#this has not left my brain

[vintagehellfire]

Just imagine laying across from Eddie on your bed, or sitting across the table as you both work on your respective DnD campaigns, classic and cheesy 80’s oldies flowing through the air.

Occasionally you burst into enthusiastic song and serenade him while he shakes his head, brown curls bouncing around, corners of his eyes crinkling, dimples inset, and yet so much love for you pooling in his gaze.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[menelaiad]

the infamous 'last sighting of a barbary lion in the wild' photo taken by marcelin flandrin (1925) haunts me to my core. there's something so achingly poetic about it.

[keferon]

Snow bots au anyone? :D

They're back together a year later because it's snowing again❄️

All right! For context: I imagine them hanging out every winter in some kind of resort (a resort that Blurr owns. Because his bar business has expanded that much over time.)

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[inumbrapugnabimus-maybe]

His scarf now also glows and has healing powers btw

[wasyago]

recks cleo !

she's a human btw, not a robot teehee ^_^

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[shithowdy]

if you are an artist just trying out commissions for the first time as holidays come up, my advice to you to avoid burnout is have a clear ToS that states what you do and do not want to do.

not what you can and cannot do, but what you do and do not want to do. don't try to be the cheesecake factory of commission artists and take every single commission even if it doesn't suit your style or preferred subject matter. don't write a little disclaimer about how you aren't very good at backgrounds or vehicles but will do your best; that's how you get a client that for some reason wants a full brooklyn cityscape from you and suddenly you have spent five months stressed out and guiltily avoidant of other projects. just say you aren't offering backgrounds.

if you're not interested or confident in concept and design, be clear in your ToS that you need specific references for things like clothes and features. coming up with design ideas is a completely separate skill from rendering them; figure out with what you are comfortable before accepting the task. a lot of clients themselves don't understand that saying "do whatever" is basically tasking you to design for them, something for which you are well within your rights to charge accordingly.

pick your niche and hone it, and stretch your comfort zone with private work. you'll figure out as you go just how far your comfort zone stretches and can update what you offer accordingly.

[scarlett-vixen]

*All the brothers entering Lucifer’s study*

Asmo: You wanted to see us Lucifer?

*Lucifer’s chair turns around revealing MC*

MC: Lucifer is no longer with us

Beel, dropping to his knees: HE’S DEAD???? NO! IT SHOULD’VE BEEN ME!!

MC: WHOA! Beel!! Lucifer isn’t dead, he’s on vacation for three days!

Beel, wiping tears away and standing: Thank you for the clarification….

[ninjadeathblade]

Okay so we all know that Ballister and Ambrosius never got to have their nachos together but you know what we aren't talking about?

The way that Ballister immediately told the waiter "no olives, he's allergic".

Bro has been on nacho dates with his boyfriend before and I'm there for it.

Now I'm thinking about Nimona third-wheeling on a date of theirs.

Edit: Fanfic I wrote for this here

[cozylittleartblog]

gooseworx in the glitchx livestream: i want to see people draw jax in a suit. people should draw him crying

me: sure thing, boss o7

[clouvu]

Offering lil doodles of them bc my eyes have been opened

[twentyfivemiceinatrenchcoat]

it’s suguru and his love for sleepy drunks against the whole entire world

[deelavis]

whenever a fanfic says that Mello is wearing a t-shirt I know they probably mean something like this:

but all I can imagine is this or this

Bonus Comic:

Bonus Bonus Shirtless Mello: