#they don’t get to abuse others because they have a bad life

[spoiledprincessbratspostsblog]

needing

Rafe Cameron x Maybank!Reader

Warnings: English isn't my first language so I apologize for any and all mistakes. All GIF credits to the owner. Heavy implications of smut but no actual smut. Kind of Toxic!Rafe but idk??This is lowkey rushed but I needed it to get out there lol.

ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚

Being JJ’s sister already meant people had a bad perception of you, but your attitude did not help the rumors anyway. You weren’t known for being nice to everyone, and that was fine because it scared the weirdos away most of the time.

You’ve always seemed strong and independent. Insults usually rolled right off you, and situations didn’t seem to bother you. Being hard-headed and having an attitude all the time was a good cover. But it was all a front. At home, your dad would constantly abuse alcohol, and you and JJ often bore the brunt of his rage. When JJ started sleeping at John B’s house and only saw you once a week, you ended up taking most of the hits.

You were friends with the Pogues, but not as close as JJ was, so you didn’t feel comfortable staying at John B’s house.

You met Rafe almost a year ago at a party. It was meant to be an emotionless hook-up and nothing more. But over time, what started as frequent, meaningless sex evolved into a friends-with-benefits situation. You two began spending a lot of time together, both with and without there being sex involved. He started taking you out to places and even to parties with his friends and others around.

But he wasn’t your boyfriend. And every time you attempted to bring it up he'd claimed he “couldn’t be the man you needed.” Despite that, as you grew closer, he eventually learned about your home life. Rafe wasn’t stupid—he knew Pogues had it hard—but he hadn’t realized how much your situation affected you. How you were really a sweet and caring person who had just been hurt by your situation. Once he did learn, he started spending more time with you at his house, claiming, “Look, I know this is just sex, but come on, I can’t have you around that bullshit, ‘kay?”

You didn’t complain—free days at Tannyhill with him were a welcome escape!

Everything was fine until Rafe started treating you like an actual girlfriend. You wanted to be his, but was he really capable? Anyway, it wasn’t what he wanted—he’d made that very clear—so it didn’t matter.

Then, you two got into a bad argument last week. You’d started feeling very dependent on Rafe, and you hated it. So you began to pull back, which only made him care more. One comment led to another, and…

“Rafe, stop. If you’re not my boyfriend, stop acting like you care about me like one.”

“My god! You don’t want me to care about you just ‘cause I don’t wanna be your boyfriend? S’pathetic.”

“Fuck you!” you yelled before storming out.

You hadn’t seen or talked to him since. He was pissed but still wanted to fix things; he just didn’t know how.

That’s when you called.

Your dad had come home drunk, yelling and throwing things. You could no longer bear it. So you called Rafe.

“Hey, I’ll be at yours in like half an hour,” you told him, not waiting for a response.

When you arrived, Wheezie let you in. (She already knew the procedure and wouldn’t snitch,) but she stopped you.

“Hey, you okay? You don’t look okay,” she asked.

You put on your best smile. “Yeah! M’fine! Rafe’s here, right?” She nodded and let you pass.

When you reached Rafe’s room, he was sitting on his bed. His eyes instantly met yours. You climbed onto the bed, inching towards him, and eventually straddled him without saying a word while he stared at you.

“Hi,” you whispered before kissing him.

Rafe, being a man with needs, initially kissed you back. But after sensing something was wrong, he pulled back.

“Nah, nah, you were just over here yelling at me. I’m not mad, okay, but you’re not okay,” he said, concern in his voice.

You frowned as tears welled up in your eyes. “Rafe, m’fine. I’m sorry. You’re forgiven. Please just kiss me. Come on, I just need to forget.”

He kissed you again but stopped when he felt you begin to cry lightly, your breath hitching out of sadness.

“Nah, baby, come on,” he said, pulling you into a hug and holding you tight.

You couldn’t cry in front of him. You couldn’t be so attached to him. It freaked you out, and you tried to push him off.

“Rafe, stop!” you cried, but his grip only tightened.

“What is it? Is it me?” he asked softly, stroking your hair to calm you down. “Your parents?” he whispered.

Finally, you broke down, crying into his chest and wetting his shirt with your tears. Although you had previously confided in him, it had never been like this. He whispered a series of “M’sorrys” as he stroked your hair.

When you finally calmed down, you pulled back and got off him, heading to his mirror to clean yourself up. He stared at you with concern.

“Shit, sorry. Okay, well, m’gonna go now,” you said quickly.

He immediately got up and walked over, towering over you. “The fuck you are. You haven’t told me what’s wrong or why you tried to forget by fucking me.”

“I just needed to forget, okay? No point crying over something I can’t change.”

“Something you can’t change?”

“What?”

“What is the something you can’t change?”

“The situation with my dad and your feelings toward me,” you calmly explained.

“Now, why’d you think fucking was gonna make everything better, huh?” he scolded, switching the topic.

You looked away. “Thought that’s what you wanted.”

“What?”

“I thought you’d no longer be mad at me or wouldn’t care if I was crying if you got to fuck,” you said lightly.

He scoffed in disbelief. “You think that’s the kind of person I am? Baby, I care so much more for you than I’ll ever let on, okay? And this isn’t just sex. You are so much more to me as a person. It’s important to me that you know that, ‘kay?”

You nodded, still waiting for him to respond to your earlier comment.

His face softened. “Look, I wanna be your boyfriend, ‘kay? More than anything, fuck, believe me. But I can’t be the man you deserve. You deserve so much better.”

You scoffed lightly. “But I want you.”

He sighed. “Let me better myself. Then I promise.” He leaned in and kissed your forehead softly. “Stay here tonight, yeah?”

You nodded.

Later that night, as you drifted off to sleep, he kissed your arms, shoulders, and face with gentle affection. “I love you,” he whispered before the both of you fell asleep.

[thattheater-kid]

Everyone talks about how fucked up it was that people told kids, especially girls, that if someone picks on you it means they like you. And that is fucked up and should be talked about, but you know what else is fucked up?

Telling bullying victims to have sympathy for their bully because “they’re probably hurting too” (also that the best way to stop bullying is to ignore it, but that’s another post). That’s really harmful and just teaches kids to ignore mistreatment and abuse because the perpetrator has had a hard time too.

[quietwingsinthesky]

Dean is such a paradox for me because on the one hand, I have been actively triggered by him in the show, there are moments where, intentionally or not, the writers managed to create a portrayal of manipulation and abuse and control issues that it sets off actual alarms for me. And on the other hand, I would not have him any other way. There is something — not comforting, that’s too soft a word — about knowing where Dean’s actions stem from, having seen and learned all that we do about his childhood neglect and parentification and the trauma he goes through repeatedly in the show, and that he doesn’t come out clean. He comes out a goddamn mess who ends up hurting the people around him in reaction to his own pain!

There’s a reality there that’s. Almost nice, actually. Distressing to watch, but it is a fucking mess, it’s a good mess! He’s got zero healthy coping skills and a healthy relationship with say, his brother, is terrifying because it leaves him open to abandonment!

I’m not sure I’m wording this correctly. There is a way to be a good abuse victim. Take the pain, martyr yourself on it, and then, even if you have no support or idea how to, then you have to become a Good Person who never hurts anyone the way you have been learning to your entire life. Simply toss everything that shaped you out the door and emerge a saint with a tragic backstory. And Dean is not that. And that’s so fucking good. Everything that he has gone through continues to effect the way he treats the people around him, and he can’t fight the behaviors he might recognize as harmful because he also sees them as protecting him (or protecting Sam by keeping Sam with him.)

And sometimes, idk. It feels good to see a guy who didn’t heal the “right way.” Who mostly didn’t heal at all, just keeps the wound open because it’s easier that way.

[gor3sigil]

Before starting T, when I socially transitionned, I was surrounded by radical feminists who saw masculinity as gross and inherently evil, something to avoid, something to make fun of, something to destroy. The other transmascs in my friend group, sometimes, told me that they didn’t knew if they really were non-binary or if they just were scared shitless of saying “I am a man”. Because they saw this as a betrayal to their younger self who had been SAd and abused.

I saw many of my masc friends and trans men around me hate themselves, not outing themselves as men because it would imply so so much, it was like opening the Pandora Box. Even when we were just together, talking about our masculinity was always coated with bits like “I know we’re the privileged ones but…”, “I don’t want to sound like I have it bad but…”, “Women obviously have it worse, but last time…” and we were talking about terrible traumas we experienced while taking all the precautions in the world in the case the walls were a crowd of people in disguise waiting to get us if we didn’t downplay the violence we faced, or like crying and being upset and being traumatized and afraid and scared and to say it out loud would make us throw up the needles we were forced to swallow every second of every day living in our skin.

Most of us weren’t on T yet, some of us were catcalled every day and harassed in the streets or in abusive relationships nobody seemed to care to help them get out of because they were “strong enough” to do it by themselves.

I was using the gender swap face app and cried for ours when I saw my father looking back at me through the screen. The idea of transforming, of shedding into a body that would deprive me of love, tenderness, and safety, was absolutely terrifying. I knew I couldn’t stay in this body any longer because it wasn’t mine, but I also knew that if I was going to look like my dad, my brother, my abusers, it would be so much worse.

5 years later and I’m almost 2 years on T, and almost 2 months post top surgery.

I ditched my previous group of friends. I was bullied out of my local trans community. But let me tell you how free I am.

I was scared that T would break my singing voice: it made it sound more alive than ever.

I was scared that T would make me less attractive: it made me find myself hot for the first time in my life.

I was scared that T would make me gain weight: it did. But the weight I put on is not the weight I used to put on by binging and eating my body until I forgot that it even existed. It’s the weight of my body belonging to me, little by little. The wolf hunger for life.

I won’t tell you the same story I see everywhere, the one that goes “I started going to the gym 8 times a week, I put on some muscles, I started a diet and now I look like an action film actor”, in fact if you took pictures of me from 5 years ago vs now I’d just have more acne, I’d have longer hair and still look like I don’t know what to do with myself when I take selfies.

But the sparkle in my eyes, my smile, tell the whole story way better than this long ass stream of words could ever.

I want to say some things that I wish someone told me before starting medically transitionning.

It’s okay to take your time. It’s your body, it’s your journey, if you don’t feel comfortable taking full doses and want to go slow, the only voice you need to listen to is your own. Do what feels right.

If you feel overwhelmed, it’s okay to take a break, it’s okay to ask for support.

Trans people are holy. Everyone is. You didn’t lose your angel wings when you came out because you want to be masculine. You are not excluded from the joy of existence, from being proud of yourself, from being sad, from being scared, from being angry. The emotions and feelings you allowed yourself to feel while processing what you experienced when you grew up as a girl and was seen as a woman are still as valid as before. Nobody can take that from you. If someone tries to, don’t let them.

It’s perfectly normal to grieve some things you were and had before you started to transition, like your high soprano voice or even your chest. Hatching is painful. You can find comfort in things that don’t feel right, so making the decision to change can be incredibly scary and weird and you deserve to be heard and supported through this. Wanting top surgery doesn’t make the surgery less intense, less terrifying, less painful to recover from. When it becomes too much you have the right to take a break and take some deep breaths before going on.

You don’t have to have a radical, 180° change for your transition to be acceptable or valid or worthy of praise. Look at how far you’ve come already. It doesn’t have to show, you’re not made to be a spectacle, you’re human and it is your journey.

Oh, and last thing, you know when some people say “Oh this trans person has to grow out of the cringy phase where you think that you can write essays about being trans or transitionning or just their experience because it’s weird” ? If you ever hear this or see this online, remember all the people whose writing you read and, even if they were not professional writers, helped you more than any theorists did ? If you want to write, do it. It won’t be a waste. It can help people. Or it won’t, and even then, if it helped you, that’s enough.

Love every of my trans siblings, take care of yourselves. You deserve the world.

[cookinguptales]

So I’ve been enjoying the Disney vs. DeSantis memes as much as anyone, but like. I do feel like a lot of people who had normal childhoods are missing some context to all this.

I was raised in the Bible Belt in a fairly fundie environment. My parents were reasonably cool about some things, compared to the rest of my family, but they certainly had their issues. But they did let me watch Disney movies, which turned out to be a point of major contention between them and my other relatives.

See, I think some people think this weird fight between Disney and fundies is new. It is very not new. I know that Disney’s attempts at inclusion in their media have been the source of a lot of mockery, but what a lot of people don’t understand is that as far as actual company policy goes, Disney has actually been an industry leader for queer rights. They’ve had policies assuring equal healthcare and partner benefits for queer employees since the early 90s.

I’m not sure how many people reading this right now remember the early 90s, but that was very much not industry standard. It was a big deal when Disney announced that non-married queer partners would be getting the same benefits as the married heterosexual ones.

Like — it went further than just saying that any unmarried partners would be eligible for spousal benefits. It straight-up said that non-same-sex partners would still need to be married to receive spousal benefits, but because same-sex partners couldn’t do that, proof that they lived together as an established couple would be enough.

In other words, it put long-term same-sex partners on a higher level than opposite-sex partners who just weren’t married yet. It put them on the exact same level as heterosexual married partners.

They weren’t the first company ever to do this, but they were super early. And they were certainly the first mainstream “family-friendly” company to do it.

Conservatives lost their damn minds.

Protests, boycotts, sermons, the whole nine yards. I can’t tell you how many books about the evils of Disney my grandmother tried to get my parents to read when I was a kid.

When we later moved to Florida, I realized just how many queer people work at Disney — because historically speaking, it’s been a company that has guaranteed them safety, non-discrimination, and equal rights. That’s when I became aware of their unofficial “Gay Days” and how Christians would show up from all over the country to protest them every year. Apparently my grandmother had been upset about these days for years, but my parents had just kind of ignored her.

Out of curiosity, I ended up reading one of the books my grandmother kept leaving at our house. And friends — it’s amazing how similar that (terrible, poorly written) rhetoric was to what people are saying these days. Disney hires gay pedophiles who want to abuse your children. Disney is trying to normalize Satanism in our beautiful, Christian America. 

Just tons of conspiracy theories in there that ranged from “a few bad things happened that weren’t actually Disney’s fault, but they did happen” to “Pocahontas is an evil movie, not because it distorts history and misrepresents indigenous life, but because it might teach children respect for nature. Which, as we all know, would cause them all to become Wiccans who believe in climate change.”

Like — please, take it from someone who knows. This weird fight between fundies and Disney is not new. This is not Disney’s first (gay) rodeo. These people have always believed that Disney is full of evil gays who are trying to groom and sexually abuse children.

The main difference now is that these beliefs are becoming mainstream. It’s not just conservative pastors who are talking about this. It’s not just church groups showing up to boycott Gay Day. Disney is starting to (reluctantly) say the quiet part out loud, and so are the Republicans. Disney is publicly supporting queer rights and announcing company-supported queer events and the Republican Party is publicly calling them pedophiles and enacting politically driven revenge.

This is important, because while this fight has always been important in the history of queer rights, it is now being magnified. The precedent that a fight like this could set is staggering. For better or for worse, we live in a corporation-driven country. I don’t like it any more than you do, and I’m not about to defend most of Disney’s business practices. But we do live in a nation where rights are largely tied to corporate approval, and the fact that we might be entering an age where even the most powerful corporations in the country are being banned from speaking out in favor of rights for marginalized people… that’s genuinely scary.

Like… I’ll just ask you this. Where do you think we’d be now, in 2023, if Disney had been prevented from promising its employees equal benefits in 1994? That was almost thirty years ago, and look how far things have come. When I looked up news articles for this post from that era, even then journalists, activists, and fundie church leaders were all talking about how a company of Disney’s prominence throwing their weight behind this movement could lead to the normalization of equal protections in this country.

The idea of it scared and thrilled people in equal parts even then. It still scares and thrills them now.

I keep seeing people say “I need them both to lose!” and I get it, I do. Disney has for sure done a lot of shit over the years. But I am begging you as a queer exvangelical to understand that no. You need Disney to win. You need Disney to wipe the fucking floor with these people.

Right now, this isn’t just a fight between a giant corporation and Ron DeSantis. This is a fight about the right of corporations to support marginalized groups. It’s a fight that ensures that companies like Disney still can offer benefits that a discriminatory government does not provide. It ensures that businesses much smaller than Disney can support activism.

Hell, it ensures that you can support activism.

The fight between weird Christian conspiracy theorists and Disney is not new, because the fight to prevent any tiny victory for marginalized groups is not new. The fight against the normalization of othered groups is not new.

That’s what they’re most afraid of. That each incremental victory will start to make marginalized groups feel safer, that each incremental victory will start to turn the tide of public opinion, that each incremental victory will eventually lead to sweeping law reform.

They’re afraid that they won’t be able to legally discriminate against us anymore.

So guys! Please. This fight, while hilarious, is also so fucking important. I am begging you to understand how old this fight is. These people always play the long game. They did it with Roe and they’re doing it with Disney.

We have! To keep! Pushing back!

[arcadia345]

❃Astrology observations❃

Masterlist

Not a real astrologer just my observations:)

❃ Aquarius moon femmes tend to be more masculine/tomboyish whether it be their personality or fashion sense they prefer loose fitting clothes. They have this nonchalantness/offstandish energy about them, they also are very sensitive and receptive to energies around them esp after one on one interactions but surprisingly do very well w online interactions💀they could feel like their personality shines brighter online than irl

❃ 12th ruler in 7th natal partners could have animosity towards you esp if you prefer men they tend to have secret intentions/lives

❃ Sagittarius in your natal chart is where you tell the best stories, and gemini can show where others ask for advice/tell their best stories to you(and lowkey try to impress you)

♐︎ in 1st -you ARE the story, there’s never a dull moment ,so many memories are made w you, many stories where you had to be reminded that your that GIRL/GUY✨ (esp by your guides)

♐︎ in 8th- they articulate their trauma very well, the ones that talk openly about their abuse, lots of near-death stories, surgery stories that they almost didn’t make it out of, thieving stories

♐︎ in 11th- the type to bring their friends into every situation/story, most likely to do the best story time vids online, their stories can be eye opening for the collective, people love when they predict the future, stories about the future/goals of humanity, evolution stories, stories about you gaining independence(just like 1st)

♐︎ in 12th- they love to hear about your dreams and conspiracies, they love when you talk about your insecurities and spill your own secrets, your paranormal experiences and things about past lives

♊︎ in 2nd- they love to tell you how hard they work for their assets, “You know I haven’t told anyone this but I feel like I can trust you.” They don’t mind telling you about their illegal activities, people have a tendency to think you took something from them, they come to you for advice on how to approach situations

♊︎ in 5th- the type to have kids come up to them and all their parents business (4th house also), the best childhood memory stories, people try to impress you w their sex stories , they come to you for advice on sex and love matters also, asking for your opinion w fashion & aesthetics, you make them want to try new things🥵

❃ Taurus in the 3rd/4th find it hard to leave their family/home

Cancer risings (4°16°28°) their face and body fluctuate through life but their faces tend to get rounder/fuller as they age

❃ Sending love out to Venus in Pisces/12th house natals y’all are what fairytales are made of🥺 just being in your presence is healing even tho they feel sometimes their deepness and devotion isn’t reciprocated at times idk who needed to hear this but your loving energy transcends the physical barriers you could do a lot of energy work on the other side w/o even realizing it esp while sleeping🧡

❃ I feel bad for Chloe because w that Gemini mars baby everybody always gonna think you doing too much😭 unti you don’t do enough & they’ll still be mad

Finding out Lil uzi has a Gemini mars sent me💀 it reminds of them vids of their security guard trying to keep up w them while they jump all over the place🕺🏽

❃ Sag moon children mom was in her hoe phase when u were conceived. Partying/traveling/drinking/learning was prominent for her at the time

Venus in natal can show you why others envy you

♀ in 2nd- they envy how consistently you upkeep yourself, they see how much money you put into yourself to look good, they hate how materially abundant you are, how easily you make money from your talents/assets, they envy your sugar daddy/baby energy

♀ in 4th- they envy how abundant your family/ancestry is, they envy your mom/your motherly skills, how easily you make a house feel like home, how rich your inner world is, your decoration sense, how easily you’ll be remembered after passing/leaving home, how easily you make money from home

♀ in 8th- they envy how easily others trust you esp w their money & possessions, how beautifully you shed your skin in transformations, sugarbaby placement, how magnetic you are, how easily people become obsessed w you, your way of love making/showing love/spoiling others or vise versa

♀ in 12th- a lot of people don’t even realize that they envy you/ subconsciously send you evil eye, you provoke their hidden desires(this place def has lots of people in their circle wishing on their downfall) they envy how content you are with yourself /and how you’ve healed yourself , your music taste

I feel like prominent Pisces placements tend to lose their teeth more often than Capricorns, could also have dreams of teeth falling out/rotting

❃ Prominent Virgo in natal stay cleaning up other people’s 💩💀 like literally tho at some point in your life you’ve had to be some type of caretaker ie. animals, elderly, babies. But 💩 is more prominent/consistent in your life

But if ur a pet owner or caretaker in general you know that a lot of times the only way they can communicate what’s going on w their body Is through their bowel movements so it’s a blessing and a curse cuz it’s not like your obsessed with 💩 (unless👀) but you kinda have to be😭

Aphrodite in Gemini/3rd house natals have contagiously attractive laughs/smiles, delicate hand and arm movements, and beautiful hands and lips

❃ Every time I have prominent 8th synastry esp moon/mars we always have 🩸 sex eventually 🧍🏽‍♀️ they be feigning so bad for you that they can’t wait a few more days they need it now! But they always end up saying you put a spell on them like no bro u willingly put a spell on YOURSELF💀

❃ 7th house mercury could attract or prefer younger/pettie people or they are seen as such, also prone to have partners w prominent anxiety

❃ Eros/mars in Aries/cancer/scorpio in composite charts shows lots of crying during sex but for different reasons

Aries cries because ur f*cking/sucking them so good all they can do is take it like a champ and cry happy tears 🥲

Cancer cries because you truly touched their soul🥺 they never thought sex could be this satisfying and comforting at the same time (healing sex like Pisces)

With scorpio it’s kinda a mixture of both w sprinkles of trauma bonding✨

❃ Venus in 8th synastry- adoring eachothers beauty marks esp the house person @ Venus , the house person usually adores the Venus’s insecurities/stuff about themselves that they never picked up on which gives the Venus person a new prospective of their beauty

❃ Mercury synastry can tell you how you were first introduced/heard of each other

☿ in 8th- meeting while/before going through a transformational/traumatic period in your life, you could have problems w people owing you money or vise versa, catalyst for spiritual & sexual growth, meeting before/after having a major surgery

☿ in 9th- meeting through college/highschool,being introduced to/by a different ethnicity friend,meeting while traveling esp abroad, catalyst in spiritual journey, meeting through religious community

☿ in 4th- I have this w my mom while her ☿ is in my 1st so you could also share this w your parents, w cancer and Aries basically representing the womb her PUMPUM told her about me😂obvi she had no other choice but to learn about me I was coming weather she liked it or not😎 so w 1st house synastry I feel like they were kinda forced onto you they’re pretty hard to miss🥴with 4th her aunts/women in her family told her she was gonna have another baby before she even knew🤷🏽‍♀️

❃ Jupiter in 1st synastry -even the most stubborn person would hear planet person out w this placement 😏 Jupiter boost house persons ego/outlook on life, planet person just makes everything look good & exciting in house person eyes

❃ Pluto in 11th natal- unfriending someone could really feel like a divorce lmao telling people your not friends anymore and they react so crazy like “NO I NEVER WOULDVE THOUGHT💔💔💔” then splittng up your assets (friends/aspirations)

❃ Gemini Venus-girl next door vibe people watch through your window esp w some Pluto energy on your Venus, the song ‘She by Tyler the creator’ was made about us fr😭

❃ Taurus (2°14°26°)moons people think that they own you or that you’re some object they can use anytime they want whether it be your body or your possessions

Also having a Taurus moon could play out as feeling like you didn’t get the support that you needed in ur childhood, the type to have moms that say “I put clothes on your back, food on your plate, and a pillow to lay your head and you’re telling me I didn’t do enough for you??😠😤” like sorry I needed emotional support and understanding as a child that you couldn’t give me🥲 the mom could see the child as spoiled/ungrateful esp with harsh aspects on the moon, but they could also just feel like they have a right to your possessions esp if you live in the same house what is privacy?😀

❃ 6th house synastry is big on planning together,the type to count down the days till they get to see e/o 🥰

Now offering aura & synastry readings

That’s it for now, have a blessed day ✨

[novy2sirius]

THE MARS DEGREES

based on numerology

tw: sexualization, emotional/physical abuse, substance abuse/addiction, criminals, death ♥︎

the whole chart matters. take this with a grain of salt ♥︎

this is based on the numerical meanings (numerology) of these numbers not degree theory ♥︎

do not read if you aren’t 18+ ♥︎

♂ MARS AT 1°/10°/19°/28° · having these mars degrees indicates that you are someone who has a lot of sex appeal and people may obsess over you a lot. with this does come a lot of hate or envy from others as well. you can make lots of money from martian related topics such as modeling, athletics, sex, tattoo work, etc. people with these degrees in their mars are also extremely ambitious and never take no for an answer when they truly want something. when it comes to conflict these people don’t like passive aggressiveness they want you to be up front with them from the beginning and will also do the same. they like to resolve a conflict immediately when it first occurs or have time to themselves if they’re too angry to talk about anything. sexually the women with these degrees tend to love a dominant partner, but the men with these degrees tend to be the one’s that like to dominate in bed. they have a really high sex drive and may come off as very sexual people. when it comes to their presence these people can come off as intimidating at times and when lower vibrational they can be bullies or just very mean spirited. the one’s that are higher vibrational will not waste their energy on being mean to others or being vengeful, but instead will put their energy toward their passions in life

♂ MARS AT 2° · having this mars degree means that a lot of people will find your body to be sexually appealing. at times you may get sexualized a lot. when it comes to conflict these people are peacemakers and don’t like to stir the pot. they prefer to avoid conflict as much as possible because it makes them very anxious. when lower vibrational because of this they can be passive aggressive and bad at confronting conflict head on. when higher vibrational they will try to understand everyone’s perspective during conflict and be understanding while trying to resolve it in a healthy way. this is the most feminine mars degree you can have. usually these people have a more feminine vibe depending on the rest of their chart. a downside to this degree is that these people usually are not the best leaders

♂ MARS AT 3°/12°/21° · having these mars degrees means that you’re someone who needs a lot of communication to resolve conflict. you typically will not just naturally understand why someone is upset unless they tell you. when lower vibrational during conflict these people can be very impulsive with their words, harsh at times, and childish in conflict. when higher vibrational they tend to just be very straight forward in the way they communicate and straight to the point. these degrees in mars can also indicate that you have a sexy voice that many people find hot. you would benefit in life from speaking up for people and yourself. these people make great public speakers and activists because they usually aren’t afraid to use their voice when it comes to important matters. these are not the kind of people you want to get into a roast battle with because they will have you speechless with their comebacks. they tend to be very funny to a lot of people. these people are naturally very creative and can benefit from using their creativity toward their passions. something random i’ve noticed is low vibrational people with these degrees in their mars often get in trouble with the law/are criminals

♂ MARS AT 4°/13° · having these mars degrees means that you are someone who’s extremely hardworking. often these people are workhorses and will stop at nothing to have their desires. these people tend to have a super high sex drives and aren’t afraid to put in the work during sex to please their partner. people with these degrees in their mars typically have broad shoulders or a very muscular body type. when lower vibrational these degrees can be challenging because these people tend to be overly aggressive, violent, and have a lot of jealousy toward others. when higher vibrational these people are very disciplined and smart when it comes to the decisions they make in their life. these people could do really well in the criminal justice field. they would make great cops, criminal investigators, soldiers, etc. i don’t recommend that someone with one of these mars degrees goes into a career where they’re sitting around too much. they thrive more so in careers where they’re constantly being introduced to new tasks and moving a lot

♂ MARS AT 5°/14°/23° · having these mars degrees means that you’re someone that’s a bit on the wild side. you’re always down for an adventure and love to constantly be moving and traveling if you can. when unevolved these people can sometimes be players since 5 energy in numerology is very sexual and loves its freedom while Mars is about speed and moving fast. these people tend to love sex, but may struggle with confusing lust and love at times even if they don’t initially realize it. these people often have a lot of sex appeal and are very sexually attractive. they have a charm about them that others find very seductive and it makes many people desire them. these people are great entertainers and are very witty. they have a natural charisma about them that makes others addicted to them. although this can also create jealousy in others and make many people want to bring you down if you have these degrees in your mars out of hatred in themselves for not having what you have. at worst people with these degrees in their mars can be relationship/home wreckers, irresponsible, chaotic, alcoholics, or drug addicts. when it comes to conflict they don’t really like to dwell on things too much because they’re free spirits and want to just have fun. if you try telling them what to do or make them feel restricted in any way though they won’t want you in their life and will distance themselves from you. health wise these people tend to be very fit and have good diets

♂ MARS AT 6°/15°/24° · having these mars degrees means that you’re definitely really good in bed. these people like to please their partner before themselves in bed. they usually have high fertility. they also have praise kinks a lot of the time. when it comes to exercise these people can be lazy at times and bed rotters. they like staying in their comfort zone and don’t enjoy leaving it. the downside to these degrees in your mars is that it can make you on the lazier side and can make you lack ambition if you don’t have any placements to contradict this energy. often these people may not have good health because of this. they’re homebodies. they will be responsible whenever they need to though. when it comes to conflict they value their friendships and relationships a lot, so they try not to step on any toes. they’re very loving people, but when they’re mad.. they’re really mad and stubborn. it just takes a lot to get them to that point. when it comes to their family sometimes they do have family issues since mars is associated with the conflicts in our life and 6 is the number of family in numerology. they can lack intelligence if they don’t have any energies contradicting this in their chart

♂ MARS AT 7°/16°/25° · having these mars degrees means that you’re not someone who enjoys being involved in conflict and prefers to just mind your own business. when these people don’t like someone they usually won’t tell them. they’d rather avoid the drama of telling someone they wanna cut them off and just slowly walk away from a friendship/relationship. these people are often on the more introverted side and can be bad at communicating their feelings during conflict. they’re often misunderstood which makes them feel very lonely and struggle a lot with loneliness (sometimes even when they’re not alone). they could be surrounded by a group of people and still feel alone. people with these degrees are most likely to be narcissistic or psychopathic when at a very low vibration since 7 is the number of the psycho and mars represents aggressive energy. these degrees in your mars are some of the most challenging when it comes to romance/friendship as well. the positive to these mars degrees is that these people tend to be highly intelligent and very strong spiritually. they tend to have great instincts and be very intuitive. they notice a lot of things that others don’t notice

♂ MARS AT 8°/17°/26° · having these mars degrees indicates that you’re an amazing leader. you would do great in a career involving business related things or running your own business. these people seek power and can do very well in positions of power as long as they don’t take advantage of their power and use it for bad or act greedy. they often have good judgment of others and can tell the type of person someone is immediately when meeting them. they see things in people that others don’t. if they’re at a lower vibration they can be thoughtless and not think about how their actions may hurt others. at very worst they could be emotionally or physically abusive, ignorant, vengeful, obsessive, and cruel. when it comes to their career they tend to be very wealthy when they’re older, but may experience ups and downs with money in their childhood and in early adulthood. they are very hard workers when they really want something bad enough. if they don’t have a deep desire for something they will not put in any effort though. these people were actually meant to be materialistic in this life time just not to the point where it’s the only thing they value. these people do live a very karmic life which can be the challenge of having these degree in your mars. when they hurt others karma will come back to them quickly, but the vice versa also occurs if people hurt them (the people who hurt them will get bad karma quickly). sexually, these people have a lot of stamina in bed. even the men can last longer than most other men

♂ MARS AT 0°/9°/18°/27° · having these mars degrees can mean that you’re a powerful manifestor and have the ability to manifest more quickly than most others. manifestation ability is not reliant on placements, however it’s simply just that these people tend to have a better understanding earlier on of manifestation than most others which makes them usually have better manifesting skills. these people tend to have a quick death that happens suddenly since mars represents speed and 9 in numerology represents death. these people tend to be great adapters no matter what place you put them in. they are quick learners and very intelligent. when lower vibrational these people tend to have big egos and a superiority complex or need to “prove others wrong” since they have lack of respect for others opinions. they can also be violent, struggle with addiction, dramatic, liars, possessive, or be immoral when at a lower vibration. when at a higher vibration these people know how to use their emotional energy and turn it into amazing art whether that be in the form of music, acting, or literal artwork such as painting and drawing, etc. they can especially be amazing actors though since 9 is the number of illusion. they’re naturally good liars/fakers, so with that energy in mars the planet associated with intense emotions and enthusiasm they can act in a way that seems very realistic. they’re very compassionate and usually come off very charming and attractive to others. they can be good leaders or followers. in bed usually they’re switches and can enjoy being dominant or submissive depending on their mood

♂ MARS AT 11°/20°/29° · having these mars degrees can mean that you’re a very emotional person. it’s usually because of how spiritually connected these people are though and their ability to tap into others energies. sometimes unintentionally. often these people have psychic abilities and will dream about things before they occur in the physical realm. these people tend to dislike hookup culture a lot and prefer having a real and deep connection with someone before ever having sex with them. when it comes to work they do well in emotionally strenuous jobs like being an ICU nurse, 911 operator, etc. they would do well as an athlete, actor, rapper, life coach, salesman, etc though. these people have a lot of charisma and can seduce people into getting what they want. they are good manipulators, so be cautious if you do see this in someone’s chart in case they’re low vibrational. at very worst when these people are at a low vibration they could be the type to lure you in with charm and then hurt you especially if they’re emotionally unstable people. when it comes to conflict these people tend to be very empathetic toward others emotions when at a higher vibration and want the best for them, so they try to understand how the other person feels before explaining how they feel. however, when you hurt someone with one of these degrees in their mars it can be dangerous since these people have the power to make others really emotional

♂ MARS AT 22° · having this mars degree means that you’re very wise, especially when it comes to problem solving. they’re good at analyzing details that others can’t. they tend to also give very good advice to others when they need help with their problems or conflicts in life. they’re powerful people and leaders. they tend to be people that think outside of the box and the opposite of a follower. health wise these people tend to have very muscular bodies and can be very fit. these people can be great body builders if they want to be. emotionally these people can be pretty sensitive at times and if low vibrational very stubborn or ruthless. when at a higher vibration these people tend to use their energy toward things that help them become more powerful and achieve more. a downside is these people can be really stubborn when you try to give them advice. they don’t like taking it. sexually these people will feel more pleasure the more confident they feel and may enjoy more aggressive or intense sex

comment your mars degree and what posts you want me to make next. reblogs are appreciated!!

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 10.4k tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation a/n: eek series masterlist < previous chapter < next chapter

i mean, im not that surprised he’s sexy as hell

that’s actually crazy

imagine hiding your son for five years 😶😶 how can you be ashamed of that

doesn’t he literally have a girlfriend?? himari nakamura??

        ↳ yep for almost two years now

       ↳ wonder how she’s holding up i’d be pissed, unless she knew 

rich people are always shady as fuck

You don’t even know how many comments you’ve read. Staying up practically the entire night, busying yourself with the endless scrolling of people who have not a single clue of how your life actually is. Meddling in your business and acting like the shit they’re spouting on the internet is okay. 

They ranged from positive (sort of) to extremely personal and negative. 

i bet she just did it for the child support 

i wonder if he’s actually the dad, women like that lie and lie just cuz the dad is rich as fuck

i feel so bad for that boy

Bad? Why would they feel bad for him? You’ve given everything you can and then some to ensure Koji’s safety and innocence. You’ve never put him in harm’s way, difficult situations, hit him, nothing. Of course you’ve raised your voice, but every parent does. Why are these reasons suddenly acting like they know a fucking thing or two? This is insane. 

The only positive ones you see are praising your son for how cute he is, how much he looks like Satoru, and how he’ll probably get everything he wants. That’s not true, you’re not going to spoil your kid and you’re sure as hell not letting Satoru do it either; he’s humble, that’s how you want him to be. Still, you do feel uneasy at strangers on the internet for talking about your baby like this, in reference to a photo none of you knew was taken. 

And you still don’t know who took it. 

That’s what infuriates you the most. Because who in their right mind would do that? Who thinks they’re that fucking entitled to chime in on your personal business—your family. 

When you find them, you swear on everything you’re punching them. 

Your head hangs low, the hood of your sweatshirt pulled tight, shielding your face as you step into the café. You keep your gaze down, avoiding the eyes of the baristas and patrons scattered around. The familiar hum of the espresso machine feels deafening today.

Maybe no one will notice. Maybe no one cares.

But you know better.

That damn image, plastered across every TV screen and newsfeed yesterday, is still burned into your mind. Why do people even care this much? You’re beyond pissed off. Who in their right mind thinks they have the right to invade your personal life like that? To turn your family into fodder for the public?

Maybe no one will say anything. Who even watched the news anyway? 

More people than you think, actually. You keep moving, but Hana has other plans.

“Y/N!” Her voice cuts through the noise like a whip, and before you can react, she grabs your forearm, dragging you into the storage room in the back.

“Hey, what the—” you start to protest, wincing as her grip tightens, but she doesn’t care. She whirls around to face you, her expression a mix of shock and disbelief.

“What the hell is going on?!” she demands, gesturing wildly with her hands. “You were on the news yesterday!”

Your stomach churns at the reminder, and your jaw clenches tightly. You pull your hood down, resigning yourself to the conversation you were hoping to avoid. “I know that already,” you snap, folding your arms across your chest.

“Koji’s father is multi-billionaire Satoru Gojo?!” Her voice rises in pitch, and she looks at you like you’ve grown a second head. “Is that for real? You’ve been hiding this?!”

You take a deep breath, counting to three in your head. “Yes, Hana. It’s real. Koji’s father is Satoru Gojo. Can we not do this right now?”

But Hana doesn’t back down, her wide eyes searching your face for answers. “Are you kidding me? Of course we’re doing this right now! You’ve been sitting on this—” she throws her hands up, “—while the rest of us thought you were just, like, a regular single mom? What the hell, Y/N?”

“Because it’s none of anyone’s business!” you hiss, your voice rising then lowering, not wanting anyone else to overhear. “Do you think I wanted this to come out? Do you think I wanted his world to invade mine?”

Hana softens slightly, her eyebrows knitting together in concern. “Okay, fair. But you should’ve told me, at least. I mean, I’m your friend.”

“I didn’t tell anyone for a reason and I don’t owe anyone anything,” you mutter, running a hand through your hair. “And now it’s everywhere. Do you know how terrifying that is? For me? For Koji?”

Hana sighs, leaning back against the wall. “Okay, okay. I get it. This whole thing’s a mess. But what are you going to do now? I mean, the story’s out. People are gonna talk, Y/N. A lot. Especially if it involves a man like him.”

You swallow hard, the weight of her words settling heavily on your shoulders. “I don’t know,” you admit quietly, your voice trembling. “I just want to protect my son.”

Hana nods, her expression softening further. “We’ll figure it out. But you’re gonna need a plan. And.”

“Hana, I—“ you’re really trying not to snap at her, really. But she’s pushing every button you have right now and your patience is running extremely low. Don’t snap, she’s just worried.  “I know what to do, thank you. But I’d appreciate it if you didn’t meddle in my business too. We’re friends, yes, but understand right now that I’m going through a lot of shit and don’t need to be told what to do and when to do it. So get off my back.”

Hana blinks, a little caught off guard by your sudden announcement. Her mouth slightly agape, clearly not having expected your outburst. For a moment, she doesn’t say anything, her expression shifting between hurt and something close to understanding. She straightens, her arms falling from where they’d been crossed over her chest. “Y/N, I wasn’t trying to—” she begins, her voice softer now, but you cut her off.

“I know,” you say, your voice quieter but still firm. “I know you’re trying to help, Hana. And I’m grateful, I am. But right now, I need to handle this on my own. I need space. Can you give me that?”

She nods slowly, her lips pressed into a thin line. “Okay,” she says after a moment. “I get it. I’ll back off. Just—if you need anything, anything at all, I’m here. You know that, right?”

You exhale, some of the tension easing from your shoulders. “Yeah. I know.”

Hana offers you a small, tentative smile before stepping aside, giving you the room you so desperately need. As she moves to leave, she hesitates at the curtains, glancing back at you. “For what it’s worth, Y/N…I think you’re handling this a lot better than you think you are.”

You don’t respond, just nod in acknowledgment, and she disappears back into the front of the café. Alone in the small back room, you lean against the wall, closing your eyes for a moment to gather your thoughts.

Better than I think, huh? You shake your head, rubbing at your temples. It doesn’t feel that way. 

You’d be lying to yourself if you said this probably won’t be that bad; not a big deal. But hell, it was huge. You hate unnecessary attention, especially attention from hundreds, if not thousands of random strangers. You’re recalling the incident from earlier when you dropped Koji off at school. Mr. Ito stopping you once more and confessing his surprise to you. In his words, “I didn’t know Koji had such an…esteemed father.”

You held back a slew of insults, keeping it classy, as always. But as the days go on and the more shit that seems to be happening to you, you’re getting this close to breaking that. It’s the way he, everyone else, and even Hana seems so…shocked. The lingering glances from other parents at drop-off, the whispers in the hallways. It’s the way their surprise feels so…palpable. You get it, in a way. Satoru Gojo is larger than life—powerful, wealthy, and untouchable in a way most people only dream of. But still, the shock in their eyes stings more than it should. Did they think you weren’t of caliber to bag a man like Satoru? Did they think a man like that wouldn’t even dream of having a child with a woman like you? It feels a tad bit insulting. Actually, scratch that—it feels like a slap in the face.

The implications gnaw at you, poking at insecurities you’d rather not acknowledge. This is exactly why you hate social media. You’re already growing too conscious of the comments people are making—caring too much and it was just revealed. And the worst part? You can’t even fully blame them. Satoru’s world is one you’ve never truly belonged to. You’re not the glossy, magazine-cover type, and you don’t have the pedigree or connections his circle would expect. But that doesn’t mean you’re less than, and it sure as hell doesn’t mean Koji is any less precious because of it.

 You sigh, rubbing at your temples. If only these people could see you for who you truly are—if they could see the strength it takes to raise a child on your own, to hold your head high even when the world tries to tear you down. But no, all they see is the scandal and the drama, their curiosity morphing into judgment. Sure, you made mistakes—big and bad ones. But you’re doing all this in order to make up for those mistakes. And sure, Satoru doesn’t 100% forgive you—you’re not sure he ever will—but you don’t think he would agree with these kinds of comments being made. Right? 

You huff. Let them talk, you think bitterly, though the tightness in your chest betrays the confidence you’re trying to muster. Let them all talk, they know nothing. 

The minutes feel like hours. Unsure of how long you’ve exactly been here. Equally nervous about looking at your phone to check.

“Oh my god, look. It’s her.”

“Shhh! She’ll hear you.”

“I wonder if she’ll give us pointers.”

“You’re insane.”

The conversation doesn’t fly over your head. t’s like they want you to hear, voices loud enough to penetrate the usual clatter of the café. You swear, they’re practically aiming their words right at you. Your grip tightens around the rag in your hand, knuckles going white as you scrub the already spotless table. The motion is a little too aggressive, the poor table bearing the brunt of your simmering frustration. Your jaw clenches, brows knitting together as you try—desperately—to keep your temper in check. Jaw clenching and brows knitting together, you’re counting down to ten and back.

One…two…three… you recite in your head, attempting to steady your breath. It’s an old habit—one you learned a while back from you’re therapist, one you’ve relied on in situations like this, but today it feels like it’s barely working. Four…five…six.

You glance up, just for a second, and immediately regret it. The group of girls sits near the window, leaning into each other as they giggle, their eyes darting your way. They’re not even trying to hide it anymore. One of them, a blonde with an annoyingly perfect smile, nudges her friend and whispers something, sending the others into another fit of laughter. Your fingers flex around the rag, itching to throw it across the room. Breathe, you remind yourself. Just breathe. They’re not worth it. But it’s hard to ignore the knot tightening in your chest, the sting of humiliation creeping in despite your best efforts. Because you know exactly what they’re laughing about, what they’re whispering about. It’s not just idle curiosity—it’s judgment, plain and simple. And maybe, just maybe, if this were any other day, you’d let it roll off your back. But today? After everything that’s happened? After seeing your son’s face plastered on screens and hearing people dissect your life like it’s a soap opera? You toss the rag onto the table, standing up straighter as you look their way. They immediately quiet down, eyes widening like they’ve been caught red-handed.

“Can I help you?” you ask, voice calm but carrying just enough edge to make them squirm.

The blonde fidgets, her confidence faltering under your gaze. “Oh, um, no, we were just…”

“Enjoying your coffee?” you finish for her, forcing a tight smile. “Good. Let me know if you need anything else.” Without waiting for a response, you turn on your heel and walk behind the counter, the satisfaction of their stunned silence doing little to ease the weight in your chest. Nine…ten… You exhale slowly, trying to let it go, but the anger simmers just beneath the surface.

It’s going to be a long day.

—-

The walk back home with Koji feels like you never want to use your senses again. It feels like a marathon you never signed up for, every step heavier than the last. The pounding in your head has escalated into a full-blown migraine, the sharp pain clawing at the edges of your skull. You clench your teeth, trying to hold it together, willing the tears pricking at your eyes to stay put. Koji chatters beside you, his small hand in yours, his voice a muffled hum against the overwhelming throb in your head.

 So much has changed within just the span of a week and none of it feels good. You like change, but not like this. Not the kind of change that’s so spontaneous and out of nowhere that it makes you dread the littlest things. The kind of change where you feel like every way you turn, it’s a dead end. Every thought spiraling into another reminder of how much you’ve lost control, or of how much you never had it to begin with. The kind of change that you never fucking asked for in the first place. The kind of change where you feel like a ticking timebomb. A simple walk home feels like an obstacle course. The sound of Koji’s innocent laughter, once a balm to your soul, now feels like a weight pressing down on you, a reminder of how fragile your balance is.

This change doesn’t come with warnings or instructions. It doesn’t let you adjust, and doesn’t give you the chance to prepare. It just dumps its baggage on your doorstep and forces you to deal with it, whether you’re ready or not. And right now, you’re not.

The last thing you want to do is blow up on someone who doesn’t deserve it, especially your son. You glance down at him, his bright eyes scanning the world around him with that endless curiosity only a child can have. His tiny fingers grip yours with a trust that makes your chest ache. He doesn’t know. He doesn’t understand the storm brewing inside you. And he shouldn’t have to.

“Mommy, are you okay?” Koji’s voice is soft, his head tilted as he looks up at you with concern.

You force a smile, swallowing the lump in your throat. “I’m fine, sweetheart,” you manage, squeezing his hand gently. “Just tired.” He nods, seemingly satisfied with your answer, and resumes his animated recount of the day’s events. You let him talk, his voice a small distraction from the noise in your head. One step at a time, you tell yourself. One breath at a time. For him, if not for yourself.

You wonder to yourself how many more times you can continue repeating that phrase to yourself, like a broken record spinning endlessly in your mind. Shouldn’t you be allowed to do some things on your own? Something that isn’t tied to the constant grind of making sure Koji has everything he needs, of shielding him from a world that feels more hostile every day? Everything you do is for him—every decision, every sacrifice, every moment of biting your tongue when you want to scream. It’s all for him. 

But what about you?

The thought is bitter, curling in your chest like smoke. It feels selfish even to entertain it, but the exhaustion is suffocating. How long has it been since you’ve done something just because you wanted to? Since you’ve allowed yourself the luxury of thinking about what you need, instead of what everyone else expects of you? Is it selfish? Is this not how a good mother thinks?

The doubt gnaws at you, persistent and sharp. 

Not like you’d know the answer to that question. Your mother—a woman you rarely ever want to think about—never gave you the guidance for situations like this. You have no inspiration, nothing. You’re doing everything free-handed. She didn’t leave you with blueprints for moments like these, no voice in your head to tell you what’s right, what’s wrong, or even what’s okay. She was a void, an absence, and that absence shaped you more than you’d like to admit.

And now here you are, trying to be everything for your son that she wasn’t for you. But it feels like you’re fumbling in the dark, building something fragile with trembling hands. There’s no instruction manual for this, no map to follow. You’re doing everything on the first try, improvising as you go. Every decision feels like a gamble. Did you do enough today? Did you do too much? Did you make the right call, or are you setting him up for something you can’t even see coming? The uncertainty is exhausting.

You glance at Koji, his small hand still tucked safely in yours, his voice cutting through the haze of your thoughts. He’s so blissfully unaware of the turmoil raging inside you, and that’s how it should be. He deserves that innocence, that security. But the weight of always being the strong one, the reliable one, is starting to crush you. How much longer can I keep this up? The question whispers in your mind, and you hate it. You hate that you’re even asking it, hate that it makes you feel weak. But the truth is, you’re tired.

And you don’t know how much longer you can keep pretending that you’re not.

You focus on Koji again, his small frame silhouetted against the afternoon light of the day. He trusts you implicitly, and looks at you like you’re the answer to everything. And the weight of that trust makes you want to cry and scream in equal measure. How can I possibly live up to that?

They never said motherhood was easy. You take a deep breath, steadying yourself. Maybe this is what being a mother really is—second-guessing everything, carrying the weight of your own past, and still showing up every day, trying your best. 

You don’t know if that’s enough. But it’s all you have.

It seems like you’re in for a surprise every second of the day.

Satoru, much to your own dismay and confusion, is perched against your apartment door; waiting for you again. Like a magnet, Koji runs into his lower half, hugging his father with all the strength his five-year-old body will allow. 

“Hey, little man. I’m happy to see you.” Satoru smiles wholeheartedly, patting Koji’s back with gentle ease.

“Hi, Papa! I missed you.” His voice is muffled by Satoru’s clothing.

The older man laughs, relishing in the moment for another second, before opening his light azures. His eyes look like they’re darting all around you, as if making sure you’re okay. Standing up, he shuffles his hands in his pockets.

“What are you doing here? You didn’t tell me you were coming,” you mutter, walking up closer. Arms crossing. 

He nods. “I know, I–I should’ve told you. But this was urgent and I knew you were busy at work.”

A hum is all you offer, unlocking your apartment door and stepping in. The semi-warmth envelops you like a worn blanket. Finally, in the comfort of my own home. Even if it is just for a little bit before you’re off again. 

“Call off his babysitter.”

You look back, watching him close your door and lock it. “What? Why?”

“Because I’m here.”

Koji runs off to his room, presumably to play with his toy collection. Leaving the two adults alone. Biting your lip, attempting to come up with something to say—or what to say first. Luckily, he beats you to it. “I want you two to spend the night at mine, don’t go to work. I’ll pay you whatever you miss out on. I know you saw the leak and I’m working on figuring out who the hell did it. But until then, I’m a little concerned for your guys’ safety, so stay at mine until we figure things out long-term.”

You stare at him, caught off guard by the resolute earnestness in his voice. The Satoru you know isn’t usually this serious, this concerned. It’s disarming—attractive, and for a moment, you don’t know how to respond. “This is my home, Satoru,” you finally say, your voice quiet but firm. “I can’t just up and leave because of a leak. And I can’t run every time something like this happens. That’s not a long-term solution either.”

“I get that,” he says, stepping closer. “But this isn’t just about you. It’s about Koji. Someone took that photo, and I don’t know who, or how, or what their intentions are. Until I do, I can’t take chances.”

“And I get that, but I can’t just—sleep at your place.”

“Why not?”

“Because that’s just…weird.”

“Fuck, Y/N,” he exhales out. “You think something’ll happen? It won’t. I'm doing this for Koji and you because I care. Not because reviving something that’s long-ended is my priority.” 

“It’s not about that,” you snap, your voice rising before you catch yourself. You close your eyes for a second, exhaling sharply, trying to rein in your frustration. “It’s just... complicated, Satoru. You showing up like this, offering to fix things with money, with solutions I didn’t ask for, for problems I never wanted—it’s overwhelming.”

He takes another step closer, his presence filling the small entryway. “You think I don’t understand that?” His voice softens but carries an edge of urgency. “Y/N, I’m not trying to make this harder for you. I know this is all... messy. But I can’t sit around and pretend I’m okay with you and Koji being here while someone out there is bold enough to invade your privacy like that. I’m trying to protect you. You can’t keep pushing me away like this, you said you wanted to make things better.”

“I know, but—”

“Then stop it. Stop arguing, complaining, whatever. You’re not going to keep me out of Koji’s life any longer, or yours. They already posted another damn picture of you today at work.”

What? You blink your eyes, widening them. You don’t even want to see the photo evidence, gulping down the weird lump that forms in your throat. What the fuck is going on with my life right now? You hesitate, biting your lip. His words chip away at your defenses, but the walls you’ve built don’t crumble that easily. “And what happens if we go to your place? What’s next? You swoop in, play hero, and then leave us when this blows over?”

His jaw tightens, the faint hurt flashing in his eyes almost imperceptible. “Is that what you think I’m doing?”

“Isn’t it?” you counter, arms crossing tightly over your chest, a weak attempt to shield yourself from the weight of the conversation. “That’s what you always do, Satoru. You show up when it’s convenient for you, and when it’s not, you disappear.”

The words hang heavy in the air, stinging both of you. For a moment, he doesn’t respond, his gaze dropping to the floor. “I’m not leaving you this time,” he says quietly, lifting his eyes back to yours. “Not until I know you two are safe. I’m not running, Y/N. Not from this. But you have to stop trying to keep me at arm's length, I’m trying my best to help.” His eyes lock onto yours, pleading yet determined. You hate how convincing he can be when he’s like this. How he makes you question your own resolve. “Please,” he adds, his voice dropping. “Just for a little while.”

The conviction in his voice is startling, and it makes something inside you waver. You’re tired, too tired to keep arguing, too tired to keep carrying everything on your shoulders. It’s true, you’re feeling yourself pushback on him. He deserves this—time with Koji, protecting him, and more. It’s just so hard breaking from the fragile bubble you built for your son and you. Satoru’s presence is like a sharp knife, waiting to just poke through it with ease, to get to his family.“Fine,” you say, your voice barely above a whisper. “But just for tonight. Koji and I will come to your place for tonight.”

Relief washes over his features, but he doesn’t smile. He nods, stepping back to give you space. “That’s all I’m asking.”

As you turn away to gather what you need for the night, you catch a glimpse of Koji peeking out from his room, his eyes wide with curiosity. You put on a smile for his sake, but deep down, you can’t shake the unease settling in your chest. This isn’t just about staying at Satoru’s place. It’s about what this means—what it could mean—and the part of you that still isn’t sure you’re ready to face it.

The inside of Satoru’s Mercedes is spacious, but asphyxiating. Koji in his car seat in the back, watching something on his tablet. This is the first time you’ve been in the car with Satoru since way long ago. It’s nostalgia, but sickening at the same time. You remember how he would place his hand on your thigh, squeezing it lightly. Or how he likes to rest his hand on the gearstick, or his elbow on the middle console. 

Your skin prickles with goosebumps when he brushes against your arm as he reaches for the temperature controls, adjusting the heat. It’s a small, thoughtless gesture, but it sends an involuntary jolt through you. You glance out the window, pretending to admire the blurred city lights instead of acknowledging the memories flooding back. The hum of the car engine fills the silence, an uncomfortable contrast to the weight of everything left unsaid. Koji giggles at something on his tablet in the backseat, his innocence a stark reminder of why you’re here and why you can’t let your emotions take over.

“You okay?” Satoru’s voice breaks the quiet, calm yet cautious.

“Fine,” you reply quickly, too quickly. You keep your eyes glued to the window, your arms crossed as if to shield yourself from the proximity.

He stops at a red light, leaning back in his sight. He’s a pro at side-eyeing you as you’re faced away. Seeing the way your hands ball into small fists. Nervous. Your foot is tapping on the floor. Thinking. And if he looks closer at your chest, he’ll notice how it’s rising up and down a little more quickly than normal. 

Oh. 

He clears his throat, looking forward as the light turns green. Focus on driving, focus on driving. He doesn’t push, but you can feel his gaze flickering toward you now and then, like he’s reading every shift in your posture, every flicker of hesitation. It’s infuriating how well he knows you, even now. You glance at Koji briefly before turning your gaze back to the window, watching the city lights blur into streaks as the car moves. The nostalgia you felt earlier morphs into a bitter taste in your mouth. You hate how easily Satoru slips into the role of a doting father, as if the years of his absence never happened.

You need to get a better hold of your jealousy. 

“You’re quiet,” Satoru says, breaking the silence.

“Just tired,” you reply curtly, not bothering to look at him.

He hums, his fingers drumming lightly against the steering wheel. “Long day, huh?”

You roll your eyes. “You could say that.”

His gaze flicks to you briefly before returning to the road. “Look, I know this isn’t ideal. But I’m glad you’re coming with me. It’s the right thing to do.”

You let out a dry laugh, finally turning to face him. “The right thing to do? Since when have you ever cared about the right thing, Satoru?”

His jaw tightens, and for a moment, he doesn’t respond. Then he exhales deeply, gripping the wheel a little tighter. “I care now. Now that you’ve granted me that option,” he says quietly.

You want to scoff, to throw his words back at him, but there’s something in his tone that makes you pause. Something raw, unguarded. The way he gets out those snark remarks angers you, but only further solidifies the weight of your actions, and the fact that things will never be the same. 

The rest of the drive is spent in silence, both of you lost in your own thoughts. When the car finally pulls into the underground garage of his penthouse building, Koji’s excitement is palpable.

“Wow! This place is huge!” Koji exclaims, his eyes wide as he looks around.

Satoru chuckles, stepping out of the car and opening the back door to unbuckle Koji. “Wait till you see the view, buddy.”

You follow them, your arms crossed tightly over your chest. As you step into the elevator, you can’t help but feel like you’re being pulled back into a world you thought you’d left behind—one of complications and heartbreak. Satoru presses the button for his floor, glancing at you out of the corner of his eye. “Relax, Y/N. It’s just for one night.”

You don’t respond, staring straight ahead as the elevator begins its ascent. But deep down, you know it’s never just one night with Satoru. 

“No running.”

“Sorry, Mama.”

You place Koji and your bags on one of the chairs in the kitchen, watching your son rush to his father’s living room. Satoru follows him, hands on his hips. “Hey buddy, bought some toys for you. Do you want to play with them? You like Spiderman, right?”

If possible, Koji’s eyes light up even more with excitement. Gasping and squealing, nodding his head furiously. “I love Spiderman! Mama threw me a Spiderman birthday last time.”

Satoru hums. “Wish I coulda seen that.”

You freeze at Satoru's words, your hand halfway to unpacking one of Koji’s bags. His tone is light, almost wistful, but it feels like a loaded statement—one that stings more than you’d like to admit. You glance over at him and Koji, your son practically bouncing on his toes as Satoru kneels to pull out a neatly wrapped box from a hidden cabinet. “Here you go,” Satoru says, handing it to Koji. “I think you’ll like what’s inside.”

Koji tears into the wrapping with glee, revealing a Spiderman action figure set. He gasps, clutching the box to his chest like it’s the most precious thing in the world. “Thank you, Papa! This is so cool!”

Your heart twists at how easily Koji has taken to calling him that. It’s like Satoru’s sudden presence is a gift he didn’t realize he’d been missing. And yet, for you, it’s a reminder of the years of absence—of the birthdays and milestones Satoru missed. “Please, don’t spoil him too much,” you mutter, finally unpacking Koji’s things and setting them on the counter.

Satoru looks over his shoulder, a small smirk tugging at his lips. “What’s wrong with a little spoiling? He deserves it.”

You exhale sharply, not bothering to mask your irritation. “What he deserves is consistency.”

His smirk falters, standing back up to his full height and coming over to you. Keeping his voice level calm, in case Koji decides to listen in. “What’s that supposed to mean?”

“Nothing,” you shake your head. 

Satoru narrows his eyes slightly, his expression unreadable as he watches you busy yourself with Koji’s things. “Doesn’t sound like nothing.”

You let out a humorless laugh, refusing to meet his gaze. “It’s exactly what it sounds like. Don’t read into it.”

His lips press into a thin line, but he doesn’t push further—not yet. Instead, he leans against the counter, folding his arms as he observes you. “Y/N, you can’t be the angry one in this situation. I thought you understood that.”

“I’m not angry.”

“Then what are you?”

“I’m just—” you let out a big breath, looking up at him once more. “I’m tired. Forgive me if I’m not overly happy right now.

Satoru’s gaze softens, his posture relaxing slightly, though the tension in the room lingers like a heavy fog. “I’m not trying to add onto that, I’m just trying to be here for my son.”

I know that. I don’t know why I’m snapping. All you can offer is a nod, reaching into your bag, and grabbing a change of clothes. “I…I’m gonna go shower, watch him please.”

Satoru nods, his gaze lingering on you for a moment longer before shifting to the living room where Koji is engrossed in his toys. “Of course. Take your time.”

You offer a small, tight-lipped smile before retreating down the hall, clutching the clothes in your hands like a lifeline. Once you’re inside the bathroom, the door clicks shut behind you, and the weight of everything crashes down. Leaning against the counter, you grip the edge tightly, your knuckles turning white as you take slow, measured breaths. The mirror reflects a version of yourself you hardly recognize—tired, frazzled, and barely holding it together. The faint hum of Koji’s laughter echoes down the hall, grounding you for a moment. At least he’s happy. That’s what matters.

The shower is a welcome escape. The hot water cascades over your skin, washing away the grime of the day and the lingering tension from your conversation with Satoru. You let your head fall forward, droplets sliding down your face, mingling with the tears you didn’t realize had started to fall. You didn’t mean to snap at him. He’s trying, you know that. But the past doesn’t let go so easily, and the overwhelming mix of emotions—anger, fear, hope—leaves you feeling unsteady. And you feel angry at yourself for letting your emotions slip through, getting the best of you. You’re surprised Satoru hasn’t been more outwardly rude to you, short, or even snappy. It seems like he’s taking this all better than you are, and once again, that bitter jealousy of yours is shining through. How he can just handle things so smoothly—at least that’s what it seems like. But he’s used to all this: the spotlight, public eye, attention. You just wish things could’ve been handled…differently. 

Everything feels like a domino effect, starting all with that dreaded day at the grocery store. How so much has changed. 

 By the time you step out, you feel a fraction lighter, though the knot in your chest remains. You towel off, change into your clean clothes, and take a moment to steel yourself before heading back into the fray.

When you return to the living room, you find Satoru sitting cross-legged on the floor with Koji, holding up a miniature Spiderman figure. Koji is giggling, animatedly explaining an intricate story about how Spiderman saves the day. Satoru glances up as you walk in, a faint smile tugging at his lips. “Hey. We’re just working on a top-secret mission over here. No big deal.”

Koji looks up too, beaming. “Mama! Papa’s playing Spiderman with me! He’s really good at the voices.”

You can’t help the small smile that forms, even as your heart aches a little at the sight. “Sounds like you two are having fun.”

Satoru nods, his expression soft. “We’re a good team.”

You stand there for a moment, watching them, the weight of everything pressing down on your shoulders once more. Maybe this is what Koji needs. Maybe this is what you need. But trusting him again…that’s the hardest part.

That night, eating dinner at Satoru’s long dining table, the same one where you faced his parents, it all feels strange, to say the least. The clinking of cutlery against porcelain plates echoes faintly in the vast dining room, filling the silence between the three of you. Koji hums to himself as he picks at his plate, occasionally glancing at his father to tell him some small details about his day or ask about the toys he’d gotten earlier. Satoru engages him with ease, his tone light and playful, but you can see the flickers of something deeper behind his smiles—guilt, maybe, or a desperate need to make up for lost time.

And then there’s you, sitting stiffly at the other end of the table, your appetite wavering as your mind keeps drifting back to the last time you sat here. That memory is sharp and vivid, like an old wound that hasn’t quite healed.

But Koji’s laughter brings you back down to Earth. Looking up from your plate of food to the sight before you. Father and son, son and father, family. They look so alike, you don’t think you can ever get over the blatant resemblance. Satoru’s genes are just very strong. You wish Koji could’ve inherited a few more things from you. You place a hand on your lower stomach, as if a physical touch will make the strange abundance of butterflies flying around in there to go away. 

It’s strange, this setup. Domestic in a way you never thought you’d experience with him again. But it’s also…nice. 

It feels whole, like this is how things should be. Would’ve been had you not held your tongue for so long. And you’re starting to think to yourself how much you like this sight. How it’s making you feel at home.

But this isn’t your home. However, you think you can pretend for just one night. 

“You’re not eating much,” Satoru says, pulling you out of your thoughts. His voice is casual, but there’s an undertone of concern.

Your eyes widen at him, realizing you’ve been caught staring and quickly looking back down. “I’m fine,” you say, forcing a small smile. “Just sleepy, I guess.”

“I bet,” he says, and while his tone is conversational, his gaze lingers on you, searching for something beneath your calm facade.

“Yeah,” you reply shortly, stabbing at a piece of vegetable on your plate. You don’t want to talk about your day or your worries or the mounting anxiety sitting heavy in your chest. Not here, not now.

Koji interrupts before Satoru can press further, his voice bright and full of excitement. “Papa, can we watch a movie after dinner? Mama too!”

Satoru grins, lightly pinching his cheekbone. “Of course, buddy. What movie are we watching?”

Koji claps his hands together, listing off a couple of titles before settling on one of his favorites. You manage another smile, this one a little more genuine, as you watch the way Satoru effortlessly makes Koji light up. For a moment, the tension eases, and you let yourself focus on Koji’s joy. Maybe this is enough for now. Maybe that’s all you need to get through the evening.

But as you glance at Satoru across the table, his eyes catching yours for a brief second, you’re reminded of how fragile this truce feels. Of how much history lies between you, threatening to resurface at any moment.

Koji picks Spiderman, of course. You’ve watched this movie at least a hundred times now, maybe more. You can practically recite the lines perfectly. The movie plays on, the familiar dialogue flowing like background noise to your swirling thoughts. You’ve seen this scene so many times—the hero’s triumphant swing through the city, the bad guy’s dramatic monologue, the moments of comic relief Koji always laughs at—but tonight, it feels different. There’s an added layer of tension sitting heavy between you and Satoru.

The living room feels unusually cozy, the dimmed lighting casting a warm glow over the space. Koji wiggles in his spot, clutching a Spiderman plush as he stares at the screen with unblinking eyes, thoroughly engrossed. You, on the other hand, are trying not to let your exhaustion bubble over. Koji sits between you two, Satoru’s arm over his little shoulders. Satoru’s arm rests casually behind Koji, but every so often, as he adjusts his position, his fingers graze your shoulder—a light, fleeting touch that feels far too deliberate to be accidental. You glance at him from the corner of your eye, but he seems entirely focused on the movie, his face relaxed, a small smirk tugging at his lips during one of Koji’s excited reactions. So, you ignore it. But you do shift slightly, creating just enough distance to break the contact. If he notices, he doesn’t say anything.

Koji laughs out loud at a particularly funny scene, leaning against Satoru’s side. “That’s so cool, Papa! I wanna do that someday!”

Satoru chuckles, ruffling Koji’s hair. “Maybe we’ll get you a Spiderman costume, and you can be the hero of the city.”

Koji beams at him, his excitement is contagious. For a brief moment, you allow yourself to appreciate this dynamic, the way Satoru fits so naturally into Koji’s world. You hate to admit it, but this is what Koji’s been missing—what you’ve been missing, too, in some small, buried way. Satoru’s hand once again brushes your shoulder during his next adjustment, that buried part of you is quickly overshadowed by the reminder of why this dynamic fell apart in the first place.

Luckily, Koji is already showered and dressed for bed in his matching red set. So as the movie progresses, nearing its end, so does his sleepiness. You along with him. Koji’s head begins to droop as the credits start to roll, his little body leaning further into Satoru’s side. His eyelids flutter with each blink, his earlier excitement now replaced by the slow pull of sleep. Satoru’s about to make a remark, before looking over at you and seeing your body slumped over on the other side. 

The scene feels peaceful in a way he hadn’t anticipated—a rare moment of quiet amidst the chaos that’s been your guys’ lives lately. Koji’s soft breathing grows steadier, his small body completely leaning into Satoru’s side now, one hand clutching his Spiderman plush while the other hangs limply at his side. Satoru glances down at his son with a faint smile, brushing Koji’s hair out of his face with a tenderness that makes his chest ache. He looks over to you next, ready your head resting on your hand. Your expression is soft, lips parted slightly as you drift into the kind of sleep that only exhaustion can bring. Satoru looks at the clock; 9:00pm.

For a moment, he just watches you both. Koji, who looks so much like him it’s almost uncanny, and you, the woman who’s somehow always managed to throw him off balance without even trying. He sighs softly, shaking his head at the scene before him. For a split second, he feels a shadow—a ghost from the past appears beside Koji. A baby girl who would’ve been seven by now.The baby girl who never got the chance to grow up. In that fleeting, haunting moment, he imagines her sitting there too, nestled beside her brother, giggling at Spiderman’s antics. He can imagine her features. She would’ve looked so much like you, it’s painful.

His chest tightens, and he has to look away, focusing on a random corner of the room as he fights to steady his breathing. It’s not fair—to her, to Koji, or to you. And yet, here he is, caught in the what-ifs and the might-have-beens, unable to let go of a past that feels like it happened both a lifetime ago and just yesterday. The glimpse is gone as soon as it comes, to which he’s thankful for because he is not crying right now. With a small grunt, he stands up and carefully moves Koji into his arms. Adjusting the boy and making sure he’s not waking up, he walks him over to the spare bedroom.

Satoru moves quietly, his footsteps soft against the floor as he cradles Koji in his arms. The boy’s head rests comfortably on his shoulder, his small body relaxed and completely unaware of the careful handling. The weight of his son in his arms, the warmth of Koji’s tiny form, is a stark reminder of everything he’s been missing. He pushes the door to the spare bedroom open gently, trying not to disturb the silence of the house. The moonlight filters through the curtains, casting a calm glow across the room. Satoru places Koji carefully on the bed, tucking him in with the same gentle movements he’s always used. He watches for a moment as the boy shifts slightly, a soft sigh escaping his lips before settling back into a peaceful sleep.

For a second, Satoru just stands there, hands lingering at Koji’s side as if unsure of when to leave. It’s as if the past week—no, the past years—are catching up to him in this very moment. He never thought he'd be here, standing in a room like this, watching his son sleep under a roof that used to feel so distant. His chest tightens, but he refuses to let himself feel the weight of it. Not yet. Not with Koji so close. With one last look, he slowly pulls away, stepping back into the hallway and quietly closing the door behind him. The house feels colder as he moves through it, but this time, it’s not because of the empty spaces or the lingering tension. It’s because, for the first time in years, he’s truly trying to figure out where he fits in all of this.

And it’s a lot harder than he ever expected.

He walks back to the living room, your body now completely lying on your side. His lips purse as he stands before you, unsure if he should wake you or move you himself. Would that be okay? Is he crossing some boundary of yours if he touches you fully and intentionally?

Satoru stands there for a moment, studying you as you sleep. The soft rise and fall of your chest, the way your body curls slightly into the pillow, creates a sense of peace in the room, but also a sense of tension in him. The pull to reach out, to make sure you’re comfortable, is strong. But he hesitates, his mind racing with thoughts about boundaries, and the last thing he wants is to make you uncomfortable, especially when everything already feels so fragile between the two of you. He watches for a few more seconds, the quiet of the room making everything feel so... still. He doesn’t know how he got here, standing in the middle of the room, feeling so torn. Part of him wants to just go ahead and make sure you’re properly tucked in, like he did with Koji. But that other part of him continues to wonderf if that’s overstepping, if his presence, even now, feels intrusive. Satoru exhales slowly, rubbing the back of his neck. Finally, he decides to attempt to recreate his actions for Koji; it’s the least he can do.

He bends his knees slightly, hands reaching out. But just as his fingertips graze your bare arms, you’re jolting up and awake. Head swiveling around, eyes barely open and bleary. “What’s happening? Where’s Koji?”

Satoru freezes, his fingers hovering in the air as your voice cuts through the stillness. His eyes flick to you, wide and disoriented from the abruptness of your awakening. "Y/N?" He murmurs, his voice low and hesitant, almost as if he's unsure whether you’re fully awake. "Koji’s in the other room, he’s asleep."

You sit up, rubbing your eyes, still trying to shake off the remnants of sleep. Your thoughts are jumbled, disoriented from the deep slumber you’d just woken from. “I— I didn’t hear him... when did he go to bed?”

Satoru, still crouched by your bedside, lets out a soft sigh, his expression softening. "I put him down a few minutes ago. He was out before the movie ended." He pauses for a second, watching you carefully, his hand still lingering awkwardly in the air as if unsure whether to touch you or not. "You were really tired, so I thought I'd handle it."

You blink, the fog in your mind barely beginning to clear. Slowly, you nod, still trying to process everything in the haze of your exhaustion. “Thank you.” The words come out quieter than you expect, but there’s something in your voice that surprises both of you.

Satoru’s gaze lingers for a moment, a mix of concern and relief flashing in his eyes. He stands up, backing away from the bed slowly. “I didn’t want to wake you,” he says softly, hands running through his hair as he takes a step toward the door. “But you should go to bed. You can sleep with Koji or um—in my bed if you want.”

You stare at his figure, the weight of the situation still pressing down on you. There’s so much 

happening, so much you didn’t expect, and yet… for some reason, having him here, like this, almost feels normal. You rub your temples, trying to stave off the headache forming. 

“I’ll sleep out here, of course,” he quickly adds on, realizing the small, but accidental hinting.

You raise an eyebrow at his quick backpedaling, a small, almost reluctant smile tugging at the corner of your lips. It's been a long time since you shared any sort of space with him—especially under these circumstances. But the way he’s stumbling over his words, trying so hard to make things comfortable, it makes you wonder if maybe he’s not as composed as he likes to act. “Thanks,” you murmur, rubbing your temples again. The migraine's intensity is growing, and it's all you can do to keep your emotions in check. You hadn’t expected this—any of it. Satoru’s presence here, offering you comfort in his own odd way, only complicates everything more. You never asked for this kind of help, but you can't deny the relief it brings. “I’ll sleep with Koji.”

Satoru’s eyes linger on you for a moment longer, his expression softening as if he’s weighing his words carefully, trying not to overstep. He knows you’re not the type to ask for help. Hell, you hardly ever accept it when it’s offered. But tonight is different. Tonight is full of a thousand unspoken things. The lingering tension, the awkwardness of it all, and the confusing emotions between you two. It’s all too much, too quickly, and yet you feel the pull of something familiar—a bond you haven’t felt in years. “You sure?” he asks, his voice low. Almost like he’s waiting for you to give him some kind of permission or reassurance, something that lets him know you’re okay. His presence, his concern for Koji, it’s all so overwhelming in its own way.

You hesitate, swallowing the lump in your throat, trying to ignore the way your pulse quickens just having him this close, even if it is just in the same house. “I’ll be fine,” you say, your voice a little softer than you intended. The last thing you want to do is drag him back into your life fully. But he’s already here, and for the first time in what feels like forever, you're too tired to argue. "You don’t have to stay out here." The words hang in the air for a beat.

You take this moment to rise from the couch, wiping your eyes once more. “Where is he?”

“Spare room,” he points.

You nod, more to yourself than to him, and retreat to the spare room. The migraine pounds in the background of your mind. Mind still riddled with sleep, you accidentally bump your shoulder into the wall, footsteps faltering. He moves faster than you anticipated—expected, his hands finally making contact with your upper arms; stablizing you. His touch itself feels reminiscent.

His grip on your arms is steady, firm—just like it used to be. You catch your breath for a moment, not expecting the familiarity of his touch to feel so grounding. For a split second, you’re taken back to moments from the past, the memories of simpler days when his touch brought comfort instead of tension. You want to pull away, to remind yourself that things aren’t the same anymore. But you’re too tired, too worn out, and for a moment, you let yourself lean into the stability he’s offering without question.

"Careful," Satoru’s voice is quiet, but there's a soft edge to it, like he’s genuinely concerned. His hands stay on your arms, not pulling away immediately, as if waiting for you to give him a signal that you’re okay.

You blink, the haze of sleep making everything feel just a little more surreal. "I’m fine," you mutter, your voice barely above a whisper, but it lacks conviction. Your body feels heavier than it should, and your mind seems to be swimming in fog.

He doesn’t let go right away. Instead, his fingers give a slight squeeze, a small, unspoken reassurance. "You sure? You look like you’re about to fall over."

"I’m just... tired," you say, the words slipping from your lips before you even realize. You wince internally, but it’s too late to take them back now. There’s no point.

Satoru nods, his expression unreadable in the dim light of the hallway, but the way his eyes linger on you makes something in your chest tighten. It’s like he’s still trying to figure you out, still trying to read you after all these years. He always was good at that. Without saying much more, he gently guides you to the door of the spare room, a hand hovering above the small of your back; his touch still light but firm. He’s not pushing you, just there, a quiet presence in the storm. "Get some rest. I’ll be nearby, just in case."

You nod, feeling a strange mixture of gratitude and frustration well up inside you. "Thanks," you murmur, finally able to pull away from his grip and step into the room.

Before you close the door, you glance over at him, standing there in the hallway, his figure outlined by the soft glow from the living room. "Good night," you add, your voice a little softer than you meant it to be.

He doesn’t respond immediately, but there’s a flicker in his eyes that you can’t quite place. After a beat, he says quietly, "Good night, Y/N."

And then, with one last look, he walks away, leaving you alone in the quiet darkness of the room. The door clicks softly behind you, and for the first time in days, you feel a small sense of peace—fragile, uncertain, but there all the same.

Satoru has taken the liberty of getting Koji dressed and ready for school. Shushing his son with quiet murmurs so you won’t wake up. He’s a little surprised, but you must be that tired. Satoru usually wakes up earlier than most, having went to go check on you two, but getting shocked to see his son using the bathroom instead and saying something about how “Mama’s still sleeping, I have school.”

He’s a smart kid—a very smart kid. He guided Satoru the entire ride, remembering the name of his school and which streets to use. You raised him well. He parks his car in the lot, it stands out like a sore thumb among the civics, corollas, and trucks.

Carrying Koji in his arms towards the boys classroom. “Excited, buddy?”

“Mhm!” 

Satoru smiles and kisses his cheek. “I’ll pick you up, okay?”

“Okay, Papa. Thank you.” Koji gratefully responds.

“No need to thank me, Koji. It’s my job.”

Satoru can feel the lingering stares and hushed whispers as he walks down the hallway to his son’s class. Ignoring it like a pro and focusing on one thing and one thing only. As they approach his room, Mr. Ito is standing outside like usual. As soon as the man sees the two, his eyes visibly widen before playing it off with a cough of his throat. “Good morning, Koji. Gojo.”

Satoru remembers the guy as the one from the cafe. That one. He nods in understanding, setting Koji down and crouching with him. “Have a fun day, I’ll see you later.”

“Bye, Papa.” Koji kisses his cheek and rushes inside happily. 

 "Morning," Satoru replies coolly, standing tall as he watches Koji run off to join his classmates. "I trust Koji’s been good?"

"Of course, of course," Mr. Ito replies quickly, his smile tight, the words coming out a little too fast. "He’s been a delight to have here. Very bright."

Satoru nods, but his eyes never leave Mr. Ito’s. "Glad to hear it."

There’s an awkward silence that stretches between them, but Satoru isn’t in the mood for small talk. He could read the teacher’s discomfort, and he’s not about to play into it. After all, it’s not like they’re friends, or even acquaintances. Mr. Ito shifts on his feet, and Satoru can tell he’s trying to think of something to say, something that will smooth over whatever awkwardness hangs in the air. “So, where’s Ms. Y/N today?”

Satoru’s brows tick, arms crossing. “At home.”

Mr. Ito nods, clearly trying to gauge whether there’s more to the story, but Satoru doesn’t give him any openings. He’s not in the mood to entertain questions about you, not now, not here, especially not from someone like him. "Ah, I see," Mr. Ito mumbles, his voice trailing off as he shuffles his feet again. "I just thought... well, with everything that’s been going on, I expected to see her here, too."

Satoru’s eyes narrow, though his expression remains calm, just a hint of warning in his tone. "She’s handling things on her own. We’re both doing fine. You don’t need to worry about it. You have a class full of children to teach."

The other man hides his displeasure behind a stiff nod. “Right, right. Just wondering, that’s all.”

“Don’t have to, she already has a man for that.”

Satoru wonders why he’s being do damn weird right now. Possesive almost. You two aren’t together, but the way this guy is asking about you, it’s slightly setting him off. Who does he think he is worrying about you?

Mr. Ito falters, his smile fading as Satoru’s words hang heavy in the air. "Right, of course," he mumbles, clearly taken aback. He shifts on his feet, his eyes darting to the ground before locking back onto Satoru. "Just asking, I mean… it's just a lot going on, you know?"

Satoru’s gaze hardens, the protective instinct that rises within him catching him off guard. He takes a slight step closer to Mr. Ito, his tone deliberately neutral but carrying an edge. "You don’t need to worry about her. She’s got it covered."

There’s a flicker of something in Mr. Ito’s eyes—something that hints he’s about to say something else, but he swallows it down, nodding stiffly instead. "Yeah, of course." He quickly looks away, clearing his throat. "Well, I guess I’ll… I’ll get back to the class."

Satoru stands still for a moment, his posture rigid, a sharp edge in his expression as he watches Mr. Ito retreat. He doesn't know why it bothered him so much. The guy wasn’t even doing anything wrong, not really. But the way he was asking about you—like he had any right to—made something inside Satoru twist uncomfortably. He couldn’t shake the feeling that this man didn’t belong in your world, that he had no place prying into your life.

Satoru finally exhales, shaking his head. Whatever. It was just a teacher.

With one last glance at the classroom door, he turns and heads back to the school doors. There's no reason to overthink this. It’s just… odd. He can’t let it get to him.

You wake up that day to a lone bed. Groaning to yourself as the sunbeams spray across your face and momentarily blind you. Hand reaching out for the space next to you. Instead, you see a note saying: dropped koji off, i’ll be back around noon to grab some lunch. sleep up

Instantly, your eyes widen, springing up out of bed. Reaching for your phone, the time reads 11:30pm. “Shit!” you curse to yourself, rushing out the door and to your bag still on the chair from last night. You dig in for your work clothes, changing right there and then and praying to the gods that Satoru doesn’t walk through this door. Brushing your teeth, hair, washing your face, putting some moustirzer and sunscreen on, all of it takes way too long. By the time you’re done and messily putting your shoes on, it’s twelve. Four hours after you were supposed to be at work. Hana’s going to kill me.

Grabbing your bag with rough and rushed movements, you’re sprinting to the door at this point. Out of breath and already conjuring up a sorry apology for Hana. you reach the doorhandle, flinging it open. But as soon as you do, you come to an abrupt stop.

Because standing before you is a woman, a woman you’ve seen before on Satoru’s lock screen. The same woman who kissed the lips that you used to. Arms crossed and a nasty scowl forming on her face as she eyes you up and down in a criticizing way. 

Finally, she scoffs out. 

“Do you know who I am?”

a/n: they so cute

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[p1utofairy]

🕸 WHAT DOES YOUR PERSON WANT TO TELL YOU RIGHT NOW?

NOTE — for entertainment purposes only. take what resonates & leave what doesn't. y’all i can’t believe october is almost over already, like woah?! ugh this took me a couple days to finish but here’s a treat for you all <3 my lil boo bears. 🎃👻

PILE ONE.

heyyyy pile 1 i just wanna start by saying WHEWWW your person does not play about you! they have such high regard for you it’s honestly so cute. they see you as the full package. if not you, than who? is just how they feel. it’s honestly weighing on them so heavy that they’re not in connection with you right now in the 3D – they feel like something in their life is missing and they can’t quite put their finger on it but on a soul-level they know it’s you. their soul craves your warm touch, your genuine love and affection. nothing/no-one could ever come close to the way that you love them and vice versa.

you both are like two peas in a pod lol ‘birds of a feather’ by billie eilish just started playing in my head. your person has a very child-like/mercurial energy to them that they suppress, but it comes out whenever you’re in their presence. they can’t help but feel giddy inside, because your smile is just so sweet and cute. they want me to tell you that you heal a part of them that they never knew was wounded. you have a knack for picking up on people’s unspoken feelings/trauma/baggage that they carry heavy on their heart, and you make them feel seen and heard. that is one of the things that your person loves about you the most, pile 1. your compassion and empathy – you know what to say and how to say it. your person probably had to become independent at a really young age, and they’re telling me that it wasn’t easy but they look at life so much differently when it comes to you. you give them motivation and strength to confidently take on anything that life throws at them.

they’re used to putting on a mask and pretending like they have everything together when they really don’t, but this connection with you is really going to make them sit and reflect on their own inner child wounds and work through it. this connection with you will allow them to feel the joy and love that they never truly received in their childhood. they’ve spent a lot of their time moving from one meaningless connection to the next, searching for something that could fill the void but nothing has worked.

for some of you, your person could struggle with substance abuse or overindulging in things that aren’t good for them. it might not be so extreme but they could smoke a lot of weed or cigarettes. for others of you, your person might be on again/off again with a karmic ex but i see them leaving this all behind and getting their bad habits under control before they come into contact with you. it’s not even like they truly want to indulge in those things/situations, but something triggered them to the point of needing some type of escape. when they feel scared or hurt they feel like a child again, searching for some sort of a comfort and safe space. they’re not proud of it but they want me to tell you that they’re just really overwhelmed right now.

however, there’s quite literally nothing they wouldn’t do for you, pile 1. they always want to make you smile and laugh no matter what. right now they don’t feel like they’re in the right position to move towards you because there’s a few external influences that are halting y’alls connection right now, but trust me their spirit guides are working on it. this person might not have the greatest reputation but they’re actively trying to do better, especially for you. they’re tired of falling into the same situations and cycles with the same karmic people. your person wants me to tell you that they can’t wait to be with you and to finally hold you in their arms. they want you to know that you’ll always be safe with them and that they will always have your back no matter what. your wish is their command, pile 1. TOO CUTE. ahhhhh 11:11 on the clock wow.

other channeled messages:

leave you alone jeezy ft. ne-yo, needy by ariana grande, wifey material, you already know this person, there’s somebody in your inner circle you need to cut off, bianca and cameron from 10 things i hate about you, air sign venus, 11H placements.

PILE TWO.

pile 222 what’s up! my mind over matter pile, i dig it lol. you have no problem revoking your energy back from anyone or any situation that doesn’t serve you any good, and your person genuinely loves that about you so much. you know your worth, and even if it comes down to someone or something you truly value and care for, if it’s not in alignment with you, you’re out the door! i’m hearing ‘deuces’ by [redacted redacted] i’m moving on to somethin' better, better, better. no more tryna make it work. YEAH very much that.

your person does want me to tell you that you need to step out of your comfort zone and stop playing things so safe – let loose and have a little fun. i feel like you guard your heart and could possibly have some trust issues – it’s like your flight or fight kicks in when it comes to intimacy/romance. some of you that picked this pile might have capricorn placements? it’s like you’re a lover at heart but not everyone gets to see that side of you, especially people that pursue you romantically. you’re like AHT AHT hold it right there! now ‘motive’ by ariana grande ft. doja cat is coming to mind lol cause i see you tryin', subliminally tryin' to see if i’m gon' be the one that's in your arms. i admit it's exciting, parts of me kinda like it. but before i lead you on…baby, tell me, what's your motive? mhm that’s your vibe, pile 2. whereas your person is more action-based and just jumps right in and goes for it with no hesitation. whatever they feel/think, they act on.

there’s gonna be a bit of a push and pull energy between you two lol you might not know how to take your person at first. you might be like ummm….what is this? LMAOOO honestly this is amusing because both you and your person’s energies compliment each other so well but y’alls approach to love is completely different. you’re more of a “well why would i waste my time?” type of a person whereas they look at it like “if it works out it works out, if not…life goes on.” your person could have prominent aries and/or aquarius placements as well. 1:11 on the clock omg.

i think this person will check all the boxes that you want in a partner though. they may not seem that way in terms of their approach, but they will be a real devoted and dependable partner when it comes to you. currently there is a flighty energy about them, they seem to be a bit all over the place. for some of you, your person is dealing with a situationship/ex and trying to close out that cycle. also picking up a very specific message (for a very small group of y’all) that this person could already have a kid or have a kid on the way which was kind of unexpected and has created some sort of emotional turmoil for them. either way, whatever situation your person is currently facing, it’s ultimately pushing them to mature and take responsibility so that when they approach you they can really show you that they want the real deal and they’re not just playing games. they’re gonna come all the way correct lol they know you deserve the best and that’s exactly how they’re going to show up and out for you.

other channeled messages:

temperature by sean paul, i wanna be down by brandi, having deep conversations, stay ready by jhené aiko ft kendrick, no by meghan trainor, 10:10.

PILE THREE.

hiii pile 3! if you feel called to it, check out pile 2 as well there might be messages in there for you too. your person wants me to tell you that they feel a little bit restless right now lol like they’re from one thing to the next. they’ve been feeling really bored and stagnant and now they’re ready for something new. ooo ‘something new’ by zendaya ft [redacted redacted] is coming to mind don’t know your name, but i guess i really don't care. i probably should wait, but i wanna let you go there. right now your person is undergoing a big transformation, emotionally and spiritually. they’re shedding a lot of their past toxic behaviors and limited beliefs so that they can be more grounded and take responsibility for their own lives.

they’ve been through a lot this past year, but no more of the blame game, they’re taking ownership. i’m ngl you’re gonna have your person sprung lol they want me to tell you that they find you sexy af and you’re exactly the type of partner they want/dream of. you have a very commanding presence, whether you know that or not, and you’re gonna have them entranced like OMG wrapped around your finger.

for some of you, you might feel insecure about your body or wish you had less of this and more of that but guess what?! they’re gonna love you DOWN like they can’t believe someone as enticing as you actually exists. ‘down on me’ by jeremih ft 50 cent just started playing in my mind lol your person is so funny (and horny for you) BYE lmaooooo. they’re a very straightforward person, but they want you to know that they respect you so fucking much and they’d never dream of making you feel uncomfortable or objectified.

i’m also getting that you two could meet at a party/club of some kind and/or meet through mutual friends possibly. there’s gonna be sparks between you two right off the bat, but you might play hard to get in the beginning just for the fuck of it lol that’s just gonna make your person want you even more. ngl things might move fast between y’all hehe some of y’all might just hookup with your person off the rip cause they’re just soooo charming, pile 2. like even if you do hold out on them in the beginning, you’re gonna eventually fold cause the chemistry between y’all is HOT AF like i’m sweating. just randomly thought of mr and mrs smith, whew!

other channeled messages:

caught up by usher, wanna be by glorilla & megan thee stallion, cocky af by megan thee stallion, new car, don’t tell everything you know, shravana, touch my body by mariah carey, boyfriend by justin bieber, sex on the beach by partynextdoor, klaus & caroline from the vampire diaries, prominent mars, moon-mars synastry.

PILE FOUR.

pile 4, omg. i feel so warm and fuzzy like wow your person wants you to know that they don’t see anyone else but you. that don’t want to be with anyone else but you. they’re drawn to you like a moth to a flame. ‘closer’ by ne-yo immediately came to mind lol turn the lights off in this place and she shines just like a star. and i swear i know her face…i just don't know who you are. they find you so mesmerizing it’s honestly so adorable. your person is gonna go the extra mile to court you, pile 4. they feel like you deserve all the finer things in life and they will give that to you.

your person is proof that chivalry is not dead because WOW when i tell you that this person is so respectful, kind, generous and dependable…i truly mean it. they see you for what you are, a star. they want me to tell you that they’re going to be so devoted to you and they’re going to show you that there is so much more to life than just work work work work. you’re a busy bee, pile 4. you’re constantly working and pushing yourself to achieve your goals to the point that you sometimes forget to just relax and allow yourself to just be.

your person wants me to tell you that they’re coming into your life sooner than you think. 11:11 on the clock wow. they’re gonna bring so much joy and abundance into your life! you’re going to be so happy and at peace whenever you’re with them, it’s like they just make everything easier. your person loves how wise you are and how you never fold under pressure – that to them is sooo incredibly sexy.

they’re a go-getter as well, so you two together is truly gonna be a force to be reckoned with – it’s giving power couple. your person could have prominent 10H placements and you could have cancer/4h placements. i’m seeing so much yellow, wow. they really embody solar plexus energy and will help you to be more confident and unapologetic with the way you look and feel. you both elevate each other in so many ways it’s amazing, pile 4. i feel like they’re going to open you up to trying new things & you’re really going to feel liberated.

your person isn’t used to settling down and being in a committed relationship for long, but they want the whole 9 with you. they’re telling me that they will really work hard to make things right with you. they can admit that they’ve been selfish and have been putting themselves first in this connection, but they’re putting their best foot forward now to be the partner that you need them to be. they were being greedy and inconsiderate in the past, and they truly regret that but accountability is the first step for them and now they know how to move accordingly to come into this connection with a healthy mindset and genuine love.

they want me to tell you that you’re a diamond and they’re aware that you don’t go for just anything so they are not going to approach you with just anything lol they are getting their shit together so that they can give you everything plus more. you’ll see ;) your person is so amazing pile 4 i love this for you eeeekkk.

other channeled messages:

shawty is da sh*! by the dream & fabolous, diva by beyoncé, 420, dangerous woman by ariana grande, numb by rihanna ft. eminem, initials J N B or C, ex lingering, 4th house.

[mrsdarkandyandere7]

(Dark!) BNHA: Toxic Relationship

▶ This is a yandere/dark work and it may contain triggering content so please READ THE WARNINGS before. Do not read if minor.

More at Masterlist

Female Reader

Boys -> Hawks + Bakugo + Dabi + Deku

Reaction: Moments from your toxic relationship with your Pro-Hero boyfriend.

WARNINGS: Toxic Relationship; Abuse; Manipulation; Non-con.

AN: Please, reblog and give me feedback.

Let me know if you like this reaction format or what 🙂

–

Hawks

“Y/n is a real clutz, y’know. Can’t even walk on even ground without tripping over her own feet.”

Your cheeks flame with humiliation as the camera pans to the crowd that laughs heartily at the demeaning words, as if Keigo had dropped the funniest joke they’ve ever heard. 

“That’s adorable.” the woman laughs, “Maybe it has something to do with the fact that she has no quirk? I believe you said she is quirkless, right?”

Keigo chuckles, nodding as he crosses an ankle over his knee.

“She sure is. Can’t even imagine what type of quirk she’d have, she’s just not the type.”

Your hand grips the remote tighter. What does he mean by that? Does he think you’re not good enough to have a quirk?

You consider turning off the TV, but fortunately the interviewer changes the subject. They casually speak about the current stance of heroes and their struggles on fighting off criminals and villains.

Keigo is charming as usual, delivering answers that are a perfect portrait of responsibility with a sprinkle of humor. He’s good like that, even though his previous answers left a bitter taste in your mouth.

Somehow, they end up reaching the topic of hobbies and free time. 

“Going Pro Hero leaves little time for myself, so sadly I don’t really have much time for hobbies. Wish I had.” he says humbly. “My girlfriend has lots of them, though.”

You inhale sharply. Not again. 

For your misfortune, the woman gets interested.

Perhaps because it’s an exclusive interview and her network channel gave her orders to squeeze every drop of information they can get on Hawks’ personal life. 

“What type of hobbies? She looks like she’s a great cook.” she tries to guess, but Keigo bursts laughing, holding his belly in an exaggerated mannerism. 

“Nah, cooking isn’t really her department. Burned eggs and half-cooked pancakes are more her style. She doesn’t even-”

You change channels in a heartbeat, bursting in tears at the low insults.

You’re not that bad. Sure, you’re not amazing at cooking, but never once did Keigo complain when he eats the food you diligently make after he returns from patrols. 

And now he slanders you on national television? 

And the worst part? It’s not even the first time he’s done this. 

Dabi

“There’s nothing to eat in the fridge.” 

“There is.” 

“There isn’t.” 

You stop writing your notes, swallowing back an annoyed sigh, already aware of what was happening.

“There is food in the fridge.” you repeat, “You just have to cook it.”

Dabi looks at you, unimpressed. 

“No shit Sherlock. Maybe you can do it for me.” 

“You serious?” 

Meeting his arrogant smirk, you huff. 

“Dead serious, babe. Not like you’re busy anyways.”

Your mouth drops at his audacity and you open your arms to indicate the mess of books, papers and pens in front of you. 

“I’m studying, Dabi. Can’t you see that? Grow up and cook for yourself, yeah?” you snap your attention back to your books, but your mood has already turned sour. 

You pretend to scribble down a few words when Dabi walks to you slowly. He peeks into your annotations, snorting. 

“That handwriting is kinda shitty.” he mocks you. “Besides, what exactly are you even studying for? You’re not exactly cut out to be a doctor, y’know? Not enough brain cells in you to become that.” 

You glare at him, angrily swatting away the hand that condescendingly tries to pet your hair. 

“You’re such an asshole, Dabi. Maybe if your life revolved around something other than your stupid daddy’s issues, you would actually get a job. Not like Endeavour is worried sick about you, not when he’s got Shoto.” you spit the words venously.

Not the nicest words, but you can’t seem to bring yourself to bother. 

A dark shade crosses Dabi’s face, his amused expression turning colder. You’d be lying if the sight didn’t ignite some fear in you.

“Is that so?” his crooked smile doesn’t reach his eyes. “And why would I need a job - or Endeavour, by that matter - when I have you?”

His hand reaches for your shoulder and there’s an edge in his eyes that immobilizes you. You shouldn’t have mentioned Endeavour. 

“I’m not with you because of that bitchy attitude, you know. I like my girl to know who’s in charge. Respect is really important in a relationship and your behavior is making me really upset, baby.” his tone is scaringly soft, and his hand travels to your neck.

You hold your breath when the staples on his hand scratch against the delicate skin of your throat. “So, if you need me to remind you of your place, I’ll gladly help you with that.”

His fingers heat up at a low temperature, not enough to actually burn you but it doesn’t stop the lonely tear that slides from your eye, the only sign of the chilling terror you’re feeling.

He leans forward, kissing your forehead before sliding his hand away. 

“Are we understood?” 

The nod you give him is shaky at best, but Dabi smiles nonetheless. 

“Now, how about that food you’re gonna make me?”

Bakugo

“I have to wake up early tomorrow.”

Besides a low hum, Bakugo doesn’t acknowledge you much, too busy French kissing your neck.

His hands head for your ass, provoking a wince in you when he gropes it with unnecessary strength, your left ass cheek being kneaded like it’s dough.

Katsuki uses his grip on your ass to push your hips forward even as you complain again. The thin fabric of his sweatpants does nothing to hide the hardness that shamelessly rubs against your thigh. 

“Katsuki.” 

Once again he gives no sign of hearing you, rolling his hips with more urgency and you barely catch the tired groan that almost rolls away from you.

The clock on your side reminds you that despite the early hour, you’ll only have 6 hours to sleep. 

You really have to sleep and if you’re being honest, tonight you’re not feeling sexy or horny enough to sleep with your boyfriend. 

But that doesn’t make you feel any less awkward when Bakugo’s movements turn more vigorous and needy, humping your naked thigh as if he’s fucking it while you remain as alive as a statue. 

“Fuck, this isn’t enough.” he growls against your skin, and your heart skips a beat when his hands reach for your shorts, tugging them down halfway until you panickedly grab his wrist, wiggling your body away from his.

“Seriously, Kats, I’m not in the mood tonight.” you say, quickly pulling back your shorts. 

“You fuckin’ serious right now?” he growls through gritted teeth, still hovering above you. 

Crossing your arms over your chest, you timidly nod. 

“Maybe we can do this tomorrow? It’s just that-”

“Yeah, whatever. Not like you haven’t used that stupid excuse on me before.”  

Your eyebrows raise with surprise at the bitter tone on his voice as he gruffs, pushing himself off you. 

“I’m not making up excuses.”

“The hell you aren’t.” he looks at you, angry. “Every time I try to start something, you turn into a damn nun. Always too freakin’ tired,  too busy or not in the mood.”

He scowls, spiky blonde hair falling to his eyes. 

“All you have to do is open your goddamn legs and let me do the rest, and you can’t even do that.”

His words hit a sore spot and he turns his back on you, settling on the distant side of the bed after delivering strained punches to the pillow to soften it up.

“Maybe I go after those Dynamite's groupies that are always throwing themselves at me. Since you never want to fuck anymore.”

You’re left too stunned to speak, sadness blossoming at the cruel meaning of his words and it’s a struggle to swallow the tears. 

He wouldn’t really, would he? But your mind lingers on the disturbing thought. He’s popular with girls, even with his angry mood.

Bakugo is tall, muscular and not even the ever present scowl in his face is able to contradict the attractive facial features he’s been blessed with. Meanwhile you’re just mediocre, if even that...

Your insecurities strike back, taunting you. 

Your hand reaches for his arm before you even realize it, and you’re mildly surprised when he doesn’t shake you off. 

“The hell you want now?”

Pulling on his arm until he finally turns to the side, you kiss him. 

He groans against your lips, allowing your hand to rest on the warm plane of his chest and you let it slide lower until it touches his clothed member. 

Neither of you speak a word, but you feel Bakugo smirking against your lips while he practically shoves your shorts down. 

You allow yourself go limp underneath him, letting your boyfriend fuck you in the way he wants to. Holding back a tired sigh when the fluorescent numbers on the clock mock you. 

You really have to wake up early.

Deku

“Are you serious, Izuku?” 

The tall hero jumps, eyes widening almost comically when he realizes you’re standing on the bedroom’s doorway and not cleaning the kitchen, like he clearly assumed you to be. 

“I wasn’t- The phone-” he stammers with his words, plowing your phone onto the bed with a bit too much force.

Crossing your arms, you flash him a frustrated glare.

“You promised me you wouldn’t spy on my phone anymore, Izuku.” your stern tone has him frowning and Izuku practically sprints closer to you.

“I wasn’t spying! I was just- just checking the time.” his words aren’t convincing enough for you to actually believe in him. 

You squint your eyes at him, dodging his grabby hands with a nasty slap, despite the hurt expression on his face.

“Izuku.” 

“I wasn’t! C’mon, you gotta believe in me.” 

You don’t. 

“Even if I did go through your phone - which I didn’t - why would that be such a problem?” he complains, dragging his voice. “Do you have something to hide or what?”

You point a warning finger at him.

“Don’t you dare. This isn’t about me. You’re the one who went behind my back because you’re just too insecure to fully trust me.”

He shakes his head, emerald eyes turning feverish. 

“You’re being dramatic, of course I trust you.”

“You don’t, stop lying.”

“I do trust you!” his voice rises in volume.

“No, you don’t!” you scream, voice breaking before you crumble in tears. 

You’re exhausted. Of arguing, of dealing with Izuku, of everything. When did things turn so frustrating, so tiring? Why does he always have to ruin things for you?

Izuku curses under his breath before rushing to you, engulfing you in a comforting embrace as you cry on his chest. 

“You don’t. You never will and I know that.” he stays silent, not contradicting you this time. 

He lets you cry on his chest, his hand gently caressing your hair as he mutters apologies. 

“I’m sorry, I’m so so sorry.” Izuku hugs you harder, arms tightening around you. “I’ll do better, okay? I promise, I will.” 

And like a fool, you accept his promise - even if you know it’s meant to be broken.

[five-thousand-loaves-of-bread]

autism in china

if you been here for long enough you probably know that even me fucking explicitly naming country of origin & ethnicity instead of vague around something east asian, huge deal.

so.

as chinese person who born & part grew up in mainland china n been though HORRIFIC trauma from it... cannot talk about anything related to it.

but in mean time. there important things desperately wish non-chinese, or people who lived) in china in general (including diasporas), would know n understand.

because it been extra traumatizing & isolating n lonely, be only person in big metaphorical or literal room, who know these trauma exist, n horrific extent of it. some of which have live experience with. some of it looming threat for my future. some of it not my own experience but my friends (aka my community. my autistic n disabled community).

so, going share some stuff written by other chinese people in this post. that. oh gods. it so accurate it hurt.

there may be some parts not fully agree or would word different if am write. but. think overall message important enough.

especially if you non-chinese. hope you read through all of it (if accessible). even if it make you deeply uncomfortable. n then imagine autistic chinese people living in this reality. because many parts SHOULD make you deeply uncomfortable.

EDIT: image description link for those need ID or not have instagram

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fact is, most prevalent, majority—n by majority don’t mean 51% majority, but enough to feel like it hopelessly whole entire country—understanding of autism in china is that. there real autism (真自闭症) that rare n severe n hopeless n should die, n majority of cases fake autism (假自闭症) that can be cured / taken off hat 脱帽, that caused by environment like bad parenting, n you should be glad it fake, n kid n parent should then dedicate entire life to taking off that hat to finding cure, even if it mean , via old school gold standard (read: abuse) ABA. all professionals say it all professionals endorse it n who would question professionals? look this grande new intervention came from great United States Of America, that proof it top quality it works n am going charge ridiculous money for it. but why you saying USAmericans n “the west” saying [things that humanize autism], they wouldn’t know real struggle, their diagnostic criteria super wide it all fake, why would you listen to them, you traitor you boot licker. —but either way, both real n fake autism drain on public resources n should be kept away should be locked up in chains (no, literally. seen documentary where high support needs autistic get chain in closet for majority of day, “for his benefit.”), should never be born should all die. keep it away from my normal children my normal children should not have to share same space same classroom same world as it, its behaviors its symptoms its screams its existence rob teachers attention away from my normal children. they all should die n will proudly explicitly admit eugenics good.

(don’t actually believe this. but pretending write what have seen people talk about.)

-

n finally, post about general (visible) disability—because in my however many year grow up there, before (temporarily it seems) left, have never seen visibly disabled person in public. ever.

ever.

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n generally anything from this instagram account. need stop linking now or else link entire account.

.

so please. reblog this. share this. read this. don’t let me be only person bear this. because my god it breaking me

[pencil-n-pen]

SPILL YOUR GUTS

˚₊‧꒰ა . ——— ˗ˏˋ ✮ ˎˊ˗ ——— ˖ ໒꒱ ‧₊˚

practice boyfriend! eddie x fem! reader

summary: eddie’s your practice boyfriend. you’re positive he’s upset at you and you’re waiting for him to get mad. however, he has a different response in mind.

cw: references/allusions to past child abuse but extremely vague, references/allusions to bad relationships (also pretty vague), reader acts on a learned response and assumes the worst about Eddie, anxiety

tags/tropes: angst, hurt/comfort (my brand!) sappy sappy romantic idiots, they kiss and figure their mess out at the end

a/n: this came to me in a vision

summary makes this sound smutty but i promise it’s not. this accidentally became disgustingly romantic. read at your own risk :)

࣪˖ ࣪ ⊹ ࣪ ˖

You’re positive Eddie’s mad at you.

Okay. Maybe positive is a strong word. But still.

You’ve only been fake/pretend/practice dating Eddie for about two weeks now. He’s the one who approached you with the offer— when you were in the Upside Down together, you’d made an off-hand comment about how you might die without ever having a real boyfriend- not one that mattered, anyway. It’s always kind of been a sore spot for you for a good portion of your life. Growing up, you didn’t really have the best relationship with your dad (Robin likes to call that “The understatement of the year, and we almost died.”) and out of the incredibly small handful of guys you’ve gone out with, none stuck around longer than a month and all ended in such equally, specifically, and uniquely horrific ways, you finally came to the conclusion you had to be fucking something up. What are the chances of all them ended so completely horribly?

After you all had decidedly not died in the Upside Down, Eddie approached you with an offer: pretend date him. You’re popular and well known enough that it’ll help get people off his back about the whole Chrissy/murders thing —even though he’s been absolved of all charges, the people of Hawkins hold grudges— and in exchange, you get a trial run of a relationship that won’t end unless you both agree too— you get to figure out what you’re doing wrong.

You feel bad about it, because even though you spend so much time together, you feel like a nervous wreck. All. The. Time.

You’re constantly waiting for the other shoe to drop— waiting for him to tell you that you’re too weird, that you’re not considerate enough, that you’re selfish, or that you talk too much.

But he never says any of it. All he ever tells you is the good things. He tells you how sympathetic you are, how kind you are, how good you are at remembering little details that matter. He tells you that you’re a good kisser.

(Yeah. Your first kiss, even after those failed relationships, ended up being with Eddie ‘The Freak’ Munson. You’re not quite sure you’ll ever forget how you felt when his lips —just a little cracked, but not rough— met yours; when his hair tickled your face and you could faintly smell the cigarette smoke that stubbornly clings to all of his clothes, no matter how many times he washes them. You didn’t tell him he was your first. That’s something you decided you couldn’t bear to share.

You kind of have a feeling he knows anyway, though.)

It all sets you on edge. You’re under no reassurance that you’re perfect. You’re currently questioning if you’re tolerable, from a romantic standpoint.

You know how you are. You’re clinging and you drink up reassurance like a dying man in the desert. You linger in his casual touches like it’s the first and last time you’ll ever feel them. You know you’re a lot. You know. You know that guys in a relationship don’t want ‘a lot’, they want a pretty thing to hang off their arm and laugh at what they say.

But you just… can’t.

You tried, and you tried, and you tried. But you always ended up being too much, or it didn’t work out for some other reason. You want more. You want to feel safe, and happy, and cherished and loved and all those things that only happen in the movies.

The ironic part of all of this is that when you first started setting out terms for your arrangement, Eddie had told you flat out: “This will only work if you are completely and one-hundred percent yourself. You gotta lay it all on me, angel.”

And so you had, and now you regret it because he’s upset about something.

You’d come over to his trailer at his request to ‘hang out’ while he went over DND stuff for his next campaign. Eddie does this a lot— he calls them ‘Neutral Dates’ where you’re not really doing anything in particular- most of the time, you’re both doing seperate things, but still just being in each other’s presence.

It’s nice. The majority of your friend circle consists of everyone involved with the Upside Down and that entire mess. You two are no Steve and Robin (you’re convinced those two have the kind of bond no one can replicate or break. Like the kind of bond stray cats get and then they have to be adopted together) but it’s still nice. To just be with someone.

Even if you feel like you’re walking on eggshells.

It’s not always eggshells. Sometimes, for a a few moments, you forget. You forget it’s all pretend. You forget he’s just a friend helping a friend fulfill a goal. That’s all.

You’ve almost forgotten just now, too— you’re too concerned about what you might’ve done.

He’s not acting angry, per-se, but he’s definitely upset. You tend to pick up on this kind of thing: small changes in someone’s personality or body language. Most of the time it’s not a conscious habit.

Most of the time.

Right now, he’s run his hands through his hair about a million times. It’s become a frizzy mess behind him, and when you’d made an offhand joke about it —an attempt to lighten the mood— all he’d done was scowl. Not at you, really, but the message was there. You’d snapped your jaw shut so fast you’re pretty sure he heard your teeth click.

After that he’d frustratedly made tea for the both of you, which consisted of opening the cupboards faster than he usually did, closing them slightly louder than he usually does, and drumming his fingers impatiently on the stove-top while he waited for the kettle to boil.

All of this you observed from the corner of your eye while ‘reading’ on the couch.

And if all of that wasn’t bad enough, when you’d finally mustered up the courage to speak again, a little joke about a part in the book you were reading, all he’d said was a flat:

“That’s great, babe.”

You’re starting to get antsy. Nervous. Maybe you should go? Unless he gets upset at you leaving. That would be bad. But he’s clearly upset with you being here, so maybe you should go.

While you’re debating the pros and cons of leaving, you try to remain as still and silent as possible. No need to upset him anymore by moving too much or being too loud.

You flip a page in the book you’re no longer reading (he might notice you’re not paying attention to it anymore) and decide to test the waters again.

“The author just spelled restaurant wrong. That’s the third spelling mistake I’ve caught in this book.”

“Hmm.”

Okay. So that was worse. Talking to him is out of the question, then. It must be something you did, to warrant this kind of reaction.

You wrack your brain, trying to think of anything you could’ve done in recent hours to make him upset, but you can’t think of anything.

You glance slightly to the right— not far enough that he’ll see you looking at him, but far enough to get a better look at him in your peripheral. He’s glaring down at his campaign notebook. Shit, he looks so angry.

Unbidden, tears begin to well in your eyes and you try to shift, trying to angle yourself away from him enough that he can’t see the tears in your eyes.

But your hand shifts, knocking into his leg.

Fuck. “Sorry!”

You yank you arm back as if burned, jolting back on the couch so you’re in no danger of touching him. “I’m sorry!”

He sits up, immediately snapping to attention at the desperation coloring your voice. “Woah woah, hey. Hey, what’s going on? Are you okay?”

You take a steadying breath. “Did I do something wrong?”

He blinks blankly at you. Oh shit, you’re supposed to know that you’ve done something wrong.

“I mean,” You hurry to correct, “I know I— Can you tell me what I did wrong so I can fix it?”

Understanding floods his features and you brace yourself, ready for the reprimand.

“Can I touch you?”

Now it’s your turn to stare with confusion. You nod once, briefly thinking about how weird it is to ask for permission first.

He sits up on the couch, facing you with his legs crossed, the couch springs squeaking loudly at his movement. You resist the urge to wince. He reaches out with a slow hand, taking the hand that’s still clenched, held away from him and up near your chest.

He stares down at your hand, holding it with his left hand and tracing delicate shapes on it with his right. His ringed fingers drag lines around your knuckles and veins, lingering occasionally over the odd, old scar.

“How long did you think I was upset with you?”

Your heart is racing, muscles tensed and ready to bolt. “Um. A few hours? Maybe?”

You’re hyper-aware of the grip he has on your hand, and how quickly and easy it could become crushing.

It doesn’t.

“Bug,” He says slowly after a moment. At first he used to use pet names as a joke— it was something you’d laugh at, between the two of you, since the relationship wasn’t real.

But recently, he’s been saying them with a different inflection in his tone. A little less teasing, a lot more fond.

“Have you spent the past few hours afraid that I was mad at you?”

He sounds… sad. Which is confusing. It doesn’t— he was. He was.

“But you were,” You say, suddenly unsure about anything and everything. “You were upset.”

“I was upset because I couldn’t work this part of the campaign out, and i’m dramatic. I was never mad at you, honey. I was never mad at you.”

You frown, gears turning in your head. “When I made that joke about your hair, you glared at me. And then when I tried to talk to you, you were upset. You didn’t want to talk.”

“I was jokingly glaring at you, I’m so sorry you thought I was serious. I wasn’t, I promise. I didn’t mean to be dismissive, I was really focusing on writing.”

You’re both silent for a moment. A beat too long. You want to squirm in the unwelcome space the silence has created.

“What did you think I was going to do?”

That is a loaded question.

“I don’t know,” You pick at a loose thread on the couch cushion. “I don’t— I don’t know. That’s the problem. You don’t yell at me, or get angry, or tell me when i’ve made you upset. I don’t know what you’ll do.”

He makes a wounded noise in his throat.

“I know you get angry,” You bulldoze on, “I’ve seen it. You’re so… loud, in everything you do. I know you get angry. But you never get that same kind of loud angry at me and I don’t know what to do because that means that I upset you and you don’t tell me about it and then I don’t know how to fix it. I have to fix it, Eddie.”

His eyes, deep and brown, search your face. He reaches up a hand, painfully slow, to cup your face. Your eyelids flutter shut, and you tip your head to the side, leaning into the job.

“I’m gonna tell you something, Bug. Are you listening?” He waits for you to hum in confirmation before continuing. “You’re not responsible for my moods. Or anyone else’s for that matter. That’s not your job. You don’t have to fix it.”

He reaches his second hand up to cup the other side of your face. “You know why I don’t get angry at you? Not all loud and dramatic like that? Because I’ve seen how you react when people do. And I never, ever want to be the reason you get that look in your eye. I never want to make you afraid. I never want you to believe, with proof and confidence, that I’ve grown sick of you.”

You open your eyes, eyes darting across the planes of his face. Searching for even the smallest hint, the smallest giveaway that he might be lying.

You can’t find any. In its place, you find eyes, shining with pure determination. You find lips parted ever so slightly, a sad-sort of smile being etched into being. You find two hands on your face, thumbs delicately sweeping across the skin of your under-eye, of your cheekbone. Smoothing away the steady tears that had begun falling, wiping away the hot trails they leave on your face.

And you realize all at once that love isn’t like the movies. It isn’t picture-perfect kisses. It isn’t ball gowns and dresses and kisses in the rain. It isn’t like the love you thought you were supposed to have: empty and hollow; a life of hanging off of arms and praying your next slip-up didn’t cost you your relationship.

It was this.

It was just being. Just being and knowing the other person is there for just that— for you. It was not raising your voice. It was carrying extra hair-ties. It was making two cups of coffee. It was steeping tea for an extra couple of minutes, just the way he liked it. It was playing your favorite music in the car, and looking over at each other during the bridge, belting the lyrics with the same, toothy-smile. So full and so happy you just keep screaming the lyrics, because you’re filled with so much you don’t know where to put it all.

Your tears begin to fall in earnest now. Your heart is thudding in your chest, but for a different reason now. You’re struck with the need to convey all of this to him— to tell him you understand, you know, you feel the same.

“These hair ties,” You shove your wrist up to his eye-line. “They’re for you. Because you always forget your own. And— and I steep the tea for a few extra minutes, because you like your tea strong, and you didn’t just find that tape in your van, I bought it ‘cause I know you lost the old one in the Upside Down, ‘cause it felt out of your pocket.”

You’re babbling, nearly choking on your tears and your words, rushing them all out of your mouth in an aching wish to be understood, in this very moment.

“I know,” He says, voice a little hysteric and eyes a little too bright. His lip wobbles. He presses your face tighter in his hands. “I know. I know. I see you. I see you.”

You stay like that for a little while. At some point, your hands find his wrists, and then you’re just two fools, smiling like idiots with tears streaming down your faces, staring into each others eyes.

Eventually, Eddie clears his throat. “The next time you think I’m upset at you, you tell me, okay? You can ask. You can ask me and I pinky promise I won’t get mad.”

You giggle wetly. “Pinky swear?”

“Pinky swear,” He says, taking his left hand away from your face to hold up his pinky. You intertwine yours and his together, the both of you laughing at the ridiculousness of it all.

He gets quiet for a moment; removes his hands from your face and instead clasps, your hands together, resting in your lap.

“You know why I never tell you when you’re being a bad practice girlfriend?” He says, his voice low and soft.

“How come?”

He smiles, full and good. “Because you’re not. You’re so sweet and kind and loving. And if you’d let me, I’d really like to kiss you right now.”

You furrow your brows. “The real kind? The I-love-you kind?”

Your face flushes over the words ‘I love you.’

“I’ve always kissed you for real,” He says, words laden with fondness. “Ever since the day we met and you slapped the shit out of me for being stupid. I’ve been hopelessly obsessed ever since. I’ve just been waiting for you to notice.”

You suck in a breath. “So all of this— the, the dates and the hanging out and the kissing— that’s all been real?”

“Every last bit.”

“Then in that case,” You say, squeezing his hands. “I would very much like you to kiss me.”

He leans in, slotting your lips together and everything just clicks. Like this is where you’re meant to be. Maybe it’s puppy love. Maybe it’s not.

All you know is that Eddie Munson is kissing you for real, and he always has been. You couldn’t ask for anything better.

˗ˏˋ ★ ˎˊ˗

[metalandmagi]

Romance Anime Starter List

I don’t know about you guys, but I’m sick and tired of seeing “Top ___ Best Anime of All Time” lists that are nothing but shounen. So, with "My Happy Marriage" getting a little attention from the anime community, I wanted to put together a list of some romance anime that I consider good “starters” for the genre. Because if I were just now becoming an anime fan, I’d think all there was to offer was shounen action series.

And by “starters” I mean basic stuff that’s not too…out there, and actually involves the characters getting together instead of just harems or using romance as a side plot (sorry Ouran High School Host Club and My Next Life as a Villainess). 

So if you’re new to anime and want stuff that’s not just guys beating the shit out of each other (which is also fun, don’t get me wrong), here are some basics.

Taisho Maiden Fairy Tale- When the pessimistic Tamahiko Shima loses all function in his right arm, his family sends him away to live in the mountains with the cheerful, hard working Yuzuki Tachibana…who was purchased by the Shima family to pay off her family’s debts and basically act as a caretaker/future bride for Tamahiko so they’d never have to deal with him again. It’s a more cheerful version of My Happy Marriage (without the supernatural stuff), except in this one, the guy is the one who has massive self-esteem issues and an abusive family. There are still very serious themes, but ultimately it’s not meant to make you cry every episode. I swear it’s so good, but nobody watched it!

Horimiya- A slice of life in which pretty and popular high school queen bee Hori, finds out her quiet, unassuming classmate Miyamura is hiding piercings and tattoos that could get him expelled. The two gradually find out more about each other and get together in the most realistic way I’ve seen depicted in an anime. It’s also fucking hysterical and genuinely emotional.

Recovery of an MMO Junkie- Another slice of life that focuses on two adults who meet in an MMO game without realizing they also know each other in real life. I don’t want to say much more than that. It’s adorable, and the main character is so relatable it hurts.

Love with Yamada-kun at Level 999- Speaking of MMOs, this is a newer series about Akane Kinoshita, a college first year who’s reeling from a bad break up. In an attempt to get back at her ex, she winds up meeting Akito Yamada, a popular gamer who happens to be in her guild in the MMO they both play at an IRL meetup. The two go from acquaintances to something more as they keep running into each other. Even more relatable main characters and just wholesome relationships all around.

Snow White With The Red Hair- A fantasy in which an apothecary named Shirayuki (meaning, you guessed it, “snow white”) runs away from her home in order to escape becoming the concubine of her town’s prince. While fleeing, she is rescued by Zen, the prince of a neighboring country, and she ends up becoming an herbalist to repay him. It's super cute with some genuinely swoon worthy moments and a couple that just works so well together. I have a habit of comparing this to Akatsuki no Yona, even though the two aren’t really that alike. This is more romance driven while Akatsuki no Yona is more of a serious historical fantasy with romance elements (Yona manga is amazing, but the anime barely scratches the surface, so that’s why I didn’t include it).

Sasaki to Miyano- When the shy, easily flustered Miyano meets Sasaki, a cool “delinquent” upperclassmen, the two end up bonding over manga…specifically BL manga. That’s right, Miyano is a fudanshi, but due to his small stature and somewhat feminine appearance, he’s constantly trying to convince others that he’s not interested in having his own love story where he’d be reduced to a stereotypical doe-eyed uke. But as Sasaki and Miyano spend more time together, they realize that what they have is more than friendship, and they have to come to terms with their own perception of gay relationships. This is my favorite romance of all time. It’s a slow burn, but boy is it worth it. Their relationship is so natural and realistic, just like Horimiya. Just two people hanging out and bonding over things the way people do in real life!

Given: The story of some boys in a band with trauma. Enough said. It's great. Go watch it.

Bloom Into You- Yuu Koito is a high school girl who’s been waiting her whole life for her own perfect romance to start…but when she receives a confession, she realizes she doesn’t know how to respond when she’s just not into the guy. And then she gets another confession…this time from the cool student council president Touko Nanami, who basically jumpstarts her lesbian awakening. Very cute story about how we perceive the concept of love vs actually feeling it. Also has a canonically aro/ace side character, so that’s a win for me. Another show like this is Adachi to Shimamura (but I honestly don’t remember much about it. It just didn’t stick with me as much).

Ore Monogatari- Takeo Gouda is a tall, bulky high school first year with a sensitive heart of gold. He wants nothing more than to find his own true love, but most girls are intimidated by his enormous stature, and they end up falling for his conventionally attractive friend instead. That is, until he meets the tiny, adorable Rinko Yamato. He falls in love instantly, but he’s sure she’s interested in his best friend like everyone else, so he vows to help get them together, even though his heart is breaking. Peak himbo behavior. Pure of heart, dumb of ass.

Yuri on Ice- Yes it’s the gay figure skating anime everyone knows. And yes it’s a fucking romance, okay? I will die on this hill. The romance between Viktor and Yuri is just as important as the plot!

Kaguya-sama Love Is War- Two insanely smart high school students both have a crush on the other, but since they’re…you know…high schoolers, neither of them wants to admit it first. So they come up with increasingly convoluted plans to get the other to confess first. This will go down as one of the best of all time. It’s a hilarious yet poignant modern classic.

Fruits Basket- I’ve talked about it before and I’ll talk about it again. A romance “comedy” that slowly morphs into a drama about a girl named Tohru who finds herself living with the mysterious Sohma family after her mother dies. Little does she know, the Sohmas are the victims of a  (somewhat silly, but ultimately tragic) curse that she must fight to break. Even though I’m more into it for the family drama, the romance is still top tier and plays an important role in the story. This is my second favorite anime of all time, and it’s a classic for a reason. If anyone hasn’t watched it yet, GO WATCH IT! IT WILL RIP YOU TO SHREDS!

Blue Box- A sports romance about an aspiring badminton player named Taiki Inomata who has a massive crush on the girls basketball team's star player Chinatsu Kano. Through a twist of fate, the two end up living together and having to hide it from the rest of their classmates, all while Taiki tries to work up the courage to ask Chinatsu out. It's so sweet and wholesome, and it's a great blend of sports anime and romance that can appeal to anyone who is more hesitant to get into the romance genre. The animation is also so freaking gorgeous!!!!

365 Days To The Wedding- A workplace romance between the two most awkward people you could possibly imagine! The story takes place at a travel company that is about to open a new branch in Alaska, but because our two main characters are...like I said...very awkward, they come up with a plan to avoid being sent to work at the new branch...by telling their boss they're getting married. Because they wouldn't want to split up a married couple by making one move away, right? As ridiculous as the premise sounds, hilarious shenanigans ensue, but there's also a surprising amount of serious discussions about romance and marriage. The main characters also have major autism coding, so if you're looking for a neurodivergent romance, this is it. (There's also an episode that involves a princess wanting to give up the throne to pursue a life with her girlfriend!)

And now for some honorable mentions that didn't quite fit into the regular list:

Ride Your Wave- A movie about a surfer who falls in love with a firefighter……and I’m not going to say any more than that. Go into it blind. If you like stuff like Your Name, this is a good one to watch.

Gekkan Shoujo Nozaki-kun- A comedy about a high school girl who finds out the upperclassman she has a crush on is actually a shoujo manga artist, and no matter how she tries to confess to him, he just never gets it.

The Ice Guy and His Cool Female Colleague- A slow burn slice of life that focuses on a guy with ice powers who has a crush on his coworker. That’s it. That’s the show. When I say slow, I mean SLOW. It’s perfectly cute and fluffy, but my god does it take forever to get anywhere with these two.

Skip to Loafer- A high strung, small town girl decides to go to high school in Tokyo, where she meets a variety of classmates, including the laid back Sousuke Shima. The unlikely pair become friends, and soon enough, she starts to feel something more than friendship. The only reason I didn’t include it in the main list is because they don’t get together by the end of the first season, but it’s still really cute (also canonically trans character for the win!?)

So that’s my starter list. And no, I didn’t include Toradora, even though it’s a classic. I know it’s blasphemous, but I like it more as a comedy than a romance. It kinda lost me with the ending. But anyway, maybe someone will find something they like. Or maybe you'll just want to roast me and my picks 😅

[nemesyaaa]

favorite crime // psycho!stalker!rafe x innocent!reader

summary ; sometimes being the obsession of someone can turn really bad. sometimes being friend to someone doesn't mean that you really know this person, and mostly, that your kindness will be returned.

warnings : dark content. stalking. manipulation. crimes : murder/kidnapping. smut. sick, poker face, and insane behavior. toxic attitude. innocence kink. violence. dubcon. fear/vulnerability enthousiast. jealousy. dark!mean!rafe. corruption. abuse of power. creepy behavior. minors dni. as always, be careful with the warnings please. don't joke with it.

author's note : i really love how all my concepts with rafe are so fucked up. it's around 2,6k words.

as a shy and innocent girl, too kind for your own good and too sweet to attract nice boys, you had always attracted rafe's attention. especially when you were the pretty employee at his favorite video game store. it was only for you that he spent hours in front of the cash register, trying to get to know you when in reality, he knew you by heart, every detail of your life. he was obsessed with you. he was already terribly sick, diving into your perfect kindness and purity.

you didn't understand why people were afraid of him or said bad things about him because you found him charming and lovely. that was the impression he forced himself to give you. he always had nicknames for you like pumpkin, doll, cupcake, sweet, pretty thing.

the first time he walked into the store, your store manager was yelling at you. and you felt so ashamed and small. there were customers and that made you nervous. you were already crying, impossible to contain your tears in the face of the excess anger you received from this man. it wasn't the first time he did this but maybe the last.

you quickly returned to work, still in tears facing the products on the shelves and the new customer came to you. with a box of donuts. strangely, you didn't know how he could know that you liked it and that it was your favorite. but the attention was touching, more important for you.

“i bought them especially for you. it would hurt my heart if you refused them.”

“you didn’t have to do that.” you replied politely and smiled.

“i know but i wanted to do it. someone has to pay attention to you, and check on your messy health, pumpkin.”

"oh my manager is usually nice. i don't know what's going on."

"you're lying. you're lying because you're too kind to say bad things about people when they're fucking assholes. but don't worry, it won't happen again."

“how can you be sure?”

“enjoy your donuts, don’t think about anything else. let me ease you, pretty thing. ”

the next day, your manager had never been so nice to you. and the other days too. and he always disappeared in rafe's presence. it brought you a lot closer together, because now he came every day. you didn't know if rafe HAD time, or he FOUND it just for you. all you knew was that he made your days in the store so much better.

by coming here, he had become a loyal customer but also someone you could talk to, and he pretended not to know every moment of your private life while he spied on you as soon as he left the store.

he could stay in his car for hours until you finished work. he wasn't just watching you, no, he had also hacked into the cameras at your workplace to be able to record, listen and follow everything you did. nothing escaped him.

he was a jealous person and above all someone who didn't like having his ego attacked. that meant he definitely wasn't going to put up with you having this cute and perfect attitude with the other customers. well, especially men.

you were only doing your job for which you were poorly paid. to avoid getting bored and because you were trying to work on your shyness, you tried to come out of your shell by talking with customers.

but you made a mistake today. you didn't know it yet but you were going to regret it deeply and learn it hard.

"i think you're really pretty and you're so interesting..." the boy began, stammering a little, his elbows resting on the checkout counter. "i mean, it's rare to find girls like you... would you go out with me... i mean tonight haha! we could play a game ? "

it wasn't the first time you'd been flirted with, but certainly the first time you'd accepted. you had never dated anyone, you had never been in a relationship, you didn't even know what it felt like to truly be in love, to feel something for someone. and even if you were, you were too shy to admit it. but it was different, you wanted to try. you didn't have a plan tonight.

"you don't have to accept but here's my number..." he wrote on a post-it and you smiled back. you put it in the back pocket of your jeans.

you were so deep in thought that you couldn't have seen that the minute your new friend left the store, rafe got out of his car. he doesn't entered yet, he had something to sort out first.

but when he went to the store, you felt him different. there were bruises on his face, as if he had been in a fight. “what happened? do you want me to call an ambulance? "

“it's alright, pumpkin. it's just a little blood.”

“do you want me to take care of that?”

"it would be bad of me to abuse your time and your kindness. i have better things to offer, how about I walk you home tonight? i know your work is not close to where you live and i have my car right here...'

you had been surprised that he knew information like this. “no, don’t worry. besides, i’m busy this evening. ”

rafe's jaw tensed and contracted. he gave a tense and forced smile.

“ let me do this for you. you must be tired. ”

“you don’t need to do this for me, although I truly appreciate it.”

“you're wrong, i need to do this for you, sweetheart. just like everything you do for me. ”

“if you insist, it can’t kill me!”

if only you knew…

“ you're really so nice, pumpkin..."

“is that a bad thing?”

he scratched his chin with a light but somewhat dramatic smile before looking into your eyes. you were in ambiguous proximity since you were both leaning over the counter. he was taller than you, so you looked up.

"to be kind? no, not at all, sweetheart. it's just dangerous for you not to know who you're nice to. not all people are that sweet. sometimes they're really mean.”

“ what do…”

“ anyways, don't make me wait later. and you know you look really pretty today, you should dress up for me more often.”

you smiled. you couldn't ignore how nice it felt to receive a compliment, and especially from a pretty handsome boy. in one day, everything had gone by so quickly. you had a date, and rafe was taking you home. your evening promised to be perfect and unforgettable. you couldn’t wait.

at the end of the day. you had cleaned, tidied up all the shelves, turned off all the consoles, counted your cash register then closed shop in a breath of glory. you could finally relax.

as promised, rafe was waiting for you. he was leaning against his car, hands in his pockets.

he had opened your car door in a relatively clever way and then stood inside. he had closed the doors. and he had started. except he wasn't going the way to your house, he was going in the opposite direction.

“rafe, it’s not towards my house…”

“ i know, sweetheart, since we’re not going to your house.”

“but you said you were taking me home?”

“pumpkin, i lie a lot too.”

"rafe, i want to go home... seriously, this isn't fun. i have to meet someone tonight and he's going to wait for me ! "

“trust me, he’s not waiting for you.”

you were starting to panic because this really wasn't the person you knew. this time he didn't seem to be playing a character to please you. he was natural. you looked at him with big eyes. fear gripped your stomach, because you didn't know where you were going and he could go anywhere. you were on the verge of exploding, you needed to get out of that car but he was driving too fast.

“slow down, rafe. please, slow down.”

"oh no sweet thing, i make the rules here. you can't beg because i absolutely don't want to hear anything from you, you understand? i want you to stay nice and quiet like you've always been."

“rafe, fucking stop that car. "

he stopped suddenly, your head had hit the dashboard badly. he had gently lifted your face, putting your hair back in place while you cried into his hands from the emotion and shock.

“see? what happens when you swear like that? do you understand why you have to be polite now? it's a waste for a pretty girl like you to have such vocabulary. ”

you felt the tips of his lips on your nose, they were cold but comforting. there was something so bitter and disturbing in his tenderness as if there was nothing good even in his kindness. that all this affection was manipulation.

“i really want to go home.”

“i have a surprise for you. can you be patient?”

“ rafe, what is wrong…?”

“i’m taking care of you right now.”

"it's a kidnapping! i'm going to call the police."

he smiled wickedly as he resumed driving. “in your place, i wouldn’t make a single move. ”

“why? are you going to kill me?”

" oh i could, pumpkin. for now, i like you alive but if you still want to play silly with me, i might really want to. no, i will. so stay still and don’t make me be mean to you, i’d hate to have to hurt you.”

“if you don’t like hurting me, why are you doing this to me?” your tears were hot, rivers shining down your eyes. he was cruel and insensitive there. it didn't matter to him.

“ i really hate you..."

" oh such a pleasure actually pumpkin. tell me how much you hate me with those pretty annoying crybaby tears on your face. and don't forget to tell me when you're dry, i will gladly make you cry again. “

your throat felt tight and you were desperate. you had a knot in your stomach, fear that made you even more stupid and lost than you already were. because certainly, there was hatred but a lot of fear. he drove quietly, but he was mean to you. he no longer had the kind words he had for you when he came to see you at work. it was as if he was mad at you for something.

“what can i do to get you to take me home? "

“i could make you do a lot of things, but under no circumstances will i take you home.”

“you want sex? "

"oh i'm not sure that the virgin that you are would be able to make me cum but you can always prove me wrong."

“are you really going to kill me?”

“the more you ask me, the more i have the impression that this is what you would like.”

“i want to stay alive and go home.”

"you had to think about that before flirting with that idiot."

he had parked in an abandoned place, on a completely deserted road. when he opened the doors, you took your chance.

what a stupid mistake.

he was much bigger and faster than you. he had caught up with you without even running out of breath. he pulled you by the waist, pinning his arm against your bare stomach. he was clearly abusing all of his power. you had bitten him and he had released you. you fell heavily to the ground, and he positioned himself on top of you, crushing you against the grass with his fully beefy weight.

“it’s not time to play yet. try to escape from me again sweet thing, and i promise you that i will make sure that you have no more energy to run, but especially to escape. ” he had grabbed your jaw with one hand, gripping his fingers tightly against your skin. “and even if you are innocent, pumpkin. you and i know very well that you are aware of what i mean by that.”

your heart rate had increased so quickly. you were trapped and vulnerable. you wanted to spit in his face but you weren’t that suicidal.

he took your hand and placed it on his bulge which literally distorted his pants. “that's all that your heartbeat and your accelerated breathing make me feel right now. is it big? yes, and believe me i can make this bigger and very painful for you. so, no more playing, pumpkin.”

you nodded and he kissed your forehead. “you got it well, sweetheart. don’t let me be mean to you again because you’re really going to hate it.”

he stood up and extended his hand towards you. his tenderness was so unhealthy. he had taken you to the car and pulled a tied up boy out of the trunk.

the one you were supposed to see this evening. you let out a huge cry, taking several steps back but rafe took your hand, wrapping it too tightly against your little wrist.

“why did you do that? please leave me alone. i don’t want to see that!”

"oh oh, you're not the one who makes the rules here. i’m the only one who makes the fucking rules, i'm the only one who decides and not only do i decide what happens but also what role you're going to play. you wanted to flirt with this guy, go on a date with him? you had to be smarter and not do it in front of my eyes now look what you did this poor man is going to die because of you.”

"are you serious? you can't kill an innocent person! he didn't do anything."

"pumpkin, my sweet pumpkin, for every word you say, for every tear you shed, he will take a bullet. so please continue to defend him. i think we are already more than twenty"

you wanted to stop crying but you couldn't because the situation was surreal, horrible and so crazy. you refused to believe that rafe cameron could be a man like that.

“almost fifty. you're really going to kill him, sweetheart. you could be nicer. "

he was so sick and bad. he was taking advantage of the situation. it was completely sadistic. “i beg you to spare him.”

"now you beg for him? pumpkin, i’m the only one you can and should beg for."

he had fired more than fifty bullets into this poor guy's body. without the slightest shame, the slightest remorse and the slightest guilt. he didn't really feel anything. as you collapsed, completely devastated and ruined by what he had just done to you.

he had just killed a man in front of your eyes.

people always said that a guy who killed for you was romantic. but you didn't find it romantic. on the contrary, it had downright tortured you. you were afraid of him. you didn't even know how you managed not to piss on yourself because clearly, he was so creepy.

" i think he's dead." it was ironic, but coming from rafe, it wasn't funny or reassuring.

"what's wrong with you? and what are you doing with a gun? all those video games that made you sick or those horror movies?"

“watch your tone. you see how i killed him? it could be your turn too. ”

“no, don’t kill me!”

he moved closer to you, a laugh passing his lips. he knelt down to caress your tears with his thumb.

“you see what happens when you want to please others? how are you going to fix this now? ”

“i beg you to not kill me. ” you couldn't even see the ground, you were crying so much. it was a traumatic scene.

“now it's time to play. maybe i should have waited before killing him. i mean i wish he could watch you get destroyed by my cock. get in the car, and don't try to escape from me. i can be even more cruel to you. ”

he was hot and cold. all the time. you went to the car while you guessed that he must bury or hide the body somewhere. it had seemed like an eternity before he came back but on the one hand, there was something comforting about the fact that you weren't alone in the forest and that there was someone. even if it was cool.

he had gotten into the car. and patted his thighs to signal you to come on top. you didn't argue and came on his legs. you immediately felt his erection against the fabric of your underwear. it could hardly be ignored because the bulge had literally made you a few centimeters taller.

“are you still crying? he was a poor guy. he had a fucking girlfriend. do you want to date a guy who cheats on you? it's not worth it. you are better than that, you deserve better than that. ”

“by better, does that mean you? ”

“it’s different...but sure i would treat you better.”

“you killed someone in front of my eyes!”

“see? anything i can do for you.”

"you're sick and you ruined my life!"

"i’m tired of all this hysteria. i was going to kindly offer to prepare you with lube, but since you're offering me these pretty tears, we'll make do with it..."

“rafe…”

“oh no pumpkin. it’s not time to say my name yet.”

when he pushed himself inside you, the leaking tip slipped in your folds slick with a hard and brutal thrust. he made his way, watching his own cock stretching your cunt. you cried out from the pain, but you can't help but felt a little slight pleasure. “ if you're still crying for him, i swear i'm gonna fuck you until you're dry. ”

you started to bounce on him with your trembling legs, your ass slapping his thick thighs, your hair shaking on your shoulders, and your face ruined by your multiples and messy whining. you were tense as his girth splitted your sweet virgin cunt. he forced you to sped up the pace, smacking your butt every time you were too slow. his hands was big and strong, enough to feel the pain. especially, when the rings on his fingers left a mark on your poor skin. your tits were now on his hands, pressed firmly and your nipples on his mouth. he spat on them a couple of times. they were filled with spittles and marks, the succions noises in synchro with your rocking bodies. he was stuffed you with his hard dick. making you arched your back, and he placed his heavy hands on your waist, reaching your hips to help you go deeper, to fully take him, every inches.

“ it's like your pussy begging me to breed you…”

“ what…w-what is it ? ” you were too innocent to know those kinds of things.

you had the face and the attitude of an angel, too perfect, too pure, too delicate. “ maybe, it's better to show you, pumpkin. with that, you will be more able to learn the lesson and don't make me mad again. ”

“ what ? ” you gasped. you felt giddy but at the same time, curious.

“ m’ gonna make you so dirty, angel. tonight, you will lose your wings and purity for me. ”

“ please, don't hurt me ! ”

“ oh sweetheart, you're the only one to hurt me, the only one to make me do those kind of things..."

tysm @ahhnini for the idea of psycho!stalker!rafe <33

[after-witch]

Death by Stereo [Yandere Chrollo x Reader] [Vampire AU]

Title: Death by Stereo [Yandere Vampire Chrollo x Reader]

Synopsis: You’re just a nobody living in a small town when a mysterious stranger with a leather jacket, good looks and a penchant for kissing your hand rolls in, just in time for the ever-popular summer carnival. Things are going great, until dead bodies start piling up. 

Word count: 17,510

Notes: yandere, vampire AU, descriptions of dead bodies, some violence, gore, abuse

Thursday

Is there anything more wearisome than a small town? Small towns grind you down so slowly that you don’t realize your feet have been eroded into useless nubs before it’s too late, and you have nowhere to run, even if you had the inkling to get away. 

A small town has its charms, as they say--but it has its burdens, too. You know all the faces, but all the faces know you; some of them have even known you since you were just an ultrasound picture carried dutifully in your mother’s purse, pulled out at coffee shops and book clubs. 

They know when you got your first period (age 13, in the middle of gym class--you were wearing white shorts); when your first boyfriend dumped you (at the school dance, right before he made out with the third most popular girl in school); what colleges you applied to, and later--why you dropped out (your dad got sick) and how he was doing (not so great but getting better) and where you worked, how you liked your coffee, and all these impersonal and personal details that made up the monotony of your life. 

It was a trap, this small town life. A faux bubble of intimacy that your parents embraced, but you’d never fully believed. Because despite knowing so much about you, no one here really knew you. They could tell you that you looked just like your mom at her age; they could sling down a mug with your coffee order without you opening your mouth (black, 1 sugar, 1 cream, no milk)--but they didn’t want to hear about how much you wanted to travel; how much you wanted to see.

Did it matter? You weren’t getting out anytime soon, anyway.

Like all small towns, yours had a claim to fame. While others might boast being the hometown of some B-list celebrity or the site of an all-you-get-eat seafood festival, your particular small town had one edge over the others: a summer carnival right on the beach, designed to appeal to nearby tourists who came to much larger, resort-friendly beaches for the summer season. 

The tourists loved to flock here on that singular summer weekend, pretending they were enjoying a quaint local carnival where they got drunk on cheap beer and sampled funnel cake until they puked. And if the locals hustled them as much as possible, overcharging for drinks and parking and sightseeing maps, was that so bad? Small towns needed to leech off new blood once in a while, after all.

The carnival was four days long--Thursday, Friday, Saturday, Sunday. Sunday was, of course, the grand finale. There was a massive fireworks show on the beach, a huge concert with local and sometimes vaguely familiar bands. A lot more booze traded hands on Saturdays, and the beach was lit up with more than just fireworks; the local volunteers always spent the next week picking up cigarette butts and discarded joints in the sand.

The carnival can be fun. Although like anything that happens every single year in a small town you’ve lived in your entire life (save the one year of college you managed before your dad’s test results came back) it gets wearisome.

Still--you go. What else is there to do? Besides, you’d be stupid to deny that it’s more fun to spend your summer weekend wandering the carnival, riding a few rides, speaking to people, than to sit at home or pick up an extra shift at the diner. 

That’s why you’ve wandered into the carnival today--Thursday. Thursday is your favorite day of the carnival, because it’s the most quiet, relatively speaking. There are tourists here, sure, but they’re not rowdy yet. Not as overcrowded. There aren’t gaggles of kids running around with lobster-red faces and arms because they’re parents didn’t understand the necessity of sunscreen; there aren’t groups of women traveling in packs with matching sunglasses and hats, enjoying a summer break away from their rich and distant husbands.

It’s mostly locals on Thursday. People like you, bored coffee shop workers with nothing better to do on a Thursday evening.

Or people like Jake Jenson over there, currently aiming a colorful dart at a row of balloons in one of many carnival games that would hustle drunk tourists out of their money this weekend.

Jake was the town drunk--a title he gave himself, and others were only too happy to oblige him. He stuck to himself most of the time. During the carnival, he won as many carnival prizes as possible, and traded them to tourists with shitty aim for beers or cigarettes. 

And over there--the early birds. They’ve come three years in a row, you think from somewhere in New  York. They’re attached at the hip, constantly rubbing their noses together like some twee movie couple, and you’ve heard them complain that the boardwalks in their part of the country are a lot more “authentic.’ 

Sure, there’s the familiar faces, but unfamiliar ones, too. An older gentleman and his wife, who walks next to him more slowly, with a cane. He’s balancing a plastic plate with a fresh funnel cake in his hand. They’ll find a bench to sit down and enjoy it, maybe people watch, like you.

It’s time for one of your favorite games: making up stories for the various tourists you probably won’t ever see again. This couple--this is the last trip they’ll take together, because the wife got an awful diagnosis, and they’re spending what would have been the rest of their retirement savings on the dream vacation she always wanted to take. They met during the war, decades ago… he was a soldier and she was a nurse, and he hurt his leg, maybe, and wound up in a field hospital.

It would have been terribly romantic. 

Your eyes shift away from the couple and onto a few other new faces. 

Maybe that’s why you liked the carnival. It was nice to look at new people and imagine where they came from, what they did. The kind of life they had, which was surely more interesting and worldly than yours.

With people watching in mind,  you abandon your bench in front of the games and head deeper into the carnival, weaving yourself in between snack and ticket booths, stepping over large black cables that kept the rides running. 

Dusk had already settled in, and the warm glow of the summer had been replaced with a deepening sense of evening. The carnival lights had already begun to play against the darkening sky, creating that magical atmosphere that couldn’t be replicated during the day.

You don’t notice the stranger at first. It’s dark, the lights are a bit dizzying, and there are plenty of people simply wandering around and taking in the sights. What’s one more stranger, when over the course of the next few hours and days, the summer will be increasingly filled with them?

But this particular stranger shows up in the corner of your vision and immediately strikes you as… odd. He’s just standing there.

Watching you. Staring--right at you. What the fuck?

He’s wearing all black, and there’s some sort of scarf or cowl over his face. His eyes look impassive but there’s something awful in them, even in the brief glances you get from catching him from the corner of your gaze.

What a creep. 

It sours the mood, and you decide to leave, or at least take a break and shake off whatever out-of-towner decided to pull off his best edgy horror movie impression to creep you out. It wouldn’t be the first time a tourist behaved like a jerk, or a weirdo, especially if they’d be drinking. 

Something about nighttime at the carnival made people go wild. 

So you head away from it all, from the couples trying to win stuffed animals, from the giggling shrieks of people on rides that spun them upside down until they wanted to puke. And maybe you should just head right home, but it’s not fair to waste a night of good weather.

Cool, but not too cool. Pleasant. The moon is out and the stars twinkle overhead.

Heading out on the dock might be nice. Tourists don’t bother with it, at least not on Thursday, when the beach isn’t lit-up and there’s no particular reason to head out this way. 

But you’d been to this beach in the evening before; you weren’t scared of the dark. By contrast, you liked the way the beach sounded at night. The water moving in and out, slow and sure. The occasional sound of wildlife splashing in the water. And the din of the carnival behind you, all rainbow lights and indiscernible human happiness.

Your joy is cut off by the sound of footsteps. Your heart leaps in your chest and your hands slam into your pocket instinctively, fumbling for your keys. Fuck, how were you supposed to use these in self-defense again? Put them between your fingers?

Your heart hammers and you slowly turn around, squinting as you make out a figure approaching you in the dark.

“I’m sorry,” a voice calls out, penitent. “Did I scare you? I’m trying to get reception.” The man wiggles a small silver object in the air, raising it above his head. A small LED screen lights up and your heart rate begins to calm, slowly but surely.

After a few beats, he sighs, and shoves the phone in his pocket. 

He turns, apparently to leave, but then looks back at you. “Are you all right? I really didn’t mean to startle you.”

You swallow, lick your lips. Feel stupid for the keys in your fingers. He seems nice enough. A typical tourist. “Um, yeah.” You laugh, an empty sound. “I guess I’m just a little jumpy tonight.”

The moonlight doesn’t give you a clear view of the man’s features, but you can see him tilt his head a little. “Jumpy?”

The keys in your pocket rattle when you let them go, and pull your hands out to point back towards the carnival. The man follows your finger with an almost studious interest.

“Someone was following me, maybe? Or he just seemed a bit creepy.” You laugh again, a habit ingrained after years of dealing with men in odd situations--defuse, tread lightly, always. “He was staring at me, but I couldn’t see his face. He had a scarf over it, I think.”

The man in front of you hums in acknowledgement after a moment. He almost seems a little amused, which is both irritating and relieving in its own way. You were just being silly, jumpy, overreacting, weren’t you? Maybe the guy wasn’t even looking at you in the first place.

“Can I walk you back to the carnival? It doesn’t feel right to leave you here alone.” 

Ah, no, you think. Sure, the man in front of you might just be a tourist in search of reception, but that doesn’t mean you’re stupid. This is how people get murdered. Or attacked. Or like, hoisted into white vans and never seen again.

“No, that’s okay. I was going to stay out here longer and look at the stars. I’m going home soon, anyway.” Not a complete lie, since you did really want to go home. Something like this is usually enough for most people to take the hint, right? 

The man doesn’t turn around. Instead, you see the shape of his smile, lit only by the moon in the sky above.

“You want me to walk you back to the carnival,” he says simply, and offers his arm out, like some kind of old-fashioned gentleman. 

Oh. Of course you do. What were you thinking, staying out here on the dock at night? Mosquitoes would eat you up, anyway. 

You smile in return and take his offered arm, stepping lightly as you make your way back to the carnival with a complete stranger.

Only by the time you make it back to the threshold of the carnival, which seems to be eaten up by the darkness surrounding all of the twinkling lights, he’s not really a stranger, is he? 

And as you get closer to the carnival, the natural darkness of the beach gives way to an abundance of artificial lights that allow you to see him better. He’s cute--no doubting that, with dark hair that frames his face, and a bandage around his forehead. Maybe an accident, or an unfortunate birthmark. 

Even if you weren’t familiar with most of the town’s residents in one way or another,  you’d know he was an outsider from the way he’s dressed. A slim motorcycle jacket and dark jeans… not the type of guy that hangs around here for long.

As you stop at the border of the carnival, he asks where you live, and you tell him--”around.” He admits that he’s only in town for the carnival week. 

“I figured,” you say lightly enough.

He raises his eyebrows. “Is it that easy to tell?”

You put your hands into your pockets and look around you. 

“I mean, it’s a small town, right? Everyone knows everyone, after a while. A new face stands out pretty easily.”

His smile is charming. Practiced, but charming. Or maybe being practiced is how it’s so charming in the first place.  “That makes sense.” He considers you for a moment. “You like to watch the tourists, then?”

You shrug and gesture with your chin towards a mom with a toddler clinging to her hand, pulling her along towards one of the games with enormous stuffed animals.

“I like people watching, I guess. Sometimes,” and as you’re saying it, you don’t know why you’re telling him this so openly. “Sometimes I like to make up stories about people I see. Like, where they’re from or what they do or a backstory like they’re from a movie or whatever.” 

Your cheeks feel suddenly, stupidly hot. Christ, you meet a handsome stranger on the beach and your first major conversation involves you admitting you make up stories about people? You’ve got to get out of this town more.

But he doesn’t seem like he’s judging you. If anything, he looks interested. 

“And what would you imagine for me?”

The question is unexpected. 

“I think…” You try to force your mind to wander like it does when you people watch organically. What would you imagine, if you came across him walking around the carnival in the evening? He’d be on his own, surely, maybe his hands in his pockets. Quiet. A soft smile on his face, maybe? 

“I think you’re some sort of… librarian. Or a curator. A collector?” You shake your head, unsure of exactly where you want to go with this one. “The point is, you’re traveling around the country, looking for things to add to a museum or library or something like that. And you came across an ad for a summer carnival and thought you’d take in some local culture.” You gesture towards the carnival--the lights, the crowd of people, the humanity on display. “But walking around here makes you feel lonely. So you walk down to the beach in the hopes of distracting yourself. Only,” you add, with a cheeky grin. “To come across the most amazing small town waitress in 100 miles standing on the dock like a weirdo.” 

He doesn’t smile at your story. Not exactly. Instead--and you look away when you notice, feeling too rude for staring--his eyes widen just a smidge and he purses his lips in a thoughtful way. 

“My name is Chrollo,” he says. “May I have yours?”

Chrollo is kind of old-fashioned, you decide. Perhaps you were more spot-on than you realized with your story. 

Maybe you shouldn’t give your name. But there’s a giddy feeling inside your chest. Something akin to what you used to feel when you were a teen and you snuck out in the middle of the night for bonfire drinking parties.

I mean… a handsome stranger in a motorcycle jacket who escorted you back from the beach wants your name? You’d be stupid to say no. 

So you give it. 

At that, he finally smiles again.

“Well, then,” he says softly, saying your name in such a way that makes you hope he’ll say it again in the future, “I hope I’ll see you tomorrow night.”

--

“Help! Someone help me! For God’s sake!”

Jake Jensen cried out these words as loudly as he could--as clearly as he could, with booze slurring his words and making his mouth all mumbly. But he wasn’t loud enough. No one heard him. Not over the music and delighted screams of the carnival.

He had been chased away from the beach, past the dock, into a little storage shed used for kayaks rented to tourists during the summer. His worn out body protested with every movement, his lungs hacking from years of cigarettes. 

His attackers, who blocked the door frame, said nothing. They only looked at one another, silent words passed between them, and the taller of the two grinned in the darkness. 

Jake Jensen died screaming.

--

Friday

You tell yourself that you’re only sitting here on this bench, munching on fresh hot popcorn, because you had a hankering for carnival food. Definitely didn’t come here in the hopes of seeing a certain someone. You tell yourself this even as your eyes dart here and there, looking for any sign of the not-quite-a-stranger from last night. 

The sun has just set, and it’s a bit hard making out faces in the glow of the early evening. There are a lot more people here tonight, a new wave of tourists drowning out the familiar faces. Not that the locals shy away from the carnival--you spot your former best friend from high school, your old math teacher, one of the regulars at the diner… Jake Jensen isn’t in his usual spot at the games, but maybe he’s sleeping off a hangover. He never misses a summer carnival.

“Hello again.”

Oh--you choke on your current handful of popcorn just as Chrollo appears suddenly in your line of sight, hands in the pockets of his motorcycle jacket, a casual smile on his face.

“Hey,” you say, coolly, like you didn’t just nearly spit chewed popcorn kernels in his face when he approached. The silence between you doesn’t last long, but you fill it anyway. “You um, want some popcorn?”

But when you hold out the now half-filled container, Chrollo only looks at it curiously. Like he’s never seen popcorn before or something? But then he takes a small handful and pops it in his mouth. Chews--but he might as well be chewing broccoli, for all he seems to enjoy it. Oddly, he watches you while he chews, seemingly studying your face. Did you have popcorn in your teeth?

Better to fill the silence again.

“Well, what do you think?” You ask, grinning, popping another handful in your mouth. “It’s my favorite because it’s fresh, and that booth actually uses real butter. Not the fake oil stuff.”

Chrollo hums in agreement. “I see. I thought that tasted like real butter. Thank you for sharing.” 

You decide on the spot that you’re going to make the most of this evening, popcorn-in-teeth or no. So you shrug and give your best smile. “No biggie. Buuut… you will owe me.”

He raises his eyebrows. “Oh? And what will I owe you?”

It’s your turn to hum as you look out towards the carnival, scanning past the numerous faces, the booths, children running with balloons and sticks of cotton candy. “A ride on the Ferris wheel once it’s properly dark would be nice.”

A snort, though his nose. “I think I can manage that.”

He offers his arm again, and you take it, not minding how old fashioned it was. Somehow, despite his jacket, his sleek hair, the hint of motorcycle oil mixed with cologne, old-fashioned seemed to suit him.

Lots of things seemed to suit him, actually. You learn this as the evening wears on. He’s great at carnival games, choosing only a select few that he claims to be an expert in. He wins you a few stuffed animals that you pass on to little kids, save a smaller teddy bear that you can shoved inside your purse. 

You learn other things, too. Like, he’s a great listener. He lets you talk--about yourself, about the town--and doesn’t interrupt or tell you that you talk too much or make it clear he’s not listening to a thing you say. He even asks you questions, which shows he’s actually listening, and not just thinking about other things and waiting to ask you to go somewhere “private” like some other guys.

It’s nice, surprisingly nice, to find someone from out of town who’s so thoughtful.

The line for the Ferris wheel is always long once the sun goes down, and you’re one of the last rides of the night. 

When the carnival worker locks the bar down over your waists, you kick your legs and wait for the strange rush of adrenaline and pleasure that comes with the Ferris wheel. It’s a beautiful sight--all colored lights contrasted against the night sky, whisking you high into the air and giving you a view of the entire carnival and the ocean beyond.

But your body always reacts to the imagined danger of being carried so far away from the safety of the ground, and when the Ferris wheel reaches the top and begins to circle over for the first time, your stomach lurches and you gasp.

“Are you scared?” Chrollo’s voice is low--you could swear he’s teasing, but there’s something else in there, too. 

“Yeah,” you say, breath catching as you're brought back closer to the ground, only to be whisked away again. “Of course. What if something goes wrong, and I fall off and break my neck?”

Chrollo tilts his head. “You’d be dead.” 

You can’t help but grin. He’s so to-the-point sometimes. It’s charming in its own way, although you can’t exactly describe what “its own way” means with Chrollo. It’s like he stepped out of some old fashioned film but also came out of a cooler city. A biker who carries around an embroidered handkerchief, or something like that.

“And I don’t want to die, hence--the stomach flipping.” 

Chrollo looks ahead, then, taking in the view as the Ferris wheel carries you over again. “No? How long do you want to live, then?”

The snort is involuntary. A philosophical question on the Ferris wheel--not exactly what you expected from tonight. But maybe it’s not so bad. He’s good company. And Chrollo looks earnest in his question, too, which makes you feel guilty for snorting in the first place. 

Maybe it’s the lights of the Ferris wheel that dazzle you; maybe it’s the way being on the Ferris wheel at night makes you feel like you’re in some wonderful haze of a dream. 

Whatever it is, you fling your hand into the air, towards the carnival, towards the stars.

“Long enough to achieve my dreams,” you breathe out, earnest, almost sing-song. “Whatever they might be. I haven’t figured them out yet.”

Chrollo turns his head to look at you. His eyes almost seem magnetic against the night sky, with the lights of the carnival playing in them. 

Then, as the Ferris wheel brings the two of you down towards the ground, you see him. The man from yesterday, with the cowl over his face. He’s looking right at you, and it’s no mistake or figment of your imagination.

Your head swivels to the side and you grip the bar of the Ferris wheel until your knuckles hurt. You jerk one hand out and point to the stranger on the ground with a trembling finger. 

“There--look! Look!” 

Chrollo takes a moment to respond, and follows the sight line of your finger.

But now--there’s no one there.

“What do you see?” He asks, clearly unknowing that the object of your terror has vanished into thin air.

“The man… the man from yesterday. He was right there. I swear.” Your chest hurts; fear hurts. 

Unbidden, Chrollo pulls you close to him, and you let him hold you tight.

“You’re all right. I’m here.” 

He holds your chin in his fingers. “You’re safe, do you understand?”

The fear in your chest seems fuzzy now, like it had almost never been there in the first place. How silly of you to be scared, when Chrollo was right here. It doesn’t even seem strange that he’s touching you so intimately, does it? So you nod--yes, yes, you understand. 

Chrollo smiles. 

“Let me kiss you,” he says simply.

And you will. Of course you will. What else would you want to do? 

But as you lean forward, eyes already closing, he pulls himself away.

“Wait.” You blink, head clearing, and he continues, words slow, careful. “Would you like to kiss me?”

Now, you think about it. Maybe it was too hasty. But the lights of the carnival are beautiful and Chrollo is beautiful, and he’s been so thoughtful all day, and now he’s here, holding you, promising to keep you safe from carnival creeps.

A summer carnival is the time for a flirty romance, after all. 

“Yes,” you answer, simply. “I would.”

Chrollo’s finger strokes your chin as you lean in and share your first kiss on the Ferris wheel, glittering lights and carnival music dancing in your mind. 

--

The wife died first. Too quickly, but perhaps it was all the alcohol in her system; $1 margaritas at a local watering hole on a Friday night did nothing to make her more agile when being chased by predators while running in black city heels that had no place in a small town carnival.

Well, to the dying woman’s credit: it was the heels and alcohol and the sliced tendons in her ankle. Taut wires cut through her flesh like butter and she was down for the count, crawling, sobbing, begging for her husband, for God, for anyone to help her.

No one did.

Those pitiful cries, too, were cut down by a wire pressed into her throat; silencing her vocal chords, yes, but spilling blood over her neck that was as pretty as a sight as anything to those watching her choke and scrabble her hands against the ground, eyes wide, gaping, wondering--how is this happening to me? 

The margaritas may have hindered her before her unfortunate ankle accident. But they did make her blood taste sweet and tangy. Metallic, rich, with a twist of lime. All that was missing was a miniature umbrella.

This joke was said aloud, once everyone had a taste of her. A few laughed, blood on their teeth. 

Her husband didn’t seem to find it funny, but perhaps he was more preoccupied with his own current slow death. An arc of his blood spurted into the air--”Don’t fucking waste it, Uvo”--before a greedy mouth latched onto the wound, beginning to suck him dry.

The husband, like the wife, would be shared.

Soon, though, there would be no need for sharing.

There would be enough for everyone to have their fill--and beyond that.

There would be enough to gorge.

--

Saturday:

Three people are dead. 

You didn’t know them know them, but the shock is still there, making your hands tremble a little as you pour morning coffees and deliver plates of steaming eggs and overcooked bacon to tables of locals and tourists in almost equal measure.

Jake Jensen is one of those people. The identities of the other two are unknown--”Due to the state of the bodies, no identification could be provided at this time,” said the sheriff, above a rolling news ticker that had been on the diner’s singular TV all morning--but they might be a couple. A man and a woman.

People die all the time. Sure. But…  dead bodies are not often found in your small town, where gossip typically revolves around couples breaking up or a local store not putting up enough holiday decorations to appease the older crowd. 

Yet now, in one morning, there are three. 

Jake Jensen, who was found near the beach.

And an unknown man and woman (John and Jane Doe) who were found in a wooded area near the carnival.

“Mighta been a bear,” says one of your regulars, gnawing on a piece of his burnt bacon. He liked it that way.

“I heard they were drained of blood!” Your head--and others’ too, you suspect--turns to the voice. It’s not a local. Someone who’s far too dressy for the diner, sipping on a coffee they brought from home while they sample your diner’s less than stellar fruit salad option. He’s oblivious to the stares, to the eye rolls, to the immediate dismissal that his outsiderness earns him. “Two puncture wounds on the neck. Heard it from a cop while I was walking in this morning.”

Someone murmurs a joke about vampires and the locals chuckle, then go back to their coffee, their eggs, their eyes now and then glancing up at the old TV screen.

Your eyes roll, too, but then you wonder.

If they were murdered--and it’s an if, of course, because it could have been animals and Jake Jensen could have gotten so plastered that he fell off the dock or something, murders just don’t happen in your town--then… could it have been that creepy guy from before? The one who’s been following you around the carnival?

Shit, maybe he was waiting for the chance to get you alone, so he could drag you off to the dock or the woods and slit your throat. The thought gives you goosebumps, and acrid coffee tries to climb its way up your throat, before you swallow it down.

It was a good thing you had Chrollo around for the past two days.

And you’d be seeing him again tonight.

They weren’t canceling the carnival--it brings in too much money. And while a part of you is all sore and soft for poor Jake Jensen (who was never mean, just drunk) you try to brush it away. It’s sad. But life is sad. 

You don’t want to be sad tonight. You want to look nice--for Chrollo? He wasn’t the first out-of-towner that had flirted with you, that you’d flirted with back. He was the first one that you’d ever genuinely looked forward to seeing again, though.

So.

You want to be wearing your best smile when you meet Chrollo again tonight. 

And you can’t do that if you’re thinking about Jake Jensen’s body washing up on the beach or if there’s a small, tickling question dancing through your mind--

What sort of animal leaves two pretty little puncture wounds on the neck?

--

You sit on the same bench as before; the bench, in your mind, where you and Chrollo have taken to meeting up these past few days. 

There’s no room in your stomach for popcorn tonight, though. Or rather, there’s room--your stomach growls--but you can’t imagine chewing anything rich, hot and buttery right now. Your thoughts flit between horror (poor Jake Jensen, one time, when you were younger, he helped you fix a flat bike tire) and romance (Chrollo’s lips on yours, warm, the breeze tickling your neck, the lights of the Ferris wheel twinkling around you).

You feel bad for wanting to enjoy tonight. But that’s not fair, is it? Another small town tragedy: caring too much about someone you didn’t really know as anything more than a passing familiar face that you can’t even focus on a hot date. 

Fuck. 

“Daydreaming again?” 

The evening sky above you is a wash of deepening colors, devoid of actual sunlight but clinging to the last vestiges of it like a child refusing to let go of his mother’s hand on the first day of school. 

He’s holding up a stick of bright pink cotton candy in one hand, while the other arm is offered for you to take--the contrast between his leather jacket, the ball of fluffy sugar he’s holding, and the way he sometimes acts like an old timey gentleman out of the movies is enough to make you smile.

Perhaps there’s bitterness in it, because as soon as you’re standing, Chrollo regards you with a measured look.

“Are you all right?” 

Well. You don’t want to ruin your evening, but it would be stupid to pretend everything was all sweetness and sunshine, wouldn’t it? It’s better to get it out of the way. 

“Sorry, it’s… I don’t know if you saw the news?” He says nothing, and you continue. “Those people that they found dead this morning.” Your lips press together. “I mean, the guy--I knew him, sort of? Everyone did. He was drunk all the time, yeah, but he wasn’t a jerk about it.”

Chrollo hums.

“I can imagine that would be shocking for you to hear.” 

Your smile is shaky, and you nab a piece of cotton candy from the stick and shove it in your mouth. The sweetness contrasts awfully with the words that pass through your lips. “For you too though, right? I mean, it’s not every day three people turn up dead at some small town carnival.”

Chrollo raises an eyebrow in a way that seems to say that he is not particularly shocked by the news. 

“Shit, really? What are you in your non-touristy life, a mortician or something?” A sudden realization washes over you, that Chrollo has an entire life outside of you and these carnival evenings; he has a past, and family, and friends, and a job. Hopes, dreams, the whole nine yards.

“Something like that,” he says. When you move to apologize, he shakes his head. “It’s alright. I’m not terribly shocked by these things, I suppose, because of what I see in my day to day.” He looks at you a little curiously. “But I can see how it would rattle you.”

You open your mouth, but you don’t know what to say. Sugar sticks to your teeth.

“Come on.” Chrollo drops the cotton candy into a nearby trash can, and leads you towards a row of carnival games. “I know what might take your mind off things.”

For once, you’re glad to see the carnival games; the fast-paced spitting words of the barkers trying to hustle money from kids and couples, the sound of darts popping balloons, the triumphant music that plays before the obnoxiously difficult water shooting game. 

You’re even glad to see the tourists in all of their Saturday glory, which isn’t so much “glory” as it is a sort of restlessness. Saturdays were always a strange day at the carnival; the last middle day before the grand finale. An unusual mixture of sleepiness, anticipation, and a buzz that held everyone together until tomorrow.

Strange day, strange faces. Some stranger than others. Staring up at the bell at the top of the Test Your Strength game is an exceptionally tall man with wild dirty blonde hair. By the size of his muscles, he might just break the game, which hadn’t been replaced in the many years you’d been coming here in the summer.

You tug on Chrollo’s arm and point the man out. “What do you want to bet the carnie will try to get him not to play? He might just break the thing…”

“I don’t doubt it.” Beside you, Chrollo snorts, but doesn’t linger on the man as he leads you further into the carnival. 

The two of you walk, and talk. About nothing and everything. He asks you to come up with stories for a few tourists, and you do. Light ones. It really does take your mind off things. At some point, Chrollo buys you fries, which taste slightly sweet; probably cooked in the same oil as the funnel cakes. 

You dig in your heels in front of the fun house, but Chrollo shakes his head, and won’t go in.

“Are you scared?” You tease. At night, the fun house was all lit up, and the clowns painted on the front had a ridiculously sinister air to them.

But Chrollo doesn’t smile or laugh. “They make me dizzy,” he says, quietly. There’s something behind his words, but you don’t know what. A medical problem? A bad experience? You apologize and then he does smile, shaking his head, at himself, or you, you’re not sure. “Think nothing of it, dear.”

Dear.

You want to hold onto that bit of affection like the sky holds onto the sunset on summer evenings. At least as long as you can, which tonight, seems to be until Chrollo takes you on the Ferris wheel again. 

This time, he holds your hand as soon as the attendant locks the bar down. Your fingers interlock and squeeze and it sends butterflies rushing through your chest. What was there to worry about, to think about, when you were sitting next to him? 

It takes a few turns around the Ferris wheel to remember what you were supposed to worry about, because on the trip down, your stomach fluttering from romance and gravity alike, you see him: the strange man. The stalker. The maybe-serial-killer-on-the-loose. 

He’s standing still in the crowd walking here-and-there around the Ferris wheel, couples intent on getting in line, children running from tired parents as they beg for another carnival game.

And he’s staring straight up at you.

You don’t think this time. You grab Chrollo and point straight down and practically screech out the words: “There! He’s there! Look, look--look!” 

And the stars must be aligned, because Chrollo actually sees him. His grip on your other hand tightens and he pulls you closer to him as you make your way back around the Ferris wheel and the man goes out of sight. By the time the two of you are at the top again, the stranger is gone.

Your goosebumps remain.

“We should talk to the police,” you murmur, a quiet, scratchy whisper.

Chrollo turns towards you. You recognize the look. The “Do you really think the police will do anything about this?” sort of look. 

“I’ve been thinking…” You squeeze Chrollo’s hand and he squeezes back and that’s all you need to keep going. “That maybe he might have something to do with those people? The ones they found this morning?”

Chrollo’s eyes widen just a little. It’s both comforting and worrying to see him look taken aback, even if it’s only a bit. 

“I heard…” You feel stupid saying this. But you shouldn’t feel stupid, not with Chrollo. He hasn’t given you a reason to feel like you can’t tell him things. “Someone at the diner today said they were found with puncture wounds on them. I was thinking, maybe… like an ice pick? Or a screwdriver or--I don’t know. But maybe they were killed.”

“Perhaps he’s a vampire,” Chrollo offers, voice low, lips curled into a smile, and your face must reflect the flash of offended shame that rushes into your chest, because he immediately apologizes. His sigh flutters against your cheek. “Well. He wouldn’t be the first killer to prey on crowds or small towns, would he?”

At least he didn’t say you were crazy to connect the two things, vampire joke aside.

He keeps you close once the ride is over, and you wouldn’t have it any other way. 

“I’ll inform the police,” he insists, when the two of you finally stumble on a pair of deputies patrolling the carnival. He leaves you standing next to the Test Your Strength game, where the carnival barker has agreed to keep an eye on you. It made you feel like a child, but for once, maybe that wasn’t a bad thing--to be watched and protected.

You watch, biting your nails now and then, as Chrollo and the deputies talk. In the end, they shake his hand, and you feel cool relief in your stomach. The police will know what to do with the information. If this guy’s a killer, they’ll catch him. If he’s not, well. The carnival was almost over, and you wouldn’t have to worry about him much longer.

Things will be normal soon.

When Chrollo returns, you take his arm without hesitation, but this time he begins to lead you away from the carnival.

“I was thinking,” he says, “that we might go for a walk. Get away for a bit. If you don’t mind, that is.”

You don’t mind at all. 

“Do you like trails?” You ask, steering him towards a trail that leads from the beach to a popular hiking spot for locals. “It’d be a bit more private. As long as you’re not scared of the dark.”

Chrollo chuckles. It’s a warm, dark, rich sound, and it sends a delightful thrill right through you. 

“I’m not if you aren’t,” is all he says, and that’s enough for you to point out the way.

Thoughts of dead bodies and stalkers fade away with the carnival, whose sights and sounds fade bit by bit as you and Chrollo leave the beach and begin making your way into a wooded area with a paved hiking path lit on the other side by electric trail lights. 

“I’m surprised to see these,” Chrollo says, quietly. He pulled his phone out at the start of the trail to give the two of you more light, though the trail lights were decent enough, especially since you’d been up here more times than you could count.

“Mm,” you murmur. “Locals come up here all the time at night. Especially teens. Usually to make out and stuff.” Chrollo gives you a look and your cheeks hit up, but you don’t elaborate. He doesn’t need to know about your high school escapades. “They added them to avoid the inevitable lost-teen-in-the-woods-at-night rescue scenario, I think.”

“Clever,” he says. 

--

The waterfall is loud when you’re this close; so loud you can’t hear anything in the moment but your own thoughts, which have grown louder and louder somewhere between the hiking trail and this popular waterfall spot. So popular that it’s lit with a flood light near the top--supposedly a teenager slipped in one night and drowned in the shallow pool, though you’ve never been certain if it was a true story or not.

Regardless, you’re not sure you want to stay. No--you know you don’t want to stay. 

This is a bit much, is what your thoughts are starting to scream. Chrollo is nice, but you don’t really know him, do you? And you just walked somewhere alone with him in the dark after being surprised by a maybe-stalker, the day that three people were found dead around here.

Yeah. A bit much might be an understatement. You should really get back to where there’s more lights and people and civilization in general. If Chrollo is a nice person (and he is, you insist, you’re just being smart!) he won’t mind. 

“I think we should go back,” you say, but Chrollo can’t hear you. So you cup your hands around your mouth and lean closer to his ears. “I think we should go back!”

You expect him to nod and take your arm and lead you carefully down the lantern-lit trail, perhaps still using his phone to guide the way. Instead, he takes your chin in his hands--you move to jerk it out, you’d rather wait until you’re back at the carnival to kiss again--but his grip is impossibly strong.

“It’s all right,” he says, and it’s the strangest thing, you can hear him so clearly despite the roaring waterfall just a few feet in front of you. “You know that you’re safe with me. You don’t want to go back yet.”

How strange. How silly. Why did you want to leave, when you just got here? You didn’t even show him the best part yet.

“Come on!” It’s your turn to pull him along as you carefully walk the path leading to the front of the waterfall, which has already begun to soak water through your clothes. 

“Is there a cave?” Chrollo asks--and again, you’re struck by how easy it is to hear him, despite the water rushing down in front of you. 

“You sure know your way around local watering holes,” you jest. 

He merely smiles. “I travel a lot.”

With that, you grip his arm tighter and run through the waterfall, shrieking in delight. Both of you emerge on the other side soaked; you, grinning, and Chrollo, looking around with interest.

The inside of the cave was lined with endless rows of fairy lights, courtesy of a local high school group. They had also brought in the two couches--used leather, frayed and flecking, but good enough for a hang out. When you were younger, there were only folding chairs; which were great for sitting, not so much for much less. 

“Do you like it?” You ask, then feel stupid. Why do you care so much what he thinks of some local hang out spot, especially one you hadn’t been in for ages? The same reason why you’d spent all day telling him about your daydreams, about small town memories, bits and pieces of local lore that he didn’t brush aside but seemed to enjoy hearing.

Chrollo was so different from the others you’ve met at the summer carnival. 

Maybe that’s why your heart begins to beat fast the moment you catch his eye again. His skin looks almost dewy in the glow of the lights, thanks to the water; his eyes shine, reflecting a soft, warm twinkling glow.

It’s just the two of you. No tourists, no locals, no would-be stalkers. Even the carnival itself seems far away; the lights blocked from view by the rushing water and canopy of the forest, even the wafting smell of popcorn and stale beer was long gone out here.

It was just you and Chrollo in a cave at the end of the evening. 

But… it didn’t have to be the end of the evening, did it? 

You ask him, this time. 

“Do you want to kiss me?” 

“I do,” he says. “Very much so.”

This time, your kiss is tinged with the tang of river water.

--

Five bodies lay scattered in the grass. Young men, young women. Teens that had been giggling and stumbling through the forest, flasks of pilfered whiskey in their bags. 

Now some dead and going cold, their limbs twisted, their mouths open in silent screams.

Two were still alive, whimpering, weak hands beating against monsters’ chests as open mouths hungrily lapped up their life blood. They had screamed, all of them, but no one could hear them in the woods--over the water. 

“This is a lovely spot,” said a woman, brushing back her blonde hair. A bit of red gore had stuck to the strands and she tsked at the sight of it.  “The waterfall adds a nice touch.” 

The man hummed, and stuck his hands in his pockets. The slightest touch of red showed on his lips; like a woman pressing her lipstick-covered mouth onto a bit of tissue to get rid of the excess. 

The carnage made him indifferent; the whimpers of the dying, even more so. But as he looked around at the carefully placed lights on the trail, the way they flickered against the waterfall and its hidden cavern like delicate stars, he smiled. 

“It came highly recommended.” 

--

Sunday: The Final Day

Chrollo was in your bed last night, and you thought he’d be there in the morning. But when the sound of birds pulls you delightfully out of a restful sleep and you blink your eyes open to dappled sunlight through your blinds, you realize that the bed is half-empty.

Just you and the sheets and the leftover smell of Chrollo--cologne and, more faintly, sweat and sex. 

You freeze, listening for the sound of someone meandering about an unfamiliar kitchen. He could be up and about already--making coffee or breakfast. The image of him serving up a plate of bacon and eggs almost makes you laugh.

But the apartment is silent, save for your breathing, the sound of a clock ticking in the living room. 

Your heart lurches and shame pricks at the back of your eyelids. He fucked you and ran, didn’t he? Just like the others, just like--

But just when you’re about to give into the temptation to scrub yourself all over with hot water and erase every trace of Chrollo that ever existed in your presence, you see it: a piece of paper, torn from a notebook you keep on your dresser. Carefully folded over and placed on the side table next to the bed.

Your name is on it, written in a surprisingly beautiful, scrawling hand. 

Curiosity and leftover shame-tinged dread curl together in  your stomach as you sit up and slowly pick up the note. 

Dear--

Your heart lurches again, for a different reason this time.

I apologize that I did not give you a proper farewell. I had an urgent matter to attend to. Forgive me, won’t you? We will see each other tonight, I hope, for a memorable and unforgettable evening.

Of course he didn’t fuck and run. He wouldn’t do that. And tonight would be--well, memorable and unforgettable, just as he said.

The pitter-pattering inside your chest takes on a new delightful cadence as you get yourself ready for the day. No work--you had Sundays off, thank God, maybe literally, for that. It was a shame Chrollo didn’t tell you where he was staying; presumably, the only hotel in town. But maybe he was at one of the B&Bs or was shacking up at a room for rent.

It would be nice to see him in the daytime, too.

But he didn’t, so you’re left with nothing to do but flick on the TV and make yourself a cereal bowl. Well, that’s wrong.  That’s not the only thing you could do. You could go to your parent’s house and help out your mom; she could use a break with caring for your dad.

But… was it wrong to be selfish, just a little, for just one day? You didn’t want to see Chrollo tonight with something unpleasant sticking inside you, on the potential chance that your dad was having a not-so-great day.

It was better to approach your last evening together with a sunnier attitude.

Although you don’t really have a choice, because the first thing you see when the news returns from a commercial break is a giant banner scrolling across the screen: TWO MISSING TEENS FOUND DEAD AT LOCAL WATERFALL. POPULAR TRAIL CLOSED UNTIL FURTHER NOTICE.

In the background, the sheriff recites familiar lines about respecting the privacy of the dead, about putting the full energy of the police force into finding the investigation, about how there is no need to panic. He says that it may not have even been foul play.

Somehow, you don’t believe that.  You just know. 

Sugary cereal seems to lodge itself inside your throat. You were just there. You were just there, kissing Chrollo, holding his hand, and now two teenagers are dead and lifeless and, and--

And if it was that same man… the one who was staring at you, stalking you… how close did you and Chrollo come to dying last night?

Tears prick at your eyes and you grab your purse. Maybe you would spend the day with your parents, after all. 

--

You should be more excited to see Chrollo. And you are, truly. But between the news this morning and the dull realization that this would be your last evening together ever, it’s hard to feel too enthused. 

Chrollo would be going home after tonight. Tourist trap over, no need to stick around. Something childish in you thinks: maybe I can convince him to stay a little longer. And if he stays a little longer, he’ll see how nice it is here (it’s not) and maybe he’ll want to settle down (he won’t). 

Oh, how stupid. It’s like when you’d meet the endless stream of New Best Friends every summer weekend as a kid, and you’d beg their parents together to extend their vacation.

It wasn’t going to happen. You’ll never see him again after tonight, and you’ll go your separate ways, and that’s that. 

Reality sucks sometimes.

You’re still stuck in the dreary shit cloud that is reality when Chrollo’s now somewhat familiar footsteps approach you on the bench. The bench, your spot--your spot? As if you and Chrollo had anything that could be called an actual relationship that warranted the use of “your” plural. 

You shake your head, hoping it shakes those silly childish delusions, and force yourself to smile.

Chrollo, to your surprise, doesn’t smile back.

Instead, he leans down, and takes your hand. His eyes roam over your fingers like they’re something special and it makes your stomach flutter stupidly.

“You seem a bit sad,” he says, bringing your knuckles to his lips for a kiss. The way that makes you feel is something you love and hate in almost equal measure. It’s not fair, is it, that he makes you feel this way--when he has to leave, and you’ll never see him again.

Perhaps it’s the knowledge that you will part ways after tonight that makes you speak freely.

“I’m just sad that you’ll be leaving.” He blinks at you, and turns his head a little. “That we won’t see each other after tonight,” you clarify. 

You expect him to nod and agree, and perhaps say something trite but comforting, like, “We’ll just make the most of it.” 

Instead, he gives your hand a squeeze.

“We don’t have to part, you know.”

It’s your turn to blink. A silly, little-kid-in-you hope does a twirl. He could stay--and this could maybe, possibly, in some far off millimeter of a chance, turn into something more serious than a summer fling. “You could extend your vacation? Your job would do that?”

Chrollo finally smiles at you. 

“My life is flexible. But,” and now he pulls you up so that you’re standing. It’s a fluid, easy gesture for him, almost too easy--he’s stronger than he looks. “I was thinking that instead of staying here, you would come with me.”

The world around you is not silent. The carnival is always producing an eternal cacophony of sounds--screaming patrons hung upside down on the more thrilling of rides, cheery carousel music, laughter, popcorn endlessly beating like a fast paced drum, everything and anything all mixed together into a swirl of sound.

But it might as well be silent, because you feel like all you can hear is your heartbeat in your eyes for a few stretched moments. 

“What? You’re not serious.” You smile, too, but it feels fake. Like it’s plastered on and cracking underneath. There’s a brief thought--maybe he means, like, for a weekend?--but you instantly know that’s not what he’s talking about.

This is too much, too fast. Too out of the blue. 

Chrollo looks at you in a way that almost makes you uncomfortable. Like he wants to see something inside you that you’re keeping for yourself. Then that gaze is gone and he’s smiling softly, charming, a little bittersweet.

Bittersweet is familiar territory, and the ringing in your ears fades in favor of a carnival barker offering 2-for-1 prizes on the Test-Your-Strength game. 

Chrollo’s voice cuts through it all, jovial, unassuming. 

“We can talk about it later, if you’d like. Let’s go enjoy the carnival a bit more before the concert.” 

That would be nice.

“I’d like that.” 

And you mean it--you do. You shake your head and let Chrollo intertwine his fingers in yours, and it doesn’t take long for his question to fade away from your mind as you weave in and out of the crowds.

If you weren’t so distracted, so disarmed, you might have noticed an uncomfortably familiar figure clad in black watching the pair of you intently.

--

The Ferris Wheel worker should have kicked you off several spins ago, but Chrollo had slipped him a twenty as he buckled the safety bar down. It’s nice, this extra time with him--it’ll be the last time you ride the Ferris wheel together, after all. 

What did it say about the state of your love life--or your life in general, actually--that slipping a carnie 20 bucks made your heart soar (and twist, and ache) even a little bit?

The night is prettier from the Ferris wheel. The world, too. Up here, you can’t see the grit and grime. The fermenting candy apples littering the ground, dropped two days ago by careless kids; the too-drunk couples arguing about whether they should stay for the concert or not; the exhausted carnival workers smiling hard no matter how much they get yelled at for their rigged games.

All you can take in from up here is the broad vantage point. Crowds and happy sounds--squeals and music interplaying above crowds of people, including a growing crowd on the beach in front of the black stage, waiting for the concert to start.

Chrollo’s grip on your hand tightens and draws your attention back to him. Even he looks more beautiful from up here, with the rainbow lights of the Ferris wheel playing on his face. 

“I’ve enjoyed our time together,” he says softly.

Ah, you realize. The extra spins were for the inevitable “we’ll never see each other again but it was a blast” speech. You knew it was coming. Doesn’t make it any less bitter in your mouth. But what good is holding bitterness against your tongue?

“Me too,” you say, and it’s not a lie, even if you hate the way the conversation must end. You try to focus less on the sourness and more on the sweet that came before. After all, Chrollo was… well. Handsome, yes, magnetic, yes. But more than that. He seemed thoughtful. He listened to you prattle on about yourself and your small town, and he didn’t even make fun of you for knowing so many local stories.

He was good in bed, too, wasn’t he? You blink and realize you don’t actually remember all that much about last night, except that he wasn’t there in the morning. Vague snatches rush through your memory. You remember his mouth on your lips, his hand trailing against your skin, removing your clothes. You remember his mouth against your neck, then this teeth, nipping, and--

It’s all fuzzy. But you weren’t drunk. So why--

“Have you thought about what I said?” He asks, and once again you’re pulled away from your thoughts, although this time you’d like to focus on them. Why couldn’t you fully remember last night?

When you don’t answer, he raises his eyebrows.

“About coming with me,” he says, a bit louder, as if you can’t hear him over the carnival din.

You let out a soft puff of a breath, then, and force yourself to focus on the current conversation. For now.

“You’re serious?” You don’t mean to sound so flippant, but you do. Chrollo frowns, just a little, and you feel like a bitch for it. “Sorry. I just--I didn’t know if you really meant it.”

“I am,” is all he says.

You didn’t like the idea of the conversation headed towards Chrollo leaving, but you like the idea of him genuinely asking you to come with him even less. Partly because you know you never could, and partly because there’s some small, stupid, fantasy-of-your-hair-blowing-in-the-wind-wearing-a-leather-jacket-on-a-motorcycle part of you that wants to say yes.

“Chrollo, I can’t do that. I have a job here. A life.”

Chrollo doesn’t let go of your hand, but you can sense the way his muscles tense. 

“A job at a local diner slinging hash browns,” he says, voice dry and almost hurtful. You must look offended--are you? You can’t tell--because he turns a little in the seat, trapping you with his gaze. His voice is earnest now, drawing you in.

“Don’t you want more out of life? The ability to pursue your dreams--to figure out your dreams?” One hand goes to your cheek, and his knuckle brushes against your skin. “You could travel. See so much more than your little town. Imagine it.” 

An image starts to build in your mind. Unbidden by you, but there, somehow, nonetheless. Of you riding behind him on a motorcycle, holding onto his waist as he takes you wherever you want to go--wherever he wants to go, together. Life would be wild and unpredictable, but easy and fun and--

“My family,” you murmur, and Chrollo seems surprised that you’ve spoken. 

His lips press thinner. “You could write to them, call them. No matter at all.”

Whatever fantasy has built in your head gets swept away and the Ferris wheel finally comes to a stop. The seat rocks back and forth and the bored (but $20 richer) carnie lets you off. Chrollo helps you as he’s done every time.

You wait until he’s escorted you away from the Ferris wheel to turn and address him. 

“Chrollo, I can’t--” You try to find the right words, but there are no right words. “I don’t know you. Not… really. Not enough to give up my life here.”

Chrollo is quiet. He considers you, turning his head a little. You feel awful--maybe you should just end the night here, on this shitty, sour note, because you’ve probably ruined the rest of the evening anyway.  You wish he hadn’t asked again before the night was over, but there’s no way to fix it now.

You’re ready to leave, to bite your cheek so tears don’t come. You’re prepared for Chrollo to say something low and insulting, to dismiss you, because why should he waste another minute on someone who would rather stay here in this shitpot of a town than--

“Come along,” is what he says, finally, holding out his hand--to your utter confusion. He still wants to go to the concert? With you? Now?

But you take his hand anyway. 

“It would be wasteful to end our evening early and miss the concert.” 

His grip is harder than it has been, but maybe you’re imagining it as he pulls you along, weaving in and out as the crowds grow larger and a little more drunk the closer the pair of you get to the beach.

This doesn’t feel right, suddenly. He’s upset, that’s why he’s holding you so tightly. Or maybe you’re upset and imagining it. Either way, it doesn’t feel good. Your primal gut instincts are telling you that it’s better to cut your losses and leave now, then to spend the night with a flipping stomach. 

“Maybe I should just go home,” you yell over the crowd. 

Chrollo stops, and you stumble forward a little, but he catches you in both arms before you make an ungraceful acquaintance with the ground. The hand not gripping your own gently grasps your chin and he leans in, not quite kissing you. His breath smells off, like rust. 

“And miss the grand finale?”

You should insist on going home. Everything’s gone shitty. It’s too crowded and the music will be too loud, and Chrollo is clearly irritated with you--

“Come to the concert,” he whispers, and none of that seems to matter anymore. Of course, you’ll go to the concert. What else would you do? 

He keeps his grip on your hand as you walk onto the warm, crowded sands of the beach, even though you have no intention of leaving. 

--

Booze, sweat, and popcorn. That’s all you can really smell now, surrounded as you are by crowds of people jumping and swaying to some rock band you’ve never heard of before; but no one really cares what the music sounds like on a night like this, when alcohol has been flowing and summer is at its peak.

Even Chrollo seems to be enjoying himself, although he’s not dancing. Just holding you, his arm around your waist, pressing his lips now and then to your forehead.

You feel bad. That must be why there’s a pit in your stomach. You were being rude to him. Of course he’d ask you to come with him--if he’s the type to live so freely, he wouldn’t think twice about making the offer. He just doesn’t understand what it means to be rooted down, willingly or not, the way you are.

You can’t hold something like that against him, so you don’t. 

Instead, you sway to the music, hips bumping against Chrollo now and then. Maybe after this, he could come back to your apartment again, for one last…

All thoughts in your head are stomped into the stand when you spot the strange man with the cowl in the crowd. He’s standing stock still while everyone around him jumps and dances and flaps their drunken arms. 

And he’s looking right at you.

“Chrollo--” There’s no time to waste, and you grab his arm and jerk him towards the direction of the stranger.

But he’s gone. He’s just fucking gone. Cold terror seizes your chest.

“What is it, love?” 

The nickname doesn’t even register.

“That--the man--the guy from before--he was there.” Your voice begins to tremble, frightened tears welling in your eyes. “Can we leave? Please?” 

Chrollo pulls you closer to him and you feel dim comfort as he wraps his arms around you and presses his lips against your head. But he doesn’t tell you that of course, we’ll leave, of course, I’ll get you somewhere safe, of course, let’s talk to the police. 

“Hush.” One hand begins to pet your hair. “Not much longer now. It’ll be over soon.” 

“What do you…”

Behind Chrollo, you see another familiar face. Vaguely familiar. The tall man with wild blonde hair, the one who looked like he could snap the Test Your Strength Game in half if he really wanted to--he’s standing still, like the man from before, while everyone jostles happily around him. He’s not looking at you, but that doesn’t make it any less unnerving. 

Your eyes dart over the crowd.

There are others, standing still. Others who seem out of place immediately, either because of their appearance or something awful you can’t describe. A woman with pink hair looking impassively as she scans the crowded beach, keeping her body perfectly still. A man with long black hair and something shiny and thin strapped to his shoulder. A woman with blonde hair in a smart black tailored suit that no one in their right mind would wear to a summer night carnival concert. Others, too, all out of place and making you want to be anywhere but here.

And then in a few blinks, they’re all gone. Like they were never there.

Dizziness overtakes you, along with a strange sort of fuzzy fear. Is this what a heart attack feels like, maybe? No, it’s just panic. Understandable but undeniably awful panic. 

“Chrollo,” you manage, voice shaky. “Something’s wrong. There’s people, they seem--it’s---I don’t know how to explain, we should--I think we ought to--”

Chrollo doesn’t say anything. Instead, he turns you around, keeping you in his arms as he makes you face the stage.

“You’ll miss the concert,” he whispers in your ear.

Helpless irritation courses through you. Who cares about the concert right now? You have half a mind to ask him why he’s not listening to you, but that impulse is gone the moment you see the tall man with blonde hair and impossibly large muscles leap onto the stage.

The guitars and drums come to a confusing, stuttered halt. The lead singer, clad in an oversized black t-shirt with a skull on it, looks like he wants to throw his guitar at the intruder.

“Dude, what the fuck, we’re playing up here, you can’t just--”

Even from your vantage point, you can see the large grin the blonde man sports on his face as he raises his fist and knocks the lead singer’s head off with a single punch. 

The body remains standing for a moment before collapsing without grace onto the stage. Blood spurts from the wound, spritzing high enough that it sprinkles the faces of those closest to the stage. 

There’s a noise from the crowd that almost, for a moment, sounds like a burst of startled laughter.

And then the blonde man leaps onto the corpse, opens his mouth until it’s gaping far too wide to be human, and begins to suck on the headless neck like a crawfish.

It’s that moment when people finally begin to scream.

Your head jerks towards one of the screams, and she’s there--the woman with the pink hair. Latched onto someone’s neck while blood dribbles from her mouth and the person, eyes bugged out, cries out in wordless pain. His body is cross-crossed with strange cuts, like someone pressed him through a sieve. 

You spin around, looking away from horror, only to see it again: the man with the long hair swings something out--a sword?--and strikes someone’s arm clean off his body, then pins that person down and begins to suck at the spurting blood. 

That’s not all he hit.  The person in front of them, a woman holding two drinks, staggers to the ground. Half her face slides off, revealing bone and brain. Lukewarm beer and gore meet the ground together.

You’re not entirely sure if you said Chrollo’s name, or when he let you go, or what you should do. All you know is that when you finally pull yourself together enough to look at him, he’s simply watching the events around you like a boring television show.

Like people aren’t screaming and running and bumping into you. Like blood isn’t flying. Like you aren’t seeing things that you’ve only seen in shitty horror movies. 

He’s in shock. Fuck. So are you, maybe? But it will be up to you to get the pair of you to safety, so you grab his arm and shake him hard.

“Chrollo! We have to go! Now!” 

He doesn’t move. You shake him again, and he finally looks at you. 

He smiles, and holds out his hand, ignoring your jostling.

“You’ve had time to think about it, haven’t you? Will you stay with me?” 

Oh, he’s definitely in shock. That doesn’t stop the impulsive words that flee your mouth as quickly as the people around you are trying--some not successfully--to flee the beach. 

“You’ve lost your fucking mind. Let’s go!” 

You don’t register what’s happened until you’ve hit the ground. Someone finally ran smack into you, and something--their elbow, maybe--strikes your head, hard. Pain blossoms in your knees and the side of your head when you hit the ground, then explodes when someone steps right on your hand.

There’s a feeling of lost gravity when someone yanks you up--Chrollo--but when you’re on your own two feet, he’s not there anymore.

You call his name. Once. Twice. Three times, four. He might not be able to even hear you over the din, if he’s nearby. Maybe he got swept away by the panicked people. Maybe his shock wore off and he ran to get help. Or ran--and left you.

There are a few moments where you almost run deeper into the crowd to look for him. A stupid thought. But then the wild, shock of fear inside you turns to complete ice and you’re not sure of anything in the world because he’s there. 

Standing in front of you.

Close enough to touch. 

Your stalker. The man with the cowl. Only the cowl is down, now, and his mouth is covered in a smear of blood. He smiles at you, and it’s not a nice smile at all. His smile grows wider, and you have to blink several times to realize what you’re seeing.

He’s got fangs.

Two of them, red tinged. Sharp enough to puncture your neck. 

They’re vampires. Actual vampires. Actual, damn bloodsucking vampires. 

There’s a brief, panicked thought--where’s Chrollo?--before your flight kicks in, and you’re scrambling through the crowd like everyone else. You stumble, of course you do. Over bodies, some dead, and you almost fall flat on your face when you make it off the beach and your ankle rolls on the uneven grass-covered ground.

If you were thinking logically, you might have run to the car park, and hopped into your car. You might have run in the direction of the crowds thinking the same, and gotten lost in them.

But there was no logic. Only pure primal panic, the realization that you people were being murdered all around you like animals, and you were one of those animals because one of the monsters was chasing you.

You didn’t dare to look back to see how far away he was; you just knew, deep down, that he was following you now. Running wouldn’t work: you couldn’t run forever, not with the pain in your ankle, and he’d catch up with you even if you weren’t panicked and in pain.

You had to hide.  But where? The carnival was all lit up at night, and the beautiful lights that had been fun to see just a day before now made you want to scream. He could see you, just about clear as day, no matter where you ran.

Unless you can find somewhere to hide inside.

It’s this thought that pushes you to dash inside the fun house, sneakers pounding on the silver ramp leading into the entrance painted over like a mouth devouring any children who enter.

The stillness inside startles you more than anything else. The lights are on. The music is playing, quiet, delightful. It’s hard to hear it over the dulled screams coming from outside, and from the awful, pounding rush inside your ears.

You follow the short hallway until it leads to something which you’d forgotten about; but it wasn’t your fault. Panic made you stupid, and you hadn’t actually been inside a fun house in years. 

The glass maze. All-see through panels that you’d smash into on an ordinary day, much less this one, where your mind is fried from panic and adrenaline keeps your body from coordinating properly. You smash against the panels a few times before you see it… something, behind you. 

No. Not something. Someone behind you. Or near you. Or far away. 

You can’t tell exactly where this person is, because of the fucking glass maze, but the fact remains:

He’s there--he’s here--he’s going to get you and kill you and it will hurt so bad.

You scream, at some point, and it’s dumb because the sound simply bounces off your current glass predicament and hurts your ears.

Maybe panic pushes you through, or maybe you’re just good at completing mazes when you’re in fear for your life; whatever the reason,  you make it out. You stumble through a hallway made of rollers that nearly send you sprawling, until you’re at the end of the hallway. 

A small red spiral staircase, barely usable for adults, is your only hope. 

You don’t try to be quiet now and the metal stairs clang under your feet as you run up them, feeling dizzy, feeling like this might be the last thing you ever do in your short, stupid life.

The second floor isn’t entirely enclosed. It opens out onto the carnival in the front, and there’s a slide to take you down near the end. The wall behind you is covered in a series of mirrors--the kind that make you tall or short or wide or impossibly thin.

It’s not the mirrors that catch your eye, though. It’s what’s down below. 

They’re all down there. The monsters from the beach. All covered in various amounts of blood and gore. Splatters. Smears. Like they’ve all gotten into different scrapes--killed people different ways. 

All of them have blood around their mouths. 

Fear rings in your ears. You want to wake up, more than anything. This is a nightmare and you want to wake up. 

You don’t wake up.

Instead, you hear a metal clang.

Then another.

And another.

Someone is coming up the stairs.

Thoughts dart here and there, but there’s nowhere for them to go. If you go down the slide, well. There’s a gang of monsters waiting to kill you down below. If you stay up here, well. There’s still a monster waiting to kill you.

The metal clangs again, and again, and again.

He’s coming up the stairs and he’s going to kill you. You’re going to die. Today. Now. 

Warm urine runs down your leg and thoughts come, too quick to really process: Mom-dad-school-work-never-did-anything-my-childhood-dog-that-one-time-we-went-to-Canada-to-visit-my-aunt-I-kissed-a-boy-under-the-bleachers-I-forgot-to-tell-dad-I-loved-him-yesterday-I-I-I--

It’s not the monster with the cowl who comes walking up the landing of the stairs. 

It’s Chrollo.

It’s like you blink and you’re in his arms, clinging to his shirt and sobbing like a child. He presses a kiss to your hair and you realize, gratefully, that he doesn’t look hurt. No blood on him, no scrapes, no bruises. 

“Thank God you’re here. Thank God you’re okay,” you say, reflexively. “Thank God, thank God, thank God.”

Chrollo pulls you tighter against his chest, and murmurs, “God? An interesting choice, my dear, considering…”

You aren’t even really listening. You’re just happy. Delirious, even. Chrollo’s here. He’ll help you. You can make it out together. Somehow. 

There’s an almost giddy sort of hope in your chest--until you hear the metal stairs clang again. And again. And again.

You whimper stupidly and pull on Chrollo’s arm. 

“We have to get out of here. Somehow. I don’t--maybe we can distract them?” Your eyes glance down at the monsters below you, who only seem to be watching more intently. The man with the blonde hair, which is now caked in blood, has an awful grin on his face. You imagine you can see his fangs, even if he’s too far away for you to properly make them out.

Chrollo doesn’t move. Shock again? Or he sees them, too, and knows the two of you won’t make it a step off the slide before being attacked.

The footsteps on the stairs stop. You look behind you, and your bowels clench at the sight of the monster with the cowl, pulled down, that same small, mean smile on his face.

Your hand tightens on Chrollo’s arm. A sentimental, if selfish, thought: At least I won’t die alone.

Chrollo turns, too, and looks at the man who’s been haunting you for days. Looks at the monster who has already killed people and feasted on their blood; at the creature who will now undoubtedly kill the both of you. Lovers for only a few days, but forever in death.

Chrollo sighs, and inclines his head towards the man. 

“Wait a moment, will you, Feitan?”

There were many things you might have said in this moment.  Eloquent things. Meaningful things. Things borne from inner betrayal and horror and anger. But all that comes out of your mouth, which gapes ridiculously, is: 

“Huh?”

And then something clicks, and realization dawns like a morning you don’t think you’ll live to see. The idea comes naturally, somehow. Borne of a childhood reading books and watching movies about vampires. Bloodsuckers. 

Your head turns, and you look over towards the wall of mirrors. You’re stretched thin like taffy about to break, your features a jumble in the dirty, cheap material. 

In the mirror in front of Chrollo, which should make him ridiculously short, there is nothing at all. 

When you look back at him, your eyes wide and pupils blown, he’s no longer the person you met a few days ago; the person you took to your bed, the person you were lamenting leaving. The person who kissed you and made you feel good, inside and out, if only for a while. 

He’s a vampire. 

“I advise you not to run,” he says quietly, if not, perhaps, a bit sympathetically. 

You do, because you aren’t a fucking moron. Though you don’t make it far, as it doesn’t do you any good to run towards the staircase. You run right towards the other monster--Feitan--who grabs you with ease.

He’s faster and stronger than he looks. Maybe they all are. Your body and brain don’t care about that, though, so you struggle with all of your might.

In response, your arm is deftly twisted behind your back and you expect this monster to stop, you expect your arm to meet its natural resistance while you struggle.

He doesn’t. It doesn’t. Your arm snaps and the pain is so sharp, so sudden, that your vision goes blind for a few seconds. In those few seconds, you scream.

When you’re aware of the world again, there’s still the pain. Sharp and awful and renewed every time you jostle your body in any direction.

Chrollo, walking up to you, hums in sympathy. 

“I know it hurts, dear. But this is what happens when you don’t listen to my orders. Do you understand?” 

The strangest thing (and in a world where the man you fucked last night is currently standing in front of you with fangs, that is saying something) is that Chrollo’s expression is not wild or monstrous at all. If you thought about it, and you’re having a hard time thinking with the pain of your arm and fear of impending death, you might say he looks hopeful. That you will understand. That you have learned something.

And you have. You’ve learned that he’s a liar, that everything he ever said and did was just to keep you around long enough to literally eat you, that he has no morals, no empathy, that he’s not even a person.

“I understand,” you manage, voice tinged and weak with pain, “that you’re a fucking monster.” You spit at him. Or try to. Your mouth is too dry to manage more than a stringy dribble that sticks to your chin. 

At this, Chrollo sighs. He shoves his hands in his pockets and frowns.

“You didn’t speak so crudely to me earlier this week.” A little smile. “Last night notwithstanding.” 

Bitter tears well up in your eyes. It was all just a game to him. Cat and mouse. Every smile, every thoughtful word. Every kiss. Your bodies pressed together, his mouth on yours--

“I didn’t know you were a… a… fucking vampire earlier this week.” 

Chuckles, from down below. Feitan, behind you, snorts. 

Chrollo doesn’t look angry, but you can feel a flash of it ripple through the air. It quiets the chuckles. Feitan tightens his grip on you, and the flash of pain makes you groan and slump forward.

“Regardless,” Chrollo says, “respect must be maintained. I expect you to refrain from these little outbursts. Do you understand?” There’s still a tinge of cooing sympathy in his voice--it makes anger bubble up in your chest. 

“Fuck you.” This time, the spit flies, and hits his cheek.

The gestures are slow. Unassuming. He wipes the spit off with the back of his hand. He wipes the back of his hand on his pants. And then he nods at Feitan.

Feitan’s hand reaches around your throat and when you glance down, you see that his nails grow. And sharpen. Sharp enough to cut, sharp enough to--

He drags his hand down your collarbone, and you feel the awful, deep sting of it before you see the blood spill out from your flesh. It coats the bare skin between your collar and the top of your shirt like some sort of morbid camisole. 

You cry out, you shriek, but he doesn’t let you go until Chrollo gives him another nod. You’re shoved towards Chrollo, who doesn’t grip you, but merely lets you stand, swaying, in front of you.

When you finally get the courage to look up at him, his pupils are blown up like a shark’s. 

“I’d like you to stay put this time,” he tells you, voice deeper, richer, at the sight of your blood. “And not run away from me. I’d like you to listen, and refrain from being… impulsive.” 

He leans in, and the scent of rust hits you, but this time you know what it means. “I could make you do it, you know. I don’t have to ask.”

Realization hits you again, and it hurts even more this time. That night, on the dock. And on the Ferris wheel. And how many other times he’d told you to do something, feel something. What was really you, and what was him? 

And now, despite all this, despite the scent of blood in the air and the wails of horror coming from the beach, he wanted you to listen to him? The audacity of vampires--it might have been funny, if you were in the mood to laugh.

“Like hell,” you mutter.

Chrollo breathes out through his nose. Impatient.

“I don’t believe I heard you, dear.”

You look up at him, gaze sharper. Heart sharper. 

“Like. Hell.” 

The slap you give him is weak. You’re surprised your good arm even managed it, all things considered. 

But the shock of the act that ripples from Chrollo to Feitan and even down below is what gives you a few microseconds to escape, to run, ears ringing from the pain of your jostled broken arm, and throw yourself down the slide.

You don’t have a plan. How could you? As soon as you get to the bottom, you’ll just run. Run and maybe die but maybe you’ll get away, someway, somehow.

You don’t get more than a few steps before you fall. Not fall, exactly. Trip. You trip over something that shouldn’t be there, something taught and thin. A wire? 

You see, from the corner of your vision, the woman with pink hair yank her hand backwards and the wire that shouldn’t be there slices deeply into both your ankles. Blood seeps through your socks before you even hit the ground. 

Your ankles burn and bleed, and new sparks explode behind your eyes when your broken arm smacks the ground at the worst possible ankle. You think you scream, but it’s hard to tell, over the pain.

Chrollo and Feitan jump down from the second story of the fun house. It should break their ankles--it does not. 

Someone turns you over on your back with their boot and you’re left staring up at the sky, ink black and throbbing with stars. It was such a pretty night, before all this. 

Above you, Chrollo and Feitan look down with decidedly different expressions. Chrollo regards you coolly, with no real expression on his face; it’s like a porcelain mask, indifferent, never-changing. Feitan, on the other hand, is smiling--he’s looking not at you, exactly, but at your blood.

It’s Chrollo who speaks.

“I would like an apology for your behavior.”

If your eyes were not safely attached to their retinas, they might bug out of your face entirely. You are laying on your back with bleeding, mangled ankles; your arm is broken, flopping, useless; a collar of blood adorns your neck. Vampires are standing above you, fangs at the ready, having already spread carnage through an entire beach of concert-goers.

And he wants an apology?

You want him to go away. To not be real.

You want your mom, and your dad, and your childhood bed with covers big enough to hide you.

So you shake your head, helpless, like an infant lying on their back.

Above you, Chrollo says your name. Sternly. Just once. 

When you muster up the words, you taste copper. You must have bitten your tongue after tripping. 

“F…fuck you.” 

Stupid words, you know. But you’d rather your last words be this than pointless begging. Now that would be stupid, begging for your life in front of grotesque creatures who want nothing more than to devour your blood. 

Somewhere above you, a gruff voice says, with a hint of glee in his voice:

“Want me to do it, boss?”

Your eyes dart around, but you can’t see anyone else. Even Feitan seems to have stepped back, leaving you with no one but Chrollo in your line of sight.

Chrollo tilts his head a little, considering.

“No,” he says, finally. “Feitan will handle it. I appreciate your methods, but you might break something a little beyond repair.”

Whoever spoke chuckles, but doesn’t disagree.

The words reach you, but you don’t take them in for a slow moment. 

Break… break… what else can they break, what else can they possibly do--

There’s a weight above you. A dark one that smells of blood and metal. It’s Feitan. He blocks out everything else, just for a moment, staring into your eyes with their big pupils and blurring tears.

When he pulls back, you see him move, but don’t know what it means until you feel an explosion of red hot pain in your hand--the hand you slapped Chrollo with. Your fingers crunch and break and you try to pull your hand away, but Feitan’s boot keeps it pinned down, grinding his heel until you shriek so loud that you think the inside of your throat will blister.

Time itself is hot and painful. You’re not sure how long it goes. You’re only sure that when you try to move your mangled fingers, they don’t move. Hot, thick pain shoots down them and it makes you stop trying to get up. 

It’s not like you could run, anyway.

At some point, you hear a new sound. Sirens in the distance. Police? Ambulances? There’s no hope in your chest, no thought that they’ll save you. Even if they got here in time, the monsters would kill them. 

Somewhere above you, Chrollo talks, though his words sound like they’re being spoken through water. 

“Take care of them, will you? We’ll meet up near the waterfall before we head out.” A question from someone. A pause. “Yes, I’ll handle her.” 

The voices fade away. Either because they’ve walked away, or you’re finally going to die from the shock. That might be a mercy compared to whatever grisly end Chrollo has in store for you. Is this how he planned for you to die, after all? Or was it meant to be swifter? You might have screwed it all up with your running and spitting.

Before Feitan broke your hand, you might have been proud of the spitting. Now you just wish you’d let them kill you quick. 

Finally, Chrollo returns to your line of vision. He’s a bit blurry from your tears, from your pain. Probably a bit from your blood loss, too.

He kneels down next to you, and you tense. Even tensing hurts, and you whimper. 

“Are you going to kill me now?”

Beside you, Chrollo coos. A soft, sticky sound. He takes your broken hand and your voice wants to shriek, but all you can manage is a strangled cry. He kisses your broken fingers like a gentleman.

“Kill you? Of course not.” He presses a last kiss to your mangled hand. “I do want to see that sweet girl from before.. the one who daydreams about strangers and holds onto my hand so tightly on the Ferris wheel.” An indulgent look crosses his face and he gives your broken fingers a painful squeeze that has you groaning.

“She’s still in there, no doubt.” His thumb brushes against your cheek, pushing away the dried salt of your tears. “Buried under fear and pain and newfound knowledge, no doubt.” He smiles nostalgically. “But those can be remedied with time.”

He’s crazy. I mean, you know he’s a vampire, sure. But he’s also fucking crazy.

“I want to go home,” you croak. Even though you can’t reason with crazy.  “Please. Please.”

His eyes blink down at you. How old is he, anyway? Centuries? Longer? To him, you must be nothing. Insignificant. Ridiculous. 

He doesn’t mock you, though. He only continues stroking your cheek with his thumb. “I’ll be your home now, wherever we go. And we will go so many places.” There’s some sort of dulled excitement in his expression that turns your stomach. “And from now on, you’ll do what I say, won’t you?”

Tears spill over your eyes, trickling down over his thumb. You don’t have the energy or the lack of survival instinct to say no. But you won’t say yes, either. You can’t. 

“Well. I can make you obedient, if you’d rather be stubborn.”

You’re about to ask--”What?”--when he kisses you, shutting you up entirely. 

You’re afraid to move. Your lips tremble against his, thinking only of death--of his fangs. His lips move and brush against your neck, and a mocking forgotten memory of last night flashes through you. He kissed your neck last night, too, a wet, sucking kiss that had your toes curling. Your toes curl now, too, out of fear. The blood from your ankle makes your toes slick inside your shoes. 

And then his fangs sink into your neck and hot, searing pain shoots through your entire body, masking everything else. Your ankles. Your broken hand.  Your brutalized arm. The cut on your collar. None of them matter compared to this pain, which is not localized at the sight of the bite but spreads throughout your bloodstream, making it impossible to think of anything but how much it hurts.

You’re dimly aware of your screaming. A helpless sound you heard from countless others tonight. Your legs kick, and you realize, vaguely, that you can’t really feel them anymore. They hurt, yes, but there’s a numbness behind it. Are you really moving them at all?

There are more screams now--from the beach. You don’t know how you know, but you do. It’s like you can see it in your mind although you’re flat on your back in front of the fun house with a monster draining you of blood. 

The world spins as you imagine how the first responders must be dying right now, while you’re dying. Are they wishing they never responded to the emergency calls? Are they thinking about their families, their friends, and their little dogs, too? 

Chrollo’s mouth is against yours again, and you taste yourself on him. Bitter metal, still warm. He’s blurry as he pulls back and bites against his wrist. What should be vivid red blood is dark and ugly--dead. He hovers his wrist above your mouth and the substance drips onto your lips. It’s cold, vile.

A final insult before you die, making you drink this nasty stuff. Vampires have a sick sense of humor.

But what did you know about vampires, anyway? 

You black out as Chrollo murmurs something above you.

At least, you think, this is finally over. 

--

You do not wake up in heaven or in darkness, either.

You wake up in a man made clearing, sitting against a tree, with a blanket draped over you. In front of you there is a fire, not roaring but alive enough in the night; a pot with spilled chili lay on the ground. Behind the fire is a camper van with its door wide open. 

The corpse of a man is propped against the door of the van, keeping it open. His mouth is slack and ah, he’s not dead yet, is he? There are two glaring puncture wounds on his neck, but he’s still around. His fingers twitch  and seem to register you with tired eyes, that drift from your face over to the far end of the camp.

You follow the look, and oh. There are two dead teens piled next to the fire. Already drained, already dead. His children, you think. 

The world seems to come into more focus then.

You are, as far as you can tell, alive. You’re propped up against a tree. It’s night time. The people--the monsters, the vampires--are here, in this campsite. Some of them glance at you once they realize you’re awake, but no one says anything.

Strangely enough, you’re not in much pain. Soreness, yes. But you should be in agony. Your hand feels okay--sore fingers, but no longer blinding pain, and you can bend them almost normally. Your arm, too, feels sore but mended. Your hands reach up to your collar, your neck, but there’s no trace of the wounds except a thin scar on your collar and two small bumps on your neck.

How did it heal so fast? Did they bring you here to hurt you again? Keep you like some sort of blood bag?

Your eyes travel down to the blanket draped around you. It’s heavy, comfortable, and stained with blood. 

You jerk like you’ve been electrocuted and throw the soiled blanket from your body.

Someone nearby laughs. “Picky princess, huh?” You vaguely recognize the voice--the tall man with wild hair. The one who knocked a man’s head off at the beach.

Just as renewed panic begins to awaken inside you, Chrollo appears from seemingly nowhere.

“You’re finally awake, I see.”

You shrink against the tree, and look around. Could you run into the woods? Were you still in the trail by the beach? How far could you run? 

Chrollo smiles, and sits down next to you like this isn’t horrifying or unusual at all. “Don’t be ridiculous, dear. There’s nowhere to go.”

Your throat is dry and your words stick to your mouth several times before you can speak.

“Where… are we?”

If you’re close enough to home, you might still get out of this. Somehow. Find a gas station or a rest stop and beg for help. 

“Far away from that little town, I assure you.” Chrollo jerks his head back and you finally see the row of motorcycles parked near the campsite. “We won’t stay here for long. We rarely do. Just long enough for you to get healed up, this time.”

Which means he plans to take you with him--with them. For how long? And where? And why? Why take you? Why not kill you, why not drain you dry in front of the fun house and leave your corpse for survivors to find? 

You could ask all of these things, but you’re not sure you want the answer. Instead, you give the only answer your mind can manage, which is to curl up against yourself and cry. 

“I want to go home.” You whisper, out of practicality more than anything. Your mouth is so damn dry. 

“None of that,” he says, a little sternly. His expression softens when you flinch, and he brushes the hair from your face. “Don’t waste your breath on such a silly sentiment. You’re not going anywhere I don’t want you to go.”

“You said you didn’t know me well enough to leave with me,” he continues, pressing a chaste kiss to your cheek, then a warmer one to your unwilling lips. “You said you hadn’t had time to figure out your dreams. Now, you can take all the time you need for both of those things. We’ll have eternity, after all.” 

Dull, cold horror pools in your gut.

Eternity.

“Did you… am I… did you make me--” 

Your hands shoot to your mouth, to your teeth, feeling for fangs. But there’s nothing new inside your mouth, unless you count the awful cotton dryness that blankets your tongue and teeth like film. 

He smiles indulgently, and you hear someone nearby snort. 

“No.” A pause. “Not yet, not quite.” He smiles at your ignorance and takes your hand away from your teeth, giving it a kiss that feels like mockery even if you get the sense that he isn’t trying to make fun. “That may come later, if you behave. For now, I’ve made you…” Another kiss, this time with a smile on his lips, as he seems to debate on what to say. “… let’s say, mine.”

You shiver. From fear, and from cold.

Chrollo presses another kiss to your lips, until he can shove his tongue in between your teeth and run it against your own. You taste yourself on him, still, that rusty taste. It makes you gag, and he pulls away.

“You must be cold. I don’t want you catching a chill so soon. Why don’t you go sit in front of the fire and warm up?” 

You shake your head, wanting to spit out the taste in your mouth, but not having the courage to do so.

He watches you for a moment. Calculating, cold. He makes you think of an animal, in this moment. An animal thinking on what to do when his prey does something odd in the wilderness. 

“Go sit in front of the fire,” he tells you. 

And without wanting to, without meaning to, you do. Your body jerks up and you walk over to the fire, with its spilled chili and corpses left in its wake, and sit down. 

It’s like before, at the carnival, but different now. There’s no warm suggestion, no soothing manipulation. Only an order that you obey, and that’s that. When you try to push yourself up,  you find that you simply can’t make your body do it.  You can flex your fingers, your toes. You can move your arms up and down. But you cannot, in any way, stop sitting in front of that fire.

“I’d prefer you to do things willingly,” Chrollo says from his spot near the tree. “But I don’t mind giving orders either, love.”

Love.

You’re not sure he knows the meaning of the word.

But neither do you.

Despite the fact that there are two dead kids and their dying father just feet away from you, you find the fire comforting. It’s warm. It’s bright. It’s everything that the monsters around you aren’t; and you aren’t one of them, not exactly (not yet, your brain screams, he said not yet) and maybe you can cling to that. Cling to your humanity, to get you through this. 

The fire crackles in front of you. At some point, Chrollo sits down, and offers you a bowl of chili that they must have set aside for you before knocking the pot down. 

It’s lukewarm, and a bit bland. The dying man wasn’t a great cook. But you eat it, slowly, carefully, while Chrollo watches with an almost serene expression on his face. Like watching you eat was the most endearing thing in the world. 

Above you, the night sky watches the scene with indifference. 

[gb-patch]

GB Patch Games: Sensitivity Reader Update

Okay, well I am able to make another statement before Rose does. I can now explain much more easily why I didn’t fire Rose. There’s been new developments with the leakers. The people behind this have doxed Rose’s discord account (please don’t go looking for it) and also shared a screenshot of an email that was sent to my support address months ago. They believe that incriminates us somehow, but really all it’s done is shown in broad daylight what they were doing and why I was defending Rose so much. If I had brought up that email as a connection to this myself people understandably would’ve thought I was making a conspiracy.

However, it is out now. Here is the story- a few months ago someone who wanted to remain anonymous sent me an email with a screenshot where Rose called me a cracker. And I told them I appreciated the concern but it’s alright, was there evidence of Rose being unkind to players? They had nothing. No response.

As an aside, yes, I have been aware for a long time that Rose uses crude language when talking about me. That doesn’t mean I’ve hidden how evil they were from players. It means I’m allowed to choose what I’m comfortable with. That original “reveal” didn’t shock or upset me in any way. Our Life is a sensitive, wholesome game, but I’m a full-grown adult. I’m not innocent or pure. The game I released before OL is XOXO Blood Droplets. Something I wrote and released to the public is full of crude jokes, curse words, and violence. It’s cartoonish and comical, but edgy. Rose themselves likes to BS with bad words and I’m not accepting abuse because I think getting called a pussy is funny. I know Rose doesn’t hate me or wish me any harm. Rose also isn’t causing “discourse” for me and my games on purpose, they were joking that bringing up serious topics is “discourse” to some people. Ironically, the leakers who did this are trying to make some “discourse” on purpose.

Regardless, I initially thought that email was from someone earnestly worried for me and that they moved on when it was clear I was fine. But that’s not what happened. Them and at least one other person have been waiting for months to bring this up again. They went through almost a year’s worth of Rose’s private posts to collect as many unflattering screenshots as they could, and then they didn’t send them to me. They posted them publicly. I had a suspicion from the get go that it was the same person/people from before who couldn’t prove anything to me in private. And if true, how horrible is it that a bunch of the comments they shared were crude language towards me, something they already knew I’d brush off as nothing. They decided for me that it was wrong and they wanted the rest of the players to do the same. Or even less charitably, those extra posts were simply there to make Rose look as bad and untrustworthy as possible and they didn’t care that I was comfortable with it. I could not explain everything we were thinking/feeling at first, but behind the scenes we were discussing how this was personally motivated and not a knee-jerk act without forethought. And we do know for certain at least the main people involved now, and they do have personal issues with Rose.

Also, if you still believe that they just wanted to help the game at any length because Rose is that huge of a risk, showing that email and framing something innocuous about me (not fainting at the word “cracker” and politely being open to more proof) as serious “evidence of wrongdoing” at GB Patch Games makes me believe they want to smear Rose so bad they’ll try to turn players against me as well. Plus, the post is framed as “this email was anonymously sent to me”, but we know from account details that the people who could’ve gotten those screenshots of the discord and email are the same people who sent that email and started this situation, which is embarrassing. I’ve confirmed the screenshots shared in the email to me and the original public post came from the same private, “venting-safe” discord server. There’s very few people in there. We know it’s still you and not a separate source. I can’t prove they think I’m stupid or in their way, but I can’t see how anything they’re doing is trying to be beneficial to the creation of OL: NF. They told me in the email they’d give me more evidence if I requested it and I was ready to know, but instead they went silent for months and then did this.

I want it to be clear that this doesn’t mean players can’t wonder if Rose has enough experience to be a sensitivity reader right now, or to worry they’re so invested in the game that it’s going to effect how objective they are with their feedback, or to say that Rose is flawless and has never done anything hurtful. However, I hope you can understand why I was on Rose’s side and couldn’t just fire them over this. It felt so incredibly unfair. If another person tries to get their way by doing this in the future, I will not hail them as a hero and immediately fire at the target. And I don't tolerate any racial harassment of any kind to anyone on my team.

If those people want to continue to share Rose’s private posts in retaliation, you can fuck off. If you somehow reveal now that Rose is secretly a murderer, I’m not gonna apologize and say I was so wrong about you. If you had tons of evidence of Rose being horrible to players, you should’ve sent it all to me and with full context to begin with in the email like you offered to do. I just don’t understand.

Any players who like to see someone’s least flattering points portrayed in the worst possible way and continue flocking to the leaks as fandom drama, I don’t want you in this fandom. I don’t want you to enjoy my games.

Anyone who has been truly hurt by this and are left confused and angry, I do completely understand that. I didn’t know how to handle this, and it made a lot of people not know how to keep trusting me. I am still looking into getting a community manager to help me better communicate with players, especially when something serious happens. And I’ll always be around for you to reach out to if you have doubts about anything.