#this episode was good for the main characters content

[lovely080222]

Arcane Season 2

Lately, I've seen a lot of content creators and people online reacting and talking about Arcane season 2 in a negative way, to the point where they say that the season was trash. And honestly it makes me mad. If the ending of the story, or the story itself wasn't your cup of tea, is okay. Media enjoyment and appreciation is subjective, however, we can all be objective when it comes to the actual content of said media...and that is what has me so disappointed on their takes, because their reviews (that I came across with) are flat out lacked on media literacy and did not entirely understand the source material they were reviewing.

Let's start with the character arcs...in my honest opinion. THEY WERE GOOD. ALL OF THEM. I feel like a lot of people are exaggerating when it came to the arcs (especially Vi, Jinx and Caitlyn's) saying that they were not developed enough like in the first season, but I disagree. Most of their arcs for season 2 were HEAVLY hinted and foreshadowed in season 1, mostly Jinx's and Cait's.

One of the arc that gets more hate is Vi's, and is because of the s3x scene of season 2 episode 8 and the finale of season 2 episode 9, and overall season 1. As well as her forgiveness towards Caitlyn and how she acted selfishly in that episode. However, they don't take into account 2 things: 1. Vi is heartbroken (for what it feels the 30th time in both seasons) because Jinx/Powder tears and rejects Vi's help and unconditional love (Vi's fatal flaw is not knowing when to drop the towel, and establishing boundaries for herself, believe me, I learned that THE HARD WAY ) .

2. Vi and Caitlyn might not have enough time to talk about their feelings as deeply as they would've liked (a literal WAR is coming) so, they did it in the most raw and truthful form of love language, touch and eyes. No words, they weren't needed either.

Don't blame her for doing what it felt right in the moment, also let's be real here. Jinx gave her consent, and decided to leave Vi (Vi doesn't know the context, we do), for her sibling's benefit and love for her, because it hurts to Jinx that Vi is not taking care of herself and not pursuing what she truly wants, which is Caitlyn.

Was it in the worst moment of Jinx deteriorating mind? Yes. Was it out of place?...Maybe. But, was it necessary for the plot? OBVIOUSLY.

The s3x scene holds and magnifies the arcs of the couple and their vulnerability (Vi taking the leap and show her feelings, and Caitlyn responding and being truthful of hers). There are videos that explain the importance and the weight that holds in the arcs of Caitlyn and Violet, way in depth and detailed. They all point out the symbols and meanings of their gestures, which are wonderful. And ties together their bond and their strengths. As a younger sibling, strangely enough, I connect with Vi more than Jinx. That is because of the parental and family expectations that they have on me. I had to take a role of being the caretaker since "I'm more mentally stable". So I understand why Vi is the way she is.

Therefore, I understand and relate to Vi wanting to be selfish for once, without feeling guilty about it later. Not having regrets.

I recently rewatched both seasons and I have to say, it all played out perfectly, including the finale. And it payed off to all the build up in season 1, because of the foreshadows and plot devices used in both seasons to tell the story. The plot points and story arcs were very good, especially since they all connected to the main theme, which is forgiveness. Where do you draw the line in where there is nothing left to forgive or how far are you willing to do so. The plots truly showcased what is Arcane (narratively and character) and how does storytelling (mostly subtext, non-verbal and visual ) actually work. The way the writers handled it was MAGNIFICENT and TRAGIC. Which serves right for the story they conveyed in the series.

I think, one of the reasons that this season was received poorly (compared to season 1) is due to the already constructed ending and story lines that we might have thought of. Which might have more things or less than the main series but it was something to cling on before the premiere of the last season. And because of it, they judge it extremely and harshly without actually taking into account what the story was actually about. Would it have benefited of more episodes? No. Would it have benefited of more runtime? in some things, yes but at the same time, i don't mind it and I believe that it is good. Would it have been better if there was another season to wrap up the story? Definitely not. That is due to the story being pretty much a solid story with a few strong undertones that have unfolded before its finale. I LOVE Arcane, and I would watch it again and again (both seasons). I think, it is one of the biggest series of all time and also the most compelling one in modern media). This final season brought me to tears and this hollow feeling in my chest yet satisfied by the way it ended the main journey of Runeterra, and opened to many more.

Also controversial opinion, but I like season 2 a lot more than season 1. And that is because, I love the development of it (the show of progression and how it embraces the themes showed on the series)

BTW, THE MUSIC SLAPS. BEST OST HANDS DOWN MIC DROP!!!!!!

(P.S. As an english literature major, I might have more insight on this but don't be afraid to disagree/agree in the comments)

I want to know how y'all felt and if you want to ask me something or debate this, you're free to do so. I hope I can create a save space for all types of convos about this show.

love,

~lovely References:

https://youtu.be/dRvgb_CB9Ss?si=rQGmpPAYL5XrDR1u https://youtu.be/LZ6szm2fmB4?si=k7l-OuE018PpctjM https://youtu.be/0nhTS9-P7eQ?si=MkMntcyQZTHPzgYZ https://youtu.be/l0-We7fyCaQ?si=aP-fhcWxSspphBT-https://youtu.be/sIJEQjMqiNA?si=xF8rt77LKAG0Kpp6 https://youtu.be/NtDGwZxQyio?si=ZTKq1E2VetcXkyis https://youtu.be/30zVFfziBuk?si=AQpE6cntutdQvBfz https://youtu.be/9Lro6HmaWiA?si=PxPq4U8s138nlHw4. https://youtu.be/W3cNewkYB8o?si=LsyGnzC3iaMpr7K1 https://youtu.be/nD9cNowdBQg?si=jxqwX1tmuunnZpHi

[krimiqueer]

My humble contribution to the trending of Spatort with, as usual, some Google Translate shenanigans.

[fluffs-n-stuffs]

Finally catching up on the Horizons episodes I missed 👍

[ty-bayonet-betteridge]

please exit your ableist harassment fandom right now

genuinely flabbergasted what fandom this could be about

[paintingpuff]

So with the terrible Minecraft movie trailer dropping,

I've seen a lot of people bringing up better stories in the world of Minecraft, like Story Mode or the books or the SMPs, but may I add another option that would be a way better use of your time and money than the Minecraft movie (esp cuz its free)?

Animation Vs. Minecraft

(Note: contains out of context spoilers for this series to give you a sneak peek of what's waiting for you)

There's a good chance you've seen the first video, since it's one of the most watched minecraft videos on youtube, made by the same guy who did Animation vs Animator.

But did you know that the stick figures pick the game back up and continue the series?

There are now three completed seasons packed with fun episodic content that naturally blossoms into a larger, engrossing story that amounts to /several hours of animated content/. It's got fun characters, gorgeous fight scenes, and even musical numbers, all told with next to no dialogue!

The whole thing is a love letter to Minecraft, with way more passion and knowledge of the game than WBS.

New episodes would show off the latest updates, like when the main characters explored the ancient cities and lush caves before they were officially released.

There are even homages to the Minecraft animation community, such as the episode featuring Monster School (my favorite part of this is the way they purposefully imitate the old janky animation in Herobrine's movements)

Not a fan of piglins always being villains? While there's certainly some bad piglins in this series (though I'd argue they're under duress), the main cast also befriends some, include this adorable piglin child.

Still not over Reuben's death from MSM? Well they've also got a pig (named Reuben by the community), and it both doesn't die, and occasionally does some badassery himself!

Speaking of the action, this series doesn't just reference minecraft's world and creatures: it expands on the mechanics and worldbuilding, creating avenues for some truly incredible action that can only be achieved within minecraft. It takes full advantage of the medium and world.

My personal favorite example of this is the team's expansion on the Lucky Blocks mod, exploring the idea of a "randomizer" power to its fullest extent.

The action scenes are the kind where you have to watch them five times over because each character is doing something completely unique and fun.

Here is all the episodes of season 1 compiled in one video to get you started, though there are also playlists out there:

All in all, this series is funny, gripping, and adorable, and is worth your attention far better than some corporate schlock.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[floorpancakes]

had some thoughts about my semi-oc ideas for the in universe parody of xxxholic (and a few other series) that one of the heart render protagonists will be into and i went back and forth on the hair situation w the doumeki expy (the douwata equivalent r yuri for funsies) and despite being a huge fan of mirroring imagery and giving every character from fictional media or OCs that one bob style i was like nah. yasuho would still have super short hair i can't imagine a super feminine doumeki expy even if the character would be a girl i also considered a himecut ojou type but i just wasn't feeling ANY resemblance at all and the whole point is i can riff and meme on some of that so why would i divert so far and yeah my tired brain was just like no 💛

[asha-mage]

🌶️

The MCU's Spiderman is not a poor execution of Peter Parker's character concept. He's not even poor execution of Miles Morales's character concept.

He is a poor execution of Terry McGinnis's character concept.

Peter Parker and Miles Morales both have so many fundamental pieces to their characters that are just missing for the MCU's Spiderman. Familiar names are floating around him- Aunt May, Mary Jane, Ganke Lee- but the fundamental ideas that make up Peter or Miles arcs just are not there. Themes like Miles's family expectations, Peter's constant money struggles, and the balancing act of doing good vs trying to live your own life are all absent. Even the idea of power and responsibility isn't properly introduced until the THIRD MOVIE when that really should been the central theme from the beginning.

Rather the MCU Spiderman has way more parallels with Terry McGinnis. Both are young hot shot teenagers who end up being taken under the wing of established and experienced hero who is on their way out. Both have complex relationships with their mentor which in a lot of ways serves as the driving force of their character arcs. Both gain high tech suits which enable their heroism. Both are viewed (or at least supposed to be viewed in MCU Peter's case) as heirs to the legacy of this hero.

It falls apart when you get into how they are different. While Uncle Ben is implied to have existed and be dead by the time MCU Peter is introduced in Civil War it's never actually confirmed and never properly comes up. Meanwhile the death of Terry's father is essentially the inciting incident of Batman Beyond: it's what motivates and drives Terry and the murder and it's fallout are the main focus of the first two episodes of Batman Beyond.

What's more MCU Peter's relationship to Tony is grounded in the fact that Tony just shows up one day and essentially taps him to join the Avengers. Bruce by contrast initially tosses Terry out on his ear, and when Terry turns up seeking justice for his father Bruce can't offer him anything but 'go ask the cops for help', and when that goes exactly as poorly as Terry said it would, Terry breaks into the manor steals the Batsuit and goes to stop Powers himself. Terry has active agency in his own choice to be a hero, which helps define his relationship with Bruce and to heroism. While MCU Peter was doing his own superheroics prior to Tony showing up in Civil War (not that he ever does much of that in future movies) his relationship to Tony is defined by Peter's dependence on him and his quest for Tony(/the Avengers)'s approval. And because they don't even bother name drop Uncle Ben or flashback to him, we're left with the impression that the main thing driving MCU Peter is that quest for approval. His motivations are never more complexly explored, and we don't even really see him just running around Queens stopping muggings or car crashes or anything that hints he enjoys or feels the need to actually help people.

And I think that gets into the final and most important difference between the two. Gotham not only needs Batman, it visibly and obviously and terribly needs Batman. Batman Beyond leans into this because decades without a Batman have left Gotham a cyperbunk dystopian hellscape. The city needs someone to stand up to the darkness, to be a symbol of hope, to be aspirational. Terry taking up that mantel means fighting supervillains, yes- but mostly it means doing what the original Batman did. Solving murders, stopping muggings, rescuing people from burning buildings or fighting off street gangs like the Jokerz.

But even in the earliest MCU movies, New York only needs superheroes when the current world ending threat shows up. Otherwise the city is all bright shinny clean streets filled with haplessly content citizens. This is the only reason that Vision's position of 'Our very strength invites challenge' in Civil War makes any sense- because the only purpose of these Superheroes is usually to fight a threat they where somehow responsible for creating. And this problem hits 'friendly neighborhood Spiderman' the hardest because he only has a responsibility to use his great power to solve problems, if their are problems in need of solving. Most of Peter Parker's (and Miles Morales's, Gwen Stacy's, or any other Spiderperson's) day is not fighting alien armies or netherworld gods. It's stopping break ins, rescuing people from car crashes, or dealing with other small scale local threats, that none the less benefit from someone with his abilities to make them better. Either New York in the MCU is an ideal utopian city where the police have everything handled apparently (which ha!) or Peter is apparently not interested in stopping bad things from happening. He spends so much of the first movie basically begging Tony to give him superhero things to do, not realizing that he could go outside and find people that need help on his own.

In conclusion MCU Peter Parker isn't 'regular Peter Parker but not an underdog', or even 'Miles Morales but white'. He's 'Terry McGinnis but without any agency in his own heroism'.

[griffonsgrove]

Hiiii!!! See your doing writing requests for Hazbin, Its my hyperfixation so I am in need of more content 👀 so I'd like to request maybe Vox general or NSFW headcanon ( either one is good lol-) with a afab reader maybe? This is my first time requesting something like this so sorry if I'm a little nervous or bad at requesting. I think this is how people are supposed to request? XD

General Dating Headcanons | Vox

a/n: You're totally alright dear! You said everything just fine! As I've stated before, I got early access to the first two episodes, and it's been so interesting to analyze vox's character! I hope I can do him justice!! He's starting to grow on me now. I'm gonna stick with a gn!reader just because these are general headcanons and I want them to be suited for anyone!

fandom: Hazbin Hotel

wordcount: 1299

cw: SPOILERS FOR HAZBIN HOTEL, swearing, vulgar content, stalking, death and mentions of death/murder., toxic/absuive relationships.

(PLATONIC):

Vox’s got eyes EVERYWHERE in hell. There is no escaping his line of sight unless you go completely off the grid. Which is pretty difficult to do when the entirety of pentagram city is covered head to toe in VoxTech.

However, if you don't pose a threat to him, he really doesn't give a shit about you otherwise, and won’t pay that much attention to your life.

When you first fell into hell, you were mostly confused as to how you wound up here in the first place. That quickly subsided into fear as you noticed the large variety of demons and sinners casually walking down the sidewalk like it was an average tuesday. 

You’ll never forget the sight of seeing a demon gnaw off the arm of another and swallow it whole, like it was an all-you-can-eat buffet. 

You wander aimlessly down the streets, keeping to yourself and being very cautious of those around you. Your clothes were in tatters, and you didn't have any form of money whatsoever, what were you to do??

You had two options: Somehow find a job in this new horrific realm, or, die.

You didn't care too much for the latter.

This is how you stumble across one of the largest studios/clubs in hell, owned by probably the most feared overlords in pentagram city. The V’s. 

You get hired to be nothing more than a waiter/waitress, to serve the patrons of the club, mostly serving them their drinks.

You weren't too fond of the work uniform either. It left nothing to the imagination, and exposed alot of skin, far too much to your liking. The job actually paid somewhat decently though and it was enough to be able to sustain a living. You were quick to rent out the nearest apartment.

One day, while you’re out on the main floor, making your rounds, your eyes briefly lock with the TV demon across a sea of sinners. Call it cheesy, but it was almost like a spark went off the moment he laid eyes on you. Which is something that doesn't happen often with the tech-savvy overlord. Who were you??

He lazily beckons you over with a claw, to which you obediently follow, although it doesn't hide the sheer nervousness written all over your face, He gives you his drink order in that sultry, velvet voice of his, eyeing you up. You gulp slightly and are quick to bring him his order. He thought you were so cute trembling for him.

He begins to stalk observe you closer after that. If you have any electronic devices he’ll watch you through your screens, trying to get a glimpse into what your life was like outside of work. The things you enjoyed doing in your free time, favorite shows, foods etc.

He def goes through your search history.

He would start showing up more in the sections you worked at, oftentimes minding his business, but occasionally striking up a conversation with you.

You did have to admit he was quite the charmer, his smooth voice was hypnotic to you.

OBSESSIVE TENDENCIES. If he notices some creep won't leave you alone while you're working, he’ll take care of them personally, it’s never a pretty sight afterwards. He cant have anyone taking what's his.

You're oblivious to his stalking and possessiveness, you don't think much of it, maybe that's because he puts on a friendly face when you’re around him.

But after some time of getting to know you, He’s the one that eventually asks you out on a “date”. You’re skeptical at first, but decide to accept his offer. And also partially because you were afraid of what would happen if you said no.

(ROMANTIC):

Ngl it’s kind of a situationship in the beginning.

Vox is a busy man, it’s constant work maintaining the studios (especially valentinos temper) and managing the entirety of hell's technology. So, he may ghost you at first.

That being said, He will still keep an eye on you. He often watches through your phone while you sleep, just to make sure you’re safe. Hell is a dangerous place after all.

Speaking of, you’re now under the protection of the V’s, so that’s a plus! You never have to worry about another demon laying a finger on you. They usually never get close enough to anyways.

He very easily gets jealous. He won't show it on the outside because he has an image to uphold, but you can tell every time from that crazed look in his eyes.

Vox is a possessive lover; he wants to keep you all to himself. If he could, he’d keep you locked up by his side all day.

CONTROLLING. He HAS to know where you’re at, at all times, and who you’re going to be with (lest you face one of his tantrums). Also dictates what you wear, He likes to dress you up to his liking, like you’re his own personal doll.

Insecure much?

Say goodbye to privacy btw. He constantly has you in the back of his mind and a watchful eye on you. It can be kind of suffocating at times. The two of you have gotten into a few arguments because of this.

Valentino gets jealous of you too. How dare you take his boy-toy away from him? He’s often giving you the stink eye and will threaten you behind vox’s back. You’re too scared to tell Vox, because you don't want to face Val’s wrath.

You know briefly of his and Val’s “relationship” it all had seemed very one-sided and completely unhealthy.

You're often having to calm Vox down. The man has a very short temper and is easily provoked. 

Imagine you pressing little kisses to his screen after he found out about Alastor’s return. He remains stoic, but secretly enjoys your affection.

Some of the pet names he loves to call you include; Doll, Dear, Darling, Sweetheart, Babe.

Pretty old-fashioned ik, but he's a classy man alright?

He tends to be pretty touchy, always having a clawed hand on the small of your back, or an arm wrapped around your waist. It’s more of a possessive trait of his, to keep what's his close.

He loves having you sprawled on his lap while he’s in his screen room, you stay nuzzled into his side, often taking naps while he does broadcasts.

He TOTALLY spoils you btw. He’s one of the most powerful overlords in hell, ofc he has the money to show it. Whatever dingy apartment you had before, forget about it bc this man has you living in a penthouse suite in one of the most expensive apartment buildings. He sees you looking at something in a store or online?? Boom, it’s yours now.

He loves buying you clothes, as I’ve said before, you're his “doll” and he loves playing dress up with you.

And if you buy him something?? He’s taken by surprise at first, he’s never really been on the receiving end of that affection, so whatever it is you give him he’ll cherish it.

If you ever have someone bothering you, or want to get rid of, you just say the word babe. He’ll be feeding them to his sharks >:)

The man is emotionally constipated, ok?? All he’s ever known from relationships is what he shared with Val (and trust me that was a train wreck). He’s rough around the edges, short-tempered and isn't always easy to get along with, and he’s incredibly possessive which can be suffocating to deal with at times. This probably stems from him not wanting to actually be alone, He doesn't want you to slip out of his grasp, so he keeps a tight leash on you. But underneath all these flaws, he really does love you and care about you. At the end of the day, He just wants someone that will stay.

[empty-movement]

GOGAI, GOGAI!!! COME GET UTENA KIBBLES

It's September 3rd. It's 1997. Princess Diana just died, and that's very important to lots of people. You, however, are chewing your nails to nubs waiting for the climax of Revolutionary Girl Utena's Black Rose Saga. It's going to air today.

But like any good fan, you're already one step ahead, because you've spent the last couple days thumbing through Animedia's September issue supplemental, the 100 page Duelist Bible. Strangely, it appears to be in English??? Wow! Thanks Nagumo for translating, Ayu Ohseki for Japanese editing, teasot for proofreading, and ME, FUCKIN' VANNA, for scanning and scanlating this massive booklet!

We've got duel summaries! We've got character design sheets! We've got a school directory! We've got THE DUEL RULES. We've got cast interviews! WE'VE GOT THAT CHU-CHU DOLL CRAFT GUIDE. Check it ALL out here, in the Something Eternal Bibliothèque! You can flip through it page by page here, or you'll also find on the page a link to a PDF version for your at home viewing/archiving needs!!

This gargantuan tome really gets it across that in 1997, you didn't have a fandom wiki or on demand viewing. If you didn't catch and record the episodes, a booklet like this becomes a critical tool for keeping track of everything that's happened up to now, and is also a way for the series creators to tap fans on the shoulder and draw attention to details they want seen but not explained in the show directly. For example, this drops at the close of the BRS, but points out Touga's sword isn't the same in Keiko's duel and in the opening sequence. A thing we don't see cashed in until MUCH later!

This has been a true and absurd labor of love on my part. I even rescanned the booklet from my originals because their quality (decades old lmao) was not worth scanlating. This took a ludicrous amount of time, and has been a main project of mine for over a year now!! I'm so happy to have gotten it done in time for the Something Eternal Watch-Along thread, and I really really hope everyone finds something cool and interesting about it! The really cool thing is this now completes the set of magazine supplementals by the big three magazines made for Utena during its run. We now have fully scanlated this, as well as Animage's June Utena Dossier, and Newtype's November Utena? (Oh My!) UTENA! Take a stroll through memory lane, be they yours or someone else's!

As always, if you like this kind of content, consider supporting us on Patreon! Especially right now, a holy grail acquisition is in the works that I will bleed to share with y'all. More on that later, lmao.

Revolutionize the World! Love, Vanna

[starlitrays]

SAFEHOUSE

starring. shouta aizawa x gn!reader

summary. what happens when pro hero eraserhead, also an old flame, shows up on your doorstep, beaten and bruised and a little bloody, telling you he needs your help?

content. use of 'y/n' and 'l/n' for last name, blood descriptions, patch up descriptions bc i have first aid, emt & basic life support training, reader's quirk is 'total immunity' meaning the only way they can die is of old age although idk how relevant it is, reader and aizawa used to be kinda together, 'who did this to you?' but reader says it

a/n. can you tell yet that i'm an oxford comma lover?? | also part 2?? maybe?

navigation – masterpost

You should've gone to sleep hours ago. But you kept telling yourself, one more episode, which had become the rest of the second season of a show you were starting to hyper fixate on. You had the next day off, and whenever you did, you had a tendency to be more lenient with your bedtime, even when you regretted it in the morning with more cups of caffeine than even you deemed healthy.

Blinking hurt a little bit, your eyes dry from having been glued to you laptop screen. Your fingers mindlessly floated over to the trackpad, and you tapped it, pausing the episode. With a heavy sigh, you tilted your neck to either side, effectively popping the bones.

When you felt a dry tickle in the back of your throat, you looked off into the dimly lit space of your bedroom. The only light was from your laptop and a bedside lamp on your nightstand. Without the sound effects and voices of the characters in your new show leaving your laptop speakers, your home felt extremely quiet.

That tickle again came back to irk you again, and you realised you needed water. Setting your laptop aside, you pushed the bunch of blankets that lay over your lap to the side, swinging your legs over and off your bed. You yawned, reaching for your phone on your nightstand.

You blinked a couple times as your eyes tried to adjust to staring into the brightest light source in the room. 2:38 AM. Shaking your head at yourself, you pushed yourself out of your bed.

Using your lockscreen as a flashlight, you opened your bedroom door, shining the light down the hall. It seemed dimmer when you used it like this. Still, you stepped out of your bedroom, venturing into the darkness. It was still your space, and you trusted that you wouldn't be jump scared by anything.

You walked down your hallway, glancing into your bathroom out of habit as you reached the main area. To your right was the entryway and living room, and to your left, the kitchen and dining area. In quick strides you made your way into your kitchen, opening the cupboard just to the left of your sink. You reach for a glass and pull it down, setting it on the counter with your hand still around it while your other hand reaches forward to the faucet handle, turning it to set the water as cold as possible.

As you fill your glass, you start to feel that something is off. The air is so still, almost to the point you think you can see the dust floating around in the dark. You look around, but end up shaking your head, chalking it up to being up too late. You look down and see the glass just over half full and call it good, bringing it up to your mouth. First, small sips of the cold liquid, and then a gulp of it down your throat.

”Better.” You mumble into the air, staring at the closed sheer curtains that hang over the window over your kitchen sink.

Then there's a knock at your front door. Well, it's not so much a knock and more so a bang-like sound. Several bangs, actually. It made you flinch– jump a little bit where you stood. You set your glass on the counter and just stared at the door, unsure of how to proceed.

You heard words through the door, although you couldn't make out what they were with the distance you had from the entry point. But something persuaded you to go over to your door. You reached for the handle, and then paused when you heard a sound. A groan.

”Who is it?” You asked through the door, your hand hovering just over the lock mechanism.

”It's shit-” The voice is strained, but you recognise it immediately. ”Shouta.” It's your ex. Sort of. There was history, but you didn't end on bad terms. you both just outgrew your relationship at the time. You still cared for him deeply though, and the next bit was a no brainer.

You unlock the door and pull it open, your eyes taking in the entirety of the man before you, who's leaning against the frame of the door with his free hand clutching at his side. You knew he was a hero, Eraserhead, and how he was dressed reflected that he had just been doing something related to hero work. His dark hair fell just past his shoulders, and he looked tired, the scars on his face emphasising the exhaustion. Although bigger than anything, you could see he was bleeding. The hand holding his side had blood all over it.

”Sorry (L/n), I didn't have anywhere else-” He groaned, and your eyes shot up from his injury to his eyes. Shouta took a step forward, and you instinctively reached for him, helping him stay upright. ”to go.” He managed out, and you nodded. You guided the man inside and against the nearest wall, shutting the door behind him.

”Stay here. I promise I'll be right back.” You tell him, letting go of him. Despite the late hour and the shock of it all, you still had a moment of thinking about his blood staining your furniture. Just before you turn down the hall, you pause. ”And Shouta? It's (Y/n), you know that.” He smiles at your words as you disappear down the hallway.

You're quick to walk to the hallway's linen closet, pulling out two bath towels you save for guests and a sheet set that you can easily replace. Gently kicking the closet's door shut with your foot, you make your way back to the main area of your home and start to lay the sheet set over one of your sofas, the towels going down shortly after.

Then you stand upright and guide Shouta, one arm around his upper back, over to the sofa to lay down. ”I got you.” You repeat to him a few times when he resists letting go of you as you try to lay him down. When you feel his body tense and relax and tense and relax as he lets go of you, you sigh.

”Thank you (L/n)- (Y/n).” Shouta corrects himself, short grunts leaving his lips as he tries to readjust to get comfortable.

”Don't thank me yet, you're still bleeding out.” You dry laugh, before looking around the open space. The time you spent with the underground hero years prior had taught you some things. For example, to be aware of your surroundings. You stood up straight and double checked all of the windows were locked, as well as the front door, and you only turned on one lamp in your living room.

You were about to head back down the hall for the bathroom when Shouta spoke again, making you stop in your tracks to listen to him. When you realised he was speaking quietly, probably to himself, you moved on, taking quick strides in your bathroom. Your hands moved quickly to light switch, flicking it on, and then to the cabinet under the sink, reaching for your intensive first aid kit or, you supposed it would be better classified as a basic life support kit. Another thing you'd learned, or adapted from, your time with Shouta in the past. As you got upright again, you looked at yourself in the mirror. All sleep had disappeared from your eyes, your breathing was laboured, and your hands were, surprising stable. You weren't sure when you picked up the ability to make your hands stop shaking but if you had to take a guess? He was in your living room right now.

When you kneeled on the rug beside the sofa Shouta was on, you tried to steady your breathing, although it was a little difficult with how worrying the entire situation was.

”What happened?” You asked as you began to open the medical kit, your eyes moving to his for just second.

Shouta chuckled, and as strained as it was, it was comforting. After all, at least he wasn't dead.

”Was the hero get-up not enough of an indicator?” He asks as you begin to remove his hands from his injury, instead opting to press some of the dressing from your medical kit to his wound. From the times you'd patched both Shouta and some of his associates up before, you'd worked as a well oiled machine together. This time was no different. Right as you lifted one hand from the dressing, he took over, using his own hand to press the dressing.

”You're gonna give me a better explanation in the morning.” You tell him sternly. A man, an old flame nonetheless, shows up your doorstep bloody and about to croak and you're supposed to not want to know what happened?

Shouta's eyes fell to you. You looked worried. Worried about him. ”Of course.” He mutters, moving slowly as he tries to help you by raising his body to help him get his shirt and scarf off him. He still keeps his mouth mostly closed, his teeth grit together as he breathes out between them.

You begin to pack the dressing with more once you see that he's starting to bleed through the first set, and you start to notice that you aren't crying. You aren't tearing up like you used to on the occasion Shouta got injured. Of course, you could feel the warmth of tears behind your eyes, threatening to attempt a fall, but you were focused. The only indication of possible tears was how you sniffled every couple of minutes.

Reaching into the medical supplies, you pick up and move around various items until you find it. The needle and sterilised sutures. With those ready to go, you got up again, running to your kitchen for any kind of alcohol you had on hand. The first bottle you found was of an older scotch. A good one. Regardless, you didn't think twice before bringing it back to the rug you sat on.

Shouta's eyes followed you around as you moved. He tried to mentally prepare himself for the pain the scotch would cause him.

”This is gonna hurt.” Shouta can only nod along with your words, shutting his eyes momentarily. He purses his lips together as he releases the dressing and you begin to pour the alcohol around and over his wound.

As you tilt the bottle upright, you go to set it back down but hesitate.

”You want a sip?” You ask, and Shouta's eyes open. ”This next part is gonna hurt too.” You gesture over to the stitching equipment you have.

He smiles. ”Sure.”

You smile back at him for just a moment, and then you bring the bottle up to his face and tilt it over, only pulling it back and setting it aside when he used his hand to push at your hand.

Your hands go for the needle and sutures, and you shake your head. A mental way of making sure you weren't sleepy anymore.

When you cut the end of the stitch, you and Shouta both sighed simultaneously, and then you took a sip of the scotch yourself.

Next was the bandages. You had several types, but ended up with two kinds in hand. The first was easy to press on, it was just a large sheet of gauze with something tape-like around it. The other kind started with a sticky end so it could be applied directly on the skin.

”Alright.” You mumble, partially to yourself, partially to nobody, and partially to Shouta as you stick one end of the second bandage to his bare torso and you start to pull it around him. Shouta again lifts his body to help you, and you wrap it around him twice, cutting it with some freedom to tuck and tie the ends until you were sure it would stay in place.

You sit back on the floor with your legs tucked to the side, leaning against your coffee table at the same time Shouta lets himself relax back into the sheet and towel covered cushions of your sofa.

Through your heavy breathing, with your eyes on Shotua, you find it in you somewhere to laugh a little bit.

”Did you want a shirt now?” You ask, already about to stand up.

Shouta looks at you a little bit confused. ”Not be rude (Y/n), but I don't think your shirts are gonna fit me.”

”No, Shouta of course not. But you never came back for your stuff.”

”You still have it?” He's a little... confused? Baffled maybe? It's been years, why would you still have his clothes? Whatever the emotion is, it shows on his face.

”Have you ever known me to get rid of anything comfortable?”

Of course. He chuckles, sucking in air through his teeth at the end, his hand instinctively coming to rest just over his injury.

”In that case, would you also grab me a pair of my sweats?” He asked, smiling up at you. You only nod before you disappear from his peripheral vision. Why did you guys stop seeing each other again?

”Are you alright?” You asked when you returned to him, shirt and pants folded neatly over each other in a pile. To most, that question in this context seemed odd. But in the moment, it made sense. Shouta blinks a few times in the dimly lit room.

”I will be. Do you have eyedr-” He stops speaking when his eyes flick to you and you're already holding the familiar bottle of eyedrops out to him. It's the brand he'd told you forever ago that he preferred, and it'd sat in your mini surgery kit ever since then.

”Come to my room after you change?” You mean it more as a direction, and Shouta nods a yes to you. ”If you need help, call.” You tell him before scurrying back off to your bedroom.

Your eyes scanned the room up and down, from left to right, picking up the little messes scattered about the space. First a couple of socks that were strewn about, moved to a hamper. Then your laptop, you shut it down and put it on its charger. Third, you went to your linen closet and grabbed a couple of extra pillows for the other side of your bed.

”(Y/n)?” Shouta called out, and you turned to the hallway, getting back to him quickly.

Without exchanging many words, you helped Shouta sit and stand up, looping your arm around his middle and his arm around your shoulder. The walk back to your room felt slower, but you were still considerate as you could be.

When you get into your room Shouta stopped walking for a moment, so you do too. He looks around the bedroom, and you look at him. He's not judging it, just observing it. After all, it's your private space, your territory. Just as soon as the man picked up his feet again, you moved with him, walking him over to the side of the bed you don't sleep on.

He starts to let go of you, sitting down on the mattress. Carefully, you let him lie down on his own, still standing just beside him, just in case.

”You should consider being a nurse.” Shouta tells you with a smile.

You half-smile at him, a small laugh escaping you. ”I've got my hands full enough with you, Eraserhead.” You emphasise his hero name, which makes the both of you chuckle. ”Especially if these visits are going to become a thing.”

Shouta almost rolled his eyes, instead opting to wave away your words with his hand. ”I'll try not to make them a habit.”

”Good.” You respond, with a smile on your face as you help him get comfortable with the blankets and comforter on your bed. ”You good?” He nods and you retire to your usual side of your bed.

”Shouta?” He's always liked the way his name sounds coming from you.

”Hm?”

”I was serious about that explanation in the morning.” You remind him, and he smiles, although you can't see it with how you're turned towards your nightstand at the moment.

”I'll make sure to leave a note.”

You turn your head to face him with a frown. ”A note? Absolutely not. Even if I didn't want the explanation I have to replace your bandages.” You scoff.

At first he doesn't say anything, he just smiles. ”I'm glad you were awake. I missed you.” He says, and you just look at him for a moment, a little stunned.

You wanted to say more, but instead only hummed in acknowledgment. There was so much to say, to talk about, but the adrenaline was wearing off, and you were getting increasingly more tired as the late night turned early morning wore on.

You watched Shouta turn over. ”Thank you again, (Y/n).” His voice is quieter, and you smile before turning off your bedside lamp and trying to get some sleep yourself.

@ STARLITRAYS : please do not translate or repost my works without my expressed consent and permission. please do not copy any of my works.

[werewolfaday]

Any good werewolf content? Like books or movies. I really love werewolves and I rarely see content of them online

oh gosh uh see i'm like in the same boat as you. it's very hard to find quality werewolf media that's not alpha male type smut or bad horror movies (though some of those are fun) or . teen wolf, which i have only watched a couple episodes of and cannot in good faith recommend

an american werewolf in london, ginger snaps, and dog soldiers are really good movies with very fun practical effects. one of my professors actually worked on the werewolves for dog soldiers! the howling is not a good movie but i kind of love it i can't lie. OH and you should watch the wolf man even though i don't love that movie; it's just really important to understand where the modern understanding of werewolves comes from! (edit: SOMEONE IN THE TAGS also mentioned van helsing and that movie sucks in such A Way but the werewolf designs ROCK!!!! all of the monster designs do. i have had a very specific vision of it where i make the main character a butch. maybe someday i'll draw that)

i have heard good things about the marvel miniseries werewolf by night but i haven't watched it. and if you do watch it pirate it bc fuck disney + marvel.

wolfwalkers is a really well-made and sweet animated movie i would solidly recommend to anyone. beautiful art style, great message, and a really fun interpretation of werewolves.

dungeon meshi has some fun lycanthrope stuff in some of the chapters!!

there's a comic i really love called "After Dark" (on Webtoon) and I have to admit I only have the time to see the creator's posts on instagram, which are snippets of the story. but I adore the art style and characters a lot. you can follow them on twitter here!

Night Class is another (mlm/werewolf) comic and I'll link its twitter here. Really dig the art style too!!

uhh but lemme recommend some of my favorite werewolf creators on tumblr too! because truly we are lacking in good lycan media and i would recommend more indie stuff to fill that niche in more interesting ways:

@gorgynei

@nataliedecorsair

@wolfskulljack-art

@senkkei

@piskikone

@kinerxy

@trashasaurusrex

@blackbackedjackal!

lastly i'm gonna link a pdf of my favorite medieval poem, Bisclavret!! it's about a king and his werewolf.

[raayllum]

Sometimes it hits just how tonally different The Dragon Prince is from virtually every other kids show on TV and I lose my mind. I'd argue something like Infinity Train gets closest with its emphasis on psychological horror and morality, or even Transformers: Prime (if you know, you know) with its severe focus on war (aka one of the more lowkey episodes is a main character having a suicide bomb forcibly strapped to their chest). Steven Universe Future and Jurassic World: Camp Cretaeceous/Chaos Theory are also probably honourable mentions.

All of these shows have mature content in them, which isn't different from more popular shows like Owl House, She-Ra, or even ATLA, but often times in aforementioned three that content is presented in lighter ways and/or interrupted by bathos (this is true for She-Ra in particular). Most of TOH's heaviness is reserved for S2 Hunter or S3 Luz; ATLA has some episodes that particularly emotionally heavy (The Southern Raiders, Zuko Alone, the Southern Air Temple) or are quite hitting in exploring themes of colonization (Imprisoned, City of Walls and Secrets, Northern Air Temple), but a good deal, I'd say even the majority, are also pretty fun shenanigans, too. To be clear as well, a lighter tone is not a Problem never mind a negative (ATLA has a very strong thematic point to its own about the sanctity of children and childhood amid the horrors of how imperialism strips it away), but it is a tonal difference.

And it's not as though TDP doesn't have episodes where there are fun shenanigans (Callum and Rayla's initial exploration of Xadia in 3x02 is nothing but fluff, Soren and Corvus are a more gay comedic duo in 6x02) but the series more or less operates like "What if every episode was The Southern Raiders?" due to its consistent emphasis on grief and morality. They use words like kill and death and murder all the time.

From the pilot / opening episodes

and to when characters are having breakdowns because they murdered someone (and we're still supposed to like them) or have done horrible things, with the show's heaviness ramping up particularly from S4 onwards.

When loved ones die (and the show has a body count of 20+ named characters who have died, six seasons in, some even being children) the show depicts mourning in all its stages and ugly glory. The sadness, the anger, the revenge, the desperation, shifting blame and cognitive dissonances, thinking you had moved on only for that wound (which never fully healed) to be ripped wide open again.

Characters get tortured by being electrocuted or having their blood frozen in their veins or beaten up (5x08). There are successful assassination attempts (1x03, 3x02). People, even children younger than the main cast of characters, are put on trial with the death penalty (4x06, 6x09). Within the first three episodes, a character is running down stairs and tripping over dead bodies.

Sometimes three different characters in one episode will be having a breakdown or dealing with something absolutely devastating to their emotional state (2x08, 3x07, 6x01, 6x09, 7x01). The magic system is a trolley problem on steroids. Do you kill a monster to feed starving kingdoms, or to save yourself, or to save someone you love? What makes it a monster? What if the monster isn't a monster? What if you have to kill a child? What if it means killing your child? What if it means killing yourself?

There are two characters who canonically have cannibalized other people, one being a blood-drinker / vampire variant.

This doesn't mean the show isn't fun or funny. One character consistently thinks bathroom humour is funny (while being one of the most tragic characters in the entire show). The characters cheer each other up, take care of each other, are goofy, etc. The show is ultimately hopeful.

But the emotional weight afforded to the choices the characters are making, even good-intentioned ones with unforeseen disastrous consequences, the way show focuses on their emotional processing (or lack of) is very unique in the landscape of western animation, especially to this degree, I think. Never mind the increasing amounts of blood. Nor does this make the show inappropriate for children! Tiny me was morbid as fuck at 7 years old, I would've loved it, and I know many kids from ages 7-12 who do in my work as a tutor. But when people say "TDP isn't like most kids shows," I think what that means is sometimes lost in translation in conflating it with what people usually say aren't 'just kids shows,' when TDP... really, really isn't.

The show begins with assassins sent by a grieving mother to execute a father and his child in revenge for the father killing her partner and child, and it never lets you forget it.

[fixyourwritinghabits]

No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[yuurei20]

Im hoping if we get a third lost in the book event it’s Winnie the Pooh, just a wholesome little event with a bunch of Winnie the Pooh characters. I’ll also settle for The mouse detective or Toy Story. What lost in the book event would you like?

Hello hello! ^^ Thank you for this question!

Those are wonderful ideas for future Lost in the Book events!! I agree that Winnie the Pooh would also be lovely! Vil's VA Aiba Hiroki has an interview in the fanbook mentioning that he loves Winnie the Pooh and I am sure that Vil maybe being in a Pooh-event would make him happy ^^

During the Halloween livestream Jamil's VA Futaba, when asked what Disney World he would like to be transported to, answered Winnie the Pooh!

(He did not add "-san" to Pooh's name when speaking and the rest of the show was the other VAs teasing him by calling him "Pooh" it was so funny ww)

As for other maybe-ideas, Yana describes her four favorite Disney movies in the first volume of the Magical Archives Game Guide:

Lilo and Stitch. The story of a bratty alien who meets a girl and discovers what a real family is. It's a science fiction-like story with lots of different aliens, but they are all very human and try their best every day, which makes me want to hug them all. And Stitch is too cute. My favorite character is Stitch. I watch the Nightmare Before Christmas on Halloween or Christmas every year. Tim Burton's films have influenced me a lot. I always fall in love with his stylization and ability to portray sinister motifs in a charming way! The main character, Jack—his energy is infectious. My favorite character is Dr. Finkelstein. Treasure Planet was the catalyst that started me watching a lot of Disney films: I saw it casually in the theater when I was 18, and immediately afterwards started drawing and submitting manga to publishers. The main character, Jim, was a very realistic teenager, and I felt really empowered by how hard he worked. The characters are all quirky and selfish. But that's what makes them so appealing. The main character and the villain are not entirely good, but they are not all bad, either. That is one of the films that had a particularly strong influence on me when I was working on Twisted Wonderland. My favorite character is Jim. Beauty and the Beast is the film that had the greatest influence on me when I was young and still trying to find myself. The ruined castle, the inhuman prince and his servants, the wise and strong heroine, the undaunted villain...I love all the different elements, too much. My favorite characters are Mrs. Potts and Chip. -Toboso Yana (Magical Archives Game Guide (2020))

We cannot be sure how much of the game's content is being decided by Yana on her own vs. how much is being requested of her by Disney (on an episode of Twisted Radio Station a producer said that they had wanted to do a Stitch event from before the game even launched), but it is interesting that the only two Lost in the Book series events we've seen were both from her top four list 👀

And both events sound very fun! ^^ A Twst Beauty and the Beast that is maybe also a hometown event for Vargas? Silver and Lilia in an event about a struggling teenager and the ship's cook who is both his secretive father figure and not what he seems? So interesting~♪