#they liked like... idk how many but they liked my posts

[reasonsforhope]

I’m sorry to come to you like this since you probably wanted someone to come in for a reason for hope but I’m freaking out and have no one to talk to about this rn. A music artist I follow put this stuff in their story on instagram..how are things getting better??? I’m so confused and scared. I’m terrified to be alive. I should’ve died in election night. Idk if I can do this anymore. I don’t want the world to end nor live in an apocalypse/dystopia. I can’t do this. I’m not strong enough. I’m going to die before I even reach the age of 25 or 30 instead of dying of old age😥😥😥😥😥

First, breathe.

Second:

Go read these links. Keep going down the list until you feel better:

Read:

this article* on why the doomers are wrong

everything in Fix the News's awesome year-end roundup of good news

everything in my masterpost on why we're going to beat climate change

everything from my masterpost on net negative carbon emissions

everything in Fix the News's archives, until you feel better

*it's a fantastic article in many ways but warning for (brief but serious) fatphobia and some annoying Western-centrism

You should not have died on election night. Absolutely not. Yes, there are great injustices in the world. But this too shall pass. Literally everything does.

Some notes:

This isn't the end of the world. It's not about to be an apocalypse. And, if the world wasn't a dystopia when half of all people died before the age of 15 (aka all of history until the past 250 years), it's definitely not a dystopia now, imho. (x, x)

Literally every single week on Fix the News, I see the news that some country has ended some disease! Usually I see multiple stories about that each week! We're making real progress that has saved billions of lives!

In 1900, 120 years ago, there were 5 full liberal democracies in the entire world. Now, about 97 countries (out of approximately 195, depending on how you count) are democracies. That's almost half the countries in the world! This is actually, writ large, a time of massive expansion of human rights, hard as it is to believe from looking at the news. (x, x)

Also Imho the most likely explanation to the Fermi Paradox is that we're only 0.13% of the way through expected lifespan of the universe (x, x). Very little time for life to evolve, comparatively.

Finally:

Unfollow this person. Unfollow everyone who posts something that makes you feel suicidal - literally and ongoingly, every time you see a post that makes you spiral, immediately unfollow that person.

It's not about sticking your head in the sand. If you want, you can calendar time to check ACTUAL news sources (NOT social media) a couple times a week to make sure you're staying up on things.

But you know what? The number one priority is keeping yourself alive.

How are things actually getting better? To quote the first article I linked:

"I could tell you that a little more than 200 years ago, nearly half of all children born died before they reached their 15th birthday, and that today it’s less than 5 percent globally. I could tell you that in pre-industrial times, starvation was a constant specter and life expectancy was in the 30s at best. I could tell you that at the dawn of the 19th century, barely more than one person in 10 was literate, while today that ratio has been nearly reversed. I could tell you that today is, on average, the best time to be alive in human history."

Stay alive. And do what you need to do to keep yourself that way.

[alittlebitofloveliness]

I think so many of the issues between book fans vs musical fans in the fandom come from the fact that people are pretending they're the same story, so people get really upset when they see one of their favourite characters being mischaracterized or left out, when in reality they are two DIFFERENT stories that share the same SOURCE MATERIAL. Like, I love the book. My blog is very much focus around the book, and there is a reason I don't tag my content with the musical tag very often, because the Darry Curtis I'm writing about is NOT the same Darry Curtis from the musical. And that's okay! It is! I know it seems crazy but they're both great characters, they're just not the SAME character. My favourite character is Steve Randle, but I haven't thrown a shit fit about how he isn't included as much in the musical because it's a different story, and because what content does exist for musical Steve offers lore for a very interesting character. Just like some people get all upset about blogs and content focusing on the soc characters in the musical, and I'm like I don't know what to tell you, I haven't even seen the musical and I know that the socs play a more important role in the story the musical tells than they do in the book; and that the musical universe makes it so it's far more likely that the socs and greasers COULD potentially have more aquaintanceships/childhood friendships/ post adolescent relationships than the book in which Ponyboy consistently notes that neither the greasers nor socs as a whole can see past their way of life to see the other side as people. Idk, I just think people from the book fandom and musical fandom need to just accept they're different stories, with different characters, with DIFFERENT messages and themes. Like, you really can't mischaracterise a character when the character that's being 'mischaracterized' is a different character to start with. Musical Dally isn't book Dally, full stop, but that doesn't mean that the musical character isn't fleshed out and deep and interesting and a complex addition to the musical, just like it doesn't cheapen the fact that book Dallas is the centre of the story. They just serve a different purpose, because they're two different characters in two different stories, neither one is 'better' than the other because they're NOT the same thing. I just wish people would stop vaugeposting and hating and othering each other, and it's getting the point where people need to learn to either engage with both stories or use filters to curate their fandom experience, OR collectively decide to split into two separate fandoms and tag stuff the outsiders book vs the outsiders movie accordingly, because I really love the Outsiders but all the petty fighting is driving me crazy , it's exhausting and it's making me want to leave the fandom altogether and I highly doubt I'm the only one. In the nicest way possible, please examine both stories for what they are, be mature, and act accordingly. Please.

[v1rtualtrash]

I have no explanation for this. Anyway. Runs away. My ramblings under the cut

Okok so,, my thoughts are very unorganized for this so bear with me please.

Mainly the reason I did this is because I got it into my head that it would make sense for Slickwell to go live in elvenmoor since he's seemingly part elf (because of his ears) and it's also not near rudistan (and kinda not known in enchancia).

I also really like the idea of slickwell or greylock knowing about elvenmoor and/or living there, just because I think it would be nice to give them a bit of a background with it. I also noticed that pretty much all of the elves we see use a lot of gold accents (like greylock in his vest!) So I made this outfit for slickwell to use :D

I think it'd be nice if they knew each other tbh, also greylock seems like he would get along well with the other elf from that episode (elfonso). Also it's really funny how all the elves have silly names like that, but slickwell and greylock could just be explained by them just being part elf, or them having a second name that is silly like that.

Also also it's a crack hc but I like to think that slickwell could do all that stuff he did with the cart of cups during the song because he used that magic the elf queens used to move plates and silverware around :3 source: i made it the fuck up, but I think it would be neat

[midnighvtm4ss]

Oh you sweet, poisonous thing

summary: just Arthur yearning and being jealous of reader and Javier. Enjoy😽

pairing: arthur morgan x fem!reader

content: fluff, jealousy, a hint of angst maybe ?? idk

wc: 1,8k

a/n: *taps into the mic* heyy,,, how y’all doing *voice echoes, crickets can be heard in the distance* so i kinda disappeared from tumblr ik. I went through a rough period and I thought a lot about what to do with this account. I lost all motivation to write for a while ngl, but after some thinking i decided that no matter what I’ll keep writing and posting here. After all this was and still is my little safe space where i can just forget about my life and post silly things about cowboys sooo yeah have some Arthur yearning because we should bring back yearning in 2025. ok i yapped enough bah byee

The cracking sound of the campfire travels softly in the center of camp, casting long, flickering shadows that stretch and shift over the familiar faces of the gang, dancing on their features to the sound of the soft music leaving Javier’s guitar.

It had been a rare, uneventful day—the kind where, surprisingly, nothing went wrong, and the world seemed to hold its breath afraid to burst the serene and quiet bubble that engulfed all round the camp. The stillness settled over the gang’s members like a balm, soothing old wounds and lifting everyone’s spirits. By evening, an easy carefree air had taken root, boosted by a few shared drinks and Javier’s guitar.

You sit near the fire, sandwiched between Karen and John, the blonde slouched lazily at your side, her cheeks flushed from the too many whiskey glasses she downed. Javier is in a contagious good mood, sitting on the ground near John strumming another lively tune as he leans toward you, his bronze skin glowing in the campfire’s light and he’s grinning like at you like the charmer he is.

“Why don’t you sing with me, cariño,” he says, his voice playfully teasing. A chorus of groans and exaggerated complaints come from around the campfire, the gang all too eager to tease you about the first and fortunately the last time you sang around the campfire in Horseshoe Overlook after you had too many to drink. You remember waking up the morning after with a terrible headache and the sweet memory of laughter shared around the warmth of the campfire.

You laugh at their reaction, shaking your head. “I think I’ll save everyone’s ears this time, thank you.”

Javier chuckles and with that resumes playing, his voice low and smooth. His energy is infectious, pulling easy smiles and a few soft laughs from everyone. But in the back of your mind, you can feel that there’s a subtle shift in the air—a pull, a presence that tugs at your attention like a ping you can’t ignore. It’s faint at first, almost imperceptible, but it grows stronger, undeniable, familiar. You glance toward the edge of camp, and as suspected there he is.

He’s leaning against one of the wooden posts near the horses, half swallowed by the shadows, the dim firelight barely reaching the brim of his worn hat. His broad shoulders are hunched, arms crossed tightly over his chest like he’s trying to protect himself, to keep something away though you’re not sure he even knows what it is. His aqua eyes are sharp even in the shadows, and they’re fixed directly on you.

As the weight of his gaze settles over you like a heavy fog, thick and tangible, despite the distance between you, a shiver runs down your spine. Your chest tightens, as if the very air around him has thickened with unspoken things.

You’ve known him long enough to feel a quiet storm building in the depths of his quiet, unshakable composure. It’s not indifference nor anger. It’s something else—something raw and unspoken but you can’t, and maybe won’t, put a name on it.

When Javier nudges you playfully, you force yourself to focus back on him, offering him a smile that you hope conceals the tension swirling inside of you. Still, the weight of Arthur’s gaze doesn’t leave you, not even as the evening stretches on.

As the night deepens, the fire crackles low. One by one, people begin to drift off, leaving just you, Tilly, Lenny, Javier, and Karen around the fire. Tilly, who had joined your little circle a few hours earlier, is lively chatting with Lenny about some gossip she’d overheard in town, her voice bright with excitement seemingly unphased by the late hour. Meanwhile, Karen has fallen asleep with her head resting on your shoulder, undoubtedly drooling a bit on your blouse. This leaves you and Javier alone, the conversation between you two flowing easily, until he eventually sets his guitar aside with a stretch, breaking the comfortable atmosphere.

“Already going to bed ?” you tease, nudging him gently on the side. “Won’t you play me another song before you go to sleep ?”

He smirks, shaking his head with a wink.

“Tomorrow.” He promises winking at you. He stands up and disappears into the shadows of the night. After a few minutes Karen stirs awake, mumbling something about needing another drink before bed, lazily getting up on her feet, shuffling toward the camp’s supply.

After that it’s just you, Tilly and Lenny sitting near the dying fire. From your peripheral vision you can see the dark silhouette of Arthur sitting at the worn wooden round table under the tall tree in camp. You don’t look at him, not directly, but you feel his presence like a thread pulling between you. You sit there, looking at the fire contemplating if approaching him or calling it a night.

When you finally stand, your feet move before your mind can catch up with your actions. You carefully walk towards him, finding him hunched slightly over the table, his broad shoulders tense as he stares down into the nearly empty glass in his hand.

“Mind if I join you ?” you say pausing a few feet away. The sound of your voice softly filling the cold air around you both.

Arthur doesn’t immediately look up, his focus still fixed on the amber liquid swirling in his glass. You nearly contemplate leaving when after a long moment, he tips his head in a slow, deliberate nod. “Suit yourself.”

You take a seat across from him, your hands folding in your lap playing with a few loose threads as you settle into the quiet. For a long moment, neither of you speak. The noise of the evening has faded away, leaving the camp wrapped in the soft rustle of trees and the distant sound of crickets.

“Tired ?” you finally ask, your voice hesitant, breaking the silence.

Arthur huffs a low breath, his eyes never leaving the glass. “Long day,” he mutters, a simple response that tells you nothing.

You nod, though his answer feels like a wall, a quick, easy way to avoid revealing something deeper. There’s something bothering him, and maybe it’s the alcohol in your system or maybe you simply care too much for him but you’re determined to find out what.

“Javier kept everyone entertained tonight,” you say lightly, your words casual, trying to spark a conversation, though you’re watching him closely.

Arthur’s grip on his glass tightens just enough for his knuckles to go pale against the clear glass. “Yeah,” he replies, his tone flat. “He’s good at that.”

The space between you feels heavier now, filled with something unspoken, a tension that neither of you acknowledges directly. You lean back in your chair, letting the silence settle between you, but you can’t ignore the flicker of his eyes as they meet yours, then quickly shift away like he’s afraid of what might show if he stares at yours too long.

“What’re you drinking ?” you ask after a moment, breaking the quiet.

“Whiskey.”

“‘S that the good whiskey Pearson’s been hiding, or the usual watered down crap ?”

Arthur’s lips twitch, almost imperceptibly, clearly fighting a smile. “Usual crap,” he murmurs. “Pearson ain’t that generous.”

You laugh softly, the sound easing some of the tension that’s built between you. But still, it lingers, just beneath the surface, like something you both know but can’t put into words.

“You seemed quiet tonight,” you say after a pause, studying him closely.

Arthur shrugs, lifting his glass to his lips, the movement slow, as if every motion is carefully measured.

“Didn’t feel like talkin’.”

You watch him, your gaze tracing the line of his jaw, his wet lips and the way his fingers absently trace the rim of his glass. He’s not being completely honest—that much you know, but you’ve learned to read between the spaces of his words.

“Or maybe you just didn’t like the company,” you offer, your tone playful but with an edge to it.

Arthur’s eyes snap to yours, sharp and unmoving. “I didn’t say that,” he replies, his voice low, almost a growl.

He holds your gaze a beat longer than necessary, and you feel the weight of it settle deep in your chest, making your breath hitch. There’s something in his eyes, something raw, vulnerable that makes your heart stutter. You’re not sure if he sees how your composure falters, but he’s the first to look away, tipping his hat lower over his brow to shield his expression. You’ve always hated when he does that—you’ve always hated the way he uses it to put a distance between you, but now more than ever you hate it because it feels like the wall between you is growing thicker and you’re not sure if you can get through anymore.

“You’re a hard man to figure out Arthur Morgan,” you say softly, the teasing edge gone from your voice.

He doesn’t answer right away, and when he does, it’s in a voice barely above a whisper.

“Maybe that’s for the best.”

You bite your lower lip in frustration but then you force yourself to swallow down your disappointment. The conversation shifts then, moving toward more trivial things like the weather, the horses, Pearson’s latest disaster with the stew. But even as you talk, you know that there’s another conversation happening in the spaces between words, in the glances you exchange, in both your body language, in the way the silence sometimes wraps itself around you both.

You don’t speak of it. You don’t name it. Neither of you can, but you know it’s there.

“Good night Arthur,” you say, your voice quieter than you intended. You give him a sweet smile, one that doesn’t quite reach your eyes, before you stand, the weight of your own tiredness forcing you to seek the sweet embrace of your bed.

He doesn’t reply right away, just gives a slow tip of his hat. “Night.”

As you start to take a few steps away from the table, you feel his gaze on your back—steady, unwavering. It feels like it’s burning into your skin.

You glance over your shoulder, just once, and meet his eyes. For a moment, they’re distant, almost lost, like he’s somewhere far away in thought. But as your gaze lingers, you catch something else—something in the way his eyes soften, the barely perceptible softening of his eyebrows. It’s not a look of anger or frustration that he gives you, no, he’s looking at you with something deeper, something raw.

It’s the kind of look that makes your chest tighten, a sweet warmth settling between your ribs. He doesn’t need to say anything; you can feel it in the glance between you—the weight of all the things neither of you will dare to speak aloud.

In that brief moment, you understand. And it’s enough to leave you walking away with butterflies storming in your stomach and the strange sense that you’ve just shared something deep, something fragile with him without ever needing to say a word.

[erinwantstowrite]

Erin i saw one of your posts talking about how spider-sense in lof isn’t “magical” and it’s just all peter’s heighten senses

How does that work is my question and does that mean peter is not connected to the totam? Since if i remember correctly the spider-sense came from the spider totem which every spider-people are connected to the web of life and destiny

And idk what issue it was but i THINK ( don’t quote me on that) peter talk about how the spider that bit him was scientifically made but it origins are magical 

yeah i went in a more scientific direction because the totam thing felt,,, boring. i guess a part of it could still be him connected to that in some way but i much prefer peter having more scientific and man-made origin story because his story is about the feeling of humanity and how grief affects people, etc etc. usually i like a good magical origin story thing but just not for LoF peter.

his spider-senses are just literal spider senses. i imagine it like: we all percieve our surroundings, right? but we aren't consciously thinking of every little detail, unless we're far too aware of it or pushed into it via a panic attack or smth. often when our senses are too high, we freak out. processing all that information all at once would make someone sick. consider where you are right now. you might have a fan going that you know is making noise, but you're used to it so you don't pay attention to it. after some time, you might forget that you can feel a blanket on you until you move again. (hoping these examples make sense.) peter's senses are like that all the time now. he hears practically everything around him in a far greater distance than a regular human. he sees more minute details than our eyes can pick up. he processes time differently in some cases, because when he's focusing on all of that or he's doing something fast, it feels like the world has slowed down around him (in the way that bugs can be so fast and we look so slow to them). he might have become part spider but he's still got a human brain and many other human aspects of himself. so he has this mental block around those senses to prevent his human brain from getting scrambled by all the noise, sights, smells, feelings, all that jazz. he got used to it and blocks it out like we do. his subconscious picks up on these things and that's where that little "voice" comes in. often when there's a direction/ anticipation of an action/ knows where something is, it's because the little spider hairs all over his body have felt the movement. a "danger" sense is peter picking up something around him with one or more senses that he's just not aware of yet. when he picks up on someone's mood, it's not that his spider-sense is telling him what they're feeling, he's just picking up on the tiny details of how their eyes might have dilated or their breathing is shallow. or he's picked up on a smell from them, which is definitely not as aware of. he's kind of like a dog in that sense, he'd probably know if someone was having a medical episode. which is why i joke that he'd be subconsciously aware that tim has a missing spleen and he'd get worried/sense danger for him around some things

[bemusedlybespectacled]

since @sketchy-scribs-n-doods asked why birth certificates are racist:

preface: read this post about eugenics so that I don't have to write that overview again.

anywho! the very very short version is that there was a guy named Walter Ashby Plecker (hereafter "the Plecker fucker") who was a doctor in Virginia in the late 1800s/early 1900s. like he was born right around when the Civil War ended and his family owned slaves, if you want to get an idea of the time and place we're talking about.

the Plecker fucker, along with a couple of his good buddies John Powell and Ernest Sevier Cox(1) from the Anglo-Saxon Club(2), wrote and lobbied for a law called the Racial Integrity Act (incidentally, one of the blueprints the Nazis used for their own laws), which did a couple of things:

it legally categorized every person into either "white" or "colored," with "white" being only people with a completely unbroken and provable white European heritage – with a teeny tiny exception for people who were less than 1/16th Native American that he was bullied into including(3) – and "colored" being literally everything else, with no specificity as to whether it meant Black or Asian or Native American or whatever;

it prohibited white people from marrying colored people (though notably not banning having sex with them: we're talking about a guy whose family owned slaves here, so you can do the math on that)

it allowed for the sterilization of certain undesirable people, such as the mentally ill; and, most importantly for our purpose:

it required all births and marriages to be registered in a big state-wide database, with the races of all parties listed.

and he also set himself up as the first guy in charge of that registry, so that it would be done exactly the way he wanted it.

prior to this, if you could get away with passing as white, you were (generally) treated as white. this was to prevent any white-passing mixed race people from marrying into white society (because their birth certificate records would show that their parents had nonwhite heritage), and eventually eliminate mixed race people, period.

now, obviously birth certificates weren't in common use before this law, so at least the first wave of people affected by the law could still (in theory) lie about their ethnicity and establish themselves as white on their birth certificates, thus allowing them to continue marrying "real" white people.

not a problem! the Plecker fucker fancied himself a bit of a genealogist (meaning he thought everyone with the same last name was related, somehow), so he'd just go in and edit people's records to say "colored," invalidating their marriages in the process, and ordered all of the people under him to do the same. like, there's a letter he sent out to the county-level people that was like, "anyone with the last name Collins [yes, really] is actually mixed race, DO NOT LET THEM GET MARRIED TO WHITE PEOPLE, EDIT ALL THEIR RECORDS."(4)

outside of the obvious negative effects of the law in general not allowing interracial marriages (until it was overturned by Loving v. Virginia in 19-fucking-67) and sterilizing anyone disabled or "feebleminded," him going in and literally erasing Native heritage from records has prevented Virginian Native Americans from being able to claim federal tribal recognition, because it's all just "white" or "colored," which could mean anything nonwhite.

anyway, that's why birth certificates are racist. they were made up by a racist guy to do more racism. and then that racist guy got hit by a car and died.

I stg this is the short version. the longer version was idk how many pages before I melted into a depressed puddle of goo and almost flunked out of my senior year of college.

(1) Ernest Sevier Cox was a weird fucking dude in that he was really good friends with Marcus motherfucking Garvey, to the point that they attended each other's events, dedicated books to each other, and wrote each other a lot of letters even after Garvey was deported to Jamaica (and Cox personally tried to get Garvey released from jail when he was imprisoned for mail fraud). This was partly because white nationalism and black separatism accomplished the same ultimate goals (i.e. Black people leaving the US) from different angles, but I think they just also genuinely liked each other? For some reason??

(2) Basically the KKK but for genteel, refined, upper-class people instead of violent, disorderly peasants (yes, they legit disliked the KKK because it was a poor person thing). Also, I can't find it again, but at one point when I was researching all this in college, I was looking through old school newspapers and either William & Lee or William & Mary had a junior Anglo-Saxon Club, sort of like a Young Republicans, and one of their contributions to the student newspaper was a piece about how they definitely weren't racist and how dare they be accused of racism, they just didn't want blacks or whites mixing! How is that racist? (Yes, they used the word "racist," and I have no idea what their definition of racism was, if it wasn't what they were doing) Anyway, I think about that a lot.

(3) This is informally called the Pocahontas Exception, because a lot of really, really influential, prominent and rich Virginians actually took a lot of pride in claiming to be descended from Pocahontas and John Rolfe (even if they weren't), and without the exception, they'd all be classified as "colored." Plecker didn't want any exceptions at all (he was, at the very least, not a hypocrite about what he thought "white" meant), but given that some of the people the law would make "colored" would potentially be voting on the law, he had to include the exception or risk it not being passed at all.

(4) The reason I even got into this subject in the first place is that one of my family tree names is on that list and we're pretty sure they moved to Kentucky because of it, but it doesn't necessarily mean they're related to us OR that they were white-passing mixed-race people: they could well have been just plain white people who happened to have the same surname.

[genderqueerdykes]

i meant “Trans/Rad/Fem” by Talia Bhatt (amazon(.)com/Trans-Rad-Essays-Transfeminism-Book-ebook/dp/B0CSWXHHD7), which got mentioned by a reblog on your post about how hating men isn’t progressive. I read a lot of indie books and sci fi fantasy, and there is a popular group of transfemme authors, including Bhatt, who identify as transfeminist rad fems (or “ironically” as baeddels) but are constantly lauded for their writing in the spaces where I look for trans speculative fiction.

that's actually the most pathetic shit i've ever heard in my life

man hating won't make women safer. man hating hurts trans women. it hurts the tgirls who don't, can't, or don't wanna pass. it hurts the butch trans women. it hurts fat, muscular, tall and otherwise large transfems. it hurts hairy trans women. it hurts trans women of color. it hurts intersex trans women. it hurts closeted and stealth trans women. fuck that shit man. how do you claim to be a trans woman and throw so many other trans women under the buss? what's the goddamn point?

i will not rest until people realize that man hating hurts the ever loving fuck out of so many people, but especially transfems and trans women. like idk how to break it to people but a lot of transfems and trans women identified as cis men at one point in their lives. so what, they were just evil until they came out? they magically stopped being "predators" the second they figured out they were trans? never transition trans women are just doomed to be viewed as men for the rest of their lives? come the fuck on. i know a lot of trans woman assert theyve been women their whole lives and that's totally fine, but a lot to acknowledge that they used to identify as cis men. we gotta fucking stop this shit

this affects trans women who are unsure and questioning. like i cannot stress enough that this behavior is gonna fuck with a lot of people who think they might be trans women, but aren't sure, and are identifying as cis men for the time being. this is going to scare them away from questioning if they're transfem or a trans woman or not because of how much they're hated in that present moment before they've realized or come out. this hurts multigender, genderqueer, non binary and genderfluid trans women who identify as cis men as well as trans women. this hurts trans women who still identify as gay men. this hurts literally every and all trans woman everywhere.

rad feminism ain't feminism- it's misogyny with a pink coat of paint slathered over it.

[aimasup]

hey wouldn't it be something if Filbrick noticed how quiet the house got after both his kids never came back, and he says 'good riddance'

wouldn't it be someth

So I was reading your post about Filbrick and I want to ask a question about this parts of the post:

"From his point of view, Filbrick just heard Stan admitting he destroyed his brother’s life, by making him lose a chance that will never happen again."

"He made Ford lose an occasion that will never come back."

"Because before ruining the family, Stan’s action ruined his own brother’s future. He could have studied in a great school, instead of a mediocre one. And this is not something any parent would see, for none of their kids."

So, you are trying to say that Filbrick believes in retributive justice and that's the reason that he kicked Stan out of home? Like "You ruined your own brother’s future and destroyed his life and I will show you the same courtesy". He responds fire with more fire, an eye for an eye and a tooth for a tooth, that sort of thing.

Honestly, I don't think Filbrick thought at all, when he kicked Stan out of the house. What we got from the series (especially from Lost Legends) is that Filbrick is a guy with a short fuse, who tends to reach instinctively to things.

This is what I think happened here too. Filbrick heard Stan admitting he was hurting Ford, so he did the first instinctual thing that popped up in his mind: he protected the hurt son, by keeping the other away.

If he stopped to think, he would've probably found it very weird that Stan deliberately messed up his brother's life and questioned the whole situation a bit more. But that wouldn't have been Filbrick: he's a tough guy with a short fuse and he connected everything in his mind in the simplest possible way. One son hurt the other? Separate them.

I articulated it in a more complex way, but I don't think Filbrick made complex reasoning about Ford's future: his train of thought was probably much simpler, much more of a "son hurts other son -> separate them". Probably, on a more subconscious level, he made all the reasoning I explained, about how Stan admitted he just ruined his brother's future (according to him at least) and how painful it was to see a talented son forced into mediocrity. Maybe this is also how he processed everything that happened in the following years. Maybe he even gave voice to these thoughts, while talking with his wife and Ford.

But in the heat of the moment when he kicked Stan out, I doubt he made any of these reasonings at all. I believe it was more of an instinctual reaction of someone who wanted to protect the hurt son. And yes, by doing so he ended up hurting the other son, but we also know that Filbrick isn't the best at delicate mechanisms like psychology or feelings.

[rumpelree]

💕Some William and Michael doodles!

Basically just copy pasting from my YouTube community post here but- I like to think that post Clara’s murder, William would make Michael cook with him bc neither he nor Michael can cook well, so he thinks it would be better if they put their brain cells together(also father son bonding time since William gets clingy to like, the only child he has left besides his pet cat in my AU). He is 100% mistaken and neither knows what they’re doing-

His pride, to an extent, won’t let him admit that his cooking is terrible but at multiple points he just has to pack it up and get something from Freddy’s for him and Mike XD Why doesn’t he just, idk, get a modern cookbook? He’s set in his ways and also frugal, he’s not gonna waste however many few cents it would take to like…pick up a cooking magazine at the store, no matter how cheap- also. Depression meals ARE very money saving, so XD

The pictured “Lime Cheese Salad” is just a kinda crudely drawn version of an actual existing Jell-O salad recipe, unfortunately XD (the ingredients list is so gross imo, that’s seafood salad in the middle YUCK)

[tailoredshirt]

I just saw your c*ckwarming post and I got to tell you that that fic you wrote about Tarlos c*ckwarming?? About the money issues/extra shifts one?? Lives in my head rent free!! There are days when it pops into my head and I go 😍😍 over it!! Any hc on when they first trued it? Did they manage it the first time sucessfully? Or any random hc s just on this topic?

Thank you for this message 😭 The fic is Inseparable, like gravity.

I have two other fics started for this but none for their first time, although I do have some vague ideas about it!

(Btw idk how to tag nsfw text in posts without making tumblr hide the post from everyone? I’ll tag it ‘tarlos warming’ if anyone wants to filter. Pls lmk if there’s a better way to tag text posts.)

My headcanon is that TK has always wanted guys to stay inside of him after sex, but his partners were either too casual for that, or just pulled out and fell asleep, or declined if he asked. As in, he told a boyfriend ‘you can stay inside after’ but maybe the guy wasn’t a cuddler or was too sensitive, or he thought TK just wanted to go again after a few minutes but the guy was too tired.

And then TK started wanting to just have his boyfriend inside of him (or to hold him in his mouth) while they were doing random things, like cuddling or watching tv. But the only guy he asked about it thought he just wanted to fuck, or maybe didn’t understand why TK would want that. Why was TK asking to just have him inside but expecting him to hold still and not orgasm?? What were they waiting for?? laskdj

So I think the times he brought it up with guys didn’t go well, although not necessarily because every guy he dated was an asshole (although I certainly think some didn’t care about him much).

But obviously Carlos is different. Carlos is observant and wants TK to feel good, during sex and before/after, so he pays attention to subtle cues and listens to what TK says. (I think TK would do the same with Carlos but might be more likely to file the information away for later.)

So when TK says ‘you can stay in if you want’ (casually, like he doesn’t mind either way), Carlos understands that TK is expressing a desire for intimacy and he does it, and loves it too.

And when TK eventually asks if they want to just cuddle this way, maybe Carlos teases him at first, like, “oh, so you don’t want an orgasm? that’s new,” or maybe he’s initially confused about what TK wants, but he doesn’t let TK shrug it off. He’s probably like, “god, you’re gonna be the death of me”, with TK expecting him to have iron will, but he loves to give TK something sweet and simple like that, and yes he grows to love it too.

I think TK doesn’t express his cockwarming desires at first when they start dating because the intimacy scares him. I do think TK knew deep down that Carlos is The One, although I think for a long time that feeling manifested as “it is going to shatter me into a thousand pieces when he eventually realizes how damaged I am, and I’ll never get over him.”

So doing something so intimate with someone he knows he’ll never recover from? Scary af. And the first time they do it, it’s so good, and he feels so safe and loved and connected, that he knows he was right. He’ll never recover if Carlos leaves. (God, this is giving me so many breakup era feels. ANYWAY.)

But they’re married now and they do it all the time!!! Maybe not as often now that they’ve got a kid, but they take advantage of the times they do get. 😊

[pheebsvegetable]

hi gonna give my input on the analogy pictured below bc i love being analytical + i need to give my two cents :3 idk very much about insects/collecting them so this is probably a poor interpretation.

i would also like to apologize that it's 10pm where i live and normally i'm asleep right now. none of my thoughts are coherent, and i hope they make somewhat sense.

full analysis (shortened is at bottom of post):

when bugs are pinned to the back of a display case, they're incapable of moving. not by choice, but by force. because he's comparing himself to the bug in this situation, he's forcing his own self from expressing his true emotions; he seems careless on the page previous and the one this analogy appears on--which, he becomes defensive during some parts of conversation. he's doing anything to not break his character, even if it involves spewing a bunch of latin participles out at a peer.

he says he feels jekyll pulling back the layers of his figurative shell, which could mean that he can read lanyon better than he thought he could; because of this, he feels uncomfortably vulnerable. he's scared of being exposed because of the image he's built up for himself.

with this uncomfortable vulnerability, he's startled. jekyll is extremely close to unraveling why he pretends to not care about many things, that's something he doesn't want to speak or express.

and regarding the warm lighting and the coziness associated with it i saw someone else mention (can't remember their user, sorry)--many people correlate warmth and being loved. to be loved is to be known. the lighting could be used to further represent the repression of emotions from lanyon and how jekyll recognizes what he's doing due to their previous affair.

in short: i think that the analogy is referring to someone being able to see how you truly feel, and how polarizing it can be that someone has that ability.

i unfortunately don't have the energy to connect it to the rest of the comic but here's the extent of analysis i could do!!

[candyheartedchy]

ME RN:

Gonna be unhinged one day and write/draw out some analysis/lore about SB and Coraline’s childhood and how it affected them all the way up to their adulthood and the way they interact with folks in general including their relationship with each other.

[junos-junk-drawer]

I was just thinking about how post-crash curly doesn’t have eyelids. It sounds so dumb but Im genuinely curious if anyone has thought about this

Obviously curly is at risk for SOOO many things because of his lack of skin(?) and literally everything about him, but in specific, I feel like not having eyelids would make all this worse

He can’t blink so he probably has to have eyedrops or something but given how many times we blink, I feel like someone would have to constantly watch over him no matter what

And also wouldn’t he potentially go blind?? He has nothing to protect his eye from foreign bodies, he’s in a ship that has crashed so I can only assume there’s like stuff floating in the air all the time, and I’m not 100% sure Anya could handle having to take care of Curly in a realistic sense.

Sure, we see the game from Jimmy’s perspective whatever, but I don’t think anyone could really realistically keep Curly alive, whether they graduated med school or not, and especially given the limited resources they have.

I get this is a fictional horror game but it’s been on my mind I guess idk

If yall have thoughts on this lmk

[raycatz]

some more LU things that throw me for a loop,,

An artist I follow, wilimia, started a LU dnd AU, and then mentioned wanting to make it it's own thing. Shortly after, they received an ask,

"I'd be down for un lu-ing the dnd boys cause I got lu blocked ad hate how it affects most links meet aus, so yeah. If you do that I'd reach non lu audience. Most loz fandom doesn't follow lu blogs"

and idk, I get it, but it's also hard to read. So much of Wilimia's art is LU. It seems like something they found, and still do, find joy in creating for--and for years, too--longer than I've been in the fandom. "Most loz fandom doesn't follow lu blogs." Most loz fandom wouldn't have any interest in the majority of the art Wilimia's shared? Anon would prefer it to be non-lu? It reads to me a little like putting down or dismissing the art just because it's LU. Wilimia's art is amazing. I admire it so much. Their ideas are wonderful, too. And like many other pieces of LU fanart, there's a lot of exploration of comparing and contrasting the games, or analyzing the games, borrowing the LU cast, without explicit connection to the events of the comic itself. So much incredible creativity missed, because it is LU. LU's not for everyone. To each their own, I guess.

But I feel like so much interesting insight into the games is lost if LU fanwork is disregarded simply for being LU.

I also struggle with feeling like I have to choose an audience. I have ideas for pre-LU comics that would tell stories of fun moments from the games, during an adventure--but I want to use the LU heroes because I care more for those interpretations of Link. I'm blending my own game experience and opinion of that Link with what's been provided by the fandom.

I think the stories are fun and worth sharing! However, what tag do I use? It's the Linked Universe design and character, but it's also me, but it's also not Linksmeet or the LU adventure, really. It's LU, it's not LU, it's gen loz, it's both. And yet you'd get scolded for posting LU in the gen loz tags. I feel as though I must choose a side.

For example: there's a moment in OoS where a woman asks you to help her in exchange for a shovel. I got the shovel and then immediately dug up the entire map chunk surrounding her house. It would make for a good comic! But do I make it LU inspired or gen loz? I'd probably use a slightly more generic design for Link (Legend) anyways because he would be younger. Honestly, I could probably get away with barely changing the design at all, tag it as gen loz, and be praised for it.

There's a huge double standard when it comes to LU and Linksmeets. Both argue that not everyone has played all the games. All the interpretations and designs are unique and, at times, should be read as their own aus without worrying too much about adherence to the game or specific comic canon. Characterization and knowledge varies by writer. At the same time, no one person owns specific design elements or traits. Don't worry too much about being too similar. Let people make what they want. Every new instance adds to the wider understanding of the character and is therefore valuable.

Yet, by the people who dislike LU and its fandom and favor other Linksmeets, in LU fandom it's seen as an excuse, and in Linksmeets and gen loz it's seen as a strength.

The character of my comic could barely be LU Legend, and yet if it is LU even in name only, it is disregarded and unwelcome. The character could draw strong influence from Jojo's designs or LU fandom, and if I change one thing only but claim it as my own, it would be praised and defended.

Analysis and discussion in the LU fandom (especially from around 2020) brought me a better appreciation and understanding of the heroes and game similarities then any other kind of online fan created material had.

So for my mini comic- and going off of the anon's ask- what do I do?

I want my work to be seen. I feel like it is valuable to be seen by anyone who enjoys the games. I want to inspire people who see the comic to think more about the games and to create. I don't particularly care through what lense they connect with my gen loz / nebulously LU work--if they apply the situation to their own game experience, gen loz, or to any Linksmeet--if my work has connected with someone- has broadened someone's understanding of a game or character- then my goal has been met. Obviously use the correct tags and credit where credit it due, but if I am making pre-adventure or gen loz stuff, then I want to inspire. Write fic! Add the headcanon to your own! Just like- if you make something based off an idea of mine, include me! We are all building off of each other's stories. It is all inspiration. It's all the same soup.

There is no Linksmeet element. And yet, in my heart, I know the character will become some personal variation of LU Legend, influenced by a variety of fanwork, because that's the interpretation I favor.

If it's tagged gen loz it reaches the broader loz and Linksmeets audiences. If it's tagged LU then it stays within the sub fandom I know and care for. The thing is--it's a pre-adventure story, so it's not solidly one or the other. I don't want to tag it gen loz and have LU fans feel they aren't allowed to think of it as LU Legend. I don't want to tag it as LU and have it be missed by so many people, or have gen loz / linksmeet fans feel they aren't allowed to think to think of it as their own characters either. However, also, why should I be creating for an audience who would disregard so much of my and other's works?

Mina of Mina's Linkverse's recent posts have thrown me for a loop again. She's shared a headcanon post about Twilight Princess Link that delves into how Link, given his background in Ordon, might feel about turning into a wolf. What struggles, but also acceptance and joy, can be found in it. It's beautiful. I'd love to add it as another perspective into my understanding of TP Link--both solely within the game context and also more broadly across a variety of Linksmeets. It's one more way to further appreciate things I already enjoy. However, Mina opened the post with "Dont tag as L/U". Okay, don't tag, but am I allowed to borrow this and apply it to LU Twilight? I relate to it most strongly through that lense. It's a general loz post, and LU is loz. What if I were to apply it to Mina's Fangs, or Em's Wolf, or Frulle's Twilight? If I were to write a LU fic or draw a comic and tagged Mina as inspiration would she take offense? Would it be less of an offense if it was anything but?

Am I as a LU fan allowed to take inspiration from this and put it into LU fanwork? What about LU fanwork that goes more strongly into exploring these themes or situations from the games instead of the comic itself?

It just feels kind of feels like a whole perspective or group is being excluded. I feel like I am being excluded and that I am unwelcome. But, maybe that's just me being an entitled LU fan who thinks everything belongs to them and needs to learn to stay in their lane.

I've considered making multiple versions of the same comic. One that uses the LU design and tag, and one that does not, so that I'm able to reach and be appreciated by both audiences. But, I don't want to have to choose. There would be no difference in the comic but character design and name. And yet, that's all the means necessary to be completely disregarded.

[lukas-broken-bow]

OKAY HI 

I HAVE JUMPED OUT OF MY UNMOTIVATED STUPOUR AND FINALLY FINISHED A RESPONSE TO THIS POST @basilthesnakingthing GET YOUR ASS OVER HERE

for all of you new folks, this is a continuation of this beast

I love thinking about different adaptations of Jekyll - musical Jekyll is the most different, he’s kind of a wimp. like a dripping wet coward with zero moral flexibility what a joke (said with love but musical Jekyll will never cease to make me want to make fun of him). book Jekyll wanted to indulge in impulse, which I can respect - Hyde was basically his alternative account where he shitposted with no consequences. until there were consequences. TGS Jekyll is similar. that man has buckets upon buckets of repression and inner shame, the only difference is that his alternative account has a consciousness of his own. “I had more than a father’s interest in him” core I fear. 

I totally agree- Hyde isn’t evil! he’s a lack of inhibition! he’s passion and fire and rage without bounds! he’s everything Jekyll never allowed himself to be, and THAT is what Jekyll lost. he acts like the same guy he always was because that’s how he’s always acted, but imo the Jekyll and Hyde that we know in TGS are the two halves of the original Henry Jekyll - the half he outwardly presented, and the half he kept within, ashamed. 

have you ever seen Mission: Impossible 3? I honestly doubt you have (not many people I know are as into M:I as I am, literally just my family and my mate Chris and that’s it, I’ve given up on finding other M:I fans in the wild I fear), but regardless, in M:I3 one of the characters, Benji, talks about an ‘Anti-God’; a man-made compound of sorts that Benji sort of sees as a mystery tech end-of-all-things. I like to think that Jekyll sees Pretty technological norms like that - the Anti-God, in a way. idk, it’s a pretty abstract idea that I have a hard time explaining.

I really want to brainstorm more about Jekyll coming home still Pretty, it’s such a lucrative angst concept I think - imagine the society trying to converse with him like he’s normal and he’s acting all weird and loopy and so utterly Pretty it’s horrifying. I think they would probably figure out a way to fix it but only after the Big Big Sad. maybe also after discovering Hyde and Jekyll are one and the same for the extra whammy.

[hiddenwerewolfthoughts]

Intox cnc warning. Is this even intox cnc? Idk. Both of these things exist in this post tho. I don’t usually like intox but ✊ Wit my work battles comes, a new and unusual turn on.

(Strictly alcohol I will never do drug related intox unless I relapse which I won’t do)

Anyways I think it’d be nice to have a sub keep making me drinks or buying me drinks to see how I am when I’m drunk, not expecting that I get terribly horny when I’m drunk. I already have such bad self control, I can’t help that I pinned down my completely sober sub and bred him. I’m so much stronger and so horny, he couldn’t just expect me not to get off right?

Sloppily yanking my knot out and shoving it back in while my hands slid up and down his body, finding anything to grope or squeeze or rub or slide into. Exhaustedly biting and kissing his neck and shoulders while all my energy goes into my hips pressing against his ass. Forcing him through orgasm after orgasm until he’s exhausted and thinking about what a mistake he made trying to see how I am when I’m drunk. His cunt will be sore the next few days from how rough I’ve been for so many hours.