#they just keep proving they have no idea what they're talking about

[mvmnbnv]

Hi! I love your blog!❤️ I Want to know what do u think on this:

I think it's crazy how you have to over explain to caitvi fans that Caitvi relationship is problematic. It's weird bc we have on-screen moments, explicit proves of the things we don't like on the ship and the caitvi fans keep talking about "media literacy", "nuance"... They should be the ones over explaing why it is a good relationship, not us.

And to be fair, I know there are some who over explaing it, but if u observe their explanation is always based on a distorted interpretation of scenes. For me their explanation it's like a Frankstein of ideas together, it requires much more work for making sense.

In conclusion, to see the Caitvi problematics u just need to watch the show!! But to don't see it u have to apparently have "media literacy" 😂

Fr like it's annoying at this point bc I know they're just repeating each other and have no good thoughts. And exactly that! If you take apart anything that they say it means nothing...

"Cait did this/that for vi" "Cait gave up her vengeance for vi" she didn't do shit for vi...she did that shit bc she was tired. And let's say she did do any of that for vi...she STILL treats her like garbage. Everything she does do for her is still done while she's condescending to vi and smacking tf out of her. And sorry if I'm not privy to the words of a writer who can't keep her story together for shit and who's writing is so ass it has to be cleared up in DMs. Cait never utters a single word in regard to vi and her motivations, it's all about her. She gave up bc she hated herself, according to her own words. Not because she loved vi. She "accepts" vi will choose her sister. She still treats her like shit. She still with her OWN WORDS minimizes the shit she's done to vi. And the big thing they REFUSE to acknowledge is vis psychology in all of this. It's almost like caitlyn is aware she doesn't owe vi anything genuine or need to put any work in other than "letting" her (which...ew considering she's now sitting on the knowledge of jinx being alive) see jinx and doing acts of basic human decency. The bare minimum. She knows she doesn't need to do anything for vi that gives her emotional stability bc vi is so desperate it doesn't even matter. She's got vi wrapped around her finger to the point where she won't call Cait out for hurting her and to the point of being willing to fight for a city that had her people under martial law for 6 months tops. But people don't care about how vis behavior makes this ship even worse, because like I've said before, if she was in a better place mentally she wouldn't even be in this relationship

Like yea we watched the same shit it doesn't mean anything.

[jedi-enthusiast]

Alrighty, let's break this down point by point since I have to assume you either haven't actually watched Star Wars at all- (or anytime recently) -or you did so with your eyes closed and headphones on full volume.

"Anakin was a Jedi and was literally raised to think he was the most important person in the universe-"

Firstly, no Anakin was not taught to see himself as "the most important person in the universe," he was actually taught the OPPOSITE---part of being a Jedi is seeing yourself as responsible for keeping the galaxy in balance- ("balance" in Star Wars being peace and good) -and that includes seeing yourself as an equal to those around you. In fact, being a Jedi includes actually putting yourself in a position where OTHERS are given a position above YOU---I mean they're literally servants of the Republic, a lot of what they do- (especially when we get to TCW era) -is just following the orders of the Senate and doing their best to keep civilians and the men they command safe.

Does that seriously sound like them thinking themselves "better than everyone else" to you? If it does, you need to rethink that. You wanna know who DOES view themselves as better than everyone else, though? The Sith...the literal opposite/enemies of the Jedi.

Now, if you're talking about the "chosen one" prophecy then I have even LESS of an idea of what you're talking about because the only times it actually comes up are 1. when Qui-Gon mentions it all of TWICE in TPM and 2. when Obi-Wan, grief stricken because his padawan literally just murdered all of his friends and family, says "you were the chosen one, you were supposed to defeat the Sith not join them!" and like...wow, that stuff TOTALLY proves that Anakin was taught to see himself as above everyone else because he's the prophecy child (sarcasm).

In TCW there's like...one more instance of him being the chosen one coming into play, but everything that happened on Mortis was forgotten about by everyone, so how was that going to affect anything?

Honestly, from what we're shown in TCW and the movies, Anakin's supposed "chosen one" status was treated as exactly that...supposed. The Jedi state again and again that visions aren't to be trusted and trying to make them happen, change them, or avoid them often leads to making things worse---and no character's interactions with Anakin, aside from MAYBE Qui-Gon, ever give an indication that him being the "chosen one" is something widely believed or something that affects his status in the Order. He was treated like everyone else, so---again---I have no idea what you're talking about.

"-and taught to never feel, or disregard the feelings that his teachers considered evil."

Again, I have no idea where you're getting this.

Anakin wasn't taught "not to feel," he was taught to ACKNOWLEDGE his emotions and not let them CONTROL him. Literally the first scene we get with him being taught anything about Jedi's viewpoints on emotion, in that scene with him and the Council in TPM, the Council is literally only trying to get him to ACKNOWLEDGE his feelings, which is the first step in practicing emotional mindfulness and control---which is something LITERALLY TAUGHT IN THERAPY!!!

The Jedi's doctrine of non-attachment is basically taken straight from Buddhism's doctrine of non-attachment---which, since I know you're gonna take this the wrong way, ISN'T saying that you can't love or feel emotions or form connections, but that you have to be willing to LET THOSE THINGS GO in a healthy way and ACCEPT CHANGE. Whether you like it or not, everything and everyone is always changing, so if you can't handle that in a healthy way or let your emotions control you---like, say, by murdering a room full of children because you're scared your wife MIGHT die---then you're going to make yourself and those around you miserable, and you're going to hurt them in some way.

The Jedi don't consider ANY feelings "evil," they acknowledge many times that EVERYONE feels emotions like anger and fear, but they place importance on ACKNOWLEDGING that you feel those emotions and why you feel that way, so you can then LET THOSE EMOTIONS GO and NOT LET THEM CONTROL YOU.

"Anakin's position as a Jedi was wanted, but that position was never allowed to be used the way he wanted, and his mom died because of it."

I have no fucking clue what you're trying to say here tbh.

If you're saying the Jedi wanted him to be a Jedi: no they didn't, the Council stated multiple times that they thought the Jedi lifestyle wouldn't be suitable for Anakin and that he'd likely struggle with it---they just accepted him as one of their own after Qui-Gon made his case and some discussion about it, but that doesn't mean they were actively ADVOCATING for Anakin to be a Jedi.

If you're saying Anakin wanted to be a Jedi: yeah, but how is that the Jedi's fault? Why is that a reason they apparently deserved to be murdered? The fuck?

And yeah, Anakin couldn't just use the title of Jedi to do what he wanted, the Jedi are a RELIGOUS ORGANIZATION of PUBLIC SERVANTS---saying that Anakin should've been allowed to do whatever he wanted just because he was a Jedi is like saying that firefighters, police, government workers, etc. should just do whatever the fuck they want with no guidelines because...well, they're public servants, why have rules?

And I am so fucking sick of this take, the Jedi were NOT the reason that Shmi died.

In AotC Anakin tells Obi-Wan that he's been having nightmares---I can't remember if he says they're about his mom specifically or not---WHEN OBI-WAN PRESSES HIM and then, when Obi-Wan tries to talk to him about said nightmares, Anakin changes the subject- (rather creepily) -to Padme and never brings it up again. He's apparently been having these nightmares for a while, but from what the movie shows, Obi-Wan doesn't know jack shit about them because ANAKIN WONT TALK.

I don't know how you expect the Jedi to know anything about Shmi being in danger when Anakin refuses to talk about his nightmares and, AGAIN, they're NIGHTMARES---are the Jedi seriously supposed to go running across the galaxy every time someone has a bad dream that THEY THEMSELVES literally say is a nightmare, not a vision, and that THEY THEMSELVES brush off?

I just had a nightmare that all my teeth fell out, should I go running to the emergency room? Should I find a 24/7 dentist to take a look?

And the reason why Anakin isn't supposed to go running off to Tatooine, a planet full of criminals mind you, later on in AotC is because he's LITERALLY been entrusted with keeping an IMPORTANT POLITICIAN safe while she is ACTIVELY BEING TARGETED FOR ASSASSINATION!!!

I'm sorry, but were the Jedi supposed to put Anakin's nightmares---that he previously brushed off as nothing and refused to talk about in any way---above the safety of someone they KNEW was actually in danger??? The fuck???

"The Jedi aren't evil, but they allowed evil to fester for have a problem to solve. Literally a perfect execution of Hero Syndrome. They refused to acknowledge Anakin's problems before he became a problem for them, and they suffered the consequences. The Jedi aren't evil, but boy are they stupid."

They did not allow evil to fester, all we see during the entirety of the prequels and TCW is them trying desperately to protect the innocent, end the war, and try and root out the evil that was trying to take over the galaxy---just because Anakin betrayed them and ruined their efforts does NOT mean they just "let" everything happen.

The only person who didn't acknowledge Anakin's problems was ANAKIN.

We see MULTIPLE TIMES in both the prequels and TCW that people DO try to talk to Anakin about his problems, they DO try to help him, but ANAKIN IS THE ONE WHO REFUSES TO TALK OR ACCEPT HELP. The Jedi are not at fault for not being omniscient and trusting Anakin to not fucking murder them, and framing them as being "at fault" for being MURDERED is the same rhetoric misogynists use when women are raped and murdered, putting the blame on the victim instead of the perpetrator---you should've known that man was dangerous, you shouldn't have trusted him, you should've fought more, you should've protected yourself better, etc.

Sounds a lot fucking different when you put it like that, huh?

The Jedi could've, and DID, give Anakin all the chances in the world to open up and get help, but ANAKIN is the one who refused all of it.

And I think its so fucking funny that you say that you've never seen people try to defend his actions in the same post where YOU are LITERALLY TRYING TO DEFEND HIS ACTIONS---using his "bad childhood" or whatever as an excuse is STILL EXCUSING IT.

----------

Now, it's my turn to say some things instead of just responding to your points:

The fact that you saw me say that Anakin is entirely irredeemable to me because he MURDERED CHILDREN and then jumped in to defend him MURDERING CHILDREN while also never acknowledging that he does is tone deaf, ignorant, and so fucking IDIOTIC that I can't believe that I'm actually responding to it.

Anakin MURDERED CHILDREN, how are you seriously defending that? "Bad childhood" or not, "troubled upbringing" or not, that DOES NOT give ANYONE the right to MURDER FUCKING CHILDREN!!!

Good god, you stanakin morons will literally do anything to rob Anakin of any fucking agency in the atrocities he committed.

Now, as for your comparison to Caitlyn:

Believe it or not, I didn't really like Caitlyn in S2 and I think her "redemption" was rushed to all hell, which made the story and her character suffer.

Everyone basically just ignored Caitlyn gassing innocent Zaunites, perpetrating police brutality (the same police brutality that killed Vi and Jinx's parents), and then essentially becoming a dictator or simply glossed over it---not to mention that no one was really allowed to react to her doing all that, even though it's extremely out of character for many characters to do so: Vi and Ekko especially. The Caitvi prison scene, while a big step forward for wlw representation, fell flat imo because the writers had to basically steamroll over all the problems and history between the two to make it happen.

Personally, I think that Arcane would've benefitted from either more episodes or more seasons or both, because in rushing to fit everything into 16 episodes they dropped the ball when it came to the characters AND the story---and Caitlyn is a prime example of that. She did terrible things and she's never held accountable for it. No one is allowed to react. Nothing ever comes about because of it.

In my opinion she was never redeemed, her actions were just ignored, and because of that her character is soured for me and I just don't like her---whether she was grieving or not.

All of that being said, I have no idea why you chose to use her specifically as a parallel to Anakin---I'm not necessarily saying it's a bad comparison, I can see it even if they're on different levels, but I genuinely don't know why you used her.

If you thought bringing her up would make me more sympathetic to Anakin by the assumption that I'd understand/like her more, I don't know why you'd think that given my opinion on Anakin.

And if you're using her as a negative comparison to use to defend Anakin, then I don't understand how you can understand accountability and agency when it comes to police brutality but not when it comes to child murder.

Either way, you're wrong and you're arguments are fucking ridiculous.

@short-wooloo @antianakin - are y'all seeing this shit?

I’m gonna be honest, one of the main reasons why I can never really understand any defense of Anakin or get behind a good majority of “Anakin redemption” fics, is the fact that he murdered children.

Like let's just ignore the multiple genocides and enslavement of the galaxy for a moment, since technically you could argue that he only had a hand in that and didn't actually do it all himself, Palpatine, manipulation, blah blah blah-

He personally murdered children.

On two separate occasions, mind you.

Yes, murdering adults is also bad---don't think I'm saying it's not---but at least adults can actually try to defend themselves, most of them don't depend on the people around them to survive, and they have years of experience living in the galaxy that's given them skills they could use to survive if they managed to get away.

Children do not have any of that or---if they're a bit older and do---the skills they have are extremely underdeveloped. They cannot defend themselves, they depend on the people around them for everything, they have not lived long enough to develop sufficient enough skills to survive on their own in a world that's turned against them.

Argue all you want about the Council being "evil" and "stagnant" and "needing to die for the betterment of whatever," argue all you want about the other Jedi being "terrible to Anakin" and "deserving" their murder because of whatever reason, the CHILDREN had done NOTHING!!!

What could the children that Anakin murdered have done to "deserve" such a fate? Why did they have to die? Why couldn't they have been spared.

And the Tuskens!

Even if we assume that all of the adults in that village were personally involved in murdering Shmi, why did he murder the children? What did they do to "deserve" murder, other than having no control over who they were born as?

And like, we see in TBoBF that the Tuskens aren't just heartless monsters, they protect their own especially their young---are you telling me that none of the children tried to run? That none of the parents or elders told them to go while they tried to fight Anakin off?

And still, Anakin hunted them down and murdered them.

So no, even if you could explain away all the other atrocities Anakin has committed, I still wouldn't think any less negatively about Anakin.

He murdered children.

And I don't think that's excusable.

[pro-sipper]

Saw in someone's blog description they had "ship and let ship" in there so, since I'm psychic, I went to check their DNI and sure enough they had "proshippers" listed. Who's surprised?

[eggmeralda]

spent an hour making a list related to That Fandom, followed by an hour listening to the haunting vibe playlist, followed by an hour reading the fanfic we wrote about my band and crying actual tears bc it's the peak of comedy, followed by an hour thinking about all the things I've ever created that will never be seen by anyone either bc I don't know how to show them to people or bc people just think they're bad but either way I'll never know the true answer, and now it's 10.30pm and I've basically experienced the full spectrum of emotions: autism, existential crisis, silly, and the feeling of being unseen

[iwieldthesword]

I need to talk about this because it's making me feel insane.

Last week, my white leftist goyisch friends sat me, a wholeass antizionist Jew, down for a "talk" because they "needed to check in about Palestine" and make sure "our values aligned before we hung out again". They apparently needed to "suss out" where I stood on Palestinian rights, despite having had several conversations about Palestine and them being some of my closest friends. They needed to check, to search for and uncover my true values, because I had said some "disturbing things" that had made them "suspicious".

Disturbing things included:

Supporting IfNotNow which is a "liberal zionist organization" because it normalizes Jewish heritage in the Levant

Not bringing Palestine up enough, despite them also not bringing it up (this was apparently a test)

Mentioning that the Houthi's flag talks about cursing all Jews

Saying Stalin was antisemitic because of the "all the paw-grihms"

...and apparently other things they wouldn't specify, but had been tracking for months.

To clarify, I am an antizionist Jew from three generations of antizionist Jews. I have been vocal in my support of Palestinian liberation and in my condemnation both of Israel's actions and its violent founding as a state, and of zionism in many of its forms. I am a regular donor to Palestinian and Jewish NGOs and advocate for Jewish antizionism in person, at temple, and online. I have been talking about Palestinian liberation before they could point to Gaza on a map. But they needed to make sure, they needed to "suss out", they needed to check. And it's notable that the majority of moments that made them suspicious of me were times where I talked about antisemitism: not about Palestinian liberation, not about Israeli decolonization, not about anything actually relevant to Palestine. It was talking about antisemitism that made them check to see if I was a cryptozionist.

One of the most pervasive and insidious forms of antisemitism is the idea that Jews are inherently untrustworthy and suspicious. You have to constantly be on guard, track what they say and do, "suss out" the real truth. You have to keep them in line and and watch them carefully because they're liars and sneaks, and if you're not looking closely they'll return to their real values (and drag you down with them). This is where the idea of "cryptozionist" comes from and what it's directly building off of: the inherent untrustworthiness of Jews and the need to check. Because no matter how close you become you can't actually trust them, and any upstanding gentile should make sure to avoid associating with Jews before "sussing out" their real allegiances and intentions. You have to make them turn out their pockets, just in case.

I'm the first and only Jew they actually were friends with; I know because they've told me (strangely proud of it in the way white Americans are proud of that kind of thing). They've asked me questions about Judaism and fawned over how beautiful and unique it was for me to be connected to my community and culture. Pre-October 7th, one of them had even mentioned being interested in coming to services at my temple. She still has my copy of our siddur. But now she needed to "check" before she could be seen with me in public. Which is what it was: it wasn't a "you're my friend and I need to give you some feedback because you're fucking up" kind of intervention (which is normal and important to have), it was a trial. It was a last chance for me to prove to them that I'm clean-enough that they could afford to risk being seen with me in public, just in case someone noticed them fraternizing with a hypothetical Enemy and their leftism was compromised. It was a test to make sure that I behave properly when required to, that I'd play along and do what I'm told and turn out my pockets if asked (because any refusal would validate the notion of having something to hide). And above all it was an opportunity for them to reaffirm their own cleanliness by putting my imagined immorality in its place.

I did what I needed to do: I smiled. I apologized. I "didn't know that". I "appreciated the feedback". I turned out my pockets because what else could I do? They'd decided who I was and what I believed, regardless of what I said or did, so there was no point in explaining that they were wrong about me. If I had told them they were being antisemitic, it would just have been proof that they were right. Caring about antisemitism is a dogwhistle in the spaces they've chosen: it's not a real form of oppression, it's a tactic for sneaky, lying Jews to weasel out of admitting their true alliances. There was nothing I could say.

Nothing's really changed for me. I'm going to continue my activism for Palestinian liberation rooted in my culture and my faith. Antizionism is still not antisemitism. But I got a reminder that many white goyisch leftists fundamentally just don't trust Jews, and that the activist spaces they're in not only exacerbate their antisemitism in an increasingly insular echo chamber, but also allow them to finally vent their internalized bigotry in a socially-acceptable way. In my former friends' eyes, what they did was activism—disavowing a Jew (and making me feel humiliated, scared, and unclean in the process) as a cathartic stand-in for doing fucking anything for actual Palestinian liberation—but for me it was a grief that I'll be feeling for a long time: not only over losing friends I loved and trusted, but also over my sense of belonging and security in leftist spaces.

[silkentine]

Wha--?! Silk finally finished her fem Zoro design after (checks notes) literally 6 months since she made the canvas in procreate?

I'll break down design thoughts and share some fun bonus pics under the cut:

I LOVE long hair on Zoro, I think that was the first change I wanted to implement. Zoro in canon actually has a really interesting relationship with gender dynamics which (if for some reason you're reading this and you haven't watched One Piece) can seem out of left field for the "dumb brute" character. His rivalry with and reverence for Kuina suggests he doesn't adhere to the idea that women are weaker than men. Later on, however, during his confrontation with Monet and Tashigi during Punk Hazard, his hesitation to slash her down reveals that he's subconsciously over-protective of women because he thinks they're inherently weaker. I actually don't have any problem with this character trait, I think it makes him feel more real as a person and he obviously gets shit-talked enough about it in the story itself. But how did I want to reflect these beliefs if Zoro had been born a woman? Easy: internalized misogyny and applying value to herself via her appearance.

My version of Zoro grew up wanting to fight with swords but her only chance of entering the dojo was to work under the proprietress, Lady Shimotsuki to maintain the property, cook meals for the male students, and eventually be a good wife to the current heir, Kuina. She learns that, to get what she wants, she must be the ideal woman, even if she stays up all night training swordsmanship with Kuina when she isn't supposed to. He treats her love for swordplay seriously and treats her like an equal, which sparks a bond between them and eventually leads to Zoro's goal of becoming the world's greatest swordsman after his sudden, accidental death.

After years of intense training (now that Lady Shimotsuki admits that she'll need a new heir and Zoro is the closest thing she has) Zoro's finally old enough to leave and begin her journey. She starts letting go of the idea that she has to look pulled together to be taken seriously because she can just kill anyone who looks down on her. Her clothing falls into disrepair, she wears outfits that help her move in combat, and she starts tossing her hair up into messy, knotted buns under her bandana. Even so, she keeps her hair long like rolling hills of grass. (At least during pre-timeskip. She lops off her hair to prove to Mihawk that she's serious about being trained.)

I've put her in a thin sweater that she stitches (poorly) back together after her first interaction with Mihawk. (I kept one sleeve because I was inspired by the santoryuu Nami that Oda drew that one time.) I also wanted to girl-ify the ubiquitous haramaki so I picked leg warmers for her because I think they're sufficiently "dated" enough to be kinda analogous with his old man belly warmer. I also love gyaru fashion, sue me.

Here is a screenshot of her as a blonde:

And here is a sketch of her post-timeskip where she's fully embraced her butch nature:

Hubba hubba, am I right?

Check out my tag "girl piece original design" to see more of my genderbending art! Next post, I'll put all my East Blue Crew designs together! I can't believe it's taken this long but I AM SO HAPPPPPYYYYY

[lassieposting]

Been thinking a lot lately about romanced Astarion post-spawn ending.

Because like. The Funnest™ thing about cptsd is how much of it gets delayed. When you're trapped in a lengthy, ongoing traumatic situation, you do not have the ability to process and start healing your mental wounds. Your brain and body go into survival mode, and all that matters in the moment is that you somehow cope with the horrors. He wouldn't have been able to even begin dealing with the physical, mental and emotional toll of two hundred years of torture, brutalization and dehumanization while he was under Cazador's control; he is in constant danger, surrounded by sharks in the water, and survival means not letting them smell blood. He can't afford to fall apart, to show weakness. He is shockingly functional and competent in-game, partly because he has to be to work as a game character, but also partly because...it do be like that, to some degree. When death, for whatever reason, is not an option, you just have to shut down and keep going. People adapt in order to survive, and when we learn that showing an "injury" (physical or psychological) only gets us punished, we learn to hide it.

Early-game Astarion is terrified - of Cazador, of Godey, of being hunted down by his siblings, of being staked or sold off at the first opportunity by Tav and the other companions, of turning into a mindflayer, of another painful transformation, of losing himself when he's only just regained his autonomy after two centuries, of what Cazador will do to him if he ever finds him - the man is overwhelmed by fear. He's on thin ice as a vampire, and he's not going to give them any more reason to want him gone. Survival instinct is still in control, and in this new situation, crafting some fragile safety for himself means not only selling his body for protection, but also being useful. Clear-headed. Good in a fight.

Endgame Astarion finds himself in a completely different situation. The time-sensitive overarching threats - Cazador and impending ceremorphosis - have been dealt with. He has a loving, supportive partner he's really starting to feel safe with - Tav/Durge has proved that they're on his side, that their affection is genuine, that they don't just want him for the one thing he's been told he's good for. They've told him they're going to help him find a workaround for his sun allergy. He's getting fed regularly. He has time to stop, and breathe, and just. Recuperate.

For the first time in 200 years, he is safe.

And it will probably take a while to catch up, during which time he will seem to be coping really well, but at some point, his brain is going to realise that he's safe, and it's going to finally start processing the sheer fucking horror he's been through. Since I haven't seen anyone talking about this particular fun aspect of cptsd, allow me to offer u some thoughts on issues Astarion and Tav might end up dealing with in the months/years postgame, during the

✨ Delayed Trauma Response ✨

Memory Gaps: Astarion realising, as he opens up to Tav, that there are entire years or decades of his life from which he has only a handful of memories. Great big blank stretches where he has no idea where he was, who he was with, what was happening to him. Some of the gaps cover years at a time where he was so dissociated and shut down that he just didn't retain any memories of what was going on around him. Some are shorter periods of particularly horrific torture that his brain has deliberately blocked out to protect him.

Recovered Memories: At some point, years into the future when he's done A Lot of healing, he might find that every now and then, a fragment of those lost memories will unexpectedly come back to him. He'll catch a particular scent on the breeze, or overhear a specific phrase in the street, or cross paths with someone whose face is oddly familiar, and he'll get a glimpse of an acute horror he'd filed neatly away where it couldn't hurt him anymore. He very rarely remembers all the context to those flashes of his past. He might recall that he was punished, but not what he was punished for, or he might remember words spoken by a greedy conquest, but be unable to recall the man's face.

Dissociation: Tav knows going into this relationship that Astarion has basically made an art out of dissociating during sex. They also know, from their shared encounter with the drow twins, that he's not great at enforcing his own boundaries - he'll always say he'll speak up and back out if he stops having fun, but in practice he rarely does; he's not used to having the option of saying no to his partner, and being punished if he tries. So they know there's going to be some practice and experimentation and negotiation necessary there, to figure out the rough limits of his comfort zone. But once he starts really processing, there may be days where he just checks out completely. Tav will touch his shoulder, and he'll startle and apologise - "Terribly sorry, darling, I was miles away for a moment there." And Tav will gently point out that he's been sat in the same spot vacantly staring into the middle distance for hours. They've been checking in on him occasionally and this is the first time he's responded. It's unsettling, to say the least.

Lost Time: Astarion was very young when he was turned, physically mature but emotionally juvenile. He was basically an overgrown teenager, in the phase of life where elves are just starting to learn who they are and what they want, and figure out their place in the world. But he never got to do that, because he spent his formative young adult years in a world where everyone became an abuser, where his only means of surviving was to smile and charm and obey while even his basic human dignity was stripped away. He learned that communication is based on manipulation. He learned that the powerful can do whatever they like to the weak. He learned an incredibly toxic, abusive way of life, and that was his family dynamic, his everyday life, for as long as he can remember. Now that he's free and safe, he's realising that the world doesn't actually work that way and that he's now far behind even shorter-lived races in social/emotional development. He's grieving for the person he could've been. He's grieving for the life he could've lived. He's grieving for all the years he already lost, and the ones he'll lose in the future as he flounders to catch up. A decent chunk of his life was stolen from him, and that's time he will never get back.

Flashbacks & Night Terrors: Specifically the kind where your brain convinces you that an injury you had a long time ago is actually an injury you have (or are receiving) right now. There are nights where he'll wake Tav in a panic, because his back feels like it's on fire, he can feel every freshly-carved wound dripping blood and he's in so much pain he doesn't know what else to do. If Tav looks, they see nothing out of the ordinary - old, long-healed scars, same as always. But the pain and the fear and the distress are all very real to him, and all they can do is try to comfort him, cover his back with cool damp cloths or healing salves, remind him he's safe now and they're not leaving him.

Boundary Shifting: Sometimes, Tav can come up and hug him from behind, and he'll melt into them a little bit and go all soft and happy. Other times, he might flinch away or go rigid at the same gesture. A lot of the time, it really depends on how he's feeling on the day, but at least a little bit of it is deliberate - he's pushing to find the limit of just how much autonomy Tav is willing to give him. He wants to know at what point they'll stop respecting his "no". Will they accept it if he doesn't want a hug? If he wants to sleep in his own room tonight? At what point will understanding turn to anger at being rejected? From the drow twins four/fivesome, we also know he's got a tendency to push his own boundaries, and jump into things he's actually not ready for, and Tav would be the one holding his hand through the fallout as he tries to figure out what his own boundaries even are.

Frustration! So, so much frustration. He wants to be Over It already. He wants to move past everything that ever happened to him and never think about it again. He hates that Cazador still has a grip on him, even in death - he doesn't want to give the bastard the satisfaction of dwelling on all his punishments, his cruelties. Sometimes, that frustration is going to explode outwards at Tav - he'll get angry at them for coddling him, or find something small to start a fight over, or he'll set an unreasonable boundary and try to defend it because he's still learning what healthy boundaries look like. Sometimes, it will implode inwards, and that won't be about Tav at all, but they'll get the brunt of it all the same - it might come out as self-loathing or self-punishment, and he'll react by doing something stupid, like trying to drive them away, because having a secure, relatively healthy relationship is terrifying and the instinct is to destroy it before Tav can. There will be yelling and angry tears and deeply unhealthy coping mechanisms, and they'd have to work through that. Trauma is ugly, and Astarion is right at the beginning of a very long journey towards healing.

Abandonment Issues: Astarion wants the relationship to be one between equals, but he's kind of got Tav on a pedestal all the same. They saved him. They helped him get rid of Cazador for good. They chose him and love him despite a wealth of better (in his eyes) options, and all his baggage. They stayed with him even when he has very little to offer them. We know his vanity and obnoxious self-absorption is a fragile attempt to obscure the fact that his self-esteem is in the dirt and he has virtually no self-worth, and there are a couple of occasions in-game where it becomes clear that he's afraid of losing the one person who somehow considers him lovable. After seeing Sebastian and all the other conquests, he begs Tav not to hate him, saying that he did what he had to. If he has a rival for Tav's affections, and Tav informs him that they broke up with the rival to be with Astarion, he's shocked and the first thing out of his mouth is, "You ended things with them for me? Why?" And if Durge tries to break up with him for his own safety, his facade drops and he immediately asks if he did something wrong. So while he's not afraid to argue with Tav, if something happens - like an angry outburst - that upsets or angers them, and he thinks he's at risk of losing that one steady, stable person in his life, he might well cling and overcompensate to try and repair what he thinks is a fracture in their relationship. He'll fawn or beg or crawl into Tav's bed to "apologise" and "make it up to them" because, well, very occasionally it worked on Cazador. With patience and good communication and lots of repeatedly driving the lesson home to overcome 200 years of education to the contrary, he will eventually start to believe that "I'm really pissed off at you right now," does not equate to, "You are the worst mistake I've ever made and I am leaving you."

Panic Attacks: I feel like honestly he'd get some symptoms of these on a fairly regular basis, but he's never been given any option other than just trying to power through them. He's used to realising he's shaking, he's used to feeling like he's watching himself from outside his body, or like he can't breathe even though he doesn't need to. He's very familiar with the sickening fear in his gut, so intense it makes his head spin. He's not used to being comforted or reassured about them - he thinks they're normal. Tav disagrees.

Anyway, cptsd is messy and complicated and often looks very different from person to person so these will not represent everyone's but these are just some ideas for what the ongoing recovery process might make them work through, based on the aspects I'm most familiar with.

Projecting? Who's projecting? I'm not projecting. Shut up.

[twilightkitkat]

Everyone knows that Deadpool can break the 4th wall. It's a large part of his charm: being able to directly address the audience and make popculture references that don't exist in the MCU.

It's a common gag in fanfiction for Logan to be slightly weirded out by this but to just let it go.

But can we talk about the implications of knowing about 4th wall? The potential?

Imagine Wade, knowing that he's trapped inside a story that nobody else is aware of. Knowing that his fate is in the hands of the storywriters and that if he doesn't perform well for the audience, his universe could cease to exist. Knowing that he's just a character and being completely alone in that knowledge.

Knowing that he's played by an actor. Knowing that nothing is really in your control. Knowing how your fate rests in the hand of corporations and money. (Knowing nobody is safe as long as they can be used to further your character development.)

He knows that there's a plot and the general rules of it. He knows that The Conflict can't be resolved that easily and when the end of the movie is coming. He knows how to tell narrative death flags.

He partially makes references to keep the audience engaged (to keep his existence renewed) and partially because it's funny to see everyone confused over a joke only he gets.

But every reference is trying to see if anyone else knows, too. He's throwing out the bait. (Trying to see if anyone knows that the world they're living in is fake.)

And everyone sees him as crazy for it. Schizophrenic, manic, insane. (And maybe he is. It's not like he can prove it to anyone.)

Wade assumes things about the world and they're generally correct. He knows the rules of the game, knows the writers, and has a razor-sharp intuition that has his allies questioning him sometimes (he knows popular tropes).

And so, when he realized that he was in a movie with Logan, he made a lot of assumptions. That they would have to work together. That they'd overcome their differences and grow closer.

But most importantly, he assumed the limits. Disney wouldn't make an openly gay character, would they? Deadpool is fine because he's a joke but Wolverine would never be seriously gay, even if he was queer in the comics.

So he sees it as safe to flirt and joke because it wasn't going anywhere. Being gay was funny to the target audience, but that was it. It'd never be taken seriously in a superhero movie. (Especially with characters as popular as Deadpool and Wolverine.)

Wade was either getting Vanessa or nothing. That was how the story was written.

So he never takes Logan's feelings seriously. He cared about him in a very family-friendly bro kind of way and that was it. He doesn't even consider the idea of romance. He jokingly flirts and spews innuendos, but they never went anywhere. Wouldn't go anywhere. Ever.

And Logan is confused because he thought Wade was attracted to him, yet he keeps brushing him off as friendly when he tries to be sincere. He one time legitimately shared a bendy heart straw with him by Wade's request and Wade just played it off as a bit.

And also, Wade keeps making references he doesn't understand. That nobody understands. And he'd chalk it up to saying random shit except Logan starting paying attention and it's all oddly cohesive and creates a singular story. It ties together in ways that complete nonsense doesn't.

And that's leaving out Wade's "intuition." How he makes comments about "tropes" and "cliches" like they're in a movie except that he ends up being right. Almost every time. It's like he can predict the future, but in a vague yet oddly specific way. Like he can see how things are going to go.

And sometimes, when Wade thinks Logan isn't paying attention, he notices how he mutters to himself in dread. And how something bad almost always happens after.

It makes him disturbed and painfully, achingly curious. What was Wade seeing that he wasn't? It could be that Wade was a secret prodigy, but that didn't seem to be the case? Some of this was too specific and far-fetched.

(All while Wade laments over the lack of agency in his own life, subject to the currents of the story while being painfully aware of it. He couldn't live a life of blissful ignorance like everyone else. It's like he saw a tsunami hurdling toward him—even if he ran away at full speed, the plot always caught up to him somehow.

Trust him. He'd tried to outrun it.)

[woso-dreamzzz]

Read II

England Lionesses x Child!Reader

Mary Earps x Child!Reader

Summary: There's a reason you don't have sugar

You hold reading lessons every day at camp because you want the rest of the England team to not be knuckleheads anymore and to prove Mikey from school wrong.

It's not easy to learn how to read so you know you need to come back to make sure everyone has been keeping up with their learning because that's what Mummy and Daddy do to you.

They started teaching you how to read very early so you were fairly advanced when you went to school.

You think Mikey's just jealous because you're a good reader and he's a bad one but, still, you want to make sure to prove him wrong.

Mary always says the best revenge is proving haters wrong. You don't know if Mikey's a hater but you'll assume he is because better safe than sorry.

You've done a good job at teaching everyone though because Maya, Millie T and Tooney all give you some sherbet sweets. They make your mouth go a little tingly when you try them but you like that feeling so the three of them keep feeding you more.

They're responsible for you while Mary's getting the last bit of treatment before you all get on the coach to go to the stadium. Usually, someone else is responsible for you but you did a quick reading lesson for Maya and Millie with Tooney as your assistant so they're supervising you before the journey.

You decide that you really like the sherbet straws they give you and Maya dares you to see how many you can finish before you have to go.

You don't count but it's definitely a lot.

Enough for you to feel super hyped when you're finally reunited with Mary. She's picked out a set of four seats with a table and she's already got your rucksack full of books open for you to pick from.

You're very advanced in your reading for such a young kid but even you struggle a little bit. Now that you've taught Mary to read, she can read very well from the books that are a bit too complicated for you right now so she's in charge of reading them to you as you drive to the pitch.

"Er..." You say as you look at the selection," That one."

"Alright," Mary says, cracking open the book and clearing her throat. She gets about halfway through before she notices how wiggly you're being. "Hey, rugrat, do you need the toilet?"

You frown. "No. Keep reading, Mary."

"Are you sure? I can take you."

"No, Mary. My book, please."

"Alright." Mary keeps reading but she's acutely aware of the way you keep wiggling in your seat.

You seem to think you're fine though. Or, at least, you don't think you need the toilet which is Mary's main worry.

"Okay," She says finally," Go and find someone to hang out with. I need to talk to Tooney."

You seem all too happy to scamper off, practically throwing yourself at Beth across the aisle.

"Tooney!" Mary snaps, interrupting the conversation she and Alessia are having.

"Jesus, Mary! You scared me there!"

"What did you give my sister?" Mary demands," She's never been like this before."

"Like what?"

"Like that!"

Mary points over to where you've decided it's a funny idea to crowd surf over the girls at the front, who are bouncing you a bit as they pass you off to the girls sitting behind them.

"She doesn't do that! She's also not wiggly on the bus! What did you give her?"

Tooney winces. "I gave her nothing!"

Mary narrows her eyes. "What did you let Millie and Maya give her?"

Tooney's eyes dart to them quickly before she clears her throat. "I've got the right to remain silent! Anything I say or do can be used against me in a court of-"

Mary's already moved off before Tooney can finish and she crosses the coach to confront the other two. "I'm not interested in excuses. Tell me what you've given my sister."

Her gaze is clearly intimidating because Maya and Millie fold instantly and Mary's on her way back to her seat, easily plucking you from someone's arms to set you back down next to her.

It seems most of the sugar rush has disappeared now but then another problem makes itself known.

The bus goes over a series of bumps and you make a little aborted movement forward.

Mary recognises the action and whips out a plastic bag. "Here, rugrat," She says," Let it out. Let it all out."

She rubs your back as you throw up. It takes a lot longer than usual to hurl up your guts and Mary narrows her eyes over the top of her seat to look at Millie and Maya.

This is all their fault, Mary knows it.

It's because of all of the sugar you've consumed that you've thrown up so bad and, as she ties the bag shut, Mary briefly contemplates throwing it at Millie and Maya.

"Juice, please," You say and Mary hands it to you," Sorry, Mary."

"It's okay," She says," It's not your fault. Do you want to continue your book?"

You nod, leaning against your sister, energy drained. "Yes, please."

[ohbo-ohno]

cuckolding - simon ‘sells his sperms’ to reader and her bf who’s infertile. they can’t afford ivf so the traditional way it is but just the tip and jerking off into her pussy. that’s what was agreed anyway

simon ends up taking whatever he wants from her because how can we fuck if we aren’t properly aroused sweetheart? let’s do a few rounds to increase the chances eh? she’s so desperate for a baby that she complies. she’s secretly into it even. poor reader’s bf :( watching her make out with this stranger and take his cock in her mouth too

hello beloved. im ghoapifying this. pls forgive me

smth about johnny having kinks that he doesn't want to admit to/doesn't recognize... him subconsciously looking for a way to get those needs met...... it's delicious

thinking about you and johnny deciding you want a kid but after months and months of trying with no results, you're starting to lose a bit of hope. the both of you get your fertility checked, and johnny is pretty crushed to learn that he's shooting blanks. makes your relationship a little rocky for a while tbh bc he becomes kinda obsessed with proving his own virility to himself

when you two eventually decide (through a mix of dirty talk, pillow talk, and very emotional conversations) that you want to try ivf, you realize pretty much immediately after that you don't have the thousands upon thousands of dollars necessary just lying around. it's johnny who consoles you when you realize you won't be able to afford the treatment, and it's johnny who decides that he's going to fix the problem himself

(ghost is looking for odd jobs when he spots the listing on craigslist. smth so terribly worded that he almost thinks it's a joke, at first. there's not a single comma used properly, it seems like every other word is misspelled, but the earnestness is clear through the screen. the request was posted five minutes ago, and ghost is the eighth comment - a quick glance at the other accounts shows him that he's the youngest by at least a decade)

soap and ghost message, for a while. soap is pushy as hell, asks for pictures of ghost's face and gets a few of his cock instead. says he's not sure if ghost is the right pick, since he looks nothing like johnny, but keeps messaging him anyway. simon is pushy as hell, asks everyday when they're gonna meet up, gets pissy when johnny keeps pushing it off

(soap sends pictures of you sometimes. they start out innocent enough, pictures of your face from your instagram or your side profile when you won't catch him with his phone up. johnny finds it easy to ignore the guilt he feels when ghost says send me one of what i'll be fucking and johnny does, sends a picture of you fucked out and face down that you had no idea existed. you're limp, slick and come dripping from your hole, and johnny can't help the way he gets hard when ghost's only response is one without your useless spunk inside her. she won't have to put up with it much longer)

when you finally meet ghost, you're unaware of all of this, of course. johnny had just told you he wanted you to meet a friend of his from work, and you'd been excited to go out for a night on the town with him. you'd found simon off-putting, to be honest, but he'd already said he'd be picking up the tab, so you just indulge in a few more shots than you normally would and stay cuddled close to johnny most of the night.

johnny only tells you the real reason he introduced you two when ghost says 'm steppin out for a cigarette, i'll pull the car around for you two and lumbers off, lighter already out.

ye still want a bairn, right? johnny had said, eyes bright as he wrapped his arms around you, kept you pressed close to him. simon can give one to you, to us. he's not even gonna charge us, bonnie, how great is tha'? you'd gaped at him a little, and he'd interpreted your expression as fear. hush, naw, don't worry, lass, i'll be there the whole time. promise i won't let him hurt you, yeah? we can even hold hands, alright?

the time between you sitting in a booth with your legs thrown over your boyfriend's lap and your back flat on your bed is a blur in your mind

simon is heavy over you, both of your wrists held in one of his hands as he ruts against you. you're drunk enough that you can't focus on much but the heat between your thighs and the long kiss simon has kept you locked in. he strips you easily, forcing you high up on the bed so you can rest in the pillows, forcing your legs around his hips so he can pin you

it's only when he pulls back to undo his belt and strip himself that you finally remember johnny is in the room too.

he's bent over the edge of the bed, hardly two feet away, and you can hear the sound slick sound of him fisting his cock, can feel the way the bed shakes just a bit as he fucks his own hand. you sort of whine, reaching out for him, soothed when his free hand links with yours, his own eyes a little wet like they always are when he gets so hard that his thoughts melt away

"eyes here," ghost grunts, big hand covering one half of your face as he forces your gaze away from your boyfriend and back to him. "you don't need to look at him. he's not the one gettin you knocked up, is he?"

you and johnny moan in tandem for that, and your eyes are wide as saucers when you finally look down at the battering ram between ghost's thighs, the ruddy tip of him leaking as he strokes himself.

"you're too big," you manage to gasp, squirming back.

ghost makes a sound somewhere between a scoff and a laugh, lining himself up with your drippy hole and pushing in without warning. you nearly squeal at the stretch, digging your nails into his shoulders and pushing against his thighs with the heels of your feet. your squirming doesn't stop him, and he doesn't give you even a second to adjust as he uses his weight to sink himself to the hilt inside of you

he makes you look in the eye while he fucks you. and he talks a lot - he says more while he's inside you than he did your entire evening in the bar earlier

you feel good, huh? this the first time you ever had a real man fuck you? yeah, the brat humpin' the bed isn't enough for you. bet you always felt empty when he fucked you, but he didn't even need to stretch you out before rutting here. a hand rubbing your clit, making you nearly scream from the added pleasure as he fucks you so hard that the headboards slamming against the wall. bet my seed'll take first try he grunts into your ear, and you hear johnny moan from your left. might even give you more than one, huh? have you fat and round with my babies, make him watch you grow and take care of you, if he can even manage that.

when simon finally comes, he fills you up more than johnny ever had. makes you wait to come until he does first, too, tells you that he googled it while pinching and twisting your clit until you burst beneath him, your cunt squeezing his soft cock as your eyes roll back in your head

(johnny cuddles you, after. he tries to fuck you but ghost won't let him, holds him back by the hips and squeezes his balls until he goes soft, spits i don't want your spunk fucking with mine. you gonna waste my time like that? thought you wanted me to fuck your girl pregnant? were you lying, johnny, or you just so fuckin' desperate that you'll break our deal? and johnny whines and cries but listens, holding you close and pressing his cock against your folds but never inside of you)

((ghost doesn't leave the next morning. doesn't leave the next week, actually. he fucks you every day, even when you insist that you're not ovulating anymore, that he doesn't have to keep trying to get you pregnant. the first time he eventually lets johnny fuck you again, he holds him by the hips and stuffs a few fingers inside you along johnny's cock, says she got used to me, johnny, we'll have to give her a little extra if you want her to let you fuck her again and laughs when johnny whines.))

(((he doesn't even leave when you take your first pregnancy test and get positive results. he rubs your back as johnny scoops you up off the ground, rumbles his own quiet congratulations. a few days later you try to hint that he can leave now, that you and johnny don't need him anymore. he doesn't listen, but that's okay, because you can't quite imagine what you would do if he did leave, how you and johnny would function without his rock steadiness - you're relationship had been a rollercoaster before simon, insane highs and terrible lows, all smoothed out when ghost came into the picture and started playing referee for the two of you)))

((((when you're eight months pregnant, you lounge in a rocking chair as johnny rubs your feet and simon builds a crib.))))

[allllium]

Destructive

Vampire!Jason x Reader

~ Mostly fluff, Jason is very stubborn, WC: 1,083

You sit in silence on the couch, the opposite end of Jason instead of by his side like usual.

Neither of you have talked in at least an hour.

You can clearly see he's in pain but until he finally admits how he feels, there's nothing you're gonna do about it.

According to all the books and movies about vampires they're supposed to be scary but all you've seen is how childish they act when they're hungry.

There's a quiet chatter coming from the show on the TV, the one neither of you are paying any attention to.

"You're literally starving to death, is now really the best time to be so stubborn?" You break the silence.

"I have no idea what you mean." He crosses his arms over his chest and turns to focus on the TV.

You stare blankly at him.

"You are aware you just completely proved my point, right?"

"No." He mumbles under his breath.

"No? Will you please look at me while I'm lecturing you."

With an overly dramatic groan he looks in your direction.

"I said I'm fine."

"Okay? Am I supposed to believe you?"

"I mean I was hoping you would." You keep staring at him with a blank face, fighting a small urge to smile at the whiny tone in his voice.

"Maybe try that again when you're not dying."

"I'm not dying." You roll your eyes immediately.

"Ohh okay I must have misunderstood earlier when you said you haven't had any blood in a week."

"Clearly."

"So if I decided I wanted to sit closer to you that wouldn't affect you at all." You stand and go towards the side of the couch he's sitting on.

"No, not at all." He clears his throat as you sit right next to him, arms and legs resting against his.

"This is good then right? No urge to bite me or anything?" You lean your head on his shoulder to further prove your point. You feel him try to lean away from you but the arm of the couch stops him.

"Do you have a death wish?" He exclaims and jumps from the couch.

"There's no danger if you're not starving, huh Jason!" You jump up right beside him.

"You are not seriously having fun right now!" He yells, noting the smile on your face

You quickly bite your inner lip to cease your smile. "No I would never."

"I am dying and you think this is funny." He fakes offence, a familiar smile making an appearance.

"Oh so you finally admit it."

"Yes but it doesn't change anything." He starts walking to the kitchen.

"It changes everything!" You raise your voice so he can hear you from the next room. "As I said I'm always right!"

"Wrong!"

You follow him into the kitchen. "What are you doing?"

"Getting away from you." He half jokes.

"What's more dangerous, Jason? Drinking some of my blood to stop you from starving? Or not drinking anything and losing control which could end up with me dead?" You ask casually and lean against the doorway to the kitchen.

"That's exactly why I try to stop this from happening."

"I know honey. But this is reality and you can't just hide something until it goes away."

You walk closer to him until you can hold his hands in yours.

"I know you get scared but the more you try to deny it, the more dangerous it'll be."

"The only thing worse than losing you is hurting you."

"Well good thing neither or those things are going to happen. I trust you Jay, why don't you trust yourself?"

"Stop being so logical." He whispers and pulls you into a soft hug. "It's making it harder to be so stubborn."

"I don't want to lose you just as much as you don't want to lose me."

"That's hard to believe."

"Too bad." You laugh and feel his breathless chuckle against you. "Please don't keep starving."

"Okay." He nods against you, "That sounds like a good plan."

"Great so how are we gonna fix this?" You pull back so you're face to face.

"Steal some blood from a hospital."

"No, Jason-"

"Find a random person on the street."

"Jason-"

"The black market."

"What the fuck." You put your face in your hands.

"I'm sure I can think of a few others."

"I thought we just discussed this."

"No."

"Jason, stop being stubborn. We're done with this."

"Why are you insisting on this so much?"

"Because I'm sick of you spending weeks feeling terrible because you don't have access to blood. I'm sick of you being so hungry you avoid me." You take a step back.

"I'm sorry."

"I don't need you to be sorry, I just need you to listen to me."

"You're right." You watch him carefully for his next move.

After sitting in silence for a couple minutes you sigh.

"I'm sorry I'm nervous." He finally blurts out.

"Are you having performance anxiety or something?"

"I do not need your bullying right now."

"You're right I'm sorry." You smile widely.

"You don't look sorry."

"Focus."

He pulls you closer to him, close enough that you can feel his breath on your neck. Once again, nothing happens.

"This is getting awkward." You complain. You move your arms to wrap around his neck and he grabs your waist to pull you closer.

He smiles against your neck a split second before he bites you.

He's warned you many times that a vampire bite is very painful but after a small pinch the only noticeable thing is how lightheaded you become. Most likely to keep victims from being able to run.

Time slows as he takes your blood and after a minute or two you lose some balance, but Jason wraps his arm around you to keep you standing.

"Thank you." He says as he pulls away from your neck.

"Anytime." You whisper.

"Are you okay?" He almost panics when he sees you're having trouble keeping balance.

"I'm fine, as long as you don't let go of me or anything."

"Here, sit down." He picks you up and makes you sit on the counter. "I'm gonna make you some dinner."

"I'm alright, give me a minute and I'll be back to normal."

"No, be quiet." He pulls some ingredients out of the fridge.

"I love you." You smile as he cooks for you.

"I know my cooking is good but that's a little extreme."

"Jason!"

"I love you too."

[moonfireshadow]

Rewatched Saltburn and I'm obsessed with Farleigh and Oliver's tutoring scene. The essay specifically. For those who don't remember: Oliver did his homework and all his assignments and genuinely gave a well thought out essay for their summer assignments. Farleigh shows up hungover and late and didn't even read the books. But the teacher immediately loves Farleigh and is chatting him up with an interest he barely tried to show Oliver. Even after Oliver gives his presentation and shows that he's clearly a much better student than Farleigh. Obviously this is the real start of their rivalry. But it's also such a beautiful look into their characters and how they mirror eachother. Farleigh understands Oliver's essay, I believe. But like the teacher he's bored by it. The knowledge and work is there, but the presentation of it is boring and strange. Academic and correct, but lacking the appeal to the audience. (Which, can we talk about the fact Farleigh was genuinely listening at all? The teacher zoned out and switched channels, but Farleigh was interested and paying enough attention to know the exact number of times Oliver used the word "thus" in his essay. They respect each other truly even if they despise eachother at this point, and refuse to acknowledge the grudging respect.) So Farleigh does what he does best, he gloats over Oliver. He picks apart the style of the essay and it's presentation rather than addressing the central argument or topic. This delights the teacher and frustrates Oliver who is like, "so you're going to critique the style of my essay rather than it's substance? Seems a bit lazy" and that's the core component of these two characters.

Farleigh is ALL about presentation. He knows how fragile his pedistal is placed up and in view for everyone to see. He's a charity project, just like every other rando of the month. Sure he has some familiar connection, and that's given him a leg up in this world. But it's still shakey at best. He always has to give the correct performance, say the right words, keep his audience on HIS side. Unless he wants to get knocked down with the rest of the common rabal that he knows he's belongs with, but can't stand the idea of. So yes, of course he picks apart the one thing he knows Oliver is failing at. He takes his one advantage over Oliver and uses it mercilessly to both entertain and secure his audience on his side. (I wonder if the positions had been different some how, if Farleigh would have had anything to say about the substance of the essay itself. He was paying attention to it, did he want to have a real academic conversation? Did he possibly want to try and connect to Oliver in that way? A real and non performative way with someone who's so similar to him?)

As for Oliver, obviously his character is intelligent. He does the readings. He does the research. He puts the time and effort in to *learn* in the way Farleigh never does. And it must infuriate him that his essay is so easily pushed to the side for a cheep critique that doesn't even address the central argument of his essay. Of course he would hate Farleigh from the start for that. It's such a quick negation of all that Oliver has to offer and give just because it's not wrapped up in a pretty bow. And that's just his character. The substance is there, the intelligence is there. But it's not enough. It will never be enough. Because Oliver doesn't know how to translate it to his audience in a way they'll care about. He learns and tries to mimic, but it always falls short because he just can't seem to figure out the way to blend in and present himself so seamlessly as Farleigh.

And that's why they're such perfect mirrors of each other. They're both intelligent and clever. But they've found different ways of getting what they want and proving themselves. Farleigh is the face and the presentation, Oliver is the substance and body. In another world imagine what these two could have done and been if they hadn't been pitted against each other for the same prize. And the fact Oliver definitely deliberately shoved Farleigh out at the perfect time so he wouldn't get hurt and killed? Oliver and Farleigh respect and admire the other. But their tragedy is they can never be on the same page or team because the world they're in says there is only room for one. And they'd both do anything to get that title.

[frudoo]

I really like your writing! I'm so glad I found your page. I was wondering if I could do a drabble or little one shot ask about the 141 boys (poly or individual doesn't matter either way) I just had this idea because there's so many ideas about the boys not thinking they're good enough for their girl but what if it was the opposite way and I was wondering what you'd think their reactions would be.

The idea is that their girl is on the phone with her friend thinking they can't hear her talking (maybe they were asleep or out for a run or something) and her friend asks how things are going with them. Their girl full on gushes about the boys to her friend and her friend is like "oooo sounds like love to me! Have you told them yet?" And their girl is like "I... No of course not...They can't love me, I couldn't possibly expect them to."

This is long but thank you for listening to me ramble!

PLEASE I got so sappy with this one I just couldn't stop my fingers from typing. Also you're such a sweetheart <333

Warnings: Mentions of self-doubt, food, mentions of sex. Fem!Reader. MDNI.

Kyle Garrick:

     Kyle’s had a long day, and the man just wants a proper cup of tea. He starts down the hallway, but when he hears his name coming from your room, he stops dead in his tracks. He knows it’s wrong, but he can’t help but crack your door open to eavesdrop a bit. 

     “I’m telling you, he’s perfect! When I have a bad day, he’ll take me out for coffee, or we’ll go for a walk or just look around the pet store. Sometimes he’ll even do my laundry! It’s- it’s not a crush anymore. I’m in love with him,” you ramble on to your friend, who’s giggling with glee over the speaker of your phone.

     “Well, have you told him?” She questions excitedly, and you go quiet for a moment.

     “Of course I haven’t. Why would I? It’s not… it’s not like he feels the same. I’d just be hurting myself,” you reply sadly.

     Kyle frowns deeply, and he’s almost positive he can physically feel his heart breaking. God, he’d rather fall out of another helo than ever hear you sound so distraught again. He wants nothing more than to barge into your room and pull you into his arms, kiss away all your doubts and prove to you just how much he loves you. Instead, the sound of your voice brings him back to reality. 

     “I think I’m gonna grab a snack. It was good talking to you,” you hang up the phone and open your door, surprised to see your roommate standing right there. “Kyle! Shit, did- did you-? I’m so-”

     “Y’mean it?” Kyle asks softly, not wanting you to feel embarrassed.

     Even so, you sheepishly nod your head, unable to meet his eyes. His warm hands cup your face and lift your head up to look at him, and he smiles so warmly that you can’t help but do the same.

     “Silly girl. I love you, too.”

     John Price:

     The base was dead today, barely any paperwork to do or new recruits to train. For the first time in months, John was able to get off on time, and he decided to surprise you with a bouquet of flowers and your favorite Indian food. When he arrives at your flat, he uses his spare key to unlock the door and steps inside, kicking off his boots—ever since that one time you playfully lectured him on keeping your home clean, he’s engraved the rule into his brain.

     John sets your gifts on the island in your kitchen, glancing around for any signs of where you could be. You’re definitely home, he can tell that much by your keys dangling off the holder and your own shoes by the door. He carefully steps through the hallway and hears your unmistakable voice in the bathroom, along with the quiet sound of running water. He goes to turn the handle but decides against it when he hears his name slip from your lips.

     “God, I love John so much, you don’t understand. He’s everything I could ever want. Every time I see him, I just- I wanna kiss him stupid, y’know? I mean, shit, he’s already seen every part of me since he’s my best friend and all.”

     “So… when are you gonna tell him? It sounds like he’s interested, babe,” your friend’s voice rings through your phone. “Best friends don’t normally just see each other naked.”

     “Oh, stop it. There’s no way he could feel the same. I’m just… I couldn’t ask that of him. It wouldn’t be fair.”

     John’s heard enough. He trudges back into the kitchen and fixes your plate of takeout, as well as a glass of wine and some chocolates. He arranges the food on a tray and brings it back to the bathroom, not even bothering to knock before walking inside. You scream, and normally he would laugh, but he’s so hurt that you think you’re unworthy of his love, and he’s dead set on proving otherwise. 

     “Do you always scare the shit out of people you’re trying to surprise?” You laugh, hand resting on your chest as if it’ll calm your beating heart.

     “Only the one I’m in love with, sweet girl.”

     Simon Riley:

     “M’gonna step out for a smoke, love,” Simon informs you, and you nod politely.

     The coffee shop is a little too crowded for Simon’s liking, and he needs a break. Your company is the sweetest he could ask for, and he feels bad leaving you for even a second, but the demons in his head were begging for an escape. Still, he stands by the window where your table is located just so he can keep an eye on you. Call it a weakness, but when he sees you messaging your friend, he can’t tear his eyes away from the conversation. Thank the heavens for the little slip-up the café made, having the one-way windows installed inside out.

yeah he’s like,,, stupidly perfect

it’s like he’s trying to make me lose it???

like sir i’m already in love with you

what more do you want

lmaooo why haven’t u told him yet????

he’s obviously in love with ur dumb ass too

oh fuck off

you know we’re just friends

don’t give me hope

     Simon frowns deeply, tossing the butt of his cigarette on the ground and crushing it with his boot. He’s spent his whole life in shackles, deeming himself unlovable, unworthy of anything good or sweet or kind. But when he met you, those thoughts dissolved like melting snow—he even took the mask off for you. He didn’t even know it was possible to love somebody so much, so to have the one person he adores more than anything in the world doubt herself? He won’t have it. 

     He reenters the coffee shop in a hurry, long legs striding over to you as quickly as possible. Before you can even react, he leans down to press his lips against yours, hands firmly on your face to keep you still. When he pulls back, he’s near tears looking at your shocked expression.

     “I don’t love y’like a friend. I love y’like a man loves his wife, like you’re the air I breathe. I’ve always been yours, y’hear me? Always.”

     Johnny MacTavish:

     Johnny’s expecting to feel your warm body beside his when he wakes, but instead he’s met with the soft thud of his arm onto the unoccupied sheets where you should be. He frowns and rubs the sleep from his eyes, checking his phone—it’s only 4:00 in the morning, and the sun isn’t even out yet. You’ve obviously not been in bed for a while, and it worries him. Did you leave in the middle of the night, all by yourself? Shit, what if something bad happened to you?

     Johnny hops out of bed and quickly pulls on his jeans from last night, starting a frantic search through his house. You’re not in the bathroom, or in any of the spare rooms, not even the sunroom where you love to cozy up and read a book. The last place he thinks to check is the kitchen, and lo and behold, there you are, brewing some coffee and talking on the phone to someone. Your best friend, he realizes, when you put the call on speaker to pour yourself a cup. 

     “It’s just… last night, he told me he loved me, and it- I don’t know. It ruined me. I couldn’t even finish, I had to fake it.”

     Johnny freezes and leans against the door frame. His stomach feels sick suddenly—did he really fuck up that bad last night? God, he knew he should have just kept his mouth shut, but he figured there was no better time to confess his feelings for you while he was… well, inside of you. He really thought you felt the same. Your little sniffle drags him out of his thoughts, and his eyes land on your now crying figure once again.

     “N-no, you don’t understand. I know he just said it because of the sex. I’m not… he couldn’t love me. Not the way I love him. We’re just friends who happen to sleep together sometimes. It’s my own fault for catching feelings when he- he deserves someone so much better,” the break in your voice destroys Johnny and all he can do is listen as your best friend calms you down.

     He doesn’t make a move until you’ve hung up. Only after you’ve set the phone down does he come barreling in, wrapping his strong arms around you, ignoring your shriek of surprise. Johnny pulls back to cup your face in his hands, thumbs wiping away the fresh tears that managed to slip past your waterline.

“Ye’re the only one ah want. D’ye understand? Ye’re the only one fer me. Ah meant wha’ ah said, hen, ah love ye. There’s no’ a force on this earth tha’ could make me want ye less. Ye’re mine, alreit? As much as ah’m all yers.”

[honeytonedhottie]

lessons in protecting ur peace⋆.ೃ࿔*:･🛍️

after reading the book pyscho cybernetics something that rly stuck out to me was that literally EVERYTHING IS UR MIND. and duh, thats what i've primarily based my blog on…💬🎀

but i wanted to talk about the idea that everything that u experience is because of ur mind and that goes into how you interpret things as well. so lets talk about how u can protect ur peace through ur reactions.

CAN WE NOT? ;

first, lets remember that everyone experiences the world differently and reacts to things differently from each other. based on subconscious belief, self concept, upbringing, trauma etc. therefore everyones perception of things is shaped by their own unique brain.

for example lets imagine that theres a rly pretty girl and shes rly sweet. the people around her have an idea in their mind that pretty girls are stuck up and mean, so they look for reasons to categorize her and prove themselves right. they look for ways to make her fit into the narrative that they've fed themselves…💬🎀

i give this example to show that peoples judgement of u is based more on them and their subconscious beliefs more then it is about you. period. someone else's problem with u isnt ur business. when u persist in a belief whether its consciously or subconsciously your reality will prove you right. your literally manifesting a belief that doesnt serve you so can we not?

PROTECT UR PEACE BY NOT TAKING THINGS PERSONALLY ;

taking things personally means, misinterpreting someone's thoughts/actions and believing them to be targeted toward us personally…💬🎀

this is particularly dangerous to our peace because when u take things personally you'll start to adopt what other people tell u about urself as fact. if someone calls u dumb then ur gonna believe them and think that something is wrong with you when that isnt the case.

if u know that ur actually rly intelligent and someone tells u that ur dumb, you won't care because you know that ur smart and you know that they're just projecting their beliefs unto you. you make the facts about you. not others.

YOU DECIDE THE FACTS ;

for a fun journal exercise i want you to write down the facts about yourself (u can also write down new traits that you'd like to manifest and make fact about urself) so open ur diary to a fresh page and write an about-me page. fill the page with positive facts about urself and who you are. these are the facts and if someone tells u otherwise, fact check em.

BE GENEROUS ;

people spew some crazy shit when they dont like you or are envious of you and the best way to respond is to first, not respond at all because they dont even deserve to get a reaction out of you. but if ur lowkey petty, add onto their accusations to make them look dumber.

like if they try to clock you about something and accuse u of something, make the accusation WORSE. ofc with nuance but have some fun with it sometimes.

people can't shame you for made up accusations if u dont care and if ur living in ur truth and therefore their agenda to try and bring u down to make themselves feel better is ultimately squashed. dont waste ur energy arguing with people and just keep that peace protected.

[societalenemynumberone]

Imagine being Lucifer's older sibling

Like, you're a Cherubim (cause some Cherubs have different roles so you would be way stronger and better than the ones in Helluva Boss) who's been kinda kept from present-day news cause you've been chilling in the Garden of Eden protecting the Tree of Life and training other Cherubs

Then Emily invites you to Charlie's meeting as a council member and you go but you have no idea what this meeting is about so other council members have to constantly be keeping you up to date on what everyone is talking about DURING the meeting

"Ok, so that's Charlie Morningstar-"

"Morningstar?"

"And her girlfriend, Vaggie. An ex-exorcist-"

"An ex-exorc-What??"

"And they're here to prove sinners can be redeemed-"

"Ok...But why is everyone singing???"

"Well-"

"And is that the fucking first man????"

And you'd have to have Hell and Lucifer and Lilith and Adam all explained to you but all you really hear is that you have a niece that you never knew about

So you go down to Hell just to meet Charlie and see Lucifer. And Charlie gets all excited to have an unfallen angel on their side so she explains the hotel to you but Lucifer would be showing you all his ducks at the exact same time-

Even though you were kept from any news outside of the Garden of Eden to keep you from being unjust, I like to imagine that you have the most Deadpool personality of all time

[yoongiseesawmp3]

own my mind - san (m)

summary: part of the idol series. idol!san x producer!reader. san hates you, you're sure of it, and the feeling is pretty mutual. are these feelings true, or does he just need to spend some time getting to know you?

word count: 10.6k

warnings: smut. afab reader. oral (f and m receiving) unprotected sex w pull out method, don't do that. recording during sex, don't do that either.

masterlist

"so the practice rooms are down this hall," your new boss explains as he shows you around kq, "and over here are the boys' studios, but your's will be this way..."

you're trying to take it all in and simultaneously remember where all of the confusing hallways lead. kq may not look like much on the outside, but within it's basically a maze. you keep nodding and smiling as you follow your boss around, politely greeting anybody you encounter. he ends by bringing you into a conference room to finalize some paperwork, and after that you're on your own. you're officially the newest producer at kq, and...you have no idea what to do next.

you step out of the conference room and try your hardest to remember which direction leads back to the studios, but you also need coffee. you remember where the kitchen is, so you head that way as you text your friend jen. she recommended you for this job, and she promised she'd say hi on your first day. she's one of the make up artists for ateez, so she's always around, but her schedule is a little more frantic than yours. you understand if she doesn't answer right away, so you send the text and forget about it. you take a moment to yourself in the company kitchen as you try to figure out the coffee machine, letting your thoughts wander.

are you really cut out for this? it's your first day and you already feel overwhelmed. do they expect you to just go into your studio and start producing? what kind of tracks do they have planned for the next album? will the current producers even let you touch anything important, or will you have to prove yourself first? you're thinking about all this and more when someone bursts into the kitchen with a screech.

"Y/N!!!" jen yells as she scoops you into a hug. "you're here! it's finally happening!"

"this isn't very professional," you laugh as you hug her back. "you're helping me make a bad first impression."

"not possible, i've been talking about how great you are for months," she smiles. "they're gonna love you, seriously. i can't wait to hear what you make."

"what if i suck though?" you ask, but jen shakes her head.

"don't do that. no negativity on your first day."

"whatever."

"so what are you doing first?" she asks, taking the coffee you just brewed and having a sip for herself.

"dude, that was mine," you cry, and she hands it back to you with a half assed apology. "um, what am i doing first...well, i got confused on my welcome tour, so i guess i'll wander around until i figure out where my studio is."

"oh i can show you," jen brushes you off. "it's not that confusing, you just need to walk it all a few times. lots of doors, but you'll get the hang of it."

"do you want to make your own coffee, or can you show me around right now?" you ask as you finish doctoring up your mug.

"i can just have another sip of yours," she says as she reaches for it, but you hold it just out of reach as someone else walks in.

"hey jen," hongjoong greets her, his eyes falling to you next. "are you y/n? i've been summoned to help you get started."

"thank god," you sigh in relief. "i wasn't sure what to do, so i appreciate it. it's nice to meet you, finally."

"likewise," he smiles. "i'm a big fan of your work."

"really?" you feel yourself blush. "thank you. you were one of the reasons i started producing, so that means a lot."

"really?" now it's hongjoong's turn to blush. "well, that's...nice."

"great," jen claps her hands, easing over the awkward silence. "you can show y/n her studio and the two of you can keep gushing about how great you both are." she turns to you and puts her hands on your shoulders, giving you a playful shake. "you're gonna do great things here. be nice to yourself. and uhhh, go team!"

"thanks jen," you laugh as you wave goodbye, following a respectable distance behind hongjoong. he looks back to make sure he hasn't lost you and motions for you to come closer.

"no need to be shy," he tells you. "we'll need to be pretty comfortable with each other considering how close we'll be working together."

"how often will i be working with you?"

"mmm, every day maybe?" he thinks about it. "in the beginning at least. you'll shadow me for a few days to see how the studios run, and then you'll sort of report to me with whatever you're working on. hopefully we won't get tired of each other."

"i don't think that'll be an issue," you assure him. you catch the tips of his ears turning red and you smile to yourself. "so, what makes a good producer here?"

you watch in admiration as hongjoong explains the creativity and collaboration that makes kq work so well, and you kick yourself for getting distracted again. you were supposed to be watching your surroundings, keeping an eye out for where to go to find your studio, but you can't help it. in this moment, it hits you: you get to make music with one of your favorite producers for one of your favorite artists. you must be dreaming, right?

if this is a dream, you're knocked out of it abruptly. while you were watching hongjoong, you weren't watching where you were going, and you walked right into the human equivalent of a brick wall. you spill your coffee everywhere, but don't worry, most of it lands on the most handsome man you've ever seen in your entire life. you're currently staring at choi san, singer of ateez and one of your new coworkers. he's looking down at you, a little bit of shock in his eyes, and you rush to correct the situation.

"oh, shit, i'm sorry," you apologize. you look to hongjoong for help and he's running off to find napkins, leaving you with a very buff man in a soaking wet white t shirt. "i am so so sorry, really, here, let me try to-"

"don't worry about it," san takes a step back. he starts to walk away, but you follow behind him.

"at least let me-"

"i said don't worry about it," he tries again, his tone calm but his eyes tell a different story. he's glaring down at you, which makes your blood boil. he has a right to be mad at you for spilling coffee on him, but why's he pissed at you for trying to help clean him up?

"sure, go drip coffee all down the hallway then," you grumble as you brush past him. "i'll tell hongjoong to follow the trail when he comes back with your napkins."

"fine," san sighs, stopping where he stands. he throws his hands up and asks, "happy?"

"sure."

"who are you anyway?" he mumbles to himself, looking you up and down. you feel his eyes linger, and it makes goosebumps rise over your skin. you take that as a further sign that this guy is getting on your nerves.

"i'm y/n, i'm the new producer," you answer. "nice to meet you."

"you spill coffee on all of your coworkers, y/n?" he asks, and you roll your eyes.

"i said i was sorry-"

"here's hongjoong," san cuts you off. he reaches out for the napkins and smiles at his bandmate. "thanks man."

"so you've met y/n," hongjoong chuckles, trying to ease the tension. "she's really great, we're lucky to have her on the team." san doesn't reply, just nods and sends you a tightlipped smile as he dabs at his ruined t shirt. the fabric is basically translucent now, showing san's tan skin below and the definition of every single muscle. hongjoong clocks the way your eyes are trailing over san's torso and he clears his throat. "um, should we continue our tour?"

"yeah, sorry," you gesture for him to lead the way, and you hold san's gaze as you walk away. he's a dick, you think. that'll be fun.

-

"so is san always an asshole?" you yell over the loud music to jen as you follow her to a table. she insisted on taking you out for drinks to celebrate your first day, and after the morning you had, you need this.

"is he what?!" she shouts back.

"an asshole!"

"san?" she looks at you bewildered. "he's a sweetheart!"

"are we talking about the same guy?"

"are we?" jen questions as she finally pulls you to a table in the back. it's a little quieter back here, so you don't have to shout, but the music will still drown out your conversation so no one can eavesdrop. once you're both settled, she takes a sip of her drink and then, "spill."

"nothing to spill, i just think san is mean and i hate him," you say simply. "i spilled coffee on him, totally an accident, but he was a huge dick about it. wouldn't let me help him, didn't really introduce himself...it all felt off."

"to be fair, i would've been pissed if you had spilled coffee on me when we met," jen points out.

"yeah, but you would've been nicer in the aftermath," you shake your head. "it's whatever. i hopefully won't have to work that closely with him."

"and what about hongjoong?" jen wiggles her eyebrows. "i hear you two hit it off."

"he's nice," you smile shyly. "made my first day a lot easier. he was really patient with all my questions, which helped ease my nerves."

"he's really good at that," jen nods. she goes into a story about her first meeting with hongjoong, and it makes you laugh and endears you to the man more. she tells you stories of the other members, none of whom you met today, but now you're excited to get to know them. "they're all really nice, especially san and yunho. i feel like they're the ones that always check up on everybody-"

"san?"

"yes, your mortal enemy," she rolls her eyes. "he's a good guy, i promise. you just need to make up for the coffee thing and i think you'll be on his good side."

"i'll think about that," you mumble, taking a sip of your drink that almost drains the glass. "so who's this guy you're seeing?"

"whoa, looks like you need another one!" jen deflects. she grabs your glass and runs off to the bar to get another round, leaving you to sit and stew on your own. if san was such a nice guy, why was he only rude to you? it sounds like he isn't mean to other newbies, so it can't be some kind of hazing. whatever dislike he holds for you is personal, and that's making you even angrier. when jen comes back with your new drink she says, "you look mad. what did i miss?"

"can you find out why san hates me?" you ask, and you swear jen would punch you if she could reach across the table.

"he doesn't hate you!! you just made a bad impression! stop making him a villain," she begs you. "man, you're so obsessed with him. maybe someone has a crush?"

"please," you scoff. "just because he has muscles doesn't make up for his shit personality."

"so you like his muscles," jen smirks. "tell him that tomorrow, it'll boost his ego."

"i'm not listening to you anymore."

"but i have so much knowledge to share!" she whines, and you let jen tell you all the do's and don'ts of working at kq as the night goes on. maybe you'll take her advice and try to patch things up with san in the morning. could be worth a shot, right?

-

the next day, you're in one of the bigger studios to help hongjoong with a vocal arrangement. since the last album did so well with the unit songs, you and hongjoong wanted to experiment a little further. you excitedly told hongjoong about your hopes to compose and produce a harmony heavy vocal track, and he was all for it. you worked on the music for it last night, bringing about half of the song to hongjoong for you to play around with today. you both agreed it'd be good to have a guide version ready before you share it with the entire vocal line, so seonghwa offered to help out, too. he's in the booth now as you and hongjoong instruct him from your seats behind the soundboard. he finishes the final layer for the first harmony, and you wait as hongjoong lines it all up. he plays the snippet for you and seonghwa, and you notice both boys are waiting for your reaction.

"that was great, seonghwa," you encourage him. "i really liked it, but..."

"don't be shy," hongjoong nudges you, "he can take it."

"i can," seonghwa agrees. "give it to me straight. did it suck?"

"no, it was really beautiful actually," you assure him. "but for the melody, could you make it more...monotone? that might sound weird, but we're trying to play with the high and low harmony like they're the angel and devil sitting on your shoulder, and for those to stand out the melody needs to be less...captivating."

"you hear that? she thinks your voice is captivating," hongjoong smiles to seonghwa, and he beams at you.

"i get that," he nods. "can i try it another way?"

you help hongjoong reset, and then seonghwa tries another layer in a sadder voice. it's just as powerful, but will be the perfect conduit for the story you're trying to tell. when he finishes, they look to you again and find you smiling proudly.

"that was it," you nod. "great job."

"thanks boss," seonghwa says as he steps out of the booth. "who do you want me to bring in next?"

"you can call san, we'll get him to do the high part and then-"

"san?" you look at hongjoong. "i thought seonghwa was doing the guide vocals."

"well, usually we could do with just one voice, but this song would work best with three distinct voices," hongjoong explains. "i don't think the guys would get it if it's harder to distinguish the different levels, you know?"

"right," you agree, just a little dejected.

"so..." seonghwa trails off. "should i go get him?"

"yeah, tell him to meet us here in ten," hongjoong tells him. seonghwa says his goodbyes and then hoongjoong turns to you. "you alright?"

"i'm good," you reply. "feel a little in over my head, but good."

"you're doing great," hongjoong says, placing his hand over yours on the desk. "it's a lot to jump into, and i'm sorry if it seemed like i was-"

"no, i needed the insight-"

"because i value your opinion-"

"i know that-"

"and-" hongjoong is cut off from finishing his thought because the studio door opens to reveal san. he's wearing another skin tight t shirt, black this time, so even if you spilled another coffee on him it would be harder to notice. he's paired it with a beanie and baggy black pants, and if what you're seeing is correct, he's not wearing any underwear. he stands there staring at you both before his eyes fall to your hand still beneath hongjoong's, and the two of you separate like you've just been shocked.

"i'm not interrupting anything, am i?" san asks suspiciously, and you viciously shake your head as hongjoong tells san to get into the booth. he explains the idea to san and queues up seonghwa's melody as san struggles to put the headphones on over his hat, so you lean into the mic and suggest, "try taking the hat off, maybe?"

"thanks, big help," he says sarcastically. he listens anyway, tossing his beanie away like he's mad at it. "so what am i doing? copying hwa?"

"no," you say sternly. "you're singing the high harmony. we'll layer it over seonghwa's vocals, but your voice needs to be distinct. you can practice if you want-"

"i don't need to practice," san cuts you off, staring daggers at you. "just play it." he keeps his eyes on you as he listens, and you feel nervous. he's listening to your song, your lyrics, and you think you see the slightest flicker of emotion in his eyes as seonghwa's voice fades. he doesn't comment on it, just continues staring at you and says, "yeah, got it. you can record this."

"let's listen to it first, and then record the next one," you tell hongjoong, and he nods in agreement. you watch san get ready, and then you hear the most beautiful falsetto flowing over your track. it makes you emotional, and it's another instance of the coolness of your job hitting you. you're so mesmerized you miss san finishing on a bit of a creative note, so the boys are staring, waiting for your input.

"y/n?" hongjoong calls your name. "what'd you think?"

"that was," you clear your throat, "that was perfect, san."

"great," he nods, taking the headphones off, but you stop him.

"ah, we need to record it," you remind him, and you catch his groan through the mic.

"i thought i said to record that one?"

"you don't decide that," you reply, and hongjoong tries to diffuse.

"she has a specific vision for the song, so we wanted to hear you first and then decide if there were any notes before we record you."

"what's the vision?" san asks you, and he listens intently as you explain. when you're done, he takes a deep breath and says clearly into the mic, "that sounds stupid. but i'll do it again. make sure you're recording this time."

"whatever you say, asshole," you mumble, angrily getting the track ready for his bratty voice. you wish you could stay mad at him, but as soon as he starts to sing you're enchanted. again, you get distracted by his voice, the emotion in it and all over his face as he sings, and you think, if he says your idea was stupid, why was he putting so much heart into just a guide vocal? he finishes and you thank him, saving the track quickly before you turn to hongjoong and inform him you need a water break. he's left in the studio with san as he saunters out, but hongjoong meets him at the door.

"what's your problem?" he barks, livid at the way san was treating you during that session.

"uh, you're blocking my exit?" he asks, but that was the wrong thing to say. hongjoong dives into a lecture about respect, and san has to laugh. "oh, you want me to respect the girl who spilled coffee all over me yesterday? who thinks, on her second day, she can tell me how to do my job?"

"she's a producer, her job is to literally tell you what to do-"

"well i'm sorry i hurt your girlfriend's feelings," san spits. "but i did what you asked me to do, so please let me leave." hongjoong steps to the side, still fuming, and san walks out. you catch him in the hall as you return, and you want to stop him, to tell him how great he sounded, but when you lift your hand in greeting he turns the other way and disappears.

-

you get a break from work later that day and find jen making a coffee. she sees you coming and has a cup ready for you to make your own, and you catch up on your days as your coffee brews. you tell her about san's lovely time with you in the studio, and jen listens, but when you finish she asks, "and he was still like this after you said you liked his muscles?"

"i'm not telling him that," you mumble.

"telling who what?" wooyoung asks as he pops around the corner.

"mind your business?" jen replies. "have you met y/n yet? she's the new producer."

"no, but i've heard mixed reviews," wooyoung says as he dramatically shakes your hand. "can't wait to decide which side i'm on."

"there's sides?" you ask nervously.

"yep," he says with a pop on the p. "hongjoong and seonghwa worship the ground you walk on. san hates your guts, although i'm not sure why. you seem lovely."

"she is lovely," jen points out.

"hm," wooyoung squints playfully. "guess we'll have to wait and see."

"what about innocent until proven guilty?" you ask. "just assume you'll like me and then you will!"

"yeah, but san is a good judge of character," wooyoung shakes his head. "if he doesn't like you, then he's got a reason."

"is the reason because he's maleficent?"

"oo, maleficent, i like that," wooyoung coos. he turns to jen and asks, "why don't you use big words like that?"

"i'm afraid you wouldn't get them," she sighs.

"try me, i'm full of surprises baby," he winks at her before smacking her ass and walking away. you watch in confusion, and she waves it off.

"don't worry, he does that sometimes."

"to everybody?!"

"just to me," she shrugs, and then it clicks.

"he's your fling," you smile. "very nice."

"nuh uh."

"no, he totally is. that's elmo," you piece it together. "is that his nickname because of his laugh?"

"you were never supposed to meet him," jen defends herself.

"so getting me a job here wouldn't interfere with that?"

"i figured i could keep it a secret," she pouts.

"you did! for a whopping 36 hours, good job!"

"don't patronize me," she complains. "i could call san and have him here in seconds-"

"oh man, i need to go record something," you frown, "maybe you two could talk though? figure out why he's got an all burning hatred for me, an angel?"

"i'll get to the bottom of it," jen says, and you realize the error you've just made.

"wait, no, don't talk to him, please," you beg.

"too late, you've asked for my help, so i'll help," jen concedes easily. "he'll either love you or simply tolerate you by the end of the week, i promise."

"great, thanks..."

-

you've made it through your first week, yippee! you really like it here, you fit in well with the members, and the producers seem to really like your ideas. the only problem is san. you enter a room that he's in and it goes quiet. he passes you in the hall, and you're fuming for the rest of the day. everyone knows about your little rivalry at this point, but no one understands where it came from. even jen, who was determined to make you and san best friends, has lost hope.

you're able to make it a couple days without any more san run ins, and for that you are grateful. you and hongjoong have made a lot of progress on the vocal line track, and he's invited you to a few writing sessions with mingi for the rap line track. you're feeling invincible after one of those sessions, walking back to your studio, when you get the scare of your life. you enter the code to your studio, guard completely down, and jump out of your skin when you see someone sitting at your desk.

"what the fuck?!" you shriek, using the door as a shield. you peek around it and see that it's not an intruder. well, at least not one that wants to hurt you. maybe. it's san, so this interaction could go in any direction.

"hello," he says simply. "nice way to greet your guest."

"how'd you get into my studio?" you ask as you close the door. you wonder if you should keep it cracked open, just in case you and san get into it and you need a witness that he probably started it.

"i needed to ask you a question," san responds instead, and you cock your head in confusion. "i can't do that?"

"i don't know, can you?"

"your song. the vocal one. how's it going?"

you're surprised this is what he wanted to talk about but, honestly, what else were you expecting? this is a normal work interaction, you think. you're just not used to having those with san. since san is sitting in your desk chair, you pull your stool over to the desk pathetically and perch on top of it as you shoot san a glare.

"can you move over? i need to get to my keyboard."

"aw, can't reach over my muscles?" san teases, and you feel your blood run cold.

"what?"

"my muscles? little birdie told me you liked them."

"what are you doing in my studio, san."

"i wanted to hear your song," he shrugs. you wait for him to move out of the way, but apparently that's not happening. you grumble as you lean over him and type, pulling the project file up on your screen. you check the volume before you hit play and look back to see san watching you intently. he's close, your arms brushing and his head only a few inches from yours. you hold his gaze for a second and then hit play, sitting back as you watch him listen. you can't read his expression as the song plays, but you don't care what he has to say. you love this song, and you think it's turning out great. whatever he has to say isn't important to you-

"wow," he whistles. "i get it now."

"get what?"

"why you're so pretentious about your work," san smirks as he side eyes you.

"is that supposed to be an insult?" you ask, trying to gauge his reaction.

"not really," he shakes his head.

"well it's not a compliment," you tell him.

"i'll work on that," he says as he stands. he puts his hands on your desk to support himself as he rises, and you swear to god, he's flexing his arms a ridiculous amount. nobody needs that much upper body strength just to get out of a rolley chair.

"hey!" you call as he walks away. "what the hell?"

"do you have to curse all the time?" san asks with look of distaste. "it's not very polite."

"nor are you."

"nice," he nods. "well, i'll be around-"

"no, wait, why'd you come in here?" you ask as you follow him out of your studio. "you just wanted to listen to the song?"

"yeah?" he shrugs, turning to face you in the hallway. he's standing so close you have to lean back to look at him properly, and you frown.

"i don't believe you."

"why not?" san smirks. "you wanted me in your studio for another reason?"

"no-"

"you're not the only one who likes to stare, doll," he says quietly, leaning down so his ears are just barely brushing your ear. he straightens back up before you can melt into a puddle on the floor, and then he smiles what might be his first genuine smile in your presence. "so maybe i didn't just come here for the song. but now i've heard it, and i know don't hate it, so i think we're done here."

and with that very confusing information, san walks away.

-

san is tired. he's been practicing for their seoul concert since the early hours of the morning, and he needs a break. it's almost an acceptable time to eat lunch, so he grabs his things and starts the short walk to his favorite convenience store. he likes this one because it's got a seating area in the back where he can eat, giving him some time to himself. it's secluded enough he doesn't have to worry about being bothered, but it has a good view of the street outside so he can people watch. it's the perfect spot for him to rest and enjoy his food, so he leaves the company with a pep in his step.

he grabs all of his favorites, moving on autopilot, and pays for them quickly. he takes everything back to his usual table and prepares his feast. now that he's stopped working, he feels the tiredness in his bones and realizes how hungry he actually was. when did he eat last? was it dinner? that was more than twelve hours ago, so maybe he can get away with eating another ramen before he goes...

san is considering whether or not he should get up and grab more food as he stares through the store window. there's people rushing to work, couples going to lunch, families wrangling kids. he watches with a smile as one family, a mother and father, try to handle what looks like a girl and two twins. that job is way harder than anything he's doing as an idol, he thinks. he watches fondly as they walk away, and when he turns back, his smile falls.

you and hongjoong are crossing the street, engaged in some conversation that's making you both laugh. you make a joke that sends a laugh crashing up from within hongjoong's chest, and san scoffs as he watches you stare in admiration. hongjoong rushes forward and opens the door to the convenience store for you, and san hears the end of your sentence as you enter.

"-didn't have to do that," san catches, and he hears hongjoong make a dismissive sound in response. "wow, there's a lot of food here."

"you see why we like this place so much," hongjoong responds. san can't see you, but your voices are getting closer. "there's something for everyone."

"there's so much, i don't know what to pick..." you trail off.

"get whatever you want," hongjoong says. "it's on me."

"what? no-"

"ah ah, no arguments. consider it a welcome gift."

"well thank you," san hears you squeak, and he can just imagine the way you must be blushing, looking at hongjoong so shyly, pretending to be coy-

"oh, hey san," hongjoong greets. you come to a stop behind him, bumping into his back, and san has to laugh. "didn't know you were here."

"didn't tell anyone i was leaving," san shrugs. he leans over, trying to catch your eye, and waves. "hi y/n."

"hi san."

"are you eating here?" san asks, and hongjoong shakes his head.

"ah, no, we were just taking a break," he replies. "i was going to buy us lunch and then we're gonna head back."

"got it," san nods, still looking at you. "carry on then."

"thanks for your permission," you mumble, holding onto the back of hongjoong's shirt as he turns you down another aisle. he starts looking for a snack he wants you try, but he can't see it. he looks up, eyes flitting around the store, and his face lights up.

"oh! it's over there! be right back!" he runs off, and you continue scanning the shelves. you're not that hungry, but you know you won't have time to leave again, so you need to get enough food for lunch and dinner probably. you're reading the ingredients on one of the prepackaged meals when you feel a presence behind you. turning, you see san looming above, and you jump.

"shit," you hiss. "wear a bell."

"need help pronouncing the big words?" he asks.

"yeah, come closer and let me show you."

"you having fun?" san sneers, and your confused expression makes him clarify, "with your boyfriend."

"what?"

"oh come on, letting him buy your lunch, holding onto him like that...you're eating it up, aren't you?"

"i don't know what you mean," you say as you step around san, but your face is red. he's getting to you.

"it's cute, really," he says, beating you to the end of the aisle. he puts his arm out, effectively blocking your way, and he continues staring down at you in that frustrating way of his. like he wants to swallow you whole. "how long do you think it'll last?"

"if you're asking about my patience i'm afraid that ship sailed a while ago," you try to fight back, but san just laughs.

"you're cute, you know? you try to be so tough, but it doesn't work. i see right through you."

"and what do you see?" you ask as you cross your arms. san bares his teeth, ready to quip back, but his eyes catch on something behind you. you look over your shoulder and see hongjoong holding up a bag, a confused look in his eyes.

"found the sweet potatoes," he says as he approaches. "what are you doing?"

"getting to know our coworker," san says nonchalantly, removing himself from your personal space. "i'll let you go. my food's getting cold."

"sure," hongjoong says skeptically, reaching for you. he tries to guide you away with his hand at your back, but you can feel san's eyes still on you. you turn and his hand politely falls away, but san's eyes follow you through the rest of the store. he gets an idea when you go back to the drink coolers, so san finishes his food quickly and heads to the front.

when you and hongjoong are finally ready to pay, you go to the register and hongjoong reaches for his wallet. the woman behind the counter shakes her head, showing a stack of bills to tell you it's been taken care of. you look around and find san halfway out the door, a wicked smile on his face. he waves at you teasingly before the door dings closed, and hongoong happily takes the food, babbling about how nice san is as you leave.

-

later that day, the boys are getting fitted for their tour outfits. each practice room has been converted into a walk in closet + vanity combo, so you peek your head in to see how it's going. jen spots you and waves you over to her station, and you duck through the racks of clothes to say hi to your friend. you're taken aback when you see who she's working on, but jen laughs and assures you it's ok.

"he won't bite, he's asleep," she says about the pouting san she's working on currently. "he was here all night, apparently. he knocked out before i could even say hi."

"are you sure he's asleep and not faking it?" you ask as you tentatively sit in the chair next to him. it's enough distance away that you're not concerned by the proximity, but you keep an eye on him as you talk. "maybe he doesn't want to talk."

"hey, san likes me, so i know he's not faking it," jen tells you. "he and i get along really well."

"congratulations," you mumble as you reach for a makeup brush to play with. "so how was your day?"

you and jen catch up as she works on san, periodically asking for your opinion on the look she's created for him. you know she's trying to get you to say something nice about him, to slip up and call him handsome or sexy, but you won't budge. all the compliments you give are very makeup forward, but she won't let up. she's also not being gentle in her application, so you really are afraid san is awake and listening. she's almost done with him when wooyoung walks up, greeting you happily.

"hey y/n!" he chirps. "nice to see you! you're in my seat."

"oh, my bad," you scramble to get up. you got comfortable, your feet propped on one of the giant makeup cases before you. jen puts a hand out to stop you, turning to wooyoung with a trying-to-be-stern look in her eyes.

"my friend and i are not done talking."

"well your boss told me to come over here and get my makeup done, so unless you want me to stand..." wooyoung trails off as jen finishes with san's face. she turns to him and nods.

"standing is fine," she says, quickly getting to work on wooyoung's base layer. "i'll work fast so you don't have to stand long."

"but then i don't get to bug you as long," wooyoung whines.

"life's cruel like that, huh?"

"come on, i know i'm your favorite part of this job," wooyoung teases, and you share a silent laugh with him as jen blushes profusely. once wooyoung catches your eye, his attention turns to you, and he asks, "what about you, y/n? now that you've been here a few days, what's your favorite part of this job?"

"san's abs," jen answers for you, and you try your best to kick her. you accidentally nudge san's chair and freeze, but he doesn't stir.

"oh yeah? let's tell him-"

"no!" you shout, and if he wasn't awake now he definitely is. he still doesn't move, but you continue in a softer voice, "um, no. don't do that. uhh, my favorite part of the job...i don't wanna be a kiss ass, but it's probably working with hongjoong."

"of course it is," san mumbles, and even though he spoke quietly it makes you jump. he opens his eyes and your skin sets fire as soon as he looks at you. "you're in wooyoung's chair."

"he's having jen time," you counter. "let him enjoy it."

"yeah, let me enjoy it!" wooyoung agrees.

"san, what do you think of the eye makeup i did? tried something new," jen says as she focuses on wooyoung's eyes now. san sits up and looks in the mirror, but he's not looking at himself. he's watching you pretend like a strand on your sweater is the most interesting thing in the world, so he decides to call your attention.

"y/n? what do you think?" san asks, and you meet his gaze through the mirror. you're shocked to realize he's checking you out, blatantly, your cardigan falling off your shoulder to reveal your bra underneath. you were in a rush this morning and thought that would be enough. surely no one would notice you weren't wearing a tank, since this bra could pass as long as your sweater stayed up. but right now it's not, so san can see an entire cup, and he's almost drooling. instead of answering his question you look over at jen and repeat your earlier compliments as you pull your sweater tight around your torso.

"yeah, it looks good," you say again. "now that he's awake and you can see his eyes, you did a good job, uh, highlighting them."

"eloquent," san chides, and this time you intentionally kick his chair. he grabs your ankle before you can pull back, and tugs, bringing you closer.

"big word," wooyoung whispers, and you can hear jen smack him as you lift your eyes to san's. he's looking at you with that hungry gaze you're coming to get used to, and he rewords his question.

"what do you like about it specifically?" he tries as he leans in, and you hold your breath as you stare. this is closer than you've ever been, and you can smell hints of cologne that have your head spinning. alarms are going off in your head to run, but with san's hand still on your leg, you're trapped.

"you drool in your sleep, you know that?" you decide to say, ignoring his question completely. he's surprised enough that his grip on you loosens and you're able to bolt from the chair, grabbing your things as you say a quick goodbye to jen and wooyoung. they're watching on, amused with your little show, and when you're fully out of the room san collapses back into the chair with a groan.

"she's right," jen says. "i had to get napkins to mop up your spit."

"sorry," san grumbles.

"when are you gonna tell her?" wooyoung asks, and san makes a confused sound to encourage him to explain. "y/n. when are you gonna say that you're into her?"

"i'm not into her," san rolls his eyes.

"yeah, right," wooyoung laughs. "and me and jen aren't fucking."

"hey!" and another smack. they continue bickering as san stares at his reflection in the mirror, his eyes falling to the chair you just occupied.

-

the next few days, you spend a lot of time in your studio. too much maybe, but you need to get this vocal track finished. all the boys have recorded their parts, and now it's down to you to get the final mix to the other producers by monday. it's friday now, and you know you can't pull any all nighters this weekend - the boys want you to come to their shows, so you'd like to be finished with the track before you leave today.

it's weird, being here so late at night. you think you're the last one left, hongjoong left with the rest of the members and the producers started trickling out about two hours ago. you don't mind being here on your own, you know the security is fine, but it's still eerie. when you got another coffee just now, you caught yourself jumping at the slightest sounds. you could've sworn you heard footsteps following you, but after investigating you realized it was the sound of your own that scared you. you hunker down for another spell in your studio, and you get a lot closer to the product you want. hongjoong kept telling you it didn't need to be perfect, it still had to go through critiques so it would probably change a lot, but you can't let your first project here be a mess. it at least needs to meet your standards, so you keep working.

you're not sure how much later it is, but you wake yourself when your head falls off your propped up arm. you fell asleep listening to the final track, wanting to check for any mistakes, so you don't know how long it's been looping while you slept. you listen through one last time, almost satisfied, but you hear something that sounds off. you try another listen, and realize it's not coming from your speakers, it's coming from somewhere else.

heart racing, you press your ear to the door of your studio and curse the sound proofing. you can make out a noise, but not enough to figure out what it is from the safety of this room. you look around for a weapon, something to protect you, and all you see are stray wires. you find one long enough and wrap it around your fists, pulling the wire taught between them. worst case scenario you garrote the intruder and then call for help, but you're being dramatic. whatever is out there can't be a threat, can it?

you open your studio door and follow the sound. in your tired state, you recognize a song, but you can't place it or where it's coming from. you tiptoe down the hall toward the practice rooms, and spy light coming from a door at the end of the hall. so it must be one of the members, you think. or maybe the bb trippin guys came early to prep for the show. whatever it is, you keep walking, aware now that the song you heard is wake up, one of your favorites. the boys were cryptic about the setlist, wanting it to be a surprise for you this weekend, but you get excited at the thought of what kind of mystical performance they could do for this song. when you reach the door, you stop cold, seeing maybe the last person you expected it to be.

san is dancing, quite sexually, to the music bumping through the speakers. he's in baggy sweats and a tank top that shows off his figure and his ridiculously chiseled muscles, and you can't help it. you stare, watching in awe as he drops it low and grinds around to a song you never expected to be portrayed like this. as he's on the ground, a tie hanging from his teeth, his eyes flick to yours through the mirror. you gasp, and he smirks, somehow able to catch the sound of your breath hitching over the loud music. he feels proud of himself, knowing he's got you so shocked, but when he finishes the portion he's working on, he looks to the mirror and you're gone.

you're rushing down the hall back to your studio. what the fuck was that. you had a physical reaction to san, and not a good one. and he saw you! that's humiliating, you'll never be able to look at him again-

"where ya goin doll?" his deep voice asks. he's right behind you, and before you can sprint off to your studio, he grabs your shoulders and pushes you against the nearest door. when you come face to face, he's breathing heavy, and you assume that's because of the intense choreography he just worked through. little do you know, being this close to you, smelling that annoying perfume that follows you around, touching you, all of this is taking his breath away. his hands trail down your shoulders to your hands, and he looks at you quizzically when he finds the wire wrapped tightly in your fists. "what's this?"

"i, uh, i thought i was the only one here? so when i heard something i looked for uh. i wanted something to protect myself with," you explain, embarrassed by how dramatic that sounds.

"you're a badass," san chuckles, lifting your hands by the wire hanging between them.

"i thought cursing wasn't polite," you remind him of his own words, and he laughs again.

"i just said that to piss you off."

"you're insufferable," you groan, trying to twist away from the man in front of you.

"and you're in a bit of a pickle, aren't you?" he smiles at you evilly. "can't get away, little kitten?"

"let go of me, san," you say steadily, but he just keeps smiling.

"why would i? i've finally got you right where i want you."

"what?" you breathe out.

"you couldn't tell? i've wanted you since i laid eyes on you."

"wanted me?" you scoff. "i'm not a steak."

"but you went and spilled that coffee on me, and then you were so delightful during our recording session, i just kept falling harder and harder for you," he teases.

"you're shit at showing how you feel."

"and you're shit at hiding how you feel," he smirks. "i know you want me, doll. that's why i acted the way i did. it was fun messing with you, letting you think i hated you. wanted to see how far i could push it."

"that's so middle school of you san," you complain, pushing your finger into his chest. "if you were a real man you would've done something about this already instead of playing a bunch of games."

"if i was a real man?" he chuckles lowly, and he's so close you feel it in your stomach. "baby, you haven't been with a real man til you've been with me."

"prove it," you whisper, but your breath gets caught as san pulls your hands above your head by the wire still wrapped around them. he holds your wrists in place as his other hand squeezes your waist, and he watches you squirm with glee in his eyes.

"prove it? you sure you can handle me doll?"

"do your your worst," you smirk, and then he's crashing his lips to yours. the kiss is fierce, all teeth and tongue, and you gasp as his hand travels up your waist and beneath your shirt. he traces the skin beneath your hoodie, smirking into your lips when he discovers you're not wearing a bra.

"i like it when you make things easy for me," he breathes out against your neck, his lips making their way across your skin and leaving little marks as he pleases. his hand beneath your shirt traces beneath each breast before leaving a featherlight trail to your nipple, and he surprises you with a quick pinch. you gasp again, giving him a chance to return his lips to your mouth and press his tongue past your lips. he kisses you one last time before pulling from your lips, asking, "should we take this inside?"

"wha?" you murmur, twisting to look at the door behind you. "but, san, this isn't my studio-"

"i know, it's hongjoong's," he says as he punches the code in. "he won't mind."

"i do!" you squeak out as san opens the door and pushes you inside. "san, seriously, we're not having sex in here!"

"we're having sex?" san teases, and you use your newly released hands to beat against his chest. "take that stupid wire off, baby. you're gonna need your hands."

"for what?" you grumble, listening to him anyway. when your hands are free, you notice the little indents left from the wire, and san surprises you by taking your hands into his softly. his thumb rubs over the raw skin, and he stares darkly at you as he lifts your hands to his lips. he kisses over the sore spots and up your wrists, whining cutely when he hits the fabric of your shirt.

"take this off," he tugs on your sleeve, and you shake your head.

"only if you take your shirt off too," you counter, and he easily lets go of you to remove his tank top. you hate the way you're staring, but you can't help it. he's beautiful, and you're mesmerized. he calls your name, the first time he's said it all night, and you find his eyes staring at you softly. "right, sorry," you mumble, pulling your hoodie off, not so accidentally catching it on your tits so they release with a bounce. san groans as he watches on, and then his hands are on you again, cupping your tits and teasing your nipples. you moan softly, reaching for his head to pull him into another kiss. your hands wrap around to his neck, one sweeping down to feel his soft, sweaty skin. you trace over the muscles in his chest, the lines of his abs, and end at his waistband. his hand reaches down to stop you before you can continue, and he pulls back to ask, "do you trust me?"

"do i trust you? not completely," you answer honestly. "maybe you don't hate me as much as you made me believe, but i still think you're despicable."

"if i'm so despicable why are you letting me use you like a toy?" he jokes, pushing you down into hongjoong's desk chair. "if you trust me, i want you to do something for me. if you don't, tell me to shut up, and we'll go back to having sex. but it'll be more boring that way."

"can i get that in writing, you saying that sex with you is boring?" you tease, and san growls as he captures your lips in another kiss. he's caging you in, and when he releases your lips, he leans his forehead against yours as he speaks.

"start a new file on his computer," san says lowly. "and hit record when i say."

"you're kidding."

"like i said, do it if you trust me," he shrugs, his hands moving from the armrests to your waist. he starts tugging your pants down as he continues. "if you don't trust me, then we just fuck like normal and go on with our lives."

"san, i-"

"are you gonna make the file?" he asks, kneeling in front of you. you open and close your mouth like a fish, but then you're moving without thinking. you twist in his hold, punching in hongjoong's password and finding the mixing app. you start a new project, label it inconspicuously, and then settle back in the chair. san is looking at you proudly, and he praises you, "good girl."

"what now?" you ask quietly, and san separates your legs further. he starts kissing up your leg, starting at your knee, and when he gets to your panties, he whispers, "i make you come."

he pulls yours panties down then, hissing as he watches your arousal cling to the fabric, and he smiles. "oh, she's pretty."

"i didn't know you were capable of giving me a compliment," you quip, and san bites your thigh to shut you up.

"wasn't talking to you," he says against your skin, leaving kisses along the inside of your thigh until he reaches your core. he brings his hands up to spread you open for him, and he stares in admiration at how wet you are, just for him. he leans in and you wait to feel his lips, his tongue, something, but instead you feel something wet land on your clit. san spit on your pussy, and he brings his hand up to rub the sensitive spot as he blows on your entrance.

"i thought you said you were gonna make me come," you whine, and he nods.

"i will. when i want to."

"san-" you whimper, lifting your hips as he continues playing with your clit and neglecting the rest of you.

"you want more doll?" he asks, his eyes staring at you darkly. you look down at him and nod, but he pinches your thigh in response. "words, baby."

"want more, san," you groan. "need your tongue."

"hit record and i'll give you what you want," he smirks below you, and you're so horny you can't even think about fighting back. you turn around and press record, san's lips finding your clit immediately. he licks over the bundle of nerves, prodding a finger at your entrance as he listens to your sweet moans. he fucks his finger into you once, twice, then adds another. you whine above him, your hands catching on his hair as you try to push him closer. he licks up every drop of you, fucking you on his fingers, and moans into your pussy for good measure. the vibration seends you reeling, and you whisper out, "fuck, san."

"who?"

"san, fuck! feels so good."

"yeah? you wanna come?" he asks, leaning his head on your thigh as he stares at you writhing above him. you're watching him with hooded eyes as he adds another finger, fucking you open for him. you lift your hips again, trying to make him move faster. "d'you still hate me, doll?"

"no," you whisper shyly, and he smiles.

"say it louder."

"i don't hate you," you moan out, his fingers scissoring you open as his lips return to your clit. he sucks harshly, and you let out a whine that turns into a frustrated scream. "faster."

"hm?"

"faster, please," you beg, "please, please, fuck. 'm gonna come."

"let me hear you, baby," he mumbles into your core. "who's making you feel so good?"

"san, you, fuck-" your voice tapers off as you hold your breath and crash into your release. you're clenching around san so deliciously, he groans into your clit and does his best to help you ride out your high. you're trying to catch your breath as. san cleans you up, slurping obscenely, and in your post-nut clarity you realize what you've done. you turn around, frantically trying to stop the recording, but san stands above you and catches your hands again.

"what are you doing?" he growls, and you blubber out a response.

"he can't, we can't, i have to delete it, i'm not-"

"not what? not enjoying yourself?" san asks. "because i'm looking at a dripping pussy that tells a different story."

"we need to go somewhere else," you hiss, and san shakes his head.

"i think we're doing fine right here," he smirks, kissing you deeply so you can taste yourself on his tongue. you bite his bottom lip as he tries to pull away, and he groans.

"is it my turn now?" you ask, and you watch fire spark across san's eyes.

"your turn to what, baby?"

"drive you insane?" you ask innocently, pushing san away so you can stand. you keep pushing him until he hits the wall, and you drop to your knees. you waste no time pulling his pants down, revealing his lack of underwear. you look up at him and ask, "you makin things easy for me, babe?"

"no," he smirks down at you. "bet you can't even fit it in your mouth."

"you're full of yourself," you point out as you spit into your hand. you bring it to his cock, stroking over his soft skin. "you liked eating me out this much?"

"it wasn't bad," san nods. "wouldn't mind doing it again."

"maybe later," you mumble, bringing his tip to your lips. you spit again, watching as it dribbles down his shaft, you stroke him a few more times, flicking your tongue over his tip teasingly. he's trying so hard not to lose it above you, and the way he's biting his lip to keep quiet pisses you off. without warning, you swallow him whole, his tip hitting the back of your throat as you try to fit him all in your mouth. he cries out above you, his hands tangling in your hair. he pulls you off of him completely, gasping for breath above you. "hey. i wasn't done."

"not gonna last," he says shyly, and you feel your ego grow ten sizes. "need to fuck you."

"eh, i'm getting tired-"

"shut up," he growls, pulling you up by your hair and slamming his lips into yours again. "go bend over his desk."

"you're sick," you tell him, obeying anyway.

"you're into it," san says cockily, adjusting your hips as he comes up behind you. "make sure you're right up to the mic, doll. wanna hear this." you hate yourself for it, but you find the mic in front of you and pull it closer. you feel his hands on your ass, pulling you apart as he stares at your pussy again. "so pretty for me," he sighs, removing a hand to bring his cock to your entrance. he teases your hole a few times, laughing when you jerk back and try to catch his tip. "impatient girl."

"just fuck me," you say clearly, and he responds by giving you exactly what you want. he thrusts into you, splitting you open, and you moan so loud it's embarrassing. san stays still, giving you a minute to adjust, but you start fucking back into him, and he gets the hint. he grabs onto your ass again, and then he's fucking into with no control. your mouth hangs open as he fucks you hard and fast, and san frowns. he smacks your ass and feels you clench around him as he barks, "lemme hear you." so you moan, and whine, and altogether let go. you're a babbling mess, mumbling incoherently about how good it feels, how he fucks you just right, how his cock is perfect, you can't stop. san is eating it up, fucking into you so deep you can feel him in your gut.

too soon, he's pulling out, and you let out a pathetic cry. san pulls you up by your hips, his hands smoothing over your skin, as he explains, "wanna watch you when you come." he helps you sit on hongjoong's desk, lifting your legs up so you're completely exposed to him. he holds your thighs open and tries to fuck back into you, but you have to help him, taking his wet cock and guiding it back to your entrance. he thrusts into you, slotting his hips against yours, and your eyes roll to the back of your head. he should've fucked you like this the whole time, he thinks, because he can't stop staring. you look so perfect, so blissed out, and it spurs him on. he holds one thigh down as his other hand wraps around your waist, holding you in place as he fucks you.

"i'm gonna come, baby," he warns. "where do you want it?"

"my stomach," you gasp out. "wanna see it."

"fuck, you're insane."

"don't slow down," you whine, holding onto san's broad shoulders like your life depends on it. you let him fuck you senseless, clenching around him as you get closer. he brings his hand around to rub his thumb over your clit, and you jerk away in sensitivity. "can't take it, san, gonna come-"

"then come for me," he begs. "need you to come first."

"fuck, san, fuck," you gasp, digging into his shoulders as you hold him in place. you clench around him until he can't take it anymore, and he pulls out, his forehead against yours as you watch him stroke himself. he comes quickly, painting your skin, and you moan breathlessly as you watch him empty himself over you. "fuck, that's hot."

"we should do that again," san smirks at you, and you playfully push against his chest. you leave your hands on him as you respond, "not now. i'm exhausted."

"how long have you been here?" san asks, sudden concern in his voice.

"too long," you sigh, noticing how raw your throat feels. you cough, your back bumping into the mic behind you. "oh shit. i need to turn this off." you look at san as you crouch down, saving the file and sending it to yourself. "what the hell am i supposed to do with this?"

"listen to it when you get lonely?" san jokes, and you push him. "use it in a song, maybe?"

"that would get me fired," you inform him, making sure you've deleted all traces of it from hongjoong's computer. satisfied, you turn to san and cross your arms over your chest. "was this your plan all along? you get me to record a salacious audio and then blackmail me with it?"

"you still think i hate you?" he asks, brushing your hair behind your ear. "bummer. thought we'd moved past that after your first orgasm."

"i'm just saying, if this was an elaborate plan to get me to leave, i commend the effort-"

"y/n," he says softly, and you meet his eyes. they're serious for once, which is odd. "i don't hate you, and i don't want to get you fired."

"good to know," you squeak. his gaze is too intense for you, so you start looking for your clothes and then remember the mess on your stomach. "oh, yuck-"

"here, let me clean you up," san says, searching for tissues. he holds onto you carefully as he wipes up his release, pulling a few extra tissues to clean the mess between your legs.

"see, if you'd just let me help you like this on my first day, we wouldn't have been mortal enemies for so long," you joke.

"yeah, but we wouldn't have fucked like that if i had been nice to you from the start."

"so what now?" you ask as you get dressed. "you said you wanna do that again?"

"don't you?" san asks, his pants halfway up his legs. you unashamedly stare at his cock before you respond, but he's got his answer.

"i mean, if you want-"

"i do," he interjects. "whenever you want me. i'll be there."

"is this what everyone means, when they say you're so nice?" you ask genuinely. san comes over to you, wrapping his hands around your waist before he kisses you.

"guess you'll have to find out, huh?"