#this has happened to me before when im really into something

[girl-lostconnection]

Concept of a concept time:

Reader who goes through the whole relationship with Ghoap or the whole 141 believing that they would always come second place, because of course Simon would burn the world down if Soap was taken out of it. Of course, Price would do everything and anything to save Simon. Of course, Simon would turn into monster if it meant keeping his family safe, keeping his TaskForce safe.

Of course, Kyle would go mad with grief if he was to lose Johnny. Of course, Kyle would become a shell of himself if he lost Price.

Of course they would all shatter without each other alive and well. It was obvious. It was a fact.

Reader who sees it and places themselves on the outside of it, because these men were already something before they came along. These men were already tight knit and close to each other.

These men were already family when Reader got dropped into their laps. It’s only natural they don’t really slot fully. There’s just no more space.

Reader who takes every bit and crumb of an affection they are given. Reader who gives away everything. All of them. Every kiss and confession, every hug, every bit of love and care they have. They give it all, because yeah, maybe they will never be a part of these 4. But they can be near and maybe…maybe that’s enough?

Reader, who dies. Not instead of Soap, not instead of anyone. They just don’t come back from the job one day, their foot locker was supposed to be shipped out to the family. But there is no family.

So 141 takes it. Who, if not them, right?

Reader, who dies and haunts the narrative from that point on. Reader who leaves a hole the size of a person and no one can fill it. It’s impossible.

Reader, whose warmth was seeping through them all for so long, the absence of it feels like a whiplash. The absence of it feels in their bones and it’s cold-cold-cold now. Their hearth dies and there is nothing to do about it but keep going.

Soldiers die every day, this one shouldn’t have been special. But they were.

Kyle who takes their personal things before someone else can come and toss them out, sleeping with their T-shirts and hoodies. Part of him dies with Reader. Part of him is getting buried with them. He’s sitting at their funeral until Price leads him away.

Simon who takes their photos and books, hiding them, keeping them safe. He needs to have it, because memory is traitorous and one day he might not be able to put a face to the name and he’s terrified of it to the point of feeling sick.

Soap who takes mementoes — keychains and magnets from all of the deployments, he takes every knick knack they found in the foot locker and Reader’s room, he stores them next to his. There are new keychains on every set of his keys. He’s fumbling with them every time he feels like there’s knot in his throat and he can’t speak.

Price gets the notebooks. Just a few of those were in a footlocker, filled with scribbles and meal plans and random quotes and games Reader played with Kyle during boring briefings. But it feels like them. It smells like them. Reader never wrote a consistent diary, too little time and too much going on, but they notated the places and times and that Soap coughs like a sick Victorian child and that Kyle has the most perfect beauty marks on his thighs and that Price sneezes like dad and that Simon sleeps with lamp on.

It is everything there was of them. Everything there’s left of their love and John isn’t sure he’d be able to part with it. It isn’t fair that it happened like that. It isn’t fair that he feels like destroying his whole office when he reads the “im not sure i fit in. on the bright side I reckon if something was to happen to me, no one would mourn too long. they have each other, I should be happy it is like that. I should be grateful” because it’s not fair-not fair-not fair-not fair.

John doesn’t show these diaries to anyone. John guards them like his most prized possession, reading it over and over because you, silly perfect thing, why haven’t you said anything. Why haven’t they noticed anything.

John doesn’t show it to anyone because he’s not sure if they won’t crumble under the notion. He’s not sure they won’t shatter when the rest find out that Reader died thinking they weren’t part of the family.

John sobs so hard, bile rises to his throat, world swimming in his eyes and it hurts, and he’s so fucking angry and it’s so unfair. Because it’s not true, because of course you were part of them, of course you matter, of course they mourn.

Because you die never finding out how much you were loved. Because there’s nothing he can do.

And it’s not fair.

[fortunapre]

𝐖𝐡at Happens 𝐢𝐧 𝐓𝐞𝐱𝐚𝐬… | 𝐎𝐬𝐜𝐚𝐫 𝐏𝐢𝐚𝐬𝐭𝐫𝐢

SUMMARY★ the internet gets suspicious after Oscar Piastri’s childhood best friend shows up to the USA GP after swearing off races a year ago…

(multiple face claims)

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y/nusername home sweet home *read in southern mama accent*

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oscarpiastri: hey! no way i’m going to be there too what a coincidence!

➜ y/nusername: its not a coincidence im stalking you

➜ oscarpiastri: 😀 what.

y/nbff: tell me you’re joking

➜ y/nusername: lemme tell you something... LEMME TELL YOU SUMTHING!

user1234: why does @y/nbff sound mad? Did she not tell her bsf or something?

➜ user999: don’t quote me on this but i’m pretty sure it has to do with the drama about y/n and her ex.

➜ user 1234: wait what?!? Im new what is that???

➜ f1updatesfans: well like i think 2 years ago y/n was seen around with this guy while she was in Austin (her home town) for the USA race.

➜ f1updatesfans: Then suddenly he like disappeared and y/n didn’t go to another race since. but now apparently she’s going to this one??? it’s all very speculative but yeah.

➜ user1234: ok but what does y/n have to do with formula one? Wait was she dating a driver?

➜ f1updatesfans: No! I dont think so... And shes Oscar’s friend I think. Best friend.

imessages- y/n's POV

Once y/n got off of the plane and through the gate, she stood waiting for Oscar. Considering he was already in town for the race, he had no problem coming to get her. They were best friends after all.

y/n had a hand on her suitcase and leaned against a pillar. She looked worn out and utterly tired. Her eye bags could practically be called carry-on luggage. She rested her head on the wall and scrolled through her contacts before choosing Oscar's name.

Her phone only rang once before Oscar's voice answered from the other side.

"Hey, y/n." He said in his signature sweet tone that always made y/n smile. The corner of her mouth lifted at his voice while she closed her eyes. Maybe tired was an understatement.

She was exhausted. Usually she just sleeps on planes, but for the whole 6-hour trip she never dozed off. The closest she got was simply closing her eyes.

She couldn't sleep. Not when she was so worried about what would happen once she landed.

"Yeah, hey Oscar." she murmured, and let out a long yawn. "My gate is A6." She held her phone between her shoulder and cheek while she tried to fish out her wallet from her purse.

"You good? You sound tired. Or sad. I can't really tell over the phone." Oscar spoke through the speaker pressed up against her ear.

"Yes, I'm fine..." Once she found her wallet, she pulled out cash to buy something to drink at the mini market across from her gate.

"Oh, I see you! Stop walking I'm coming to your right now." Oscar said quickly. Y/n looked around her, trying to find him. Eventually, she spotted his familiar smile.

They both hung up the phone as Oscar got closer. He was smiling at her, almost smirking really. When he stood next to her, he took a moment to look at her state, no doubt remembering it to make fun of later.

Y/n smiled back and then continued walking to the minimarket, with Oscar alongside her.

Once she got her water, they both started walking towards the exit.

"Here, I can take this." Oscar stopped y/n and put his hand on top of her hand which was holding her suitcase. His touch felt familiar and warm. His hands always felt rougher than they looked, but y/n felt comfort in knowing it was Oscar. At first, she didn't speak.

She was too busy staring at their hands because something different was happening.

She felt different. Suddenly, she wanted his hand to never leave. She wanted his hand to grab hers and lace their fingers. She wanted his hand to touch her more.

She shook her head and looked away from their hands. She must be really tired, and sleep deprived.

Instead of agreeing verbally, y/n just let go, suddenly conscious of Oscar's burning touch, and nodded, letting him take her suitcase.

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ynusername airport fit check

photo credits: lando norris’s teammate, i think?

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oscarpiastri shut up

landonorris *my future boyfriend

➜ ynusername LANDO WHAT! is this a hard launch for you two???? wdym your bf

➜ landonorris WAIT HAHA NO I MEANT MY AS IT YOURS

➜ landonorris I WAS CORRECTING YOU AS YOU

➜ landonorris WAIT DONT

➜ landonorris i’m deleting this.

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comments on this post are limited

imessages- oscar's POV

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imessage- oscar's POV

"Who are you texting?" Y/n asked casually, wanting to start conversation. She sat comfortable in a sofa across from him. Originally, they were both laying down on the sofa's facing each other, a table in the middle.

But once Oscar got the first message, he sat up quickly.

At one point y/n caught him looking at her, with the most confused face she's seen on him, but he just went back to typing.

"What?" His head shot up from his phone, and his eyes got wide.

"I asked who you were texting." She replied. Y/n sat up slowly, matching him and then leaned in, with her elbows on her knees, hands clasped together.

"Oh. um. no one. Just Lando"

"Oh ok." This conversation was just making her more bored, and she wanted to talk to Oscar. There was a beat of silence before she spoke again. "What about?"

"Hmm?" Oscar seemed extremely distracted.

"What about?"

Instead of answering, he ran a hand through his hair and looked down. Y/n was going to ask what was wrong but he suddenly stood up and walked around the sofa.

He was still silent, and he changed positions to now stand behind the sofa and leaned on back, arm folded, facing away from her.

"Osc-" Y/n was going to ask why he was so distracted, but he cut her off.

He turned around, now looking her in the eye. "y/n can I ask you something?"

Now y/n was worried, because what could be on his mind that he needed to ask her about.

"Of course, Osc"

Oscar looked at her as she waited for his question. Like really looked at her. She was wearing Mclaren merch with his number on the back of course. She looked gorgeous. The realization made Oscar run a hand through his hair again, no doubt messing it up this time.

"It's kind of personal, y/n. I understand why you haven't said anything about it before. It's your personal life and I want you to know that i understand."

"Oscar what-"

"Is your ex in Austin?"

Y/n was surprised to say the least. She knew that questions about her past relationship would come up, but Oscar asking was surprising. She told him last year about how her ex broke up with her.

She was devastated. He had broken up with her over the phone, on the way back from last year's Austin Grand Prix. His reasons were stupid, and his apologies sounded incredibly forced.

She immediately called Oscar and told him everything. Well, everything except from his name. Oscar can be protective when it comes to y/n, so she kept her ex's name secret. It sounds stupid now that she thinks about it because even if Oscar did get mad, he would never do anything Y/n didn't like.

"Yeah. He's here, in Austin, but I haven't talked to him at all. You know what he did, and I want nothing to do with him." Y/n didn't know why she was trying to explain herself so much. She felt like she needed to make it known that there was nothing between her and her ex anymore. What this had to do with Oscar? she didn't know.

He nodded and walked towards her. They both sat next to each other on the small sofa while Oscar overthought everything.

"You want nothing to do with him? like at all? because Lando was making me think that you were possibly here to get back together with him..." He needed to know for sure.

"What? Oscar not of course. Why would Lando think that?"

"I don't know." he was going to run a hand through his hair for the third time, but y/n grabbed his wrist instead. She held his hand softly and intertwined their fingers.

Oscar felt relieved. Y/n was probably wondering why Oscar had so many sudden questions about her love life, but neither of them brought up the suddenness of the conversation. They instead sat close together; hands intertwined, hoping that the other couldn't tell how fast their heart is beating at the they're simple touch.

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oscarpiastri new merch that even I'd wear (it's a white shirt, get it?)

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ynusername cool now I have another shirt i can steal

➜ oscarpiastri get your own! https://mclaren.com

➜ oscarpiastri hope this helps!

➜ ynusername you're going to give it to me anyways I know it

➜ oscarpiastri probably...

landonorris @.ynusername where have you beeeeeen I haven't seen you all weekend

➜ ynusername clearing my calendar for you right now!

➜ landonorris tell oscar to stop keeping you to himself!!!

➜ oscarpiastri no go away

➜ landonorris *cough* jealous *cough*

➜ oscarpiastri 😐 that’s enough

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2 days later, and neither Y/n nor Oscar had made any progress on acknowledging their feelings. Even the internet and gossip columns knew more about it then each other.

a/n:

just a small smau i wanted to try. i’ve never done one of these types of stories, so sorry if its bad or confusing!

not sure if i’ll do a part 2…do we like?

[catboydreamer]

friendships to games to lovers

Scaramouche x reader, childhood friends (reluctant) to lovers :)

you two grew up in the same neighborhood as kids, and eventually ended up hanging out (if you could call it that)

you pestering him constantly until he finally gives in with a grumble. 

eventually he starts seeking you out too, making up ridiculous lies that you see right through but pretend to be oblivious about. all because you know he’ll back down if you call it out, and you refuse to see that happen. 

you had moved homes when you were 15 years old but what are the odds you’d attend the same college as him?! 

actually, it was a local community college in his (and previously yours) hometown.

when he sees you he tries to keep up with his snarky comments but you can see a glimmer of emotion just boiling over the edge

he’s a shit talker but a really good gift giver. he can’t help shoving his homemade lunch towards you, muttering quietly, “if you’re anything like before, you forgot to pack a lunch. and im not having you eat the shitty food in here.” 

he’s grown taller now, too. something you thought wasn’t possible out of him. he didn’t tower over you or anything like that but it was enough to give him an edge. 

as you rekindle a relationship, whatever it is, he uses his height a lot. he’s almost cocky about it; reaching above you to grab a book you needed, often leaning too far into your space. or even on more than one occasion, reaching into the cupboard to grab a mug from the highest shelf when he knows you’re leaning against the counter, right in front of it. and if you question it, he shrugs, “hm. cant say I’ve noticed it.”

he’s messing with you intentionally. he watches your reactions like a hawk, intensity flickering over his eyes.

deep down he just wants you to like him as much as he likes you but he wants to see you squirm a little bit too. 

it’s just the type of man he is, to tease you before letting you know exactly what’s going through his head. 

well, he has no intentions of being truthful actually, just dancing around the past and the present. 

he wants the transition to be painfully slow until you find yourself captured by his presence as if it’s always been there.

though, it’s you, so that doesn’t really happen. plus, he finds himself lost on you, frustrated when gestures don’t /seem/ to affect you that much.

in reality, you’ve gotten good at hiding emotions. your fear of being someone to play with rises up. 

it all comes to a head one autumn evening. 

he invited you over for dinner one evening, with all the usual antics.

he’s pulling a flirtatious gaze while mocking you in the same sentence. 

maybe something set you off that day or the tension just grew to be too much. after all, you were never known for your patience. 

the two of you were in the middle of eating dinner but the exact meal was lost on you. you didn’t care what it was. your skin felt red hot. 

one final stupid comment with a sly smile made you break in half. 

“you know what? im so over your stupid games, kunikuzushi.”

his eyes widen for a moment before a look of clarity falls into his gaze, “what are you talking about-“

you cut him off cleanly, “no. you know exactly what’s going through im talking about. I’m not gonna play your games anymore. you can properly ‘fess up to your feelings or this is it.”

his blood runs cold; he’s deathly pale more than usual. there’s an unusual fear in his eyes as his head drops so you can’t see his full reign of emotions as he speaks. all you want to do is lift his chin with the tip of your finger tips so he can’t escape you but you leave such a bold move for another occasion. 

his words are quick to the point, “I only wanted to know if you… l-loved me back,” his voice is full of cracks.

a smooth blush blossoms over his cheeks and the tips of his ears. he’s more than unready to truly speak of it all. 

slowly his gaze lifts up to meet yours; a soft twinkle in your eyes and a warming smile pulling at your lips. 

“you’re so stupid. I’ve always loved you.”

his heart jumps to his throat and he’s frozen in position. 

“c’mere,” and you motion to your lap. 

he huffs, turning his head to the side. your eyes bore into him, not intending on taking no for an answer. 

he gives in after a few beats of silence. he sludges over to you, clumsily climbing into your lap. he’s technically bigger than you now but still slender enough that it’s not too much. 

he’s shaking like a leaf. you don’t comment on it and especially not on how his entire body slowly relaxes completely at your touch and you trace small circles over his shoulder blades. your other hand grips his hand into yours. 

you’ll be damned if you don’t give him more than enough physical affection even if he acts like he doesn’t need it. 

you smile up at him. he has melted completely under your touch but you don’t dare to speak it. 

his eyes dart away from your gaze as the phrase comes out in a quiet yet clear mumble, “I really do love you.”

you give his hand a firm squeeze, I know you do. 

[reidrum]

let it once be me | the prophecy part 3

note: hey ,,, remember her ,,,,,,,,, ! feeling hashtag nervous to post this but pls tell me ur thoughts this went through !!! so many drafts !!! almost lost my mind like thirty times lol but thank u for reading <3 (reading prior parts may be helpful in having context for this part but im not really sure it's necessary, they're way shorter than this part either way)

summary: you and spencer are faced with yet another wedge in your relationship, and you're not sure if it'll survive this time

cw: heavy spoilers for everett lynch arc (15.10), we're ignoring the cm tl and time doesn't exist, maeve flashback, hurt/comfort, angst, happy ending !

wc: 8k (wtf)

part 1 part 2

Spencer feels he’s lived many lives, and that his lived experiences have thoroughly prepared him to navigate novel situations with a small familiarity. A cushion really, to allow him the comfort of seeing the path before he has to walk it blind. It almost acts as a sense of pride for him, a testament to what he’s overcome and capable of facing.

There’s nothing prideful about how awful things have been going with you.

It’s been weeks since your talk with him. Weeks since he vowed to prove to you that you were it for him, and he’s made so little progress he finds it embarrassing for someone with his caliber of intellect.

He’s toeing a fine line between being in your presence enough for you to see that he’s trying, and giving you  space so that you don’t feel smothered. It was harder in the immediate days after your talk, when you couldn’t even stand to stay in the same room as him for more than five minutes. You had come home to his apartment the day after having decided Penelope had enough of your moping. Once you got in you immediately went to settle into the guest room.

It was near radio silent between you both those first few days. He didn’t want to force you, but it didn’t feel great when you would leave a room as soon as he’d enter. As the days went on, Spencer started getting resourceful. He’d make you breakfast in the morning and leave it on the table for you, your coffee next to it made exactly how you take it. Then it was little notes left in the most random places, all written with different things he loved about you. He never saw your reaction when you read them, but they’d always disappear from its spot the next day. Little things to remind you he’s there for you.

More days passed and it finally felt like the ice was starting to melt away. You’d started lingering longer in the living room if he was sat at the table still. One time you even made breakfast for the both of you, and although you weren’t there to eat it with him Spencer had never felt more hopeful.

In the field your dynamics changed even more. Normally, he would make sure to be paired up with you in the field to personally ensure that you were being safe. Since the fallout however, he didn’t want to be an unwelcome presence that only left you more tense in high stake situations. So he’d do things like privately tell Emily to double check your bulletproof vest, or make sure Luke was at your 6 if he couldn’t do it himself.

The last thing he wanted was for your current circumstance with each other, one that he knows he created, to distract you in the field and god forbid cause something to happen to you. He would never forgive himself if you got hurt because of him, but Spencer remembers he’s already done the worst hurt he can fathom to you, and what he really means is that he can’t afford to hurt you any further. As much as it worried him to do so, he had reluctantly learned to place some trust in his teammates to keep you safe. It was a balance he’d learned to adapt to.

It worked fine until it didn’t.

The silent car ride from the jet back to your apartment was so thick with tension, but not the one you’ve both become accustomed to over the weeks. No this was a different strain of anger, one that descended down to the primal nature of your relationship—you endangering yourself.

Spencer opens the door, barely waiting for you to enter behind him before slamming it shut. “That, what you did today, was fucking reckless.”

The anger flares through your widened eyes, “Reckless? I saved the hostages, Spencer. He would have killed them!”

“And what about you?”

“What about me, I had it handled.” you huff.

He raises his hands in exasperation, “He had a gun to your head!” he yells, “You have no idea what it’s like to see that.”

“This isn’t the first time someone drew a weapon on me, and there’s definitely more times than I can count when they’ve drawn one on you,” you pause, “Or is it different right now because you got deja vu?”

“What’s that supposed to mean—” Spencer’s face pales in recognition, “That’s not fair.”

“The hell do you mean it’s not fair? You expect me to believe otherwise?”

“He was going to shoot you!” he loudly repeats, “You don’t think I care about your safety?”

“I think you only give a shit right now because you thought another girl you loved was about to get her brains blown out in front of you. Again.”

He’s stunned into silence. Your words feel like a paralytic to Spencer. Like venom slowly traveling down his veins seizing any chance for his body to save himself. All the progress he thinks you both have made just unraveled itself into nothing. It’s paradoxical that his mind is quiet. You’re usually the reason his mind can relax, but somehow you’ve achieved the same outcome by metaphorically stabbing him square in the face.

He can’t understand when you developed the idea that he could care less about you. He can’t understand how you can even think he would be capable of 

of not being with you entirely. He can’t understand where along the line you started believing that he stopped loving you.

It may not be a sentiment you actually hold, but he prides himself on being a good profiler, and more so knowing you better than himself. He knows that’s what you’re thinking, and there’s nothing he can do to fix it.

He speaks under his breath after a couple of minutes,  “How long are we going to keep doing this?”

“Doing what—“

“This!” He gestures wildly with his hands. “This back and forth where you’ve convinced yourself you’re able to move past this but clearly can’t!”

You stare at him, “Look, I’m trying.”

“Doesn’t feel like it.”

The familiar sting burns the backs of your eyes, the first sign of your resolve crumbling. “That’s not fair.”

He sighs and moves closer, your head hanging low and finding the wooden floor patterns deeply interesting. “You won’t even look at me.” he whispers, “Do you still love me?”

You look up at him stunned, “Spencer…I—I do…It’s just…”

He feels his heart breaking in a new way, “That’s not convincing.”

“Can you blame me?”

“No, I guess I can't,” he shakes his head defeatedly. “I don’t know what else I can do, baby.”

“…I want to forgive you.”

Spencer’s eyes blur from tears, “But you can’t.”

“I don’t know how,” you whisper before a sardonic chuckle leaves you, “You know me, memory like an elephant.”

Spencer refrains from telling you that dolphins are actually the species with the longest memory capacity, and that the reason for possessing such a feature is to maintain the social dynamics and relationships that come with survival in the ocean. A dolphin’s memory is what keeps them rooted back to where they belong, being able to remember individuals and behaviors even after being apart for so long. That no matter how far they stray, they’ll always come home. 

He settles for a soft agreement, “Yeah, I do know you.”

You make the mistake of meeting his eyes, equally and tragically as broken as yours, puffy and red rimmed.

“I don’t know what to do.” you whisper brokenly.

“I don’t either.”

The silence weighs heavy in the living room. The metronomic tick of the clock becomes louder, the birds and the wind outside whistle louder. You’re cornered, forced to come to face the results. And like a prey backed into the corner you do what the prey do best—You run.

“I have to go.” you grab the keys and put your shoes on.

“What?” he steps closer, “You can’t just leave, we just got home.”

“I can’t be here right now,” your voice cracks, “I just…need some time to think.”l

Spencer’s heart falls straight through the floor. Time to think about what? Is this when the foundation beneath you both finally buckles under the immense pressure it’s been on for weeks, and you’re left to scavenge the ruins?

As much as it pains him to let you walk out the door, he knows that nothing would be accomplished at home and it would only hurt you more to stay.

“Okay.” he whispers.

“Okay.”

“Be safe.” I love you.

You look back, “I will. You too.” I love you too.

The door shuts gentler this time, as if careful not to disturb the few pieces of Spencer still left standing behind the door. It doesn’t matter, they’ve already fallen over. Any resolve he had left is slipping away with every step you take further away, never feeling more defeated in his life than this moment.

He trudges over to the study, hoping he can at least bury himself in work to distract himself from the turmoil of his reality. The desk is strewn across with files and papers, mentally making a list of the tasks he has to do. At the top of his to-do list is the Everett Lynch case, having just closed the case a few days back meaning the paperwork would be due to the brass soon.

Spencer glances over the open file and reviews the details of the final moments of the case, recalling the stark change in Lynch’s MO that still left him puzzled. The victimology and the profile just didn’t add up to what actually happened, why he ended up dying with his mother in the house. That wasn’t supposed to happen, Spencer wasn’t supposed to send five SWAT agent in not knowing their fate only seconds later. How the case simply ended anticlimactically after nearly a year long chase. A dull ache begins to form in his head as he thinks, the bureau is going to have a field day processing this case.

He rubs his forehead with his hand to soothe the pain building up, making a note to get painkillers after he finishes. As he continues to read the file he starts to see his confusion take a basis as the initial profile doesn’t add up at all to what actually happened, in fact for as long as he evaded the FBI he really shouldn’t have just, died.

Spencer freezes. Did he die?

Lynch wouldn’t just commit suicide, that was too easy. He watched the house blow up with him and his mother inside, not even including the agents the explosion took out with it. The pain in his head is too much to bear at this point and he decides that getting Advil can’t wait until he’s done. He stands up and immediately wobbles as he grips the desk for support. Through the blurred vision and spinning room Spencer tries to makes sense of Lynch’s discrepancy. 

Everett Lynch wouldn’t commit suicide, because he didn’t. 

“He’s still alive.” he realizes gravely. Then it all goes black.

———

You get in your car and drive off to god knows where, just not there. It’s sheer autopilot driving you to the other side of town, which is more than welcomed as the tears threaten to blur your vision coming down in hot trails. You end up pulling into the parking lot of your favorite donut shop, one that you discovered with Spencer a little before you started dating. There was time to kill after being paired up to visit the unsub’s  dump site and you were so insistent about needing a sweet treat, Spencer thought it was clinical.

“You’re acting like you’ll die if we don’t stop for a, what did you call it? A sweet treat?”

“I will!” you whine, “Don’t you know that girls, specifically me, are mandated to have at least one sweet treat per day?”

He pulls into the parking lot of the donut shop he’d spotted on the way there. “Oh yeah? What happens if you don’t?” he teases.

“You’ll see me as the unsub in the next case.”

Spencer can’t help the laugh that leaves him, loud and earnest. “Alright, c’mon. We already have enough criminals to last us till retirement.”

You and Spencer are definitely not together at this moment in time, but the little old lady owner of the shop really can’t believe otherwise as she watches you both bicker about which flavors you’re getting for the half dozen box. She’s almost certain you’re together as she watches Spencer end up getting all the flavors you wanted despite putting up a fight for others. And she’s fully convinced, with no room for sway, that you are together as Spencer pulls his card out before you can even protest and watches as you miss the look he gives you as you dramatically sigh in content after the first bite.

Spencer would later tell you after a few months together, that the donut shop was the first time he realized he was in love with you. You recall how the same half dozen would appear on your desk every Friday since that first visit, with one chocolate sprinkled donut missing but placed on a napkin on Spencer’s desk. You would joke that he pavloved his way into your heart with donuts, but wouldn’t reveal your true cards that you fell in love with Spencer after a month on the job. The donut shop happened the week after.

“You alright, hon?” the little old lady owner breaks your thoughts.

You look around and realize you’ve walked yourself into the shop. You wipe at your eyes quickly, “I’m okay, Dolores. Can I just get the usual half dozen please?”

She’s not convinced but it seems she knows better than to ask and pry. She gathers the usual six donuts for the box, slipping in an extra one just for good measure, and rings you up at the register.

“Seven right?” you mumble as you file through your bag for the loose ten.

Dolores smiles, “It’s on the house today, hon. Don’t worry.”

You look up at her, knowing she’s only doing that because you showed up with tear streaks on your face, “Oh, no it’s okay you don’t have to do that let me just—“

She pushes the box towards you, “You both tip enough to cover the box anyway, please just take it. Hope you feel better soon, hon.”

Her kind gesture thaws your heart out a little and you give her a small smile. “Thanks, Dolores.”

You walk back to your car, locking the doors once you get in. You don’t move to turn the car on, opting to allow your emotions to overflow again in solitude with the comfort of a bavarian kreme donut. The tears prick your eyes on instinct thinking of the current state of your life, of your relationship.

Spencer was right, have you convinced yourself you’re capable of moving past this? You do still love Spencer, you knew that much. But you are hurt, you are tired, and you just want to stop feeling like you’ll always come in second place even when there’s no one to occupy first place. You’ve waited so long to feel chosen, like someone has waited all their life for someone like you to come around. Meeting Spencer felt like finding the little daisies that grew in between the cracks of concrete, proof that despite your stone hard exterior you were still worthy of being loved.

The sound of your phone ringing jolts you up, almost dropping your donut. With your free hand you look at the caller and press accept.

“Hi, Emily.” you try to make your voice sound even.

“Hey we’ve got a—wait are you okay?”

You clear your throat, “Yeah, totally fine don’t worry. What’s up?”

It’s clear she doesn’t believe you but Emily really doesn’t have time right now, “Listen, Lynch is still alive.”

You almost choke. “What?”

“The casualty report doesn’t include Lynch and they couldn’t find his body anywhere. While they were searching the house they found tunnels. He escaped.”

“Fuck, okay what do you need me to do?”

“There’s a gas station clerk who thinks he saw him and his car, I need you and Matt to go check it out and see what he knows.”

You scramble to put your donut down and wipe your hands on the napkin, “Yeah, of course I’m on my way.”

“Okay, Matt will meet you there,” she pauses, “I…Is Spencer with you?”

Your heart clenched again, “No, he’s not. He’s at the apartment.”

Emily hums, “He didn’t pick up when I called, it’s okay I’ll send JJ and Penelope to go get him. Reconvene at the bureau in a couple hours?”

“Sounds good.” you hang up and immediately start driving over to the gas station. Something doesn’t feel right, you can feel it in your gut. You quickly check Spencer’s location just to be safe, and relax when you see he’s still at home. He’s probably just taking a nap.

What Emily decides you can’t ever know about is the call she gets twenty minutes later from a hysterically crying Penelope, who in between sobs tells her that they’re on the way to George Washington Hospital. That when JJ and Penelope opened the door to Spencer’s apartment he was passed out on the floor, blood dripping from his nose. How when JJ went to start CPR he entered a seizure and coded in the ambulance.

No, you can’t know this, because Emily knows that the call alone that she has to give you is going to shatter your broken pieces even further.

—

You pull out your phone to call Emily and see an incoming call from her, “Hey, I was just about to call you. The guy said he drove a red ford pickup, we were able to get the license plate from the security cameras but it came up as a stolen plate—“ 

Emily says your name in a tone you’ve never heard her use. It makes you stop in your tracks, an icy chill shooting down your spine, “What?”

“Something’s happened.”

You step outside of the gas station shop holding your breath, “What do you mean?”

Emily pinches the bridge of her nose, “It’s about Spencer, he’s…”

She pauses for too long. The panic rises fast. “Emily.”

“They found him passed out on the floor of his apartment. Penelope called 911 and they’re on the way to the hospital right now.”

No. 

No, no, no.

The color drains from your face as fast as your heart plunges to the ground. “Wh—what?”

She’s lying, she has to be right? You just saw Spencer literally a few hours ago and he was fine. No signs of distress or anything, she has to be lying. She has to be lying.

“The EMT thinks he has a brain bleed, it um…caused him to have a seizure when JJ and Penelope found him.”

The nausea rises before you can anticipate it, scanning your surroundings for a trash can and immediately hurling up the contents of your stomach. Wiping your mouth with your sleeve you put the phone back to your ear, “Which hospital?”

“George Washington Memorial, they should already be there by now.”

“Okay, I’m on the way.” you sniffle.

Emily doesn’t know what other encouraging words she can provide you, she doesn’t think any words exist to comfort herself even let alone you. “Keep me updated please.”

The call ends and you have to steady yourself on the nearby wall, head reeling with mountainous emotions and unable to make sense of any of them. 

You look around through blurred eyes for Matt calling out to him, “Matt, Matt give me the keys I need to go to the hospital.” you hold a shaky hand out.

He looks at you confused and concerned, “What? Are you okay, why do you need to go—“

“Sp—“ you stutter, unable to even speak the words into existence, “Spencer’s in the hospital.”

Matt’s face pales, “I’ll drive you, come on.”

—

“They said it’s a brain bleed.” you mumble after a few minutes of silence in the car.

“A brain bleed? How could that have…” he trails off in realization.

“What?” you ask nervously.

He grips the steering wheel harder, “The bomb, at the Lynch house.”

Fuck. The EMTs who checked him out that day said he only had a mild concussion, nothing else to be concerned about. A few cuts and scratches but nothing that wouldn’t heal. This wasn’t supposed to happen. This wasn’t supposed to happen to him.

You sniffle and hastily wipe at your face again, your skin growing red with irritation with every contact.

Matt looks at you with a look he wouldn’t call pity, but certainly close, “It’s going to be okay, he’ll pull through. He always does.”

Your eyes squeeze shut as if it could prevent the fresh wave of tears from falling, “You don’t know that.”

He sighs deeply and turns into the hospital parking lot, stopping in front of the entrance, “Go in, I’ll park the car.”

You open the car door and rush inside the lobby, finding the receptionist immediately. She looks up at you and her face softens in empathy, “Who are you here for?”

“Um, Spencer Reid. He should have just gotten in.” you strain.

The receptionist clacks a few buttons on her keyboard before speaking again, “It looks like he’s in the ICU, are you blood related?”

“Are we…what?” you ask confused.

“Well honey, because he’s in the ICU we can only let in blood related family or spouses to stay with them.”

You outwardly deflate, “Oh…I—“

“She’s his fiancée!”

You look to the source of the new voice and are met with Penelope, donning matching red rimmed eyes and puffy cheeks. Her eyes look at you in silent communication and you turn back to the desk, “Y—Yeah, I’m his fiancée.”

If the receptionist isn’t convinced she doesn’t show it, willing to turn a blind eye in pure understanding of the situation. “Room 204.”

“Thank you.” You duck down the hall scanning the numbers before coming up on 204, the door cracked open slightly. Your hand hovers over the handle in hesitation, scared of what you’ll find on the other side. Penelope comes up behind you and rests her hand on yours and helps you open the door.

The sight hits you like a truck. All the wires hooked up to his limbs pumping IV fluids and the heart monitor beeping steadily. He’s paler than you’ve ever seen him. His skin is clammy, the hair sticking to his forehead. You can see that from across the room and all you can think about is how uncomfortable he must feel from the sweat coating him. You used to tease him once upon a time when he’d sometimes take multiple showers a day because of how much it bothered him.

“Another shower? Spence, our water bill is about to be crazy.”

He laughs and waves you off, “Don’t worry about that, I can charge the water bill as bureau compensation.”

“Okay, one that sounds illegal. Two, the more time you spend in the shower, the less time you spend with me.” you moan with fake petulance.

You yelp as he suddenly sneaks up behind you, caging you to his chest with his arms, “So join me.”

“Doesn’t that defeat the purpose of getting clean?” you giggle, leaning your head back into the crevice of his neck.

He presses a soft kiss to your temple, “You do know what showers are for, right?”

You nod, “To get clean! It would get even dirtier before it got cleaner.”

“I think that’s a sacrifice I’m willing to make.”

The smile on your face grows the widest it can before you break off into a sprint down the hallway towards the bathroom, Spencer trailing behind with your laughs mixing in the light air.

You don’t know why you’re thinking so deeply about the state of his perspiration, maybe a convoluted defense mechanism your brain conjured up so you don’t have to come to terms with Spencer lying near comatose a few feet away.

Your feet hesitantly carry you closer to the bed, feeling somewhat calmed by the slow rise and fall of his chest. You lean down and look him over, as if you could see the damaged inflicted on him even though it’s nestled deep in his brain. Spencer always said his brain would lead to his demise, and you hope all those times you played it off as a joke that it cemented itself as one, a joke. That you would be able to see his hazel eyes open again and they’d fill you with reassurance that he wasn’t going anywhere, that all he needed in this world was you, and that he loved you.

You will and wish and hope to have his eyes open. You try not to think about if you’ll ever get to see them again.

A choked sob escapes your throat before you can help it, your hand coming over your mouth to muffle the impact. Spencer is hurt. Spencer is fighting for his life, and you were fighting him not even a few hours ago.

“Oh, honey,” Penelope reaches for your shoulders and pulls you into a hug, “He’s gonna be okay, the doctors said the surgery went well. Just waiting for him to wake up now.”

You cry even harder and Penelope tightens her grip on you, determined to not let you fall further down the slope.

“W—We got into a fight,” you sniffle, “before I left. It was bad, Penny. He was so mad, and then I was so mad. And then I just left.”

“You didn’t know this would happen, honey. None of us did.”

“I didn’t even say I love you. Th—The last conversation we had was a fucking fight a—and now…” you cry, “He can’t die, Pen. He can’t die I didn’t even get to tell him—“

Penelope grabs your face with both of her hands, “Hey. No, we’re not doing that. We are not spiraling, not when there’s no reason to. Okay?”

Whatever response you had falls dead on your lips when you take another look at Spencer’s motionless body on the bed. The calmness on his face is a stark difference from the Spencer you saw only a few hours ago.

She was right, there’s nothing you can do right now but wait. You’d just have to trust that Spencer would pull through.

You almost chuckle dryly through the tears. Trust and Spencer? The irony of it all laughs in your face.

—

Spencer’s eyes blink open and adjust to the bright light blinding him. He takes in his surroundings and realizes he’s standing in the middle of the bullpen. That’s weird, he thinks, I thought I was in the study.

“Reid, you sure you don’t want to join me and Elle in Jamaica?” Derek sings, “My guy can swing you a great deal.”

Derek? Elle?

He snaps his head in the direction of the voice, seeing Derek not even looking in his direction but still looking towards Spencer. Just, a different and much younger Spencer.

“Have a great two weeks off everyone, you all deserve it. Don’t call me at my cabin.” Gideon rushes out as he beelines to the door right past Spencer. “Seriously, don’t call me.”

Gideon? But Gideon…died. Where is he?

The scene changes with a snap and suddenly he’s back in his apartment, his old apartment. The one he lived in before he moved in with you. He is definitely in a dream, though with the vividity and theme of important people in his past he’s not entirely sure he’s only sleeping. A head of blonde hair on his couch catches his eye. He slowly walks around and his breath hitches at who he sees.

“Maeve?”

She smiles softly, “Hi Spencer.”

He slowly walks around the couch and kneels in front of her. The tears prick his eyes before he can help it, “I didn’t think I’d get to see you again. I—I’m so sorry for—“

Maeve holds a hand up, “What happened to me wasn’t your fault, I promise. You did what you could. But that’s not why I’m here.”

“It’s not?”

She shakes her head. “You’re dying, Spence.”

His face falls, “I am?”

“Collateral from the explosion, you have a brain bleed.”

It takes a few minutes for him to comprehend what she said, and he can feel his head spinning fast in his head. He can’t actually be dying right? The explosion happened days ago and yet now is when his brain decides to tap out, that can’t be right.

It simply cannot be right because that’s when he remembers you and the last conversation he had with you, and he has to clutch his heart at the prospect of his fate.

He won’t know if you’ll ever forgive him, if you’ll ever learn to trust him again, if you even still love him. He won’t know anything if he dies. He cannot die.

“M—Maeve, I can’t be here I—“

She places her hand atop of his own and he feels her. He can feel her hand on his, like she’s real and here.  It’s alarming, and warm. “I know, it’s okay. C’mon, let’s go for a walk.”

Maeve gestures for him to follow her and before his eyes the scene changes again to a nearby park, one that looks a little too familiar to him.

She starts walking through the park, “We’re all okay up here you know? I get to read a lot more now, there’s so much time to read and postulate. Sometimes I get lucky and I can meet the authors. I got to meet Kant and Dostoevsky a while ago, very interesting people. Gideon plays with this nice little octopus friend. I know he’s having the best time.” she laughs, “But you, Spencer Reid, are not okay down there.”

He looks up at her and swallows, “I know.”

She turns onto the fork in the trail, “What’s holding you back?”

“I don’t know,” he sighs.

“I think you do know.”

A few silent minutes pass. “I…I’m scared to let myself be happy again,” he admits.

Maeve looks at him with a saddened smile, “And why’s that?”

Because everything he loves leaves him. Because when he laughs just a little too hard, he’s already scanning the surroundings waiting for the other shoe to fall. Because when Spencer feels he’s trekked up the mountain with long and winding breaths, something always seems to be waiting at the top ready to knock him down.

“Don’t think I deserve it, to be honest.” he admits, “I keep…messing up everytime.”

Maeve stops walking, “You love so deeply, Spencer. It’s a blessing and a curse.”

“Emphasis on the curse.” he deprecates.

“It’s only a curse because you don’t let yourself feel wholly. I know given everything that’s happened it’s hard but,” she pauses, “You’re not a clipped bird, Spence. You just…lost a few feathers. Nothing you can’t get back.”

It’s easier said than done when it feels like his mere existence causes you pain as of late.

“I feel like I have to hold parts of me back so I can protect her…from myself.”

Maeve turns to him, “She deserves all of you, Spence. It is a privilege to be loved by you, but it’s a greater privilege to be loved. And you deserve to feel loved.”

“What if I ruin it?” More accurately, what if he’s already ruined it, is what he means.

“You are not destined for sorrow and misery, despite what your life has made you think. She loves you. She would not have stayed this long if she didn’t. But there is one thing I think she could use from you.”

Spencer looks at her expectantly waiting for her to continue.

“She wants to feel chosen, Spencer. And I know you think you choose her everyday just by loving her. But the reality is, you can’t fully choose her without choosing yourself first. That means allowing yourself to be happy.”

A few stray tears streak down his face and he haphazardly wipes them away. For the entirety of Spencer’s life his purpose was to be of service to others. With his intelligence, his kindness, his courage. His needs always came second because the few times he thought to put himself first, disaster struck. 

When he met you this notion only reinforced itself, wanting to ensure he could make you as happy as he could. You became his priority and he didn’t mind that at all. It was easy being with you, you made life feel easy. So when Spencer started to let his guard down piece by piece, allowing himself the little bits of your happiness to seep into his being, he wasn’t thinking about the abyss that had always loomed over him his whole life.

He couldn’t, not when you managed to infiltrate his entire existence by wrapping and tethering yourself to him with strings of gold. How could he? You made things so easy.

But then prison happened. Then Cat, again. Then Maeve, again. Three strikes. It should have been game over by now. He broke your trust, betrayed your love and he wasn’t sure if you would even stay long enough to see the damage unfold. But you did, and he still can’t really figure out why.

So here he is in limbo? Purgatory? Some figment of his mind in the wake of near death that is giving him the opportunity to make amends. Not with Maeve or Gideon or you or any other grudge he has yet to settle in his life. No, he has the chance to make amends with himself and forgive himself for standing in the way of what he really deserves.

A faint beeping in the distance reels him back to the present moment, Maeve’s face coming into focus again. The dull ache in his eyes coming forward again with how many tears are falling.

“Love is our true destiny, we do not find the meaning of it alone, we find it with another.”

He smiles with a watery chuckle, “Thomas Merton.”

“Spencer, I promise you, you will be happy again. And forever. Just keep the door open when it comes knocking.”

The beeping starts to get louder, like it’s approaching him fast. A warm glow begins to build around him, then light. He looks around the park again and sees the trees and benches begin to blur. He looks at Maeve as she stands with a fond smile, her figure slowly fading as well.

“Take care, Spencer.” and with a blink Maeve is gone.

In the silence he is left in, he looks to the epitaph of Jason Gideon in front of him and back to the spot where Maeve was standing, whispering a soft, “You too.” before closing his eyes and succumbing to the beeping.

—

It’s been 4 hours since you’ve been sat next to his bed. You’d be a lot more concerned than you were, which is already a lot, if it wasn’t for his heartbeat monitor beeping steadily throughout the hours. A sign of life, as morbid as it sounds, but it’s hard to be rational given the circumstances.

It had taken all of 3.5 hours for you to braven up and hold his hand in comfort. Hour one you simply stared at his hand, as if it would regain mobility and reach out for you. Hour two you were able to place your hand on the bed, not anywhere near his obviously. But enough to feel close, satiated. By hour three you had your fingers mere millimeters from his own, feeling like a magnetic force of the same poles was repelling you.

The 3.5 hour mark is when the exhaustion of the day caught up to you, and finally allowed yourself to relax in his hand.

At hour 4.5 is when you felt the twitch.

You look up and whisper, “Spencer?”

He slowly opens his eyes, revealing his hazel brown irises with gold flecks on the insides that meet yours sitting right beside him. You can see the recognition begin to flood his face, but is stopped momentarily when he starts to panic realizing the breathing tube is still in his throat. You hit the call button besides his bed and watch the doctors rush in to help stabilize him back down.

It’s another two hours of testing and scans before the three of you are left alone again, with the nurse promising to check on him in a few hours.

You’re stiff next to him, unsure what to do now that he’s awake and perceiving you again. With a small voice you speak, “They said they found you in the study.”

Spencer racks his brain for memories of before his fall, only able to remember bits and pieces. He remembers fighting with you and when you left. He remembers walking to the study. And he remembers reading…”Lynch! Did you get him? He’s still alive, you have to call Emily—“

“Hey, it’s okay, it’s okay,” you shush. “We know he’s still alive, they’ve almost got him right now. It’s okay.”

That seems to make him visibly relax knowing the immediate stressor was almost resolved. Now there’s just the matter of the other elephant in the room.

“You’re here.”

Your eyes soften as your brows raise in shock, “Of course I’m here, Spence.”

He stares at you and takes in your features—your puffy cheeks and red eyes, the skin around your nails picked to death, your lip nearly split in half from the bites and bleeding. He needs to apologize again, he knows that. But the second he opens his mouth you cut him off.

“Penny, can you give us a minute please?”

She smiles and stands, “Sure hon, I’ll be right outside.”

Once she leaves you turn back to Spencer, “We don’t have to talk about all of that anymore, it’s okay. You’re hurt and that’s more important right now.”

He should have expected that you would do this, selflessly push your discomfort and feelings down because someone you cared about was hurting. It was one of the few things he didn’t like that you did, and he’s not going to let it go again.

“Angel, you can’t forgive me just because you thought I was going to die.” he says sadly.

You’re taken aback. “I—I know.”

He swallows, “I really want you to.”

Your eyes blur again, “I know.” Another pause. “I’m trying really hard.”

A gentle squeeze, “I know.”

“I…I still love you, Spence. I don’t think that will ever change, but I’m nervous if one day it won’t be enough…that I won’t be enough.” you trail off.

Again, he shouldn’t be surprised that’s what you’re thinking. He hasn’t done a very good job at convincing you yet. It still hurts knowing that you feel that way.

“Do you know what I thought about everyday when I was in Millburn?”

You shake your head as he continues, “I thought about how when you eat cupcakes you tear the bottom half and stick it on top to make a cupcake sandwich. When we’re watching Doctor Who and you’re singing along to the theme song with only syllables. How you let me eat the olives on your plate and I give you the pickles on mine.”

“Why would you be thinking about that?” you ask confused.

“Because I don’t think I would have survived if I didn’t.”

The lump forms in your throat, “But…you took me off the visiting list after the first time I came to see you.”

“I couldn’t let you keep seeing me like that, honey.” he strains, “The way they were looking at you, what they did to me. I had to protect you.”a

You swallow hard, a few tears falling down your face, “Th—That’s not fair, Spence. I understand why you did it, but then when all the other shit happened… I don’t know what I was supposed to believe. I couldn’t stop wondering if I ever was enough for you.”

Spencer can feel his heart splintering.

“You will always be enough, because it is always you. God, sweetheart it’s not even a question of how much, it just is. I see you in everything I do—you’re the tangled headphones we use to listen to music flying back on the jet. You’re the annotations I make when I read something that reminds me of you, or if I think you’d enjoy it. You’re the smell of bavarian kreme donuts from Dolores’ even though the chocolate sprinkle ones are far superior.”

His heart blooms hearing a soft giggle from you, an earnest smile forming on your face.

“You are entangled in the things that make me happy, and you make them too good to be true. I don’t deserve your forgiveness, but I meant it when I said I would spend all of time making it up to you. You are my Catalina comet, and I love you.”

You can’t help the sob that leaves you as you remember the memory.

“I’m cold Spence, are you sure we’ll be able to see it?”

He tugs you closer under his arm as he keeps trekking to find the perfect spot, a chaste kiss to your temple, “I promise it’ll be worth it. Come on, I think it's a good spot over there.”

You help Spencer set out the blanket on the ground and use the extra one to wrap around you both, huddling closer together as you wait for the celestial body to make its appearance.

“The first time they did the calculations they used old observational data that led to some incorrect results, and they thought the orbit was only four years.”

“They just got it wrong?”

“Not everyone gets it right on the first try, sweet girl.” he says softly, “But then they did the math again, made sure all the factors and numbers were correct. And you know what they found?”

You ponder for a moment, “Did they realize the orbit was longer?”

Spencer beams down at you, “My smart girl. That’s exactly what they found. So when they did the calculations again, they found out that the Catalina comet is even more special than anyone thought. It’s even more of a rare sighting to get to see it, once in a lifetime really.”

You hang onto his every word, captivated by the story, “Do people wish on comets?” you ask doe eyed.

His hand smooths your hair back, “They do, some say the rarer comets have extra special energy to aid their wishes.”

You look at him skeptically, “Do you really believe that?”

“Do you?”

You look back to the sky, “I think I do.”

Spencer doesn’t look away from you, “Then I do too.”

You giggle and lightly shove him, “Cheesy…” He smiles fondly and pulls you closer into his chest, his arms warming you up before you gasp, “Look!”

There across the night sky streaks the Catalina Comet in all her glory, Spencer watches the comet track through Ursa Major and before he can start telling you about why it goes that path, you’ve already clamped your eyes shut and squeezed his hand, silently gesturing for him to do the same.

He complies, obviously. You open your eyes again after making your wish, “Did you make yours?”

Spencer opens his eyes and admiringly looks at you, “Yeah, I did angel.” 

He didn’t need to make any wishes.

“Spence…” you whine through sobs.

His hand comes up shakily to wipe the tears from your cheeks, “Didn’t mean to make you cry, honey.”

“Well, what did you expect by bringing that story up?” you laugh with fake anger.

“To be fair, you were already crying.” he chuckles.

You scoff, “Mean.” You look at his eyes, and really look at him and see nothing but love and adoration staring back at you. You take a deep breath, “Okay.”

“Okay?”

“I believe you.” his eyes soften, you continue, “I love you.”

He brings your hand up to his lips and gently kisses it, “I love you so much. I’m sorry again, sweet girl.”

You lean up to him on the bed and press a soft kiss to his lips, and Spencer can feel his wounds start to hurt less and less. “You should get some rest, I’ll be here when you wake up.”

You make yourself as comfy as you can whilst sat on the armchair, bent over to be able to rest your head next to Spencer. It feels okay for a bit, and then he tangles his hand in your hair gently moving back and forth and suddenly you’re satisfied with never moving ever again.

The quiet air between you both is enough to lull you to sleep, before a thought runs through your mind.

“You know something funny,” you mumble, “Pen told the receptionist I was your fiancée so they’d let me see you.”

And poor Spencer, in between his sleepy haze and the dull ache of pain from his injuries, only hears the word fiancée.

“You found the ring?” he sighs, “I thought I hid it well.”

You still under his hand.

“…There’s a ring?”

His eyes shoot open, realizing he misheard you and tries to play it off, “So…Penelope lied to staff. Tsk Tsk.”

“There’s a ring.” you say pointedly, the corners of your lips upturned to reach a smile.

Spencer thinks he can try and get out of this but decides it’s better to come clean, “Fine, okay. Of course there’s a ring.”

“Of course?”

The surprise on your face honestly stuns Spencer, and he feels a little saddened that you were in disbelief of the possibility.

“Yeah baby, of course.”

Your bottom lip wobbles with a creeping suspicion of his answer, “How long have you had it?”

“Got it after our six month.”

You shakily exhale. There is no ounce of doubt in your body that he loves you, and that you really are all he needs. “ ‘M sorry I ruined the surprise.”

He grins, “It’s okay, you won’t know when I’m going to do it. It’ll knock you off your feet, I promise.”

You definitely aren’t expecting it during a Planetarium date months later where he got the museum people to show the Catalina Comet passing over you both as he got down on one knee. You are expecting the endless stream of tears from the both of you, the aching cheeks from smiling too much, and the multiple missed attempts at sliding the ring on from how much you both were shaking.

[azurem]

IM SORRY. IF SOMBD ALREADYY ASKED ABT IT buuuuut what's your take on inkmare first kiss or confession??? Chaos chaos, evil chaos

Uhhh. i do not remember well to be honest. I remember asking how the first kiss would be, however!

My take on the confession is that it was the one that happened first, when the relationship still was somewhat unilateral. Nightmare realized he had somewhat of a crush, and, assuming it was something about possessiveness (aka he thought it was a childish whim he wanted to quell), quickly proceeded to action. Like. Second truce done, friendship established and he didn't take long to confess.

I assume it was a mix of you-do-this-to-me + a try-to-sell-something-to-you kind of talk? Like. He wasn't quite sure if Ink reciprocated (which was kinda the situation) so he was sure to market himself and his question like something beneficial (though he was still kinda grumpy with it cuz he also has the unconscious thought that the crush existing™ was an act done against him. Like, the thought that this was Ink's fault and that he had to take at least some responsability about it)

I imagine it was quite attractive (of an offer). And Ink did find it entertaining enough he accepted. I imagine it happened when they were in one of their recreational meetings (aka probs reading inside nm's library or inside a geno au) likeeee

"...I've made a mistake," Nightmare said. Ink looked up at him from his place, sitting cross legged on the floor. They placed the book down. "This— a horrible mistake."

Ink just stared at him. The question marks of their eyes made him die a bit. They smiled at him. "C'mon, you're a confessed torturer. Can't be that serious."

But it was. He briefly considered sitting down, just to see them eye to eye, but Ink was already up and coming closer. The motion resulted on their elbows resting on his desk, their torso leaning forward.

"Hmmm?"

He really should have planned a better scenery for this kind of thing. Still, he couldn't let himself be intimidated, much less so when Ink was being so brave about it. "You're cruel."

This was not the response they expected. Nightmare saw him get their arms back to their sides, their back straightening. Ink's lost face stared back at him, their eyes wider than usual.

"You—" he couldn't help the way his hand shielded his mouth for a moment, as if he couldn't figure out the reason why his voice was acting. "You're— all I think about, now."

He had to fight against the instinctual need to hide himself like a child. It was sickening. He had vowed to himself to never let himself feel this small. And yet.

"You plague my mind," Nightmare said —as his hand went down from his mouth, it landed on his chest, squeezing the fabric with the need to touch— "since when, I don't know."

Ink's breath hitched with realization, flustered like one who'd suddenly find their seed peeking out from the ground in leaves. Oh. Oh!

"I don't know how," Nightmare continued, something like bitterness on his tongue before it cleared to something warmer. "But you've— you've enthralled me. I want you. As such, I need you."

"...huh."

"If you want me to beg—" Nightmare took a moment. Whatever he was about to say died in his mouth. "All I need now is a promise. An attempt. Anything."

"This is— hm. This— y'know—" Ink fidgeted with his hands, surprised when he found his cheeks warm. It was a sickening, horrible feeling. It tasted purple in his mouth, it tasted pink. The same feeling willed him to cover his mouth with both hands, unwilling to let it out on the floor.

When Nightmare looked at him cover himself as if he had something to hide, Ink felt something new. A new type of fear he never knew before. Why?

"...Of course," Nightmare said after a moment. He had never seen Ink turn those colors before. He wondered if this view would become familiar to him. "This means that if you accept, I'll make sure you're taken care of."

Ink looked at him with a type of confusion so sharp it was almost disgusted. "...Huh?"

"A truce between lovers would be quite a solid thing, don't you believe?" He said dryly, his fingers twitching with the dread of someone who hasn't been told yes. "Whatever you need, I'll acquire it for you. Whatever you want, you'll have. But you'll give yourself to me."

"But not the AUs," Ink said after a moment. He couldn't distinguish the emotion in his own voice as he put his hands down. "You wouldn't stop your show just to have me, won't you?"

"I'm afraid not," Nightmare said. His eye looked down on them. He couldn't help but smile bitterly. "Of course not. You'll make no slave out of me."

"...You're funny," Ink murmured. "I like you. You're— you're intriguing, dynamic. I'd like to know where your character arc is going. I like your color palette."

"...Is that a yes?"

Ink sighed. (It was a yes.)

[pigeonentity]

i keep thinking about them in terms of for and against each other: thirteen's against, twelve's for, eleven i think would be against, ten's for, and i haven't watched anything before him (yeah ikk im getting to it soon. watched it w my parents the first time so its on them) so i can't speak beyond that. dhawan's against, missy's for, and simm's against. like they've all got at least a little of both but they have a general direction

twissy worked out because they both cared about each other. missy came to help the doctor when he thought he was going to die, the doctor... locked her up, but he did have good intentions. i dont think we can say spydoc worked out, but i think since they both hated each other it went smoother than it could have. and tensimm was fucking doomed (neither of them want the same thing. they want each other to be different people)

twelvesimm, which was overshadowed by twissy but still deserves a mention, i think is similar to tensimm but with time could have had a higher chance of success, since 12, i think, might have responded more to him rather than trying to push him into someone who wanted to be better. tbh it might depend on the doctor's mood that day, im a little uncertain about this one but at the very least its a vaguely more functional tensimm

thrissy would break me. thrissy would be the anti-tensimm. missy shows up, still an enemy but also always, willingly and knowingly, a friend, and this time it's the doctor who says no. who tells her to fuck off, less distrust than expected and more loathing. they fight until missy realises it's not their usual games, and the doctor's gone too far stopping her. i mean come on her master tried to have her and her companions killed but it's not like he actually did it-- but she turned him over to the fucking nazis before she even knew he destroyed gallifrey, and missy killed osgood just after the doctor offered to have her as a companion, how would 13 take that?

11missy (elmissy? elemissy? mileven? no.) would run similarly, but if we're going with her using her same plan that she used on 12... he would take the army. he would take the army, however little he trusted her. i can see it going a few ways-- she leaves or he kills her or he locks her up somewhere because he's the doctor and she's the master and that's what he does, she comes back and suggests conquering the universe together or something, he says no and they fight, he says yes because he excuses murder if it aligns with what he wants, or if he likes the person enough (look at who he married!!) and they murder across the universe and we have canon thoschei until a companion saves the universe from them or river gets jealous

11dhawan would be AMAZING they have VERY similar energy and it would be SO much fun but also-- parallels? you could do so many little parallels with that? we see them spin the same way at the same time and they hate each other but one comments on something walking down a hallway and the other comes by and says the same thing and ughhh who do i pay to make this happen??

12dhawan has a special place in my hearts and i cant completely say why i just need them to meet. i need to be there when the master shows the doctor the timeless child and he cant accept it. idk if he'd be able to go the "there's more of me!" way out that 13 did, but he might be able to half do it, in that he realises he can overload the system but they break out of there through spite. i need to be there when the doctor says that ofc burning gallifrey is wrong, but he sides with the master. they lied to us. they lied to both of us. i need to see the master's anger, because he's being forgiven again. but he's not forgiving him, it's more that he understands, or like what he said to clara-- do you really think i care for you so little that betraying me could make a difference?-- and the master doesn't know what to do with that. he is so close to being better. but he doesn't want to be. so he burns himself up

10missy would work BUT i think 10 might take the army and theyd be less functional than twissy

I FORGOT THE ONES AFTER 13 skipping 14 bc he blurs into 10 for me even though they're different, but 15 would be for and he and missy would both hurtle into "this is MY queer friends to enemies to whatever the fuck we are and i can be as weird and dramatic about it as i like" not only are they both for but they're both on the exact same level as to what their relationship is and they're so fucking weird about it it's brilliant. varies a bit depending on who missy kills but i think there's a lot of chaotic potential there

but also if the master starts being too dramatic he would just tell them to shut up. which would also be brilliant

ANYWAY if anybody writes about any of these versions PLEASE tag me i need to read about them. pigeonentity on here and ao3. please

to me thoschei is one of those dress up games where i get to mix and match different items of clothing (versions of the doctor and the master) to create stunning outfits (tragic relationship dynamics)

[fascinationstreetmp3]

What if...what if past dm didn't happen. How do you see it playing out? And actually give your two cents about danlou too plz. Cause sometimes I think he is the devil ( angel) to Daniel's minion. Idk if that makes sense?

admittedly it sometimes is difficult for me to shut off my "past dm definitely happened" thinking because im just so certain there are too many hints that it did LOL but...

for armand, there's this boy he wrote off in 1973, who he maybe genuinely couldn't find anything "fascinating" or extraordinary about, who he has perhaps been underestimating this whole time in 2022— i could see him realising that now daniel is truly sharp-minded and ruthless, with none of the attempts to knock him off balance really working, and he's figured out so much in such a short space of time and ultimately gotten the truth (and a little revenge) he was after in the end. there's something very intriguing in that, despite the anger he feels that daniel took everything from him.

maybe turning him could feel like a punishment to armand (even though i think daniel did want to be a vampire by that point, armand might not realise that. and it could also be a form of punishment for louis, taking away daniel's humanity in a perversion of letting him live for louis in 1973), but maybe it's also subconsciously a way of keeping around someone who has figured him out and seen him so quickly, even if that is something he runs from.

for daniel, i think everything that went down in dubai sort of "woke him up." when we first see him, he looks bored, tired, and lonely. he barely talks to his family, only enough for them to know he's sick, and he's teaching internet classes now. the pandemic has kept him away from the world but it also feels like the passion has seeped out of him long before that. at this point he's expecting to die someday soon and leave his daughters some cash. being invited for a second interview with louis doesn't immediately break him out of that mindset; it's invigorated him some by the end of the first season, but once there's an even bigger mystery to crack after armand reveals himself, that's when he really starts enjoying himself.

by the end of season 2, daniel is so far in it he doesn't want it to stop, chasing a high. and for that reason, even if the turning was "spiteful" on armand's part, i think daniel would've wanted to be turned either way. just like daniel in the books, he can't go back to an ordinary life and function normally or sit around waiting to die after being so involved in this world. armand gives it to him in some form— but daniel wants more, he wants answers and a story from armand, he wants to crack the truth about him and figure out "where the bullshit starts." so he chases after him when armand leaves, and it turns into an inverse of their original chase in the books:

the highlighted lines could actually actually work in reverse in this scenario too— daniel wants to know what makes armand so fascinating, wants to know what and who he really is. even down to daniel himself not being able to move about by day now when armand can. and as the chase goes on, they learn more about one another, becoming drawn to each other despite the animosity between them.

as for the second part of your question, do you mean danlou kind of acting as the show's version of devil's minion? or their relationship being more similar to what armand and daniel's is in the books? i see danlou as something unique, and especially if there was any kind of past dm, i don't know that louis would be directly involved— in the sense that i believe he wouldn't be happy to fuck with this kid's life even further than he already did, with the "think of me as god or an angel" speech he gave trying to set daniel free from everything he'd seen and heard from armand. even if louis doesn't really care as much about humanity in general as he sometimes claims, daniel is a symbol of something to louis, proof he can still do good.

whereas with armand, no matter what love was there, dm is ultimately about keeping daniel embroiled in that life. armand shares his blood and lets daniel get addicted to it, and it slowly breaks daniel apart until he's losing his mind.

like you said, louis is more the "angel" where armand's the "devil." in a past dm scenario i actually think it's possible the words louis speaks to daniel in 1973 could be something that helps daniel towards the end of his relationship with armand in the 80s ("if things ever get bad again," "these words will hold you up and carry you; they are your lifeline") and could be what led to him finally breaking free of armand and maybe asking to be "let go" if he really won't ever turn him.

but to me whether past dm happened or not, danlou is about daniel being the first person in a long time to listen to louis both in 1973 and 2022, louis changing and saving daniel's life in a way no one else ever did, and daniel coming back 50 years later and eventually returning the favour. they're both fathers to daughters, they've both repressed themselves in various ways, they've both had their memories messed with by armand.

they're the vampire and the interviewer who kick off the whole story being told, and i think the show portrays that very well, keeping them (and hopefully their relationship) relevant going forward and expanding on their relationship with each other in a way the books never did, and not really borrowing any dynamic from dm or anyone else. armand of course hangs over them both, the same way louis hangs over dm, the same way daniel factors into loumand in 1973 and 2022, and they're all important to each other for different reasons.

[memoirofasparklemuff1n]

no body, no crime- r.c. x reader chapter 3- imposter syndrome

summary: three years after your disappearance you return to the outer banks, only with no recollection of your time away. now that you're back, weird things start happening and everyone seems to be hiding secrets. the nightmare is far from over.

warnings: 18+ MDNI not because of this chapter but for the story in general <3

a/n: i had this in my drafts for so long, specifically the text messages that took me forever. my dad has pneumonia so i've been pretty busy along with school this past few weeks. also, my first language isn't english, so sorry for any mistakes. anyway, tyyy to @sematarygirls for inspiring me with gone girl <3

masterlist

i met someone very special today. who? and the whole not belonging bit hit too close to home. i guess feelings never really leave even when memories disappear.

i took a deep breath and decided i had to find a person that fit in this, somehow. kildare is full of secrets and i could feel it, as if on cue my phone buzzed. oh right, somewhere during my hospital stay and coming home my mom had given me one. she said that now that i was back, the police would come and give me back my old belongings. i dreaded it because i knew the amount of questions i would get. i honestly could not for the life of me tell the truth, not yet. especially since my memories weren’t particularly stellar at the moment after the accident. i should probably make a list or something of things i have to do and piece together in order to have my story straight. a to-do list of things to investigate before it was too late.

i shook my head and sighed. i held the journal in my hands and stared at the wall. im in danger, that much i know. the doctor had said i was found by a passerby unconscious in a car accident. i was then taken to the hospital and the police began to investigate my possible identity. they apparently ran the license plates and contacted the owner who had reported the car missing three months before. my mother then told me that by the state i was, it was obvious i could not be questioned. thus, the police then notified all of the other departments to see if they were looking for someone with my description because it was standard procedure to check for missing people, you guessed it, they hit the jackpot. y/n gilbert. and the rest i honestly, didn’t want to hear because i knew the police would explain everything when they would question me so for now i just have to find out how to protect myself and my family. i needed to be star. but i barely know her, so i have to get to know her me so i can be safe.

my phone buzzed again, pulling me out of my thoughts. i unlocked it, seeing sarah had texted me.

i smiled to myself when i saw the group chat:

i threw my phone as far away from me as possible. they saved a seat for star me. as if she i were dead and in a way she i was. that girl was never coming back. i heard it buzzing for a bit and i read silently as they wrote. i laughed when i saw what they were going on about:

after it went silent i decided to just turn it off for the night. i was exhausted honestly, the day had been overwhelming and the journal didn’t help at all.

i stood up from the floor and pushed the mattress onto the bed frame. god, it was heavy. i put the bedding as close to how it had been and plopped down on the bed, this time no hard lump sticking into my spine. i looked at the journal on the nightstand, wondering why it was stitched that way so no one could find it. sure, journals are private and we don’t want people to find them but to this extreme? it didn’t make any sense, unless there wasn’t reason to keep writing.

i then took it and hid it under my pillow just in case. it was my only hope of ever getting to stay here as the old y/n.

the breakfast at the country club was amazing, the people not so much. my mom had woken eleanor and i for a much needed “girl time.” and i know she meant well but all i wanted to do was to lie in bed and think. i needed to remember what happened in the accident and the years before that. even the night i went missing was blurry so right now i am in the dark . my mind was spiraling mainly because the police were going to interview me tomorrow and i had to get my story straight. i didn’t want them to discredit me, or worse, close the case. ugh, stupid concussion. what do you mean it could be months before i got my fragmented memories back? if they ever did. i had to start investigating and for that i had to be home reading every single page of that journal. i also had to search my entire bedroom for clues. who knows how many things the police missed. i’m sure they believed i was a runaway but still conducted an investigation for the sake of my family.

“elaine?” a male voice interrupted my thoughts and when i glanced up i was met with a pair of icy blue eyes, a beard and a too bright smile to be genuine. i knew he was faking the surprise, the entire club was staring at us the moment we got out of the car.

“oh hello, ward. how are you? your daughters were at my house yesterday.” my mom smiled but hers seemed genuine.

“yes, they told me. sarah was particularly excited because of y/n,” he looked at me with the same faux warmth of his. hypocrite.

i smiled reluctantly at him, earning a nod in acknowledgment.

“yes, they were very emotional. it was a bittersweet moment, but i think more sweet than bitter.” my mom looked at me and grabbed my hand, giving it a gentle squeeze.

ward proceeded with his script, which i’m sure he’d prepared beforehand to make himself look good.

“i wanted to tell you y/n, that whoever was responsible for your disappearance will face the consequences. i personally will make sure of it. you’ve always been a dear friend of sarah’s and eleanor of wheezie’s. you’re family and that is the least i can do.”

eleanor smiled but kept eating quietly, obviously uninterested in the conversation. i was beginning to notice that the constant vigilance from the other club members was pissing her off. that makes two of us.

my mother though, looked at ward as if he’d just told her he discovered the cure for cancer. she was so blind sometimes. “thank you so much, ward. i truly appreciate it and my family as well.”

“of course, elaine. well, i’ll leave you girls alone now. y/n, it’s good to have you back.” he gave me a knowing look and left the same way he’d come from. asshole.

the thing about ward cameron was that he was power hungry and his way of gaining said power was by being “helpful” when in reality those favors always had a price.

“that man is one of the best things to ever happen to outer banks. so kind and willing to help. pity that his son isn’t the same way.”

“what do you mean?” i knew rafe from a distance, mainly through sarah, sometimes seeing his extreme partying lifestyle with her ex boyfriend, topper. somehow where sarah was sweet but sometimes bitchy, rafe was a complete asshole. so i don’t know why my mother’s remark surprised me. well, maybe because he would do anything to get his father’s approval however he could.

“well, don’t repeat this to anyone ok?” she waited until i nodded and then waited for eleanor to do the same. when she did, my mom started gossiping eagerly.

“rafe was arrested for selling drugs and possession of a firearm about a year ago. but nobody found out because ward allegedly asked for it to not go public. if it had been anybody else i’m sure they wouldn’t have done it, but since ward has always been such an active member of the community they took pity on him.” oh mother, how innocent. eleanor and i shared a look that told me she was thinking the same thing.

“mom shh!” eleanor’s eyes widened. “he’s going to pass by us i think.” i looked down and my mom immediately pretended to be talking of her newest vase collection while el and i were suddenly very interested in our food.

i was staring down at my plate when a familiar voice interrupted our conversation.

“hello, mrs. gilbert. i’m very sorry to interrupt, it’s just that my father wanted me to give you this in regards to the project being done with cameron development. he was going to pass later by your home but since he found you here, he asked me to deliver them.” rafe was different somehow. he looked older and stronger. i mean three years had passed since i last saw him but the difference was abysmal. he was healthy, physically at least. his hair that had been styled to the side with gel, was now buzzed short. and despite all of those apparent changes, his attitude was just the same. he ignored my sister and i as if we were children imposing on an adult conversation. the cameron men were horrid, which always made me wonder where wheezie and sarah got all their goodness. el and i shared a glance that told me our thoughts were one and the same.

“thank you, rafe. i’ll notify ward as soon as my husband and i review them.” my mother smiled but it didn’t quite reach her eyes. rafe smiled back and excused himself without sparing us a glance.

i raised my eyebrows slightly while lifting my orange juice to my lips and eleanor said what we’d all been thinking, “jerk.” i spit out the juice laughing, splashing my mom, making eleanor burst out cackling at our mothers expression only for her to join in. we were giggled for a while and i suspected it was a release of years of tension and not at el’s comment.

the shared moment made the rest of the gathering comfortable and the tension was long gone. when we finally returned home, i went straight to my bedroom and lied on bed.

maybe being here wasn’t so bad. i lifted my head and checked my phone for any new messages but none from anybody i was expecting.

my heart dropped as i looked at my screen in utter fear and disbelief.

FINALLY I COULD DO THIS

if you made it this far, thank you!!!! i love seeing people read my silly thoughts. and let me know theories and thoughts. i even accept constructive criticism, i really don't mind.

i know rafe's appearance was short but BEAR WITH ME. the poor reader is traumatized lmaoo plus i want him to be a jerk at first (she won't know what hit her)

anyway, the flashback is almost done. i know i had said chapter 3 was going to be a flashback but i got stumped, i'm sorry.

butttt i now know what i will do <3

i love you all xx

dividers by: @yeossemble

[your-turn-to-role]

if it helps at all (reblogging directly from you starry bc can't tag you) - as someone who gave up on it pretty early on bc it wasn't really my thing, i have been wanting to look up more positive opinions on the campaign recently, i've just been really busy so haven't had time to respond to anything but what's on my dash, which yeah is a lot of critique, and with what i do know there's definitely stuff i'm not a fan of, sure

but also like. the critical role cast aren't some corporation just trying to squeeze money out of this show, like a lot of the things c3 has been compared to are

while they could have, in retrospect, probably made better decisions to really pull off whatever they were going for, they're also playing the game that makes them happiest (and they're putting it all online for free it's not like they're obligated to follow the fans' ideas of what should happen)

if you enjoyed it all start to finish, you're honestly a perspective i'd like to see round tumblr more! you're seeing what the cast see in this narrative and that definitely doesn't make you wrong or stupid. if there was no value in this story whatsoever they would have stopped a long time ago

as megs said, being able to articulate an opinion well doesn't make it objective truth. god knows i can pull out a million references for any of my essays but when i write them it's always gonna be me shining light on a specific angle of the narrative that appeals to me. other people can choose to pick a different angle and still be just as right, regardless of whether or not it's something i personally would enjoy looking at. and that's even more true in a fandom like this, where every narrative is in fact 7+ narratives that we hope will weave together well, and there's a million things to focus on that haven't all been handpicked by the creators for the sake of telling a singular story

if you're seeing an angle a lot of people aren't focusing on, hell, celebrate that! i love hearing about the moments that genuinely appealed to people, it just feels like there's been fewer and fewer of them focused on bells hells the longer the story went on. but i've also been in fandoms where i truly genuinely enjoyed the ending of a particular story and thought it was well told the whole way through, and then it turned out 99% of the fandom thought the ending was rushed and it ruined the whole thing, so i definitely get how that can feel a bit crushing and like you're fighting a tidal wave

(and hell to your tags about being worried c3 will become an automatic skip in the fandom - i also really love a lot of the c1 episodes before ep24 and think there's some great character stuff there that a lot of people skip bc orion or because the briarwood arc is where it gets 'good', so im with you on that one. it sucks but it doesn't mean i can't talk about, say, trial of the take, there still are and always will be people in the fandom who've watched it, and there will be even more people who didn't watch it but are glad to find out what's in it because they couldn't find out themselves)

so yeah all to say if you ever wanted to write about c3 stuff you loved, im on your side here

if you're just sad that the fandom reaction to stuff you liked has been overwhelmingly negative, that's also fine, and doesn't make you any less a valued member of this fandom

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when no developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[writernopal]

i fell asleep while i was reading last night and i had a dream that i was still reading and i was reading words, that in hindsight, make no sense at all. like they were still in english but they didnt form sentences or get across any coherent thought, it was just words in succession. but i was so impressed when i woke up that my brain was like yeah here you go, here's a Tolstoy sound alike to entertain you while you sleep.

[atalana]

so i finally cleared prometheus on 32!

(and now i can get round to testing out the other weapons bc i unlocked eos' torches and then never looked back)

[puppppppppy]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[luck-of-the-drawings]

IMAGINE. working at ur stupid uhhh job or whatever. pulling into your drive way and ready to work on some crazy project in your garage. opening the door to the most unfamiliar silence. did your wife and kid leave for something? could you imagine knocking on your kids door, hardly getting an answer, and opening it to find the splattered remains of your wife across his room your child is scared! hes hardly consolable, in a state of shock and terror. you are too, but youre the adult here. you need to take charge. you need to protect him. you need to do something. you need to do something.

[danielnelsen]

ok prediction time

(it’s my first time playing bg3, i know nothing about the plot; DO NOT SPOIL ANYTHING FOR ME. currently im at moonrise towers and the extent of gale’s plot is that he’s been stabilised by elminster and has also just made the shadow lantern. shoutout to astarion for being the only one not to tell me that was a bad idea, that’s when you know you’re making good life choices)

so what i’m getting from this is that the big moral choice in gale’s story is gonna be to get forgiveness and acceptance from mystra (presumably before/without using the orb) vs embracing his own ambitions and, having a vague idea of the intensity of some of the endings, possibly going way off the deep end with that

while i don’t know the full story for other companions, im feeling like gale was probably the best choice for me in terms of playing an origin because im an extreme completionist and im going to get sage inspiration points all over the place, but im also going to push *everything*. i want to follow every potentiality to its end, make dodgy deals, play all sides, etc.

and surface-level that sounds good for playing as astarion (definitely getting a lot of charlatan inspiration), but what it really means is that i get a lot of approval from astarion and also i feel like it’s gonna affect the way gale’s story ends a lot more. gonna try not to go too far off the deep end but it’s gonna be pretty tempting lmao. i’ll just keep downing these tadpoles and ‘trusting’ my hot dream guy. nothing can possibly go wrong!

[coridallasmultipass]

brocal for the ship bingo?

The OTP to end all other OTPs... (Man. This wound up being basically Cori's Masterpost of BroCal. AKA... this got long and has some images, since I realized I can post my own art directly instead of just a text link to it lol.)

Wasn't actually expecting this to wind up with a bingo? But I got basically 2?? (Will explain the lighter heart later.) This is A LONG post, and definitely gonna get SUGGESTIVE, bc man, am I obSESSED with BroCal. I'm just gonna go thru each checked box, since I don't know how else to structure this post lol.

Read More to save ppl's dashboards:

I want them to make out with blood: OKAY. I HAVE A WHOLE THING PLANNED FOR THIS CONCEPT. I AM NOT GOING TO GO INTO DETAIL ABOUT IT JUST YET BC I ACTUALLY WANNA WRITE IT. I'm obsessed with this one fanart of Bro licking Lil Cal, and it spurred on an idea I outlined and really wanna write: https://coridallasmultipass.tumblr.com/post/739969858334294016/hiiii-mutual-i-am-secrecy-asking-if-u-have-anymore

((Sorry for the plain text links, Tumblr app is NOT cooperating with me right now to add hyperlinks. I'd post the image directly if that one was mine.))

Basically, I just really need to see Bro and Cal making out with blood in their mouths, and I started a whole convoluted, unrelated outline in order to make that hapen. It'll probably just be a really short thing that ends at the uh climax, since otherwise it's gonna end up sadstuck. And I don't like sadstuck lol.

Undeniably t4t: Bro and Dirk are always trans for me, and Lil Cal's got that uh... what percentage did I calculate it out to be? 13% of Dirk is in Lil Cal [ My shitpost calculations: https://coridallasmultipass.tumblr.com/post/746702663327072256/i-ran-out-of-tags-rambling-about-this-so-im-just ] so Lil Cal is at least 13% trans because of that much of Dirk being in him, plus however you feel about the other components being trans. LMAO this is ridiculous to type out. Moving on.

EDIT: FUTURE CORI INTERJECTING WITH A:

"Lil Cal Top Surgery Healing Progess: Day 1"

Terrible for each other affectionate/derogatory: I don't even know where the affectionate/derogatory split occurs. I multiship BroCal as both Bro/normal puppet Lil Cal and as Bro/evil juju puppet Lil Cal, and whatever combination in between or outside of that. Terrible in that Bro is so obsessed with Cal that he doesn't have normal relationship/social skills and uses Lil Cal as both a crutch and motivator alternately, in a terrible cycle, or maybe rather... spiral. And also terrible in that Bro is caught in the allure of playing the role of puppeteer while also being a puppet for the darker parts of Lil Cal, whether he actively knows it or not. (Honestly though, I feel like it's dismissive if you try to blame all of Bro's faults on Lil Cal like this tho, which is why I tend towards liking Lil Cal as just a regular puppet a lil bit more. Or at least, a regular mildly supernatural puppet since that can be a little more entertaining if Cal can get into mischief while no one's looking or give off the vibes of his mood more directly, rather than like entirely inanimate or 'just LE, trapped in a puppet body.' Again, I like all of these concepts.) ((I mean that can also be a whole post of its own, like, by the time Bro gets ahold of Lil Cal, are any of the other components still alive in there? Like, are ARquius and Gamzee still in there or did Caliborn kill and consume them entirely? Idk how it works, man. This is why I like Lil Cal as his own person, maybe just influenced by the feelings of the others. LaCroix: CalGamARquius essenced water. Lil Croix.))

They need to get weirder with it: YES YES. 1000% YES. I need entirely shameless Bro doing entirely shamless things to Lil Cal. I want them inseparable and doing unspeakable things to each other. I want Bro taking full advantage of Cal having a puppet body and all the intimacy that comes with making repairs and being elbow-deep in stuffing.

Playing with them like dolls cute/psychological torture: This is the same divide as with the 'terrible for each other' point, so I'm just gonna go with the cute one, since the torture one is self-explanatory. I want them fucking married. Like. Full mushy cute romance type of relationship that Bro has never felt for any of the people in his life (cough aromantic cough). I made this comic not too long ago, and I often fondly look back on it, because I adore the concept of Bro being lovey and romantic and everything out of character around Lil Cal because he feels safe and loved and comfortable around Cal:

[ https://coridallasmultipass.tumblr.com/post/750602227910131712/brocal-4-lyfe-so-i-had-this-idea-of-dave-being ]

I made a post a long, long time ago (not gonna link that one bc it was personal and I was being very obviously mentally ill ["C'mon, like you're not being obviously mentally ill while typing paragraph upon paragraph about BroCal still in 2024 like 10 years later??" Fair.]) But the gist of it was that, like, having objectophilia or objectum sexuality is like, from an outsider pov, it's a way to express love to yourself. You filter all your self-hate through the object you love, and you get back unconditional love in return.

Lil Cal is never gonna hate Bro, no matter what Bro does. As a regular puppet, Lil Cal doesn't have the capacity for hate. And so that only brings them closer, since Cal is never gonna reject Bro for any reason. (Back to being a crutch. RSD is real, and Dave is probably a big trigger for that since he's not on the same wavelength of weird as Bro [not blaming Dave, obviously, this is a post about BroCal].) Bro can experience receiving positive attention from Lil Cal, without feeling 'fake' or uncool by expressing that same attention or affection directly to his own self. (Things are always done through multiple layers with the Striders, aren't they?) ((And I'm not saying Lil Cal doesn't love Bro, or that their relationship is just pretend - it's real, I'm just like, 'What's going on behind the curtain in the mundane situation?/ How is the relationship appealing?' Lil Cal luvs Bro 5eva 4 lyfe and that's a hard fact. Could cut diamonds with that shit.)) Example: maybe Bro is dealing with a bout of body/gender dysphoria and is trying to take out his frustration with working out, and it's not helping, even if he's powered through a set better than normal. Then, he notices the way Lil Cal is watching him, and he can feel the excitement seeping off Cal. He can sense the echoes of a wolf-whistle ring out through his mind, and it's like. Okay, none of that shit from before matters, he's got all the validation he needs right there in Lil Cal. Maybe flex in Cal's direction, Bro?

Oh, so back to being cute: isn't it wonderful how the template maker phrased it as 'playing dolls'? But yeah, I want all the mush and everything. Bro has a whole wardrobe for Lil Cal for every minor event that occurs in the Strider household. I want them going on genuine dates. Maybe even... holding hands. Bro blushes for the first time since he was 16. He even gets to take Lil Cal with him when he goes out to DJ or put on a show. Not to mention the whole website business. (I've talked about Cal's role in that before, but I'll mention it in a moment...)

They will die in a heart shaped pool of blood: I mean, kinda did happen, even tho Lil Cal didn't perma die right there. I don't think this one needs any explanation, since it basically happens in canon.

'You should see the other guy...': Okay, so. About 11 years ago, I had a really great idea. About how smuppets enter this world. I expanded on it in the following more-recent post (adult only content lol): https://coridallasmultipass.tumblr.com/post/741683686717669376/back-in-the-day-my-friends-called-me-insane-when-i

To sum it up, whenever Bro makes a new smuppet design, he then gives it a video debut on his website, where uh, Lil Cal births the smuppet like it's a horror movie scene, fake blood and poly-fil gore all over the place as the smuppet crawls out from the viscera. Bro then gets to play aftercare by lovingly and gently cleaning up and restuffing Lil Cal as they get to admire their new creation and rake in the dough lol.

So it's technically not a 'you should see the other guy' kinda situation, but it does involve one of them being... idk what word would describe it. Injured by the other? Usually a character loses a fight and says this to act like they got out of it better than the other guy, but... We could have someone knock on the door during the filming of a scene like that, and Bro has to answer it with fake blood up to his elbows, and be like 'You should see the other guy.' (But obviously, that's a terrible idea and would cause more trouble than it's worth... Maybe worth it for a persistent door to door salesperson, though.)

Though, I guess I should also say, I'm not opposed to Bro beating on Lil Cal in or out of the bedroom. Or in the case of animate Lil Cal, Cal choking out Bro. In or out of the bedroom, lol. Depends on the situation, like I said I will ship this ship any which way. But my preference for animate Lil Cal is to be like a totally normal puppet around Bro (or mushy in-love with Bro) and then evil-murder-puppet towards anyone else in Bro's life, like a... toxic yaoi guard puppet. (New Phrase Achievement Unlocked!) Bro brings home another guy to have sex, who tries to stay the night due to the late hour, but the guy wakes up shortly after to see Lil Cal standing there with a knife in the dark, eyes glowing red. Panic ensues when the guest screams and freaks out, and by the time Bro's got a light on, grabbing his sword, ready for a ninja vs ninja fight (bc an intruder would've had to bypass all the traps), Lil Cal is just innocently splayed across the desk chair, no knife in sight. Relevant post (well, the caption on the post too, saying how Bro can't seem to hold onto any relationships besides Lil Cal):

[ https://coridallasmultipass.tumblr.com/post/741830516962164736/i-want-you-so-youre-mine-always-selfishly ]

Uh, lol, also Cal choking out Bro in the bedroom, adult only drawing: https://coridallasmultipass.tumblr.com/post/754328907438800896/i-wouldnt-wanna-be-my-ex-when-he-found-out-who

Thinking about them always and forever: Listen. My Tumblr as proof, I've had BroCal on the brain for at least 11 years at this point. Definitely longer, since I first started reading Homestuck. I fucking love puppets and dolls and plushies and I always have. Man, if I hadn't deleted Tweets (automated app I used to do, and I couldn't choose what to save) from when I was in high school, you could've seen me @ ing my fave band when they were taking lyric suggestions on a fan-inspired album, where I was telling them 'make a song where the theme is puppets' and, while I don't know if they saw that or took the suggestion (they had responded to me before bc they weren't huge yet), there is indeed a song titled "Puppets" on that album, and it was my favourite song on there. Point is, I was fated to ship BroCal before I even knew it existed.

Sicko 2 sicko communication: I mean, does this even need explaining? Bro and Cal aren't just on the same wavelength of freaky, they're the fucking source of the wavelength, and it's causing a feedback loop between them. And it does as feedback does, which is, it amplifies with time. (Going back to the spiral symbolism here, lol.) ((Actually, time can play a symbol here, too, I guess, but idk how to word it, I'm starting to run out of steam.))

Let them have a happy ending: God, I need this so badly. I know Bro's story ends in Homestuck, but like. Pls. Someone needs to officiate their wedding. Currently placing the dreambubble order, but I can't organize a wedding by myself. OH speaking of. In that lil comic I did above, where Bro is accepting Lil Cal's proposal, I had the Natural Born Killers wedding scene in mind. I was gonna draw that as a follow up, but I think I have too many WIPs going. Just two people on the run, saying "I do" in a scenic but completely ordinary roadside location. Idk why, I keep going back to that movie for things related to Bro (I mention it in a very important scene in a longer WIP I've been writing, as something Bro watched and internalized as a kid lol.) It's not the best movie lol. Anyway.

The devotion omg: I feel like I have already gotten my point across about this, but let me reiterate:

[ https://coridallasmultipass.tumblr.com/post/735842968450269184/in-the-name-of-iconic-magical-girl-anime-ill ]

Bro and Lil Cal absolutely beat the shit outta Jack Noir before he gets prototyped. And even then, they fight together till the death, like. C'mon. Nothing more romantic than fighting a losing battle side by side. Also, like, Lil Cal having his own protective chest for safekeeping as seen in the Strider living room? Like, you don't just have a protective case for any old thing, especially something meant to be handled, especially something that is regularly used to smack other things/humans. What I'm saying is, Lil Cal is durable and resilient, and yet, Bro still has a case for transporting Cal safely. Oh, wait, I just thought of something funny, what if Lil Cal goes feral like a cat, and basically the chest is like a cat carrier so Bro can drive without being constricted lmaoooo, I've been typing for hours can you tell?

Kind of homophobic: Listen. I HAD a Cal. Took him to college. Staked my claim on the top bunk bc I am royalty. Proceeded to not have anywhere to set my water cup and had to use a cardboard box as a table up there. Spilled water. Melted Cal's sharpie-drawn face. And then proceeded to cry. I have a WIP of Lil Cal 2, but that requires actually remembering to work on him. I wanna do better by the pattern, too, since I rushed to finish the first. I have all the material! I have the project started! So it's just a matter of reordering my WIP priorities, honestly.

Where is all the fucking content?!: For realzz. I was actually venting about this the other day (didn't end up posting it), but it's like, either there's no BroCal content, or there IS BroCal content, but I can't reblog it for reasons I don't want to get into on this post. I'm dying of thirst in the ocean, basically. Whatever. This just means I need to make more BroCal content myself, which I am more than happy to do. I've just had a rough past few months, so I'm glad I got to type all this post out, and hopefully I can get back to creating soon.

Last one! I hope this one makes up for the absurd length of the post, it's prob my new fave idea I just came up with on the spot.

[TW drink spiking by a stranger mentioned in this.]

Committing atrocities as their silly little activities: I think we all know what this means, but I am going to ignore that elephant with my special x-ray vision. Because this is a BroCal post. I'm digging deep to the meat and bones of this. Honestly, this could go multiple routes, it depends on how you take your Lil Cal.

One could place emphasis on the 'guard' part of the, ahem ahem, toxic yaoi guard puppet. Maybe someone is actually trying to harm Bro, and Bro legit can't do anything for reasons outside of his control - let's say his drink got spiked a while after he invited a stranger home that he thought was chill. As Bro gets shoved down on the futon, his memory of the night is only a few flickers. Familiar orange plush, roiling around above him like a dancing windsock. Flashes of Lil Cal's face all distorted and stretched wide like a funhouse. J-Lo and Ice Cube on the TV. But when Bro is finally able to fully wake up in the morning, everything is as if he just got home alone last night and passed out on the futon. Cal looks totally normal and content tucked under Bro's warm arm. Except when Bro gets up, there is a pair of shoes too big to belong to him at the door. Maybe Bro knows. Maybe instinct tells him to run. Maybe he does, but he's running towards Lil Cal, every time.

[puhpandas]

thinking abt the ggy easter eggs rn