#they deserve more credit

[nerdyfangirlmel]

Leah Sava jefferies and Walker scobells ability to show growing emotion, play off of each other, and demonstrate foreshadowing of where their characters and relationships are supposed to go is so phenomenal and better than most grown professional actors.

Like these two 12 year olds DO NOT have an understanding of what love is yet, in fact that is a common theme in the series-them debating over what love looks like.

Percy and Annabeth are 12 they aren’t in love yet, they don’t know each other they are still learning about each other. But they are 12 year olds who DO know that there is this person next to them who has demonstrated putting the other first instead of themselves. The only thing they know what right now is that they are becoming friends. They might know what they think it means to “like” someone in that superficial 12 year old way. But they don’t know what love is.

And Leah and Walker grasp that concept so well. They know that Percy and Annabeth are going to end up together, AND THEY KNOW HOW TO GET THEM THERE!

We’ve all seen book/comic to adaptation where the actor’s chemistry with their supposed love interest DOESN’T get them there and the relationship looks forced.

But these kids KNOW what there doing and they know how to get there characters to a relationship that’s going to be convincing.

[jd-205]

my favourite characters outside the main couple tbh

[flwrkid14]

Tim and Danny: Love, Trust, and the Weight of Protection

part 1

Danny knows what it's like to be hunted.

It’s been his reality for as long as he can remember—forever glancing over his shoulder, never truly at ease. Between vengeful ghosts, government agents, and countless other dangers, his survival has depended solely on his instincts, his powers, and the fickleness of luck. He has his friends—two best friends and a sister who would drop everything to stand by him, who he knows would always have his back. But the weight of that reliance feels heavy, a burden he can't quite shake.

Trusting others, truly leaning on them, has always felt like a luxury he couldn’t afford. He wants to feel safe, to let someone else take some of the weight, but the thought of putting them in danger because of him? That’s a risk he can't bring himself to take.

Then he meets Tim Drake.

At first, Tim’s protectiveness doesn’t faze him. It’s Gotham. You don’t date a Wayne-adjacent vigilante and expect anything less than a little paranoia. Danny’s been through worse. A tracker on his phone? Standard. Tim pulling files on his professors? Honestly, kind of funny.

But then, Danny finds out how deep it goes.

He stumbles upon a folder on Tim’s desk—his name printed neatly on the tab. Inside? Background checks on his classmates, neighbors and friends. Surveillance reports. A detailed map of his daily routine. Heart rate data. Sleeping patterns. Eating habits. There’s even a file on Phantom.

For a moment, Danny froze.

This should terrify him—it used to. Being watched, tracked for his every move, reminded him too much of those who hunted him, who’d wanted to tear him apart and dissect him like a lab rat. His first instinct was always to run.

But at that moment? He felt... safe. The notes in the margins weren’t cold or clinical like the ones his parents would have written. No, instead, they were worried. Make sure he’s eating enough. Possible threat? Keep an eye on this one. Look for ectoplasmic spikes—could mean trouble.

This wasn’t someone trying to control him. This was someone trying to protect him.

Tim’s not like the people who hunted him in Amity Park. There’s no malice in what he does. No intent to control or hurt. It’s all fear. Love, even. Danny can see it in Tim’s eyes when he stammers through an explanation, bracing himself for anger or rejection.

He’s scared Danny will leave.

And that’s what gets Danny.

No one has ever cared for him like this, no one willing to go through such lengths just to ensure his safety. Yeah, it’s intense, maybe unhealthy, even by the standards of a world that isn’t known for its normalcy. Danny knows Sam, Tucker, and Jazz would do the same—they’ve all put their lives on the line for him before, and he loves them for it. But Tim is different.

Tim is strong enough to face the dangers of Danny’s world and carry the weight of his burdens without hesitation. It’s something Danny could never ask his friends to do—not because they wouldn’t, but because they have their own lives, their own paths. They would drop everything for him, just as Tim would, but Tim does it with the resolve of a vigilante, already living a life where protecting others is his duty. This is someone who understands the risks, who’s already made those sacrifices, and still chooses to say, “I will protect you, no matter the cost.”

So, he smiles. He kisses Tim’s cheek. And he asks, “Can I put a tracker on you too?”

The way Tim’s eyes light up? Yeah, Danny thinks. This is love.

-----------------

The batfamily doesn’t get it.

They corner Danny one day, all serious expressions and careful words.

“Danny, we’re worried,” Dick starts, voice soft. “About Tim?” Danny tilts his head. “About both of you,” Steph says. “This… surveillance thing. It’s not normal.”

Danny shrugs. “Neither am I.”

They might understand—on some level. They’d lived through their own kind of danger, faced their own threats. But for Danny, it was different. They didn’t grow up being hunted, didn’t spend years hiding from people who wanted to tear them apart just for existing. For him, trusting the wrong person wasn’t just a risk; it was a matter of life and death.

Tim’s methods might be extreme, but Danny sees the intent behind them. It’s not control. It’s care. Tim watches his back because he knows what it’s like to lose people. Danny lets him because he knows what it’s like to be alone.

“Tim’s the first person who’s made me feel safe,” Danny tells them, voice steady. “You see obsession. I see someone who cares enough to watch my back.”

They don’t know what to say to that.

-----------------

Their relationship isn’t conventional. But in a city like Gotham, love isn’t always soft and simple. Sometimes, it’s vigilance. Sometimes, it’s knowing someone’s tracking your heartbeat because they’d die if it ever stopped.

Tim watches over Danny. Danny watches over Tim. It’s not about control—it’s about trust. About knowing that, no matter what, someone’s got your back.

The bats worry. They whisper about boundaries, red flags and healthy relationships.

Danny doesn’t listen. He knows what he’s got.

In a world where ghosts and vigilantes collide, where danger lurks in every shadow, Danny’s finally found someone who won’t let him face it alone.

And that? That’s everything.

[write-the-room]

Andrew's humour is so underrated bc how did everyone move on from "is your learning curve a horizontal line" that quickly

[bbygirl-aemond]

Aegon was the son Viserys always wanted, the son he slaughtered one woman and raped another for, the son he neglected his daughter for. And yet he did not love him.

Helaena was the dragon dreamer Viserys had always hoped to be, the holder of the Valyrian magic he so revered. And yet he did not love her.

Aemond was the lover of dragons, the eager student of history, the kindred spirit Viserys was never able to find in court. And yet he did not love him.

I will rage forever at how much Viserys should have loved these kids. He should have loved them so fucking much. Every single one of them embodied one of his deepest hopes and dreams. And yet he spent the rest of his miserable life punishing them for his own goddamn decision to bring them into this world.

[dykedvonte]

I think Curly’s monologue in the How Fish Are Made DLC gives so much insight to why he thinks the way he does but is also so sad cause it’s just this anger from a person who no longer has the energy to be angry.

You can tell a lot of it’s directed at himself, his choices and how he thinks they affected the people in his life. How he tried to work with what he had and it just wasn’t enough both by the design and how he interacted with it. He’s bitter, he’s upset but he’s also accepting it in a place he really isn’t expected to. But then again that’s always a problem he’s had.

It really goes in tandem with how he is characterized in mouthwashing as we really don’t get those inner turmoils. He’s always trying to help people with theirs and his gets clouded through a different persons view.

[my-autism-adhd-blog]

Potato good 🥔

Funny ADHD ASD Memes

[queen-morgana91]

Aang learned three elements (and mastered two of them), seismic sense, energy bending, the avatar state and learned how to redirect lightning all in less than a year, during a war, at 12

Yup, he’s the most skilled/talented avatar argue with the wall

[sleeptokenpuppy]

my tags

drift's tags

the tags drift was referring to

the thing about loving sleep token is that you can tell he's Been Through Some Shit if those are the lyrics he writes. you see clips of him trembling and weeping as he performs and you know those songs mean so so much to him. they mean so much to you too.

then eventually you see old clips, where he's young, and he's Going Through It, and your heart breaks even more.

but you look at those old clips knowing something he doesn't.

you know he's going to make it.

you know he's going to survive what he's going through, build a loyal following over the years, become your favorite metal band's favorite metal band, and then go fucking viral.

sell out wembley. play red rocks and radio city. open for linkin fucking park on their comeback tour. in fucking paris!

you know he's going to change lives. save lives, even if he won't take credit for it.

at that point, he definitely doesn't know that yet.

at that point, you can see he's struggling. you can sit here in 2024 and look back on baby vessel - and we call him baby vessel, i think, not just because he's so much younger there, but because there's a specifically youthful sort of pain so visible in him in that era.

and it just...

i remember how that youthful pain feels, and the uncertainty of self that comes with it. if you went through shit when you were younger, you know it too.

he means so much to you that you wish with all your might you could soothe that pain the way he soothed yours.

[see-arcane]

I am almost fine with people saying he has one brain cell, because I have seen dozens of people make the worse claim that he is "an arrogant, smug, proud of his rationality Victorian who laughs at the locals for their superstitions."

It is such a prevalent assesment that it's now considered a core character trait of his. When today's entry indicates nothing of the sort.

UH OH, YOU’VE ACTIVATED MY TANGENT CARD

(Text Brick Incoming)

Jonathan’s fundamental flaw at this stage does involve looking down on or viewing the locals and their traditions as quaint/idolatrous/ridiculous et al. He uses poor terminology too, owing to the Doylist reason of his author’s knowledge and biases, while the Watsonian reason is easy enough to read as Jonathan 1) Having to rely solely on biased/incomplete knowledge from his homeland’s writings on the place and 2) What I think is him trying to overcompensate as a trained reflex

I’ve always pictured Jonathan and Mina as having not only a lower social and monetary standing, but possibly a hindrance of race. (Case in point, I suspect a certain unique prop Jonathan brandishes later on is something he inherited, not something picked up by happenstance.)

That said—they are poor, they are not the idealized picture of the fair English Citizen…but they are both polite, charming, hardworking, and masters of ~making friends~ as a defense mechanism. And I’d bet money that included relying on what few positive nods their peers allowed.

“You’re so nice! So industrious! Your physiognomy really counters your origins! And you are wise enough to look down on those silly foreigners, aren’t you? Of course you are! You’re one of the good ones.”

Now, regardless of what headcanon is landed on as far as race/ethnicity/other backgrounds go, those last points are key. Because they go towards Being a Good Englishman/woman. Being wiser than to buy into fretting non-English superstitions. Knowing to ogle the people of other lands like curiosities in a zoo. Judging people by their face or the shape of their skull. This is the Norm. This is Good of the Victorian Englishman Abroad.

And we see Jonathan hold to all these stereotypes…to a degree. But we see within these same early entries that his instincts and general good nature chafe against that social training. He’s too much himself to do entirely as a Proper Englishman should.

He went out of his way to study all the limited info he had access to, incomplete or half-informed as it was. He delighted in learning everything he could of the places and people as he traveled, wanting to embrace and be educated on the land. And even when a lifetime of advising against it, of insistence upon derision, tried to take over when the crucifix was offered? He still accepted it. He still wears it even when the old woman departs, whether or not he believes in its importance.

And, vitally, his instincts are very Very awake to the fact that Something is Off. A Proper Englishman (and many an oblivious or stubborn dad in a ghostly horror movie) would shrug this unease off at once. But Jonathan doesn’t. He remains on Dracula’s route only because he has no other choice. All he does is mention quietly that he hopes Mina gets his diary if he happens to die on this journey.

Imagine that. Bracing for and acknowledging the sense that You Might Die on This Little Business Trip and just…having to go along with it. Because what will you tell your boss otherwise? What will you tell your fiancée?

These aren’t the concerns of a well-off stuffy snob of a man. It’s the resignation of someone who understands they live on the lowest rung of the ladder and that they will risk losing what little progress they’ve made if they dare to turn back.

As for sneering at the locals’ superstitions, period, consider: How likely would anyone really be to suddenly believe in monsters after coming out of the background Jonathan has? What could possibly have convinced him of the reality of the situation OTHER THAN SEEING IT IN PERSON? (Note, a key plot point for certain other characters later!)

The point of his being unable to take the supernatural aspect at face value is that, well, Why Would Anyone Immediately Jump to a Supernatural Conclusion in His Place?

What possible context does he have here!? Maybe he should have read Dracula first, ha ha—

Oh wait. He can’t do that. Why?

Because this man has never read Dracula BECAUSE HE IS LIVING AND WRITING THE BOOK DRACULA!!

Anyway.

tl;dr: I am very tired of both the Stuffy Victorian Snobprick and Oblivious Idiotbaby takes on my good friend Jonathan Harker

[buggy-blocks]

Why is no one talking about Joel being the last green? Even if it was only for a minute I’m literally so proud of him

AND THAT DOUBLE KILL WAS INSANE STOP RN

[renison-truther]

Thinking about how confident Betsy was that she could fix Aaron and Andrew’s relationship. She’d been treating Andrew for over a year and she knew, whether he had told her explicitly or not, that he desperately wanted to have a relationship with his brother. And she knew if she had the chance that she could help him repair that relationship.

[mister13eyond]

dont normally post about drama but this seems relevant:

im seeing a lot of people jump to "james somerton was never good anyways" in retaliation for the hbomb expose, but there's a really fine line to tread there before you get into stepping on the toes of the people he stole from, you know?

some of his videos and analysis did seem genuinely intelligent, thoughtful, insightful, and well-written. yeah, it turns out those are the result of him stealing from other people. but that doesnt mean the original writers WEREN'T intelligent, thoughtful, insightful and good writers. he had plenty of garbage opinions interspersed throughout, but the reason many people (myself included) were suckered in by him is that the queer creators he stole from DID have really important and interesting analysis. the parts of his videos that were good were stolen, but by discounting his essays entirely we're throwing the baby out with the bathwater and insisting those he stole from didn't have anything important to say.

the parts he himself supplied were trash, but he stole the work of some genuinely brilliant and insightful writers and passed it off as his own- and that writing still exists and is still brilliant and insightful; we just know now who was actually responsible for it and who to thank for that work

lets just be careful when we smugly proclaim that we always hated everything he had to say- because a lot of the words we're discounting were never his to begin with, and the last thing those authors need is to have their work trash talked because it ended up in the mouth of someone dishonest

[robbyswayzekeenes]

in my graceful opinion, daniel was hardly in the wrong during season six and yall need to stop pretending he was at fault when johnny was acting immaturely and like a twat <3 yes he may have had some issues with nepotism but he really was trying to work well with johnny and he handled tory’s situation almost correctly, even if not with much grace. don’t yall forget which one of them it was that also lost a parent at a young age because it wasn’t johnny

[breannastewart]

STEWIE WITH THE DEFENSE 😮‍💨🔥 2024 olympic games - usa vs belguim

[songwings]

it's been a while since the @wandersongzine was out... so i can share this animation we made for it!!! finally

[Video description: A bard and witch walking side by side in a forest, holding hands, as the bard happily sings while skipping. Next to them the witch walks at her own pace.]