#they both want to do more or less the same things

[luveline]

𝐧𝐨𝐭 𝐤𝐧𝐨𝐰𝐧 𝐨𝐫 𝐬𝐞𝐞𝐧

Things between you and Peter change with the seasons. [17k] 

c: friends-to-lovers, hurt/comfort, loneliness, peter parker isn’t good at hiding his alter ego, fluff, first kisses, mutual pining, loved-up epilogue, mention of self-harm with no graphic imagery

｡𖦹°‧⭑.ᐟ

Fall 

Peter Parker is a resting place for overworked eyes, like warm topaz nestled against a blue-cold city. He waits on you with his eyes to the screen of his phone, clicking the power button repetitively. A nervous tic. 

You close the heavy door of your apartment building. His head stays still, yet he’s heard the sound of it settling, evidence in his calmed hand. 

“Good morning!” You pull your coat on quickly. “Sorry.” 

“Good morning,” he says, offering a sleep-logged smile. “Should we go?” 

You follow Peter out of the cul-de-sac and into the street as he drops his phone into a deep pocket. To his credit, he doesn’t check it while you walk, and only glances at it when you’re taking your coat off in the heat of your favourite cafe: The Moroccan Mode glows around you, fog kissing the windows, condensation running down the inner lengths of it in beads. You murmur something to do with the odd fog and Peter tells you about water vapour. When it rains tonight, he says it’ll be warm water that falls. 

He spreads his textbook, notebook, and rinky-dink laptop out across the table while you order drinks. Peter has the same thing every visit, a decaf americano, in a wide brim mug with the pink-petal saucer. You put it down on his textbook only because that’s where he would put it himself, and you both get to work. 

As Peter helps you study, you note the simplicity of another normal day, and can’t help wondering what it is that’s missing. Something is, something Peter won’t tell you, the absence of a truth hanging over your heads. You ask him if he wants to get dinner and he says no, he’s busy. You ask him to see a movie on Friday night and he wishes he could. 

Peter misses you. When he tells you, you believe him. “I wish I had more time,” he says. 

“It’s fine,” you say, “you can’t help it.”

“We’ll do something next weekend,” he says. The lie slips out easily. 

To Peter it isn’t a lie. In his head, he’ll find the time for you again, and you’ll be friends like you used to be. 

You press the end of your pencil into your cheek, the dark roast, white paper and condensation like grey noise. This time last year, the air had been thick for days with fog you could cut. He took you on a trip to Manhattan, less than an hour from your red-brick neighbourhood, and you spent the day in a hotel pool throwing great cupfuls of water at each other. The fog was gone just fifteen miles away from home but the warm air stayed. When it rained it was sudden, strange, spit-warm splashes of it hammering the tops of your heads, your cheeks as you tipped your faces back to spy the dark clouds. 

Peter had swam the short distance to you and held your shoulders. You remember feeling like your whole life was there, somewhere you’d never been before, the sharp edges of cracked pool tile just under your feet. 

You peek over the top of your laptop screen and wonder if Peter ever thinks of that trip. 

He feels you watching and meets your eyes. “I have to tell you something,” he says, smiling shyly. 

“Sure.” 

“I signed us up for that club.” 

“Epigenetics?” 

“Molecular medicine,” he says. 

The nice thing about fog is that it gives a feeling of lateness. It’s still morning, barely ten, but it feels like the early evening. It’s gentle on the eyes, colouring the whole room with a sconced shine. You reach for Peter’s bag and sort through his jumble of possessions —stick deodorant, loose-leaf paper, a bodega’s worth of protein bars— and grab his camera. 

“What are you doing?” 

“I’m cataloguing the moment you ruined our lives,” you say, aiming the camera at his chin, squinting through the viewfinder. 

“Technically, I signed us up a few days ago,” he says. 

You snap his photo as his mouth closes around ‘ago’, keeping his half-laugh stuck on his lips. “Semantics,” you murmur. “And molecular medicine club, this has nothing to do with the estranged Gwen Stacy?”

“It has nothing to do with her. And you like molecular medicine.”

“I like oncology,” you correct, which is a sub-genre at best, “and I have enough work without joining another club. Go by yourself.” 

“I can’t go without you,” he says. Simple as that. 

He knew you’d say yes when he signed you up. It’s why he didn’t ask. You’re already forgiven him for the slight of assumption. 

“When is it?” you ask, smiling. 

—

Molecular medicine club is fun. You and a handful of ESU nerds gather around a big table in a private study room for a few hours and read about the newer discoveries and top research, like regenerative science and now taboo Oscorp research. It’s boring, sometimes, but then Peter will lean into your side and make a joke to keep you going. 

He looks at Gwen Stacy a lot. Slender, pale and freckled, with blonde hair framing a sweet face. Only when he thinks you’re not looking. Only when she isn’t either. 

—

“Good morning,” you say. 

Peter holds an umbrella over his head that he’s quick to share with you, and together you walk with heads craned down, the umbrella angled forward to fight the wind. Your outermost shoulder is wet when you reach the café, your other warm from being pressed against him. You shake the umbrella off outside the door and step onto a cushy, amber doormat to dry your sneakers. Peter stalks ahead and order the drinks, eager to get warm, so you look for a table. Your usual is full of businessmen drinking flat whites with briefcases at their legs. They laugh. You try to picture Peter in a suit: you’re still laughing when he finds you in the booth at the back. 

��Tell the joke,” he says, slamming his coffee down. He’s careful with yours. He’s given you the pink petal saucer from the side next to the straws and wooden stirrers. 

“I was thinking about you as a businessman.” 

“And that’s funny?” 

“When was the last time you wore a suit?” 

Peter shakes his head. Claims he doesn’t know. Later, you’ll remember his Uncle Ben’s funeral and feel queasy with guilt, but you don’t remember yet. “When was the last time you wore one?” he asks. “I don’t laugh at you.” 

“You’re always laughing at me, Parker.” 

The cafe isn’t as warm today. It’s wet, grimy water footsteps tracking across the terracotta tile, streaks of grey water especially heavy near the counter, around it to the bathroom. There’s no fog but a sad rattle of rain, not enough to make noise against the windows, but enough to watch as it falls in lazy rivulets down the lengths of them.

Your face is chapped with the cold, cheeks quickly come to heat as your fingers curl around your mug. They tingle with newfound warmth. When you raise your mug to your lips, your hand hardly shakes.

“You okay?” Peter asks. 

“Fine. Are you gonna help me with the math today?” 

“Don’t think so. Did you ask nicely?” 

“I did.” You’d called him last night. You would’ve just as happily submitted your homework poorly solved with the grade to prove it —you don’t want Peter’s help, you just wanted to see him. 

Looking at him now, you remember why his distance had felt a little easier. The rain tangles in his hair, damp strands curling across his forehead, his eyes dark and outfitted by darker eyelashes. Peter has the looks of someone you’ve seen before, a classical set to his nose and eyes reminiscent of that fallen angel weeping behind his arm, his russet hair in fiery disarray. There was an anger to Peter after Ben died that you didn’t recognise, until it was Peter, changed forever and for the worse and it didn’t matter —he was grieving, he was terrified, who were you to tell him to be nice again— until it started to get better. You see less of your fallen, angry angel, no harsh brush strokes, no tears. 

His eyes are still dark. Bruised often underneath, like he’s up late. If he is, it isn’t to talk to you. 

You spend an afternoon working through your equations, pretending to understand until Peter explains them to death. His earphones fall out of his pocket and he says, “Here, I’ll show you a song.” 

He walks you home. The song is dreary and sad. The man who sings is good. Lover, You Should’ve Come Over. It feels like Peter’s trying to tell you something —he isn’t, but it feels like wishing he would. 

“You okay?” you ask before you can get to your street. A minute away, less. 

“I’m fine, why?” 

You let the uncomfortable shape of his earbud fall out of your ear, the climax of the song a rattle on his chest. “You look tired, that’s all. Are you sleeping?” 

“I have too much to do.” 

You just don’t get it. “Make sure you’re eating properly. Okay?” 

His smile squeezes your heart. Soft, the closest you’ll ever get. “You know May,” he says, wrapping his arm around your shoulders to give you a short hug, “she wouldn’t let me go hungry. Don’t worry about me.” 

—

The dip into depression you take is predictable. You can’t help it. Peter being gone makes it worse. 

You listen to love songs and take long walks through the city, even when it’s dark and you know it’s a bad idea. If anything bad happens Spider-Man could probably save me, you think. New York’s not-so-new vigilante keeps a close eye on things, especially the women. You can’t count how many times you’ve heard the same story. A man followed me home, saw me across the street, tried to get into my apartment, but Spider-Man saved me. 

You’re not naive, you realise the danger of walking around without protection assuming some stranger in a mask will save you, but you need to get out of the house. It goes on for weeks. 

You walk under streetlights and past stores with CCTV, but honestly you don’t really care. You’re not thinking. You feel sick and heavy and it’s fine, really, it’s okay, everything works out eventually. It’s not like it’s all because you miss Peter, it’s just a feeling. It’ll go away. 

“You’re in deep thought,” a voice says, garnering a huge flinch from the depths of your stomach.

You turn around, turn back, and flinch again at the sight of a man a few paces ahead. Red shoulders and legs, black shining in a webbed lattice across his chest. “Oh,” you say, your heartbeat an uncomfortable plodding under your hand, “sorry.” 

“Why are you sorry? I scared you.”

“I didn’t realise you were there.” 

Spider-Man doesn’t come any closer. You take a few steps in his direction. You’ve never met before but you’d like to see him up close, and you aren’t scared. Not beyond the shock of his arrival. 

“Can I walk you to where you’re going?” Spider-Man asks you. He’s humming energy, fidgeting and shifting from foot to foot. 

“How do I know you’re the real Spider-Man?” 

After all, there are high definition videos of his suit on the news sometimes. You wouldn’t want to find out someone was capable of making a replica in the worst way possible. 

You can’t be sure, but you think he might be smiling behind the mask, his arms moving back as though impressed at your questioning. “What do you need me to do to prove it?” he asks. 

He speaks hushed. Rough and deep. “I don’t know. What’s Spider-Man exclusive?” 

“I can show you the webs?” 

You pull your handbag further up your arm. “Okay, sure. Shoot something.” 

Spider-Man aims his hand at the streetlight across the way and shoots it. He makes a severing motion with his wrist to stop from getting pulled along by it, letting the web fall like an alien tendril from the bulb. The light it produces dims slightly. A chill rides your spine. 

“Can I walk you now?” he asks. 

“You don’t have more important things to do?” If the bitterness you’re feeling creeps into your tone unbidden, he doesn’t react. 

“Nothing more important than you.” 

You laugh despite yourself. “I’m going to Trader Joe’s.” 

“Yellowstone Boulevard?” 

“That’s the one…” 

You fall into step beside him, and, awkwardly, begin to walk again. It’s a short walk. Trader Joe’s will still be open for hours despite the dark sky, and you’re in no hurry. “My friend, he likes the rolled tortilla chips they do, the chilli ones.” 

“And you’re going just for him?” Spider-Man asks. 

“Not really. I mean, yeah, but I was already going on a walk.” 

“Do you always walk around by yourself? It’s late. It’s dangerous, you know, a beautiful girl like you,” he says, descending into an odd mixture of seriousness and teasing. His voice jumps and swoons to match. 

“I like walking,” you say. 

Spider-Man walking is a weird thing to see. On the news, he’s running, swinging, or flying through the air untethered. You’re having trouble acquainting the media image of him with the quiet man you’re walking beside now.

”Is everything okay?” he asks. “You seem sad.” 

“Do I?” 

“Yeah, you do.” 

“Maybe I am sad,” you confess, looking forward, the bright sign of Trader Joe’s already in view. It really is a short walk. “Do you ever–” You swallow against a surprising tightness in your throat and try again, “Do you ever feel like you’re alone?” 

“I’m not alone,” he says carefully.

“Me neither, but sometimes I feel like I am.” 

He laughs quietly. You bristle thinking you’re being made fun of, but the laugh tapers into a sad one. “Sometimes I feel like I’m the only person in the world,” he says. “Even here. I forget that it’s not something I invented.” 

“Well, I guess being a hero would feel really lonely. Who else do we have like you?” You smile sympathetically. “It must be hard.” 

“Yeah.” His head tips to the side, and a crash of glass rings in the distance, crunching, and then there’s a squeal. It sounds like a car accident. Spider-Man goes tense. “I’ll come back,” he says. 

“That’s okay, Spider-Man, I can get home by myself. Thank you for the protection detail.” 

He sprints away. In half a second he’s up onto a short roof, then between buildings. It looks natural. It takes your breath away. 

You buy Peter’s chips at Trader Joe’s and wait for a few minutes at the door, but Spider-Man doesn’t come back. 

—

I don’t want to study today, Peter’s text says the next day. Come over and watch movies? 

The last handholds of your fugue are washed away in the shower. You dab moisturiser onto your face and neck and stand by the open window to help it dry faster, taking in the light drizzle of rain, the smell of it filling your room and your lungs in cold gales. You dress in sweatpants and a hoodie, throw on your coat, and stuff the rolled tortilla chips into a backpack to ferry across the neighbourhood. 

Peter still lives at home with his Aunt May. You’d been in awe of it when you were younger, Peter and his Aunt and Uncle, their home-cooked family dinners, nights spent on the roof trying to find constellations through light pollution, stretched out together while it was warm enough to soak in your small rebellion. Ben would call you both down eventually. When you’re older! he’d always promise. 

Peter’s waiting in the open door for you. He ushers you inside excitedly, stripping you out of your coat and forgetting your wet shoes as he drags you to the kitchen. “Look what I got,” he says. 

The Parker kitchen is a big, bright space with a chopping block island. The counters are crowded by pots, pans, spices, jams, coffee grounds, the impossible drying rack. There’s a cross-stitch about the home on the microwave Ben did to prove to May he could still see the holes in the aida. 

You follow Peter to the stove where he points at a ceramic Dutch oven you’ve eaten from a hundred times. “There,” he says. 

“Did you cook?” you ask. 

“Of course I didn’t cook, even if the way you said that is offensive. I could cook. I’m an excellent chef.” 

“The only thing May’s ever taught you is spaghetti and meatballs.” 

“Hope you like marinara,” he says, nudging you toward the stove. 

You take the lid off of the Dutch oven to unveil a huge cake. Dripping with frosting, only slightly squashed by the lid, obviously homemade. He’s dotted the top with swirls of frosting and deep red strawberries. 

“It’s for you,” he says casually. 

“It’s not my birthday.” 

“I know. You like cake though, don’t you?” 

You’d tell Peter you liked chunks of glass if that was what he unveiled. “Why’d you make me a cake?” 

“I felt like you deserved a cake. You don’t want it?” 

“No, I want it! I want the cake, let’s have cake, we can go to 91st and get some ice cream, it’ll be amazing.” You don’t bother trying to hide your beaming smile now, twisting on the spot to see him properly, your hands falling behind your back. “Thank you, Peter. It’s awesome. I had no idea you could even– that you’d even–” You press forward, smushing your face against his chest. “Wow.” 

“Wow,” he says, wrapping his arms around you. He angles his head to nose at your temple. “You’re welcome. I would’ve made you a cake years ago if I knew it was gonna make you this happy.” 

“It must’ve taken hours.” 

“May helped.” 

“That makes much more sense.” 

“Don’t be insolent.” Peter squeezes you tightly. He doesn’t let go for a really long time. 

He extracts the cake from the depths of the Dutch oven and cuts you both a slice. He already has ice cream, a Neapolitan box that he cuts into with a serrated knife so you can each have a slice of all three flavours. It’s good ice cream, fresh for what it is and melting in big drops of cream as he gets the couch ready.

“Sit down,” he says, shoving the plates with his strangely great balance onto the coffee table. “Remote’s by you. I’m gonna get drinks.” 

You take your plate, carving into the cake with the end of a warped spoon, its handle stamped PETE and burnished in your grasp. The crumb is soft but dense in the best way. The ganache between layers is loose, cake wet with it, and the frosting is perfect, just messy. You take another satisfied bite. You’re halfway through your slice before Peter makes it back. 

“I brought you something too, but it’s garbage compared to this,” you say through a mouthful, hand barely covering your mouth. 

Peter laughs at you. “Yeah, well, say it, don’t spray it.” 

“I guess I’ll keep it.” 

“Keep it, bub, I don’t need anything from you.” 

He doesn’t say it the way you’re expecting. “No,” you say, pleased when he sits knee to knee, “you can have it. S’just a bag of chips from Trader–”

“The rolled tortilla chips?” he asks. You nod, and his eyes light up. “You really are the best friend ever.” 

“Better than Harry?” 

“Harry’s rich,” Peter says, “so no. I’m kidding! Joking, come here, let me try some of that.” 

“Eat your own.” 

Peter plays a great host, letting you choose the movies, making lunch, ordering takeout in the evening and refusing to let you pay for it. This isn’t that out of character for Peter, but what shocks you is his complete unfiltered attention. He doesn’t check his phone, the tension you couldn’t name from these last few weeks nowhere to be felt. You’re flummoxed by the sudden change, but you missed him. You won’t look a gift horse in the mouth; you won’t question what it is that had Peter keeping you at arm’s length now it’s gone.

To your annoyance, you can’t stop thinking about Spider-Man. You keep opening your mouth to tell Peter you talked to him but biting your tongue. Why am I keeping it a secret? you wonder. 

“Have something to tell you.” 

“You do?” you ask, reluctant to sit properly, your feet tucked under his thigh and your body completely lax with the weight of the Parker throw. 

“Is that surprising?” 

“Is that a trick question?” 

“No. Just. I’ve been not telling you something.” 

“Okay, so tell me.” 

Peter goes pink, and stiff, a fake smile plastered over his lips. “Me and Gwen, we’re really done.” 

“I know, Pete. She broke up with you for reasons nobody felt I should be enlightened right after graduation.” Your stomach pangs painfully. “Unless you…”

“She’s going to England.” 

“She is?” 

“Oxford.” 

You struggle to sit up. “That sucks, Peter. I’m sorry.” 

“But?” 

You find your words carefully. “You and Gwen really liked each other, but I think that–” You grow in confidence, meeting his eyes firmly. “That there’s always been some part of you that couldn’t actually commit to her. So. I don’t know, maybe some distance will give you clarity. And maybe it’ll break your heart, but at least then you’ll know how you really feel, and you can move forward.” You avoid telling him to move on. 

“It wasn’t Gwen,” he says, which has a completely different meaning to the both of you. 

“Obviously, she’s the smartest girl I’ve ever met. She’s beautiful. Of course it’s not her fault,” you say, teasing.

“Really, that you ever met?” Peter asks. 

“She’s the best girl you were ever gonna land.“ 

He rolls his eyes. “Yeah, I guess so.” After a few more minutes of quiet, he says, “I think we were done before. I just hadn’t figured it out yet. Something wasn’t right.” 

“You were so back and forth. You’re not mean, there must’ve been something stopping you from going steady,” you agree. “You were breaking up every other week.”

“I know,” he whispers, tipping his head against the back couch. 

“Which, it’s fine, you don’t–” You grimace. “I can’t talk today. Sorry. I just mean that it’s alright that you never made it work.” You worry that sounds plainly obvious and amend, “Doesn’t make you a bad person. You’re never a bad person, Peter.” 

“I know. Thank you.” 

“You’re welcome. You don’t need me to tell you.” 

“It’s nice, though. I like when you tell me stuff. I want all of your secrets.” 

You should say Good, because I have something unbelievable to tell you, and I should’ve said it the moment I got home. 

Good, because last night I met the bravest man in New York City, and he walked me to the store for your chips. 

Good, because I have so much I’m keeping to myself.

You ruffle his hair. Spider-Man goes unmentioned. 

— 

He visits with a whoop. You don’t flinch when he lands —you’d heard the strange whip and splat of his webs landing nearby. 

“Spider-Man,” you say. 

“What’s that about?” 

“What?” 

“The way you said that. You laughed.” Spider-Man stands in spandexed glory before you, mask in place. He’s got a brown stain up the side of his thigh that looks more like mud than blood, but it’s not as though each of his fights are bloodless. They’re infamously gory on occasion.

“Did you get hurt?” you ask. You’re worried. You could help him, if he needs it. 

“Aw, this? That’s a scratch. That’s nothing, don’t worry about it. I’ve had worse from that stray cat living outside of 91st.” 

You look at him sharply. 91st is shorthand for 91st Bodega, and it’s not like you and Peter made it up, but suddenly, the man in front of you is Peter. The way he says it, that unique rhythm. 

Peter’s not so rough-voiced, you argue with yourself. Your Peter speaks in a higher register, dulcet often, only occasionally sarcastic. Spider-Man is rough, and cawing, and loud. Spider-Man acts as though the ground is a suggestion. Peter can’t jump off the second diving board at the pool. Spider-Man rolls his shoulders back in front of you with a confidence Peter rarely has. 

“What?” he asks. 

“Sorry. You just reminded me of someone.” 

His voice falls deeper still. “Someone handsome, I hope.” 

You take a small step around him, hoping it invites him to walk along while communicating how sorely you want to leave the subject behind. When he doesn’t follow, you add, “Yes, he’s handsome.” 

“I knew it.”

“What do you look like under the mask?”

Spider-Man laughs boisterously. “I can’t just tell you that.” 

“No? Do I have to earn it?” 

“It’s not like that. I just don’t tell anyone, ever.” 

“Nobody in the whole world?” you ask. 

The rain is spitting. New York lately is cold cold cold, little in the way of sunshine and no end in sight. Perhaps that’s all November’s are destined to be. You and Spider-Man stick to the inside of the sidewalk. Occasionally, a passerby stares at him, or calls out in Hello, and Spider-Man waves but doesn’t part from you. 

“Tell me something about you and I’ll tell you something about me,” Spider-Man says. “I’ll tell you who knows my identity.” 

“What do you want to know about me?” you ask, surprised. 

“A secret. That’s fair.” 

“Hold on, how’s that fair?” You tighten your scarf against a bitter breeze. “What use do I have for the people who know who you are? That doesn’t bring me any closer to the truth.” 

“It’s not about who knows, it’s about why I told them.” Spider-Man slips around you, forcing you to walk on the inside of the sidewalk as a car pulls past you all too quickly and sends a sheet of dirty rainwater up Spider-Man’s side. He shakes himself off. “Jerk!” he shouts after the car. 

“My secrets aren’t worth anything.”

“I doubt that, but if that’s true, that makes it a fair trade, doesn’t it?” 

He sounds peppy considering the pool of runoff collecting at his feet. You pick up your pace again and say, “Alright, useless secret for a useless secret.” 

You think about all your secrets. Some are odd, some gross. Some might make the people around you think less of you, while others would surely paint you in a nice light. A topaz sort of technicolor. But they aren’t useless, then, so you move on. 

“Oh, I know. I hate my major.” You grin at Spider-Man. “That’s a good one, right? No one else knows about that.” 

“You do?” Spider-Man asks. His voice is familiar, then, for its sympathy. 

“I like science, I just hate math. It’s harder than I thought it would be, and I need so much help it makes me hate the whole thing.” 

Spider-Man doesn’t drag the knife. “Okay. Only three people know who I am under the mask. It was four, briefly.” He clears his throat. “I told one person because I was being selfish and the others out of necessity. I’m trying really hard not to tell anybody else.”

“How come?” 

“It just hurts people.” 

You linger in a gap of silence, not sure what to say. A handful of cars pass you on the road. 

“Tell me another one,” he says. 

“What for?” 

“I don’t know, just tell me one.” 

“How do I know you aren’t extorting me for something?” You grin as you say it, a hint of flirtation. “You’ll know my face and my secrets and even if you tell me a really gory juicy one, I have no one to tell and no name to pair it with.” 

“I’m not showing you anything,” he warns, teasing, sounding so awfully like Peter that your heart trips again, an uneven capering that has you faltering in the street. 

Peter’s shorter, you decide, sizing him up. His voice sounds similar and familiar but Peter doesn’t ask for secrets. He doesn’t have to. (Or, he didn’t have to, once upon a time.) 

“Where are you going?” Spider-Man asks. 

“Oh, nowhere.” 

“Seriously, you’re out here walking again for no reason?” 

“I like to walk. It’s not like it’s dark out yet.” You’re not far at all from Queensboro Hill here. Walking in any direction would lead you to a garden —Flushing Meadows, Kew Gardens, Kissena Park. “Walk me to Kissena?” you ask. 

“Sure, for that secret.” 

You laugh as Spider-Man takes the lead, keeping time with him, a natural match of pace. It’s exciting that Spider-Man of all people wants to know one of your useless secrets enough to ask you twice. The attention of it makes searching for one a matter of how fast you can find one rather than a question of why you’d want to. It slips out before you can think better of it. 

“I burned my wrist a few days ago on a frying pan,” you confess, the phantom pain of the injury an itch. “It blistered and I cried when I did it, but I haven’t told anyone about it.” 

“Why not?” he asks. 

He shouldn’t use that tone with you, like he’s so so sorry. It makes you want to really tell him everything. How insecure you feel, how telling things feels like asking for someone to care, and half the time they don’t, and half the time you’re embarrassed. 

You walk past the bakery that demarcates the beginning of Kissena Park grounds across the way. “I didn’t think about it at first. I’m used to keeping things to myself. And then I didn’t tell anyone for so long that mentioning it now wouldn’t make sense. Like, bringing it up when it’s a scar won’t do much.” It’s a weak lie. It comes out like a spigot to a drying up tree. Glugs, fat beads of sound and the pull to find another thing to say.

“It was only a few days ago, right? It must still hurt. People want to know that stuff.” 

“Maybe I’ll tell someone tomorrow,” you say, though you won’t. 

“Thanks for telling me.”

The humour in spilling a secret like that to a superhero stops you from feeling sorry for yourself. You hide your cold fingers in your coat, rubbing the stiff skin of your knuckles into the lining for friction-heat. The rain has let up, wind whipping empty but brisk against your cheeks. Your lips will be chapped when you get home, whenever that turns out to be. 

“This is pretty far from Trader Joe’s,” he comments, like he’s read your mind. 

“Just an hour.” 

“Are you kidding? It’s an hour for me.” 

“That’s not true, Spider-Man, I’ve seen those webs in action. I still remember watching you on the News that night, the cranes. I remember,” —you try to meet his eyes despite the mask— “my heart in my throat. Weren’t you scared?”

“Is that the secret you want?” he asks. 

“I get to choose?” 

Spider-Man throws his gaze around, his hand behind his head like he might play with his hair. You come to a natural stop across the street from Kissena Park’s playground. Teenagers crowd the soft-landing floor, smaller children playing on the wet rungs of the climbing frame. 

“If you want to,” he says. 

“Then yeah, I want to know if you were scared.” 

“I didn’t haveI time to be scared. Connors was already there, you know?” He shifts from one foot to the other. “I don’t think I’ve ever thought about it before. I wasn’t scared of the height, if that’s what you mean. I already had practice by then, and I knew I had to do it. Like, I didn’t have a choice, so I just did it. I had to save the day, so I did.” 

“When they lined up the cranes–”

“It felt like flying,” Spider-Man interrupts. 

“Like flying.”

You picture the weightlessness, the adrenaline, the catch of your weight so high up and the pressure of being flung between the next point. The idea that you have to just do something, so you do. 

“That’s a good secret.” You offer a grateful smile. “It doesn’t feel equal. I burned myself and you saved the city.” 

“So tell me another one,” he says. 

—

Maybe you started to fall for Peter after his Uncle Ben passed away. Not the days where you’d text him and he’d ignore you, or the days spent camping outside of his house waiting for him to get home. It wasn’t that you couldn’t like him, angry as he was; there’s always been something about his eyes when he’s upset that sticks around. You loathe to see him sad but he really is pretty, and when his eyelashes are wet and his mouth is turned down, formidable, it’s an ache. A Cabanel painting, dramatic and dark and other. 

It was after. When he started sending Gwen weird smiles and showing up to the movies exhilarated, out of breath, unwilling to tell you where he’d been. Skating, he’d always say. Most of the time he didn’t have his skateboard. 

You’d only seen them kiss once, his hand on her shoulder curling her in, a pang of heat. You were curdled by jealousy but it was more than that. Peter was tipping her head back, was kissing her soundly, a fierceness from him that made you sick to think about. You spent weeks afterwards up at night, tossing, turning, wishing he’d kiss you like that, just once, so you could feel how it felt to be completely wrapped up in another person. 

You’d always held out for Peter, in a way. It was more important to you that he be your friend. You were young, and love had been a far off thing, and then one day you suddenly wanted it. You learned just how aching an unrequited love could be, like a bruise, where every time you saw Peter —whether it be alone or with Gwen, with anyone— it was like he knew exactly where to poke the bruise. Press the heel of his hand and push. The worst is when he found himself affectionate with you, a quick clasp of your cheek in his palm as he said goodbye. Nights spent in his twin bed, of course you’ll fit, of course you couldn’t go home, not this late, May won’t care if we keep the door open —the suggestion that the door being closed might’ve meant something. His sleeping arm furled around you. 

Now you’re nearing the end of your second semester at ESU, Gwen is going to England at the end of the year, and Peter hasn’t tried to stop her, but he’s still busy. 

“Whatever,“ you say, taking a deep breath. You’re not mad at Peter, you just miss him. Thinking about him all the time won’t change a thing. “It’s fine.” 

“I’d hope so.” 

You swing around. “Don’t do that!”

Spider-Man looks vaguely chastened, taking a step back. “I called out.” 

“You did?” 

“I did. Hey, miss, over there! The one who doesn’t know how to get a goddamn taxi!” 

“I like to walk,” you say. 

“Yeah, so you’ve said. Have you considered that all this walking is bad for you? It’s freezing out, Miss Bennett!” 

“It’s not that bad.” You have your coat, a scarf, your thermal leggings underneath your jeans. “I’m fine.” 

“What’s wrong with staying at home?” 

“That’s not good for you. And you’re one to talk, Spider-Man, aren’t you out on the streets every night? You should take a day off.” 

“I don’t do this every night.” 

“Don’t you get tired?”

Spider-Man’s eyelets seem to squint, his mock-anger effusive as he crosses his arms across his chest. “No, of course not. Do I look like I get tired?” 

“I don’t know. You’re in a full suit, I can’t tell. I guess you don’t… seem tired. You know, with all the backflips.” 

“Want me to do one?” 

“On command?” You laugh. “No, that’s okay. Save your strength, Spider-Man.” 

“So where are you heading today?” he asks. 

There’s a slip of skin peeking out against his neck. You’re surprised he can’t feel the cold there, stepping toward him to point. “I can see your stubble.” 

He yanks his mask down. “Hasty getaway.” 

“A getaway, undressed? Spider-Man, that’s not very gentlemanly.” 

You start to walk toward the Cinemart. Spider-Man, to your strange pleasure, follows. He walks with considerable casualness down the sidewalk by your left, occasionally letting his head turn to chase a distant sound where it echoes from between high-rises and along the busy street. It’s cold and dark, but New York is hectic no matter what, even the residential areas. (Is there such a thing? The neighbourhoods burst with small businesses and backstreet sales, no matter the time.)

“Luckily for you, crime is slow tonight,” he says. 

“Lucky me?” You wonder if your acquainted vigilante flirts with every girl he stalks. “You realise I’ve managed to get everywhere I’m going for the last two decades without help?” 

“I assume there was more than a little help during that first decade.” 

“That’s what you think. I was a super independent toddler.” 

Spider-Man tips his head back and laughs, but that laugh is quickly squashed with a cough. “Sure you were.” 

“Is there a reason you’re escorting me, Spider-Man?” you ask. 

“No. I– I recognised you, I thought I’d say hi.” 

“Hi, Spider-Man.” 

“Hi.” 

“Can I ask you something? Do you work?” 

Spider-Man stammers again, “I– yeah. I work. Freelance, mostly.” 

“I was wondering how you fit all the crime fighting into your life, is all. University is tough enough.” You let the wind bat your scarf off of your shoulder. “I couldn’t do what you do.” 

“Yeah, you could.” 

He sounds sure. 

“How would you know?” you ask. “Maybe I’m awful when you’re not walking me around. I hate New York. I hate people.” 

“No, you don’t. You’re not awful. Don’t ask me how I know, ‘cos I just know.” 

You try not to look at him. If you look at him, you’re gonna smile at him like he hung the moon. “Well, tonight I’m going to be dreadfully selfish. My friend said he’d buy my movie ticket and take me out for dinner, a real dinner, the mac and cheese with imitation lobster at Benny’s. Have you tried that?” 

Spider-Man takes a big step. “Tonight?” he asks. 

“Yep, tonight. That’s where I’m going, the Cinemart.” You frown at his hand pressing into his stomach. “Are you okay? You look like you’re gonna throw up.” 

“I can hear– something. Someone’s crying. I gotta go, okay? Have fun at the movies, okay?” He throws his arm up, a silken web shooting from his wrist to the third floor of an apartment complex. “Bye!” he shouts, taking a running jump to the apartment, using his web as an anchor. He flings himself over the roof. 

Woah, you think, warmth filling your cold cheeks, the tip of your nose. He’s lithe.  

Peter arrives ten minutes late for the movie, which is half an hour later than you’d agreed to meet. 

“Sorry!” he shouts, breathless as he grabs your hands. “God, I’m sorry! I’m so sorry. You should beat me up. I’m sorry.” 

“What the fuck happened?” you ask, not particularly angry, only relieved to see him with enough time to still catch the movie. “You’re sweating like crazy, your hair’s wet.” 

“I ran all the way here, Jesus, do I smell bad? Don’t answer that. Fuck, do we have time?” 

You usher Peter inside. He pays for the tickets with hands shaking and you attempt to wipe the sweat from his forehead with your sleeve. “You could’ve called me,” you say, content to let him grab you by the arm and race you to the screen doors, “we could’ve caught the next one. Why were you so late, anyways? Did you forget?” 

“Forget about my favourite girl? How could I?” He elbows open the doors to let you enter first. “Now shh,” he whispers, “find the seats, don’t miss the trailers. You love them.” 

“You love them–”

“I’ll get popcorn,” he promises, letting the door close between you. 

You’re tempted to follow, fingers an inch from the handle. 

You turn away and rush to find your seats. Hopefully, the popcorn line is ten blocks long, and he spends the night punished for his wrongdoing. My favourite girl. You laugh nervously into your hand. 

—

Winter 

Spider-Man finds you at least once a week for the next few weeks. He even brings you an umbrella one time, stars on the handle, asking you rather politely to go home. He offers to buy you a hot dog as you’re walking past the stand, takes you on a shortcut to the convenience store, and helps you get a piece of gum off of your shoe with a leaf and a scared scream. He’s friendly, and you’re getting used to his company. 

One night, you’re almost home from Trader Joe’s, racing in the pouring rain when a familiar voice calls out, “Hey! Running girl! Wait a second!” 

Him, you think, as ridiculous as it sounds. You don’t know his name, but Spider-Man’s a sunny surprise in a shitty, wet winter, and you turn to the sound with a grin.

He jogs toward you. 

You feel the world pause, right in the centre of your throat. All the air gets sucked out of you. 

“Hey, what are you doing out here? Did you get my texts?” 

You blink as fat rain lands on your face. 

“You okay?” Peter asks, Peter, in a navy hoodie turning black in the rain and a brown corduroy jacket. It’s sodden, hanging heavily around his shoulders. “Come on, let’s go,” —he takes your hand and pulls until you begin to speed walk beside him— “it’s freezing!” 

“Peter–”

“Jesus Christ!” 

“Peter, what are you doing here?” you ask, your voice an echo as he drags you into the foyer of your apartment building. 

Rain hammers the door as he closes it, the windows, the foyer too dark to see properly. 

“I wanted to see you. Is that allowed?” 

“No.” 

Peter takes your hand. You look down at it, and he looks down in tandem, and it is decidedly a non-platonic move. “No?” he asks, a hair’s width from murmuring. 

“Shit, my groceries are soaked.” 

“It’s all snacks, it’s fine,” he says, pulling you to the stairs. 

You rush up the steps together to your floor. Peter takes your key when you offer it, your own fingers too stiff to manage it by yourself, and he holds the door open for you again to let you in. 

Your apartment is a ragtag assortment to match the one next door, old wooden furniture wheeled from the street corners they were left on, thrifted homeward and heavy blankets everywhere you look. You almost slip getting out of your shoes. Peter steadies you with a firm hand. He shrugs out of his coat and hangs it on the hook, prying the damp hoodie over his head and exposing a solid length of back that trips your heart as you do the same. 

“Sorry I didn’t ask,” Peter says. 

“What, to come over? It’s fine. I like you being here, you know that.” 

All your favourite days were spent here or at Peter’s house, in beds, on sofas, his hair tickling your neck as credits run down the TV and his breath evens to a light snore. You try to settle down with him, changing into dry clothes, his spare stuff left at the bottom of your wardrobe for his next inevitable impromptu visit. You turn on the TV, letting him gather you into his side with more familiarity than ever. Rain lays its fingertips on your window and draws lazy lines behind half-turned blinds. You rest on the arm and watch Peter watch the movie, answering his occasional, “You okay?” with a meagre nod. 

“What’s wrong?” he asks eventually. “You’re so quiet.” 

Your hand over your mouth, you part your marriage and pinky finger, marriage at the corner, pinky pressed to your bottom lip, the flesh chapped by a season of frigid winds and long walks. “‘M thinking,” you say. 

“About?” 

About the first night in your new apartment. You got the apartment a couple of weeks before the start of ESU. Not particularly close to the university but close to Peter, your best, nicest friend. You met in your second year of High School, before Peter got contacts, ‘cos he was good at taking photographs and you were in charge of the school newspapers media sourcing. You used to wait for Peter to show up ten minutes late like clockwork, every week. And every week he’d barge into the club room and say, “Fuck, I’m sorry, my last class is on the other side of the building,” until it turned into its own joke. 

Three years later, you got your apartment, and Peter insisted you throw a housewarming party even if he was the only person invited. 

“Fuck,” he’d said, ten minutes late, a cake in one hand and a whicker basket the other, “sorry. My last class is on–”

But he didn’t finish. You’d laughed so hard with relief at the reference that he never got the chance. Peter remembered your very first inside joke, because Peter wasn’t about to go off to ESU and meet new friends and forget you. 

But Peter’s been distant for a while now, because Peter’s Spider-Man. 

“Do you remember,” you say, not willing to share the whole truth, “when you joined the school newspaper to be the official photographer, and you taught me the rule of thirds?” 

“So you didn’t need me,” he says. 

“I was just thinking about it. We ran that newspaper like the Navy.” 

Peter holds your gaze. “Is that really what you were thinking about?” 

“Just funny,” you murmur, dropping your hand in your lap and breaking his stare. “So much has changed.” 

“Not that much.” 

“Not for me, no.” 

Peter gets a look in his eyes you know well. He’s found a crack in you and he’s gonna smooth it over until you feel better. You’re expecting his soft tone, his loving smile, but you’re not expecting the way he pulls you in —you’d slipped away from him as the evening went on, but Peter erases every millimetre of space as he slides his arm under your lower back and ushers you into his side. You hold your breath as he hugs you, as he looks down at you. It’s really like he loves you, the line between platonic and romantic a blur. He’s never looked at you like this before.

“I don’t want you to change,” he whispers. 

“I want to catch up with you,” you whisper back. 

“Catch up with me? We’re in the exact same place, aren’t we?”

“I don’t know, are we?” 

Peter hugs you closer, squishing your head down against his jaw as he rubs your shoulder. “Of course we are.” 

Peter… What is he doing? 

You let yourself relax against him. 

“You do change,” he whispers, an utterance of sound to calm that awful bruise he gave you all those months ago, “you change every day, but you don’t need to try.” 

“I just… feel like everyone around me is…” You shake your head. “Everyone’s so smart, and they know what they’re doing, or they’re– they’re special. I don’t know anything. So I guess lately I’ve been thinking about that, and then you–”

“What?” 

You can say it out loud. You could. 

“Peter, you’re…” 

“I’m what?” he asks. 

His fingers glide down the length of your arm and up again. 

If you're wrong, he’ll laugh. And if you’re right, he might– might stop touching you. Your head feels so heavy, and his touch feels like it’s gonna put you to sleep. 

He’s Spider-Man. 

It makes sense. Who else could have a good enough heart to do that? Of course it’s Peter. It explains so much about him, about Peter and Spider-Man both. Why Peter is suddenly firmer, lighter on his feet, why he can help you move a wardrobe up two flights of stairs without complaint; why Spider-Man is so kind to you, why he knows where to find you, why he rolls his words around just like Pete. 

Spider-Man said there are reasons he wears his mask. And Peter doesn’t tell you much, but you trust him. 

You won’t make him say anything, you decide. Not now. 

You curl your arm over his stomach hesitantly, smiling into his shirt as he hugs you tighter. 

“I was thinking about you,” he says. 

“Yeah?” 

“You’re quieter lately. I know you’re having a hard time right now, okay? You don’t have to tell me. I’m here for you whenever you need me.” 

“Yeah?” you ask.

“You used to sit on my porch when you knew May wouldn’t be home to make sure I wasn’t alone.” Peter’s breath is warm on your forehead. “I don’t know what you’re worried about being, but I’m with you,” he says, “‘n nothing is gonna change that.” 

Peter isn’t as far away as you thought. 

“Thank you,” you say. 

He kisses your forehead softly. Your whole world goes amber. He brings his hand to your cheek, the thought of him tipping your head back sudden and heart-racing, but Peter only holds you. You lose count of how many minutes you spend cupped in his hand. 

“Can I stay over tonight?” he utters, barely audible under the sound of the battering rain. 

“Yeah, please.” 

His thumb strokes your cheek. 

—

Two switches flip at once, that night. Peter is suddenly as tactile as you’ve craved, and Spider-Man disappears. 

He’s alive and well, as evidenced by Peter’s continued survival and presence in your life, but Spider-Man doesn’t drop in on your nightly walks. 

You take less of them lately, feeling better in yourself. Your spirits are certainly lifted by Peter’s increasing affection, but now that you know he’s Spider-Man you were waiting to see him in spandex to mess with his head. Nothing mean, but you would’ve liked to pick at his secret identity, toy with him like you know he’d do to you. After all, he’s been trailing you for weeks and getting to know you. Peter already knows you. Plus, you told Spider-Man secrets not meant for Peter Parker’s ears. 

You find it hard to be angry with him. A thread of it remains whenever you remember his deception, but mostly you worry about him. Peter’s out every night until who knows what hour fighting crime. There are guns. He could get shot, and he doesn’t seem scared. You end up watching videos on the internet of the night he ran to Oscorp, when he fought Connors’ and got that huge gash in his leg. His leg is soiled deep red with blood but banded in white webbing. He limps as he races across a rooftop, the recording shaky yet high definition. 

It’s not nice to see Peter in pain. You cling to what he’d said, how he wasn’t scared, but not being scared doesn’t mean he wasn’t hurting. 

You chew the tip of a finger and click on a different video. Your computer monitor bears heat, the tower whirring by your thigh. Your eyes burn, another hour sitting in the same seat, sick with worry. You don’t mind when Peter doesn’t answer your texts anymore. You didn’t mind so much before, just terrified of becoming an irrelevance in his life and lonely, too, maybe a little hurt, but never worried for his safety. Now when Peter doesn’t text you back you convince yourself that he’s been hurt, or that he’s swinging across New York City about to risk his life.

It’s not a good way to live. You can’t stop giving into it, is all. 

In the next video, Spider-Man sits on a billboard with a can of coke in hand. He doesn’t lift his mask, seemingly aware of his watcher. You laugh as he angles his head down, suspicion in his tight shoulders. He relaxes when he sees whoever it is recording. 

“Hey,” he says, “you all right?” 

“Should you be up there?” the person recording shouts. 

“I’m fine up here!” 

“Are you really Spider-Man?” 

“Sure am.” 

“Are you single?” 

Peter laughs like crazy. How you didn’t know it was him before is a mystery —it couldn’t sound more like him. “I’ve got my eye on someone!” he says, sounding younger for it, the character voice he enacts when he’s Spider-Man lost to a good mood.  

Your phone rings in the back pocket of your jeans. You wriggle it out, nonplussed to find Peter himself on your screen. You click the green answer button. 

“Hello?” Peter asks. 

You bring the phone snug to your ear. “Hey, Peter.” 

“Hi, are you busy?” 

“Not really.” 

“Do you wanna come over? I know it’s late. Come stay the night and tomorrow we’ll go out for breakfast.” 

“Is Aunt May okay with that?” 

“She’s staring at me right now shaking her head, but I’m in trouble for something. May, can she come over, is that allowed?” 

“She’s always allowed as long as you keep the door open.”

You laugh under your breath at May’s begrudging answer. “Are you sure she’s alright with it?” you ask softly. “I don’t want to be a burden.” 

“You never, ever could be. I’m coming to your place and we’ll walk over together. Did you eat dinner?” 

“Not yet, but–”

“Okay, I’ll make you something when you get here. I’ll meet you at the door. Twenty minutes?” 

“I have to shower first.” 

“Twenty five?” 

You choke on a laugh, a weird bubbly thing you’re not used to. Peter laughs on the other side of the phone. “How about I’ll see you at seven?” 

“It’s a date,” he says. 

“Mm, put it in your calendar, Parker.” 

—

Peter waits for you at the door like he promised. He frowns at your still-wet face as he slips your backpack from your shoulder, throwing it over his own. “You’re gonna get sick.” 

“I‘ll dry fast,” you say. “I took too long finding my pyjamas.” 

“I have stuff you can wear. Probably have your sweatpants somewhere, the grey ones.” Peter pulls you forward and wipes your tacky face. “I would’ve waited,” he says. 

“It’s fine.“

“It’s not fine. Are you cold?” 

“Pete, it’s fine.” 

“You always remind me of my Uncle Ben when you call me Pete,” he laughs, “super stern.” 

“I’m not stern. Look, take me home, please, I’m cold.” 

“You said it wasn’t cold!” 

“It’s not, I’m just damp–” Peter cuts you off as he grabs you, sudden and tight, arms around you and rubbing the lengths of your back through your coat. “Handsy!”

“You like it,” he jokes back, his playful warming turning into a hug. You smile, hiding your face in his neck for a few moments. 

“I don’t like it,” you lie. 

“Okay, you don’t like it, and I’m sorry.” Peter gives you a last hug and pulls away. “Now let’s go. I gotta feed you before midnight.” 

“That’s not funny.” 

“Apparently, nothing is.” 

Peter links your arms together. By the time you get to his house, you’ve fallen away from each other naturally. May is in the hallway when you climb through the door, an empty laundry basket in her hands. 

“I see Peter hasn’t won this argument yet,” you say in way of greeting. Peter’s desperate to do his own laundry now he’s getting older. May won’t let him. 

“No, he hasn’t.” She looks you up and down. “It’s nice to see you, honey. And in one piece! Peter tells me you’ve been walking a lot, and I mean, in this city? Can’t you buy a treadmill?” she asks. 

“May!” Peter says, startled. 

“I like walking, I like the air,” you say.

“Can’t exactly call it fresh,” May says. 

“No, but it’s alright. It helps me think.” 

“Is everything okay?” May asks, putting her hand on her hip. 

“Of course.” You smile at her genuinely. “I think starting college was too much for me? It was hard. But things are settling now, I don’t know what Peter told you, but I’m not walking a lot anymore. You know, not more than necessary.”

She softens her disapproving. “Good, honey. That’s good. Peter’s gonna make you some dinner now, right?” 

“Yeah, Aunt May, I’m gonna make dinner,” Peter sighs, pulling a leg up to take off his shoes. 

Peter shouldn’t really know that you’ve been walking. He might see you coming back from Trader Joe’s or the bodega on his way to your apartment, but you haven’t mentioned any of your longer excursions, and everybody in Queens has to walk. That’s information he wouldn’t know without Spider-Man. 

He seems to be hoping you won’t realise, changing the subject to the frankly killer grilled cheese and tomato soup that he’s about to make you, and pushing you into a chair at the table. “Warm up,” he says near the back of your head, forcing a wave of shivers down your arms.

He makes soup in one pan, grilled cheese in the other, two for him and two for you. Peter’s a good eater, and he encourages the same from you, setting a big bowl of tomato soup (from the can, splash of fresh cream) down in front of you with the grilled cheese on a plate between you. You eat it in too-hot bites and try not to get caught looking at him. He does the same, but when he catches you, or when you catch him, he holds your eye and smiles. 

“I can do the dishes,” you say. You might need a breather. 

“Are you kidding? I’m gonna rinse them, put them in the dishwasher.” Peter stands and feels your forehead with his hand. “Warmer. Good job.” 

You shrug away from his hand. “Loser.” 

“Concerned friend.” 

“Handsy loser.” 

”Shut up,” he mumbles. 

As flustered as you’ve ever seen, Peter takes your empty dishes to the kitchen. When he’s done rinsing them off you follow him upstairs to his bedroom and tuck your backpack under his bed. 

You look down at your socks. Peter’s room is on the smaller side, but it’s never been as startlingly small as it is when Peter’s socked feet align with yours, toe to toe. Quick recovery time, this boy. 

“There’s chips and stuff on my desk. Or I could run to 91st for some ice cream sandwiches if you want something sweet,” he says. 

You lift your eyes, tilt your head up just a touch, not wanting him to think you’re in his space no matter how strange that might be, considering he chose to stand there. “I’m all right. Did you want ice cream? We can go if you want to, but if you want to go ’cos you think I do then I’m fine.” 

“That’s such a long answer,” he says, draping an arm over your shoulder. “You don’t have to say all of that, just tell me no.” 

“I don’t want ice cream.” 

“Wasn’t that easy?” he asks. 

“Well, no, it wasn’t. Saying no to you is like saying no to a puppy.” 

“Because I’m adorable?” 

“Persistent.” 

“Yeah, I guess I am.” He drapes the other arm over you. The soap he used at the kitchen sink lingers on his hands. 

“Peter…?” you murmur. 

“What?” he murmurs back. 

You touch a knuckle to his chest. “This– You…” Every quelled thought rushes to the surface at once —Peter doesn’t like you as you desire, how could he, you aren’t beautiful like he is, aren’t smart, aren’t brave, no exceptional kindness or goodness to mark you enough for him. It’s why his being with Gwen didn’t hurt; she made sense. And for months now you’ve wondered what it is that made him struggle to be with her. And sometimes, foolishly, you wondered if it was you. But it’s not you, it’s never you, and whatever Peter’s trying to do now–

“Hey, you okay?” he asks, taking your face into his hand. 

“What are you doing?” 

“What?” He pushes his hand back to hold your nape, thumb under your ear. “I can’t hear you.”  

You raise your voice. “Why did you invite me over tonight?” 

“‘Cos I missed you?” 

“I used to think you didn’t miss me at all.” 

Peter winces, hurt. “How could you think that? Of course I miss you. What you said to May, about college being hard? It’s like that for me too, okay? I miss you all the time.” 

You bite the inside of your bottom lip. “…College isn’t hard for you.” 

“It’s not easy.” He frowns, the fallen angel, his lips an unsure brushstroke. “What’s wrong? Did I say the wrong thing?” 

You’re being wretched, you know, saying it isn’t hard for him. “You didn’t. Really, you didn’t.” 

“But why are you upset?” he implores, dark eyes darker as his eyebrows tug together.

“I’m not–”

“You are. It’s okay, you can be upset. I just want you to feel better, you know that?” He settles his hands at the tops of your arms. Less intimate, but something warm remains. “Even if it takes a long time.” 

“I’m fine.” 

“You’re not fine.”

“How would you know?” you finally ask. 

Peter stares at you. 

“I know you,” he says carefully, “and I know you aren’t struggling like you were, but that doesn’t mean it didn’t happen or that you have to be a hundred percent better now.” 

“I didn’t realise that I was,” you say, licking your lips, “‘til now. I didn’t get that it was on the surface.”

Peter pulls you in for a gentle hug. “I’m here for you forever, and I’ll make it up to you for not noticing sooner,” he says, scrunching your shirt in his hand.

After the hug, he tells you to change and make yourself comfortable while he showers. So you put on your pyjamas and climb into Peter’s bed, head pounding as though all your energy was stolen in a fell swoop. You press your nose to his pillow and arm wrapped around his comforter, gathering it into a Peter sized lump. The shower pump whines against the shared wall. 

Things aren’t meant to be like this. You thought Peter touching you —holding you— was the deepest of your desires, but you feel now exactly as you had before he started blurring the line, needing Peter to kiss you so badly it becomes its own kind of nausea. Why are you still acting like it’s an impossibility?

When he comes back, you’ll apologise. He hasn’t done anything wrong. He does keep a secret, but don’t you keep one too? He’s Spider-Man. You’ve had deep, complicated feelings for him for months. They are secrets of equal magnitude, and are, more apparently, badly kept. 

You wish you could fall asleep. Your heart ticks in agitation.

Peter returns as perturbed as earlier. 

“Are you sure there’s nothing wrong?” he asks, raking a hand through his hair. A towel hangs around his neck. 

“I’m sorry for being weird.” 

“You’re not weird,” Peter says, bringing the towel to his hair to scrub ruthlessly. 

“It’s just ‘cos things have been different between us.” And, you try to say, that scares me no matter how bad I wanted it. because you’re not just Peter anymore, you’re Spider-Man. I’m only me, and I can’t do anything to protect you.

Peter gives his hair a long scrub before draping the towel on his desk chair. He rakes it messily into place and sits himself at the end of the bed. You sit up. 

“Yeah, they have been. Good different?” he asks hesitantly. 

“I think so,” you say, quiet again. 

“That’s what I thought.” 

“I don’t want you to feel like I don’t want to be here. I just worry about you.” 

Peter uses his hands to get higher up the bed. “Don’t worry about me,” he says, “Jesus, please don’t. That’s the last thing I want from you, I hate when people worry about me.” 

You curl into the lump of comforter you’d made. Peter lets himself rest beside you, his back to the bedroom wall, tens of Polaroids above him shining with the light of the hallway and his orange-bulbed lamp. His skin is glowing like it’s golden hour, dashes of topaz in his eyes, his Cupid’s bow deep. How would it feel to lean forward and kiss him? To catch his Cupid's bow under your lips?

You brush a damp curl tangled in another onto his forehead. 

You lay there for a little while without talking, listening to the sound of the washing machine as it cycles downstairs. 

“Am I going too fast?” Peter murmurs. 

You press your lips together, shaking your head minutely. 

“Is it something else?” 

You don’t move. 

“Do you want me to stop?” he asks. 

“No.”

Peter rewards you with a smile, his hand on your arm. “Alright. Let me get this blanket on you the right way. You’re still cold.” 

You resent the loss of a shape to hold when Peter slips down beside you and wrangles the comforter flat again, spreading it out over you both, his hand under the blankets. His knuckles brush your thigh. 

He takes a deep breath before turning and wrapping his arm over your stomach, asking softly, “Is this alright?” 

“Yeah.” 

He gives you a look and then lifts his head to slot his nose against your temple. “Please don’t take this in a way that I don’t mean it, but sometimes you think about things so much I worry you’re gonna get stuck in your head forever.” 

“I like thinking.” 

“I hate it,” he says quickly, a fervent, flirting cadence to his otherwise dulcet tone, “we should never do it ever again.” 

“I’ll try not to.” 

“Would you? For me?” 

You laugh into his shirt, feeling the warmth of your breath on your own nose. “I’ll do my best.” 

“Good. I’d miss you too much if you got lost in that nice head of yours.” 

You relax under his arm. You aren’t sure what all the fuss was about now that he's hugging you. “I’d miss you too.”

May comes up the stairs about an hour later. To her credit, she doesn’t flinch when she finds you and Peter smushed together watching a DVD on his old TV. He’s holding your arm, and you’re snoozing on his shoulder, half-aware of the world, fully aware of his nice smells and the shapes of his arms. 

“Door open,” she says. 

“Not that either of us want it closed, May, but we’re adults.” 

“Not while I’m still washing your clothes, you’re not.” 

He snorts. “Goodnight, Aunt May. The door isn’t gonna close, I promise.” 

“I know that,” she says, scornful in her pride. “You’re a good boy.” She lightens. “Things are going okay?” 

Peter covers your ear. “Goodnight, Aunt May.” 

”I have half a mind to never listen to you again. You talk my ear off and I can’t ask a simple question?” 

“I love you,” Peter sing-songs. 

“I love you, Peter,” she says. “Don’t smother the girl.” 

“I won’t smother her. It’s in my best interest that she survives the night. She’s buying my breakfast tomorrow.” 

“Peter Parker.” 

“I’m kidding,” he whispers, petting your cheek absentmindedly. “Just messing with you, May.” 

You smile and curl further into his arms. His voice is like the sun, even when he whispers.  

—

To your surprise, Spider-Man comes to find you after class one evening. A guest lecturer had talked to your oncology class about click chemistry and other molecular therapies against cancer, and the zine book she’d given you is burning a hole in your pocket. Peter is going to love it. 

You pull it out and pause beside a bench and a silver trash can, the day grey but thankfully without rain. The pages of your little book whip forcefully in the wind. It’s chemistry, sure, but it’s biology too, wrapping your and Peter’s interests up neatly. If it weren’t for Peter you doubt you’d love science as much as you do. He’s always been good at it, but since you started college he's been a genius. Watching him grow has encouraged you to work harder, and understanding the material is satisfying, if draining. You take a photo of the middle most pages and tuck the book away, writing a quick text to Peter to send with it. 

Look! it says, LEGO cancer treatment!! 

The moment you press send a beep chimes from somewhere close behind you, all too familiar. You turn to the source but find nobody you know waiting. Coincidence, you think, shaking yourself and beginning the trek to the subway. 

But then you hear the tell tale splat and thwick of Spider-Man’s webbing. 

You wait until you’re at the alleyway between Porto’s Bakery and the key cutting shop and turn down to stop by one of the dumpsters. 

“Spider-Man?” you ask, shoulders tensed in case it’s not who you think. 

“What are you doing?” he asks.

You gasp as he hops down in front of you, his suit shiny with its dark web-pattern caught by the grey sunshine passing through the clouds overhead. “Shit, don’t break your ankles.” 

“My ankles?” He laughs. He sounds so much like Peter that you can only laugh with him. What an idiot he is for thinking you don’t know; what a fool you’d been for falling for his put upon tenor. “They’re fine. What would be wrong with my ankles?” 

“You just dropped down twenty feet!” 

“It’s more like thirty, and I’m fine. You understand the super part of superhero, don’t you?” 

“Who said you’re a superhero?” 

“Nice. What are you doing down here?” 

“I was testing my theory. You’re following me.” 

“No, I’m visiting you, it’s very different,” he says confidently. 

“You haven’t come to see me for weeks.” 

“Yes, well, I–” Spider-Peter crosses his arms across his chest. “Hey, you’re the one who told me to take a day off.” 

“I did tell you to take a day off. It’s not nice thinking about you trying to save the world every single night. That’s a lot of responsibility for one person to have.” 

“But it’s my responsibility,” he says easily. “No point in a beautiful girl like you wasting her time worrying about it. I have to do it, and I don’t mind it.” 

“Do you flirt with every girl you meet out here in the city?” you ask, cheeks hot. 

“No,” he says, fondness evident even through the mask, “just you.” 

“Do you wanna walk me home? I was gonna take the subway, but it’s not that far.” 

Spider-Man nods. “Yeah, I’ll walk you back.” 

He doesn’t hide that he knows the way very well. He takes preemptive turns, crosses roads without you telling him to go forward. You can’t believe him. Smartest guy at Midtown High and he can’t pretend to save his life. 

“Are you having a good semester?” he asks. 

“It’s getting better. I’m glad I stuck with it. I love biology, it’s so fucking hard. I used to think that was a bad thing, but it makes it cooler now. Like, it’s not something everyone understands.” You give him a look, and you give into temptation. “My best friend got me into all this stuff. I used to think math was hopeless and science was for dorks.” 

“It’s definitely for dorks.” 

“Right, but I love being one.” You offer a useless secret. “I like to think that it’s why we’re such great friends.” 

“Me and you?” Spider-Man asks hoarsely. 

“Me and Peter.” You elbow him without force. “Why, do you like science?” 

“I love it…” 

“You know, I really like you, Spider-Man. I feel like we’ve been friends for a long time.” You’re teasing poor Peter. 

He doesn’t speak for a while. He stops walking, but you take a few steps without him. When you realise he’s stopped, you turn back to see him. 

Peter’s gone so tense you could strike him with a flint and catch a spark. It’s the same way Peter looked at you when he told you about his Uncle, a truth he didn’t want to be true. Seeing it throws a spanner in the works of all your teasing: you’d meant to wind him up, not make him panic. 

“What’s wrong?” you ask. “Can you hear something?” 

“No, it’s not that…” He’s masked, but you know him well enough to understand why he’s stopped. 

“It’s okay,” you say. 

“It’s not, actually.” 

“Spider-Man.” You take a step toward him. “It’s fine.”

He presses his hands to his stomach. The sun is setting early, and in an hour, the dark will eat up New York and leave it in a blistering cold. “Do you remember when we first met, the second time, we swapped secrets?” 

“Yeah, I remember. Useless secret for another. I told you I hated my major. It’s not true anymore, obviously. I was having a bad time.” 

“I know you were,” he says, emphasis on know, like it’s a different word entirely. 

“But meeting you really helped. If it weren’t for you, for Peter,” —you give him a searching look— “I wouldn’t feel better at all.” 

“It wasn’t his fault?” he asks. “He was your friend, and you were lonely.” 

“No–”

“He didn’t know what was going on with you, he didn’t have a clue. You hurt yourself and you felt like you couldn’t tell anybody, and I know it wasn’t an accident, so what was his excuse?” His voice burns with anger. “It’s his fault.” 

“Of course it wasn’t your fault. Is that what you think?” You shake your head, panicked by the bone-deep self loathing in his voice, his shameful dropped head. “Yes, I was lonely, I am lonely, I don’t know many people and I– I– I hurt myself, and it wasn’t as accidental as I thought it was, but why would that be your fault?” 

“Peter’s fault,” he says, though his head is lifted now, and he doesn’t bother enthusing it with much gusto. 

“Peter, none of it was your fault.” You cringe in your embarrassment, thinking Fuck, don’t let me ruin this. “I was in a weird way, and yes, I was lonely, and I really liked you more than I should have. You didn't want me and that wasn’t your fault, that’s just how it was, I tried not to let it get to me, just there were a lot of things weighing on me at once, but it really wasn’t as bad as you think it was and it wasn’t your fault.” 

“I wasn’t there for you,” he says. “And I’ve been lying to you for a long time.” 

“You couldn’t tell me, right? Spider-Man is your secret for a reason.” 

“…I didn’t even know you were lonely until you told him. He was a stranger.” 

You hold your hands behind your back. “Well, he was a familiar one.” 

Peter reaches out as though wanting to touch you, but your arms aren’t in his reach. “It’s not because I didn’t want you.” 

“Peter,” you say, squirming. 

He steps back. 

“I have to go,” he says. 

“What?” 

“I have to– I don’t want to go,” he says earnestly, “sweetheart, I can hear someone calling out, I have to go. But I’ll come back, I’ll– I’ll come back,” he promises. 

And with a sudden lift of his arm, Peter pulls himself up the side of a building and disappears, leaving you whiplashed on the sidewalk, the sun setting just out of view.

—

You fall asleep that night waiting for Peter. When you wake up, 5AM, eyes aching, he isn’t there. You check your phone but he hasn’t texted. You check the Bugle and Spider-Man hasn’t been seen. 

You aren’t sure what to think. He sounded sincere to the fullest extent when he said he’d come back, but he didn’t, not ten minutes later, not twenty. You made excuses and you went home before it got too dark to see the street, sat on the couch rehearsing what you’d say. How could Peter think your unhappiness was his fault? Why does he always put the entire world on his shoulders?

Selfishly, you worried what it all meant for his lazy touches. Would he want to curl up into bed with you again now he knows what it means to you? It’s different for him. It isn’t like he’s in love with you… you’d just thought maybe he could be. That this was falling in love, real love, not the unrequited ache you’d suffered before. 

But maybe you got everything wrong. All of it. It wouldn't be the first time. 

—

You and Peter found The Moroccan Mode in your senior year at Midtown. The school library was small and you were sick of being underfoot at home. When you started at ESU, you explored the on campus coffeehouse, the Coffee Bean, but it was crowded, and you’d found yourself attached to the Mode’s beautiful tiling, blues and topaz and platinum golds, its heavy, oiled wooden furniture, stained glass lampshades and the case full of lemony treats. The coffee here is better than anywhere else, but the best part out of everything is that it’s your secret. Barely anybody comes to the Mode on purpose. 

You hide in a far corner with a book and an empty cup of decaf coffee, a slice of meskouta on the table untouched. Decaf because caffeine felt a terrible idea, meskouta untouched because you can’t stomach the smell. You push it to the opposite end of the table, considering another cup of coffee instead. It’s served slightly too hot, and will still be warm when it gets to your chest. 

The sunshine is creeping in slowly. It feels like the first time you’ve seen it in months, warming rays kissing your fingers and lining the walls. You turn a page, turn your wrist, let the sun warm the scar you gave yourself those few months ago, when everything felt too big for you. 

Looking back, it was too big. Maybe soon you’ll be ready to talk about it.  

The author in your book is talking about bees. They can fly up to 15 miles per hour. They make short, fast motions from front to back, a rocking motion. Asian giant hornets can go even faster despite their increased mass. They consider humans running provocation. If you see a giant hornet, you’re supposed to lay down to avoid being stung. 

You put your face in your hand. Next year, you’ll avoid the insect-based electives. 

Across the cafe, the bell at the top of the door rings. Laughter falls through it, a couple passing by. The register clashes open. A minute later it closes. 

You don’t raise your head when footsteps draw near. A plate is placed on the table, pushed across to you, stopping just shy of your coffee. 

“Did you eat breakfast?” Peter asks quietly. 

His voice is gentle, but hoarse. 

You tense. 

“Are you okay?” he asks, not waiting for your answer to either question. “You don’t look like yourself. Your eyes are red.” 

You lift your head. Wet with the beginnings of tears, you see Peter through an astigmatic blur. 

“What are you reading?” He frowns at you. “Please don’t cry.” 

You shake your head. Your smile is all odd, nothing like his, no inherent warmth despite your best effort. “I’m okay.” 

He nudges you across the booth seat and sits beside you. His arm settles behind your shoulders. He smells like smoke and soap, an acrid scent barely hidden. “Can you tell me you didn’t wait long for me?” 

“Ten minutes,” you lie. 

“Okay. I’m sorry. There was a fire.” He rubs your arm where he’s holding you. “I’m sorry.” 

“Will you go half?” you ask, nodding to the sandwich he’s brought you. It’s tough sourdough bread, brown with white flour on the crusts and leafy greens poking between the slices. You and Peter complain about the price. You’ve never had one. He passes you the bigger half, holding the other in his hand without eating. 

“I know you’re hungry,” you say, tapping his elbow, “just eat.” 

You eat your sandwiches. Now that Peter’s here, you don’t feel so sick —he’s not upset with you. The dull pang of an empty stomach won’t be ignored. 

Peter puts his sandwich down, which is crazy, and wipes his fingers on the plates napkin. You’ve never seen him stop before he’s done.

“It was in the apartments on Vernon. I– I think I almost died, the smoke was everywhere.” 

You choke around a crust, thrusting the rest of your half onto the plate. “Are you hurt?” you ask, coughing. 

He moves his head from side to side, not a shake, but a slow no. “How long have you known it was me?” he asks, curling his hand behind your back again, fingers spread over your shoulder blade, a fingertip on your neck. 

You savour his touch, but you give in to your apprehension and stare at his chest. “The night you caught me outside in the rain in November. You called me ‘running girl’. The way you said it, you sounded exactly like him. I turned around expecting,” —you whisper, weary of the quiet cafe— “Spider-Man, and I realised it’s him that sounds like you. That he is you.” 

“Was that disappointing?” 

“Peter, you’re, like, my favourite person in the world,” you whisper fervently, your smile making it light. You laugh. “Why would that be disappointing?” 

“I thought maybe you think he’s cooler than me.” 

“He is cooler than you, Peter.” You laugh again, pleased when he scoffs and draws you nearer. “I guess you’re the same person, right? So he’s just as cool as you are. But why would being cool matter to me? You know I like you.” 

“You flirted pretty heavily with Spider-Man.”

“Well, he flirted with me first.” 

You chance a look at his face. From that moment you can’t look away, not from Peter. You like when he wears that darkness in his eyes, the hint of his rarer side so uncommonly seen, but you love this most of all, Peter like your best memory, the way he’s looking at you now a picture perfect copy of that moment in a swimming pool in Manhattan with cracked tile under your feet. His arms heavy on your shoulders. You didn’t get it then, but you’re starting to understand now.

“I’ve made a mess of everything,” he says softly, the trail his hand makes to the small of your back leaving a wake of goosebumps. “I haven’t been honest with you.” 

“I haven’t, either.” 

“I want to ask you for something,” Peter says, a fingertip trailing back up. He smiles when you shiver, not teasing, just loving. “You can say no.” 

“You’re hard to say no to.” 

“I need you to talk to me more,” —and here he goes, Peter Parker, flirting and sweet-talking like his life depends on it, his face inching down into your space— “not just because I love your voice, or because you think so much I’m scared you’ll get lost, but I need you to talk to me. We need to talk about real things.”

We do, you think morosely. 

“It’s not your fault,” he adds, the hand that isn’t holding your back coming up to cup your cheek, “it’s mine. I was scared of telling you for stupid reasons, but I shouldn’t have let it be a secret for so long.” 

“No, I doubt they’re stupid,” you murmur, following his hand as he attempts to move it to your ear. “It’s not easy to tell someone you’re a hero.”

His palm smells like smoke. 

“That’s not the secret I meant,” he says. 

You take his hand from your face. Peter looks down and begins pressing his fingers between yours, squeezing them together as his thumb runs over the back of your hand.

“So tell me.”

The sunshine bleeds onto his cheek. Dappled orange light turning slowly white as time stretches and the sun moves up through a murky sky. “You want to trade secrets again?” he asks. 

“Please.” 

“Okay. Okay, but I don’t have as many as you do,” he warns. 

“I find that hard to believe.” 

“I don’t. It’s not a real secret, is it? I’ve been trying to show you for weeks, we…”

He tilts his head invitingly. 

All those hand-holds and nights curled up in bed together. Am I going too fast? You know exactly what he means; it really isn’t a secret.

“I’ll go first,” he says, lowering his face to yours. You try not to close your eyes. “I’ve wanted to kiss you for weeks.” He closes his eyes so you follow, your breath not your own suddenly. You hold it. Let it go hastily. “What’s your secret?” 

“Sometime I want you to kiss me so badly I can’t sleep. It makes me feel sick–”

“Sick?” he asks worriedly. 

You touch the tip of your nose to his. “It’s like– like jealousy, but…” 

“You have no one to be jealous of,” he says surely. He cups your cheek, and he asks, “Please, can I kiss you?” 

You say, “Yes,” very, very quietly, but he hears it, and his smile couldn’t be more obvious as he closes the last of the distance between you to kiss you.

It isn’t the sort of kiss that kept you up at night. Peter doesn’t hook you in or tip your head back, he kisses gently, his hand coming to live on your cheek, where it cradles. It’s so warm you don’t know what to make of him beyond kissing him back —kissing his smile, though it’s catching. Kissing the line of his Cupid’s bow as he leans down. 

“I’m sorry about everything,” he mumbles, nose flattened against yours. 

You feel sunlight on your cheek. Squinting, you turn into his hand to peer outside at the sudden abundance of it. It’s still cold outside, but the Mode is warm, Peter’s hand warmer, and the sunshine is a welcome guest. 

Peter drops his hand. “Oh, wow. December sun. Good thing it didn’t snow, we’d be blind.”

“I can’t be cold much longer,” you confess. “I’m sick of the shitty weather.” 

“I can keep you warm.” 

He smiles at you. His eyelashes tangle in the corners of his eyes, long and brown. 

“Did you want my meskouta?” you ask. 

Peter plants a fat kiss against your brow. 

You let the sunshine warm your face. Two unfinished sandwich halves, a mouthful of coffee, and a round slice of meskouta, its flaky crumb and lemon drizzle shining on the table. You would ask Peter for his camera if you’d thought he brought it with him, to take a picture of your breakfast and the carved table underneath. You could turn it on Peter, say something cheesy. This is the moment you ruined our lives, you’d tease.

“You never told me you met Spider-Man, you know.” 

You watch Peter lick the tip of his finger without shame. “They could make a novella of things I haven’t told you about,” you murmur wryly. 

Peter takes a bite of meskouta, reaching for your knee under the table. He shakes your leg a little, as if to say, Well, we’ll work on that. 

—

Spring

“Sorry!”

“No, it’s–”

“Sorry, sorry, I’m– shit!”

“–okay! All legs inside the ride?”

“I couldn’t find my purse–”

“You don’t need it!” Peter leans over the console to kiss your cheek. “You don’t have to rush.” 

“Are you sure you can drive this thing?” 

“Harry doesn’t mind.” 

“I don’t mean the car, I mean, are you sure you can drive?” 

“That’s not funny.” 

You grin and dart across to kiss his cheek, too. “Nothing ever is with us.” 

Peter grabs you behind the neck —which might sound rough, if he were capable of such a thing— and pulls you forward for a kiss you don’t have time for. “If we don’t check in,” —you begin, swiftly smothered by another press of his lips, his tongue a heat flirting with the seam of your lips— “by three, they said they won’t keep the room–” He clasps the back of your neck and smiles when your breath stutters. You squeeze your eyes closed, kiss him fiercely, and pull away, hand on his chest to restrain him. “And then we’ll have to drive home like losers.” 

Peter sits back in the driver's seat unbothered. He fixes his hair, and he wipes his bottom lip with his knuckle. You’re rolling your eyes when he finally returns your gaze. “Sorry, am I the one who lost her purse?” 

“Peter!” 

“I can’t make us un-late,” he says, turning the key slowly, hands on the wheel but his eyes still flitting between your eyes and your lips. 

“Alright,” you warn. 

He reaches for your knee. “It’s a forty minute drive. You’re panicking over nothing.” 

“It’s an hour.” 

Your drive from Queens to Manhattan is entirely uneventful. You keep Peter’s hand hostage on your knee, your palm atop it, the other hand wrapped around his wrist, your conversation a juxtaposition, almost lackadaisical. Peter doesn’t question your clinging nor your lazy murmurings, rubbing a circle into your knee with his thumb from Forest Hill to Lenox Hill. There’s so much to do around Manhattan; you could visit MoMA, Central Park, The Empire State Building or Times Square, but you and Peter give it all a miss for the little known Manhattan Super 8. 

It’s been a long time since you and Peter first visited. You took the bus out to Lenox Hill for a med-student tour neither of you particularly enjoyed, feeling out future careers. It’s not that Lenox Hill isn’t one of the most impressive medical facilities in New York (if not the northeastern USA), it’s that all the blood made him queasy, and you were panicking too much about the future to think it through. He got over his aversion to blood but chose the less hands-on science in the end, and you worked things through. You’re a little less scared of the future everyday. 

You and Peter were supposed to get the bus straight back home for a sleepover, but one got cancelled, another delayed, and night closed in like two hands on your neck. Peter sensed your fear and emptied his wallet for a night in the Super 8. 

The next morning it was beautifully sunny. The first day of summer that year, warm and golden. The pool wasn’t anything special but it was invitingly cool, blue and white tiles patterned like fish below; you clambered into the water in shorts and a tank top and Peter his boxers before a worker could see and stop you. 

It was one of the best days of your life. When you told Peter about it last week, he’d looked at you peculiarly, said, Bub, you’re cute, and let you waste the afternoon recounting one of your more embarrassing pangs of longing. A few days later he told you to clear your calendar for the weekend, only spilling the beans on what he’d done when you’d curled over his lap, a hand threaded into the hair at the nape of his neck, murmuring, Tell me, tell me, tell me. 

He’d hung his head over you and scrunched up his eyes. Cheater.

The best thing about having a boyfriend is that he always wants to listen to you. Peter was a good listener as a best friend, but now he has his act together and the secrets between you are never anything more than eating the last of the milk duds or not wanting to pee in front of him, he’s a treasure. There’s no feeling like having Peter pull you into his lap so he can ask about your day with his face buried in your neck, sniffing. Sometimes, when you text one another to meet up the next day, you’ll accidentally will the hours away babbling about school and life and things without reason. Peter has a list on his phone of your silliest tangents; blood oranges to the super moon, fries dipped in ice cream to the world record for kick flips done in five minutes. It’s like when you talk to one another, you can’t stop. 

There are quiet moments. You wake up some mornings to find him awake already, an arm behind you, rubbing at your soft upper arm, fingertip displacing the fine hairs there and trailing circles as he reads. He bends the pages back and holds whatever novel he’s reading at the bottom of his stomach, as though making sure you can see the words clearly, even when you’re sleeping. 

There are hectic, aching moments —vigilante boyfriends become blasé with their lives and precious faces. You’ve teetered on the edge of anxiety attacks trying to pick glass from his cheek with a tweezers, lamented over bruises that heal the next day. It’s easier when Peter’s careful, but Spider-Man isn’t careful. You ask him to take care of himself and he’s gentle with himself for a few days, but then someone needs saving from an armed burglar or a car swerves dangerously onto the sidewalk and he forgets. 

He hadn’t patrolled last night in preparation for today. 

“Did you know,” he says, pulling Harry’s borrowed car into a parking spot just in front of the Super 8 reception, “that today’s the last day of spring?” 

“Already?” 

“Tonight’s the June equinox.” 

“Who told you that?” 

“Aunt May. She said it’s time to get a summer job.” 

You laugh loudly. “Our federal loans won’t last forever.” 

“Harry’s gonna get me something, I think. Do you want to work with me? It could be fun.” 

You nod emphatically. It’s barely a thought. “Obviously I want to. Does Oscorp pay well, do you think?” 

Peter lets the engine go. The car turns off, engine ticking its last breath in the dash. “Better than the Bugle.” 

You get your key from the reception and find your room upstairs, second floor. It’s not dirty nor exceptionally clean, no mould or damp but a strange smell in the bathroom. There’s a microwave with two mugs and a few sachets of instant coffee. Peter deems it the nicest motel he’s ever stayed in, laughing, crossing the room to its only window and pulling aside the curtain. 

“There it is, sweetheart,” he says, wrapping his arm around you as you join him, “that’s what dreams are made of.” 

The blue and white tiled pool. It hasn’t changed. 

It’s about as hot as it’s going to get in June today, and, not knowing if it’ll rain tomorrow, you and Peter change into your swim suits and gather your towels. You wear flip flops and tangle your fingers, clanking and thumping down the rickety metal stairs to the pool. There’s nobody there, no lifeguard, no quests, and the pool is clean and cold when you dip your toes. 

Peter eases in first. Towels in a heap at the end of a sun lounger, his shirt tumbling to the floor, Peter splashes in frontward and turns to face you as the water laps his ribs. “It’s cold,” he says, wading for your legs, which he hugs. 

“I can feel it,” you say, the cool waters to your calves where you sit on the edge. 

“You won’t come in and warm me up?” he asks. 

You stroke a tendril of hair from his eyes. He attempts to kiss your fingers. 

“I’m trying to prepare myself.” 

“Mm, you have to get used to it.” He puts wet hands on your thighs, looking up imploringly until you lean down for a kiss. The fact that he’d want one still makes you dizzy. “Thank you,” he says. 

“You’ll have to move.” 

Peter steps back, a ripple of water ringing behind him, his hands raised. He slips them with ease under your arms and helps you down into the water, laughing at your shocked giggling —he’s so strong, the water so cold. 

Peter doesn’t often show his strength. Never to intimidate, he prefers startling you helpfully. He’ll lift you when you want to reach something too tall, or raise the bed when you’re on his side to force you sideways. 

“Oh, this is the perfect place to try the lift!” he says. 

“How will I run?” you ask, letting your knees buckle, water rushing up to your neck. 

Peter pulls you up. He touches you easily, and yet you get the sense that he’s precious with you, too. There’s devotion to be found in his hands and the specific way they cradle your back, drawing your chest to his. “I don’t need you to do a running start, sweetheart,” he says, tilting his head to the side, “I’ll just lift you.” 

“Last time I laughed so much you dropped me.” 

“Exactly, you laughed, and this is serious.” 

The world isn’t mild here. Car horns beep and tyres crunch asphalt. You can hear children, and singing, and a walkie talkie somewhere in the Super 8’s parking lot. The pool pumps gargle and Peter’s breath is half laughter as he pulls you further from the sidelines, ceramic tiles slippery under your feet. In the distance, you swear you can hear one of those songs he likes from that poor singer who died in the Wolf River. 

He’s a beholden thing in the sun; you can’t not look at him, all of him, his sculpted chest wet and glinting in the sun, his eyes like browning honey, his smile curling up, and up. 

“You’re beautiful,” he says. 

You rest an arm behind his head. “The rash guard is a good look?” 

“Sweetheart, you couldn’t look cuter,” he says, hands on your waist, pinky on your hip. “I wish you’d mentioned these shorts a few days ago. I would’ve prepared to be a more decent man.” 

“You’re decent enough, Parker.” 

“Maybe now.” 

“Well, if things get too hot, you can always take a quick dip,” you say. 

You’re teasing, but Peter’s eyes light up with mischief as he calls, “Oh, great idea!” and lets himself drop backwards into the water. You pull your arm back rather than go with him. You can’t avoid the great burst of water as he surges to the surface. 

He shakes himself off like a dog. 

“Pete!” you cry through laughs, wiping the water from your face before the chlorine gets in your eyes. 

“It just didn’t help,” he says, pulling you back into his arms, “you know, the water is cold, but you’re so hot, and I actually got a pretty good look at them when I was under, and you’re just as pretty as I remembered you being ten seconds ago–”

“Peter,” you say, tempted to roll your eyes. 

Water runs down his face in great rivers, but with the dopey smile he’s sporting, they look like anything but tears. “Tell me a secret?” he asks, dripping in sunshine, an endless summer at his back. 

A soft smile takes your lips. “No,” you say, tipping up your chin, “you tell me one first.”

“What kind of secret?” 

“A real one,” you insist. 

“Oh…” He leans away from you, though his arms stay crossed behind you. “Okay, I have one. Ask me again.” 

You raise a single brow. “Tell me a secret, Peter.” 

He pulls your face in for a kiss. His hand is wet on your cheek, but no less welcome. “I love you,” he says, kissing the skin just shy of your nose. 

You’re lucky he’s already holding you. “I love you too,” you say, gathering him to you for a hug, digging your nose into the slope of his neck as his admission blows your mind. “I love you.” 

Peter wraps his arms around your shoulders, closing his eyes against the side of your head. You can’t know what he’s thinking, but you can feel it. His hands can’t seem to stay still on your skin. 

The sun warms your back for a time. 

Peter lets out a deep breath of relief. You lean away to look at him, your hand slipping down into the water, where he finds it, his fingers circling your wrist. 

“That’s another one to let go of,” he suggests. 

He peppers a row of gentle kisses along your lips and the soft skin below your eye. 

You and Peter swim until your fingers are pruned and the sun has been blanketed by clouds. You let him wrap you in a towel, and kiss your wet ears, and take you back to the room, where he holds your face. 

“I’ll start the shower for you,” he says, rubbing your cheeks with his thumbs, each stroke of them encouraging your face from one side to the other, just a touch, ever so slightly moved in the palms of his hands. 

“Don’t fall asleep standing up,” he murmurs. 

Your eyes close unbidden to you both. “I won’t.” 

He holds you still, leaning in slowly to kiss you with the barest of pressure. Every thought in your head fades, leaving only you and Peter, and the dizziness of his touch as he lays you down at the end of the bed. 

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please like, comment or reblog if you enjoyed, i love comments and seeing what anyone reading liked about the fic is a treat —thank you for reading❤︎

[no-144444]

The Grid! : When their teammate likes you...

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Featuring: Oscar Piastri, Lando Norris, Lewis Hamilton, George Russell, Alex Albon, Franco Colapinto, Logan Sargeant, Daniel Riccardo, Liam Lawson, Charles LeClerc, Carlos Sainz, Arthur LeClerc, Ollie Bearman, Max Verstappen, Paul Aron, Jack Doohan.

this is 18+ so mdni please! smut in some of them!

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Oscar Piastri: somehow plays it cool…

Oscar understood that you were a magnetic person. You’d always been more extroverted than him, always been a bit more open to other people, and generally, you were just interesting. He got where Lando was coming from, to be fair, he’d fallen for you too. 

But openly flirting with you in the middle of a red flag during one of the most dangerous races of the season? That took a certain asshole. 

Lando Norris. 

Oscar had looked up to Lando throughout his career, and now having him as his teammate was brilliant. He loved it, up to a point. In recent months he’d been noticing the way Lando looked at you. The way he talked to you. The way he always wanted to be around you. 

“Hey baby,” you smiled, wrapping your arms around Oscar as he walked up. “Doing well out there.”

He also knew that you were less than interested in Lando. Not that you didn’t like him, but you did find him slightly immature and ridiculous, especially with how he handles races and media afterwards. You much preferred Oscar’s style of driving, and his way of speaking. 

Oscar nodded, pressing a kiss to your cheek. He watched as Lando’s face fell, then he quickly picked it back up. “Doing our best, right Lando?”

You both looked to Lando, who looked guilty, like he’d been caught. 

“Yeah mate,” he agreed before walking off. 

“Jealous much?” you smirked, pressing a kiss to his cheek. 

Oscar shook his head and rolled his eyes. “Just wanted a kiss, that’s all.”

“From me or Lando?” you teased.

“You, obviously,” he mocked. 

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Lando Norris: deeply insecure. 

Lando is insecure about a lot of things. One of his main ones is his worth as a human, and a driver. It hit him hard when Oscar got to stand on the top step of a podium before he ever had. He knew it was a matter of circumstance and the fact that the car was getting better, but it still hurt. Yet, you were always there to pick up the pieces. His sweet, kind girlfriend who was always there for him. 

That same girlfriend that was laughing at a joke Oscar told. Oscar wasn’t funny. Oscar has never been funny. 

Lando watched as you two talked. He watched the way you laughed, the way you smiled, the way you engaged with his points and added your own. The way you two easily laughed, joked, and teased each other without ever going too far. 

He couldn’t help but feel… without. You had always been more introverted, and your extroverted side always seemed to come out with other introverts, aka, not Lando. Then began his spiralling of wondering whether or not he was good enough for you. He knew you loved him, and he loved you, but would that be enough? When you’re so different? When he can’t give you what Oscar can? Oscar was a 2-time-Gp winner in his second year. Oscar was more similar to you than Lando was. Oscar’s personality was closer to yours than Lando’s was. 

Was he enough for you?

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He walked into the hotel room, exhausted, and glad that the day was over. Media days took it out of him, and he was sick of watching Oscar’s smug face as he charmed you all day. 

You flung yourself on the bed, exhausted. “Oscar would not shut up today, would he?” you sighed. 

Lando’s lips quirked up into a smile. He turned to hide it. “Yeah?”

“Yeah. He kept talking to me about random shit, and I had to pretend to be interested all day.”

Lando almost laughed. “You don’t seem to mind when I talk your ear off.” 

“Yeah, obviously not,” you scoffed, looking at him as if it were obvious. “I like your rants. You don’t expect me to answer you all the time. You just let me listen. Plus, I love your voice.”

Lando’s heart felt fuller than it did before. You picked him. You loved him. 

“You like my voice, eh?” he smirked, joining you on the bed. He pressed soft kisses to your neck as he wrapped his arms around you. “I know a way you can hear it-”

“Lando, did I not just say I’m exhausted,” you chuckled, playfully pushing him off. 

He smiled. You truly were perfect. 

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Lewis Hamilton: unbothered 

He watched as George attempted to flirt with you and laughed. You laughed too, thinking it was a joke. George walked off, embarrassed. 

Lewis walked over and you wrapped your arms around him, holding him close. “George is-”

“Pathetic?” he offered and you shook your head. 

“Don’t be so mean!” you scolded. 

“He’s a big boy, he can take it,” he smirked. “And anyways, what was he thinking?”

“I am your wife,” you nodded, agreeing. “But he is pretty cute…”

Lewis raised an eyebrow. “Should I be worried?” he teased. 

You laughed. “Never.” 

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George Russell: trusts you

“Lewis, nice to meet you,” you smiled, shaking his hand. “I’m Y/n Russell.”

“Y/n… your sister?” Lewis turned to George, smirking. “I didn’t realise she was so pretty, I guess someone had to take all the beauty genes.”

“She’s my wife,” he smirked, wrapping an arm around your waist. “And yes, she is gorgeous.”

You somehow kept it together as Lewis apologised and walked off, but immediately broke out into laughter as he turned his back. 

“What a dick,” George chuckled. “You alright?”

“All good baby,” you giggled. “A bit weirded out that he thought we were siblings.”

George nodded, grimacing. “I vote we never speak about this again.”

“I second that,” you nodded. 

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Kimi Antonelli: confused more than anything

Ollie was a really nice guy, one of Kimi’s best friends despite only knowing each other for a year. He was a good teammate and a good friend. 

Kimi was clueless. He didn’t always understand what people meant when people ‘flirted’, to be fair, English was his second language. He watched as Ollie wrapped an arm around you, resting it over your shoulder as you grimaced, clearly wanting him to stop. Kimi just shrugged, assuming you’d just push him off or ask him to stop. You weren’t exactly known to put up with shit like that, so he wasn’t worried. You three walked around the Monaco bay, looking at the boats as the sun set, all three of you full from dinner. When you finally parted ways, you and Kimi went back to your hotel room as Ollie stayed out, going to Arthur’s house to visit, you sighed as you lay down. 

“What did you think of Ollie?” Kimi asked, laying beside you, your back to him. 

“Apart from his obvious flirting, I thought he was nice, I guess,” you shrugged. 

Kimi frowned. “What do you mean?”

You turned around to see him. “Him flirting? Yeah, I thought you’d say something about it,” you explained. “He was kind of… weird about it.”

“Did he make you uncomfortable?” he asked, upset with himself that he hadn't noticed. 

You stared at him with an inquisitive look, he really was oblivious. “Of course he did.”

“What?” he questioned. “Why didn’t you say anything?”

“I didn’t want to make a bad impression,” you muttered. “He’s your best friend.”

“And you’re my girlfriend,” he reminded you, taking your hand. “And you are more important. If someone makes you uncomfortable, you tell me and I will deal with it, alright?”

You nodded, pressing a gentle kiss to his hand. “Thanks Kimi.”

“Anything for you,” he smiled. 

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Alex Albon: slightly insecure…

He sat in his drivers room, he’d just filmed Team Torque with you and Logan, and he couldn’t help but feel… left out. You were American, specifically from the exact state of Florida, where Logan was from, you lived on the same street. You’d grown up together before he left to move to do European single-seaters. The entire episode was just you two talking and reminiscing over your joint experiences as a kid. Logan remembered everything about you, your favourite colour, your favourite food, even your favourite childhood movie (which Alex had gotten wrong). 

“What’s on your mind?” You asked, sitting beside him. “You’re not talking.”

“I didn’t know you and Logan were such good friends,” he admitted. 

You shrugged. “We grew up together.” 

“I know,” he responded, his voice low and hardened. “I didn’t know he’d remember everything about you.”

“I mean, people told me he had a crush on me in middle school so…” you trailed off when you noticed how Alex was closing his eyes and nodding. “Are you… jealous, or something?”

“No.” Yes. 

You smiled, feeling a little bit guilty. “Alex, you don’t have to be jealous,” you assured him. “I love you. More than anything.”

The pain in his chest eased slightly. “You’re sure?”

“Very,” you nodded, pressing a kiss to his cheek. 

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Franco Colapinto: doesn’t even notice or gaf

Alex laughed at one of your jokes as Franco looked over some of the data from his crash. After a while, you walked over, wrapping your arms around his waist and hugging him from behind. 

“Hi bebé,” he smiled, tired, but happy to see you. “How are you?”

You groaned. “Alex keeps flirting with me.”

His ears pricked up hearing you say that. “Alex?”

“Yeah,” you nodded. He turned to you. 

“Should I ask him to stop? I can talk to him-”

“It’s alright, I made him aware of the fact that I’m not interested,” you explained. 

“Oh, alright,” he shrugged. “Once you’re happy.”

He went back to looking over the data and you frowned. No reaction? No possessiveness?

“You don’t mind?” you questioned. 

“That he was flirting with you?” he asked, you nodded. “No, not really. I’m the one you’ve chosen for 3 years. We love each other, sí?” 

You nodded. 

“So we’re fine,” he smiled and pressed a soft kiss to your lips. 

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Logan Sargeant: also a bit upset…

He sighed as he watched Alex chat to you, a smirk on his face. You were his girlfriend, Alex couldn’t have you. Alex had James, Alex had Williams, Alex had the talent. Logan had you. Alex couldn’t have you. 

You glanced back at Logan, who had grown quieter in recent moments, and you frowned. His eyes were blown up, wide-eyed, mouth open, and his mind was thousands of miles away. You politely ended the conversation with Alex, dragging Logan back into his driver's room with a concerned expression. “Are you alright?”

He nodded, trying to play it off. “I”m fine, just… tired.”

You frowned again. “Logan, you can talk to me.” 

He shook his head, his hands gripping your waist, then the dam broke and he rested his head on your shoulder. “I don’t want to lose you if I lose this.”

Your heart broke. “Logan you’d-“

“No, please just let me talk,” he whispered. “I love you, more than anything. We both know I’m getting replaced either after or during this season,” hearing him say it as such a definite, hurt you. You knew how badly Williams had messed him up, but to hear him so defeated? You could’ve cried. “And I don’t want to lose you if I lose all of this. I love racing, but I love you more. You’ve been here through everything, always. You’re always here for me, and I just hope I haven’t fucked this whole relationship up with all my mental health stuff and being a bad driver-”

“Logan,” your tone was stern. “I love you. I love you, my Logan. I support ‘F1 driver Logan Sargeant’, and you’ll always be that, but I love Logan Sargeant, the boy who asked me out when I was 14 and never looked back, the boy who has made me feel loved and supported since that day, the boy who fought an uphill battle and is only now realising he’s allowed to let the boulder fall. I love that you’re a fighter. I love that you’re a driver. But I love most that you care about and love me. I care more about your mental health than any money or fame you could ever gain. I’m not asking you to keep putting yourself through this, Logan. I want you to be healthy and happy. I want you to smile again. I want to see the real you again.”

“What is the real me if I’m not winning?” his voice was just below a whisper. 

“You get to figure that out,” you smiled, pressing a kiss to his cheek. “Now please look at me Logan, so you know that I’m telling the truth.”

He raised his head, his eyes watery as he looked at yours, and for the first time in a while, he actually felt like it might all be ok. 

Granted, only when he was with you, but alright all the same. 

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Daniel Riccardo: freaky wit it

Daniel gripped his steering wheel harder, his knuckles turning white under his gloves. He was in the car, meant to be in the zone, but all he could think about was the way that Yuki had a hand on your back. He knew Yuki definitely wasn’t a threat to him or his relationship, but it still felt shitty not being able to get over there and show him that you were his. 

He rushed out of the car, exhausted after bringing the VCarb in Q3 yet again, and immediately his hands were on you. 

“Looking so good today baby,” he whispered between kisses. “So fuckin’ pretty for me.”

You groaned against his lips, smiling. “Yeah?” 

“Oh yeah baby, the prettiest girl I’ve ever seen,” he smirked as he pushed a hand into your underwear. Your eyes went wide and you clapped a hand over your mouth to stop yourself from moaning too loud. You weren’t even in his drivers room, you were doing it against Yuki’s door in the hallway. 

“We should-fuck- we should go to your r-room,” you stuttered out as he rubbed your clit in lazy circles. 

“Why?” he smirked. “When I could have you right here and now,” he punctuated every word with a kiss, moving your hand and swallowing your moans as he sped up. “So fuckin’ beautiful so me.”

“Dan,” you moaned as he finally pushed a finger in. 

“So wet for me too. You like doing it like this? Where anyone could hear you? Anyone could see us?” he knew his words were falling on deaf ears as he revelled in the fact that he got to watch you fall apart for him. He got to make you cum, he got to kiss you, he heard every laugh, saw every part of you and your personality. It was him who you picked to love, and be loved in return. 

And by God, he wouldn’t trade you for the world. 

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Liam Lawson: angry sex anyone???

Liam grabbed your hand, pulling you into his drivers room after he had watched Yuki give you heart-eyes yet again. 

“That fucking dick,” he seethed, pressing his body against yours, pressing kisses up and down your neck. “Always fuckin’ wants what’s mine.” 

“Liam,” you whimpered as he pushed you down on the bed. “Please.”

Any and all control of himself was abandoned, and he pulled his race suit off, watching as you pulled off your dress. 

“Fuckin’ perfect,” he cursed, climbing on top of you as he smirked. “You’re all mine, aren’t you?”

You smiled, wrapping your arms around his neck as he slowly pushed inside you. It burned, in the best way. “All yours.”

He smiled. “That’s my girl, taking me so well.”

Once he was fully inside and you were comfortable, he was thrusting in and out of you at a rate previously unknown to Liam. Did he like fast and rough sex? Yes. Was it ever this fast? No. Was it ever this rough? … no comment. He was grabbing and smacking all over your ass and tits, you were too busy gripping onto his hair as he used you how he pleased, all the while cursing out Yuki and praising you. 

You both left the driver’s room a little bit less steady than before, but much more satisfied than going in. Liam felt better too, since he’d given you something to show just how much he meant it when he said he was yours, and you were his. That something stayed dripping down your leg as Liam finished the race, ahead of Yuki. 

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Charles LeClerc: death?

He watched, the light in his eyes slowly dying, as you spoke animatedly to Carlos. 

Carlos Sainz, now number one enemy of Charles LeClerc. 

Honestly, he knew you’d never choose anyone over him, you loved him and he knew that. Still, some voice inside of him continued to urge him to run over to you two and scream ‘mine’ and then run off with you. He didn’t, obviously. He knew you would’ve been mad at him if he did. 

As the day continued, you stayed talking to Carlos, every so often, Charles would interject with a sarcastic comment, or some stupid fact about you, then following it up with ‘yeah, I know more than you’. It turned the two of them into school children. Both of them coming to you at different times of the day with random facts about random things, until you finally told them both to stop and share their love of facts with each other, not you. You had gotten so frustrated with the two of them, that you didn’t even want to speak to Charles. 

They both stopped after that. 

Any time Charles was jealous after that palaver? Yeah, he just stuck with the regular PDA overload. He didn’t want to deal with another sex ban. 

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Carlos Sainz: also freaky wit it

His gaze darkened as he watched Charles put a hand on your shoulder. Bullshit. You were his girlfriend. You were his. 

“Querida, stop fucking with me,” he demanded, a tight hold on your arm as he dragged you into his hotel room, 30 minutes later. 

You scoffed. “I’m shockingly not fucking with you at all,” you smiled, annoyed but unsurprised at his shitty behaviour. “In fact, I was being perfectly nice to everyone, including you, all night.”

He watched as you sat on the bed, exasperated and tired of his behaviour. He noticed how you quickly pulled off your heel, took down your hair and sighed, staring at him. 

“What?” you asked. “What did I do now?”

Part of him left bad, it wasn’t your fault that you were irresistible. It wasn’t your fault that Charles thought he could have whatever he wanted. It wasn’t your fault that you had to be kind, just to keep up appearances. It still made his blood boil, but he did appreciate the fact that it wasn’t technically your fault. 

But someone had to help him get rid of all of this pent up tension. 

“On your knees,” he spoke, his voice low and laced with desire. Your eyes widened, but you did as he said anyway and sank down to your knees in front of him, “It’s going to be a long night, querida. I can’t wait to see your pretty makeup smudged,” he smiled sadistically as you tried to not be as turned on as you were. 

I guess you two were a match made in heaven, or maybe hell. 

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Arthur LeClerc: plays his jealousy off… (not)

He grabbed a handful of your ass, pressing an open-mouthed kiss to yours as you yelped. You had been unsuspecting as you leaned over the guest barrier, trying to hear what Manuel was saying to you, when Arthur had caught his other teammate, Charles, staring at you with a smirk. 

You shoved him off after a few seconds and stared at him, waiting for an explanation. 

He shrugged. “Je voulais t'embrasser,” (I wanted to kiss you). “Is that a crime?”

“When you’re doing it like that, yes,” you chuckled, amused by his jealousy. 

“What?’ he smirked. “You don’t like it?” he teased. 

You rolled your eyes. “Arthur LeClerc,” your tone was warning. “Don’t push it,” you leaned in closer, whispering. “Tout le monde n'est pas aussi obsédé par moi que toi, arrête d'être jaloux.” (Not everyone is as obsessed with me as you, stop being jealous).

He laughed. “Tu es irrésistible,” he pressed another kiss to your lips. “I cannot help it!” You gave him the finger as he walked away, and he blew you a kiss.

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Ollie Bearman: a bit upset…

He literally hit his head against the desk as he watched Kimi flash you his signature smile. He was sick of it. You were his girlfriend, not Kimi's best friend. You were his girlfriend. Alas, he couldn’t exactly whisk you away, you were his race engineer after all, and this was a strategy meeting, so he sucked it up and paid attention, trying not to look at you. 

You’d noticed how low Ollie had been all day and caught up with him as you walked out of the strategy meeting. “You alright?” you asked, wrapping one his arms around your shoulders as you walked beside him, away from the rest of the group. 

“I’m alright,” he lied, a smile that didn’t quite reach his eyes on his lips. You frowned. 

“Please talk to me,” you begged. “I don’t like it when you shut me out.”

He sighed. “It’s embarrassing.”

“It’s not,” you smiled. “I’m sure it’s not Ollie, just talk to me.”

“I don’t like how close Kimi is to you,” he admitted. “I’m… It makes me jealous sometimes.”

Your face softened. “So I’ll put some distance,” you shrugged. “Easy.”

He did a double-take. “N-no I- you don’t have to do-”

“Ollie. I want us to work, and if that means I have to ask Kimi to back off a little bit, then I’ll do it, yeah?”

Ollie nodded. “I’m sorry-”

“Shut up and kiss me, Bearman,” you rolled your eyes, wrapping your arms around his neck as you pressed your lips to his. 

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Max Verstappen: ummm guys???

Max would be an insufferable child. He would literally hide their gloves and racing shoes, he would put dish-soap in their bottle, he’d somehow fuck up their laundry, and all because they looked at you too long. You were his, why would anyone else think you were available. 

There he was, on live, racing with his team, when you came over with another can of redbull for him. He’d been focused on the game, but out of the corner of his eye, he saw a glimpse of his teammate, Luke’s stream. He saw him checking you out. 

He saw red. 

“Luke, do you need something or do you just like staring at my girlfriend?” he scoffed and you groaned. He wasn’t unknown to make scenes in public. 

“Max,” you groaned. “Please don’t.”

He rolled his eyes and settled for a kiss on the cheek while Luke just blushed. Max understood where he was coming from, you were fucking gorgeous. That still didn’t make it right though. 

Again, a little while later, he caught Luke staring at you as you sat in the back of his set up, watching the race silently. 

“Seriously Luke, do I need to turn off my camera or can you act like an adult and keep it in your pants?” He scoffed. “Het is onzin,”(it’s bullshit) he sighed.

“Max, calm down,” you pressed a kiss to his cheek, muting his mic. “Who gives a fuck about Luke?”

He groaned, wrapping an arm around your waist and pulling you closer. “I just don’t want you to be uncomfortable,” he admitted. 

“I’m a big girl, I’ll be alright,” you smiled, kissing him again. “I love you.”

“I love you too,” he smiled, then went back to his racing, though he did push Luke off the track (in the game) a few (7) times. 

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Paul Aron: he trusts you. 

He sighed, watching Armaury place a hand on your waist. Was he losing you?

Then he smiled as he watched you shove him off, shouting in his face. You were a big girl, you could handle yourself. You didn’t always need Paul to come in and protect you, he loved that about you. He felt his sense of pride growing as you walked over, still shouting at his teammate who was looking increasingly guilty and uncomfortable, even more so when you ran over to Paul and kissed him right there and then, in front of everyone. 

Yeah, he really had nothing to worry about. 

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Lance Stroll: mf he is scary. 

Lance smirked as he watched James (a friend of his) wrap an arm around your waist as you danced with a couple friends. Your face screwed up into one of disgust, and you politely excused yourself to get another drink. James sauntered over to Lance, a smug smile on his face. 

“Might want to keep your lady on a tighter leash,” he smirked. 

“Oh yeah?” Lance cocked an eyebrow. 

“Yeah man, she was dancing all over me!” he chuckled. “Seriously, I’d steal if she wasn’t such a-”

“Don’t finish that sentence,” he told him, his tone dangerous. “My girlfriend is exactly that, my girlfriend. If you want to go dance with her and make her uncomfortable, that’s your prerogative, but don’t be surprised when I punch you for it.”

His ‘friend’ left quickly after that. He didn’t bother you again. 

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Jack Doohan: maybe a bit angry…

He scoffed as he watched Pierre try yet another pick-up line on you and he felt himself get even angrier. Yes, he was the new guy. Yes, he should definitely bite his tongue and suck it up. Did he do that? No…

He went over to you and wrapped his arms around you, pressing a kiss to your head as Pierre’s face fell into a frown. 

“Oh, you two are-!” He started.

“Together? Yeah. 3 years, right babe?” He smiled, a little too smiley for regular Jack.

“3 years, sounds right,” you nodded. “Nice to meet you Pierre,” you smiled before walking off, away from the two of them. Jack followed behind you and you sighed. “You’re an idiot.”

“It’s not my fault I have a hot girlfriend,” he defended. 

“It’s not my fault I’m the hot girlfriend!” You laughed. “Just… keep your jealousy to yourself in the future!”

He grabbed onto your waist a pleading look in his eye. “But you make it so hard…”

“Don’t give me ‘fuck me’ eyes right now Jack Doohan,” you scoffed, pushing him off. “You are such a child.”

He chuckled, happy with himself. 

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navigation for my blog :) (masterlist)

[anpanman95]

now that I got he appreciation post out of the way I’ll yap about what I loved the most about this whole scene because was a fucking masterpiece.

1. He looks fucked out and I’m going insane. His heavy breathing was blasting through my headphones and, although that is something that usually annoys me during these scenes, it was done carefully and tastefully. It felt natural and real, not overplayed, not overkilled, but raw and perfectly genuine.

2. Anyone else devastated by the absolute adorableness of this moment? Just me? This was such a cute short thing that casts light into their relationship. They’re both actually very carefree people, always have been, even if Jack had a hard time coming back to his true self. This moment felt so intimate and relaxed. From trying to make the other submit, playfully and sensually, they both pause here and quickly take a breather to gauge each other and decide how is this going to happen before Jack takes the lead again. These are truly Jack and Joke.

3. Wall slamming. It’s one of the cliches I absolutely devour. Ever since episode 1 I knew they would be the kind to do this. I knew their NC would be like this. They want each other too much, they’re gonna take and take and take.

4. No awkward stripping. Just desperate. The moment characters strip have always felt so unnatural for me. This was done hastily and they stumble and it doesn’t look pretty because it shouldn’t. They have wanted each other for too long for them to wait another second in getting themselves naked. Joke is so desperate he struggles with taking Jack’s shirt off and he doesn’t care nor slows down. It adds on the realness of it all.

5. More wall slamming. Dear god I’m unwell. No further words.

6. He was stupid hot for this. They are possessed. As they should be. There’s tenderness and roughness at the same time in their movements and touches, casting light on the fact they love each other but are desperately hungry for each other’s body. They never let you forget that, not once.

7. Did you hear my screams? I was not expecting that. What I’ve seen happen many times on BL NC scenes, is that there is a high contrast done in between the couple when it comes to portraying desire. Usually it’s only one of them that is more vocal or physical about it, while the other takes it and follows. Yin and War have mentioned they don’t want their characters to stick to one dynamic, and it shows a lot in this whole scene. They both are perfectly capable of taking the lead, they both want to take the lead, they both want to submit. They are equals. And that’s always gonna be that way.

The power play, the switching, the rolling in the sheets, the CONSENT, the loving looks, the gentle touches, the rough touches, the pauses, the desperation, the desire.

they did it all. not one single thing missing.

they deserve nothing less than a standing ovation.

yinwar, you did it again

[purinfelix]

Franco Colapinto, where his girlfriend gets jealous of his interviews, so she does everything to make him jealous in return.

a taste of his own medicine ⋆.ೃ࿔*･- franco colapinto

summary: you've had enough of your boyfriend's shameless flirting during interviews, and hatch a plan to get back at him for it w/c : 1.3k

a/n: AAAA this is such a cute idea anon - i wrote a good chunk of this a while ago but only just finished the last bit today, thank u for the req and i hope u enjoy !! <333

You wondered if your boyfriend could feel the stone-cold glare you were giving the back of his head from your spot in the VIP lounge - though if he could, he surely wasn't doing anything about it.

Initially, there hadn't been any problems with keeping your relationship secret - in fact, it had been your idea for a number of reasons. You just didn't consider yourself ready to be swarmed and scrutinised by the media or have the title of 'F1 wag' bestowed upon you. It didn't feel right, if anything it felt like a disservice to boil down your relationship with Franco to something so sensationalized. Keeping it private seemed the best decision, at least for the time being. But now, the longer you watched your boyfriend shamelessly flirt with anyone who crossed his path, the more you grew to regret this decision.

You weren't by any means a jealous person by nature, but something about the fact that no one but you had any problem with this situation - and only because they didn't know about your relationship - irritated you. If only you could figure out a way to make Franco feel the same way you were. Just at that moment, as if by fate, you spotted a young-looking boy in a race suit walking casually past the lounge. His carefree walk, curly brown hair and boyish smile - bingo.

"Hey there," you called out, hopping up from the chair you were sitting in and walking over to the boy.

"Oh, hello," he replied, seemingly taken aback by being addressed by you.

"Sorry, it's just that I'm a little new to all of this and," you look him up and down, "you look like you know what you're doing, do you think you could show me around?"

He laughs shyly, hand rubbing the back of his nape. "Well, I mean, alright then, I'm Ollie by the way."

"Lovely to meet you, Ollie." You offer a girly giggle which you try your best not to cringe at as you follow the boy, who begins to walk around the nearest garage.

He begins to explain things, the process of getting ready to drive, the roles of different team members and the physics of the car itself - all of which you could care less about, but you nod earnestly regardless. Along the way, you even offer any mechanic or engineer who seems your age a friendly smile, and even a wink if they're particularly good-looking.

It's just your luck too that all of this is happening just close enough to the media hubs where your boyfriend has been stuck all afternoon. You try your best not to look too often over at him, not wanting to give away the true intentions of this mini tour you're scored for yourself. He doesn't seem to share the same sentiment though, based off of how many times you've caught him stealing glances at you, his eye following watchfully as you laugh and tease your impromptu tour guide.

"And so every element of car design has the purpose of making it as fast as possible, either through aerodynamics or by making everything lightweight," he continues to explain excitedly, and even though you're starting to feel dizzy from all the nodding you give him a quick one.

"Oh, wow!" You say, and before you know it you've landed yourself in the perfect position - within both earshot and line of vision of your boyfriend who seems to be wrapping up one of his last interviews for the night. Now, for the cherry on top.

You watch as Franco finishes saying his goodbyes to the last of the media crew, his eyes now searching the paddock for you. Knowing that he's looking at you, you throw your head back in laughter at nothing in particular and bring a hand up to graze Ollie's upper arm. Though you have his back to him you know your boyfriend well enough that when you feel a hand on your own shoulder mere seconds later, you aren't too shocked.

"Oh, hello Franco," you hum, feigning innocence. "Ollie here was just showing me around and keeping me company, isn't he the sweetest?"

"Very sweet." He grins through gritted teeth, though his strengthening grip on your shoulder says otherwise.

"No problem, oh but hey I forgot to show you just one more th-"

"Thanks, kid, but my girlfriend and I have got to get going."

Trying not to make it too obvious on your face how pleased you were that your plan had worked, you thanked Ollie once more before you felt Franco's grip sliding down your arm and intertwining his fingers with yours. Desperately, he dragged you off and away from your tour guide - who had a slightly confused expression painted on his face as he watched the two of you disappear into the Williams garage. You were amazed by how quickly your boyfriend was walking as he pulled you into his driver's room, shutting the door behind you quickly.

"What was that?" he huffed immediately, not giving you a second to say anything. You only smiled in response, watching his normally calm expression morph into one of frustrated confusion.

"I told you, Ollie was showing me around, you were busy with your interviews anyways," you decide to keep up the act of innocence, though you can tell he's not buying it.

"Bullshit, what sort of showing around involves touching him."

"I didn't think you were watching, those reporters seemed to keep you pretty occupied," you say in a sing-songy tone, throwing yourself down on the couch in his room. You wait for him to respond - something equally sarcastic or quippy, but when you turn to look at him you see him staring at the wall in front of him, eyes furrowed in confusion. Slowly, the cogs in his mind seem to start working as his expression slowly changes into one of realisation.

"You were jealous," he breathes out, turning to you with eyes wide and brows raised.

"Oh pfft- I wouldn't say jealous, bored now that might be more accurate but-" You're interrupted by him taking a seat on the couch next to you, face now painted with a smug look.

"You didn't like that I was talking to so many reporters, did you?" His teasing tone is enough to make your heart race a little, though you try your best to keep calm.

"I'm pretty sure you were doing a little more than talking babe, you were flirting!"

He looks at you with a slightly offended expression, "flirting?" It's almost as if he's just realising what he was doing.

"Uhm, duh."

"Did it really look like that?" His brows curve up into a pleading expression, "I didn't mean to, I swear!" You let out a soft chuckle watching his apologetic expression.

"It's fine baby, just try to be a little less friendly next time - I think your PR team would appreciate it anyway." He nods, scooting a little closer so that he can lay his head on your shoulder. There's a beat of silence before he speaks again.

"You were jealous," he hums, almost as if he's talking to himself.

"Wh- so were you! Poor Ollie is probably terrified of you now!"

"Whatever, he's a big boy, he'll live," he sighs, reaching for your hand and intertwining it in his "Plus, don't act like you're any better using that kid to get back at me."

"Hey, I had to do something before you walked out of that media room with a second girlfriend," you crossed your arms in annoyance, refusing to even look at him.

"You're cute when you're jealous," he laughs, before turning to peck at your jawline. Before you can stop you're melting into his touch, bringing a hand up to brush his curly hair away from his face. It might be a weak apology to some, but to you - to be here with him, in the privacy of his driver's room, away from Ollie, the reporters, and the rest of the world - it's more than enough.

taglist: (reply/send me an ask if you'd like to be added!)

@spreadyourwings-my-smiling-angel @alelo23 @scill-a @multifan-idk

[reasonreblogs]

Same for both. The thing with explaining the reasons with an apology for me is part of the “I recognize how this action was wrong and how I ended up doing this thing that hurt you. I will be making an effort to stop this behavior. I hope you feel okay calling me out on it going forward. I want to assure you that I am aware of what I did, why I did it, that I am going to be working on it, that this hurt you, and that I’m sorry I did this.”

To me the reasons and why it happened shows that they understand and how likely they are to keep doing the same things or if thy ran it, that kind of thing. I’ve had someone who was basically overdosing on Xanax day spent the most horrible shit to me, hitting every insecurity I had about our friendship and after the fact *not* apologize and just said something like “I didn’t reply mean it, I just said crazy shit because I was prescribed a higher dose of Xanax than a person should be.”

Like… okay, I get that… and… it would mean something if you said “I’m sorry, I know it hurt you and I said a lot of things I knew would hurt most. I didn’t know I was prescribed higher dose than I should’ve been until recently and it really fucked with my head in a way that I wasn’t myself.” Instead, I wasn’t sure if she actually meant what she said looking back or if she’d do it again only without her mind being fucked up.

She gave the reason without the apology which made it an excuse and a “so you can’t be upset with anything I said” when she could scroll back and see exactly the things she said to me even if she didn’t quite remember. However, with an apology, I would be able to believe she didn’t mean it and was in a state of mind where she was actively looking to be as hurtful as possible rather than actually believing hat she said. It’s kind of like how some people go turn out to be suicidal try to make everyone around them hate them before going through with it under the notion it’d “hurt less” when it happens. I think of one or two popular youtubers who did exactly that, posting outrageous bigoted shit before disappearing and after hearing they killed themselves, it clicked that’s what they were doing.

As for the telling a story for how thy relate (as I did above actually lol) it’s like… “listen here’s a thing I went through… to me it sounds like what you’re going through, so I hope what I did to get through it helps or if talking to someone who might understand better makes you feel okay talking about this.”

It’s like… it adds some weight or legitimacy to what the person you’re talking to is saying for me. I’d be more likely to take their advice or reflect on how I handle or perceive it vs how they might have. When someone isn’t grasping at all what you’re saying, it turns into defending why you’re feeling and going through rather than being able to just… talk about it.

Idk, been thinking on the nuance of this for a while. I like reasons, I like getting an idea on if this will happen again or not. There’s just a lot of “depends on the person/situation” tho.

[loudclan-clangen]

So, here is the pitch:

AU where Siltsplash finds out they are pregnant around the same moon that Eklutna gives birth to the boys. (Rather than an AU where Owl doesn’t cheat because then we wouldn’t have Song, Dance, or Dash and that won’t do)

It makes the betrayal even worse because it’s even more pointless since they were going to give Owl an heir.

Anyway, meet Spindlekit

She will eventually go blind I imagine, but if Owlstar suggest she retire she tells him that he should retire for being old lmao.

Warrior name is open to suggestion

I love her and I’m so mad that she doesn’t exist now.

The fact that Song doesn’t have a little sister is a CRIME. This is what he was born to do.

Not only am I okay with it, I would love to see it!

You are so right, here's a flashback that was cut for time from Moon 28:

Erminepaw has had a crush on Songpaw since they were in the nursery together, he just never called attention to it. He honestly probably doesn't even register that it is a crush, he's doing that thing that kids do where they're like this is my best friend, of course I want to marry him that's how everyone feels about their best friend. Nothing out of the ordinary here! Just my best friend that I must be holding hands with at all times for best friend reasons!

Yes! This is Fox----, he has been causing problems since the literal day he was born. You've met both of his parents, but I would be a little bit surprised if you guessed them correctly. Parental drama is kinda part of his whole deal. He's one of the first 3rd generation cats born in Loudclan.

I have SO much advice, about the images, the recommended size is 1280 x 1920 pixels, that's always a little too short for my panels, so I try to aim for 1280 x 2000 - 3000. It still deteriorates them a little bit, but people can always click on them for better quality. Bigger text and variation in values also help for readability regardless of size. (value meaning how light or dark a color is. if you want something to stand out it's more important to change the value than it is to change the hue generally speaking.) As for grabbing attention, I would recommend making sure that the image you're trying to show is visible above the cut off for longer posts, posts with only text visible are a lot less likely to get interaction. That being said, the most important thing for the longevity of your blog is making sure that it's something you are doing for yourself. There's nothing wrong with liking when your posts get attention, but it's not likely to happen for a long while (I think moon 5 was the first time I got double digit likes which was three months after I started.) I appreciate all of the love that Loudclan gets now, but if I had started with that as the goal I never would have been able to reach the point of it happening. (I actually started posting Loudclan with the intention of proving to myself once and for all that posting art was not a viable endeavor for me, so... I'll consider that a successful failure!)

You CANNOT DO THIS to me anon- "the canadian city"- YOU MEAN JUNEAU? YOU MEAN THE CAPITAL OF ALASKA JUNEAU?!?! JUNEAU?!?! CANADIAN?!?! When I catch you anon- anon when I catch you-

Come here, anon. I just want to talk. I just want to have a word with you.

[helslastangel]

Mini Observations #5

based on my synastry with a friend/unrequited love interest

Sun Sextile Pluto

Powerful chemistry. Both parties are left changed by the connection. Can become completely obsessed with each other if not controlled. Both Sun and Pluto feel a bit lost or displaced without each other from the first time they meet. Especially Sun, as Pluto is less averse to isolation. This is generally positive bit can take a very dark turn if Pluto has bad intentions. The Sun person loves the Pluto person "first" if you will, or at least expresses it faster and more confidently than Pluto, who will either lower their inhibitions and reciprocate the sentiment or give and withdraw their attention at will to break the Sun person's confidence and keep them under control. This is one of those aspects where when it's good, it's truly amazing, but when it's bad, it's downright horrible for both parties.

Sun Sextile Venus

A soft, supportive aspect. Love at first sight vibes, even if not acted on. Not the strongest connection indicator out there but the emotional connection is real between them. The Sun person feels happier and more radiant when around the Venus person. Very much "life is worth living when you're here with me" vibes. Venus thrives on the Sun's energy and is attracted to their charm. Venus feels the urge to do anything to make Sun happy ("Oh hey, I notice you really like x, so I got 3 of them for you"). Sun adores Venus and will protect them at all costs ("They said WHAT to you at work? Oh no they don't! Drop the name and address, who do I need to beat up?").

☆●☆○☆●☆

Pluto Conjunct Venus

Strong sexual attraction. Moderate emotional attraction. Can be one-sided or more commonly lop-sided in terms of willingness to emotionally invest. Karmic. Love-hate dynamic possible. Pluto person can easily read the Venus person. Pluto person can become extremely attached to the Venus person, who is aware of this but may or may not be able to reciprocate.

☆●☆○☆●☆

Mars Trine Venus

Again, mutual sexual attraction. The Venus person admires the Mars person's physique, energy and confidence in themselves and their appearance. The Mars person admires the Venus person's spirit, aura, general behavior and way of being. This is a comfortable connection. Warm. Both romantic and lustful. Likely to keep the "spark" alive for s long time.

Mars Trine Pluto

Possessive. Intense. Soul ties are very strong here. Can be explosive or have many power struggles if not careful. Mars person is the muscle, Pluto person is the mind of the relationship. Mars person gets things going after Pluto person has given it thought and come to a conclusion. Can have an on-and-off friendship or relationship. Or tend to drift apart and back again regularly, even if in very small ways.

☆●☆○☆●☆

Venus Square Saturn

Could go either way. Other aspects and placements can heavily influence this one. Venus views Saturn as wise and an authority figure in a sense, but Venus might feel restricted from expressing themselves freely and creatively. May feel a sense of always being in trouble, annoying or disappointing the Saturn person in some way. Saturn views Venus as a ray of sunshine-that never sets. They enjoy the exuberance and freespirited nature of the Venus person whether they admit it or not, but feel irritated by it at the same time. Saturn may be overcritical of the Venus person, leading the Venus person to leave in frustration or stay but become depressed, if other placements do not balance this out. This aspect can also indicate 'right person, wrong time' relationships, or one-sided, unrequited love between friends. Delays of one kind ot another are common with this aspect.

☆●☆○☆●☆

Mars Opposite Neptune

Difficult aspect to balance. Mars wants to do everything now. If it's an argument, they want to finish it then and there. If it's a task, they want to get it out of the way. If it's a fun activity, they want to jump in and immerse themselves in it. Neptune is easily fatigued, easily overwhelmed and finds it difficult to keep up with Mars-and probably does not even want to. Mars is also blunt which Neptune can only handle in tiny doses, if at all, leading them to need space often, which hurts Mars' ego and leads them to push even harder, which in turn leads Neptune to resort to white lies to get the recovery time they need to remain in the connection. This is a difficult aspect that is only sustainable if Mars learns to be quiet and slow down and Neptune learns to speak up and pick up the pace. They can meet in the middle, but both have to be willing.

↤ go back to the masterlist

[polarisbibliotheque]

Hey guys, lots of things have been happening in my personal life (both good and bad) and I wanted to make an update post here/answer everyone I need to answer before talking about politics once more but-

I think a lot of people need to hear this and I hope this reaches the people who need it. I posted it on my art side-blog when the election was over, but I think it's got things everyone needs to hear, so I'm reblogging it here.

'Tis time to let the big-mouthed punk like Nero that lives inside you to come out. Those are not times for any of us to wrap around ourselves and die. Those are times for us to be brave even if we're scared inside - and trust me, there will be people by your side feeling the same thing, but they'll hold your hand and that will make both of you stronger. And so on.

So hey, wherever you are, hold on. We'll get through this, together.

And I'll answer all of you and interact when my life is less chaotic, do apologize

So, I guess as a middle range millennial, I now get to tell all you young queer kids that what you are feeling right now is exactly how it felt in 2004 when we re-elected George Bush, and not only that but many states put in bans against gay/same sex marriage at the time.

This is probably not comforting, but it is true, and it helps me when I feel hopeless: For every revolution there is a counter revolution, for every step forward there is a step back, that things may not be good forever but they will not be bad, either. That we clawed our way to get where we are and we can claw our way forward from here, too. Talk to your queer elders, the ones who have been here before and will be here again and who threw bricks at Stonewall.

When I was a child, if you got AIDS it was a death sentence. Now it isn't. Now you live on.

So I'll quote angels in america: You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.

[pseudophan]

there's been a lot of interest already in the cookbook, a staggering amount actually, which is very exciting!!! because so many people want to get involved though i need to figure out the best way to do this, to avoid repeating dishes and making sure at least the majority of them are actually feasible for dan and phil to make and eat lmao. like do i think they will actually use it.. ehh.. i have my doubts.. but nevertheless we will treat it as if they will, just in case

obviously they have to be relatively easy, that's not to say they all need to be absolute beginner recipes though like lets give them some credit, but at the same time also nothing suuuper complicated

there's also the part where phil hates or can't have like half of all foods, that's another challenge. on that note, does anyone have a comprehensive list of things both of them have said they don't like/can't eat? or even dishes they say they enjoy a lot? phil shouldn't have dairy (though that doesn't necessarily mean zero dairy in any dishes, just maybe let's try to limit it), doesn't like cheese, mushrooms, soup, olives, what else?

anyway my main point i was gonna get to at the start of this post before it got away from me is i think i'll make a google form where you can submit what dish(es) you would like to contribute and then i'll look through them all and figure it out from there. i'm guessing the best way of doing it would be to get everyone to provide multiple options so that if a dish gets repeated a lot we can still try to get as many people as possible involved. whether the final pick is one recipe per person or not remains to be seen, it's hard to tell exactly how many will actually participate in the end

sorry this was supposed to be a short post just going "i'm making a google form", i promise there will be more info and less rambling coming later

[ikkosu]

Can you please rant about your favorite Prowl imagines?

I have so many. Prowl is a perfect box of delicious imagines. (Mild nsfw)

His personality, for starters, is really interesting if he ever had a person he liked. There's two ways I'd like to think how prowl would react.

Realistically, he'll consider you to be a weakness and does what he always does best when it comes to weaknesses — he avoids it. It's tempting to imagine he'll act cold to you, give you the cold shoulder and douse you with his icy-cold glare. You'll never know why he acts that way and he'll make sure you never find out. (His pride and misery depends on it. )

But, and this sound crazy, can you imagine a prowl not being cold but instead accepting of his feelings? Like, the moment he starts noticing and realizing why he acts the way he does around you (Door wings more expressive, face plate pinched in a way he's more focused, and the biggest giveaway : his sparkrate picks up.)

Obviously, avoiding you is going to distract him. Even worse, meddle with his work. So, his TACNET proposed he might as well get on with it and confess.

He did spare some mind not bring it out too bluntly, guiding you to the garden then holding your hand. The way he said it made it sound like Cybertron will verge on destruction if he didn't confess (if you also didn't accept) and if it were any other person he'd understand if they slapped the engex out of him and walk away. Nothing good comes out a coerced relationship.

Which is why he was genuinely surprised when you accepted. His TACNET temporarily sputtered, crunching on same words over and over again. "Yes. Yes. Yes. Yes. Yes—"

He was like that. For the entire day.

With the confession out of the way, I'd like to think, aside from lumbering through base with his 'Work Personality' turned on, he's unusually gentle with you. He's still prowl. Sassy prowl. Grouchy prowl. Straight to the point Prowl. Table flipping prowl. But he's a lot less that when he's with you. (Can you tell I love grouchy characters with soft spots) . You saw all the times he's calm. All the times he's gentle and all the times he's loving.

Like Earthspark prowl, I want him touchy. I want him handsy. Ratchet notices Prowl actually gets off work on time these past few months. Prowl is quick to stride into your little house and pick you up by the arm does, emulating the way you do with your car, and nuzzles you. He loves the soft touch of your palms on his back, especially the sensitive spot between his door wings. Whenever you press down, his wings flutter and flatten, engine revving into a purr.

He likes the touch of anything soft. That includes your body, your bed that smells like you, and pillows. But the thing is, he's too big for your bed so anytime he comes and stays over, you both retreat to the living room where the entire space is a mattress comprised of all the pillows you hogged from every corner of your house. Prowl liked to press his face into your belly and chess and recharge.

He's got an exceptionally brilliant sense of smell. Which is why you never won at bide and seek. In all of the hiding spaces you used, prowl simply snatched you out like a wet rag with a twist to his lips.

Prowl doesn't care if he has to show affection in public. He'll only do it when he wants to and doesn't care of what people think. Of course, there's a time and place too, he's not that indecent freaky.

I can't help but envision him to be perfect husband material XD

He's straightforward. He might hide some things from you, either becuase it's a safety concern or something else entirely. But hey, you have to trust him on this. The only thing you have to know is that there's a special place in his spark that has you in it.

He learnt how to cook human food, and is incredibly precise with it. He thinks too much or too little of the said ingredient might poison you, while simultaneously using a decade old energon mix to whip up his meal. And, possibly, get sick from it. But his favorite past time is scouring through the Earth Internet and trying to bake sweets. He might even try to make you Organic-friendly Cybertronian food with how insistent you are sometimes.

And when you're all but being cute with him, sometimes he have limits and he'll pinch your chin and tip your head up into a kiss.

It's always fun when he's horny. Mostly becuase he's just awkward about. Like he doesn't know what to tell you how to deal with this raging boner he has .... sit on it, please?

Prowl doesn't want to mess up this relationship like he always did with the many ones he could've had something more. He's tired of fighting against himself. For once he realized he could have something different. Maybe, live a normal life. Have actual people who care about him.

At some point he notices the subtle nuances in his behavior ever since he accepted his feelings. He thinks he might relapse and shrink into his shell again. But with your head on his lap, playing your phone as he reads his report — sometimes things aren't meant for change.

[glade-constellation]

Yet another Eclipse drawing (that looks nothing like the last one I drew). I promise I’m finally settling on a design! I just had to pick and choose what I liked from my previous times.

(Design explanation + close ups + speedpaint under cut!)

I wanted to try and keep him close to his canon design and easily recognizable as Eclipse, while also incorporating my own details. I kept a lot of his original color palette. I just shifted them around a little. He has explained several times before that he couldn’t care less about fashion, so I see him doing a lot of spontaneous DIY alterations on his outfit when he gets annoyed. He took off the neck ruffles and tore the waist one off when they kept getting g in the way. No one questions the ripped fabric since the EAPS Pizzaplex is more rock/metal themed. The ribbons kept getting caught on things, like the keys in his keyboard, so those were wrapped up to keep them out of the way. His physical differences, like the extra arms and rays, are things I’ve always drawn him with. The extra set of rays help differentiate him from being just a Sun, and the extra arms help with efficiency. His heterochromia is a physical signifier that he is both parts of Sun and Moon. He also has speckle “stars” on his pants for the same reason. I also gave him freckles, simply because I like the look of them.

Notable thing, a lot of my personal TSAMS designs have tails. Eclipse doesn’t. He feels like people can read him easier with one, like is emotions are in plain sight to see, and had it taken off as soon as he could. (He does still have the paw feet though.)

And yes, he does usually wear the poncho that Earth knitted him. I simply couldn’t put it on him without covering everything else. His shoes are still the jester slippers with the bells torn off. That is literally only because he hasn’t looked for a new pair. I will probably eventually put him in boots since Eclipse would see them as being more practical.

[romanticfatale]

Love this. I love fashion and as trans man I have a particular interest in menswear both formal and alternative.

Understandably not an exhaustive from either myself nor OP by any means, but I wanted to suggest additional nuances:

(Made some edits)

Take your own measurements if you can. If you don't have measuring tape, you can use a ruler and a thread/rope, paper (standard US printer paper being 11 x 8.5 inches) and a bit of math, or other lengths of measure convenient to you.

Important ones are:

Bust: Across the chest and around your back centered to your nipples. If you wear a bra, take this measurement with a bra. To get your bra size, bend over if you can and measure across your nipples with how far they hang down.

Underbust: For bra-wearers, important to take for determining bra size. Equals band number. Subtract from the bra-less bust to equal cup size. Every inch of difference is a letter. Can be important to take if you wear an underbust corset, bra or not.

Waist size (where you prefer to have your pants hang) and natural waist size (typically across your belly slightly above your naval)

Hips, especially if you have wide hips.

Shoulder size mostly matters if you want tailored items or have broad shoulders. I have broad shoulders, and certain places/brands make for narrower shoulders. I still enjoy some womenswear blouses so shoulders have always been tricky for me.

Menswear is often determined by sleeve length, neck girth, waist size, and inseam (from the crotch to the ankle). I am very short so I have to tailor everything myself anyway, so it might not matter unless you're tailoring but most menswear minimum is about 30" inseam, 30" sleeve, and 14" neck. Waist I've seen as small as 24"

Get to know your shoe sizes in various measures. US men is typically 2 numbers smaller than US women's (US 8 women = US 6 men). As a USAmerican who also buys internationally, I like to know my Europoean size as well. Mens shoes in the US are difficult to find below US size 8, but not impossible.

Mens trousers are usually either pleated or flat front, meaning there are or aren't pleats in the waist. Sometimes there are multiple pleats. Pleated looks a little dressier.

"Slacks" and dress pants are the same. "Khaki" is a tannish or light brown color but "khakis" is often slang for tan colored Chinos, which are usually made of cotton. Dress pants are "dressy" as they are more formal in cut/pattern, color, and style.

Dress pants usually have buttons the same color as the fabric, and do not have rivets. Rivets on trousers, iirc, were originally a working class thing as it reinforces the pocket strength. Jeans have rivets and metal buttons. Sometimes Chinos have rivets and often metal button. Think of Chinos as "between" Jeans and Dress pants in both material and dressiness.

Remember to check your pockets in dress pants if they are sewn shut. This is typically intended to prevent dust, lint, and other things before purchase, and indicates they have not been worn.

"Trouser" and "Pants" are mostly the same thing depending on where you are. Some places in the US say trousers are dress pants whereas pants refer to any two-legged waist garment, but pants in the UK iirc are undergarments and trousers are all two-legged waist garments.

Gurkha Trousers are usually slightly higher waisted with a wider waistband and have a buckle instead of a button. They lean more formal, around the same area as Chinosbut can be as dressy as dress pants given material.

There is a difference between a Blazer, a Sports Coat, and a Suit coat, among many other kinds of coats.

A Blazer is usually intended to be emblematic of some sort of group, such as a school or a club. The buttons have said emblems on them, there may be an embroidered patch around the breast, and they are often the color of said group, sometimes a bright or noticeable color or vivid prints, hence "blazer"

A sports coat is a suit-like cut of coat but intended to be worn with any combination of colors. A suit coat is cut from the same cloth as the rest of the suit and is intended to be worn with the full piece, and typically has buttons the same color as the fabric like dress pants. Separating a suit coat from the suit is possible, but if you don't do it well you look very silly. Mix and matching pieces like this is called Spezzato, meaning "mixed" in Italian.

A suit is typically made as a two or three piece, meaning either a coat and trousers or a coat, waistcoat, and trouser.

A peacoat is a similar cut but thicker, warmer, and usually around hip or mid thigh. They are intended to be worn on top of a suit. An overcoat is similar but longer, typically knee length or longer.

Formal coats can be single or double breasted. Usually, you are not intended to button the bottom button of a formal menswear coat. Peacoats are always double breasted.

Double breasted sports coat can have various button configurations depending on how many buttons, where they're placed, and how much room you have in the waistline to move.

The lapels (the flaps around the collar) can also be stylized.

You may have noticed some lapels have a little hole in them, the lapel buttonhole. This is for a lapel pin or boutonniere. They are usually intended to showcase an emblem, such as for employees, officials, or other identification means and events (prom, religious orders, etc).

Some coat have "vents" which are the little slits in the back.

There are multiple types of waistcoats/vests as well. They can also be single or double breasted, they can have lapels, have v necks or "horse shoe" scoop-like necks. Similar to the sports coat, the bottom button should be left undone if it is single breasted. Double breasted waistcoats are usually fully buttoned, but the bottom can be left for slight more casual wear.

Wearing a waistcoat without a coat is totally acceptable and one of my favorite fashions. It also works well to hide binder seams.

I’m partial to tapestry coats and waistcoasts, meaning they are made of “tapestry” fabric, which is thick and usually wool with beautiful prints or embroidery.

In the US (at least where I am) we also call south asian vests Nehru vests (and also Nehru jackets which are the same but long-sleeve). They are waistcoats with band collars (aka mandarin collars).

Waistcoats usually have the back made of a different fabric, usually viscose or silk or similar. I never liked these personally since I don’t wear sports costs to hide them. Waistcoats that are the same fabric front and back are usually called cloth-backed.

Shoes: Oxford, Derby, Brogues: Oxford and Derby refers to the lace style.

Brogue refers to the cut of the shoe:

Different kinds of heels (and other shoes), as well:

Menswear is often harped on for being "boring" and there's two things I have to say about that: a) a lot of anglospheric "western" menswear is very very specific. Wearing pink will get some guys slurred at. However, you are allowed to have fun with it. You can wear a deep-v brightly colored sports coat without a shirt and have a huge chunky pearl necklaces with some bell bottoms and bright colred sunglasses. You can wear a "womens" coat and "womens" shoes with a suit.

It IS frustrating that so much of what is considered menswear in really specific western anglosphere IS boring because of extreme concepts of masculinity, but if you can sew you can also alter clothes however you like. Cut off the sleeves of a sport coat and reattatched them with ribbons, cut out lace or another color of fabric in long triangles and turn dress pants into two-toned bell bottoms.

Look at haute couture menswear to get some ideas, look at favorite celebrities and bands and films (prince, motley crue, malice mizer, billy porter, david bowie, legend, romeo and juliet, the color of pomegranates, the fall, etc etc) on how to bend masculinity and have fun with fashion.

As a queer and fashion-loving trans man, it's very important to me to put on the image of masculinity while also bending it. The "feminine in a masculine way" thing where if I'm going to be called an evil satanic freak for wearing earrings and black, I'd prefer to at least be gendered correctly.

Men and women’s wear differ often in the way they are cut, usually menswear being squared off where womenswear has hourglass figures. Menswear is also more often sturdier and thicker compared to more delicate womenswear fabric. Keep that in mind when mix and matching typically gendered clothes. A women’s blouse can look more squared off with a men’s vest, or a women’s vest can look nice with men’s trousers.

Seconding OP's comment about searching trend vs type, there Can be some good stores that are trying to advertise via style or trend but it's much better to curate your wardrobe more individually. I've had a similar discussion Here but essentially, even "normie" brands can be made alternative or more lively if you learn how to style properly.

Things like color, cut, and shape will affect how clothing looks on you.

I've always hated the idea that certain shapes, hairstyles, glasses, etc are "best" on someone. Round faces can wear round or square glasses or blunt bang bob haircuts or mullets all they want. They will each look different, yes, but it depends on what you want to look like and how to achieve that look.

For example, every now and then Macy's will have an out of season sale. 200$ clothing for 20$. It sucks that's how you have to shop for save money, but they're often well tailored and long-lasting across the brands they sell. I've beautiful dress shirts and trousers that work excellently for gothic-adjacent fashion.

Last but not least, times I think brand can matter:

Certain brands, not necessarily "big/expensive/luxury" brands but brands in general tend to have gimmicks, styles, materials, and other things they use often. If you like the way a particular set of trousers or a jacket you found either online or at the thrift store or any store feels and looks on you, look up the brand and see if they have similar items (and hope they still exist). I especially recommend this if you're a very tactile or sensory person, as finding a brand that consistently makes clothes that feel good on your body can be SO important.

Plus, more well known (but not necessarily luxury) brands and thrift will more often have better clothes than fast fashion anyway. Thrift because they're usually older clothes anyway and thus made in a time where they were already quality compared to now, and certain brands because they have an image and standard to keep.

There's quite a bit more across the entire fashion industry and it'snot something I'm much more well versed in than what I already posted or said, but this is what I have the energy to mention atm.

i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping

[whereispearlescentmoon]

A ficlet based on the idea that the snails just hang around after the end of the session and also reflect their respective players true feelings. (yes I saw the one someone made earlier about Pearl’s snail with Gem but I had this written already and I’m not gonna not post it just because someone else posted the idea first.)

Pearl was, frankly, sick and tired of the snails. She kept checking the seams of their new base to ensure that nothing can get in. Her fingernails had bits of debris caught underneath them from each time she ran them over the corners, over the grout holding the cobblestone walls together, over everything. Grian said the snails won’t want to kill them anymore, but Pearl wasn’t taking any chances. Cleo and Scott seemed content to have theirs hanging around, and even Impulse wasn’t as wary, but while she thought they were cute at first, it’s a little less cute when they’ve killed you twice.

“Aw look at it! It loves Scott!” Cleo cooed happily. Pearl was actually trying very hard NOT to look at Cleo’s especially. Like Cleo, it was stitched together of green undead flesh. But unlike Cleo, Pearl had no affection for it and thus her disgust overpowered anything else. When she did take a glance at her teammates, Scott was happily patting ZombieSnail’s shell as it snuggled into him. Snailjor was similarly content to curl up against Cleo, who was petting it almost like a cat.

Impulse was reacting a bit more normally in Pearl’s opinion. ISnail was following him around as he changed into a more comfortable set of clothes to sleep in (cargo shorts are very practical, but not very soft), occasionally nudging at Impulse’s ankle. It made Pearl ache to be back on Hermitcraft, with Olive getting in her way as she tidied up. They had to stay the normal length of the session though, even if they had cut the killing short. It would be a few more days before anyone could go anywhere.

Then there was Pearl’s own snail. It was, frankly, nowhere to be seen. It seemed to want as little to do with her as she did with it. Oh well. Another soul bound (that is what Grian had called them, right? It seemed like he was making things up to torment Pearl specifically at this point) rejecting her. Whatever.

Maybe she had spoken too soon, she thought, as a light rustling came from outside the walls. It was followed by the sound of those stupid propellers the things had been using to fly around all session.

“I’m not in the mood, dude,” Pearl called out, as she, like Impulse, searched their chests for the sleep shorts she had brought. As her back was turned, she could hear the snail still approaching, and sighed as its cold and slimy body nudged against her leg. “Seriously, can you just-“

Her words caught in her throat as she looked down at the snail. Instead of the brown shell, navy blue jacket, and oddly long hair that she had been running from all session, there was a light orange shell and little set of overalls. Gem’s then. Pearl crouched beside it, eying it suspiciously. She still really didn’t get why Gem was so angry at her, but it couldn’t be a good sign that her murder snail was here.

“What’s up little Gem?” Pearl asked, putting her hand out. The snail, predictably, bit her, drawing blood with its oddly sharp teeth. Pearl drew back with a yelp, curling the hand into her jacket. “Dang it! Jeez Louise Gem, if you wanted to kill me outside of session time, wait till we’re back home at least,”

And home had been odd, frankly. It seemed like Gem might have been avoiding her on Hermitcraft. The Life Series wasn’t normally like that. It got kind of fuzzy when you weren’t in the server proper. Only a couple of weeks after Pearl had slaughtered them both in Double Life, she had been planning with Impulse and laughing with Cleo. She had done some clean up for Scar the same week she had put up a wall between her and the Clockers. Hell, even right after Secret Life her and Gem had hung out like nothing was the matter, chatting about the series casually. Something about being back here had dug up feelings Gem had clearly chosen not to address with her, and could Pearl really be blamed for that? No, she decided, and she wouldn’t take Gem’s snail letting out those feelings like this either.

“Whoa, what happened?” Scott had come rushing over at Pearl’s yelp. She sighed, gesturing with her now bleeding finger. Scott hissed through his teeth, “Woof, that’s nasty. What did you do to tick off Gem’s snail?”

Pearl growled, frustrating welling up. “The same thing I’ve done to Gem! Nothing! It came up to me to bite me! I literally didn’t do anything!”

Scott put his hands up, looking for all the world like he didn’t believe her.

“Alright, alright, let me look at that finger then, don’t want it to get infected. You’ve already lost more lives than you can afford.” His tone was joking, but Pearl couldn’t help but be a little hurt. She wasn’t trying to lose lives! Really! She didn’t want to win, but she didn’t want to go out first. It was just hard with the wild cards to find her normal footing.

Usually in these games her biggest strength was the ability to hide and outlast her opponents, but the twists had made that impossible. She was a good fighter, could hold her own when inevitably there was only a handful of people left and she had to fight, but she usually avoided getting involved until then. Now, she might be dead before those final bloodbath days, when the whole server was red and all was going to hell, even happened.

While Scott took the time to properly clean out the cut, the snail nudged at Pearl’s ankle again. She shook it off with a frustrated huff.

“See what I mean? It’s trying to come up to me! What am I supposed to do about that?” Scott finished wrapping her finger and looked down at the snail, which seemed frankly uninterested in him, beady green eyes fixated on Pearl alone.

“Maybe it’s like an abused cat,” he proposed, “It wants to show you affection but when you do it back, it starts hissing and biting. You’ve just got to let it come to you and pretend you don’t even notice it,”

“Or, we could leave it outside the base and hope it goes back to Gem?” She suggested, hopefully. Scott gave her an exasperated look.

“Didn’t it fly over the wall to get her in the first place?” Pearl pouted and huffed, crossing her arms.

She titled her head to get a good look at the snail. Her right eye had gone red tinted and it made it harder to see out of, forcing her to crane her neck at odd angles to see with the left. The Gem snail had come crawling back and was circling the log Pearl had sat down on. Every subsequent circle, it got closer and closer, until it was brushing Pearl’s leg. Finally, as Pearl sat still so as to not provoke another attack, it settled on the log beside her, leaning its weight against her thigh. Pearl ignored it pointedly, holding back a shudder at the weird feeling of its slug-like body.

It wasn’t until the next morning that the Gem snail finally left. Pearl had barely been able to sleep, halfway between comforted and afraid of the thing snoozing beside her. She didn’t want to provoke it. She hadn’t wanted to provoke Gem. Maybe she was doing all of this wrong. Or maybe Gem was. Either way, she just wanted to go home and have things be normal again.

Somewhere, in the forest, Pearlescentsnail found a tree and climbed up it to sleep. She looked around, making sure there was no one else there, sank into her shell, and stayed there until the session ended. She went out alone.

[applecidersstuff]

Things different pjoverse characters had done/had happen to them, with little to no context:

Piper mistook Clarrise for a guy and thought ‘he’ was trying to hit on Drew(she’s 12).

Annabeth and Percy were laughing hysterically over it for 10 minutes straight before they could explain anything to her.

Clarrise and Will stole baby Chuck on multiple occasions.

Clarrise is a token ‘responsible adult in the eyes of most mortal parents of younger demigods.

Mortals with no connection to the supernatural look at her like she’s about to molest their kids and brutally murder their families.

All of the Argo || crew jump up in their seats whenever they hear Clarrise yelling at someone.

Percy and Annabeth did the same thing when they hear Coach Hedge yelling for the first time.

Will, Drew and Clarrise occasionally have true crime watching parties.

In the Myth!Ares AU, Aphrodite has kidnapped Clarrise, as she puts it ‘to bond’.

After that they ended up in jail.

Drew called Piper ‘Silena’ once, the same way you’d call someone ‘dad’ or ‘mom’ accidentally, she didn’t speak to her for a week and just cried because she couldn’t forgive herself for replacing her sister.

Clarrise’s smirk is - chin up, look down at you and smile while curling the sides of her mouth down

Drew’s smirk is - chin down, look up at you, grin and wrinkle her nose.

(I have no idea why you need this info, it’s just how i picture their dynamic.)

Ares and Athena cabins have an archive of everything they know about everyone at camp, that they use for planning of capture the flag.

They have a separate archive for hunters of Artemis.

Percy and Clarrise train together a lot. Percy says it’s because he wants to beat her up.

In actuality it’s because at this point Clarrise is the only person who can beat Percy in combat. And they’re the only people, they can train with, using their full range of abilities and power.

Clarrise threw what remained of her helmet into the attic of the Big House after the battle of Manhattan, she now wears none or on rare occasions takes one that belonged to Silena.

Silena’s helmet is covered with ornaments that she scratched onto it and filled in with silver.

Drew and Clarrise both say ‘don’t be mean’ whenever they hear the other talking to someone they have a tendency to be mean to.

Both of them picked that habit up from Silena.

Will once asked Clarrise and Drew to be ‘more ally’

Those two got offended that they ‘have to tone down their gay’

Will just wanted to introduce them to Nico, and needed them to look less judgmental so he wouldn’t think they’re homophonic.

Piper lashed out at Drew for doing something mean, while in Drew’s eyes it was her attempt to create a better relationship with her

[turtle-steverogers]

i rlly like ur posts abt how steves rough time with his dad as a little kid affects him later in life. i was wondering do u think the other avengers notice? and if they do what do you think they think/do about it?

also tbh i rlly like ur posts in general lol. i hope you have a good day!

I think the other Avengers notice after some time, considering most of them have similar experiences. I imagine it's sort of an unspoken thing, but it's almost... more notable on Steve, because he's so goddamn young and because when he wakes up from the ice, he's so goddamn stretched thin, that the reserves he usually has to shove all those old habits into a box are low. He's jumpy, the others notice. A raised voice-- especially male-- makes him flinch before he smooths out his face. Making requests is hard for him, and mistakes-- even small ones-- are met with scrambling apologies and frantic attempts to fix the problems.

No one says anything, because they know what it's like, and they don't want him to feel cornered. But there's a hard mission, and he and Natasha are alone in a motel room, and Steve is so clearly low. Kids had been involved. And Natasha had seen the way Steve had shut down to see the marks and bruises on the little boy and girl they'd gotten out of a trafficking situation, and she understood. Albeit for different reasons, but at the core, the pain was the same. They'd both just been kids when they were hurt. Young and lost and wondering what they'd done to deserve the grown ups around them squashing them down and making them feel no better than the dirt.

He doesn't say anything, so she doesn't either. But that night, she can't sleep, and neither can he, and when she hears him shift, roll over. Curl onto his side as the silent tears start, she can't stand it anymore.

Her bed creaks as she slides out, ignoring the rough crunch of the carpet as she pads over to Steve's bed and climbs in behind him.

She crawls onto the bed behind him, stretching out. "Can I hold you?" she whispers. Steve shrugs. He doesn't care. He doesn't understand why she would want to be the big spoon to his hulking frame, but if she wants to, he won't stop her. He's too tired to. He feels her wiggle close and slides an arm over his chest, hugging him flush against her. Her palm rests over his heart and she rubs, soothing.

It eases some of the weight. Some of the ache. He breathes, shaky. She kisses the back of his neck. It's quiet for a long time.

Natasha's voice is soft and private when she speaks. "It hurts, what they did to us, doesn't it?"

Steve freezes, listening. Natasha holds on. He doesn't move her.

"Why would anyone treat children that way? Hurt them that way?"

Steve clenched his jaw, resignation in his gut. "How could you tell?"

Natasha sighs. "I put it together, more or less."

Steve nods and doesn't say anything. It's quiet here, outside the city. The world dark and lacking that telltale bustle. Steve hates it.

"It's alright that you're hurting still," Natasha continues, and Steve wants to beg her to stop, but he's too curious, too desperate for someone to see him that he doesn't. "It's okay that you're still scared. You're safe, darling... you don't have to believe that yet."

He starts to tremble.

"Shh, baby, hey," she soothes and her voice is easy to stomach. Easy to understand. "Breathe for me."

He sucks in a deep breath.

"Did they hit you in the Red Room?" he asks.

"Sometimes," Natasha says. "It was calculated, though. Discipline."

Discipline. Steve doesn't think his father meant for his hits to be discipline. They were just... correction. To get him to shut up. Or maybe so he could get his anger out.

"Breathe," Natasha reminds again. Steve takes another measured breath. "You don't have to tell me anything. But you can. I won't get it all, but I might understand."

Steve considers that. "How old were you? When it started?"

"I don't remember," Natasha said. "Very young. Four, maybe? You?"

"I don't remember either," Steve whispers, and he's furious. Suddenly, he wants to set the world on fire. For the little girl who just wanted a chance to see the sunshine, and for the little boy who just wanted to play. "Maybe the same."

They fall back into silence. Steve can feel his teeth chattering. Natasha starts humming a song, simple and soothing under her breath. He knows he doesn't have to say anything else; she understands. He lets his eyes fall shut again.

[darkestmetamorphosis]

THIS THIS THIS. It's just the perfect woman/incompetent man sitcom couple that's been the standard for literal decades, now with ukefication yay :|

Like can people just... write female characters as people it's not that hard! If you're trying to write a woman - whether that's an oc, or a canon character who probably already has a personality beyond what you're flattening her to - and all you can think of is either "girlboss" or "cringefail" with no middle ground; if you really cannot comprehend a woman being a normal three dimensional person, do some fucking introspection PLEASE. Stop taking inspiration from media and tropes and look at real live people

And the obsession with "queering" relationships is... ugh where do I even start. First of all that does not make it any more or less "pure" or whatever. Second of all if you have a straight man and a straight woman, they're still both straight no matter who's doing what in the bedroom

If one or both of the characters is queer though that's its own set of nasty stereotypes. If one or both of them are bi it's the "all bi men are feminine so they must also be (insert laundry list of infantilizing stereotype)"/"all bi women are badass girlbosses because they're Not Like Other Girls". If they're trans it's "penis=dom/vagina=sub" reducing them to their agab and parts they may not even want. Like it's misgendering with extra steps, in complete denial of things like bottom dysphoria, surgery, or the fact that maybe trans people might have more reason than most to be averse to the whole gender role reversal thing because having that expectation imposed on you your whole life really fucking sucks and it sucks even worse to be pushed back into the same box. Except the box now has a thin veneer of fake wokeness, repackaging the same old shit

And for all the people in the notes going "where are you seeing this" it's not even just on this webbed site, it happens irl too. ime it comes from the girls who say things like "all men are trash" and people who make nasty jokes/assumptions about me because they think I look like a ~smol uwu soft boi~

All the stereotyping aside, the vibe I get from these sort of dynamics is like... neither of the characters is even really into it? Like it's not about love, not even lust, it's just about power and dominance with no aftercare (because surprise surprise, they don't know how bdsm - including actual femdom - works) Like it's just there because the writer thinks it's the only way you can have a straight relationship without being sexist

can't vibe with the pathetic sopping wet generic sub boy man/pristine feminine perfect goddess woman dynamic people try to put onto every m/f pairing in existence. don't you want something more interesting? characters don't need to have perfect psychologist approved relationships in fiction obvs but it's just so boring. don't you want something in character? don't you want something more interesting?? oh she pegs him? and you write this in a way that implies penetration is about domination and power? wowee. never seen that one before.