#they deserve more credit

[nerdyfangirlmel]

Leah Sava jefferies and Walker scobells ability to show growing emotion, play off of each other, and demonstrate foreshadowing of where their characters and relationships are supposed to go is so phenomenal and better than most grown professional actors.

Like these two 12 year olds DO NOT have an understanding of what love is yet, in fact that is a common theme in the series-them debating over what love looks like.

Percy and Annabeth are 12 they aren’t in love yet, they don’t know each other they are still learning about each other. But they are 12 year olds who DO know that there is this person next to them who has demonstrated putting the other first instead of themselves. The only thing they know what right now is that they are becoming friends. They might know what they think it means to “like” someone in that superficial 12 year old way. But they don’t know what love is.

And Leah and Walker grasp that concept so well. They know that Percy and Annabeth are going to end up together, AND THEY KNOW HOW TO GET THEM THERE!

We’ve all seen book/comic to adaptation where the actor’s chemistry with their supposed love interest DOESN’T get them there and the relationship looks forced.

But these kids KNOW what there doing and they know how to get there characters to a relationship that’s going to be convincing.

[jd-205]

my favourite characters outside the main couple tbh

[flwrkid14]

Tim and Danny: Love, Trust, and the Weight of Protection

part 1

Danny knows what it's like to be hunted.

It’s been his reality for as long as he can remember—forever glancing over his shoulder, never truly at ease. Between vengeful ghosts, government agents, and countless other dangers, his survival has depended solely on his instincts, his powers, and the fickleness of luck. He has his friends—two best friends and a sister who would drop everything to stand by him, who he knows would always have his back. But the weight of that reliance feels heavy, a burden he can't quite shake.

Trusting others, truly leaning on them, has always felt like a luxury he couldn’t afford. He wants to feel safe, to let someone else take some of the weight, but the thought of putting them in danger because of him? That’s a risk he can't bring himself to take.

Then he meets Tim Drake.

At first, Tim’s protectiveness doesn’t faze him. It’s Gotham. You don’t date a Wayne-adjacent vigilante and expect anything less than a little paranoia. Danny’s been through worse. A tracker on his phone? Standard. Tim pulling files on his professors? Honestly, kind of funny.

But then, Danny finds out how deep it goes.

He stumbles upon a folder on Tim’s desk—his name printed neatly on the tab. Inside? Background checks on his classmates, neighbors and friends. Surveillance reports. A detailed map of his daily routine. Heart rate data. Sleeping patterns. Eating habits. There’s even a file on Phantom.

For a moment, Danny froze.

This should terrify him—it used to. Being watched, tracked for his every move, reminded him too much of those who hunted him, who’d wanted to tear him apart and dissect him like a lab rat. His first instinct was always to run.

But at that moment? He felt... safe. The notes in the margins weren’t cold or clinical like the ones his parents would have written. No, instead, they were worried. Make sure he’s eating enough. Possible threat? Keep an eye on this one. Look for ectoplasmic spikes—could mean trouble.

This wasn’t someone trying to control him. This was someone trying to protect him.

Tim’s not like the people who hunted him in Amity Park. There’s no malice in what he does. No intent to control or hurt. It’s all fear. Love, even. Danny can see it in Tim’s eyes when he stammers through an explanation, bracing himself for anger or rejection.

He’s scared Danny will leave.

And that’s what gets Danny.

No one has ever cared for him like this, no one willing to go through such lengths just to ensure his safety. Yeah, it’s intense, maybe unhealthy, even by the standards of a world that isn’t known for its normalcy. Danny knows Sam, Tucker, and Jazz would do the same—they’ve all put their lives on the line for him before, and he loves them for it. But Tim is different.

Tim is strong enough to face the dangers of Danny’s world and carry the weight of his burdens without hesitation. It’s something Danny could never ask his friends to do—not because they wouldn’t, but because they have their own lives, their own paths. They would drop everything for him, just as Tim would, but Tim does it with the resolve of a vigilante, already living a life where protecting others is his duty. This is someone who understands the risks, who’s already made those sacrifices, and still chooses to say, “I will protect you, no matter the cost.”

So, he smiles. He kisses Tim’s cheek. And he asks, “Can I put a tracker on you too?”

The way Tim’s eyes light up? Yeah, Danny thinks. This is love.

-----------------

The batfamily doesn’t get it.

They corner Danny one day, all serious expressions and careful words.

“Danny, we’re worried,” Dick starts, voice soft. “About Tim?” Danny tilts his head. “About both of you,” Steph says. “This… surveillance thing. It’s not normal.”

Danny shrugs. “Neither am I.”

They might understand—on some level. They’d lived through their own kind of danger, faced their own threats. But for Danny, it was different. They didn’t grow up being hunted, didn’t spend years hiding from people who wanted to tear them apart just for existing. For him, trusting the wrong person wasn’t just a risk; it was a matter of life and death.

Tim’s methods might be extreme, but Danny sees the intent behind them. It’s not control. It’s care. Tim watches his back because he knows what it’s like to lose people. Danny lets him because he knows what it’s like to be alone.

“Tim’s the first person who’s made me feel safe,” Danny tells them, voice steady. “You see obsession. I see someone who cares enough to watch my back.”

They don’t know what to say to that.

-----------------

Their relationship isn’t conventional. But in a city like Gotham, love isn’t always soft and simple. Sometimes, it’s vigilance. Sometimes, it’s knowing someone’s tracking your heartbeat because they’d die if it ever stopped.

Tim watches over Danny. Danny watches over Tim. It’s not about control—it’s about trust. About knowing that, no matter what, someone’s got your back.

The bats worry. They whisper about boundaries, red flags and healthy relationships.

Danny doesn’t listen. He knows what he’s got.

In a world where ghosts and vigilantes collide, where danger lurks in every shadow, Danny’s finally found someone who won’t let him face it alone.

And that? That’s everything.

[write-the-room]

Andrew's humour is so underrated bc how did everyone move on from "is your learning curve a horizontal line" that quickly

[dykedvonte]

I think Curly’s monologue in the How Fish Are Made DLC gives so much insight to why he thinks the way he does but is also so sad cause it’s just this anger from a person who no longer has the energy to be angry.

You can tell a lot of it’s directed at himself, his choices and how he thinks they affected the people in his life. How he tried to work with what he had and it just wasn’t enough both by the design and how he interacted with it. He’s bitter, he’s upset but he’s also accepting it in a place he really isn’t expected to. But then again that’s always a problem he’s had.

It really goes in tandem with how he is characterized in mouthwashing as we really don’t get those inner turmoils. He’s always trying to help people with theirs and his gets clouded through a different persons view.

[my-autism-adhd-blog]

Potato good 🥔

Funny ADHD ASD Memes

[danwhobrowses]

Now that Critical Role's VOD of episode 120 is out and everyone in the fandom's had a moment to breathe, simmer, and adjust to this all. I wanna do a big talk about my favourite idiot punk rock, Ashton Greymoore.

Because over these last few episodes, I've been so proud of them.

Many people have had vocal opinions on Ashton, not all of them positive either; I've seen many berate them and say they're selfish, not a team player, or that they 'don't add anything to the group'. But over the past few episodes, I feel like Ashton has been an unsung hero in the battles with Ludinus and Predathos, with their contributions, oftentimes selfless and cooperative, ending up providing the floor for others to deliver strong and impactful actions.

While Dorian and Imogen will rightfully get the lion's share of praise for their clutch moments - Dorian's Force Cage on Ludinus saving Liliana and defeating Predathos' first stage alongside Imogen's Power Word: Stun setting up Ludinus' death and defeating Predathos' second stage - Ashton's actions were often the prelude to moments that could not have succeeded without them, including these clutch moments. Their attack on Ludinus in 117 prompted the Silvery Barbs that burned up his reaction - which allowed Dorian to successfully use Force Cage without being Counterspelled, their high-damage attack on his neck hole in 118 broke Ludinus' concentration on Ravenous Void - which somehow later got credited to Chetney - which gave Imogen the freedom and mobility to get in range for Power Word: Stun, they got the Insight check whisper on Predathogen in 119 to know that Imogen was physically inside of the body and needed to be pried out - which Imogen achieved herself thanks in part to Fearne reaching her, and recently in 120 they pulled Imogen out of Predathos' maw, abandoning the Hammer synonymous with their character (to the point that Keyleth titled them the 'Paradox Hammer') to prioritize saving their friend, which - following Dorian's healing - gave her the chance to use the Ring of Remembrance for the finishing Meteor Swarm. Not to mention all the other damage they dealt and tanked throughout the four fights, the passive d4 bonuses and advantage they gave the party (almost acting partly as a secondary paladin or a tertiary bard) to buff their damage and saving throws, and accepting the risk of disintegration when Laudna used their Hammer's spell splitter - which forced Predathos to use its final Legendary Resistance.

The Disintegrate moment itself was tense because we all know that Ashton is high among the Hells who would sacrifice themselves to save the group - a mentality most of the Hells likely shared in this fight - but fortunately they don't have to, they'll never have to, and they gained something just as if not more valuable than a heroic sacrifice: they get to live. The person who before meeting these chucklefucks believed they'd likely die face-down in a ditch in some backwater alley and thrown into an unmarked grave AT BEST gets to live, and the people that mean most to them get to live thanks to their efforts, their successes. And that's the most important part; for all the times they couldn't help or save someone because they were unconscious or out of reach, for all the times they let their imposter syndrome tell them they're just a fuckup undeserving of trust, praise, or love, and for every fear they had that one day they'd mess up and this new family of theirs will abandon them like the Nobodies did, this time they were there standing beside their people to the very end - and they helped get them out alive. No mistakes, no carelessness, and no-one left behind.

For that, I am proud of Ashton Greymoore; not Bells Hells' Weapon but their Helm, not a Blunt Instrument but a Protector, and not a Hero who needs to do 'what needs to be done' but a Friend who is saving their people no matter the odds. Under all the hardened and rugged exterior that has always been who Ashton is - the perfectly flawed character they are.

[allastoredeer]

Controversial opinion but I think Lucifer gets babied too much by the fandom. Like I get that he has mental health issues but seeing all this fanmedia of women and men of color nannying this white-adjacent man who has been shown to be an incompetent and absent husband, father and leader. Just. Grinds my gears.

Not saying I hate Lucifer but... when people frame past radiostatic with current radioapple as a huge upgrade, it reeks of a woman leaving her abusive ex for a neglectful husband. While I'm glad Lucifer is a step up from Adam, I need to see actual improvements if I don't want to get the ick.

Agreed.

I massively agree.

Lucifer gets babied a lot. And like you said, yes, he has mental health issues and that's valid, but a lot of the time, it feels like his mental health issues become a scapegoat for his flaws and bad behavior.

Depression is a legit reason for Lucifer to struggle to maintain relationships and reach out to those he cares about. As someone who has suffered from depression, I understand pulling away from people, feeling like you need a reason to reach out to someone, having a negative opinion of oneself, getting overwhelmed with anxiety, even ignoring other people's attempts at reaching out to you because it's just...too hard and it's too much and you're stuck in this cycle that you can't break out of.

HOWEVER

Lucifer's depression doesn't take away from the fact that he's neglected Charlie as a parent. It doesn't negate the fact that he has acted condescendingly towards her and her ambitions. It doesn't counteract the fact that Charlie felt uncomfortable and awkward for a majority of their interactions in "Dad Beat Dad."

I sympathize with Lucifer having depression, but unfortunately, mental illness doesn't just effect you, it also effects the people around you, and i can't fault Charlie for her feelings too.

Because at the end of the day, Lucifer is Charlie's father.

Charlie is his child.

And as a parent, he has responsibilities. Ones that he failed to meet, which would have an effect on Charlie as children are meant to rely on their parents.

It's very telling that Charlie calls Lilith (who's been MIA for 7 years) more than she calls Lucifer (who's probably just a few Circles away). And no, I don't think this is because Lilith kept them separated and all that bullshit. I think Lucifer 100% had a hand in his and Charlie's estranged relationship and I hate it when he's passed off as nothing but a victim in all of it.

I hate it when he's boiled down to sad depressed man who's done nothing wrong. He has done plenty wrong.

And that's okay.

Because that's what makes his character good. He is multi-faceted. He is flawed. You can be depressed and still treat the people around you bad. I don't think Lucifer ever meant to be an absent parent, he obviously loves Charlie with all his heart, but that doesn't mean Charlie wasn't affected by his actions.

She very obviously was. Charlie is one of the most positive people in the show (to an extent that it becomes one of her flaws too), but the minute she called Lucifer it was a complete flip of how we normally see her. She was immediately annoyed. Her patience was already wire-thin. She was close to snapping so many times.

And I can see why. He only calls when he's bored/wants/needs something. He forgot about where she was and what she was doing despite her already telling him. He told her that he'd do anything to help her, and then said "no" the minute she asked.

Also, let's not forget how he answered the phone in the first place.

"Heeey, bitch!"

And look, it was funny. I laughed too. I still think it's funny.

But, imagine you called your dad for the first time in years (a dad you have a very strained relationship with) and the first thing you hear is a peppy, "Heeeeey, bitch!"

Like??? I can't blame Charlie for being annoyed as all hell, okay? I get the sense that she's been putting up with this bullshit for a VERY long time ad she's lost all patience for it. She's done. She's sick of it. She's been disappointed one too many times.

Also, yes, it's not just that Lucifer has been an absent father but he's been a neglectful ruler too. I wouldn't be surprised if Pentagram City has as much respect for him as they do for Charlie. I mean

HE SIGNED OFF ON THE EXTERMINATIONS

Lucifer gave the go-ahead for a yearly genocide of the people he rules over. Can we get some repercussions for that? Do you know how many people lost their friends? Family? Lovers? Vaggie literally spared a child--a CHILD. And I doubt that was the first kid ever confronted by an Exorcist.

Imagine that Cherri died during an Extermination and here we have Angel Dust meeting the person who stepped aside and let it happen. Do you think he wouldn't be mad?

Imagine Carmilla did lose her daughters during that Extermination. Do you really think she'd meet Lucifer and feel nothing but anger and contempt?

Personally, I think Lucifer agreeing to the Exterminations is what fractured his and Charlie's relationship. Like, fully fractured it. That was the last nail in the coffin.

And honestly, I WANT Lucifer to see the consequences of the Exterminations. I want him to have repercussions because that was an INCREDIBLY SHITTY THING TO DO. I imagine he didn't think there was any other option, but we also know that he didn't hold the sinners in high regard anyway. He had the lowest of low opinions of them. I doubt it took much convincing for him to agree.

Lucifer is the oldest being in the Pride Ring--he may be the oldest being in Hell. He's the most powerful person there. He is the embodiment of Pride. And he ACTS LIKE IT IN THE SHOW.

He has acted that way towards Charlie too. He didn't go to her hotel with an open mind. He wasn't actually listening to her plan or taking it into consideration. He played stupid when she asked him what he thought about it. And when the hotel was under attack, instead of stopping it (which he could easily done with a snap of his fingers), he was smirking and acting self-satisfied as he gloated about being "right" about Sinners.

And if you think I'm exaggerating then go rewatch that entire scene.

Look at him

He is acting so smug and he is rubbing it in Charlie's face.

LOOK AT CHARLIE! She is in distress. She is angry. And she is hurting. Her hotel is falling to pieces around her, her friends are in danger, and the whole time she had her dad gloating in her ear about why her dream is, essentially, a waste of time.

And the only thing that snapped him out of it was Charlie asking why Alastor (the one actually protecting the hotel) has more faith in her than her own father. It took Charlie bringing up Alastor again for Lucifer to knock his shit off.

Look at how hurt and closed off Charlie is in the last screenshot. I can't imagine that this is the first time Lucifer has acted towards her in this way. Do I think Lucifer meant to hurt Charlie?

No.

But did he?

Hell-to-the-fucking-YES!

Lucifer is an asshole. He acted like an asshole towards Alastor. He's acted like an asshole towards Charlie. And he kind of acted like an asshole towards the rest of the Hazbin crew considering he didn't exchange a single line of dialogue with them. They introduced themselves to him and that was it. Lucifer spent the rest of the time dissing on Alastor and talking exclusively to Charlie and Vaggie.

Lucifer suffers from depression, yes, but that doesn't take away that he is as much of an asshole as any other character in the show. And I hate that being stripped away and getting turned into this sad, babied little man who's awkward and shy and everyone else is just being mean to him. It's so dull and it's such a disservice to his character.

I don't want sweet, shy little UwU Lucifer that needs to be coddled.

I want mean, condescending, ass-hole Lucifer who reaps the consequences of his actions and grows from them.

[queen-morgana91]

Aang learned three elements (and mastered two of them), seismic sense, energy bending, the avatar state and learned how to redirect lightning all in less than a year, during a war, at 12

Yup, he’s the most skilled/talented avatar argue with the wall

[balis77]

It's kinda fascinating comparing actual G1 Cartoon Shockwave to like, every other version of Shockwave. Because every other version is like:

And then in the actual G1 cartoon he's just sitting there like:

"Hello, Lord Megatron... Yes, someone used the space bridge again... Yes, even though you told me to make sure no one uses it without your permission... Yes, it was Starscream again... Yes I know you told me to never let him use it, even if he said you were dead and he's in command now, because he's already used that lie four times, but sir he was very convincing... Yes, I know the Autobots also snuck in again last week... *sigh* It won't happen again Lord Megatron, I sw- oh Primus dammit I just saw another four Autobots run past me, gotta go."

[youling-the-ghost]

Luke, the bar is in hell with with the Devil and his half-demon daughter.

[sleeptokenpuppy]

my tags

drift's tags

the tags drift was referring to

the thing about loving sleep token is that you can tell he's Been Through Some Shit if those are the lyrics he writes. you see clips of him trembling and weeping as he performs and you know those songs mean so so much to him. they mean so much to you too.

then eventually you see old clips, where he's young, and he's Going Through It, and your heart breaks even more.

but you look at those old clips knowing something he doesn't.

you know he's going to make it.

you know he's going to survive what he's going through, build a loyal following over the years, become your favorite metal band's favorite metal band, and then go fucking viral.

sell out wembley. play red rocks and radio city. open for linkin fucking park on their comeback tour. in fucking paris!

you know he's going to change lives. save lives, even if he won't take credit for it.

at that point, he definitely doesn't know that yet.

at that point, you can see he's struggling. you can sit here in 2024 and look back on baby vessel - and we call him baby vessel, i think, not just because he's so much younger there, but because there's a specifically youthful sort of pain so visible in him in that era.

and it just...

i remember how that youthful pain feels, and the uncertainty of self that comes with it. if you went through shit when you were younger, you know it too.

he means so much to you that you wish with all your might you could soothe that pain the way he soothed yours.

[see-arcane]

I am almost fine with people saying he has one brain cell, because I have seen dozens of people make the worse claim that he is "an arrogant, smug, proud of his rationality Victorian who laughs at the locals for their superstitions."

It is such a prevalent assesment that it's now considered a core character trait of his. When today's entry indicates nothing of the sort.

UH OH, YOU’VE ACTIVATED MY TANGENT CARD

(Text Brick Incoming)

Jonathan’s fundamental flaw at this stage does involve looking down on or viewing the locals and their traditions as quaint/idolatrous/ridiculous et al. He uses poor terminology too, owing to the Doylist reason of his author’s knowledge and biases, while the Watsonian reason is easy enough to read as Jonathan 1) Having to rely solely on biased/incomplete knowledge from his homeland’s writings on the place and 2) What I think is him trying to overcompensate as a trained reflex

I’ve always pictured Jonathan and Mina as having not only a lower social and monetary standing, but possibly a hindrance of race. (Case in point, I suspect a certain unique prop Jonathan brandishes later on is something he inherited, not something picked up by happenstance.)

That said—they are poor, they are not the idealized picture of the fair English Citizen…but they are both polite, charming, hardworking, and masters of ~making friends~ as a defense mechanism. And I’d bet money that included relying on what few positive nods their peers allowed.

“You’re so nice! So industrious! Your physiognomy really counters your origins! And you are wise enough to look down on those silly foreigners, aren’t you? Of course you are! You’re one of the good ones.”

Now, regardless of what headcanon is landed on as far as race/ethnicity/other backgrounds go, those last points are key. Because they go towards Being a Good Englishman/woman. Being wiser than to buy into fretting non-English superstitions. Knowing to ogle the people of other lands like curiosities in a zoo. Judging people by their face or the shape of their skull. This is the Norm. This is Good of the Victorian Englishman Abroad.

And we see Jonathan hold to all these stereotypes…to a degree. But we see within these same early entries that his instincts and general good nature chafe against that social training. He’s too much himself to do entirely as a Proper Englishman should.

He went out of his way to study all the limited info he had access to, incomplete or half-informed as it was. He delighted in learning everything he could of the places and people as he traveled, wanting to embrace and be educated on the land. And even when a lifetime of advising against it, of insistence upon derision, tried to take over when the crucifix was offered? He still accepted it. He still wears it even when the old woman departs, whether or not he believes in its importance.

And, vitally, his instincts are very Very awake to the fact that Something is Off. A Proper Englishman (and many an oblivious or stubborn dad in a ghostly horror movie) would shrug this unease off at once. But Jonathan doesn’t. He remains on Dracula’s route only because he has no other choice. All he does is mention quietly that he hopes Mina gets his diary if he happens to die on this journey.

Imagine that. Bracing for and acknowledging the sense that You Might Die on This Little Business Trip and just…having to go along with it. Because what will you tell your boss otherwise? What will you tell your fiancée?

These aren’t the concerns of a well-off stuffy snob of a man. It’s the resignation of someone who understands they live on the lowest rung of the ladder and that they will risk losing what little progress they’ve made if they dare to turn back.

As for sneering at the locals’ superstitions, period, consider: How likely would anyone really be to suddenly believe in monsters after coming out of the background Jonathan has? What could possibly have convinced him of the reality of the situation OTHER THAN SEEING IT IN PERSON? (Note, a key plot point for certain other characters later!)

The point of his being unable to take the supernatural aspect at face value is that, well, Why Would Anyone Immediately Jump to a Supernatural Conclusion in His Place?

What possible context does he have here!? Maybe he should have read Dracula first, ha ha—

Oh wait. He can’t do that. Why?

Because this man has never read Dracula BECAUSE HE IS LIVING AND WRITING THE BOOK DRACULA!!

Anyway.

tl;dr: I am very tired of both the Stuffy Victorian Snobprick and Oblivious Idiotbaby takes on my good friend Jonathan Harker

[buggy-blocks]

Why is no one talking about Joel being the last green? Even if it was only for a minute I’m literally so proud of him

AND THAT DOUBLE KILL WAS INSANE STOP RN

[nevermindirah]

Don't Segregate Sam

here's the full text of the feedback I just sent to AO3 about their terrible plan to segregate the Captain America (Movies) tag. truly a ridiculously bad and offensive idea. send your own feedback here!

I'm writing to strongly oppose y'all's announced upcoming change to the Captain America (Movies) tag to segregate the Chris Evans movies from the Anthony Mackie movies. I can see how this change might make sense to an archivist with a passing knowledge of the MCU and I respect the volunteer labor of the folks who worked on this but I can't emphasize enough how much this change will not only be unhelpful to those of us creating and reading works in the fandom but will actively exacerbate the serious ongoing problem of racist sidelining of Sam Wilson as the legitimate successor Captain America.

Sam Wilson fans have had to develop word-of-mouth systems to help each other find works genuinely focused on Sam because on both AO3 and Tumblr the Sam-related tags are overwhelmingly filled with works that either portray Sam with racist tropes or don't actually feature him at all. This isn't a problem that can be solved with better system-wide tagging. It's a problem of racist attitudes against Sam as a character, attitudes that were inflamed by the announcement of Sam as the new Captain America. Your announced tagging change only plays into this.

This situation is nothing like the James Bond movies tags segmenting by actor, because of the wide variations in continuity between all those movies and because there's never been a racist backlash against any one Bond actor. This is like if there were an upcoming new James Bond movie clearly set in the same continuity as the Daniel Craig movies but starring, say, Lashana Lynch as the latest 007, and AO3 updated the tags to James Bond (pre-2025 Movies) and James Bond (Lashana Lynch Movies). The upcoming 2025 Captain America movie is not the start of a new continuity within the MCU — instead, it's the long-awaited return of Sam Wilson to the big screen for the first time since 2019, finally getting his flowers as a film lead with his promotion to Captain America.

Sam plays a pivotal role in the 2014 and 2016 Cap movies, a much bigger and more important role than Peggy Carter. The post announcing the tag change lists Peggy but not Sam as a key figure in those movies, perhaps unintentionally due to limited familiarity with the canon, but this error pressed on a raw wound in the fandom. Peggy has been highlighted as an alternate Captain America figure in several MCU properties of the past 5 years, including a much-publicized appearance right next to the first MCU appearance of Charles Xavier, while Sam, the first character to un-blip in Endgame and the rightful leader of future Avengers teamups, has only meaningfully appeared in a one-off episode of What If and his own contained TV show The Falcon and The Winter Soldier. Intentionally or not, your announcement post fed into this ongoing problem of fans and some MCU creatives seeking to replace Sam with Peggy.

Sidelining Sam has been a serious problem in the fandom since 2014 and now in the 2020s a problem in the canon as well. The announced tag change further legitimizes this racist sidelining of a main character in the franchise. It will do nothing to help people searching the archive for works about Sam and will only embolden those fans who wish to sideline him.

Please reverse your decision. Do not segregate the Captain America (Movies) tag.

[bigboobyhalo]

I love bad and foolish’s like. trolling etiquette.

just thinking about l’sandburg… like, bad never destroyed a single block of foolish’s actual builds and always made sure his pranks could be cleaned up, and foolish always left bad’s pranks up for a reasonable time relative to how long the prank must have taken (like building l’cactusburg took a lot of cactus farming and foolish left it up for a WHILE)

I don’t know, I guess I’m saying that they’re a really good duo in this regard