#they r so fascinating to me
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art-o-gant · 5 months ago
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there is something deeply wrong with them <3
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bloomfish · 8 months ago
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Dama d'Elx- L'Alcudia, 4th-5th century BC
This was originally a polychrome sculpture with eyes filled with vitreous paste. The cavity in the back suggests that it may have been used as a cinerary urn. The figure represents a richly garbed woman with perfect, possibly idealised features. The figure’s identity is a mystery, but it is thought to have both human and divine attributes. It has most recently been interpreted as a high-born Iberian lady who was deified by her descendants.
I'd die for her tbh
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salt-n-salt · 2 months ago
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SHARVEY? on MY BLOG?
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clownsuu · 1 year ago
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Hello, sorry to bother you, I really love your oc and au, so I drew these drawings!
Because I was shadowbanned a while ago, so I’m not sure if you’ve seen these before.
Please let me know if this bothers you! Have a nice day!
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Robbie is really cute and cool, he’s giving a vibe like “Chaos? I called it FUN!!!”
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And of course, Mob! au, I can imagine that Robbie throw Rubee to speed her up and help her change the direction!
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And the besties went to jail together, I love relationship between mob Julie and mob Sally, so cute!
AWEEEE ROBBIEEBBBBB SO MUCH LIL GUY CONTENTTTTT
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dykedvonte · 12 days ago
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Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like
-💀
It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.
If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.
Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.
He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...
#this is less headcanons and more my thoughts of the intersectional horror this brings to mouthwashing which is also a thing it#already has but more directly in the mix vs just the class gender and positional struggle. like the idea he waited to confront Jimmy becaus#he could conceptualize the crime better because of experience with womanhood and also how it would've destroyed him in terms of being trans#like its weird to word as a comparison but thats kinda how empathy works as in an understanding and ability to project through aspects#like you found out your friend who has always had weird feelings about and relating to you is a rapist and got one of your other friend#pregnant and is now being openly hostile and aggressive towards you. You have only a few days to really think on all of this all the years#with him and how many oppurtunites he had that you blame yourself for giving him both in life and to do to you. You are starting to#realize that he may have done what he did to Anya because it was no longer viable with him or because of weird transphobia/homophobia#from Jimmy and god its so much and he should've know better and what did Jimmy do then - c r a s h#he is at such a small amount of mercy to Jimmy now and he can't protect Anya and it's terrifying because i know and you know that Jimmy is#giving him those weird looks again...#like it adds another layer of horror to things and while I don't think Jimmy would do anything to Curly it's heavily implied he targeted he#because of relatively more important position and getting Curly to have doubts about him as a power play and Curly knows Jimmy well enough#that him immediately exerting his authority and power would set him off after already having been mad about it and even when doing#damage control it still set him off. like its the horror of accidenlty siding with your oppresser and hurting other like you only to then b#stabbed in the back again by the person who took advantage of your nature like its so complext but my actual trans curly headcanons#are just a little bit happier like i imagine he was the first on the boys soccer team and a star player. maybe he and jimmy even picked ou#his first offical “boy” clothes and Jimmy picked most so he looked like the grungiest white boy but she was a boy so it didn't matter cause#it was with his friend who accepted him and I bet on the bed he looks back at all those moments and notices the little details that his#friend wasnt actually so happy but he can't be certain when he started looking so bitter or hes just imagining out of paranoia cause he jus#cant know and even if he could he wouldn't want to ask like god thinking about Anya and probably being a little glad if not heartbroken#that she did get out of it in the end like trans curly and anya destroy me even more its so upsetting like he didn't realize how much he go#you girl and waited to act like it was cowardice but then would she not realize what hes realizing? should that be a grace or more of a#condemnation in her mind like what are her thoughts? espically during the scene Jimmy hits Curly like she had to hear and what did she thin#they are tormented in a similar hells with the same demon and its fascinating#mouthwashing#mouthwashing game#anya mouthwashing#curly mouthwashing#jimmy mouthwashing
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sideblogdotjpeg · 6 months ago
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thinking about her for no reason at all
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minnieposting · 6 months ago
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2 things ive noticed about sunday and robin bc i can no longer subject my poor best friend to paragraphs on paragraphs and I want this out of me
1. Designs
Sunday features dull, muted colors and has a lot of sharp edges. He's also got darker colors in general. Robin is so much brighter, bouncier, and has a lot of rounded/organic shapes in her design.
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2. Sunday constantly in the shadows, Robin always in the spotlight
Goes hand in hand with their designs tbh, which I find cool
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He's just always in the back!!!!!! Pretty much speaks for itself...
I'm so curious to know their deal in just a few days, because this has been killing me this week, on top of their baby trailer 😭😭
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suncklet · 8 months ago
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they made a little guy just to witness the horrors
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opens-up-4-nobody · 9 months ago
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:-P
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twinstxrs · 10 months ago
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there’s probably something deeply wrong with me because every time i see someone react to the pok gukgak interrogation scene it’s like “oh no oh my god is riz’s dad a bad guy?” when the first time i saw that scene my only thought was “oh my god is riz’s dad HOT??”
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strawberri-draws · 2 years ago
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She’s so ancient eldritch deity trying to be a grandma <3 (she’s failing but shhh)
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localclownbaby · 2 months ago
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love the logic behind hiring all of the servants. sebastian and ciel took one good look at them and said:
"Yeah, they ARE severely traumatised and mistreated and posses exceptional skills.
It would be sooo easy to manipulate them into believing they are being "good people" rn."
— Here's your little "good job" badge, go kill that guy with a flamethrower 🤗
not saying they don't understand what they are doing, I just find it interesting how each of them chose to ignore the nasty parts of what ciel does bc he was good to them personally. and they are loyal asf bc he "saw them as capable people with potential even after everything they went through."
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secondchoice-ragdoll · 5 months ago
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heretherebedork · 1 year ago
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Damn, y'all, I love this boy so much. He really did just say 'I don't give a fuck what you think and I refuse to care about you, your apology or your insults' and I love that for him. And absolutely crushed him. A+
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m00n-pr1sm · 1 year ago
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Amy Dunne Character Analysis
Disclaimer
This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.
Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.
From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.
>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”
An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.
This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.
>“-I’d never really felt like a person, because I was always a product” (Book Quote)
Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.
>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)
This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!
For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.
I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.
>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)
In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.
>”You were an alienated teen and only Elizabeth Bennet understood you”
I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.
>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)
Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.
>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)
However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.
Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.
However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.
>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”
Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.
Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.
One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.
>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)
Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.
Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.
I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.
>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.
Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.
>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)
Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.
But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.
Conclusion
Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.
>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!
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mars-ipan · 9 months ago
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danganronpa is so fucking crazy bc it’s like “hi. this is a game series with a fucking amazing premise. unfortunately the writing sucks and is bad and you will spend half the time going ‘eugh why did they write that’ but you will play the whole thing anyways and get attached to your favorite characters and cry when they inevitably die. also it is filled with romance subplots that will stay in your brain forever” HUH??????
#marzi speaks#like. dr sucks but i like it.#but it sucks#but then like. there’s just??? so much in-depth romance and it makes me want to cry???#like. like. thh. asahina + sakura (so sorry lesbians i do not know their ship name). they are so cute and then they are so tragic#and ishimondo. GODDDDD ishimondo. you get to go ‘oh HELL yeah’ for a chapter and then they make you HURT#even like. makoto w/sayaka. start of the betrayal girlfriend trend. love it#and even toko and togami are interesting!!! like they will not date and should not date but they are fascinating#and then sdr2. do not get me STARTED on komahina what sort of psychosexual freudian bullshit are they on i will never know#but there’s also like. hinanami who r SO good. and mahiru and hiyoko who. tbh i wish they were handled better but still#fuyupeko. they make me crazy. and their parallels to akane and nekomaru. aaaa#SONDAM oh my goddd. they’re so#i may not be a v3 fan but they DID give us a lesbian love triangle and i do have to thank them for that#also the best polycule in the world in the form of the workout trio#kokichi i don’t like. but i DO like his little crush on shuichi even if i think it’s one-sided#kiibouruma will forever be real to me tho. world’s worst polycule. for balance#anyways why does dr have so many good romance plots. they’re so. why are those so good#AND WHY ARE LIKE HALF OF THEM QUEER. WHY DOES THE HOMOPHOBIA GAME HAVE SO MUCH QUEER CODING#idk i’m insane. <3 i’m a little crazy. komahina what the hell even are you….
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