#this guy does not shut up

[dokani]

“not spying, more like research” lucas ur sick!

[emilnikos]

I need non autistic people to realise meltdowns are a real debilitating thing that has a serious effect on your mental and physical health NOWWWWW!!! The way its been trivialized and lessened pisses me the fuck off. It's not a tantrum and it doesn't come from "being too weak-willed" it's painful and it's embarrassing AND MOST OF ALL IT'S INVOLUNTARY!! Don't claim to be an ally to autistic or disabled people and then make fun of people who have meltdowns. Literally get the hell out of my sight

[poorly-drawn-mdzs]

PD-MDZS: The Hallmark Episode.

[rystiel]

au where ford gets over himself when he gets to gravity falls and reaches out to stan sooner

stan thinks ford still doesn’t want him around and is gonna kick him out the moment he doesn’t need his help anymore ahaha. but like also they’re so sillayyyy

(plus a part 2 & part 3)

[bookalicent]

yeah so this was insane

[potato-lord-but-not]

OSCAR GETS PRETTY PRIVILEGE BECAUSE I SAY SO ☝️☝️💥💥💥🗣️🗣️

+ some bonus boyfriends

[wishchip106]

his first instinct was to grab his ex-husband’s boobs

give em a lil squeeze to distract him from killing all those men

thinking about how Erik’s first few human contacts after ten years was; having his neck held by his son, getting punched in the face by his ex, and then getting his tit fondled WHAT

what an interesting day this man is having 😧

[unknown-cold]

THE MANIPULATIVE PARENT FIGURE HAPPENS AGAIN!!

It's sad to see so many people not understanding the complexity of what we have seen in Act 1 between Caitlyn and Vi. There's no fucking reason to hate on Caitlyn, she's a victim of the big whole, just like Vi.

Her grief, overwhelming and the manipulation of Ambessa is clearly shown in several scenes. Jinx kills people in every fucking Scene, she's literally a terrorist, noone bats an eye. Caitlyn breaks down under the weight that was put on her from one day to the other and snaps? Everyone's hating.

"Make it make sense" Of course it's wrong what she did. But almost no one would have been able to keep being rational after all this. And I'm sure will understand this soon.

No one can't make me hate her. Everyone who has gone through hard times knows that you've done things you realized later that they were wrong, or stupid or whatever.

(I trust the writers and the progress of the story.)

The show’s creators are known for nuanced storytelling, and Caitlyn’s redemption will likely involve acknowledging how her pain altered her actions and how she must make amends, especially with Vi

These people are too stupid to understand a complex character development with ups and downs.

Ambessa:

Plots the entire war escalation between Piltover and Zaun

Is behind the attack at the Memorial for Caitlyn's mother, to make her rage even more and put even more pressure on her

Uses her as a puppet in her plan by putting her in a position of power she's not ready for

Those people: Caitlyn is the problem 🤡

[camthecatchameleon]

a few days ago my brain demanded i draw polywitchlight RIGHT NOW and who am i to refuse

original and closeups under the cut

original/template is from “Go For It Nakamura!” by Syundei which i have not read actually

+ closeups; feel free to use as icons with credit smile

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[saturnplaza]

Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way Mikey Way

Thank you.

[rynli]

Thinking about how one of the two voices in Harry's deepest core is feminine.... Thinking about how the Skills are fragments of Harry's psyche, and he's convinced himself he's a manly-man at the moment, but clearly the Furies themselves don't all have to be male... thinking about half the Skills immediately switching to she/her the second Harry comes across the concept of gender as a construct. Wait, we can CHOOSE? Friendship ended with "this guy." "this gal" is my new gender.

[batfam-stuff-posts-0]

The fact that this is a tag makes me. so happy, actually

[toshidou]

previously on "toshidou's horny rambles":

𝟏𝟖+ 𝐍𝐒𝐅𝐖

your jaw is aching, just barely able to feel simon's fingers as they curl around a fistful of your hair, the other hand pinching either side of your face between his thumb and forefinger to watch how your lips purse around the girth of his cock. lidded, darkened eyes staring down at you as he fucks lazily into your mouth; the slick sound of spit accompanied by the slap of his balls against your chin, wet with your saliva and precum.

and if that wasn't overstimulating in of itself, thick, strong fingers indent into the flesh of your hips, followed by the aching thud of könig's sharp hips jackhammering into the soft flesh of your ass, a cacophony of lewd, debauched sounds that shouldn't make you nearly as wet as they do.

you have little choice but to focus on trying to stay balanced on your hands and knees and take it, every forceful thrust, every notch of ghost's tip against the back of your throat, every delirium inducing drag of könig's cock, so thick it has no choice but to stimulate every nerve ending your poor cunt has to offer.

there is no holding back, no small mercies, you're fucked to within an inch of your life, pushed through so many orgasms you barely remember what year it is, unable to think of anything other than the two men that bookend your trembling body.

by the time their hips both stutter to a stop, once their cum dribbles down in flithy rivulets from your aching holes, plump flesh littered with bite marks, bruises and handprints; you're just lucid enough to make out the two men as they tower above you, twin sets of irises engulfed in black, still hungry, still not satiated.

it's fair to say you may have "voulez-vous coucher avec moi, ce soir"ed a little too close to the sun.

[t4tadrienette]

She likes to act like she's annoyed at Shinichi for being a "Holmes otaku," but at the end of the day, she does listen to him, and even remembers the things he says to her. That's so cute

[mx-legend-of-faye]

Time: Wild, why do you sometimes use “we” when you’re talking about only yourself?

Wild: “We” but it’s me, my anxiety, the thoughts that plague my every waking hour, be they joyful or detrimental thoughts, and the ghosts of my dead and dearest friends.

Time: ………

Wild:

Time: Wild… are you okay?

Wild: Mmmmnope probably not, but we’re fine, it’s fine.

Time: *immense fatherly concern*