winced, looking up at you. Had your breath hitching at that respectful attempt, the effort prominent in the very way he uttered those words—as if struggling to filter out swear ones. 

“Yes,” you mustered. “For high power.” 

“But they’re so heavy.”  

“Well, what would you use?” 

He chuckled—rich and malicious. Flipped the page and finally averted those curious eyes, arching a bushy brow. 

“I thought no one gave a… crap about what I’d use.” 

Oh, well. It felt nice while it lasted. 

“How did you even—“

“You ought to be more discreet with your vitriol,” he retorted. “I’ll let you know that I’m a decent lip-reader.” 

“Then don’t stare at my mouth next time. What would you use, Viktor?” 

Now that left you both startled. His fingers stilled above the diagram, flexing in disbelief, hollow cheeks hued a puzzled rouge as you almost chomped your tongue off, showing an embarrassed curse back into the depth of your throat. 

“Ahem. Electric motors,” he chanted, pretending to overlook the slip-up. And for once, you were grateful for his tact. 

“I see. Well, er… put that down, please.” 

He instantly complied, fetching a pen. Left you to reflect on your misery to the rhythmic sound of his scrawling, pressing a sweaty palm to his forehead. 

“Right.” He sighed. “What about the power supply?”

“Rechargeable batteries?” You suggested weakly. “Lithium-ion.”

“Very well. Frame?”

“Something durable. Titanium?” 

“Absolutely not,” he scoffed, pushing the notes away. “Why must you always insist on using the heaviest equipment?”

“I don’t know, corrosion resistance?” You muttered back, hovering over him. “Biocompatibility?”

“That’s perfectly manageable with carbon fiber!”

“So it shatters after the tiniest bump? Bravo, Viktor, how ingenious.” 

He lurches forward—rigid breath quivering over yours. Close enough to crush that thick skull with your forehead—if only you ventured, that is. But, alas, you’re not as brave just yet. Some brief eye-stabbing is about all you’re good for. 

“Fine,” he agrees, pulling away. “We’ll use aluminium alloys. Corrosion resistant and easy to machine. No one wins. Does that suffice?” 

“Yes. Now will you finally let me take your measurements for the sketch?”

He doesn’t answer—at least not verbally. Merely stands up and nods to the measuring tape, face still heavily contorted with displeasure. But you don’t oblige just yet. How can you, when Viktor’s fingers suddenly reach for his collar, fumbling with the button? And—oh no—now they’re sliding lower, reiterating once, twice, thrice, until his chest (flushed, but that might just be wishful thinking) is fully peeking out, teasing the smooth scrap of ivory skin. 

“What… are you doing?” You mumble, utterly startled. 

“…Undressing?” He says matter-of-factly, looking up at you so askance as if you’d just asked him if the sky is blue. One more ministration and the shirt is neatly folded next to the parchment—waiting for you to be through with the measurements to be slid back on his bony shoulders. 

“That, I can tell,” you mumble. “Why did you undress?”

Viktor’s gaze daggers into you again. “Don’t tell me you were actually intending to measure me clothed? Can you not comprehend precision?”

“Precision?”

“The prototype is expected to cling to me. I don’t see how that’s achievable with my shirt on— I assumed that was rather obvious.”

“Shut the fuck up.” 

“Ah, sweet civility. I even started worrying that other entitled pricks must’ve depleted your decorum, but it seems like you saved some up for me after all. I’m flattered, really—“ 

You don’t even register when it happens.

Next thing you see is Viktor seizing your wrist—sternly yanking your slap off his face before it gets the chance to land there in a flared handprint. Nothing but pure rage and prickliness—right where his short nails are lancing your skin, engraving an ugly bracelet you’ll wear for hours.

Well, maybe there is something else. Something inexplicable, and tremendous—deep in the way your eyes keep drifting south—where his pants sling low on defined hips, and the pretty trail of dark hair runs from navel to waistband—no doubt circling exactly what you manage to make out in the convex slope of his crotch. And you want to slap him for that, too—sonorous, and frenetic. Going in again with full force, but his force always turns out to be fuller—and in an instance he firmly twists your arm, pinning it behind your back—pale face barely five inches away from your flushed one. 

What happens next is beyond any explanations. Later, he’ll blame it on inertia—that stupid urge to maintain the speed, to stay in motion with your messy antics until some external force stops him—a simple need to claim you before the inevitable collision.

But there’s no inertia in escalation. In the way his free hand grabs you by the nape and clashes agape mouths together, teeth bumping hard enough to make you consider booking a dentist appointment later. Not a sign of inertia when you grab him, either—a little clumsy through the sharp pain in your twisted arm—bold fingers raking his scalp in a vengeful tug on his hair. 

And it’s more than a kiss. If anything, it looks like you’re trying to eat him—tongue out and thrusting into his throat so fiercely that he gags on it, almost tearing up. Now you know what sheer desperation sounds like, and it’s grunting against your mouth, suddenly pitching to a pathetic moan when you grab a handful of chestnut hair and pull so hard that his eyes roll back, lean frame shaking under your violent approach. You use that startled momentum to try and pry your arm free, but he still keeps it in place. 

“You’re hurting me!” You hiss, attacking his neck—the very one you always shamefully admitted to finding the sexiest any man can possess, and your teeth roughly pinch at his voice box, coaxing another whine. 

“Good.” He groans with spite. “I hope I am.” 

And yet, he releases your aching arm, trading it for a calculated squeeze of your waist. But the audacity overshadows his little mercy. You instantly use the unrestrained privileges to force a finger into his mouth—astounded at the way he instantly opens up, almost mockingly pliant. More so when you spit on his tongue, sparing no shame—as if trying to rile him up beyond recognition. Grinning, when your saliva dribbles down his chin. 

“Ah.” He huffs, instantly licking up the remnants. “Thank you. Ever so disrespectful.”

“You haven’t earned my respect,” you lie, nudging him towards the chair. Not even bothering to wait until he lands, impatient hands already messing with his belt—so treacherously earnest as you shake, unfastening the buckle, and the bastard chuckles at that, looking down at your eager work. 

“That’s a new low, then,” murmurs coyly, helping you into his lap, heavy head leisurely thrown back. “Sleeping with someone you don’t respect.” 

“Fuck you.” 

“Oh yes. You’re about to.” 

You glare at him from under heavy lids, but the anger refuses to linger—not when he stares back full of indignant awe, so clearly basking in your attention. With his cock half-springing out of undone pants, shamelessly twitching against your palm. And not a single breath was hitched to conceal his excitement. 

“Must you always be so insufferable?” You reproach, pushing his hair back—too domestic for your own liking, and yet it doesn’t feel unfitting. Especially when he leans into your hand, welcoming your touch on his sweaty forehead—like he wanted you to feel it fever up with want.

“No.” He shakes his head. “But if it can grant me this, I’ll triple the effort.” 

“What happened to new lows? You don’t have a fraction of respect for me, either.”

“You’re right.” He shrugs. “Fractions could never encapsulate my tribute to you.”

And his hand slipped under your skirt, shakily crawling home—precisely where you’d never confess to needing him a mere minute ago. But the sentiment did a decent job at diluting your rancour. There came no protest when he introduced two long fingers into your underwear, openly gasping at the evident dampness. And you allowed him that with no regrets. Moreover, you helpfully sank yourself knuckle deep, wincing at the brief burn, arms wrapping around his neck as he sweetly looked up, seeking your  permission. Which was instantly found in the pretty moan you spilled into his mouth, slick tongues back at their futile attempts to strangle each other. 

However, your patience was running thin. As much as you wanted to indulge in proper foreplay, whatever masochistic dance he exposed you to had you in agony ever since it started—and it was getting unbearable to ignore the ache, no matter how bad Viktor  craved to postpone the main course. 

Your thighs clenched hard as you crouched above him, fingers wrapping around the hilt to awkwardly line the tip up with your cunt—the slick sound of it slowly sliding down suddenly igniting some tender bashfulness. Like you didn’t just spit in his mouth with a vile smirk. Like he never had to confine you from slapping him in the face. 

That stretch felt different from the one after his fingers. Significantly richer, it made you whine—a pitiful sound reverberating against his skin as you held on tighter and allowed him to bottom out, savouring every little crevice inside you. Raw, yet neither of you seemed to care—that concern was pushed alongside your underwear, then forgotten altogether when your walls clenched him, offering tight bliss. 

“Move,” you demanded, grabbing him by the chin. Viktor rasped something back, but you didn’t catch it—already too busy tongue-fucking his pretty neck, turning your teeth into sharp tools ready to stain it mauve with bites. 

And he complied again. One hand trembled on your hip while the other crawled between your legs—first missing your clit in the chaotic pace of thrusts, then finding it again as it grazed his fingertips. So cheeky when he dared to pinch it, avenging every pull on his hair. Though, he couldn’t gloat in your wince. Not when it clearly was one of the pleasured kind. 

But you didn’t feel like letting him regain composure. You already missed his husky groans—ached to test what else fucking you could make him mutter. Fogy gaze found his face again, softening at the sight—all wet forehead full of concentrated creases and thin lips bitten to bloodless paleness. 

You took over. Let him lean back and rest as you roughly rode him into the chair—and for that he gave you a grateful moan, the insistent thumb toying with your clit never stopping even for an instant. Good with his hands, and he knew it—proudly grinned when you struggled to keep going, taut legs treacherously giving up astride him. 

That didn’t please you in the slightest. You wanted him to be close, too: slid a hand up his chest and angrily tugged at one nipple—chortling when his mouth dropped in a stunned gasp. Bewildered, but he didn’t mind it—amber eyes squeezed shut when his head lolled, and you finally got his lovely moans back—raspier than before, ravenous enough to make your head spin. 

You could already feel it, pulsing somewhere deep within. Blurry vision couldn’t make him out anymore, the lab smudging into a mess of weird shapes—you were about to cum, hard, and Viktor threatened to follow suit any second—his thumb failing to hold steady, and yet the pressure was still there, courtlesly helping you chase that sweet relief. Such a gentleman. 

“Close,” you chanted. “So, so close.” 

“I know,” he answered, choking on a groan. “Me too.” 

And you melted, almost crushing him with your weight. Quivering in a spasm so intense that it had him struggling to keep moving, and yet he was mindful of the risk—used the last fractions of his brain capacity to gently nudge you off his cock and pump it fast and hectic. Cumming in one endlessly thick rope, with a moan so vocal that it reached you even through the layers of foggy, ear-buzzing aftermath. Had you shuddering when you clung off his shoulder, glassy eyes wide with trembling astonishment. You stared at him through the approaching wave of disbelief. 

No signs of regret so far, or maybe it was simply still forming—for now, you silently admired not a snarky bastard, but a pretty, fucked out boy beneath you. 

“Oh, would you look at that.” Viktor chuckled, sheepishly looking down. “I didn’t forget.”

“What?” You mumbled in confusion, following his gaze.

And when it finally caught your attention—sticky and relentlessly staining his pants—you slammed a hand over your mouth, muffling the hysterical laughter. 

“And here I thought I finally fucked your remarkable memory out.”

“Oh, by no means. As, eh… intense as that was, that misery of mine is not going anywhere. However,” he trailed off, his hand skittishly moving towards yours, “sex clearly proved beneficial for our… dynamic.”

You smile, sliding your palm into his warm grasp. 

“Can it ensure us enough civility to win the competition?”

And Viktor scoffs, coyly looking you in the eye. 

“Why should we limit it to just that?” 

[copperbadge]

I'm getting depressingly good at identifying the formula for Pop Academic Books About ADHD.

Regardless of their philosophy it pretty much goes like this:

1. Emotionally sensitive essay about the struggle of ADHD and the author's personal experience with it as both a person with ADHD and a healthcare professional.

2. Either during or directly following this, a lightly explicated catalogue of symptoms, illustrated by anecdotes from patient case studies. Optional: frequent, heavy use of metaphor to explain ADHD-driven behavior.

3. Several chapters follow, each dedicated to a symptom; these have a mini-formula of their own. They open with a patient case study, discuss the highly relatable aspects of the specific symptom or behavior, then offer some lightweight examples of a treatment for the symptom, usually accompanied by follow up results from the earlier case studies.

4. Somewhere around halfway-to-two-thirds through the book, the author introduces the more in-depth explication of the treatment system (often their own homebrew) they are advocating. These are generally both personally-driven (as opposed to suggested cultural changes, which makes sense given these books' target audience, more on this later) and composed of an elaborate system of either behavior alteration or mental reframing. Whether this system is actually implementable by the average reader varies wildly.

5. A brief optional section on how to make use of ADHD as a tool (usually referring to ADHD or some of its symptoms as a superpower at least once). Sometimes this section restates the importance of using the systems from part 4 to harness that superpower. Frequently, if present, it feels like an afterthought.

6. Summation and list of further resources, often including other books which follow this formula.

I know I'm being a little sarcastic, but realistically there's nothing inherently wrong about the formula, like in itself it's not a red flag. It's just hilariously recognizable once you've noticed it.

It makes sense that these books advocate for the Reader With ADHD undertaking personal responsibility for their treatment, since these are in the tradition of self-help publishing. They're aimed at people who are already interested in doing their own research on their disability and possible ways to handle it. It's not really fair to ask them to be policy manuals, but I do find it interesting that even books which advocate stuff like volunteering (for whatever reason, usually to do with socialization issues and isolation, often DBT-adjacent) never suggest disability activism either generally or with an ADHD-specific bent.

None of these books suggest that perhaps life with ADHD could be made easier with increased accommodations or ease of medication access, and that it might be in a person's best interest to engage in political advocacy surrounding these and other disability-related issues. Or that activism related to ADHD might help to give someone with ADHD a stronger sense of ownership of their unique neurology. Or that if you have ADHD the idea of activism or even medical self-advocacy is crushingly stressful, and ways that stress might be dealt with.

It does make me want to write one of my own. "The Deviant Chaos Guide To Being A Miscreant With ADHD". Includes chapters on how to get an actual accurate assessment, tips for managing a prescription for a controlled substance, medical and psychiatric self-advocacy for people who are conditioned against confrontation, When To Lie About Being Neurodivergent, policy suggestions for ADHD-related legislation, tips for activism while executively dysfunked, and to close the book a biting satire of the pop media idea of self-care. ("Feeling sad? Make yourself a nice pot of chicken soup from scratch and you'll feel better in no time. Stay tuned after this rambling personal essay for the most mediocre chicken soup recipe you've ever seen!" "Have you considered planning and executing an overly elaborate criminal heist as a way to meet people and stay busy?")

Every case study or personal anecdote in the book will have a different name and demographics attached but will also make it obvious that they are all really just me, in the prose equivalent of a cheap wig, writing about my life. "Kelly, age seven, says she struggles to stay organized using the systems neurotypical children might find easy. I had to design my own accounting spreadsheet in order to make sure I always have enough in checking to cover the mortgage, she told me, fidgeting with the pop socket on her smartphone."

I feel a little bad making fun, because these books are often the best resource people can get (in itself concerning). It's like how despite my dislike of AA, I don't dunk on it in public because I don't want to offer people an excuse not to seek help. It feels like punching down to criticize these books, even though it's a swing at an industry that is mainly, it seems, here to profit from me. But one does get tired of skimming the hype for the real content only to find the real content isn't that useful either.

Les (not his real name) was diagnosed at the age of 236. Charming, well-read, and wealthy, he still spent much of his afterlife feeling deeply inadequate about his perceived shortcomings. "Vampire culture doesn't really acknowledge ADHD as a condition," he says. "My sire wouldn't understand, even though he probably has it as well. You should see the number of coffins containing the soil of his homeland that he's left lying forgotten all over Europe." A late diagnosis validated his feelings of difference, but on its own can't help when he hyperfocuses on seducing mortals who cross his path and forgets to get home before sunrise. "I have stock in sunburn gel companies," he jokes.

[homunculus-argument]

It just occurred to me that you could use comedy as a way of truly illustrating what a culture is all about. Ultimately, the things that people tend to find funny is whatever they've been raised to think of as inappropriate, so comedy is a way to show what the ideals of this people are - by presenting a mirror image of it. Something that the people fear to be or become, deep down.

A culture that is high-context, deeply conservative, traditional, and dead serious in all things would find it funny to see someone unwittingly fuck up so badly that their entire family line has been shamed for generations, and doesn't even seem to understand it. A fool insulting someone important right to their face is so inappropriate that it's funny - but the laughter isn't aimed at the insulted person, the audience laughs at the fool.

While a people who generally do not take themselves or life too seriously would laugh at the people who do. It's silly, laughable and embarrassing to make a huge deal about everything and get offended when other people don't take it as seriously. It's ridiculous for someone to sulk like a child over something like that.

Consider a culture of warrior nomads, who gather once per year for a celebration of their common roots, to trade goods and occasionally members, and meet friends and relatives from other clans. And as one of the features of the gathering, they perform plays. And one of the stock characters of their comedies is the simpering coward, who keeps making or finding trouble and then has his mother fight his fights for him.

And this role is traditionally played by the biggest, burliest man that the clan has, purely because someone who couldn't brawl his way out of problems he causes by having more mouth than muscle simply isn't funny, it's just sad. But a strong man who could be a warrior folding immediately when the beef he started actually finds him is shit-your-pants-laughing hilarious.

While anyone of any clan would be ashamed to have such a man for a son, spouse or friend, within a play such a spectacle is nothing but fun and games. And while the audience roars with laughter and even heckles, playing the role of the coward is not a shame, but as a matter of fact it is downright an honour. After all, it's a much harder man who volunteers to be a laughingstock, than someone who'll stab anyone at the drop of a hat for any hint of disrespect.

[mossy-aro]

Aspec Video Essay Masterpost

This is a resource masterpost intending to compile together the video essays pertaining to asexuality and aromanticism and affiliated topics online! I'm only going to be including videos that are 15+ minutes long (to qualify as a 'video essay') - of course if anyone has suggestions please feel free to contribute! This is a community project!

Compulsory Sexuality, Comphet & Asexual Alienation by Evie Lupine - slightly less of a video essay and more chatty but she does talk about academic articles on compulsory sexuality. She also did a podcast episode with @theacecouple (here: Asexuality and Kink ft. Evie Lupine) which was very interesting!

Amatonormativity by Tara Mooknee - one I've recced on here before! Definitely a bit 101 and aimed at an allo audience but still worth a watch!

The hell of "sad singles" set ups & the need for found family by Bryony Claire - sent to me! I'm afraid I haven't seen it yet.

is love a social construct? by oliSUNvia - recommended to me by a friend! Again, I haven’t watched it yet but I know pertains to the wider discourse around romantic love + amatonormativity.

Are Aromantic and Asexual Representation Queer Enough? (Buddy Daddies) by VIKA - I haven't seen this series but it's an aspec reading / analysis on the main relationship in the show!

How Romance Paths in Games Fail Asexual Players (and How to Fix it) by DarkTeaTime - sent to me! I haven’t seen it yet but it’s about asexual players + gaming :) for some reason it won’t let me embed the url but someone has left a link in the notes down below!!

Rowan Ellis has a few here:

the chronically online state of asexual discourse - I've recced this one before on this blog and I still highly recommend it!

The Rise of Asexual Representation

They've also done an interview with Alice Oseman about aspec representation but it's more of a discussion than a video essay, so I haven't included it.

Spacey Aces (their entire channel is dedicated to discussing aspec topics so check that out if that interests you!) - most of their content is more chat/101 focused and not so much video essay-y but I've picked two which I think qualify:

A-specs vs Amatonormative Media (and the world)

Lavender Marriage | a history of purple and relationship anarchy in the queer community

David J Bradley has quite a few essays, here:

Alone. Not Alive. | A Queer Reading Of Company

Sherlock Holmes: Asexual Icon

That One Time House Cured Asexuality

Maybe You Haven't Met The Right Person Yet | An Asexual Video Essay

Asexuals and Sex - more of an explanatory 101 video but still felt like I should include it!

Meghan Sandor has some here:

Polyamory, Relationship Anarchy & Queerplatonic Partnerships: Are They Really the Same Thing?

Asexuality and Kink: Why Do So Many Aces Love It?

[lightfeltmemories]

dungeon meshi | delicious in dungeon; reactions to reader having a crush on them / having a crush on reader

dungeon meshi various x gender neutral reader

note: hey everyone, please be mindful that this is the very first time writing for these characters, i have watched every available episode but i am still reading the manga (though i do have a general idea about the setting and the characters backstories and personalities) so if any characters are ooc to you my apologies, don't be harsh im new here lol. sorry some of them are shorter than others i kind of ran out of ideas when it came to certain characters :p let me know in the comments or reblogs or more preferably in my ask box if you want me to do any other character.

characters: laois, falin, chilchuck, marcille, senshi, namari, shuro, izutsumi (i'm adding her here because feels weird leaving her out when i've added former members of the party, also this is purely sfw so nothing weird will be aimed towards her.)

trigger warnings: nothing out of the ordinary but just read the manga or watch the anime before reading this.

if you like this and my other fanfics, please be considerate to reblog my work, it not only helps reach a broader audience but it also motivates me to make more content like this!

laois touden

reader's crush: when laois finds out that you have a crush on him, his reaction is.. well, how do we put it this way? is he flattered? yes and no, he doesn't see himself as ugly but also doesn't look at himself as the most handsome guy in the world, but someone straight up having a crush on him is kind of new, he doesn't really care much for relationships at the very moment but has thought about settling down with someone he likes, will it be you?

laois' crush: when it comes to having a crush, he tries to be his normal self around you, but sometimes can't help but be a little nervous especially when the two of you are alone, sooner or later he comes to the conclusion of realizing the he indeed, likes you, but confessing is the hard part, he's never thought much about rejection, it is a normal part of life after all, but when it comes to you? it's an entirely different ball game.

falin touden

reader's crush: falin already has someone chasing after her; shuro, theres a 50/50 chance of her reaction to reader's crush being the same as shuro's, but could there be a different reaction this time?

falin's reaction: surprisingly less shy than her brother, when she comes to this conclusion she'll build up the right time to actually confess, not wanting to rush things, just watch out for shuro i guess.

chilchuck tims

reader's crush: chilchuck learning about reader's crush is a bit sad, though he's no stranger to romance as he not only had a wife but also three whole kids, he's not really good with emotions so he's kind of scared you'll leave him just like his wife did, so, if reader confesses, there's gonna be a high chance that you'll be rejected, just give it some time.

chilchuck's crush: this weird feeling in his chest whenever he see's you will confuse him at first.. there's no way he has a crush on you?? after his wife leaving him he didn't really have any interest in romance, he might as well just focus on his work at the moment, one of these days he'll bring up the courage to confess, just not right now.

marcille donato

reader's crush: she can't really decide on whether she'll return the feelings or not, definitely flattered is what i'll say.

marcille's crush: she's similar to falin, she'll build up a better relationship with you for the right time to confess, she tries to make it seem as if she's not into you but it's quite obvious to the other party members.

senshi of izganda

reader's crush: out of everyone, he'll definitely be the most flattered, someone having a crush on him wasn't something he put much thought into, not to mention romance kind of isn't his thing, nor does he think he have the time for a significant other.

senshi's crush: i don't think this is the very first time he's ever had feelings for someone, but it's definitely a special feeling, he's not nervous of confessing his feelings at all actually, and he's not that sensitive to rejection.

namari

reader's crush: namari wouldn't really know how to react, honestly, she's never given the idea of someone having a crush on her much thought, she won't care much about rejecting the reader, at least she's honest.

namari's crush: her crush will be a bit hard to spot but when it comes to you, there will be a notable soft spot, she treats you like everyone else and isn't afraid to scold you if you do something wrong.

shuro | toshiro nakamoto

reader's crush: in an au where he still has feelings for falin, he immediately rejects you, telling you boldly that his heart is for falin and falin alone, but lets go to an au where he either loses interest in her or doesn't like her at all; definitely flattered, someone liking him (back) isn't unheard of but it is... nice?

shuro's crush: just look at what he does with falin, he will propose to you at some point, of course when time goes by and he starts to fall for you harder and harder, until he just can't contain it anymore.

izutsumi

reader's crush: very, very strange, someone having a crush on her is.. almost unheard of, or she doesn't pay much attention, anywho, she doesn't know... how to react? she knows what to do if she doesn't return the feelings but... someone liking her is just weird lmao.

izutsumi's crush: she won't make it obvious.... or try to at least, she accepts affection from you much more than she does from the others and sticks by your side more.

[penguin-stars]

You know one of my favorite things about this novel?

Is that Cale (Well, Kim Rok Soo) actually acts his age (36)

I personally haven't read many Isekais aimed at male audiences, so I can't speak for those

I have, however read quite a bit of Otome Isekais

And one of the things that annoys me the most about the genre, is when the protagonist, usually an adult woman, gets reincarnated into a baby, a child or a teenager and you sometimes forget their actual age because some of the things they do, some of the decisions they make are /baffling/ when you remember they're a grown ass adult

But with Cale is quite the opposite, people around him are often left scratching their heads at some of his actions and level of maturity ("Aren't you supposed to be 18-20?")

Hell, one time he told Raon that he is "30 years older than him" only to remember mid-phrase that nope, he's actually supposed to be only 15 years older

-Spoilers for P1-

And it's also very funny when Alberu finds out that Cale is, in fact actually older than him, his reaction is pure gold because he's supposed to be the hyung around here you know?

[endless-ineffabilities]

chemical override (6)

Ewan Mitchell x actress!reader

a/n: I hope you all have found ways to cope after the breakup, but here all your questions will be answered on what went down pre-August! Special shoutout to @just-fics-station @thepurplecrown @clarkysblog @hotdismylife and @sprinklesprinkle888 for sharing your ideas and indulging me with the lovely, crazy discourse!

To everyone, I am so chuffed at how this has become OUR story - our lil self-indulgent Ewan Nation production. You all are aces <3

series masterlist ▪︎ main masterlist

In the aftermath of the breakup, the reader and Ewan throw themselves into their work, trying (and failing) to avoid any trace of the other. Will they remain this way - former lovers doomed to drift in each other's orbit?

Some time before August

New York City

The lush office was laden with expensive wooden antiques, one side with built-in shelves displaying film awards and plaques of varying degrees of prestige. A full glass minibar occupied the other side.

The casting director introduced himself as Bruce, insisting that Ewan call him by his first name and not any of that "sir or similar stick-up-the-ass names". Ewan can see him as a mentor or maybe even a friend, Bruce insisted.

After all, they were going to help each other out a lot.

The discussion was straightforward enough, never mind the saccharine tone Bruce seemed to be so good at. Aimed at making Ewan feel welcome, coddling him, remarking with awe at his projects thus far. But there was a fakeness to it. Ewan steeled himself, trying to adapt to the style of conversation. After all, if he is in this for the long haul, then he would have to get used to these situations.

Bruce appraised him, leaning back on his leather swivel chair. "How are you with the fantasy genre? All that YA, lovesick stuff the kids eat up so eagerly nowadays? Personally, I haven't got the taste for it, but it always makes bank, if you know what I mean."

"Oh, well, I'm a fan of all movies. I definitely see why the fantasy genre has made such an impact on audiences, especially with the romance element, you know, I get the appeal."

"Well, son, we've got a solid franchise in our hands here. Some adaptation of an elf-human love story, mind you, it sound ridiculous, but you know how it is. And the team seems to be in agreement - you fit the bill for the male lead. The male elf lead - " he almost guffawed at the thought, then collected himself " - hope you don't mind my saying that you've got elvish features yourself. Long nose, long jaw, lanky. The teens are going to eat you up."

"Ah," Ewan smiled curtly, nodding. There was a backhanded compliment if he ever heard one. "Well, sir, I've read the script - at least, the bit that was sent to me - and it looks quite promising. I'd be honoured to - "

"Of course, of course!" Bruce exclaimed in pleasure, cutting Ewan off mid-sentence. "And there's the case of your leading lady, and this all boils down to chemistry as you know. Our top contender is that Jenna Ortega girl from the Netflix show, you know her?"

Ewan nodded, well aware. He's seen her work, and thinks that she is a top actress of her generation, but leave it to Bruce to reduce her to being that girl from the Netflix show.

"Yes, she's a very talented actress," Ewan replied.

Bruce hums in agreement, head bobbing as a smirk materialises on his face. "Think she's a looker?" he said openly, without shame.

Ewan laughed nervously, his words caught in his throat.

Bruce, characteriscally oblivious to the discomfort of others, carried on. "I only ask because we're going to need you two to be pretty chummy with each other when you jump on this project. It's kind of a condition of the whole thing, but really nothing to concern yourself with." He waved a hand in the air, his proposition barely carrying any weight in his mind. But Ewan was catching on, and he started to develop a dislike about the whole deal.

"What do you mean?" Ewan asked.

"It's pretty common in this business, son. There's a reason why young, new actors like yourself opt to remain unattached so to speak, so they're always open to a PR arrangement or, you know, just so their - your - hoards of fans would think they got a chance with you," Bruce explains lazily. "In this case, since you and Ortega are, as I said, unattached, getting you two together would fuckin' do wonders for our movie."

Our movie, he said, convinced that Ewan was all in, because why would any young actor refuse such a golden opportunity? Franchises like this can set up an entire mainstream Hollywood career.

Ewan thought that he wasn't unattached. Granted, his date with you was yet to happen, but he already felt bound to you. He wished you were the one tapped to be his love interest. Very little acting would be needed there. Maybe he might even be inclined to go along with the idea of selling the relationship, using it for publicity for the film, but even that made him uneasy.

The industry offered a lot of privileges, but more often than not, they come at a cost.

"Sir, I - "

"Bruce."

"Right, sorry. Bruce, I have to tell you that I'm not exactly unattached."

"Got a partner?"

Ewan actually found himself smiling at the thought of you being called his partner. His first easy smile since entering this office. "Yes, she's an actress herself," he agreed.

"I heard of her?" Bruce asked with obvious disinterest. You were but a wedge in his flawless plan.

"She's kind of a new talent like me, but she's brilliant. She plays Alyna Rivers in our show."

"Ah her," Bruce loosened up a little. "I get it, she's a piece."

Ewan cleared his throat loudly, his jaw clenching on instinct. "So, like I said, I'm with her. I'm sorry but this whole PR arrangement with Jenna wouldn't work."

"Look, kid, I want my movie to do well, alright? I got a lot invested here. This PR thing has proven to be highly bankable time and time again. If you don't trust me, I can ask the team to show you the data on all that. It's a lot of boring numbers, but shit, the numbers are never wrong."

"I don't need to see - "

"If you wanna be with your girl, you can, but you just gotta learn to hide it. Sweep it under the rug, you know. Don't canoodle in public, you crazy kids," Bruce offered, like that made things any better.

"You want me to hide my relationship?"

"Hey, now, come on. Word gets around. Isn't your girl also doing this exact same thing with Jacob Elordi?"

"Not anymore, I don't think," Ewan clarifies, "and that was... that was hardly anything. They weren't obligated to do it. It just worked by chance because they were both single for a time."

"Po-ta-to, po-tah-to." Bruce clicked his tongue before making his next point. "So you see how it works, your thing with Ortega won't be any different."

"Do I have a choice?" There it is, the defining factor.

Bruce smiled slowly. The calculating and menacing air about him intensified, and it was obvious he was not there to be Ewan's friend.

"It would be stupid to refuse something like this, kid."

Ewan's blue eyes flashed in return. None of this was ideal, but his nan raised him well, and he knew better than to falter on his values in times of trial.

"Sir, what's stupid is if you ask me to hide my real relationship for the sake of mere publicity for a film."

"Stupid you say?" Bruce sneered, having already discarded Ewan in his mind, his fragile ego bruised. "What a shame."

There wasn't much to say after that. Bruce was clearly not disinclined to reveal the ice that settled in his veins, and it dawned on Ewan that it had always been the case. There was no true hospitality here.

For bigwig casting director-slash-execs like Bruce, this was a transaction. And Ewan was not about to put what he has, or what he could have, with you on the line.

There has to be another way to advance his career. If not bigger productions, then at least those with less domineering producers.

"That is a shame," Ewan said, getting up from his seat. "I won't waste any more of your time, sir. Thank you for considering me."

Bruce's eyes darkened even further. "You're actually refusing me? For some girl?"

Another genuine smile formed on Ewan's face at the thought of you. Some girl.

But you're not just some girl. He nodded without a trace of doubt in his mind, before reaching out to shake Bruce's hand. "If you don't mind, sir... I have to go and see my darling."

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Near the end of August

Los Angeles

The modern space sported a minimalist yet rustic feel, the interiors a blend of sterile white and sleek wooden surfaces. Very LA, as they say. The windowed walls offered plenty of light, as well as precious views of the valley below.

"Thank you for agreeing to meet with me, Donna," you greeted Ewan's publicist as she ushered you in her LA office.

"No problem at all, sweetheart," she said. "Please, have a seat. Would you like some coffee or tea? Ewan always has his coffee with way, way too much sugar. Mind you, if that kid wasn't active and boxing all the time, I'd be worried for his health."

You smiled fondly at her genuine concern. "Don't even mention the cigarettes."

"Oh, yeah," she scoffed, settling down on the chair across from you. She could have sat down at her desk, making the meeting more official, but Donna's always had a friendly and open way about her. "So, my sweet, how's your new movie coming up?"

You respond eagerly. The dialogue flowed freely, talking about your film and the lukewarm reception of season 2 of House of The Dragon. And finally, Ewan.

"I really thought he would get the Greta Gerwig film," you said. "Everyone said he was perfect for it. I think Greta herself had nothing but praises for him when they met on Zoom."

She sighed thoughtfully, "I thought so too. And, theoretically, he did have that one almost booked up. But there was an issue with one of the producers, which - I don't even want to get into that."

You shook your head, catching on whom she hinted at. "Donna, I heard... well, it didn't go too well in New York, didn't it? Ewan told me about it but... if you can tell me more, I just want to understand why - "

"Sweetheart," she offered a smile, but it doesn't reach her eyes, "you should talk about this with Ewan."

"I tried. But he wouldn't budge. Mallory told me... that it might have been because of me that he didn't get the role? And also why he's struggling to get roles now? Donna, I... I can't have that."

It took some time for her to formulate a response. She didn't want to step in something that's none of her business. Your relationship with Ewan is yours. But when his career is on the line, she supposed that she needed to have some say in that.

"He met with this top producer in New York. This real old money Hollywood guy. For decades, he's built careers for the greats, you know - Pitt, DiCaprio, Theron, and whatnot. There was a franchise project practically offered to him on a plate, but Ewan refused, because a non-negotiable was that he would have to hide you in favour of a PR arrangement with his leading lady."

You swallowed, the weight of the truth making itself clear. "Couldn't he have just done the movie without that?"

"You would think," she grimaced, "but some producers... when they want something, they have to get it. And well, Bruce wasn't lying, that would have sold the movie well."

"I thought we were past this," you expressed sadly. "I understand how PR relationships work. Just recently, I found myself kind of in the middle of one. But there was no pressure, it wasn't forced on us, and it was meant to be all in good fun."

"I know, sweetheart," she insisted, reaching out to squeeze your hand. "Bruce is an outlier now. Most of the time you do get lucky, with an all-around supportive production team, just like with your project with Elordi."

You hummed in agreement on that positive note, but your mind kept drifting back to Ewan.

Donna continued, wrapping up her story, "but Bruce is still here, and he still has a lot of power. But you know, it'll be fine. Ewan's got such a huge fanbase and so much talent that it'll only be a matter of time before something else knocks on his door."

You wanted to share her sense of optimism, but something ate at you. What else will Ewan have to sacrifice just to be with you? This was his dream, his one dream, and you were standing in the way. How much longer before he is offered another project but he refuses to take it for your sake? Your thoughts blurred together, bordering on irrational, but you couldn't help it.

All you could picture was the unabashed sincerity on his face, that sense of wonder, when he told you that acting had always been his dream.

Being tied down to you, this early in his career, would surely only hurt him. And you don't think you're worth it.

"Ewan loves you, sweetheart. Anyone with eyes can see that," Donna said after a while, heeding the storm brewing in your expression.

He loves you. It was true.

Less than a month in, and you've already found yourself with a love that you've never felt before. And perhaps never will again.

And that was the problem.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Late September

The podcast moderators are overly welcoming, if not a little loud for Ewan's taste.

The BBC podcast is called Loose Ends, and it's one of the first things Ewan agreed to take on upon returning to England.

He had wanted to head straight home to Derby, to bury himself in his heartache and bitterness, but the team for the show tapped him for a couple more promotional stints, riding on the high of the season finale. And who better than Ewan to offer to the media, the undeniable fan favourite.

Clad in an old gray shirt and blue jeans, people would think he just rolled right out of bed. He didn't really have the motivation to put in more effort. The only striking thing about him is his newly bleached head of hair, supervised by his stylist for a photoshoot a few days ago.

It was ironic, the timing of such a change. Ewan knew that if word got out that you dumped him, he would never hear the end of the joke of that being the reason for his hairstyle change, typical of all heartbroken sods.

Everyone bursts into laughter when he tells them about his mum's reaction to his nude scene. It feels like going through the motions, and he must have been so out of it, so forlorn, that his team prepared an outline for him prior to the interview. The questions and answers all pre-agreed.

Make them laugh. React as required. Remember to speak when spoken to. The mantra goes on in his head.

And don't think about her.

An impossible task, worsened when a moderator goes off script and asks, "Now it wasn't me who saw this, as I'm not on social media myself, but one of our interns did mention that you ventured into Instagram recently? Is that true?"

Oh fuck.

"Mmm, yeah, I guess," Ewan laughs nervously, his hand massaging the back of his neck in a self-soothing motion.

"And your first post went viral? What can you tell us about that? Our listeners would love to know."

"Uhhhm - " He remembers that the broadcast is live, and he can't exactly ask them to edit this part out, so he quickly settles for something indirect. Inconclusive. Safe. " - did it go viral? I'm not too sure how that thing works. I haven't used any kind of social media before."

"Apparently it did! And it had to do with the subject featured in that photo, Ewan. Your costar - "

"Mmm," Ewan stops him there, "didn't you say that you don't use Instagram?"

"No, I think I'm too old!" The moderator laughs.

"It's insane, that whole thing," Ewan shakes his head. "I don't know how to handle it. I'm logged off most of the time."

"Oh, you log off?"

"Yeah, yeah, helps me keep my focus, you know. Keep calm and all that."

"It can get frivolous, can't it?"

Ewan hums in agreement, and thankfully, the moderator moves on to his last question. One that does not breach the subject of you.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Another day means yet another media stint for Ewan, this time for Now TV.

Still in London, his stylist Davey and the rest of the team prepare him for a day of brief interview clips, to be posted on the social media pages of the company.

Davey had half-joked about Ewan needing even more concealer than usual, the shadows under his eyes having significantly deepened after the breakup.

Some of his team have gotten wind of what happened. They would curiously ask about you, how often Ewan keeps in touch with you while you're on set...

You must be on FaceTime everyday!

Is it hard to be doing long-distance so soon?

Do you miss her? Is that why you're not getting any rest?

...but Ewan would only laugh uncomfortably, dismiss it by bringing up another topic or shifting the attention to someone else, or excuse himself to go for a smoke.

He'd been drowning himself in cigarettes and caffeine during the day, pint after pint in the nighttime. Aimless.

He is coping. He knows how it must look, but he deserves this. He deserves to drift for a while. It's the only thing he can do to keep himself from jumping on the next flight to Atlanta and begging for your hand back.

You said you love him. You did. He hangs on to it like a beacon in a storm. No matter how pointless it may seem, with you choosing someone else over him.

Work is becoming something of an anchor, something that keeps him from spiralling. He's an actor, and he has always wanted to be an actor. People now have expectations of him, and he will answer the call.

The interview session begins with generic questioning, stuff he's answered before on several occasions.

How special is the bond between dragon and rider?

What is a funny moment from set that you can share?

How similar are Aemond and Daemon?

All safe. He's proud of himself for not breaking mental clarity thus far. You're in the back of his mind, dormant as a memory, and not something looming darkly over him. For a while, at least.

But then he is asked, If you could invite any 5 people to a Ewan Mitchell dinner party, who would you pick?

"Matthew McConaughey - "

You.

" - Bruce Lee. I think they could strike up an interesting conversation - "

Your name echoes in his mind, and he can't control it.

" - Andrea Riseborough. She's just a chameleon, like in any role she undertakes -

You have great taste. Even if you would make him eat spicy food again, he'll take it. He'll endure anything for you.

He's stumped for a second, lump in his throat, and his effort in avoiding you leads him to mention someone who will always be a comfort to him.

" - Maybe my nan, because I miss her -

Your name. He has to say your name. Who else? Think of someone else.. but who else? Who would be better?

" - and then, another person. Let's make it from the show... it would be Alyna Rivers."

"Oh really?" The interviewer asks. She's not really meant to respond in this instance, but she knows that the fans would go crazy about any mention of you or your character, so why not jump on this opportunity? "Can you tell us why you chose her?"

"Uhhm, well, she's just an amazing character, you know, fiercely loyal, beautiful, tenacious," Ewan replies easily, "so yeah, she would make for good company."

It is obvious that he is describing you just as much as he does Alyna Rivers, and no doubt, the fans will catch on to this detail.

Later, he's asked about his favourite part about season two, and he duly answers, "Seeing more of Aemond and Vhagar's bond and how that perhaps have gotten stronger. Aemond has definitely reined her in, after the accident at Storm's End."

Then, "There are some new additions to the show. Do you have a particular favourite?"

Another obvious piece of bait. And he takes it, he doesn't care anymore. What's the use of denying the truth?

"A favourite new character? Oh, well, uhmm... I really do like Alyna, and I think I've said before that Aemond and her are quite similar in a sense that they both know what they want and how to achieve it. It's just a shame they're on opposing sides, because if those two get together... " he trails off, leaving it up to the audiences to fill in the rest of the thought.

And they eagerly do. The clips where Ewan mentions Alyna get the most traction, flooded with comments that more or less talk of the same thing -

We know why you chose Alyna, Ewan. We know your ways.

He could have said Alys. Or Gwayne. Or even the ghost of Daeron ffs. But nooooo.... it's Alyna Alyna Alyna 😮‍💨

I wonder if she's there behind the scenes

yeah shes definitely lurking in the background!

Aemond and Alyna better have at least a scene together in season 3!!!!!

Someone kidnap Ryan Condal and make him write this

Ewan doesn't see any of it. Not that he's missing out, because he soon feels the need to call his younger cousin to ask her how to turn off his notifications on Instagram.

Day in and day out, his one single post gets dozens of new comments and likes, a brutal reminder of what he's lost. He could just delete it, and get rid of his profile entirely, but he hates to imagine the discourse that would follow.

All the invasive allegations and rumours. So he leaves it be. It makes no difference to him now. Let people believe what they want.

To his chagrin, he finds himself scrolling on his home page once in a while. The addictive element to it was true, and for him, it's exacerbated because the things he sees are often related to you.

Photos of you from fanpages and news accounts. Ones where your friends have tagged you. It's a toxic habit, looking through it all, but he can't help himself.

Then one day, as he's slouched on the seat in his London apartment, phone propped on his knees, he sees a cutout photo of his face on the corner of the screen. He clicks on it, and it's an image of him interposed among different posts. Posts which he apparently liked.

"Oh for fuck's sake," he cusses at himself, reading the caption.

Boyfriend lurking? - Ewan Mitchell may play a formidable TV villain, but in real life, he's just like us. Click on the link in bio to see his series of liked posts!

Dread takes root in him, followed by self-loathing. Why couldn't he just keep off this bloody thing? He takes to the comments to see what he has allegedly liked on accident and it's predictably photos of you - you at a premiere, stills of you as Alyna, and even, heavens fucking forbid, a behind the scenes shot of you getting pretty close with Jacob Elordi on the set of your film.

He vividly remembers seeing that last one, because he went on a bender after coming across it.

Cursing himself and his wayward, sticky fingers, he exits the app and deletes it from his phone.

Whatever goes on there, whatever people might leave on his profile, he washes his hands of it.

He calls up several of his mates, asking them if they want to come over for a few drinks.

"Again, Ewan?" one of them exclaims. "C'mon, you gotta take a breather, mate."

"I don't need a breather." I need her.

"Ewan - "

His composure breaks, all his damned frustrations rising to the surface, and he confesses, "I wonder if she thinks about me."

"Hang in there, mate. We're coming over."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

October

The director finally yells a satisfied, "Cut!"

It's only taken a good twenty-something takes for you and Jacob to nail a challenging scene. You had been on a roll since the beginning of the shoot, the last few weeks seemingly a breeze on paper, though it's a constant struggle to keep it together.

You've had to quell your internal dialogue so it does not stray to him. His smile. The feel of his skin against yours. His way of subtly picking up on details, and doing sweet things that surprise you as a result.

But you received word just before the scene that a few of your friends have come to visit, waiting back at your trailer - Phia, Fabien and his girlfriend, Bella.

And so, as if on instinct, Ewan is all you can focus on, every repressed memory of him rushing in like a tidal wave.

Do they know? What could you possibly say to justify what you did? You can only hope he took on that project, to give you a bitter sense of vindication.

It's the only thing that keeps it all the bay, the only thing that keeps you from jumping on the next flight to England and grovelling at his door.

Phia has her arms wrapped around you the moment you open the door to your trailer, loudly squealing, "I missed you!"

You sink into the hug, comforted by her presence.

As well as the fact that she represents some connection to Ewan.

Phia, Helaena. Helaena, Aemond. Aemond, Ewan.

It's a sick game to play, but it's what you have.

"Hey, yous," you hug Fabien and Bella in turn. Not long after, you're all lounging on director's chairs right outside your trailer, enjoying a bit of sun.

"How's our big Hollywood star?" Phia quips, her lips curling in her trademark pleasant upturn.

"Hardly a star," you shake your head fondly. "More of an indie darling."

"Of course, of course," she relents, before going on a monologue about how she's been keeping tabs on your project, how she just adores the costume designer whom she spoke to at length while you were working, and how the rest of the cast is rooting for you.

The rest of the cast.

"Ah, are they?" you ask, making a conscious effort to not simply blurt out his name. What does he think? Has he mentioned you at all?

Do they know?

Do they secretly hate you for what you did?

"Mhmm, right Fabs?" she says.

"Oh, definitely." Fabien agrees right away.

"How's your film? Are you done shooting in Philly?" you ask him.

"Just about done, but I think we're doing some final reshoots next week. I'm just glad my girl's here to visit," he slings an arm around Bella, who smiles and leans closer to him.

You smile at the sight, but it visibly falters. Ewan could be visiting you on set right now, just like Bella with Fabien, if you hadn't fucked it all up.

They notice.

"Love," Phia sighs, her tone softening. "I just want you know - we want you know - we're here for you, okay? No matter what you went through with... " A pause. Like saying his name would open up the floodgates.

Your gaze falls to your lap in shame. You pick on invisible lint on your trousers. Bite your lip. Breathe deeply.

Don't cry, don't cry, don't cry.

"So you guys know, huh?"

"Well, more or less," Phia says. "I just spoke with... Ewan... recently. He's back in Derby for the time being, and he's - "

"He's a bit rough," Fabien says firmly. He's not taking sides here, but he's heard from Ewan, and he feels the need to have his mate's back. "Look, I don't want to pry, but what happened? It seemed like you guys were doing so well together!"

"You don't have to tell us," Phia adds, shooting Fabien a look. "But if you want to, we're here to listen. We love you both and we just want to help, love."

You feel your eyes welling up. Leave it to Phia to be oh so sweet. You can't lie to them, you don't want to. Even if you did, they would see right through it.

Your friends know you too well.

"I... I miss him."

Phia squeezes your hand, and the whole story is about to spill out of you when you hear your name being called.

It's your assistant Clara, letting you know you're needed back on set.

You swallow back tears, standing on your feet, trying to maintain enough composure so you can grant yourself access back to your character.

"Go do your thing, superstar," Phia smiles comfortingly. "We'll be here when you're ready."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

November

"I'd like to propose a toast," Tom declares out loud in the empty pub, "to Ewan, Hollywood's new elf... Lord? Prince? Ah sod it, cheers!"

Round the table, Ewan, Fabien, Luke and Elliott all raise their pints with a collective, "Hear, hear!"

The pub has been cleared out for the lads, thanks to a favour called in by the twins, with the owner being their gym buddy and good friend.

"Thank you," Ewan replies, smirking. "I am your new elf prince, address me as such."

"Your ears have never been pointier, mate," Luke quips.

After a month of moping back home in Derby, or recovering as Ewan prefers to put it, he got a call from his manager telling him that the offer from Bruce still stands.

Apparently, the production team for the movie still had him tapped as the prime choice for the lead. After observing his audience metrics and overall viability, they decided that the movie would fare the best with him in it.

They had planted some half-baked announcements in the media, stating that it was Ewan against Joseph Quinn and Manny Jacinto for the role, and the fan reaction veered in Ewan's favour by a landslide.

Even though Bruce had an unsavoury word or two to say about him, he was willing to work past it, so long as Ewan would be more amenable to his demands.

After careful deliberation, Ewan chose to throw caution to the wind, and accept the role. So what if he has to pretend to have a real-life romance with Jenna? This is what you wanted.

"I'm glad you finally came out to see us, mate," Fabien says. "It's been a while."

"Yeah, fuck's sake. Remind us never to break your heart! That was tough to witness, you hunkerin' down out there all mopey and whatnot," Elliott laughs.

"Mmm." Ewan takes a swig of his beer to hide the wince he couldn't hold back. His friends, and most of the cast know by now, not in too much detail, of what went down between the two of you.

A typical short-lived romance of two actors. A summer fling. Most of them would look back and only see it as that.

Even though it was so much more. Even though Ewan still recalls how warm and soft and beautiful you felt as you whimpered underneath him, the loss of you as painful as getting hit by a freight train.

The liquor helps. Burying himself in work helps. Denial... well, that certainly helps the most.

When he goes out to the back garden for a smoke break with Fabien, he tricks himself into believing it's mere curiosity that compels him to say, "Phia mentioned that you guys went to Atlanta."

Fabien is rendered off guard, because he knows what's coming. "Yeah, we did. Bella came with us too. She was visiting me on set," he says, measuredly.

"Mmm." A long drag, a flick of ash towards the ground, an unaffected shrug - and eventually, with as impassive of a tone as he can muster, Ewan asks, "So how is she?"

Fabien smiles knowingly. "She's doing great. Her film's looking pretty good." He's privy to the truth, after he and Phia managed to gently coax it out of you over several martinis at a hotel bar in Atlanta. But he doesn't think it up to him to reveal that to Ewan, out of respect for your privacy.

While he might not share your sentiment, he thinks it's not in his place to tell Ewan that you basically lied for his sake.

But that doesn't mean he won't drop a helpful nugget or two.

"You know, I don't exactly know what's going on... but her and Jacob came across as nothing more than friends."

Ewan's hand freezes mid-air, the cigarette inches from his lips. He loathes the sense of hope that immediately bloomed in his chest. He's so bloody easy. One miniscule hint, and his delusions break through the wall of indifference he worked so hard to build.

"She said she has feelings for him," Ewan stresses, trying to convince himself. What was the fucking point of all this... this pain... if you never did?

"Hey, mate, I dunno," Fabien puts his hands up, "just telling you what I saw."

"It doesn't matter." It does. "She ended it." He wants you back, he will always want you back. "It's better this way."

"Is it?"

Ewan doesn't answer. He doesn't know how to, without grossly embellishing the truth.

Fabien watches his friend, sensing his hesitation as he averts his gaze. One thing becomes clear to him - you and Ewan are far from being over.

So he says, "She misses you, you know."

Ewan regards him with a stony look, one that slowly softens to reveal the broken boy inside. For but a moment, before he clears his throat and throws the butt of his cigarette on the ground.

"Let's head back inside."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

December

You're back in London, as production for your film is paused for the upcoming holiday season.

Work is supposed to be the last thing on your mind, but it just so happens that your manager has you booked for a chemistry read for a yet undisclosed film.

Phia came over to your apartment, insisting that she help you get ready. When you asked how she found out about your audition, she was quick to say that she was up for the role as well but didn't think it was right for her.

"Why not?" you ask, as she hovers over you, patting blush on the apples of your cheeks.

"Oh, you just get a feel for these things."

"Phi, it's just a chemistry read," you say, when she reaches for the mascara. "I don't need to get all dolled up for this."

She gasps, "Oh, but this is showbiz, darling. We always have to put a face on."

"Fine," you relent. "Do your worst."

The makeup she ends up doing on you is minimal, but it enhances your features just the right amount. You rush through your final preparations, folding up the script sample you were given and stuffing it in your purse.

Phia stands out on your balcony, in the middle of a call. The window screen is slightly open, so you hear snippets of the conversation as you walk by.

"Is he ready?" she asks. Who's he? You assume it's the guy you are doing the read with.

You don't know about him, but you are ready, so you stick your head out to say, "I gotta go, Phi."

"Oh!" She startles a little, angling her phone away. "Already?"

"Yeah, the read's at 4, I believe. Just lock the door when you leave, 'kay?"

She hurriedly whispers something to her phone, presumably ending her call. "I'll actually head out with you," she grins. "My work here is done anyway."

"Any plans for the night?"

She shrugs, "Might meet with Tom and Martha."

"Oh, why don't I meet you guys after my thing?"

"Uhhhm," she chews on her lip, thinking. Under her breath, you barely hear her mumble, "... hoping you'd be busy."

"What?" A restrained chuckle escapes you, confused as to why she's being so coy.

"Nothing," she tilts her head. "We can meet if you'd like."

The weird exchange is out of your mind when you arrive at the casting agency. You run the scene through in your head as you walk in the building, up the elevator, down the long hallway.

It's a heartfelt scene, if not a little tense, a dialogue between reunited ex-lovers.

Your manager Polina and publicist Mallory greet you at the doors, swiftly briefing you before directing you in.

"They're waiting, just walk right in, doll," Polina says.

"Okay, wish me luck!" You have your hand on the door handle when Mallory strangely remarks, "Don't hate us, sweetheart!"

"Why would I - "

"Go, go," Polina guides you in, then shuts the door behind you.

The office sports an spacious and open layout, with plenty of natural light streaming through large windows. The primary workstation is partially hidden behind a subtle partition. You see silhouettes of a few people behind it, so you walk down that way.

The figures reveal themselves soon enough - the casting agents you recognise as Patrick and Amie, sitting in front of the actor you're meant to read with.

A range of emotion washes over you, but you don't even have time to reckon with them. The casting agents divert your attention from Ewan, as they approach you with wide smiles in greeting.

"So nice to finally meet you!" Amie croons. "Take a seat. You two already know each other, of course. Between us, there won't really be a question of chemistry here."

"Right?" Patrick adds, looking between you and Ewan. "The fans sure think so, and we have to say we already agree."

"So just give us a minute to set up," Amie says. "Then we'll start."

You smile stiffly, settling down on the opposite end of the couch. You keep your gaze straight, trying to keep your attention on Patrick as he sets up the camera. Your heartbeat races the entire time, and you feel your hands getting clammy.

"They're all in on it," you hear Ewan say, prompting you to finally look at him directly. You take him in hungrily, admiring his outline, ever so handsome with his Targaryen-blonde hair and black leather jacket.

A weak "Mmm?" is all you can muster.

"Our teams, Tom, Phia... they set us up. Tom came over and I overheard him on the phone with Phia."

"Oh," you mumble. He doesn't even spare you a glance, leaning on the armrest on his side of the couch. He looks as if he'd rather be anywhere but here, next to you, and it hurts.

It's what you deserve.

"Is this not a real chemistry read?" you ask meekly.

"I suppose it is," he laughs humourlessly, "but it's not a coincidence that you and I just happen to be the only ones scheduled for today." He turns to you, giving you a critical sideways glance. "Didn't see that coming, did you?"

"I... I can leave if you want - "

"Mmm," his brows furrow, "you do seem to be good at that."

You look away. He is not being fair, but you weren't neither, that wretched night back in September.

And he is making you pay for it now.

But then you hear him speak in a softer tone, "Stay."

Stay. When you look at him once more, his attention is entirely on you, arm outstretched on the couch like he just tried to reach for you but decided against it.

Stay, he asked. So you do.

It's what you should have done, months ago.

"Okay, guys. Whenever you're ready," Amie says. She and Patrick take their seats in front of you, with the camera on a stand between them.

The script crinkles on your lap as you hold it with shaky fingers. "It's been a while," you read out your opening line.

The dialogue plays out twisted and ironic, now that you know who your scene partner is.

"Hardly," Ewan responds in character. "I feel like no time as passed."

"Feels like a lifetime."

He pauses, then sighs, "Do you even miss me?"

"How... how can you even ask me that?"

"How can I - "

"Why didn't you... why didn't you fight for me?" your voice breaks, the lines hitting a bit too close to home.

"You're a fucking hypocrite," he spits with venom. "You weren't exactly giving me anything to fight for."

"I did it for us. I did it all for us." If you didn't feel like crying at the weight of the scene, you would have rolled your eyes at the similarities.

"Like I said - nothing to fight for."

"Nothing? So you're telling me I was nothing to you."

"No," he levels you with an icy look, "you were everything to me. Everything. But you left me behind, and for what? So you can run off with the rebel sect?"

"The mission needed me. You wouldn't understand." You feel a sense of relief when the sci-fi elements roll in, otherwise you might have given in to your emotions and sobbed right there on the damn couch.

"I needed you," Ewan says, eyes not leaving yours. "I needed you and you abandoned me, just like that."

"And are you not better for it? When I left, did they not make you General?"

"See, that is the difference between you and I," he says coldly. "I wouldn't have traded what we had for anything - no position, no amount of wealth, no glory... I would have chosen us every time."

"Aaand cut!" Patrick jokes, effectively breaking the tension.

The two of you have unconsciously drifted closer, now only a foot part. Ewan does not drop your gaze, watching you closely. You see his eyes flit down to your parted lips, and he leans in almost imperceptibly.

"Alright, how about we go one more time?" Amie says, diverting your attention. "Give us a different take, and then that's it!"

Ewan settles back on his end of the couch. When he reads his lines again, his tone is harsher and he no longer meets your eyes.

Patrick and Amie commend you both afterward, singing praises about your acting abilities. Ewan is polite as always, blushing and grateful, but he practically dashes out of the door when the meeting finishes.

You're left standing with Amie, as Patrick has taken to his laptop to file the footage.

"The way he looks at you," she sighs dreamily, referring to Ewan. "You'd think the sun shone out your arse, doll."

"He... he was just in character," you disagree. "He's a good actor, as you know."

"Yeah, I mean, he nailed the part's rancour perfectly. But his eyes - oof - you've got a good one there."

Oh. Of course they would still assume you and him are together.

How desperately you want it to be true.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

An hour later, you've just sent Phia a text saying - You owe me. Where do I meet you guys?

But you hear a knock on your apartment door. If you didn't buzz anyone in, it can only be a neighbour or someone the doorman recognised.

Someone familiar to you.

And it's him.

"Ewan?"

"I need to speak with you."

You step aside so he doesn't linger at your doorway. He walks past you, a welcome if not unexpected presence in the room.

You can't decipher his expression, his gaze angled downward as he leans against your kitchen counter.

When the silence becomes almost deafening, you laugh awkwardly, about to make some silly remark on whether he is still in character. But he doesn't let you diffuse the tension.

"I want you," he blurts out without warning. "God help me, I still want you. I think I might have a fucking problem because how can I... after what you did - " A momentary glance of betrayal, but you see the spite clear in his eyes. " - but I do. I can't get you out of my system."

"I'm sorry - "

"I don't need that," he says sharply. "I don't need your sorry. I need you. I need to have you, and maybe this way, I'll satisfy whatever pointless desire I still have in me."

"What are you saying?"

"I'm saying - I'm asking - will you let me have you?"

"Ewan, I don't under - "

"I'm saying that we should sleep together," he says bluntly, and it feels like the rug has been pulled from under your feet, "but only just. You won't be mine, and I won't be yours."

"You're kidding."

He shakes his head, before adding, "Don't worry. It'll be our little secret. To the rest of the world, I'll have a different girlfriend anyway."

His words register, along with the bitter ache at his words, that you won't be his, he won't be yours. This is purely for pleasure. There used to be love here, and now he just craves the comfort your body allows.

You'll be using each other.

You should refuse. This is not healthy; this is not how you move on. Can you even go back to being good friends after this? But also - what have you got to lose?

What, except for him, and for good this time?

What, except everything?

"So what do you say - " He closes in on you, and with every bit of malice intended, the name no longer possessing the sweetness it once held, he sneers, "- darling?"

💌 next chapter

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @livcookesgf @onlyrealjoy (continued ... )

Some notes in the margins...

Well well well... the transition from friends to lovers to strangers to angsty FWBs sure is a slippery slope!

The time jumps are so we get through the moping quicker! It's mostly back to the regular shenanigans in the next part. Only, you know, angst-ridden. But you hurt Ewan, reader. *wags finger* Don't say you didn't expect this switch! Tsktsk

So what now - will you accept this arrangement? Will things ever be truly okay? Part 7 is going to be hot and hilarious and stupid and messy, just as the doctor ordered.

Let's hash it out in the comments, shall we? 🗡💕

[papermonkeyism]

Very sorry if you've talked about this before, but how much do you focus on/care about making the plantlife in your Dinosaur Project Thingy accurate for the time and place?

Asking both because I'm generally very curious, and because personally, every time I make it past my anxieties about not knowing enough about dinosaurs to be "allowed" to draw them, I run right up against "oh shoot, if I draw a grass in the background, people are going to kill me."

Having a cartoonier art style helps! If your style is photorealistic, the style is going to require more details that also make errors way more present and visible, but like, the way I draw trees for example you can't really tell if I'm drawing an aspen, an oak or a basswood, you know? It's just a leaf blob with a trunk in the middle. There's no identifying that.

Also, like 99% of my audience who follows my art follows it for creatures and characters, not plant life, and those more well versed on plants aren't as likely to care. At least nobody has come to bark at me because of it this far!

Considering the amount of actual, professional palaeoartists who basically use memes in their art, I think it's okay and fine for hobbyists and cartoonists to not know everything, right?

(Seriously, the amount of artists who draw theropods with no soft tissue around the jawline is wild! You know that classic look where the entire face splits along the skull all the way to the back of the jaw joint, and drawing that pink skin flap at the corner of the mouth? That's the jaw muscles. Why would a giant land apex predator not have skin protecting its jaw muscles? [Also, is that really what jaw muscles look like? A skin flap? Come on.] I've seen some Actual Professional Artists draw these giant cavities inside the cheek area of things like T. rex, that's where the muscles should be! Where do you think the legendary bite force -which this specific animal is known for- comes from? I mean, it works for animatronics, like in Jurassic Park, because it's hard to give soft tissue to robots that would hold up, but it's less of a thing for art, I think.)

I have a field guide book for Hell Creek formation that I'm gonna reference from when needed. Years ago I backed this kickstarter for a dinosaur video game, specifically so that I could get my hands on the book for this exact reason. It has plants section!

Few rules of thumb:

Trees Big. No, bigger!

No grass (if very late Cretaceous, then maybe grass? but research first!)

No flowers, unless Cretaceous. Might be worth googling "Cretaceous flowers" for specifics

When in doubt, ferns and/or conifers.

Also, finally, this is just me, but it can help to set yourself a "target audience" (with quotes). Personally, I'm making my project for myself and maybe a handful of people I know IRL. I only aim for the joy of these specific bunch of friends and family. Anyone beyond that is just bonus, and while I am very glad there are great many more people who do enjoy my work, it's less important than if my friends like it. And if there's one of the extra bonus people who thinks this one plant on the background of my art ruins their enjoyment of my work and me as a person, then that's a them-problem, not a me-problem, if my friend Satu still thinks the drawing is cool.

(Honestly, knowing these specific people, I wouldn't even have to be as accurate as I am, but unfortunately I did include "myself" in my target audience, so here I am.)

[yoredoesmore]

Sparring Is Caring | Hoshina Soshiro

You and Hoshina are no longer allowed to spar together

The third division has many rules and regulations to keep the facility safe and in order. One of those rules is that you and the Vice Captain are no longer allowed to step into the same training room at the same time. Ashiro herself put the rule up after being summoned to break up one of your fights.

Nothing good could ever come from a man who is more than confident in his fighting skills and can back up his words by obliterating all his sparring opponents and a person who has been trained to fight and kill from an early age and does not accept defeat as an option.

You would have never bothered to train with Hoshina, as you were well aware that the both of you had the same chemistry as fire and oil when it came to sparring together. When fighting Kaiju or in your free time you harmonized just perfectly but when your pride was at stake all was doomed to burn.

But then Iharu just had to ask who would win in a fist fight, you or the Vice Captain. The both of you immediately answered with “me” and that is how it all began.

“Ya sure ya wanna do this?” Hoshina had that cocky grin on his face as he stretched his limbs.

“Are you regretting your choices, Captain? Don't tell me yer scared.”

It was so on.

The two of you exchanged blows that would have a junior cadet knocked out cold. You twisted and dodged in ways the audience did not know was possible while Hoshina kept aiming at you in swift motions. Hoshina was fast and strong, making sure to target your weak spots while you put your focus on catching him off guard.

The session got to the point where the others were convinced that you were going to kill each other if somebody didn't step in, and they were right.

As the fight proceeded, more and more space was taken by the storm the two of you were creating. Chairs and water bottles got knocked over, the crowd had to evacuate the training room to not get hit by some of the attacks and even some of the equipment got dented.

Just when you were about to incorporate brooms and mops into the fight Ashiro walked in, bringing an end to the mess. The room had become a wreckage yet the two of you were still hungry for more.

This went on for a little longer. It started with you and Hoshina promising Ashiro to keep it down and not overdo it and ended with yet another training room having to be closed for “renovations”

After that Ashiro announced (over the speakers may I add for everyone to hear) that security is to be called if you and Hoshina are ever seen in the same training room again.

(They later on added signs saying “only one crazy lunatic allowed in at a time” with drawings of you and Hoshina in front of every training room)

[becausegoodheroesdeservekidneys]

In response to the Mile High Job post, I hate that Parker implies that poor flight attendant slept her way to a promotion/better shift. Her day is super weird but her cat is fine and her life is saved. That rumor, however, might stick and that didn't really feel like Leverage to me.

Agreed!

The thing with Leverage is that it's a show from the late 2000s; it feels contemporary, but actually it is a bit dated. And, like all shows, it had some problematic elements, which get a bit more Obviously Problematic as time goes by (I am just waiting for someone to write a lengthy call-out post in 5 years' time and for the Discourse to start.) For example, Tumblr loves to declare that Leverage has a "canon" throuple, but if anyone read that and then watched the show they would be profoundly disappointed - while it's a fantastic ship with a great many shippy instances, Elliot has a lot of onscreen No Homo moments, and frequently is shown sleeping with random women (I personally read him as aromantic). Similarly, there are two big relationships in that show: Nate/Sophie, and Parker/Hardison. And we all wax lyrical about the brilliance of Parker/Hardison and how healthy it is, and for good reason; but we gloss over how unbearably "I hate my wife/father I cannot click the book" Boomer humour Nate/Sophie is.

(He literally calls her a shrew in one episode. She throws a tantrum and sulks if he doesn't remember the exact details of how/where they met. She's stereotypically 'romantic' and he's stereotypically 'cynical' and she has to Save Him From Himself, and he self-deprecatingly says he should just know when to stop arguing because she's always right. Like... it is a grubby and uncomfortable dynamic; but, it's also aimed at a different segment of the audience that is older than me, and that's okay, actually. It just means I don't much care for the ship myself.)

Anyway, this is one other such instance. Clearly someone in the writers' room thought that was a funny joke, and not enough people disagreed, and so in it went. What's nice is that Sandi McCree, who plays the other flight attendant that stays on the plane, actually kind of saves that joke for me with her performance. When Parker first boards and declares that her co-worker is not coming in, McCree looks disgruntled at the sudden change to her staff list when she wasn't informed; she's annoyed at management. Then Parker makes the sleeping-with-pilots comment, and McCree looks disgusted and furious -

An expression she then pulls at Parker every time she sees her for the rest of the episode, even when Parker is technically not doing anything particularly weird. It's not necessarily intentional on McCree's part (Parker IS very weird in this episode, so it very much can be a response to that), but to me it means you can read it as "This woman is absolutely furious at the lateral sexism of this white girl because We Love And Support Each Other On This Plane." So, for me, between that and the aforementioned revelations of the day (the plane was brought down by the domestic terrorists of a Fortune 500 company, but saved by... a few unexplained Official People who snuck aboard??? And the other flight attendant was made to miss the plane after all under mysterious circumstances and was not promoted??? What???), I don't think Sandi McCree's character wouldn't put those pieces together.