#they're both very different

[not-poignant]

hello pia! feel free to delete this if it’s too personal but i’d love to hear about your degree, what you learned from it, and how you think it has informed the way you write (whether it has or hasn’t!). i’m studying for a different degree, still humanities, but i’d love to hear about your degree since i.. well when i was in hs i didn’t know that it was an option. also if the above is too personal, please recommend some texts to learn abt mass comms .. thank you!

Hi anon,

I did my degree/s (Media Studies + Mass Communications majors, Scriptwriting (Drama, Film, Short Film) + Creative Writing (Poetry, Short Story, Literature, SFF) minors) back in 1999, so honestly, some of the information I learned then is out of date, and you're definitely better off looking at a university curriculum now for decent texts on mass communications. Even the Masters I did over 10 years ago, lol. I am an old.

You have to understand when I was in university for Mass Comm, the internet as we know it, and social media, literally didn't exist. And though 'Rupert Murdoch still owns a ton of Telcos' is still true, things like Wikipedia didn't exist, lol. The 'please don't use Wikipedia as a reference' didn't exist as a sentence, because Wikipedia just...didn't exist.

The media landscape has changed.

I've kept up with aspects of media studies that interest me (representations of mental health in the media, for example), but since the university texts still often cost hundreds of dollars, I can't get a ton of them every year and read them. You might be surprised what you can find in university bookstores in the clearance section, because books aren't in the curriculum anymore but are still likely to be 15 years more up-to-date than what I was taught with, lol.

I don't really know how to answer your specific questions though. There were a lot of different units within the degree, so I learned a lot from it, I don't know how to condense that down.

Probably the most important things I took with me are that media (fiction) does not have a 1:1 correlation with reality, and that we are not all mindless vessels with an inability to negotiate the media we watch (otherwise we'd buy everything in advertising ever), people who believe 'high art' is better than 'low art' are elitist ignorant dicks who don't actually understand art at all (if you've ever disparaged reality TV or soap operas, you are in this category, with soap operas giving you a side order of heavy misogyny to boot), media literacy is crucial and needs to be taught and prioritised on par (if not higher than) english fiction literacy (kids engage in more media than books, they should have more media literacy than book literacy), and that it's always important to know the politics and values of the people who own the news media you're watching (and that almost all news media is homogenised).

The biggest gift it gave me was to entirely remove my shame over watching or consuming any kind of media. I don't know what a guilty pleasure is, because guilty pleasures are a sign that you have some more work to do on unpacking your issues (often internalised misogyny believe it or not) over watching certain shows or listening to certain music etc. and finding joy in it. I feel NO shame in anything I watch, rewatch, love, get the most out of. Anon, I have done assignments on Big Brother and gotten high distinction/s for it. I've watched Misfits and gotten high distinction/s for it. I'm in the Golden Key Society because I watched a lot of Studio Ghibli and a lot of romcoms. Media studies does what creative writing doesn't - unpacks all your shame over enjoying different genres (sadly creative writing teaches a lot of that shame and can genre shame as well, it's extraordinarily outdated in many curriculums in that way).

It is so liberating to just watch whatever the fuck I want, and listen to whatever music I want, and not give a shit whoever knows I watch or listen to it. Like, I just... literally who cares. It's all art. It all means something and then I get to choose its further meaning. I get to decide what media I won't consume and why (usually around the politics and actions of the creator/s or actor/s, JKR can go to hell, or just not liking the show - I also feel no shame not liking things that everyone else likes), but it's never a choice based in shame or guilt. It is...truly, such a wonderful feeling when you realise there's literally no reason on this earth to have a guilty pleasure if you can think for yourself and understand why you've been conditioned to feel 'ashamed' for watching certain genres (surprise, it's usually racism or xenophobia or misogyny!)

Like, I did a unit called Psychology, Psychoanalysis and Cinema (Psych Psych and Cinema as we called it), which was a tremendous amount of fun and let me know that psychology is literally in everything but that representations of psychology in literally everything tends to be not great lmao. I did a unit called Postmodern Wetlands which literally analysed the relationship between swamp representation in mass media (particular horror films as relating to the monstrous feminine) and what that means for environmentalism which changed my entire relationship to my body and the environment permanently. Idk how to describe that unit to anyone who hasn't taken it, but it was literally life-changing, lol.

It definitely influences my writing style, partly because I write serials based off of like... scriptwriting techniques I was taught for television drama back then. In terms of how media studies influences it - well mass communications probably not so much, and then media studies a whole lot, lol. (Mass Comm =/= Media Studies. One focuses on telecommunications/telcos/ISP providers/internet cables even, politics and the vehicles with which we spread mass media, the second one focuses more on the analysis of the products/works/pieces of art that end up on that mass media. One is a lot more discussion of 'which television stations do China / Fairfax / Murdoch own' or 'how are those internet sea cables going and how's the terrorism around that?' vs. 'what messages does the TV on each of these stations send').

But media studies influences my writing a ton, but I couldn't tell you how anon, aside from those two units I specifically mention above lol. Oh and the fact that we had to take a mandatory philosophy unit called Critical Thinking, which should be mandatory for every degree. That definitely taught me how to think critically, which...a lot of people don't know how to do! I probably couldn't even tell you the rest of how it influenced me, if you asked me 2 decades ago when I was actively studying it. I'd like to think it just makes me a more nuanced writer, and absolutely Teflon when it comes to fanpol / antis / anti-shippers, lol. But who knows!

I still think looking at current university curriculums for Media Studies (also known as Media Analysis in some other countries) is probably the best place to find recs. But you can also check out the books on media in my Goodreads list and go by star rating.

[notbecauseofvictories]

I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"

Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.

............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.

[wardingshout]

Zelda goes mushroom girl

[batty-pham]

Trans Danny Fenton?

Amazing. Yes.

Twin Damian and Danny.

Beautiful. Wonderful.

Imagine with me for a second.

Damian is finally reunited with his long lost twin, he is angry to hide how relieved he is that he is no longer the only blood child anymore.

Elle is just really confused why Robin clocked her as a clone, then changed his mind and decided to hug her while crying. This was not what she was expecting was going to happen when she ventured into Gotham.

[boxfullaturtles]

03 Don adopting the Rise kids in any form immediately wins me over. Dragon in the Woods just took that concept and stabbed me three dozen times in the heart by throwing in a dash of Empathy is Learned and mind melding across the universes. How dare you.

Don't even LOOK at Dawn's kids or he'll stomp you to death.

anyway brb I gotta go cry about turtles

[levemetal]

Ye old Shen twins au where they both become peak lords EXCEPT. Instead of making them twin peak lords or something, we pretend the evidence that the beast peak does likely not exist is lies, and Shen Yuan gets to become peak lord of the beast peak. Why? Because he would LOVE IT there. It's his territory. He gets to be unapologetically nerdy about beasts 24/7 and make it everyone's problem.

As he should.

And bonus! He can snatch LBH at the disciple hole digging. Plot solved! (Assuming the system wouldn't you know. Pull system stuff and force LBH to end up on Qing Jing or some shit.)

And everyone lived happily ever after or some bullshit idk. I reread the 79 extras as well as the TLJ & ZZL ones let me have fluffy AU thoughts goddamnit, my heart has been irreparably damaged-

[copia]

the way frater imperator's alexander mcqueen drip has a similar-ish shape to the cardinal jacket has me emotional it has to be said

[a-most-beloved-fool]

It's a little amusing just how similar Spock's and Garak's patterns of speech are. They're not identical, of course, and they emphasize things very differently, but they do for sure say the same type of shit sometimes. Are you an EDUCATED HOMOSEXUAL with a FACADE? Try using LARGE WORDS and DOUBLE NEGATIVES today!

[sexybritishllama]

i find it so strange when people act as though the japanese ffxiv script is the only canon allowed. like yes it's a japanese game but a LOT of work is put into the localisations? it’s hardly some random fan translation people are putting stock in?

anyway i don’t care if it’s just a reference to monkey island the translators put in im going to accept that thancred can hold his breath for 10 minutes (or that he’s just exaggerating for dramatic effect)

[thebatcreature]

Golden Retriever puppy vs Chihuahua puppy

[caramelldansenu]

[dreamsrunfaster]

james t. kirk, tarsus survivor, whenever someone needs help and support: we should get hotdogs. in fact we should get two hotdogs. i’m going to get cookies. we’re going to split the cookie.

[shimmershy]

Buttercups and Golden Flowers

[giotanner]

Simon "Ghost" Riley is not having a good day (someone called him old man)

[silusvesuius]

testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags

[deadtwinksdetectiveagency]

Edwin and my take on f!Edwin, to go along with Charles and Charlotte :)