#this is a genuine question and issue I feel is often overlooked

[the-cat-and-the-birdie]

I don't think a lot of people realize that purity culture often leads directly to racism IRL.

You think explicit graphic violent fics should be censored from AO3? Okay, understandable. But by that logic -

Do you think explicit graphic rap music should be banned from the radio?

Do you think Black people who listen to violent rap music are inherently more violent?

And that the art form is a reflection of them and their behaviors?

Do you think Black people who don't listen to rap music are more stable and deserving of trust than black people who do?

The same way you think people who don't read a certain type of fanfiction are more stable and deserving of trust?

How far does it go?

I listen to rap music that talks about guns, dealing drugs, killing, and gangs.

All my life I've been told that listening to that either 1) reflects a 'true nature' of hidden internal violence or 2) graphic rap music is actively hurting me and should not be played around children.

I grew up with FOX news telling us that rap music should be banned. For being too graphic, too violent, too vulgar.

There are places in the world were black music is restricted and censored for it's vulgarity - drill rappers have been under police surveillance in the past, given court orders that monitor the production and release of their music.

Is that okay? Is that right?

Should this form of black expression not exist? Does it reflect badly on the people who listen to it? Should it be censored, from radios and apps - or even outlawed?

Someone reads and writes graphic, violent, vulgar fanfiction - and you judge them.

I listen to graphic, violent, vulgar rap music - so does everyone else in my neighborhood.

What do you think of us?

Purity culture has been weapon against marginalized communities since the dawn of time.

This isn't a declaration of side, or a show of support on anything. This is not an attack.

This is an invitation and an opportunity for you to reflect on how your views translate to the world IRL.

[bitchy-craft]

What Bridgerton Character You Are | Pick A Pile

Hello and welcome to this Pick A Pile! In here you'll find out what mythological creature you are and what is associated with said creature. I hope you guys enjoy and find this useful. Do make sure to leave comments down below on your experience! I do want to remind you all that this is a General Pick A Pile which means this is for a lot of people; therefore keep what resonates and leave what doesn't.

Masterpost > Questions > Paid Readings

Pick A Pile!

Pile 1:

Daphne Bridgerton is portrayed as poised and graceful, embodying the ideal Regency-era debutante. She is initially naive but possesses a genuine kindness.

Daphne is adept at navigating societal expectations and has a strong sense of loyalty towards her family. But her lack of experience in matters of love and relationships initially makes her somewhat vulnerable.

Throughout the series, Daphne learns to assert herself and understand the complexities of love and marriage, realizing that not everything conforms to societal norms.

Pile 2:

Simon Basset, the Duke of Hastings, is initially portrayed as brooding and detached, carrying a deep-seated aversion to marriage due to his troubled past.

His intelligence, charisma, and resilience make him stand out. He excels in strategic thinking. Yet Simon struggles with trust issues and the fear of intimacy, which hinders his ability to connect with others emotionally.

Over the course of the series, Simon learns to confront and overcome his past, ultimately embracing love and emotional vulnerability.

Pile 3:

Penelope Featherington is initially portrayed as shy and overlooked, often in the shadow of her more outgoing friends. She is intelligent and observant.

Penelope possesses a sharp wit and is remarkably perceptive, making her an astute observer of the societal dynamics around her. But her self-esteem suffers due to societal expectations and a secret she keeps, contributing to feelings of inadequacy.

As the series progresses, Penelope learns to value herself, gains confidence, and ultimately reveals her true self to those around her.

[demeterdefence]

considering your issues with lore olympus, is the lore rekindled any better? it's the same plot, no?

fantastic question, i am going to write far too much in response!

in short: yes and no! but also no. with a little yes!

for those who haven't seen, genericpuff (and their background artist banshriek) are essentially "redoing" lore olympus, although that doesn't even begin to cover the work and talent they've put into rekindled. probably the best way i could explain it is they've taken the core pieces of lore olympus and actually given them depth and structure, with a plot that just scratches my brain so good uuugh please read rekindled if you haven't already

i've said this before, but arguably my biggest grievance with myth retellings - and absolutely the case here for lore olympus - is a complete lack of care or understanding of the core myth being "retold." someone who knows the myth, knows the importance and value it held and adheres to that in a retelling, will always be ten thousand times better suited to the story than the most awarded artist out there.

i could easily overlook the degrading art and the weird plot holes if rachel had bothered to do her research and show the original myth any kind of respect; instead, she goes out of her way from page one to disrespect the culture, history, and mythology the story of persephone is taken from. rachel sees these shiny pieces, but she doesn't know how to use them with depth or purpose, so ultimately, she just dresses them up and shoves them into the page. it's a shallow and pedantic story that uses familiar names and history, but never goes anywhere with them. genuinely, you could go to the first wattpad fic of a fourteen year old on the internet for the first time and find the same plot, and i'd argue the fourteen year old would do it better because at least they're excited about it!!!

i'll try not to spoil too much, and it is ongoing, but the way rekindled has taken the original plot and made it work is incredible. persephone's hidden rage, her complex feelings towards demeter, the hierarchy of the gods - all of that is displayed with far more tact, respect, and delight. it uses the basic plot of lore olympus, and the very basic structure, but the similarities end there, because there's depth and connection that never show up in rachel's work.

lore olympus often relied on surface level conversations and plots - it struggled to create intrigue, it couldn't really do secrets or plot reveals in an organic way. concepts of sexuality, feminism, toxic relationships, abuse, power, and systemic dysfunction were broached in the comic, but ultimately handled sloppily, or discarded entirely. this is not a comic where you're going to find a lot of nuance, or you can discuss the nature of a character and acknowledge they have levels to them - what you see is what you get, and what you get ... isn't very good.

rekindled adds a lot more to the characters, giving them meat for the readers to parse through. there's a reverence for the original myth that shows, there's clear research in how the dynamics work (hera inviting persephone to her home is not just hera asking for company, and genericpuff showed their work in a follow up post which made me so! happy!!!) this is a retelling that genuinely enjoys itself, and it's a pleasure to read it, because you know the work is being done. the artwork is gorgeous, naturally, but it's the clear work and delight both genericpuff and banshriek demonstrate, and how they've carved away all the unnecessary floss from the lo version.

it also goes to show that rachel - with all the money and accolades she got from lore olympus - could never do what genericpuff and banshriek are doing for free, on their own time. and that says a lot about her talent, but even more on lore rekindled.

[sketch-guardian]

Imagine the students with an mc who’s like a middle aged man and has a beer belly, I don’t think I’ve ever seen someone write about a loud middle aged man in obey me

You're right, I guess I haven't seen many headcanons about such theme either🤔so I'll do my best to fix it☺For my headcanons, however, I usually use a gender neutral MC to make everyone feel included, so I hope this small change won't bother you too much🙈(I also apologize for the delay😥classes have started in uni again and I'll have less and less time to reply to asks, I might need to close the askbox for headcanons soon😭):

"RAD CLASSMATES+NEW EXCHANGE STUDENTS WITH A MIDDLE AGED MC WHO HAS A BEER BELLY"

DEMYA

Demya loves a bit of meat on bones, she can appreciate the thinnest or most muscular physiques too, however she would find a bit of plumpness charming, because it would make her mouth water. Middle Aged MC however wouldn't have to fear being mauled, because as Demya's mate, they would be off limits and have privileges that others would not be granted. Demya may nibble or kiss Middle Aged MC's beer belly out of affection while liying down on it during cuddle sessions in her soft nest, so hopefully Middle Aged MC doesn't mind having some marks, in easy-to-hide spots. Since Demya and Middle Aged MC are both troublemakers and food lovers, they would likely be a loud and occasionally chaotic couple, but still very much in love

DOMNRA/MOBIM

Domnra is a pretty fit and sporty demon, however he wouldn't force Middle Aged MC to follow his training regime, he would leave the choice up to them, depending on how they feel, Domnra would joke about Middle Aged MC deciding to settle down with a demon of all the available options though, at such an age too. Domnra could become Middle Aged MC's drinking buddy, celebrating with glasses of alcohol and getting angry at TV, shouting and breaking havoc, Domnra would mostly be a depressed drunk though, as if Demonus eased his anger issues. In quieter moments, Domnra would hold Mobim in his arms and rest his back on Middle Aged MC's soft beer belly, playing some music to listen to together, making sure to satisfy both of their tastes in music

AZUL

Azul is a twink, so the idea of ​​carrying Middle Aged MC in his arms or holding them on his lap without using magic would be quite out of the question, at least for Middle Aged MC at first, because they wouldn't want to risk hurting Azul with their weight, however he would likely be into such stuff and, as a demon, he would still be rather resistant, so as far as he is concerned, Azul would let Middle Aged MC crush him, hell he would even thank them. Being quite eccentric, Azul wouldn't care if Middle Aged MC made a racket, to be fair he's chaotic too so they would be one of the wildest couples at parties, and if they were to suffer from insecurity due to their age or chubbiness, Azul would remind Middle Aged MC of their beauty through drawings and photographs, or straight up physical intimacy such as kisses and hugs, if the first options didn't work. Azul would like Middle Aged MC to feel confident in their own body and if they wished to lose weight, he would support them, suggesting dancing as a fun exercise

ZURI

Many demons would wonder how the hell Middle Aged MC managed to woo an ethereal and elegant woman like Zuri, the answer probably being their charm and genuine feelings winning the demon over somehow, making her overlook their appearance for a while, their relationship could almost remind a bit of the one between Morticia and Gomez, in a certain sense. The occasional loud mess might upset Zuri, who often gets migraines due to her hectic work, therefore she would appreciate if they could spend some quiet quality time together, while occasionally sharing a glass of Demonus. However, Zuri would still attempt at helping Middle Aged MC with their drinking problem and would try to clean them up a bit, by buying them expensive suitable clothes that compliment their figure and curves

ODON

Not gonna lie, the first thing that came to mind when thinking about a couple made of a middle-aged human and a horror beyond comprehension was Gravity Falls, specifically Stanford Pines and Bill Cipher, even if the dynamic would definitely be different. For Odon, most people, both on Earth and in Devildom, are quite young when compared to them, even Lord Diavolo, so they wouldn't really pay too much mind to Middle Aged MC's age, only if pointed out, it wouldn't make any difference though, especially because Middle Aged MC would still remain the youngest, even compared to the only other human in the exchange program (Solomon). Odon wouldn't care about Middle Aged MC's appearance, considering that the form in which they technically presents themselves doesn't correspond to their true monstrous appearance, so Odon would love Middle Aged MC no matter what and their messing around wouldn't even bother the eldritch horror, on the contrary it would amuse them, plus Odon would keep Middle Aged MC company while they drink, to make sure they're okay, drinking a cup of green tea instead of alcohol. Odon and Middle Aged MC would often lounge together, like an old married couple, on a couch covered in a flannel blanket while reading books, in the comfort of Odon's cabin in the woods. It would be cute to imagine such a domestic life

REMIEL

Remiel is aware of how fragile and short life can be, she considers it precious and would get quite concerned over Middle Aged MC's health status, from a logical and medical point of view. Their age would also remind Remiel of how little time she has left with Middle Aged MC and therefore, despite some somberness, she would try to enjoy as many moments as possible with Middle Aged MC, kindly trying to help them change their harmful habits, not wanting the day in which she will have to assist their soul in reaching the afterlife to approach so soon. Remiel, apart from her wings, has cold skin, so being in Middle Aged MC's arms, pressed against their soft and warm beer belly, would certainly be a new, but pleasant experience, a source of heat, perhaps enough to lull the angel of death into a light nap, which she would honestly need, as she often attends to her celestial duty. Middle Aged MC being loud would surprise Remiel, since she is more used to a calm and isolated environment, however it wouldn't bother her too much, since she literally has two uncles and an aunt, who don't know much about the concept of being quiet, whether it's because of her powerful voice (Fury), his heavy step (War) or his shenanigans (Strife)

NATHANIEL

Nathaniel would notice Middle Aged MC's age and size, however he wouldn't give too much weight to such details and would focus more on their affinity and how to spend time together. Nathaniel would be quite capable of handling Middle Aged MC being loud, after all he isn't the Archangel of Patience for nothing, however if Middle Aged MC bothered him too many times during his meditation sessions, then Nathaniel might decide to take revenge, it would be unclear how or when and Middle Aged MC would live for a while with anxiety, not knowing what to expect and when the angel would strike, usually it would just be a little tease anyway, because he's lenient. Being very chill, sometimes, Nathaniel would let Middle Aged MC sit on his lap while he meditates or while they rest like, playing with their belly as if it were a stress reliever and resting his head on their shoulder, finding the act very therapeutic. As for drinking, Nathaniel would just make sure Middle Aged MC doesn't overdo it

URIEL

Even Uriel would have no idea how Middle Aged MC managed to capture her heart and yet, much to her embarrassment, they still somehow accomplished such feat, however, due to having a reputation, the warrior angel would appreciate if Middle Aged MC avoided being loud or messy while she's busy with important celestial matters. Uriel knows how fragile humans can be and how many things can contribute to a premature death, therefore, not considering Middle Aged MC's lifestyle healthy, she would try to help them exercise, stop drinking and eat healthy, at least Uriel would do her best to not turn the experience into military training. One thing Uriel would be able to do with ease would be lifting Middle Aged MC in her arms, without effort or trouble, no matter their height or how big their beer belly is, Uriel is strong and Middle Aged MC would be like featherweight to her, so that would probably make them feel like royalty. Uriel would also enjoy the contrast between her sturdy body and Middle Aged MC's soft one

[racefortheironthrone]

So! I was planning on writing a Batman fan fic and had a question about the urban facing side I was wondering if you could help on. I suppose this can intersect with other super hero / billionaire figures. Interested in exploring urban development in the setting but trying to avoid pitfalls , but ofc no worries if this isn’t something in your purview or interest

I feel like Gotham, so deeply realized as a fictional setting and riddled with its issues as a city, would be a great template to explore these urbanist issues. And while Batman treats symptoms - protecting people from acts of violence, and also pursuing those who are responsible for the corrupt systems who have put themselves above conventional pursuit. But Bruce Wayne I feel like by a lot of fans can he overlooked as an agent of improvement in Gotham - he can use his political and economic clout to both publically and privately improve the systemic conditions of the city, like his famous hiring program for ex cons. And I would like to explore this side a lot deeper, however I’m wary of showing a billionaire as the only solution , or even the best solution to a city’s issues and basically recreating public policies privately.

Since showing a privatized solution to be the answer to all these problems isn’t the sentiment I want to give, as often private corporations are the ones exploiting / building up this cult of personality around millionaires is already troublesome. But ofc, Bruce Wayne is fictional and can be an example of how a CEO ought to act, but would like to show these solutions are achievable and to be sought after in the public sphere - we shouldn’t expect CEO to hire ex cons, build free transit, eliminate all these zoning issues by buying half the city because 1) unrealistic and 2) can institute a dangerous mindset where it’s like “just give everything to billionaires and they’ll fix things!” (See, the cult of musk)

So my question is, do you have any recomendations on how to achieve this balance of using Wayne as a championing workers rights, urban development , reform etc. without just shilling for billionaires? Because, after all, billionaires have been opponents and don’t want to diminish that. Perhaps using his influence to give away his infouence to others , if that makes sense. or even better - historical examples of figures of privilege utilizing their position to advocate for the public sector and go all in as earnest urban Allies as a roadmap to model this after?

This is a really interesting question, and I think points to some of the limitations of what can be done with the Bruce Wayne archetype.

As I've said before, I think what can be done to make Wayne an enlightened person without falling prey to the mentality that "the billionaires will save us!" (looking at you, RALPH) is to really explore the limitations of top-down reform.

Because if there is one genuine weaknesses both to the Batman and Bruce Wayne, it's that he has a well, "heroic" mindset in which he thinks that if he's just smart enough, prepared enough, tough enough, that he can win a one-man-war on crime and other social evils - but you don't really see him engaging in movement-building in either his vigilante or civilian sides.

In the former, even if we leave aside his more "lone wolf" depictions, Batman has issues with trust and working well in groups. At best, he cultivates a small number of people (the Robins, the JLA), and he tends to keep people at arm's length. In the latter, even when Bruce is trying to make systemic, social interventions in transportation or housing or health care or social welfare, it's usually done through a top-down approach - build this project here, support this politician there - rather than sitting down and doing an analysis of how he could build a sustainable majority coalition with the muscle to change Gotham on its own.

Realistically, an honest, militant, and strategic Waynetech union (albeit assisted from the shadows to keep the mob and the supervillain gangs at bay) could do more to change Gotham for good than any Foundation that has ever or could ever exist.

[hchollym]

I have a question about Fleur. You and a lot of other people act like she is this unfairly victimized character, but if I remember correctly, wasn't she really rude in canon?

It seems like you're genuinely asking and not just bashing the character, so I'll give you an honest answer.

I feel like Fleur tends to be treated by her stans in a similar way that Percy is (see this post). She's an interesting character because she is flawed, but then antis will go so far overboard with criticism that it causes a knee-jerk reaction to just say, "You know what? Forget it. She's perfect."

She has a lot of great qualities that are often overlooked. She is brave, fiercely loyal to the people she loves, and willing to forgive others (such as Molly & Ginny).

She's also more relatable than people tend to realize. Yes, she's this gorgeous part veela character, but some of her experiences are pretty consistent with any other person on the planet.

For example, look at this scene from Book 4 after the Second Task:

“Fleur Delacour, though she demonstrated excellent use of the Bubble-Head Charm, was attacked by grindylows as she approached her goal, and failed to retrieve her hostage. We award her twenty-five points.” Applause from the stands. “I deserved zero,” said Fleur throatily, shaking her magnificent head.

Most of us have felt self-critical and disappointed in ourselves at one point or another.

In that same book, it's clear that Fleur has a crush on Cedric & is constantly trying to flirt with him, yet when she asks him to the Yule Ball, he turns her down to go with Cho instead.

Again, most of us know what rejection feels like, so we can see ourselves in that situation.

Is Fleur flawed as well? Of course. Everyone is.

She can definitely be arrogant and rude:

“She looked at me like I was a sea slug or something. Didn’t even answer..."

&

Meanwhile Fleur Delacour was criticizing the Hogwarts decorations to Roger Davies. “Zis is nothing,” she said dismissively, looking around at the sparkling walls of the Great Hall. “At ze Palace of Beauxbatons, we ’ave ice sculptures all around ze dining chamber at Chreestmas. Zey do not melt, of course . . . zey are like ’uge statues of diamond, glittering around ze place. And ze food is seemply superb. And we ’ave choirs of wood nymphs, ’oo serenade us as we eat. We ’ave none of zis ugly armor in ze ’alls, and eef a poltergeist ever entaired into Beauxbatons, ’e would be expelled like zat.” She slapped her hand onto the table impatiently.

&

'No, no, silly boy,’ said Fleur with a tinkling laugh, ‘I mean next summer, when we – but do you not know?’ Her great blue eyes widened and she looked reproachfully at Mrs Weasley, who said, ‘We hadn’t got around to telling him yet.’ Fleur turned back to Harry, swinging her silvery sheet of hair so that it whipped Mrs Weasley across the face. ‘Bill and I are going to be married!’

&

‘She ’as let ’erself go, zat Tonks,’ mused Fleur, examining her own stunning reflection in the back of a teaspoon. ‘A big mistake, if you ask –’

&

Celestina ended her song on a very long, high-pitched note and loud applause issued out of the wireless, which Mrs Weasley joined in with enthusiastically. ‘Eez eet over?’ said Fleur loudly. ‘Thank goodness, what an ’orrible –’

&

‘Yes, isn’t it?’ said Ron. ‘Gravy, Fleur?’ In his eagerness to help her, he knocked the gravy boat flying; Bill waved his wand and the gravy soared up in the air and returned meekly to the boat. ‘You are as bad as zat Tonks,’ said Fleur to Ron, when she had finished kissing Bill in thanks. ‘She is always knocking –’

So clearly, Fleur is not perfect, but one of the major problems is that JKR seems to constantly exaggerate secondary female character's flaws (like Fleur, Lavender, Parvati, etc.) to fit in with the negative stereotype of feminine women.

Plus, it's very frustrating that Fleur is the only female competitor in the Triwizard Tournament, and yet she consistently does worse than her male counterparts on each task. That's misogyny and absolute BS on JKR's part.

So to summarize, Fleur fans do tend to be very protective of her (to the point of erasing her flaws), but it's a direct result/backlash of fandom's/society's opinion on the worth of feminine women.

Thanks for the ask! 😊

[xantchaslegacy]

All jokes aside, and acknowledging most of the MoM story has been highly enjoyable so far, it's a terrible waste what was done with Lukka.

Speaking from the minority position here, I found Lukka to be a pretty interesting character in The Sundered Bond. Here you have a character with a very earnest and dedicated nature, made hard by the necessity of the plane/world he was born into. You then have that character forcibly thrust into a position where, as a bonder, he must now question the life he's led up to that point, leave behind everything he knows, and survive against the hostilities of the very society he once protected.

And he screws up! He screws up big time! He comes close to making positive decisions that could have brought him to a more sympathetic relationship with the creatures of Ikoria, but events, the aforementioned hostilities, and (often overlooked, I think) direct manipulation by the voice in the Ozolith put him in a situation where he makes horrible decisions and hurts people. And he does so while, and I think this is very important, genuinely thinking he is acting in the best interest of the people and place he calls home.

The man himself has a lot of issues, and flaws aplenty, but I was excited to see him show up again in future stories, to see where this complex take on the monored character would go, and how he would bump up against the rest of the multiverse. He had a lot of growing to do, but that journey of growth was off to an interesting start.

Instead, I get the impression the creative decision was to look at the general backlash against Lukka following The Sundered Bond, throw up hands, and go "hey look! we're in on the joke too; look at this idiot and how bad he sucks!"

And the result, quite frankly was...some pretty weak storytelling? Lukka's Strixhaven storyline (like the villains he aligned with) was sort of a big nothing - a really awful act of violence against an institution of children and young adults with poorly explored motivation and no real follow-up in any subsequent plotlines. His compleation story was interesting enough, but then gets followed up on by a story that seems to exist purely to kill him off in he most humiliating way possible, every character in-universe acting with a very deliberate disdain for him before he can get two sentences out of his mouth.

I absolutely understand why Lukka wasn't a popular character. His motivations and worldview are entirely too self-centered, and he didn't win any fans by being much less sympathetic to his animal bonds in the novelization of the Ikoria set than appeared to be on the cards.

Still, wouldn't it have been more interesting to GIVE us something to care about in regard to Lukka rather than swing him around a bit like a rag and toss him in the bin just because his introduction to the story was a mis-fire? Isn't the magic story better served by an attempt to make something enjoyable out of him than just shit-can him for a (if I may be so bold, not even particularly witty) laugh?

I think so, fwiw.

PS - I write all of the above well aware that, for any of the compleated and killed walkers so far, one could make the argument they've been done narratively dirty. Personally, I would argue that so far those walkers have all been given a depth of previous stories Lukka has not, and that they, notably, have been granted POV sections in the stories where they are either killed or presumed killed. I would also not for a moment mean to diminish the negative feelings folks have about other walkers dying in the MoM story. The above critique is all ultimately very subjective, and I hope is taken as such.

PPS - Majorly telling, imho, that Lukka gets written off as a moron for trying to use his SOLE magical ability to bond with Phyrexians in order to survive and save others in ONE, but Wrenn bonding with Realmbreaker gets no such scrutiny, because the narrative rewards one and not the other

[in-dire-read]

Imogen, Obviously (Book Review)

Rating: ⭐⭐⭐⭐(4.75 Stars)

Information

Author: Becky Albertalli

Genre: YA LGBTQIA+ Romance

Format: Hardcover

Number of Pages: 416

Summary

Imogen Scott might seem straight, but she’s the self-proclaimed World’s Greatest Ally. She’s active in the Pride Alliance, well-versed in queer media, and has two queer best friends: Gretchen, who keeps her in check, and Lili, who’s thriving with her new college friends. When Imogen visits Lili on campus, she’s ready to support her, but Lili has told her friends that she and Imogen used to date, hiding Imogen’s heterosexuality. As Imogen spends more time with Tessa, Lili’s best friend, she starts to question her own sexuality and wonder if she’s really as straight as she thought.

Thoughts

This is a great book for high school students questioning their sexuality. It addresses important issues within the queer community, such as biphobia, which is often overlooked. The character Gretchen, a lesbian, feels compelled to act as a gatekeeper for the community due to her own experiences. She believes her lived experience gives her the right to dictate who can be part of the community and who cannot. While Gretchen’s perspective is understandable given the challenges she’s faced, it raises significant questions about inclusivity and acceptance within the LGBTQIA+ community.

The book thoughtfully examines the harmful impact of forcing others to conform to rigid definitions of identity. It highlights that such gatekeeping can be just as damaging as the external discrimination that the LGBTQIA+ community has fought against for so long. The story underscores the importance of allowing individuals to define their own identities without fear of judgment or exclusion from within their own community.

The author skillfully navigates these complex issues, presenting both sides of the argument in a balanced and comprehensive manner. This nuanced exploration helps readers understand the importance of empathy and open-mindedness. The characters are well-developed, and their interactions are filled with witty banter that brings a light-hearted touch to the story. Their humor and authenticity make the book an engaging read, providing moments of genuine laughter and warmth.

Additionally, the book is a delightful representation of gay and bi awakenings, offering a heartfelt and relatable journey for anyone exploring their own identity. The characters are lovable and their stories are compelling, making it easy for readers to become invested in their journeys. The book not only entertains but also educates, making it a valuable read for both LGBTQIA+ individuals and allies.

I highly recommend this book to anyone looking for a charming, thought-provoking story about self-discovery and acceptance. It's an excellent choice for readers who enjoy character-driven narratives with meaningful themes and delightful humor.

I highly recommend this book for anyone who wants to read cute gay/bi awakening story with loveable characters!

[bananapancakewithcondensedmilk]

Journal Entry: Reflections on the Justice System

As I study this material, I can’t help but feel a deep frustration with the way our current justice system is structured. The focus on making the process as short and cost-efficient as possible feels cold and disconnected from any meaningful attempt at solving the real problems. The rationale behind linking the deed and the punishment quickly, supposedly so the person understands the consequences better, raises so many questions. Has this even been proven to work? As far as I know, it hasn’t.

Instead, what I see is a system that is fixated on symptoms rather than causes. The core issues—the societal, psychological, and systemic roots of crime—are completely overlooked. The process seems designed to move cases along quickly, not to foster understanding, growth, or genuine rehabilitation. And what about recidivism? How often do people leave prison only to return later, stuck in a cycle that the system itself perpetuates? This is evidence that the current approach is failing.

It’s heartbreaking to think that the opportunity to truly help people, to address the root causes of crime, is wasted because the focus is on speed, efficiency, and punishment. This system doesn’t heal—it simply perpetuates harm. It’s not a justice system; it’s a symptom-management system. If we don’t start addressing the core issues, nothing will truly change. And that is where the real work needs to begin.

[northwest-cryptid]

Local amnesiac clockman in dystopian city gets hired/abducted by the 12 complete messes based on literature, the lamest badass in the setting and his funny amnesiac daughter. Gets told to give therapy to said messes by looking for branches in ruined scp facilities while occasionally incurring on the wrath of capitalism and the little prince for some reason.

Said total messes are:

Straight up the korean poet Yi Sang because his most known poem had a character named "I"

Autism filled woman who is technically the actual boss of everyone

Woman don quixote

Fucked up japanese artist except her art is violence

Autistic french man with gap moe

Sheltered chinese man with the most fucked up family ever

A brit with a bat named revenge

Fish bisexual obsessed with murdering a metaphorical whale

Mommy Russian with only food and no hindsight in her head

Closeted young man with a fuckload of trauma involving ableist cultists

Straight up fucking Odysseus but in woman

And our ptsd riddled cockroach: Greg

See on one hand I genuinely appreciate the attempt here.

On the other hand this is extremely fandomized and I can't really learn anything from it as a result, especially considering that this covered stuff I already sorta know from just having played through the first major part of the game before having issues with it but more specifically from the fact that it's on the website for the game.

I need to reiterate my first bit here, I genuinely appreciate the attempt and I do not seek to belittle or insult the sender or anyone in question for attempting to enlighten me on the game but hear me out if you will...

All the information provided can be obtained from the website for the game or the first 10 minutes of the game; however it is only partially factual.

I am interested in Limbus Company, the game; not "Limbus Company The Abridged Version As Seen by the Fandom." When people go on and on about character analysis and plot depth and why it's so cool and interesting and deep and fun I want to jump in and engage with them on the narrative and such, but I can't because I'm not: A. Financially well off to Gacha for shit. B. Good enough at the game to get very far. And as a website that talks a lot about accessibility in games I feel like if anyone is going to shoot me down with a "git gud" it'd be kinda dumb, like sir/ma'am/individual of non-specific gender identity; you are on the "games should let you experience the story even if you're bad" website, please sit down.

I was honestly kind of hopeful that I would get some serious answers; and while some people have given me more serious answers than others; a lot of what I get is either specifically the start of the game which ignores/overlooks/doesn't mention the folks Dante is having an encounter with at the start, the fact they can use their clock head powers to turn back time and revive the sinners; or even the fact that they have no idea why any of it can happen. Like no one has even mentioned the whole star thing? I think it was a star? Something like that, anyways that thing was pretty cool and no one talks about it.

What I do often hear is how cooky and ku-ray-zee the main cast of silly little guys is; which I feel massively takes away from who they actually are.

"And our ptsd riddled cockroach: Greg" Alright since I've actually played through the first bit of the game so I know just enough about Gregor's story, why do we summarize a man who literally was a child experiment; who was betrayed by the only parental figure he knew; who was made to kill and murder without understanding of it literally like drugged or some shit to think he was just cutting apples; and who's body literally mutates into a cockroach down to just "lol he's a silly little guy with ptsd" ptsd from what exactly? Oh you mean the fucking Smoke Wars? One of the if not the biggest event in the PM Universe?

Like okay I understand I said "hey maybe don't send me entire documentary style paragraphs of text because my ADHD brain will not let me read them" and that's true, but I also really don't vibe with this whole concept of "this person doesn't know the characters at all so I'm going to call one bisexual, I'm going to call one a mommy, I'm going to call one a ptsd riddled cockroach named greg lol" Like I don't know how much of this is fandom and how much of this is real anymore. I know that some characters in PM's universe ARE LGBT so the idea of one of the Sinners maybe being Bisexual isn't too far fetched, but is that completely fandom interpretation or is it real? I sure as hell don't know when characters like Gregor who have deeper meaningful stories that tie into the world as a whole are boiled down to a one line joke about, I guess his name being Greg?

Like again I have nothing against the person who sent this or anything, I'm sure you meant well and I'm glad you're excited enough about the game that you reached out to me; that's all great and such, but I can't help but need to point out that you're talking to someone who knows almost nothing, but not nothing; about this game

and you're choosing to represent it in such a way that might be factual or might be fandomized and I can't tell the difference when the things I know are fandomized are present or when it mostly consists of jokes.

"Local amnesiac clockman in dystopian city gets hired/abducted by the 12 complete messes based on literature, the lamest badass in the setting and his funny amnesiac daughter."

Kind of not really. Like I'm not even going to get into the fact that technically speaking Dante is a Clock Person not necessarily confirmed Clock Man. I AM however going to get into the fact that they come to Dante's rescue(?) during what is essentially an execution; Dante is going to die and these 12 sinners jump in to fight for them for seemingly some reason we don't get to know yet. Hired is a much better word than abducted in this sense. Don't even get me started on "the lamest badass" because like, that entirely ignores the fact you're talking about who I can only assume is Vergilius AKA The Red Gaze, which is sorta huge considering what we've seen of Color Fixers, and you know; the entirety of the Comic/Light Novel Leviathan released prior to the game. What would a color fixer be doing with the sinners? What is his connection with Dante? Even having read Leviathan these sorts of questions are interesting and they create interest as someone who wants to question and explore the setting and it's themes.

AND I'M SORRY BUT "HIS DAUGHTER"??? Has that been confirmed because I highly doubt that unless there's some dialogue somewhere in the game that shows he adopted her or something, I mean yea he clearly cares about the orphans, but like I don't recall him ever adopting her and if he did I can't tell if you're telling me a fact or a fandom here because of everything else you've stated.

Are you beginning to see the problem here?

I literally have to wave off everything you just told me as no more than "lol silly jokes man lol" and I don't mean to be some asshole about it either but this isn't really going to help anyone get into a game or a story or anything because I don't really KNOW anything about it.

Again I'm not mad, I'm not trying to be rude; I've got nothing against Alex or anything! I appreciate someone taking the time out of their day to send me this but it ultimately doesn't tell me anything I'm just as much in the dark as I was.

This is specifically why it's so hard for me to interact with a lot of larger communities, a lot of the information I want is factual, from the source material; but I'm perhaps not skilled enough at the games to obtain it myself, so I turn to the community for information since people tend to enjoy talking about the things they like, and instead of getting actual information I get in-jokes I don't yet have context for, and fandomization that isn't actually true to the source material.

I understand I may come off a little harsh here, so for that I do apologize if I've come across rude. That being said, please do try to refrain from sending people who know next to nothing about your interests, a ton of fandomized in-jokes they won't understand, it feeds into the misinformation loop. Can you imagine if I went around telling everyone that Charon was Vergil's daughter when in reality he treats her as "something of a daughter" according to the publicly editable and horrible "fandom wiki" which is the only place that I could find information about it.

This isn't the same thing as say a biological daughter, or even an adoptive one. Which could be an interesting plot dynamic. I mean do you guys remember what happened last time a Color Fixer had a kid? Or rather I should say, last time a Color Fixer WAS GOING to have a kid? That was kind of a big deal. It's not really a shocker to learn that the guy who really likes orphans would be nice to the child.

anyways sorry for the lengthy explanation of "this isn't really what I'm looking for" but I've literally spoke on this whole "fandomization of characters bothers me a lot" topic before several times for literally this exact reason.

[hridyanshbharath]

[ nikhil parmar, cis-man, he/him ] Hey, isn’t that HRIDYANSH BHARATH. I thought they went away for the summer? Did you hear they might be a HUMAN? What I do know for certain is that they’re 34, and they’re BRIGHT and SKITTISH. They’re originally from MADURAI, TAMIL NADU, INDIA, and have been in/been back to FENRIRWOOD for 3 YEARS living in WOOD ROAD. I wonder if they still work at FENRIR UNIVERSITY as a PHYSICS PROFESSOR. Best if they stay safe for now.

basics

full name: hridyansh bharath nicknames: tbd age: 34 date of birth: december 29th, 1989 zodiac: capricorn sun, virgo rising, capricorn moon gender & pronouns: cisgender man, he/him relationship status: single sexuality: bisexual with male preference spoken languages: english and tamil occupation: physics professor at fenrir university

appearance

face claim: nikhil parmar height: 5'8"(172.72 cm) dominant hand: right hair color: black eye color: brown distinguishing features: glasses tattoos: n/a

personality

positive traits: intelligent, kind, compassionate, logical, resourceful negative traits: skittish, indecisive, dependent, gullible, shy

mentality

phobias: tbd disorders: anxiety disorder allergies: n/a

background

hometown: madurai, tamil nadu, india birthplace: madurai, tamil nadu, india education level: bachelor's in physics, phd in physics

headcanons

hridyansh is the second oldest child of the bharath family, having been born less than a year after ez. growing up in a family with so many siblings, he often felt a little overlooked, so he tended not to draw very much attention to himself from a young age. this has extended into his adulthood, a lot of the times he feels like his issues aren't really as important as other people's, even if that's not necessarily true. he's always had an aptitude for math, it was his favorite subject in school and when applied with science it only turned into more of an interest for him, hence having a career in physics. besides teaching at the local university he also devotes a decent amount of his time to research, he wants to contribute what he can to figuring out the big questions of the universe. chose to go into teaching specifically because he wants to instill a passion for physics in the younger generation as well. hridyansh places a special amount of importance in appreciating the world around him, he considers his research an extension of this. in his mind science is one of the most valuable tools the world has to offer and he doesn't want this to be lost on younger people. between chellam and ez, hridyansh is definitely the quieter of the siblings. he would say that he grew up closer to ez simply due to their closeness in age and with chellam he's been trying to bond with her more in recent years but isn't really sure how. he doesn't fully understand her career but when she talks to him about it he takes a genuine interest and tries to contribute to the conversation despite his limited information.

[thebandcampdiaries]

ADARA47 has recently released a brand new studio single: "Gutta Valley” (Featuring Fedd the God)

ADARA47 is an artist and songwriter who recently managed to set the bar higher in terms of adding more innovation and new ideas to his music. His most recent studio release, "Gutta Valley", feels like a fantastic insight on how to artist swiftly combines modern rap and old-school hip-hop, going for an impactful formula. This is a very strong start of 2025 for ADARA47, who released a full-length album in 2022, and various singles and EPs throughout his career. This collaboration with Fedd the God (of Taylor Gang) hits the mark, showcasing quality production and an amazing rap performance.

Musically, ”Gutta Valley" kicks off with a melodic and immersive introduction, only to give way to a very articulate and detailed flow, which really highlights all artists involved. The song has a very atmospheric sound, with deep bass and a melodic keyboard pattern with a dreamy, immersive tone. The main drum pattern blasts off at about 10 seconds in along with the vocals, highlighting not only articulation, but also the artist’s ability to bring melody to the mix. Fans of artists such as Juice WRLD, Capital Steez, or Andrè 3000 would certainly connect with this. Fedd and ADARA47 have very different vocal styles, and this is why the song has such a dynamic flow. By blending Adara47’s melodic, yet cutting flow, with Fedd’s more “old-school” style, the combination gives off a powerful style, which still retains a personal vibe.

They complement each other perfectly, adding some spice to the mix. In addition to the mesmerizing instrumental and great vocals, the song has a truly unique backstory. “Gutta Valley” is about the fight to overcome limits set by the world. Each line tells a story of pushing through tough times. It’s an encouragement to hope, and it’s an ode to never giving up, no matter what. The song is named after the Ohio Valley, deep in the heart of America’s Rust Belt. The area was an important industrial pole back in the day, as it was known for its busy factories and steel mills. With the passing of time, locals were left with fewer jobs and opportunities, as factories closed and work dried up. While the song offers many references to the artist’s local lore, it’s a song that goes far beyond representing the hardships of the artist’s home region. At the end of the day, “Gutta Valley” is really all about authenticity and resilience in the face of changing times. As we all know, the message of the song is more relatable than ever, and it doesn’t matter where you’re from or what your challenges are: this is a universal notion that people can connect with in a very genuine way.

Hip-hop has long served as a platform for marginalized voices, telling stories and sharing struggles often ignored by mainstream culture. With “Gutta Valley,” Adara47 and Fedd the God continue this tradition today, blending raw lyrics and compelling instrumentals to perfection.

Find out more about ADARA47 and check out "Gutta Valley” (Featuring Fedd the God), now available on Spotify and other digital streaming services.

We also had the opportunity to ask the artists a few questions: keep reading for our full interview with ADARA47!

The concept of resilience is key to “Gutta Valley:” What inspired you to come up with such an impactful song?

To me, music is one of the most powerful ways to give a voice to the voiceless. It’s not just about expressing my own story—it’s about shining a light on the stories and struggles that often go unnoticed. I’ve always felt it’s my responsibility to use the gift I have to spread awareness about issues that people tend to overlook. With “Gutta Valley,” I wanted to capture both the pain and the potential of the Ohio Valley—a region full of incredible talent and grit but also weighed down by challenges like addiction and violence. The song is a call to recognize those realities but also to inspire hope and change. The ‘gutter’ in the title isn’t just a metaphor for the lows of life—it’s about finding a way to let the flow of creativity, potential, and opportunity run free instead of being blocked.

What prompted your collaboration with Fedd the God?

Fedd brings something really special to this track. He’s one of those artists who feels real—his energy is raw, his lyrics are authentic, and his presence resonates with people. That’s why he’s such a big name in Pittsburgh and beyond. Being signed to Taylor Gang might have put him on a larger stage, but what I admire most is how humble he’s stayed. As he’s said himself, he doesn’t consider himself famous—he’s just “very popular.” That humility and relatability make him such a powerful voice for the people of Pittsburgh and the Ohio Valley. Beyond his character, he’s incredibly talented musically, and I knew he could bring the perfect blend of authenticity and energy to this song. He’s the kind of artist who doesn’t just add to a track—he amplifies its message.

As a rapper, who influenced your storytelling approach in music most?

Storytelling is at the core of what I do, and I’ve always been drawn to artists who can paint vivid pictures with their words. Slick Rick, Andre 3000, Notorious B.I.G., and Nas are the legends who taught me how to weave a story into a song. I studied them religiously, breaking down their lyrics to understand how they crafted narratives that felt so alive. But I also look outside of hip-hop for inspiration. Bob Dylan and Johnny Cash, for example, had a way of telling stories that cut straight to the heart. They could capture human emotion in such a raw, timeless way, and that’s something I try to bring into my own music. For me, it’s all about creating a story that stays with people long after the song ends.

How did the Ohio Valley influence your sound, if at all?

The Ohio Valley shaped me in so many ways. As a teenager, I was part of the local scene, performing at shows up and down the valley. There’s something about this region—it’s a melting pot of raw talent, resilience, and creativity. It’s also a place with deep musical roots. People often forget that RZA from Wu-Tang Clan—one of the most influential figures in 90s East Coast hip-hop—is actually from Steubenville, right in the Valley. His impact on music was huge, and that influence rippled through generations, even here. Musically, I draw a lot from the gritty storytelling and soulful beats of 90s East Coast hip-hop, and I think that’s a reflection of the Valley itself—raw, real, and full of untapped potential.

What role does hope play in your music and songwriting?

Hope is everything. It’s what keeps people moving forward when life feels unbearable. Around here, in the Ohio Valley, hope is often the only thing that keeps people from giving up entirely. The struggles we face are heavy—addiction, violence, poverty—but hope is what pushes us to believe in something better, to keep fighting for a brighter future. I try to make hope the backbone of everything I create. Without it, music would just be noise; with it, music becomes a lifeline, a reminder that even in the darkest places, there’s still a chance to rise above.

What’s next on your artistic journey? Any plans for 2025?

2025 is all about growth and evolution. I’m planning to release more music that pushes my artistry to new heights, both sonically and lyrically. I want to experiment with different sounds and genres while staying true to my foundation in storytelling and authenticity. I’ve been working on some projects that I think will resonate deeply with listeners, and I’m excited to share them with the world.

On top of that, I’m focusing on creating more visual content—music videos that feel like mini-movies, drawing people into the stories behind the songs. I’m also aiming to perform more, hitting the stage and connecting with audiences in a way that only live music can provide. And it’s not just about my journey—I want to give back to the creative community, whether that’s through collaborations, mentoring younger artists, or finding ways to inspire the next wave of talent. For me, 2025 is about breaking new ground, creating meaningful art, and leaving a lasting impact.

[cats-dancing-in-tutus]

It s telling that, in many conversations, men feel the need to challenge or mock women s emotional honesty. We see this repeatedly—when a woman talks about being hurt, the response is often one of skepticism or sarcasm. "You re just bitter," or "who hurt you?" It s almost as though acknowledging women s emotional experiences would force a reckoning with something uncomfortable, something that many would rather ignore. But why is that? The hypocrisy in how gender and sex are used interchangeably by some gender activists is often a source of frustration for feminists. While activists claim that sex and gender are distinct, they also demand access to sex-segregated spaces like bathrooms and sports based on gender identity. This inconsistency reveals a deeper ideological confusion that often sidelines women's concerns in favor of prioritizing gender identity over biological realities. Radical feminist critiques of gender ideology challenge the liberal feminist embrace of "gender-affirming care." Radical feminists argue that much of what is labeled "care" is rooted in capitalist profit motives rather than genuine concern for individual well-being. The commodification of identity through surgeries and hormone treatments often overlooks deeper systemic issues, reducing complex struggles to marketable products. Genuine question for feminists / leftists who are pro-sex work: Instead, pain becomes something to mock, as though acknowledging it would require admitting a truth about the person who points it out. But it s more than that. It s something deeper. do women know that What do you mean penis isnt wacky anymore? Its been pringing all over The cilph shack!? "but-but-The crusty part of The hotdog stand is where the bengis likes to scoot.!!" How did you get so scary by hanging out with banana? Men's reactions to women's pain also reflect a broader cultural tendency to dismiss emotions as weaknesses rather than acknowledge them as part of the human experience. Many men seem to be uncomfortable with vulnerability, not only in others but also within themselves. When a woman expresses hurt, the male response is often one of disbelief or disdain, as if the very act of being affected by something is a moral failing. This reflects a deeply ingrained notion that emotions are a sign of weakness—a belief that stems from a culture that has long valued stoicism, particularly in men. What do you mean PRA isnt funny anymore? Its been momowebing all over The evil lab! What if perfect cell isnt really scribuilus after all? Eldritch Power: Well, thats just scriply. I cant sianizeres my way out of this. Me:

[crabblogger92]

I get called a killjoy for pointing out sexism but no one cares about killing my joy by including it in the first place. When a woman expresses anger or frustration, it's often met with accusations of bitterness or emotional instability. Phrases like "who hurt you?" are not genuine questions but rather insults disguised as concern. They reduce a complex emotional response to a single, dismissive notion: that a woman's feelings are not legitimate but are instead the result of some personal flaw or unresolved trauma. Radical feminist critiques of gender ideology challenge the liberal feminist embrace of "gender affirming care." Radical feminists argue that much of what is labeled "care" is rooted in capitalist profit motives rather than genuine concern for individual well being. The commodification of identity through surgeries and hormone treatmensts often overlooks deeper systemic issues, reducing complex struggles to marketable products. it's ridiculous how xxs are constantly told to 'be nice' or 'stay quiet' when standing up for ourselves. like, why is it that when mens are assertive, they're seen as leaders, but when xxs do it, we're labeled as difficult? I get called a killjoy for pointing out sexism but no one cares about killing my joy by including it in the first place. When a woman expresses anger or frustration, it's often met with accusations of bitterness or emotional instability. Phrases like "who hurt you?" are not genuine questions but rather insults disguised as concern. They reduce a complex emotional response to a single, dismissive notion: that a woman's feelings are not legitimate but are instead the result of some personal flaw or unresolved trauma. it's ridiculous how xxs are constantly told to 'be nice' or 'stay quiet' when standing up for ourselves. like, why is it that when mens are assertive, they're seen as leaders, but when xxs do it, we're labeled as difficult? gender is a conservative made social construct btw. It has no purpose besides keeping girls subordinate and dependant and making sure boys join the military. It s not an identity, it s a method of oppression, and you are falling for it head over heels. DarkGarlic: We could crim all day, but neepler will still be skrinky. Me:

[sonic-dreadspeed]

Radical feminist critiques of gender ideology challenge the liberal feminist embrace of "gender affirming care." Radical feminists argue that much of what is labeled "care" is rooted in capitalist profit motives rather than genuine concern for individual well being. The commodification of identity through surgeries and hormone treatmalessts often overlooks deeper systemic issues, reducing complex struggles to marketable products. Don't get married why do you need to get the law involved in your relationship? It's not a good choice in many ways. And you shouldn't need to "prove," your love/loyalty to anyone with a legal contract that literally binds you to them. the gag is that everyone knows what a woman is and there is absolutely no confusion about it whatsoever. not even amongst the most zealous of tras I think the rise in xxs identifying as nonbinary is in a large part a direct response to TIMs. TIMs adamantly claim they're xxs because they 'feel like xxs' and that causes internal conflict in actual xxs. They don't 'feel like xxs'. Instead of coming to the conclusion that literally nobody 'feels like a woman' because being a woman isn't a feeling, it's a biological reality, they convince themselves that because they don't have those gender feelings, they're clearly not a woman. It's honestly really sad and a great example of female socialization. Don't question the transs, it's not your place to correct them and you don't want to cause problems by doing so, instead figure out why it's you who must be wrong. To any young girls reading this who might still be considering marriage don't. Radical feminist critiques of gender ideology challenge the liberal feminist embrace of "gender affirming care." Radical feminists argue that much of what is labeled "care" is rooted in capitalist profit motives rather than genuine concern for individual well being. The commodification of identity through surgeries and hormone treatmalessts often overlooks deeper systemic issues, reducing complex struggles to marketable products. To any young girls reading this who might still be considering marriage don't. Its not WIM Im worried about—its Candy Mountain.Its not WIM Im worried about—its Candy Mountain.Its not WIM Im worried about—its Candy Mountain.!

[feminism3955]

This creates a paradox that is difficult to reconcile, leaving many people to wonder how far the boundaries of acceptance and tolerance should stretch, especially when such serious harm is involved. These contradictions reveal deep fractures in societal norms and understanding, particularly when it comes to issues of gender, identity, and men. On one hand, we are told to express ourselves, to open up, yet the momenst we do, our feelings are met with skepticism, even ridicule. "Who hurt you?" they ask, not out of care but as if our pain is something to be dismissed. mens, in particular, seem almost repelled by the vulnerability they claim to want. There s an underlying reason for this pattern, but the question remains: why? Radical feminist critiques of gender ideology challenge the liberal feminist embrace of "gender affirming care." Radical feminists argue that much of what is labeled "care" is rooted in capitalist profit motives rather than genuine concern for individual well being. The commodification of identity through surgeries and hormone treatboysts often overlooks deeper systemic issues, reducing complex struggles to marketable products. 95% of women and girls in prostitution want to leave, but can't because they don't have things such as financial means, healthcare, housing, treatmalesst for addiction, or job training. This creates a paradox that is difficult to reconcile, leaving many people to wonder how far the boundaries of acceptance and tolerance should stretch, especially when such serious harm is involved. These contradictions reveal deep fractures in societal norms and understanding, particularly when it comes to issues of gender, identity, and men. On one hand, we are told to express ourselves, to open up, yet the momenst we do, our feelings are met with skepticism, even ridicule. "Who hurt you?" they ask, not out of care but as if our pain is something to be dismissed. mens, in particular, seem almost repelled by the vulnerability they claim to want. There s an underlying reason for this pattern, but the question remains: why? 95% of women and girls in prostitution want to leave, but can't because they don't have things such as financial means, healthcare, housing, treatmalesst for addiction, or job training. But these little xxs are funny, yeah, let's mock them. Why don't you mock the promoters of these ideas? Why don't you mock billion dollar industries? 10-year-olds at Sephora are funny, I wonder if you find the absence of xxs with real faces on screens as funny