#they make adhd brain happy
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feralattentionwhore · 2 years ago
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Squimsh
See more at @feralattenton
🪷Men dni🪷
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allthatmay · 2 months ago
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So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."
And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.
Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.
In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?
(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)
This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.
If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?
Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.
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elviraaxen · 5 months ago
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I'm probably not the first to admit this but goddamn was I a narcissistic prick when I wasn't on stimulants
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moonandris · 10 months ago
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cathalbravecog · 2 years ago
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A very self indulgent drawing of Misty I've been working on for a few weeks... On and off. But now it's here! :]
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justhereforeskel · 21 days ago
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Christmas Dino V1
Okay so there was this post and my brain latched onto the idea.
Christmas Dino! Way cooler than a tree, easier to store and no stupid pine needles everywhere.
We're super close the holidays so this year will be V1 - with plans for embedding lights and possibly engraving designs next year with more time.
So with like -2 planning skills and +5 to ADHD hyperfocus, off we go. The goal is if I chronicle this, maybe it'll keep me from getting distracted. HA.
Day 1:
Okay so the plan is to pick a dino, find a basic pattern, and then figure out how big to size it up so it fits on our tree table (aka the dining room table because we don't use it).
As much as I really wanted to do a Stegosaurus, the issue is that with the restriction of the table size, I'd be looking at a fairly small dino. Also, we want to keep our tree topper - a modified Heroes of the Storm Tyreal figure - and an bipedal dino allows for more hilarious possibilities for how to mount him on top.
So t-rex it is. I found a pattern online after a bit of Googling - it's low rez as hell, but I'm going to have to redraw it anyway to properly size the joints so no big deal.
Next step - Measure the table, and then maths to figure out how big to scale it Naw, we're going by vibes. Slap the pattern into MS Paint, scale it 300%, print it, reassemble, cut it out of cardboard and test the size.
(Just FYI in case someone isn't aware, because I wasn't - if you ever need to print something over multiple pages, MS Paint does it for freeeeeeee. Otherwise the only other option I know of that actual works decently well is Adobe Acrobat but you need the stupid CC sub for that feature. So to hell with Adobe, MS Paint ftw!)
This is gonna be so much easier than maths. Yup.
There were two pages of pattern pieces, each page ended up being 16 pages once pushed to 300%. Yay for laser printer speeds (seriously so happy we finally bit the bullet on one - this would have been objectively painful on an inkjet)
Popped Fantasia on in the background to began assembly!
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Once assembled, cutting begins and a few songs later, we've got a pile of pattern pieces!
Luckily my ADHD brain has forgetten to put out the cardboard for the last like month and half on recycle day, so I've got a solid IKEA box to cut (most) of the pattern out.
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(There's a few ribs that had to be done on another box, but they're not technically structurally significant so that's okay.)
Traced and numbered everything (mostly), and then we cut out!
I would like to note two things at this point:
This is all taking place in my living room, on my coffee table and my floor. I have a decently sized full on craft room and table JUST FOR THIS KIND OF THING but no. On the floor we go. At almost 40. My lower back has not forgiven me yet.
Since the IKEA cardboard is thick, I figure using my flip out utility knife is going to be the easiest tool for cutting. This is both correct and wrong. The knife is sharp and gets through the layers no problem HOWEVER it is a utility knife designed for more single quick use on a work site. It's got a rough texture and bolts and a belt hook. (Google Milwaukee utility knife and you'll see...) So by the end of this I've got a blister at the bottom of my middle finger that's popped, and several more on my finger tips that I notice as soon as I start typing.
TL;DR I'm dumb and injured myself in ENTIRELY PREVENTABLE WAYS.
But! I've got t-rex bones now!
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It's assembly tiiiiiiiime!
Okay so cardboard isn't the most sturdy, and my boy cannot hold himself up on his spindly little cardboard legs. But still! He's the perfect size! A little wall for support and he's all set! Aiden really didn't want cooperate with requests to be used as a scale model, so Tali jumped in because she's the goodest girl 💜
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Alright, so we've got our size (sort of) and a pattern. Success! Next steps:
Figure out if we need to modify the head in any way to accommodate Tyreal
Determine the best pattern layout for the sizes of wood sheets available
Make an actual file of the pattern that isn't a blurry PNG so we can pull it into Lightburn
ONWARD!
For reference, here's our Tyreal - he deserves an epic t-rex to ride
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Part 2
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yes of course I was happy to get my adhd diagnosis at 20 for medication and definitely not because that meant I was one step closer to actually being a demigod
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booksandpaperss · 2 years ago
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Absolutely fascinated with how season 3 shows that Will has a crush on Mike mostly through glances and hints in dialogue, and then season 4 not only canonifies it but it also portrays how deep Will’s feelings actually are and shows that Will isn’t just crushing on Mike, he is in love with him.
The lovely @emblazons pointed out in a post (linked here <3) that the way Will’s crush was shown in season 3 is exactly the same way Mike’s crush on Will is shown in season 4. Yes, we know Mike is in love with Will, but we haven’t gotten his perspective in the same way we’ve gotten Will’s this season to solidify and confirm it.
Looking at this pattern though, the logic follows that showing Mike’s crush in season 4 is setting things up to deep dive into Mike’s perspective in season 5 and canonify his feelings for Will while also showing how deep they really go. It’s a simple but clever set up and it fits right into place with my working analysis (that I haven’t finished yet bc I need to do a full rewatch for it rip) that Mike’s queer arc, in terms of realization and acceptance, is an exact season behind Will’s bc of a multitude of reasons but also just thenarrativeTM.
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62percentmaplesyrup · 3 months ago
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I ship these fits and want to put ships in them so that the ship dynamic will become stronger and i will energy to want to draw this but never do bc im bussy (busy) in the mean time this image will rot in my brain.....
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the last time reigen let dimple possess him, it was, well, — it felt fucking great, despite everything. standing in the eye of the storm, indestructible, fast, strong, agile, powerful, together; having entrusted him with reigen's useless old little body and gotten a 200% return on the investment! so what if he wanted to feel something at least a little bit like that again, if he missed the crowdedness under his skin? so what if he's been feeling kind of lonely lately, especially when off work, what with mob being busy, and himself not being all too close to tome-chan yet, and not letting himself get all too close to serizawa? so maybe reigen starts letting dimple possess him from time to time, just, casually. most of the time the possessions aren't even justified, but it's not weird if they don't talk about it. dimple enjoys being able to breathe, and says exactly that; reigen enjoys being together, and says nothing of it.
reigen never admits any of his reasons, obviously; neither does dimple admit that he deeply appreciates what reigen does for him. it's just a weird little thing that happens between them, largely unacknowledged, mentioned either not at all or through crude lighthearted jokes, with emotions welling in the whitespace between words.
over time, reigen gets his head out of his ass, and him and serizawa become good friends, best friends, boyfriends, even, and later move in together. the thing with dimple continues to happen because there's no real reason for it to stop, and frankly it's not like they ever discuss that; it just carries on. katsuya's been noticing for quite a while that Something has been happening, but he never felt like it's his place to ask, especially when it seemed so silent — nearly non-existent, despite being very real. well, whatever arataka chooses to do with his free time, right?
***
one night katsuya stays out drinking with his school friends a little later than he was expecting, and comes home a little drunker than he was going to. he finds arataka in the kitchen, chopping some vegetables, main lights off and over-the-counter lights dim and amber around his frame; he's so, so pretty, and katsuya hugs him from the back, reaching to try and place a kiss. arataka turns around, his face flashing a wide grin and very bright red cheeks. "oh hi," dimple says. katsuya backs off clumsily, and stammers, "ah, i'm so sorry! i was expecting arataka to be here, but it's you, ah-h-h, this is awkward, again i'm so sorry!"
"no big deal," dimple waves off, and turns back to chopping. "fyi, usually when i'm here, it doesn't mean reigen's not — i don't displace him, yanno? just hanging around in his head, it's like buddy time." he grins again. "right now he isn't, though: i'm just puppeteering the thing. he passed out on the couch waiting for you, and i thought y'all wouldn't appreciate not having shit to eat for breakfast. i'll whip up some stir-fry for tomorrow and dump this back where i found it for a good night's sleep, dw about it"
"ah," katsuya says eloquently, "thank you."
he doesn't leave the kitchen, still — changes positions, getting comfortable, leans on the counter, and watches dimple work. his quick movements, his(?) elegant hands, his concentrated expression, his(?) golden hair, his red cheeks. he looks so handsome like that.
"you look so handsome like this," katsuya says before his brain-to-mouth filter catches up to the rest of him.
dimple puts the knife down and stretches his(? arataka's?) hands out before him, admiring. "it's a beautiful body," he admits. it's not a grin, but smile, softer this time; private, even. "don't tell reigen i said that, but — i really enjoy this; being like this. not just the whole getting to be alive, running around and breathing and eating thing, though of course that too, but also — you know what i mean," he shifts a shoulder up. "possessing anyone is fun, but possessing reigen..." he runs one of his(?) hands down another of his(?) arms, lightly — almost reverently. "it's nice."
katsuya's breath hitches.
he's standing closer than he remembers being. arataka is so pretty like that, in this soft lighting; dimple is so pretty like that, in this soft body.
"i still want to kiss you," katsuya whispers.
dimple's breath, just for a flashing moment, hitches too; he wouldn't admit it. "go ahead," he says, louder than a whisper, but way quieter than his voice.
katsuya does.
it's not chaste and not desperate; gentle-slow and quick-curious, soft, warm, almost exactly the same as every kiss he'd had before, just like this, but so unlike them, and almost tangibly new.
it feels great.
"it feels great," dimple breathes. "it's been a long time, and i've kind of... forgotten what it's like. so i've always wondered how it would feel if i did it."
"you mean, kissing in general, or?..." katsuya makes a terrible, embarrassed pause. "...kissing me?"
dimple shrugs, and turns back to the cutting board again. chop-chop-chop! katsuya stares, maybe a bit dumbly.
***
katsuya wakes up in the middle of the night, slightly less drunk but significantly more disoriented, and stumbles towards bathroom, and gets arataka's phone flashlight shone right into his fucking face (and then quickly towards his feet with a bit-louder-than-necessary apology).
" 'm going to the bathroom", katsuya explains.
"ah, i'm just heading back. samesies moment!" arataka jokes.
katsuya buffers.
"i kissed your boyfriend last night and i'm so sorry!"
"...you are my boyfriend, tsuya," he raises an incredulous brow, and then a hand to brush at katsuya's forehead. "you alright, buddy?.. uh, do you mean you gave me a kiss while i was asleep? if so, it's fine, you shouldn't worry about little things like that-"
"no! i mean kinda yes? agh, i mean dimple-was-posessing-you-while-you-were-asleep-and-i-kissed-him-and-he-kissed-me-back-i'm-so-sorry!"
"ah yea he does that someti- you What? dimple WHAT? wait, did you just call dimple my BOYFRIEND?"
***
the conversation that ensues is horrible. not because anyone's fighting — no one is even angry, unless you count violent bafflement as a subtype of anger — but because a honest, serious, 3-way conversation regarding dimple, gayness, feelings, and gay feelings for dimple, by definition can not be not horrible. arataka takes a smoke break in the middle. (he quit 5 years ago, but a guy needs exceptions). katsuya feels the closest he's ever felt to a heart attack, and that's including all his previous life experiences. dimple grows out a weird little perfunctory foot to tap it in the air.
but they try their best, and they figure things out.
in the end, not much changes; they still don’t talk about too often, but now it feels more like comfortable lack of necessity rather than avoidance; they all just get it. and occasionally, dimple possesses arataka while he kisses katsuya, and oftentimes vice versa.
it's nice.
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defenestrationtactics · 1 year ago
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Fear and Loathing in Las Vegas (1998) dir. Terry Gilliam
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sweetandsoursaws · 3 months ago
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Lowkey jealous of the whimsical nature of using colored text to write character dialogue that some people are sporting (hello tj u are very cool)
I do worry though that some colors may be less accessible than others?
Like idk man purple is kinda dark
and I dunno how orange looks if you're not in dark mode!
And really both kinda seem more readable in bold?
And all that is only really appropriate for specific types of characters probably. Like maybe with Lake being a robot, he could get away with blue text?
buuuuuut might be weird to give orange to Lark, tempting as it is, because he has a pretty normal voice, and the orange wouldn't really be conveying anything except aesthetic.
Anyways idk, do y'all think it's hard to read or just overkill in some circumstances?
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mister13eyond · 10 months ago
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talking to a friend about getting back into art and i think the #1 most important piece of art advice i could ever get or give is just "figure out what is FUN to you"
like i think there is sooooo much emphasis on how to build SKILL in art but a lot of it really treats art like a job or like video game grinding, like it's this thankless job that you have to work at in order to reach a Threshold and i know it's not EASY to make yourself have fun but like
imo a solid 70% of the reason i create art is because the Act of Drawing is fun to me. it's fun problem-solving and planning and putting down lines and playing with colors and tools. it's fun to depict little scenes in my head or to create outfits or to find ways to fill the canvas. never forget that creating can be fun. sometimes it's hard and sometimes you have to battle through your own blockades to get there but the ultimate goal should always be to ENJOY it, to find what you enjoy doing and then do it forever. improvement will follow enjoyment.
i think especially with all the debate about ML image generation it's more important than ever to embrace FUN. if you're only focused on the end result it's so easy to get in your own head- to think about what doesn't look good or what skills you don't have yet or to compare yourself to other artists. but photography didn't kill the art of drawing and AI won't either because, simply put, there will always be people who want to do the physical act of making art because it's fun to do! using paints and markers, splashing colors around, doing shitty pen doodles, using the symmetry tool in your art program to do abstract mandalas that are just squiggles formed into patterns. do art like you're 5 and you've been handed markers to pass the time. do art like you're bored in class and you're keeping your brain entertained by drawing stick figure comics in the margins. do art like an absent thing, do art because it satisfies your brain. the goal is not to make something beautiful and perfect, the goal is to make something because your hands need to make and your body needs to make.
#i know and love so many people who have intense anxiety about their ability to create art and who are so hard on themselves about the result#and i think that's a REALLY easy thing to feel because creating is also vulnerable & physically difficult and there is SOOOO much to master#but i think for me the people who churn out 300 colored pencil front facing hands behind their backs oc doodles on lined notebook paper-#are the ones with the right idea. they're the ones i aspire to be like#i'm not saying i never struggle either bc tbh#as someone with depression and adhd there are times where the Act of Having Fun is simply not possible#sometimes i CAN'T enjoy things because my ability to feel joy is locked behind a barrier of my mental illness#so i don't think it's an Easy thing to do by far and I don't think you can just Magically Make Yourself Happy And Having Fun#but i DO think that experimenting in a low-stakes low-pressure manner until you find something that clicks in your brain helps#doing things for the sake of doing them is the only way to figure out which ones WILL be fun to you#not all of them will. some things will feel like a slog#but i think you have to look for the passion before you're able to face the slog#if you jump right into the parts that are Hard and Challenge Your Limits it's easy to spin your wheels and get stuck#but if you focus on the super small stakes and the things that are thoughtless and focused more on Sensation-#the sensory experience of mixing paint or the scratch of pencil on paper or the smooth way a specific pen makes lines-#then you can lose yourself in the physical aspect of it FIRST#and then once you've started really ENJOYING those sensations you can start learning new ways to use them#because now you have the drive to want to do more#now you have the desire to find new ways to apply this thing you like doing#long post#even longer tags#art#drawing#artists#art advice
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2hoothoots · 5 months ago
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hi i hope this isnt weird but im pretty sure your future au solidified psychonauts as a reoccuring hyperfixation for me. like i wasnt sure for awhile but yeah. its a hyperfixation now.
also your future raz is scarily relatable with that adhd stuff. like i saw that and went. whoah. I Understand
not weird at all, that's very sweet! i know how it is when something clicks in your brain and it's like ahh, okay, cool, this is here forever now
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love-songs-for-emma · 12 days ago
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"santa doesn't bring presents if your room isnt clean" is something i heard as a kid and still try to abide by (whether or not im celebrating the holiday) & i'd like to invite y'all to join in on the tradition! december 24th is Clean Your Room Day to ME & it can be to u too!!
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youngpeachenthusiast · 1 year ago
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sometimes i try to convince myself that my chronic pain is fake and i'm pretending for attention, but then on days like these i find a nice template for a symptom tracker and i'm ecstatic!! like, i finally found a template that might actually work for me!!!
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