#this has been sitting in my drafts since october

[futbolfatale]

Love at first scent

Pairing: Alpha Lucy Bronze X Omega Reader

Summary: you meet Lucy at a club on Halloween night

this is super short

This has dead ass has been sitting in my drafts since October.

It had taken the entire Month of October for your friends to convince you to go out for Halloween. Alpha’s Pheramone’s tended to go crazy on Halloween making it all the more dangerous for an unmated omega like you. You had planned to stick to your tradition of buying a bag of candy and watching whatever scary movie you were in the mood for but they had other plans. 

Well, One plan, and that plan was to go to the club in slutty dresses with whiskers drawn on your face and cat ears on your head. It was basically putting a target on your back for any alpha who wanted to flirt.  The whiskers may not be your best look but considering the way people have been staring it's not that bad. The club is packed it usually is on game nights and with it being Halloween.  The game ended hours ago you had hoped people would find other places to be so your friends would want to come early but that was anything but the case.

You dance with one of your friends in an effort to pass the time quickly. Between the grinding and the energy around you, your pheromones are going crazy. You look up not expecting anyone to be paying attention to you only to be met with green eyes staring right at you. The woman is well-dressed in dark blue slacks and a white blouse glasses perched on her nose. She smirks and you look back at your friend quickly. That woman radiates alpha energy and you really shouldn't be getting involved with an alpha on a night when they are known to be extra aggressive. By the time you have you have the courage to look up the woman is gone or so you think until someone is pressed against your back forcing you to grind further against your friend. Though she doesn't even notice 

“Were you looking for me love” She asks her accent clear as day. “Yes. Who are you” You ask breathlessly as she grinds against you her cock against your ass. “I’m Lucy but You can just call my mommy” She growls into your ears her scent growing stronger. It’s vanilla with an undertone of espresso. “What makes you think Im into that or into you” You tease. “Your scent reeks of lust and the way your grinding against me says that you want me to fuck you.” Luch mummers her voice softer if only for the moment. “How about we get out of here,” She asks and you quickly nod.

[ironmaidenhead]

BUFFY THE VAMPIRE SLAYER Created by Joss Whedon (1997-2003)

[studentofetherium]

in Japan, there is a practice called reishizumu. this practice is ancient and important to the Japanese people, but in recent times, it has become controversial, and some wish to abolish the practice altogether. however, others defend it, not wanting to see Japan lose a part of its unique culture

[goodoneguys]

shows that I think the gays and theys will like that aren’t homosexual but also are homosexual

Dr. Stone

Barry

Quantum Leap (1989-93)

Monk

Chowder

Regular Show

Arrested Development

Star Trek The Next Generation

[0nexus]

Why are boys just like that.

[waywardangel-wilds]

Hiiii!!! Would love to read more of your daddy!peeta takes they’re just so REAL specifically peeta juggling all the baby bags/gear/etc. whenever they leave the house

Hi! Dad Peeta is just me as a mom translated into Hunger Games lore so it’s just a (dramatic) person who has no idea what they’re doing trying their best.

Here’s some ideas:

- Daughter announced she’s going to the movies with friends (a boy from school is in that friends category) later in the evening -

“She’ll be fine,” Katniss dismisses while keeping her eyes on the dishes they’re stacking.

“But,” Peeta interjects. “What if, to make sure, as, you know, a cautious and loving father, I went along?”

“No.”

“Okay, okay, how about this: I go along and don’t tell her at all,” Katniss makes a face at him but he ignores it. “I wear a hat—“

“You’re too loud and obvious for a disguise.” Katniss closes the cabinet and goes off to the other side of the kitchen to put away the forks. “Why do you care so much anyways? She’s eleven for crying out loud.”

“Katniss! I know what eleven year old boys are like, I was eleven!” He hisses dramatically. “Do you have any idea how gross I was at eleven?”

Katniss raises an eyebrow, “care to share?”

“I—“ he cuts himself off, seeming to think better of it. “No.”

“She’s been friends with boys before,” Katniss rationalizes. “Girls and boys can be friends, you know.”

“Obviously I know that.” He whines. “But, please?”

“Why are you asking me?” Katniss laughs. “You’re an adult. When our daughter decides I’m her favorite and you’re 'he who shall not be named'? That kind of works in my favour.”

[everything-y-nothing]

MOODBOARD. blushing all the way home (Singer-songwriter x Rugby Star AU) by @newtonsheffield

[fancifulplaguerat]

Need to recount a scene from my apartment.

I am sitting at the kitchen table in my home studying. My roommate is sitting across from me on his phone and he randomly asks, without looking up, "you know when dogs start to look like their owners?" And I said yeah assuming that he would proceed to show me some Tweet or other about a dog and its owner but then he hit me with "That picture of Daniil kind of looks like you"

Evidence:

[white-cat-of-doom]

Griddlebone Playlist

This playlist is meant to outline the complex (and fundamental) emotion of love, and the pitfalls and joys of chasing after something grand that requires another to reciprocate the affection.

More specifically for this set of songs, the want for love while having the feeling that something is not quite right, either with the other individual involved, or within your own mind. Through isolating oneself into hollow emptiness after heartbreak, and due to feeling devoid of being wanted, it is hard to be vulnerable and let anyone back into a place of emotional attachment.

Did you ever actually feel what 'love' was? Are you really deserving of being loved? After everything, wherever can you find it?

川口雅代 (Masayo Kawaguchi) – Melty

ROMY – LOVE コマーシャル (Love Commercial)

越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

Meow Meow & Thomas Lauderdale – Hotel Amour

Tracks 1 and 2, 3 and 4, 5 through 7, and 8 and 9, are meant to represent different sections of time in the life of the Queen.

Signature song with playlist: Meow Meow & Thomas Lauderdale – Hotel Amour

Track One: 川口雅代 (Masayo Kawaguchi) – Melty

“ううん･･･ ････何でもないけれど 少し 不安になっただけ" ("Ugh... ...It's nothing, but I just felt a little anxious") 知られた分だけ わたしから 冷めてゆくのが こわいから (I'm afraid that the more you know, the more you'll grow colder from me) "･･･そうよ･･･” (That’s right…”) すき間もない程に 昨夜 ひとつになったの (Last night we became one, with no gaps between us) しがみついたら 微笑うけど どうしていいのか わからない (I smile when I hold on to you, but I don't know what to do) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた 気分 (I can't grasp it, why? I feel like I've been ignored) 何にも言わずに 抱き寄せて (Without saying anything, I hold you close) 朝の光が あなたの景色変えないうちに (Before the morning light changes your scenery) “いやよ” ("No, no") ･･･言いかけてやめるのは うまく 言い聞かせるつもりね (...I'm trying to convince you to stop when I say it) 困らせたいの! (I want to embarrass you!) "お見通し” ("Foresight") 小悪魔ぶっても かなわない (Even if I act like a little devil, I can't compete) Melty 手を引かれて 溶かし溶かされ 充たされるはず充たされるはずなのになのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? (I can't grasp it, why?) 何かが 違ってゆくの 何も言わせず 抱き寄せて (Something is going to be different, don't let me say anything, hold me close) めかくししてね ちぐはぐなこと 言わないうちに (Before I get too confused and say something foolish) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた気分 (I can't grasp it, why? I feel like I've been ignored) 何も言わずに 抱き寄せて (Hold me close without saying anything) めかくししててね (Please cover your eyes) 朝の光で 見えないうちに (Before you can see it in the morning light)

The initial apprehension of being more intimately involved, emotionally and physically, with another person comes with the realization that she felt nothing when it happened. She should be able to feel a deeper connection, but something is not right, and instead pretends and acts accordingly like everything is fine.

Track Two: ROMY – LOVE コマーシャル (Love Commercial)

指の中で タバコふかし 何もないのに 愛にまみれた (I smoked a cigarette in my fingers and was covered in love, even though there was nothing there) 気にするコトが 自分以外の あの人に対する 愛の神経 (What I worry about is the nerves of love for someone other than myself) いつか見た あの人はいない 私の人には ならなかった (That person I saw someday wasn't the same person I was) 私はなまけて ただならぬ犬より (I'm better than a lazy dog) ただの人を 選んでみただけ (I just picked a person) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me) 頭の中で おもいふかし 何があるのか 夢のざわめき (I wonder what's going on inside my head, The buzz of dreams) ただならぬ人だから あえて こわがって あの人に対する 愛の恐怖 (Because he is an extraordinary person, I dare to be afraid of him, and the fear of love towards him) 抱かれる日は 心 うきあし もうひとりの私 かくしきれない (The days when I'm held in your arms, I feel happy, and I can't hide my other self) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me)

A reflection on not feeling love when, or to the level, you think you should, while worrying how it will affect your partner. There is a comfort in being together with someone, but that surface level connection will eventually face the challenge of it being something more for them, and she is not prepared or ready for that.

Ultimately, it is up to Griddlebone to move forward in the best way that makes sense to her, and that path is one alone.

Track Three: 越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

彼は時間に遅れて 私は指輪を忘れた だけど ゴメンも言わずに つまらぬ言い訳ごっこ 空は春 時は今 幸せですと言わんばかり だけど 二人の心は ちぎれ雲 (He was late and I forgot my ring But we don't say sorry, we make boring excuses, And the sky keeps saying that we're happy now in spring but our hearts are torn apart by clouds) 恋はファニー・フィーリング かまわず回る 恋はファニー・フィーリング 慣れっ子 だけど (Love revolves around funny feelings, but love is used to funny feelings) 彼は口笛吹きながら 私 ため息つきながら 通り過ぎる 街角 小鳥の歌だけ響く (He was whistling, I pass by with a sigh, Only the song of a small bird echoes on the street corner) いろんなことが あったけど みんないい思い出ばかり だから ここらでピリオド それがいい (A lot has happened, but we all have only good memories, So it's good to have the end around here) 恋はファニー・フィーリング 手を振りながら 恋はファニー・フィーリング 深刻ぶらず 歌いながら 笑ってサヨナラするわ オー ファニー オー ファニー ファニ ファニ オー フィーリング オー ファニー オー ファニー ファニ ファニ オー フィーリング (Love is a funny feeling, while waving, Love is a funny feeling, don't take it seriously, I'll laugh and say goodbye while singing Oh Funny Oh Funny Funny funny oh feeling Oh Funny Oh Funny Funny funny oh feeling)

In a goal to subside the loneliness and longing to feel proper love, Griddlebone moves through relationships over time to find the elusive 'love' she believes is out there. Scared of getting too involved with someone she holds minimal emotion for, she breaks off any connection before feelings develop from the other party, and plays it off as something lighthearted.

Despite her efforts, she cannot find someone who fulfills her inside the way she thinks love should be.

Track Four: 宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 泣きまねの 電話 かけて 街灯り 胸はずませ (I made a phone call imitating crying, and the street lights made my heart flutter) あの人を 呼び出したの (I called that person) 数えては 時間をかせぐ (Counting the time to buy myself some) 優しさを 言い訳して 赤い血が 流れる前に (Kindness, before I make excuses and red blood flows) 嘘をつく ずるいあなた 忘れてよ あの娘の事は (Forget about lying You're so cunning about that girl) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 待つだけの 女なんて さよならよ 今夜こそは (Say goodbye to the woman who only waits, tonight) 愛の 糸 足にからませ あの人を もう逃がさない (I'll let the thread of love entwine around my legs and never let that person slip away again) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door)

A new connection with someone shows promise, but she discovers that her partner is a cheater, something that hurts Griddlebone in a way that she has not experienced before. Not used to being treated as a second thought, and feeling like she is not worthy of love if made so inconsequential, she plots to destroy and expose her partner for what they have done to her.

All the joy and hope that she felt in locating a person that is right for her is now crushed, and she vows to not let herself be taken advantage of ever again in the pursuit of love.

Track Five: いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

ひとりソファーに寝ころんで 恋の歌聞くでもなし 歌うでもなし (I lie alone on the sofa and listen to love songs, but I don't sing them) 私は日暮れを見つめています (I'm staring at the sunset) 部屋の窓には東京湾の 船の灯が小さく揺れて (In the window of the room, the lights of the ships in Tokyo Bay sway slightly) 一人ぐらしに疲れた時は 結婚なんか考えてます (When I get tired of living alone, I think about marriage) 夜汽車で旅に出る時は 色のない写真のように 素顔のままで 東京駅から出かけています (When I travel by night train, I leave Tokyo Station with my bare face, just like a colourless photograph) 幾度か恋にこの身を灼いて 歌を忘れた私だけれど (I have forgotten how to sing because my body has been burnt by love many times) 淋しさだけを心に積んで 今日もぽつんと歌っています (But today, I sing alone once again with only loneliness in my heart) くちづけ交す恋人にさえ 私の気持は言えないでしょう (I can't even tell my feelings to my lover who kisses me) 人に知られず流した涙 (The tears I shed without anyone knowing) 私は今日も歌っています････ (I'm still singing today...)

Moving on from her heartbreak, Griddlebone refrains from being involved with anyone else for a lengthy period of time, as that means she cannot be hurt once again. However, she cannot help but feel that the emptiness inside her continues to grow as time passes, even if she tries to remain strong willed. Her thinking is that she does not need anyone to sustain her happiness if she keeps the love she has to give tightly held internally.

Track Six: 麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

淋しい笑顔と 言われるのに馴れても (Even if I get used to being told that my smile is lonely) 真夜中の鏡 覗けばつぶやくの (When I look into the mirror in the middle of the night, I whisper) Say, Love is the shadow play, shadow play Love is the shadow play 恋しても (Even if I fall in love) Love is the shadow play, shadow play, shadow play ひとりぼっちじゃ怖い (I'm scared of being alone) 街角の華やかさに 気がつけば急ぎ足 (If you notice the glamour on the street corner, hurry up) 片思いのままなら 恋も失くさず済むでしょう (If you keep your love unrequited, you won't lose your love) Say, Love is the shadow play, shadow play, shadow play Love is the shadow play, 密やかに (Secretly) Love is the shadow play, shadow play, shadow play 遠くあなた見てる (I'm watching you from afar) 気づかないで (Don't notice) darling 壊さないで (Don't break it) wow wow Love Love Love Love Love Love, darling, Love Love Love Love is the shadow play

Her loneliness begins to swell to a point of action, and Griddlebone cannot ignore it or remain dormant for much longer. She is unhappy being completely alone, and wants to feel any form of connection with another, but does not want to be hurt again.

Feeling unworthy of being loved due to her faults, her past pursuit of love becomes less of a task to complete and more of a buried burden she has to carry.

In order to protect herself from emotional suffering, she develops a cold façade to protect herself with.

Track Seven: 竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

突然のキスや 熱いまなざしで (With a sudden kiss and a passionate gaze) 恋のプログラムを 狂わせないでね (Do not cause a malfunction to the love program) 出逢いと別れ 上手に打ち込んで (Type in encounters and separations well) 時間がくれば終わる (When the time comes, it ends) Don't hurry! 愛に傷ついた あの日からずっと (Since the day I was heartbroken, I've been having a life) 昼と夜が逆の 暮らしを続けて (That's been reversed between day and night) はやりのDiscoで 踊り明かすうちに (While dancing the nights away at the popular disco) おぼえた魔術なのよ (There is a magic I've learned) I'm sorry! わたしのことを決して 本気で愛さないで (Never love me seriously) 恋なんてただのゲーム 楽しめばそれでいいの (Love is just a game, all I need is to have fun with it) 閉ざした心を飾る 派手なドレスも靴も (The showy dresses and shoes decorating my closed heart) 孤独な友達 (Are my lonely friends) わたしを誘う人は 皮肉なものね いつも 彼に似てるわなぜか 思い出と重なり合う (The men who flirt with me are Ironically always similar to him for some reason My memories with him are overlapped) グラスを落として急に 涙ぐんでも わけは尋ねないでね (Don’t ask me why even if I drop my glass and suddenly glisten with tears) 夜更けの高速で 眠りにつくころ (When I fall asleep by the highway at dawn) ハロゲンライトだけ 妖しく輝く (Only halogen lights are mysteriously shining) 氷のように冷たい女だと ささやく声がしても (Although somebody is whispering that I’m an icy cold woman) Don't worry! I'm just playing games I know that's plastic love Dance to the plastic beat Another morning comes

Relationships become more of a pursuit of pleasure, rather than meaningful connection, for Griddlebone. A cycle of one night encounters to keep her company before the new day begins and she starts over again with someone new. Her self-worth starts to become tied with being seen as attractive and desirable by another person. She has convinced herself that this lifestyle will quell the void inside of her, although she knows in her heart that she is still painfully lonely. The isolation does not cease, no matter how many individuals she crosses path with.

Maybe one day she will not feel this way, but she believes it is her fault that everything turned out the way it has to this point.

Track Eight: 工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

夕顔姐さん 部屋には 夏でもね (Yugao-san, even if it's summer in your room) こたつが置いてある 束ねたコードを つついてる 退屈な 白い猫が家族 (A bored white cat is pecking at the bundled cords next to the kotatsu table) 今夜のお座敷 長過ぎる いつもなら (The tatami room tonight is too long, as normal) 帰ってる時間 (Time to go home) お勝手の隅の 猫メシは 山盛りで (In the corner of the kitchen, there is a mountain of cat food) とても食べきれない (I can't eat it all) 明かりは点いてても 時計の音ばかり そろそろ聞こえて来る はずなのに (Even though the lights are on, all I can hear is the ticking of the clock) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さん 来年 数えでね 六十三になる (Yugao-san, I'll be turning 63 next year) 近頃男はダメだね 粋じゃない それが口ぐせです (Men are no good these days. It's not classy. That's what they say.) 衣ずれの裾は 萩の花 つい昨日 かけたパーマネント (The hem of my clothes was like a clover flower, a permanence that I wore just yesterday) 西に傾いた 大きな お月様 帰りを急がせる (The big moon leaning to the west hurries my return home) 浮かれ足の男 物欲し気な女 (A playful man, a wistful woman) 若いネオンの街に カラコロと (In a young neon city, colourfully) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 細い路地に入ると 犬達が吠えだす 待ちくたびれた猫は夢で聞く (When I enter a narrow alley, the dogs start barking, and the tired cat hears it in a dream) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta)

Years removed from the emotional low point of her life, the empty hedonism to fill the void inside her, Griddlebone has taken up residence with an older, single woman that has mirrored her own experiences in the search of love. The familiar sounds of geta beckon the arrival of her human home to Griddlebone, and her days are spent resting in the sun and keeping busy through the house, all while reminiscing of a past of incomplete love. She has become accustomed to a quiet, uneventful life where she is loved by Ms. Yugao as a Swing pet and taken care of like the beautiful Queen she is.

Still, there is an unshakable feeling that she has missed out on true love in her life, despite her current, content happiness.

Track Nine: Meow Meow & Thomas Lauderdale – Hotel Amour

Fun fact: Meow Meow played Griddlebone in the 2019 movie!

I looked for Love in the beautiful cities I looked for Love up in the air I looked underground though I knew that I shouldn't And still, no Love was anywhere I went to the place they call Heaven I went to the Hotel Amour I sat still and wrote Love some letters But Love doesn't read anymore I sang Love into my stories And I danced Love into my dreams But Love didn't find me Let alone blind me Love is nowhere it seems I looked for Love by pretending I wasn't I looked for Love close to the bone I fixed up some wings and I bought all the permits So Love could take flight when it was grown I followed the maps, I read all the signs I bought Love a building called "Home" I filled in the forms and I paid all the taxes Still, Love left me alone... My heart's still jumping out of my skin I've nothing to keep the feeling in I've nothing to do to make Love stay I've nothing to keep the darkness away You're all in the grandness of little things A leaf that's shaped like a heart A simple breeze, a feather Morning light, evening star And I'm singing to you my stories And I'm dancing with you in my dreams... Love... Love is everywhere... it seems

Throughout her life, Griddlebone has done everything she thought was correct to find and feel a form of love that made her feel complete, but could be deemed as unsuccessful in that pursuit.

Although it never manifested for her as love with another, she has felt the unconditional love of someone that cares for her as the most important thing in her life.

Looking back on her life now as a senior Queen, Griddlebone comes to a realization that love can now be found all around her. It was never her fault for not finding the idea of 'love' that she felt she needed, and there may never have been an instance where she felt that she had found the prize she was after, but love was always with her in the little things of life.

@the-cat-at-the-theatre-door I am not sure if you are still interested in these after all this time, but in case you are, enjoy :).

[thelostrainbowthenovel]

Bios: The Feorian Rulers

- Ruling King Vulcan Von Brandt

. Age: 47

. Gender: male

. Sexuality: straight

. Family: parents, 1 older sister, 1 niece, Ignatius(oldest child), Hestia(second oldest child), Flint(middle child), Ashton(youngest child)

. Relationships: Soleil(wife)

. Abilities: fire magic(natural), hand-to-hand combat

. Physical Appearance: tall with a muscular build, short and slightly curly brown hair pushed back with spiky bangs, tan skin, dark brown eyes, several battle scars all over

Ruling king of the Kingdom of Feor, husband to Soleil, and father to Ignatius, Hestia, Flint, and Ashton. Although he is the second-born, his older sister never cared to take over the throne for herself so the role as heir was given to him during his early adolescence. He was always taught the ways of being a strong and capable leader as a prince, so while his new position as heir took some time getting used to, he accepted it gratefully as he always wanted to do best by his people. Logical when it comes to thinking, and preferring to rule with a firm approach, he comes off to some as close-minded and cold in his rule. While this is true to some extent, he is a lot more open-minded and caring towards his people than some would think, as he will advocate for new laws if he sees it as important or necessary. When he became of age he followed in the footsteps of the kings before him and joined the army, rising up in the ranks and serving as a captain during a series of battles that almost escalated into war when he was in his twenties. Fighting closely alongside him during this time was his wife Soleil and his best friend Idris Brenton, with the latter now being a general and his right-hand man when it comes to current military tactics and decisions. Although he was originally arranged to Soleil, they knew each other as children and made sure to get to know each other better during the course of their engagement, to the point they were genuinely in love when they married as adults. He may come off as stern and intimidating, but he softens up the most around his family, caring for their well-being and safety above all-else as he does not want to lose any of them for any reason.

- Queen Consort Soleil Von Brandt

. Age: 45

. Gender: female

. Sexuality: straight

. Family: parents, 2 older brothers, 2 younger brothers, 5 nephews, 1 niece, Ignatius(oldest child), Hestia(second oldest child), Flint(middle child), Ashton(youngest child)

. Relationships: Vulcan(husband)

. Abilities: flame magic(natural, depleted/no longer), hand-to-hand combat, sword-fighting

. Physical Appearance: tall with a fit, hourglass build, wavy and waist-length, side-swept fiery red hair fading into orange and yellow, fair skin, gold eyes, ears double pierced, large burn scar going from her lower-left cheek down all the way to her wrist

Queen consort of the Kingdom of Feor, wife to Vulcan, and mother to Ignatius, Hestia, Flint, and Ashton. Soleil grew up as the only daughter of one of Feor's most notable noble families, having four brothers. She did not despise being the only girl of her siblings however, as she got along fairly well with all of her brothers growing up. She knew Vulcan when they were children, back when he was just the prince and they were not arranged yet to be married. She followed in her families footsteps and joined the army when she was of age, fighting alongside her two older brothers and Vulcan. When they were both over the age of sixteen she and Vulcan were arranged to be married, doing so several months after she turned eighteen. She continued her work as a soldier for many years, even after having her first two children, before one fateful battle happened that not only gave her her burn scar, but also completely depleted her of all of her once powerful and strong magic. With no magic left, she took to wielding daggers and swords to defend herself with, being her daughter's first teacher on how to properly wield and fight with her own swords when she was big enough to learn. She also developed both PTSD and mild depression from her accident, that while she has been doing much better with her mental health in recent years, she still has her struggles with unwanted flashbacks and nightmares of the incident that have her feeling down for a long time whenever they pop up. She is a mature and wise queen, at first having a little trouble expressing herself and her emotions when she was younger, but has grown to become a lot more lively since then, even a little flirty to get her husband's attention now-and-then. While she is married into the royal family, she still has a good amount of influence. Nowadays she works on maintaining a strong presence as a role model for those in similar positions as herself when she was younger, that despite having a horrible accident that takes away a vital part of yourself, that there's other options in life out there to continue standing strong despite what others may say about you.

[chdmeeksmartins]

Peyton Anna Hyde, in the au no one asked for…

With her father’s loyalty, skepticism, and love of Zeppelin and her mother’s intelligence, quick wit, and compassion… Peyton is one confident kid.

The child who was always asking why and how she learned from a young age that questioning the status quo was a good thing. It sparked her early interest in activism, and has kept her on that path ever since. With a smidge of zen sprinkled into her headstrong determination to always fight for what matters to her. Whether it’s unfair bed-times, or against dress codes being enforced at school.

A lover of ripped jeans, rock music, good poetry, Neve Campbell movies, and root beer floats.

And while she’s a sharp witted quick thinker, she’s also taken a bit after her middle-sort of namesake by having a bleeding heart. Kitty might not literally be her grandma, but she sees her as one anyways.

Peyton has a tendency to be constantly annoyed by her little brother’s lack of concern about the world, and is trying her hardest to him passionate about something. Whether it’s climate change, or feminism, or even something small like sports.

She hates apathy, almost as much as she hates skinny jeans and the state of the music industry.

[apocalyptic-byler]

i realized i had a crush in october. ok so that means that i deserve to be given a sweater (preferably polyester) on the 3rd of december

[theclowncowboy]

u guys should come to my frat party tonight. yeah its at kappa fagdyke

[soulless-angel25]

@mint-to-be-13 @shadow404notfound

Forced everyone in the group chat to change their display name to the first result they got from this Monster Factory name generator.

…it was an excellent choice.

[oxymoronicdumbass]

if you ever send me an ask and i take a whole week to answer it, please know that it's nothing personal, i'm just forgetful as fuck. i most likely opened it, told myself i'd answer it when i got more time, and then i completely forgot

[your-dead-european-ancestor]

List 5 things that make you happy, then put this in the ask box for the last 10 people who reblogged something from you. Learn to know your mutual and followers

Thanks for the ask!!

1. My books <33

2. Whatever tv show im currently watching

3. Musiccc. Especially when doing some type of work

4. Drawing

5. Talking to my friends <333