#this is a ramble but also a genuine question

[brattyspence]

virginia is for lovers | s.reid

summary: model!reader accidentally exposes their relationship through a soft launch instagram post

tags: model!reader x spencer, penelope included <3, smau

a/n: this is kinda short n pointless but i wanted a reason to write reader tweeting abt spencer and its been in my drafts for weeks so

word count: 1.1k

masterlist

Spencer had worked hard to keep you a secret. 

Not because he wasn’t thrilled to be in your life, because he really, really was. Historically, things had a tendency to go south as soon as word got out, especially when it came to his personal life. 

You had met in a bookstore. It was a short interaction; you were busy debating which translation of The Stranger was most appropriate to read. You must have been standing in the aisle of the bookstore a little too long, holding two copies side by side, when he had offered his two cents on the matter.

Typically, you weren’t one to entertain conversation in public. Nine times out of ten, you’d get one word in before the inevitable “Please can I take a picture? I love your blog so much!”, but this was different. You weren’t even sure he had even seen your face before he started talking to you. He wasn’t initially trying to hit on you, either. He was genuinely excited that someone was willing to listen to him ramble about the differences between the Ward and Guilbert translations, so when you responded in such a way that asked him to continue on, he was surprised. 

That day, you’d left the store with four more books than intended, and a single bookmark where he had written his phone number after you asked for it.  He had asked you for your name; a confirmation that he actually had no idea who you were. 

The rest was history. You saw him whenever possible, spent nights on the phone together, and flew across the country often just to see him. You loved having a relationship that didn’t need to be public, but you were also excited to share bits of it with the world.

It was late at night, and he was sitting at his desk in the bullpen, trying to finish the last of the paperwork he’d been assigned, when he heard commotion from Penelope’s office. He figured it was nothing new; probably just some news about the royal family or one of the real housewives again, but she’d thrown her door open in such a way that it garnered attention from everyone in the office.

“Spencer Reid,” She gripped her phone and rushed across the room with determination. “Do you have something you want to share with me?”

He looked up from his paperwork, furrowing his eyebrows. “What are you talking about?”

“Why are you on my Instagram feed?” She placed her phone on his desk in front of him. 

“I’m not on instagram,” he replied. 

“Oh, but you are,” she said. “You are such a little liar. I can’t wait to tell Derek about this.”

She pushed his paperwork aside, plopping her phone down in front of him. It was a slideshow on instagram. A photo of the most recent bouquet he bought for you. A few from the museum you’d visited together, including several where his hands or shoes were visible, but nothing that really pointed to him. He could almost make the argument Penelope was mistaken, until the last photo, which included just enough of his apartment to confirm her questioning.

“You said you were seeing someone and I thought… someone from a chess tournament, or maybe… oh, I don't know. Literally anyone else? But you bagged a model?” 

“I-” he sighed. “How did you find her?”

“I didn’t find her, Spencer. I’ve followed her for years! I see her posts all the time. I can’t believe you.”

He scrolled down.

liked by @jjareau and others

@yourusername: virginia is for lovers :)                                              posted 12 hours ago

↪ @randomuser1: GIRL STOP TEASING WHO IS HE

↪ @randomuser3: i’ve been trying to figure it out since that tweet last month 😞

↪ @randomuser2: this is the sweetest soft launch i’ve ever seen <3

↪ 12k comments

He clicked onto your profile. 

@yourusername 

5.2M Followers

Followed by @jjareau, @emp.sergio and more

“You’ve got to see her Twitter, lover boy. She’s been gushing about you.”

“Oh, god,” he groans. So much for privacy. He lets her take the phone back, redirecting his attention to your Twitter page. She scrolls back to June before handing it over, letting him read in chronological order.

June 10

@yourusername: hot girl summer is officially over. just asked a man for HIS number.

June 25

@yourusername: is it offensive to men if you call them pretty? bc this man is rlly pretty 

@yourusername: update: apparently it is not :)

July 30:

@yourusername: good morning text + picture of a dog that he claims reminded him of me???? gonna ask for his hand in marriage

August 15

@yourusername: up til 2 bc hes explaining quantum mechanics to me 🧚🏻

@yourusername: embarrassed to say that form of dirty talk worked on me 

August 20

@yourusername: oh btw im a girlfriend now!

↪@yourfan1: look u long enough wtf girl

↪@yourusername: dw im locking him down 🫡

↪@yourfan2: thats OUR man now 💘

“Oh, wow.”

She takes the phone back. “Why didn’t you tell anyone? Or me? Oh, this is great news. You’re bringing her to Rossi’s next, week, right?”

“I- Pen, I have no idea.” He laughs. He watches her type away on the device aggressively. “Are you texting everyone?”

“Yuh-huh. I need to call JJ, like… yesterday. And this isn't the end of this conversation!” She darted back into her office quickly, letting the door fall shut behind her.

He decided his remaining paperwork could wait. He packed his things up in a hurry, and decided to head out of the office, dialing your number on the way out. 

You picked up on the first ring. 

“Hey,” you started. “How was work? Are you heading out?”

“Yeah,” He started. He pushed through the glass doors of the office, staring towards the stairwell. “It was… busy. I just had a really interesting conversation with my coworker.”

“Mhm…” You had been lounging in your hotel room waiting for his call. “About..?”

“You, actually.” He replied. “She follows you on instagram. Apparently most of the office does. She showed me your post today.”

“Oh,” you replied. “Oh god, Spence. I’m sorry. I didn’t think… anyone would be able to tell who you were.”

He laughs. “Yeah, well… I work with some… characters. It’s totally fine, though.”

“Are you sure?” You ask, anxiously.

“Yeah. It was cute,” he replied, smiling to himself as he exited the building. “Tasteful.”

“That's what I wanted,” You reply.

“I thought Twitter was much more interesting, though.”

You froze, cringing. “Oh, god. Tell me you didn't read all of it.

He chuckles. “I skimmed it.”

You groan. 

[solena2]

does it count as intrusive thoughts if i’m just like. completely unbothered by the weird shit my brain comes up with sometimes. because like people always get really weirded out if i mention that being near anyone shorter than me fills with a nigh uncontrollable urge to pick up and throw them so i can only assume that’s not a standard desire we all grapple with. and i know most people don’t think about cannibalism nearly as often as i do. but do they count as intrusive if i’m just chill with it?? like sometimes the Weird Thoughts (tm) are like morally objectionable or my brain will try to get me to echolalia a slur or something but i just like. visualize slam dunking those ones in a garbage can and then tossing a grenade in which usually works. i always assumed having occasional Weird Fucked Up thoughts is just like. yknow. a thing everyone has? but i’m beginning to get the impression that i have it More

[lucabyte]

Different standards

[juaneloriginal]

A dream and a nightmare

@blackkatdraws's silly!

i just want him to be happy bro

by himself not only with black, honestly i like their relationship but most of the time (i think early in their relationship) he always comes out injured or dead and the fact that he doesnt even care about his own safety most of the time just to (me thinks) make black happy makes me so sad/pos

i like the fact that they are being more cute now but im not sure how much that its going to last

[recareels]

gmorning Clari!!! 💘 I’m not sure you’ve done it before, but I’d loooove to know what type of yanderes you’d classify your genshin faves as 😘

ANDYYYY i am so sorry i am responding a few days late to this and that’s because i accidentally wrote you a whole novel for an answer :) your ask sparked so many thoughts and i just BLAAAH spewed them all over the page (*ﾉωﾉ) ugh ahahaha ANYWAY oh gosh okay i have so much to say, let’s get into it!!! also apologies for how MASSIVE ajax’s is waaaah

characters: wriothesley, ajax [childe], kamisato ayato, thoma warnings: 18+ minors do not interact, yandere behaviour (gaslighting, obsessiveness, toxic relationships, delusional thinking, manipulation, over-protectiveness, etc) words: 2.1k

₊˚⊹ 𝐰𝐫𝐢𝐨𝐭𝐡𝐞𝐬𝐥𝐞𝐲

WRIOTHESLEY is the controlling, authoritarian type that feels like a really strict father, all under the guise of ‘protecting you’ and ‘keeping you safe’. he veers into delusional territory a little here because he genuinely believes what he’s telling you (and himself) and genuinely believes himself to be doing the right thing. he isn’t possessive, he just wants to make sure you’re going out with safe people. he isn’t obsessive, he just wants to know where you are at all times in case an emergency strikes and he has to come find you. he isn’t overbearing, he just cares and is proactive—don’t you want him to care? can’t you see he’s only this ‘protective’ because he loves you? 

he has thoroughly convinced himself that this behaviour has nothing to do with jealousy or a desire to keep you locked up, to keep you 100% certainly safe and his forever, and nothing to do with wanting to exert complete control over you, orchestrating your every decision—and he’s pretty good at continuously deluding himself into believing it. he’s so good, in fact, and his logic is so sound, that it has YOU wondering if you’re ‘just being crazy’, if you’re overthinking things or reading too much into them. wriothesley has had a lot taken away from him, after all, and he knows exactly how the mind of criminals tick—can you really blame him for being a bit paranoid? maybe you’re the one who’s overreacting and being unreasonable. maybe you’re even feeling a little guilty for being so ungrateful—shouldn’t you appreciate having someone who loves and cares for you this much to go to such extents? shouldn’t you want to relinquish all power to someone you love equally as much? shouldn’t you trust him to make only the best, most sound and appropriate decisions for you? you probably should. 

₊˚⊹ 𝐚𝐣𝐚𝐱

AJAX is kind of like, the typical yandere, and he encompasses several ‘types’, evolving throughout the course of your relationship and shapeshifting into different variants depending on the situation itself. and while the other three men seem normal until you’re in too deep with them, refraining from showing symptoms of yandere-ness until after you’ve been with them for an extended period of time and mean a lot to them, ajax is weird from the very beginning. 

almost immediately you can sense that there’s something slightly off about him, but you can’t put your finger on what it is. it’s so subtle that it doesn’t strike you as particularly dangerous, leading you to merely write it off as one of his quirks and nothing more. 

he’s overbearing right from the start, of course; not necessarily enough to be concerning just yet, but enough for it to be abnormal—unusual—and noticeable (which reminds me of your lil ajax piece!!!). from the instant he sees you, he is irreversibly obsessed with you. you permeate his every waking thought, and eventually begin to leak into his dreams, too, and suddenly he can barely breathe without knowing where you are and what you’re doing, his concentration consumed by you. 

he begins stalking you—‘overseeing’, he had called it—making detailed notes of your favourite locations and your most frequented friends. he’s constantly got an eye on you one way or another, even if he has to employ other people to do it for him, discreetly reporting their findings every few hours. he tells them you’re in danger—which, you are, technically—and that you must be observed at all times from afar, silently and stealthily. 

ajax is patient and he can play the waiting game, carefully devising and then revising his strategy based on your moves. he loves playing predator and prey, gets a thrill from how the hunt unfolds—much like a battle, it’s a story, a rich tapestry you and he are constantly and concurrently creating, together. and that he thinks is so beautiful.

in textbook yandere fashion, once he’s gathered a sufficient amount of intel, he begins ‘showing up’ randomly at your usual spots, ‘bumping into you’ fortuitously. charming and sweet, the only thing that’s initially unsettling is just how well the two of you get along. ajax is sure not to mimic you too much—he doesn’t want to be a mirror, after all, and being too similar is far from a good thing (especially when it matches so well it simply can’t be coincidental).

well—that, and the sharp glint in his eye that flares with something dangerous every time you giggle or gush, every time you fall further for him. and once he has you enchanted, ensnared, you’re trapped for life, tangled up in him so tightly that he might as well have fused to your flesh. 

ajax likes to tell you it isn’t about power and control, but he knows that it is. he’s smart, and he’s self aware, and he doesn’t really care if this is ‘wrong’—he sees it as necessary and he genuinely believes he knows better than you do. he has to take care of you, or else who will? you’re clearly not capable of satisfactorily doing it on your own, so he must (god, how would you manage without him?). even if you oppose him or fight back against him, he’s purely convinced you’re bull-headed and stubborn, snorting at your wanting to be independent when he truly knows you’re too stupid take care of yourself ‘properly’ all on your own.

violence is a mainstay of your relationship, but not towards you; never towards you—merely towards everyone around you. his jealousy knows no bounds, but you will rarely see it outright. instead, ajax prefers to hone his emotions, to fashion them into a weapon or use them as fuel to thoroughly tear apart anyone who looks your way in a manner he doesn’t like. it’s his job as your lover and keeper, isn’t it? 

₊˚⊹ 𝐤𝐚𝐦𝐢𝐬𝐚𝐭𝐨 𝐚𝐲𝐚𝐭𝐨

AYATO knows what he is, and he doesn’t care. why should he, when he’s sure what he’s doing is ultimately correct and he’s used to having everything that he wants, and everything going his way, even if he has to force/manipulate it to? he’s so skilled at that in particular—manipulating situations and events to procure favourable outcomes for himself. in ayato’s mind, you should be grateful that he affords you so many freedoms—he could lock you away in the basement or a padded room, chain you to a bed with no entertainment or stimulation save for the books he has so conscientiously selected for you, and no other human contact aside from himself. but he trusts you, and he doesn’t want to go to those measures (though rest assured, he has promised you he will not hesitate to reach such heights if he deems it absolutely necessary, no matter how much he doesn’t want to; you staying his comes before his personal preferences and pleasures). as such, he allows you to roam the estate grounds under the watchful eye of his closest confidants and most capable guards (usually thoma, unless he is otherwise occupied and busy); he allows you access to letter writing materials (though they must go through two rounds of supervision and revisions before they are approved; once by thoma, and once by ayato himself); he allows you to go out in public as long as you are with him, etc. 

despite these apparent freedoms he affords you, he still picks your outfits out for you each day, and he devises a comprehensive meal plan for you each week, and creates schedules and rules he expects you to follow, thoroughly and meticulously to the letter. it is these subtle forms of ownership that he enjoys the most. he doesn’t feel the need to shout from the mountaintops, loudly and aggressively, that you are his, because the fact is so obvious, so evident, the second anyone merely glances at you. you walk like him, you talk like him, you sit, stand, and bow like him, just like he trained you to. 

ayato is also the type of yandere to punish you. he is molding your pretty little mind into exactly what he wants it to be, and that means that undesirable behaviours must be immediately and severely corrected through appropriate punishments—you must learn, or be taught what is right and what is wrong in ayato terms + definitions, so you will refrain from repeating such behaviour in the future. he is truly crafting you into the most perfect, precious, obedient little doll—and having a blast while doing so. it’s his little pet passion project, in a way; something he looks forward to working on when he has a moment of spare time. 

ayato was sly and clever with the way he initially enticed you, entrapped you, but underneath his cool, precisely chiseled exterior, ayato is selfish, manipulative, and extremely controlling. all decisions are ultimately made by and go through him. he will skillfully and carefully cut you off from all lifelines and communication, rendering you wholly dependent on him, and then will meticulously chip away at your mind until he sculpts it into exactly what he desires—someone who is as obsessed with him as he is with them. he slowly, stealthily, and steadily induces a severe, irreversible case of stockholm syndrome. the damage he does to your mind is permanent—and that’s exactly his goal. you now live for him. your days are marked by his appearances, his comings and goings, and the only thing you have to look forward to is seeing + spending time with him. you live to please him, live to be with him, and become absorbed by him, so you are merely an extension of him and no longer an individual yourself. everything revolves around ayato—he is your entire universe. 

₊˚⊹ 𝐭𝐡𝐨𝐦𝐚

THOMA is the most dangerous type of yandere, because thoma is genuine. thoma’s feelings are 100% authentic—and he earnestly intends to bring you no harm whatsoever—they’re just way too intense. he loves you so much that it veers into insanity, and the passion he feels towards you (and towards keeping you safe + claiming you as his) is so fierce that it physically hurts him to experience, chest blistering with scorching adoration and razored affection, something so dense and so all-consuming that thoma wants to claw through his own flesh and pry his ribcage apart spoke by spoke just so he can experience a shred of relief. 

thoma is, for the most part, an honest guy—starkly, brashly honest, so honest it shatters his words and gnaws at his voice, leaving it rough and raw, splintered to shards; but you can always trust he says exactly what he means. he severely lacks self awareness, not even realizing that his behaviour is inappropriate and extreme (he just cares about you SO much! it blinds his rationale and erodes his logic, incapacitating his ability to understand that he’s so suffocating it borders on terrifying). 

but what makes thoma so incredibly perilous is his sincerity. he truly just wants to keep you safe, eyes brimming with tears and voice hitching on barely contained emotion as he thoroughly explains to you his logic for stashing tracking devices in your bags or his reasoning for shattering the kneecaps of the man who made you uncomfortable at work, sentiment thick in his throat, words straining with the weight of his honesty, with the desperation for you to understand, to see it his way. he swears to the high heavens that he’d never hurt a single hair on your pretty, precious little head, and promises that he doesn’t want to scare you, but firmly asserts that he will do whatever it takes to keep you safe. 

and he means it. thoma is, in the most essential sense, your guard dog. he’s so sweet towards you, even submissive at times, always subservient to your every wish and whim, your every demand and desire, but he’ll fucking rip anyone within a meter of you to pieces with his teeth and bare hands alone if he feels as though you are being threatened in any way—and his standards and definition of ‘threatened’ are extreme and absurd, of course, causing him to react in a way that is severely disproportionate to the situation.

it borders on too much all the time—he is too obsessive, too protective, too clingy, but he’s also so sweet, so gentle, so incredibly bonafide that you can’t help but not be upset with him. he only does what he does because you’re his entire world, right? what’s so harmful about that? 

[dariusaurs]

wait i just realized that the ending didnt actually make it clear what the nublar 5 will be up to in s3..

[orionshounds]

im going fucking insane because i realized all of the contestants were unknowingly keeping each other in the false reality

if there had been just ONE contestant who wasn’t made by mephone, all it would've taken is an offhanded comment about their family, or a story about time before the show for the others to realise they don't have any memories like that. but! NONE of them do!! they cant bring up what they don't have, and if no one else talks about it they wouldn't even realize what they're missing!!!

but there actually is, in fact, a contestant not made by mephone

and they have been the only contestant to directly ask about time before the show

the only thing that kept the charade going was both of them assumed it was just cabby’s memory.

[thetardisisnotourdivision]

I am unreasonably upset about the fact that I've been forced to accept that Gabriel was a Gerald.

For context, in An Inspector Calls, Gerald Croft is engaged to Sheila Birling when he meets a homeless, struggling Eva Smith in a bar, and essentially in return for a home and money he shows her affection (ahem), then gets rid of her once he no longer has a use for her. Now, obviously this isn't a direct translation, but the essentials are - a Gerald is a character who uses another character, in return for something they need, usually masking the fact that they're using them with affection and love.

And against my will I've had to accept that this is exactly what Gabriel does to Nathalie.

Did I want to think he had potential to be better? Did I think he genuinely cared for Nathalie?? Hell, did I just really really want somebody to care about Nathalie???

Probably all of the above but the point is: he's Gerald. And I cannot - I literally can't unsee it now. Their whole dynamic in S3 is like “oh boohoo I'm sorry I wish you didn't have to use the peacock Miraculous and kill yourself over it but uh I need to use your powers” “yeah no that's fine I'm all good”. Which, given the "Gerald" theorem, I'm assuming leads to the fact that what Nathalie needed, above all, was someone to care about her - and Gabriel came along, as Sheila Birling puts it, "like a fairytale prince", and was so caring and gentle and... Yeah. She fell for him. And. Yeah he genuinely did seem to care like twice. But so did Gerald. Gerald actually admits that he did care for Eva, just not the way that she cared for him, and, uh, not enough to not just dispose of her. So he discards her anyway when she stops being useful.

Leading me neatly to my point.

He starts using the peacock Miraculous the second it's fixed, the slimy bastard, HOWEVER. It runs way deeper than that. Assuming I'm right (which I almost DEFINITELY am), then Gabriel only needed Nathalie while she was useful. She didn't stop being useful in season three - she's still scheming for him, helping him with plan after plan. It's only partway through season 5 that she officially servers ties with him, and starts to actively hinder him.

Nathalie stops being useful when she fails as Safari. And I reckon that's when Gabriel and Tomoe decided she had to go.

(It's painfully, I-was-ugly-crying-over-it obvious in Conformation that Gabriel is fully prepared to let Nathalie die - in the original storyboard, her alliance was encouraging her to sleep, and he's very obviously prepared for this moment - I've made a separate post about it that I'll link if I can find it. However, onto the next bit)

With all of this, there's one thing that sticks out to me - Nathalie didn't see any of it until it was already too late. There could be many reasons for this. But you know who would have seen through it? Whose parents were all loving and perfect until she married the wrong man? Emilie. Emilie, who left behind those videos, which on the surface look innocent, but when you look deeper look like a (love confession???????) AHEM a warning. I reckon Emilie noticed what was going on and realised that Nathalie wouldn't see through Gabriel, so she left those videos addressed to Nathalie (not Gabriel, which surely they should have been - they were about him, after all - unless they were there...) as a warning. I don't think the videos were supposed to be about helping Gabriel, I think Emilie was warning Nathalie to get the fuck out of that house, and to take Adrien with her. Because Emilie knew it'd end like this.

Yes I'm still mad ok give me a break.

[acediscowlng]

another funny kind of narrative dissonance with dead boy detectives is like. okay. so the boys are convinced that once a ghost's unfinished business is done, Death can find them immediately and take their souls. Which she does. When they're ready to go, she arrives and takes them where they need to go. But therefore this means that the boys immediately have to run away as soon as a case is finished or she'll take them too.

But there's also like. A whole community of ghosts. Just kind of hanging around. Everywhere. Like. In general. There are a lot of ghosts. They seem to be a whole entire community of ghosts. Emma hangs around in a graveyard, a place infamously not associated with death. Suicides apparently automatically get a special version of being a ghost where they are not in Hell but also not taken by Death to the afterlife. Like. Are all these ghosts also under the impression they're like. Pulling a fast one on Death? Do they all think that she can simultaneously turn up to where a ghost is within seconds but also somehow fails to notice a whole community of ghosts just kind of chilling in the same place for decades. Or is this like, a Charles and Edwin thing that no one has the heart to correct them on despite the fact that most ghosts are fully aware that Death simply does not give a fuck where they hang around.

[aeolianblues]

was kinda thinking about this when I saw Renee Rapp live recently-- I didn't know her visual vibe, I'd heard a few songs here and there but I hadn't really *seen* her, and her attire at Osheaga was really casual, a jersey (baseball/basketball?) and slacks. And that was so amazing! I couldn't help thinking, the work Billie Eilish has done for how women in pop music are allowed to dress is incredible. Seeing her up there all comfortable you just know that Billie walked in her oversized tops so that Renee in her slacks could run; Billie walked through all the critcisms about how she dressed slobbily and having to assert that she didn't owe anyone a display of skin, so that Renee could be comfortable and unquestioned running up and down the catwalk in front of 10,000 people. How iconic.

And I don't think we even realised at the time how much something as simple as letting Billie dress the way she as a (then-) 17-year-old teenager dressed, could end up meaning for a future generation of women in music.

Obviously there is still way to go, there were weirdos complaining about how 'plain' Dua Lipa's Glastonbury outfit was this year (in 2024!!), l have to ask, are you at Paris Fashion Week?? She is the musical HEADLINER of an entire day of music at one of the biggest music festivals in the world, and you can't grant her the space to exist as an artist, you have to moan about her dress not being excitingly revealing enough. There's work to do, it's still dismal out there. But the space Billie Eilish has created for a most ordinarily-dressed woman popstar is still heartening.

[noonbeam17]

feeling emotional about musical anime robots tonight babes. I LOVE YOU VOCALOID I LOVE YOU UTAU I LOVE YOU SYNTHV I LOVE YOU CEVIO I LOVE YOU NIAONIAO I LOVE YOU ALL THE OTHER OBSCURE SOFTWARE I DONT KNOW ABOUT I LOVE YOU VOCAL SYNTH PRODUCERS WHO MAKE SONGS AS A WAY TO TELL STORIES BASED IN FICTION OR NOT I LOVE YOU VOCAL SYNTH PRODUCERS WHO MAKE SONGS ABOUT THEIR OCS I LOVE YOU VOCAL SYNTH PRODUCERS WHO MAKE SONGS ABOUT SILLY THINGS I LOVE YOU VOCAL SYNTH PRODUCERS WHO USE VOCAL SYNTH BECAUSE THEYRE NERVOUS ABOUT THEIR VOICE I LOVE YOU VOCAL SYNTH PRODUCERS WHO LOVE SINGING BUT STILL TAKE COMFORT IN VOCAL SYNTH I LOVE YOU VOCAL SYNTH PRODUCERS WHO DO DUETS WITH THEIR VOCAL SYNTHS I LOVE YOU REALISTIC SOUNDING VOCALS I LOVE YOU ROBOTIC SOUNDING VOCALS I LOVE YOU SOFT VOCALS I LOVE YOU INTENSE VOCALS. I LOVE YOU ALL. AND I LOVE YOU MY DEAR SISTER WHO I HAVENT TALKED TO IN ABOUT 4-6 YEARS AND WHO INTRODUCED ME TO THESE WONDERFUL CHARACTERS WITH SO MUCH VARIETY AND LOVE AND PASSION. THANK YOU AND GOT BLESS VOCAL SYNTH. AMEN

[tychos-huzband]

if i died tomorrow, what would i most be remembered for? (/ref)

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[pyjamacryptid]

I already gave my answer but I’m still thinking about that bbc merlin poll - the recent one that asked ‘would Merlin telling Morgana about his magic in season 1 have fixed anything?’

Because, really, I’ve been pondering over that question since I first watched the first season back in ye olde 2009. And I’ve never had a clear ‘yes’ or ‘no’ for an answer.

Would it have fixed anything? Maybe yes, for a time. I like to think so!

Would it have brought about a better timeline? Maybe? Maybe not? If Merlin told Morgana about his magic, it would be a huge, pivotal moment for sure! For good or for ill!

But there are other pivotal moments we can’t forget about, so many other forks in the road. Morgause’s involvement, for one. Uther. And we can’t forget Morgana’s own effect, the person she is, her character. That influences the scales enough on its own.

I legit feel like I’m pacing in front of a giant ass whiteboard muttering about the butterfly effect.

You might be like “Ren, it’s not that complicated, really?”

And there I am, hair wild from pulling at it in stress, like:

[redstoneheartss]

has there been a surge of popularity of mcsm here or has it always been this active and i just dont remember. checking the tag for the first time in months and seeing that there are actually multiple posts every single day is wild

[queerofthedagger]

Seeing good writers like you talk about that you hate your writing makes me feel awful ngl

Oof anon, you've got a lot to unpack there and while I'm generally going to assume good faith here, Imma start this off by saying that this is my blog, and you're very welcome (genuinely, not meant as snark) to block tags or unfollow me if things I say upset you this much.

Because the thing is, me whining in tags will not tell you the full story, and it's mostly for my own sake, and cuts the whole matter much shorter than it actually is. When I say "good god I hate everything I'm currently writing," I don't actually mean that my writing objectively sucks.

I know, rationally, that it doesn't. I know that I have a lot of room to grow and get better, but I also know that I've already learnt a lot and that I'm overall a decent writer. I know all that.

Writer's block is a little bitch, though. When I say 'God, I hate everything I'm currently writing,' what I actually mean is: my mental health has been a bitch and makes me struggle. Or, imposter syndrome is kicking my ass. Or, I'm stressed in X other areas of my life and it manifests in being too harsh on myself. Or, I'm currently about to make some developmental progress-jump in my writing skills, but I'm not quite there yet, so I can kind of see what I'd like to do better but can't quite execute it yet. Which are only the most likely four options, not accounting for various other things my brain gremlins could be doing. None of those are like, things I'll put in a tag ramble when I'm basically whining to myself because like, I know what I mean, and also, as much as I rationally know my writing isn't actually shit, sometimes it helps to be a dramatic lil bitch fainting over my couch about it until I get fed up with my own dramatics.

It's not a qualitative statement. But also, that aside, if I may give you one single piece of advice amongst all this navel-gazing: the best thing, and i mean the absolute best thing, you can do for yourself if you want to not hate your writing? Stop comparing yourself to other writers. I know that gets thrown around a lot, and I know it sounds so much easier than it is, but it also really is the only way to stop tearing yourself apart constantly (instead of, you know, every once in a while due to aforementioned possible other reasons). Like, ultimately, the only way to become better is to keep writing. It's never a completed process either. It's kind of nice, actually, even if it's also annoying as all fuck every once in a while.