#they really do have such a good cast
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beatcroc · 2 years ago
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there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y
hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]
#ramble after realtags yeag. shoutout to serrangelic btw suggesting the silhouettes thing bc i would have Died otherwise#pizza tower#peppino spaghetti#fake peppino#gustavo and brick#arting#pizzaposting#so anyway i think fake peppino has like. a general awareness that he is supposed to Be Peppino and that he was Made to do that#and likewise he does generally try to...do that. the thing he does NOT realize is hes like really goddamn bad at it#not to be mean but like...c'mon. they are pretty distinctly different kinds of guys even beyond the physiology yknow.#he's neither on-brand nor fooling anyone dsjdsjjkgfsd. BUT!#since the rest of the cast generally likes him [at least as I play it] he thinks hes doing just fine#he's like 'oh they r happy with me so i must be getting a good grade in being peppino :)'#so getting told that 'yeah you actually really suck at that but that was never the reason people liked you'#and told that by og model peppino no less--yknow THE guy he's supposed to be living up to#who's already a bit intimidating for that and who ALSO totally wrecked him TWICE in the tower#making him acutely familiar with just how formidable the guy is and how much there IS to live up to....#it's a Moment for sure. not really a sad or hurt one though. just... contemplative.#thinking abt people liking him for being the guy he's already naturally been being even though that guy is Not Peppino#i don't think he's gonna be super broken up about realizing he has a bad grade in peppino given everything else hes got now#nor do i really think he cares enough to go like reinvent himself or whatever after the fact#he seems to b pretty clearly having fun with it already so i think he just keeps doing that#and in some cases he still has the pre-installed peppino traits/instincts like to cooka da pizza. and that's fine#is this projection. yes. but if youve been following me awhile you know most of my character writing is ghdhfdgf#gonna kinda expand on all this in the gerome one which is...one after next. itll be a bit but man.#anyway peppino will never admit to anyone and especially not himself that he's gotten a little attached to the guy. hee hoo#pep tends to be kinda surly but he certainly has his ways of showing he cares. all of which are on display here#''that thing is not my son'' says man currently watching thing's antics with the 'bemused dad' arms crossed pose. yeah ok buddy.#gus is totally onto him already but hes not gonna say anything.#if u read all this ur prize is not having to go decode fp's rot13. his lines are ''meant to be you...?'' and ''wrong question.''
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a2zillustration · 7 months ago
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We lived.
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[[ All Croissant Adventures (chronological, desktop) ]]
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bonefall · 5 months ago
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Do you think the clan cats having less kits per litter/less litters in general (they already have less kits than real cats) would fix the bloated cast issue? Because I look at Ginga and the cast is also bloated and only a few characters have offspring but the author keeps making other dogs join Ohu and refuses to kill the old as fuck dogs
I don't think there's any one particular "solution" for stopping bloat in series that manage large casts through generations like Ginga or WC, it's actually a few things
The #1 MOST important thing I think about bloat, though, is that it's about a ratio of quality to quantity. NOT raw size.
A long while back I made a couple of allegiance lists for certain eras. In spite of my Clans having the same (or even higher!) population as canon, I NEVER struggled with those lists being bloated. If anything, sometimes if a Clan's below 30, they look too small.
(I'm sure you can find those lists if you look, they're probably tagged BB!Allegiance, but they might be a bit out of date)
That's because in BB, there's dozens of HUGE cultural additions to Clan life. In "administration," alone, there's 3 new major divisions of skills (hunting, cooking, construction) ALL with their own "head" of that patrol, plus canon's leader, deputy, and Cleric. Not to mention subtitles like the Educator and maybe a Chaperone/Permaqueen!
So to bring it back to that "Ratio Theory," If our Clan is 30 cats, those 8 major roles immediately give at least a slight amount of character to a little over 25% of our group, with each role being something that the other 75% of cats can desire and compete for.
Canon's measly 3 is 10%, and you can ONLY vy for deputyship if you want any power. There's nothing else to BE ambitious about.
You can make the ratio higher by having hobbies, drama, skills, arts, etc. Basically; characterize background characters! Which should be obvious!! Give them traits that are useful and interesting and show the community being valuable.
It won't feel like "bloat," it has the sense of communities living their lives. Even if they go quiet for a while, when they return (just look at how much people like seeing Sedgecreek or Hallowflight mentioned lmao) it feels like meeting an old friend again.
WAYS TO MAKE BLOAT FEEL WORSE;
Giving too many "opportunities" to old characters.
Think of every relevant role a cat gets as a meal, and the bigger the role the more they've eaten. If you're only giving value to your old fanfavs, you're not doing much for them because they're already full while the rest of your cast starves.
Haphazardly killing off characters.
I actually strongly resent the "trend" where people conflate good storytelling with an author's willingness to suddenly kill characters off. I think it comes from the same place as needing to "outsmart" your audience.
If you kill off a character with VALUE, an unfinished arc, interesting connections, it's just unsatisfying. The Erins have this problem of killing background characters with some established lore or value (like Harelight and Briarlight) while leaving uninteresting background nobodies behind that they never build back up.
Before killing a character, ask yourself what their role in the cast is, and their dynamic with others. Try not to axe them without a plan to fill that "role" and/or comment on their absence. Replace what you take.
EASY REPLACABILITY
This one is HUGE, this is why Ginga is so bad with this. If a bunch of dogs die, 100 random soldiers can replace them from somewhere. That is REALLY bad, because all the random influxes of new characters do not have a chance to replace what was lost.
It also makes death feel cheaper. Oh no! Background dog 7446 got eaten by the newest type of bear. This won't make battles harder to win or cause us to lose any valuable skills though. Also a new dog just walked in from offscreen.
Population Growth outpaces Death Rate
AKA your cast is growing too fast and you're not getting rid of old characters. This is what anon was asking about-- and it CAN help to make births less frequent and litters smaller. Make sure to pair with preventing lots of new, adult characters to casually wander in, too.
ALL of these tips have exceptions and places where they can (and should) be subverted and broken. But these are just things I think about
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ratislatis · 9 months ago
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I'll find you. Wait for me.
hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!
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celtrist · 27 days ago
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I really want to see a more fucked up version of Charlie in canon. Like, okay, I am a die-hard for sweet bubbly girls in media. But I always see how some people make Charlie actually, oh I dunno... demonic? And it's so refreshing for her type of character. I could honestly see her having low empathy (and we kinda see this with how she handled Angel's situation or even Vaggie's nervousness about taking control on an activity). An exploration of that trait (if it was intended) would be interesting to see for a protagonist, especially when her main goal is about helping others. I would love to see her actually have a level of difficulty in understanding others' feelings from the other residents, sinners, and even her father.
But give her a fucked up side. Not a "she gets more power when she's angey uwu", but a "oh, she's a little fucked in the head". It would give so much to her character that she just doesn't have.
@/murmurmurena (don't wanna bother them so slash there we go) has some fun ideas with Charlie. I highly encourage people to check their stuff out! So many fun dark ideas with her character while also still keeping to her canon personality pretty well! Personally, I think Charlie being a bit more naive to her own messed up traits would work best but her also being aware of these traits can make for some interesting character for her.
THIS FIC, "A Game Between You and I". RIGHT HERE WITH THE FIRST CHAPTER. A bit of spoil for the fic here: but I love how they handled Charlie’s absolute ignorance as to why the idea of Russian roulette is horrifying to Angel Dust. It doesn't feel like her being intentionally malicious or aware that she's the odd man out here. This is also a pretty old fic going by only the pilot, but the point still stands that it was such a fun take for her character!
Charlie is one of my favorite characters in the show in part of the POTENTIAL she could have as being the most bubbly sweetheart character while also being the most messed up character in the show. I can't say I have strong confidence with the show's writing and fully expect them to stick with Charlie being the "nice girl but oh no, don't get her angry or she gets scarwy". Which isn't bad for a character mind you, there's just so much more potential to Charlie outside of that trope, especially when you get into the theories of her either being a doll, Roo's biological daughter, or what have you. And for the MAIN CHARACTER of the show, it would be not only interesting but also bring the spotlight back to her.
There's really no question that the side characters steal the show, particularly all the male characters. If I'm honest, Charlie does not feel like she gets a lot of love from the show itself when she's supposed to be the main character. She feels far more flat compared to the rest of the characters (again, the male cast in this "female-lead" show has more depth than most of the female cast currently. I wouldn't be pointing this tidbit concerning the genders of characters if it weren't for the fact Viv defended Helluva's lack of development with their female cast by saying "Hazbin is a female-lead show and Helluva is a male-lead" and Hazbin ended up with it not feeling female lead (to me) and the male cast just completely stealing the show. I don't normally care about gender stuff, especially since I do personally lean interest towards male characters. But using one show as a defense for poor development of the female characters, and then that show not really holding up with no very interesting well-developed feeling female characters irritates me. It's just very clear that these shows don't seem to care much about the female cast :/)
If you like how Charlie is written that's totally fine. PERSONALLY, I just think they're missing so much opportunity with her character by just making her the standard female character type. I honestly don't have a lot of faith they'll actually do something with Charlie's character though. She's a pretty static character in S1 being the same from start to end. Not changing or learning anything to create any development. What does the end of season Charlie do that start of season Charlie wouldn't do? Fight back? Because we see with the pilot (which is the “first episode”) that Charlie does fight people if pushed like with Katie Killjoy and even Valentino. Static characters can work in media depending on the show or their role. But Charlie is the MC of a show about “bettering one's self”. So to have her as a static with not a lot of strong dilemmas for herself (like we see with Angel Husk Al and even Vox) seems silly. Plus, considering Hazbin is telling a whole story and it's not a fun episodic thing, characters are expected to grow on some level. Or else, what was the point of their hero's journey?
#I honestly have a lot of problems with Hazbin's storytelling#That the limited time of doing plot doesn't even help it and shouldn't be used to shield the show from criticisms#Especially when you can find the same issues in Helluva Boss that has no excuse with the writing (though it's getting a bit better)#I love this show but goodness gracious it makes me have a tangent about it#Charlie's unimpactful character writing just being one of MANY issues#Hopefully the crew take all the criticisms into account for S3#S2 if possible would be nice but they probably had it all scripted by the time S1 was airing.#No shame on the female cast either they're fine. But when you compare them to the given depth of characters like Angel Husk Alastor and Vox#They're pretty lackluster. Vaggie's probably the closest to a female character with a lot of layers we've seen in the show#And she wasn't done very well with being essentially just “Charlie's GF” with not much identity outside of that explored much#Some of this may be more personal takes but it's frustrating. Again I don't normally care about gender stuff in media#It was just the excuse to Millie and Loona lacking development that bothers me#Like Hazbin is supposed to make up Helluva's poor writing of their main female leads#Loona got a bit of love with the Bee ep and Verosika and Octavia are pretty good. Particularly V with her relationship with Blitz#Whenever I start talking about aspects of Hazbin's writing I always end up ranting a bit (⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄#Celtrist#cel rambles#hazbin hotel#hazbin hotel charlie#charlie morningstar#hazbin critique#hazbin criticism#hazbin critical#hazbin hotel critical#hazbin hotel criticism#hazbin hotel critique#hazbin hotel rant#You can really love something and still be critical with it#I do it out of love I swear#You're not in the Sonic fandom for like 22 yrs and don't learn to be critical of the media you enjoy lol
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bixels · 6 months ago
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What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
#i was a diehard pharmercy shipper back then btw#the inherent homoerotic experience of pharmercy gameplay.#the homoerotic experience of looking to the skies to fly to safety under the protection of your knight in shining armor#the homoerotic experience of feeling white hot murderous rage at an enemy trying to pick off your pocket mercy#i still kinda despise gency lmao. you cannot convince me mercy would be in love with genji. at all.#he'd make her feel so uncomfortable and guilty. in my head. the canon is obviously different#gency is sexless. absolutely zero bite or tension.#i could go on about mercy and how her character has so much missed potential#i'm no longer in my overwatch fandom phase but#i still think about that new flirty line they added in ow2 where mercy goes “ahh you're like my knight in shining armor!”#and pharah goes “that's what i'm goin for ;)” and i sigh dreamily#really happy that pharah outright says she's a lesbian too but it's hard to feel good about rep when you know blizzard uses it for pr#to be honest i'm willing to bet cash that blizzard's keeping pharmercy in their back pocket as ammo for the next controversy#last year we already saw logs about pharah fretting and taking care of mercy and the two talking about how good it is to see each other#tbh pharah has the same energy/demeanor as applejack. cheerful and competitive in a can of whoopass#but yeah overall pharah's a pretty shallow character. i have IDEAS on how i'd go about deepening her but. whatever#that's sorta what happens when you have to juggle a cast of 40 characters. a lot get left with the bare minimum#ok so i wrote this entire post up saying that pharah isn't in ow2's storymode when she is. she's in the story i just. forgot#because she doesn't do or contribute anything interesting#ok i'm stopping here. overwatch's story is such an interesting narrative mess i could go on for hours#i dunno how you come up with such incredible character designs and give them such an unincredible story#it's also so so so interesting seeing the conflicting takes on characters the writers have#mercy in gameplay and voicelines is peppy and cheerful and optimistic#but mercy in the storymode journal logs is tired. jaded. a total shut in who forgets to leave her room and social#and YES! THAT'S WHAT I WANT!!! THAT'S MERCY TO ME!!! THE DOCTOR WHO FORGETS TO TAKE CARE OF HERSELF#ask me#anon
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aroaceleovaldez · 4 months ago
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they cast a 28 year old for Tyson 💀
[relevant rants: here and here]
yeah, i saw - i wasn't holding onto hope of them casting a disabled actor for Tyson (still disappointed, just not surprised) but casting a 28 year old for a middle schooler is really out of left field. It's just an odd choice? Particularly given how much they've been emphasizing age-accurate casting so far.
It makes me really wonder what major rewrites they have planned for Tyson's character. Because as things stand currently there's no way to make Tyson's existing character work with this casting. Tyson is supposed to be in Percy's grade, but Daniel Diemer sticks out like a sore thumb against the child actors. Tyson being in Percy's grade is pretty important for the entire arc of Sea of Monsters with the main character arc being Percy combating internalized ableism and establishing him as a character who stands up for other marginalized kids. If they remove that, what's Percy's arc going to be for that entire season? At what point are they going to establish that about his character? Or are they just going to exposition it at us like usual with nothing backing it up and no actual character progression? And in later seasons the age gap is only going to be more prominent - like how is Tyson going to work in BoTL or TLO? Are they planning on removing his character entirely for those scenes? Are they going to remove him as a recurring character in general? It'd be really weird if they killed him off or something.
I'm also afraid for if they do try to keep Tyson's disability coding in some form - cause there's kind of no good way it can go at this point. Either they completely erase Tyson's coding because they cast an abled actor for him and that messes up the entire arc of the book and his character particularly in relation to Percy, or they have an abled actor attempt to portray a character heavily coded as having down syndrome (and i believe they're already doing similar with iirc Chiron's actor is abled but they're doubling-down in the show on Chiron being disabled) and given how they've written the neurodivergence themes (or absence there of) in the show so far there's just no way that'd end well. Like, Tyson's characterization is a little questionable to begin with in the books, but given the show's writing so far it just feels like we're very rapidly ramping up for an extremely ableist characterization of Tyson. Like i'm sure Daniel Diemer is a great actor, but... i'm just getting real tired of the show erasing the entire premise of the series :T
anyways as per my initial post about pjo tv tyson casting theories i guess it's time for me to start tearing stuff apart with my teeth ¯\_(ツ)_/¯
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aru-art · 5 months ago
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wouldn't you like a taste of the power?
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squeakadeeks · 5 months ago
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YES oh my god finally here are all the main players for Stitch in the Ditch, team homespun (Singer, Pupet, Altan), team bespoke (Seam, Husqvarna, Stitch) and the actual antagonist, Brother and the oose. Some of these characters i wrote over a year ago but just now got to designing 💦
connecting them together, Singer is pupet's mom and the former greatest stitch witch of her age, Pupet is the main protagonist repairing the rips in the patwork world, Altan is their guide between the quilt patches, Stitch and Seam are ball jointed doll brother and sister and work for Husqvarna, Husqvarna is Singer's ex-wife and is trying to collect and tidy the scraps of the patchwork world, and Brother is the most powerful stitch witch of all time, hes the one responsible for the fraying after trying to make his own kingdom and the one who created Stitch and Seam. the monsters are called oose and are living thread/lint from the unraveling.
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oneraintorulethemall · 3 months ago
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I've been brainstorming a LOTR marathon party with meals... here's the food and drink I've spotted so far that I'm keeping in mind (time stamps included):
0:09- Pastries (Hobbits’ only real compassion is for food).
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0:17-0:19- Tea, cheese, jam, sponge cake, and…. I can make you some eggs if you’d like!
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0:20 A night to remember, a cake to remember!
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0:45- If I take one more step….. I’ll be the furthest from hungry I’ve ever been. (First breakfast?)
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0:52-0:53 Carrots, cabbages, potatoes, and a shortcut to mushrooms.
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1:00 IT COMES IN PINTS?
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1:06 Second breakfast.
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1:11 Nice, crispy bacon. (I saved you some!)
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1:23 No food, just the best part of the movie.
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1:50 Second and a half breakfast.
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puppyeared · 3 months ago
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a neocities for your ocs would be very cool! i love seeing other peoples sites :]
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im excited abt it too!! i have a lot of ideas.. most of my ocs all have their own lives going on and rarely share the same storyline, but they all live in one big apartment complex oblivious to each others weird inner lives (like a nichijou situation).
my main idea for the site is to reflect that by having a "door" to each characters page and having it match them with their own graphics. i know basic css and html, but im trying to learn what else i can use to make it happen ^_^
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bayetea · 8 days ago
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I'm gonna froth at the mouth over this in the tags so bear with me but reason #1278038 why the way rick went about breaking up jiper was bad: rereading her povs in hoo where she gushes over jason feels like even more of an unreliable narrator queer girl comphet psychological horror story
#it's not that that isn't interesting (it's fascinating actually. especially for a daughter of aphrodite!!!)#it's that it Obviously wasn't his og intention. the ending of hoo is clearly intended to give a positive impression of jiper#this is worsened because shelper is wildly underdeveloped so it's like Dude what did you even do this for#literally just an afterthought. a footnote really. he said “ok here's your canon sapphic rep pls stop shipping theyna now” /j#she was a main character in one of the main couples in hoo it's so crazy? how can that happen. he would never do this to percabeth#can you imagine if percabeth broke up offscreen and 2 months later annabeth was with some complete rando and then percy died. girl what#it's the kind of setup/payoff issue that is difficult to put into words because he set up something (jiper and all its complex morality)#to ultimately be good because they're making the choice to love each other in the end (poorly executed but whatever I don't hate it)#and then in toa????? he just obliterates them for no payoff and creates a new impression of the most literal case of comphet imaginable? wh#toa is my absolute least favorite sorry#marginally related but if we can Be. Chill. and acknowledge that he originally wrote nico as crushing on annabeth#(we can argue all day about how Definite the crush was but come on. he did not put percy's speculation of it in there for no reason)#(and he obviously did not plan for nico to be gay back then you will literally never convince me of this)#(representation was NOT on his mind in the first 5 books that's why the cast is almost completely white except charles and ethan)#(the disposable poc who die tragically btw)#then I see a similarly confusing debacle but like. in the opposite way#something something sexuality is fluid you can be gay and feel confused about how u used to have a het crush but are still gay#nico says so himself to piper which is hilarious#it's just the lack of consistency and poor planning that I hate........... it is a ginormous pet peeve of mine and it's All Over His Books#piper already reads as having so much growing to do regarding her gender and sexuality because Somebody#(the man writing her) littered her pov with internalized misogyny/anti hyperfemininity and went nowhere with it#rr crit#percy jackson and the olympians#piper mclean#jason grace#pjo hoo toa#anti jiper#<- I PROMISE I am not actually anti-jiper I am very neutral about it as I am with all jason ships. they had cute moments#tagging that just in case#this comes from a place of deep love for the franchise and it's characters btw I have been a fan since I was 8
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bumblingbabooshka · 6 months ago
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Archery Science Professor at the Vulcan Institute of Defensive Arts [Patreon | Commissions]
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meganechan05 · 1 year ago
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Team Gap Moe
youtube
And gifs
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And the actual video for peeps who don't have a VPN and is outside Japan
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maxphilippa · 9 months ago
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i think that the major misinterpretation that people have with taco is that she didn't get attached to mic because of her sad face in the end wanted to show regret because "she hurted her friend". like. no, she wasn't sad because she regretted what she did. she was sad because she's alone again, but she knows very well at the end that she had it coming. the reason as to why taco was so desperate of wanting mic to tell her that she did gain something is because. she SAW pickle in mic, but of course their situation is very different. "Oh but Taco couldn't have done what she did to Mic to Pickle, Mic was fully aware" but she did do that. Mic herself says it. That is pretty much what II is telling you. Taco isn't a good friend, and is not exactly a good person either. Mic was aware that Taco was/is a bad person, but Mic's nature makes her believe in whoever acknowledges her. Taco made Mic feel like she needed her, just the way she made Pickle feel back in s1.
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she didn't really change thanks to mic. her faces of "regret" aren't her actually lamenting all of the stuff she did to microphone, but rather just her realizing that she proved what everyone said about her as a result. i will give it to that she might've tried to change, but not because of mic. she wanted to win the prize so she could prove others wrong on her being a loser and a coward, by being a loser and a coward. if anything, mic made her realize that she hasn't changed. she pretty much just ruined everything for everyone who saw her as a friend, and for herself.
taco's whole arc is constantly just downgraded to questionable takes and listen. i do agree that she is heavily flawed as a character. she is morally gray, but ii doesn't portray her as a good person with good intentions, nor she should be really be treated as if she was. neither she had those good intentions with mic at all, i mean, their "friendship" pretty much started because of taco wanting the prize money, taking a part of microphone's prize if she made mic won, you know, an offer. she would get the prize and mic would get recognition. but everyone seems to forget that probably, the main reason as to why she's doing all of this, is because she does regret how she acted on s1. she doesn't exactly regret doing all of that to microphone, and even if she does, it's for the wrong reasons. (that's because she did the exact same thing to you know, pickle, her once best friend, the only person she truly ever cared about)
people do tend to forget that taco keeps sending letters to pickle, and that's often just used for pickle angst and making it his only character trait, but. it's not that. it's the fact that taco keeps on writing those letters, despite fully knowing that she did hurt pickle because of her actions. taco's biggest flaw is that she can't accept that she has ruined everything and wants so desperately to be back on pickle's life because she ended up caring about him deeply as a person. as a friend. but she was never there at all, either.
taco can't seem to understand that she has hurted people badly. sure, she seemed like a "friend" to microphone, and you can argue whatever you want but a fact is that taco IS smart, and she knew that the only way to possibly keep mic by her side is pretending to want to be better, you know, the same way she pretended to be just a odd fella so pickle and her could remain together and have an advance at the game. she played with both of them. because both pickle and mic believed in her but were just used by her for the game.
however, taco does seem to regret the way everything went during-post s1. you can see how she yearns for another chance and is saddened about not getting it, but that's not only for comedic purposes, but that's because the writing is telling you that she won't get a second chance. at least not here.
what i want people to understand is that, yes, taco is a complex character, however trying to sugarcoat what she did is pretty much missing the point of her writing as a whole. she isn't a good person neither was she a good friend. she hasn't grown because she was never able to let go of something that she thinks that she can fix with some words and a prize. she thinks that she can still fix her friendship with pickle, she thinks that she can clear her name (even if she was the one who tainted it), but she only ended up proving knife right. she proved everyone right. she hasn't changed. a morally gray character is that. they're not exactly fully bad or fully good, but it's taco's actions that speak a lot. words are cheap, and taco's title is "The Liar", and that says a lot, because she kept on lying to microphone and to pickle on both of their games. she won't heal unless she lets go.
and i want to be clear here: i do think that taco can go through redemption. i do think that taco can become a better person, but not in the way people portray her to do so. because it just pretty much goes against what her arc has settled in for us, and the other arcs that were involved in hers as well.
taco's arc is meant to be somewhat a parallel with nickel's in a way. hell, even with knife's arc if anything. she treats knife as a simple bully, but when she saw that he became smarter and way more emotionally aware than what she had expected, she felt attacked by that, because he was stable. he became a better person and he was rubbing that on her, and it made her feelings of anger way worse regarding him, but it is true. knife is pretty much everything that taco wants to be, but here's the thing that made them so different:
knife stayed. taco didn't stay.
knife is accepted by everyone in the hotel because meanwhile he hasn't explicitly said that he had a change of heart, he has shown it through actions and a big difference too is that he was there for pickle, even if they weren't close in s1, and taco is on the woods because deep down she is aware that she can't go back. not if she doesn't have something to offer as an direct apology, but here's the problem. whether or not she got the prize, she still wouldn't get forgiven by anyone due to what she said that day.
again. her problem is not being able to let go and to accept when she has messed up badly. she has been lying to everyone but she has also been lying to herself as a whole. she can't keep on doing this because it's just hurting everyone and herself. keeping grudges and holding onto past friendships that were doomed to fall is just hurting her. she is not on the state to keep on trying, she wasn't at all ever.
taco's arc most likely will have closure on a way that fits her character, and i feel like that would be with her letting go of inanimate insanity as a whole and of what she can't fix anymore. her trying to find herself after years of lying to everyone and to herself. she's not a good person. but she can become one. only if she knows what she did was wrong and that her second chance isn't there, and never will be, and if she recognizes that meanwhile she did that damage, she can still become a better person. just not there.
pickle and mic don't owe her anything, especially pickle. taco does owe them an apology, but they won't accept that. the least she could do is to accept their wishes, understand that she needs to leave them and grow to be a better person. maybe, if she does that, she would actually heal.
she doesn't need anyone to fix her. she needs to fix herself.
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aroaceleovaldez · 4 months ago
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i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies
BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...
#pjo#riordanverse#pjo tv crit#i do love the casting for the musical lots and lots though#it was really good#i do also have some nitpicks for show casting but they're largely inconsequential#like majority i very much enjoy and think are cast well#i only have one i'd say im actually disappointed with and that's Poseidon. idk he just feels. bland??? does that make sense?#like idk maybe it's the costuming but im not getting Sea God *or* Fishing Dad from him#like i think i kinda see what they were going for and i saw some gifs of him in another show where he plays a pirate and its like#okay. *little* bit better. but idk im just not getting Poseidon from it#in general most of the immortals in the show dont feel very Immortal(tm) but thats definitely mostly just the writing/show itself#not any reflection of the casting#my only other two are i would have liked plus sized Clarisse. i am VERY sad we didnt get that#Dior is a VERY good Clarisse though so i'm not too upset about it. i like her Clarisse energy. the yelling is fantastic.#my most controversial pjo tv take is im still meh on Walker. like he's fine. but like he's kind of Just Fine to me so far#its probably mostly the writing being bad but he hasnt grown on me as Percy yet. i can tell he has the energy though in interviews n stuff#and the main trio dynamic in interviews and stuff is *very* good. i just wish the show writing was better#because the casting IS very good but they have so little to work with. you can really tell theyre trying their best#i like to joke the show would be better if they just set the cast loose in the woods doing in-character improv#like its clear basically all of them know their characters SUPER well. id watch 8 episodes of in the woods pjo cosplay improv.
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