#they better give him that badass death like in the books

[sweet-evie]

There really is no denying my taste in men... It's painfully obvious that I love the chaotic assholes. 🤣😂

[flawseer]

On the False Dragonets of Destiny

Recycled art... Forgive me, I can't physically draw more than I currently am.

Just a little while ago I was looking at some replies to my recent work, and I noticed a nice comment from someone who expressed they enjoyed my comics featuring the false dragonets of destiny, but couldn't really get into them in the books. I am thankful for that comment, but even more thankful for the opportunity to ramble at length about something I kind of wanted to talk about, but couldn't find a plausible excuse for. Until now.

All of this is just my reading of the material, of course. You don't need to agree with me on this.

Content Warning: Some discussion of abuse, trauma, violence. I don't know if it's severe enough to warrant a warning, but better be safe.

General discussion

The false dragonets of destiny, the alternates, or whatever one wants to call them. They enter the story proper in book 4, after having made a few minor cameo appearances before, and serve as a kind of hybrid antagonistic force and pseudo-allies for Starflight during his stay on the Nightwing Isle. During that time, they are very abrasive, stand-offish, uncooperative, and a bit annoying, and I guess that doesn't make them come off very well. But like, in spite of that or maybe partially because of it, I am really fond of these guys, and I'd like to take some time talking them up to you.

One can examine how these guys act and conclude that they are a bunch of dysfunctional screw-ups. And they absolutely are that, don't get me wrong. But one should keep in mind: the majority of the time they are in the spotlight, they are in an extreme, tense, and frighteningly uncertain situation. It's easy to forget how stressful these situations are because the books as a whole really like to gloss over the more frightening kind of subjects on account of being written for young readers. You can't really go deep into themes of abuse, trauma, and depression in a story like that without tripping over some kind of censor on the way, but the implications are there, between the lines for you to find.

Understanding the group

Who are the false dragonets of destiny? They are posited as a mirror image of the true dragonets of destiny, who have all been extensively schooled in matters of education and martial prowess. The first thing we see THIS group do on page is brawl, so one may think they must be trained and capable fighters. Viper and Flame constantly throw around death threats and aggressive quips, so one may think they are hyper-violent and dangerous. They are neither. Nautilus admits the Talons haven't bothered training them at all, they haven't seen real combat, they've likely been deliberately kept away from the war as a whole. Flame doesn't even know how to use his fire breath correctly. Starflight, who is by far the least physically adept of the arc 1 protagonists, is able to outpace them even as four of them team up against him.

They are neither killers nor a crack team of badasses, rather they are a bunch of play-fighting, posing delinquents who talk a big game with little in terms of actual skill to back it up. Realizing this is key to understanding just how out of their depth and ill-equipped they are to handle anything that gets thrown at them on the Nightwing homeland, especially past the negotiations at the Skywing outpost.

Abduction and imprisonment

When Starflight first finds them, they have been on the Nightwing Isle for a good while, and they are suitably bristly because of it.

Look at this situation from their perspective. These guys have known nothing other than their semi-peaceful life in the Talon camp. Then the leader of that camp, Nautilus--a figure they all know and trust, essentially sells them to a frightening stranger, who looms over them and is so physically large he could crush each of them easily. This stranger pulls them away from their home without even giving them a chance to say goodbye to their relatives (I'm convinced Avalanche would not have let Morrowseer take her son if there was a chance to intervene, so Flame must have already been gone when she found out).

A contingent of Nightwing awaits them, blindfolds them so they don't know where the entrance to the Nightwing home is. They pass through a kind of eldritch tunnel that pulls at their souls. When they are finally allowed to see again, they find themselves trapped on an island where there is no sunlight and every breath hurts as the air is thick with ash.

The Nightwings won't let them leave, in fact they don't know if they will ever be able to leave again. Nobody tells them what's going on, what they are meant to do, or what the plan is. They are left confined in some room with nothing to do, and they (sans Fatespeaker) can't go outside without being arrested. Food is brought very infrequently, and usually inedible, so they haven't eaten since they were forced to leave home. They don't know where they are, nor where their parents are, nor if their parents know where THEY are. They are completely cut off from anywhere, isolated, trapped in this little slice of hell with no means to escape and little hope to acquire any soon.

I think if I was in a situation like that, I would be pretty cranky too. More than that, I would be scared out of my wits, and I believe that they are as well. If you look at their actions through a lens of them being frightened, their irritating quirks suddenly become very relatable. Viper is coping by throwing out threats and making herself seem bigger and scarier than the thing trapping her. Flame makes offensive jokes about killing Fatespeaker because making light of the situation helps him keep his wits together. Ochre is hard to read, but I think he's just tuning everything out. Squid is convinced that his father--who is the most important and smart dragon in all of Pyrrhia--has made the correct choice and knows what's best for all of them. And Fatespeaker is in complete denial, choosing to trust an inaccurate vision of the future while ignoring all the red flags that don't fit into it.

I think it's interesting that you can read this as all of them having a different strategy to cope with the uncertain and frightening situation they're trapped in. That's part of why I like them; they're very flawed and make interesting decisions.

Trauma and Empathy

You can look at someone like Squid and see his surface traits: He is annoying, he whines and complains constantly, he brags about who his father is, and he seems completely incapable of doing anything useful. If this guy was in any other story, I would probably dislike him. But Squid has the benefit of being a whiny dweeb in a situation where it is very appropriate to whine and be scared. He has a scene where he makes a somewhat goofy speech at Morrowseer where he calls him stupid and wants to go home, and is subsequently exiled. It's a bit silly in execution, but for me it did succeed in making me feel bad for Squid as he desperately and pathetically pleads for Morrowseer not to send him to his death.

But then you can read beyond the lines a little and view the scene in the full context that isn't really dwelt on. Here, you've got Squid, who is inept even among his peers, sheltered and doted on by his father, whom he has never been away from for any real amount of time until now. This guy, who probably can't even feed himself (otherwise he might have been able to catch fish in the waters around the island), keeps telling himself that his father has a plan, that all of this, even the questionable stuff, is happening for a reason. He hasn't eaten in weeks and he's been the punching bag for everyone else's frustrations (because Fatespeaker is not around enough, hanging out with Starflight). Now he has been chased halfway across the world, forced to cross the ocean while tired and starving, to be told he has to talk to a bunch of violent strangers who hate his kind and want to kill him. He tries to hide but is grabbed by the throat and held in the air by a soldier twice his size. This is likely the first time his life has ever been threatened that directly and with genuine intent.

The strange new Nightwing who was sent with them somehow manages to deescalate the situation enough to save him, but then, without warning, more dragons burst into the room. Suddenly everything is on fire, including the soldiers who just a moment ago threatened him. He is close enough to them to watch their forms twist and writhe in agony as they slowly burn to death.

As he is made to watch this horrifying spectacle, all the feelings he repressed by reminding himself of the faith he has in his father come flooding back in at once. It becomes too much for him to bear, and he breaks. He starts crying and verbally lashes out at their abuser for the horrid conditions they have been placed in and demands--half asserting and half pleading--to be allowed to go home. This isn't really whining anymore, this is a full-scale mental breakdown, rendered to be simple and digestible to a young audience. Imagine how harrowing this scene could have been if it wasn't filtered through a child-friendly narrative.

Closing thoughts

There is a scene some time after that I found kind of poignant. At one point, Starflight looks out and he sees Flame just standing out there, silently staring into the distance. There's maybe one line dedicated to it, and when you read the book normally, you don't really dwell on it since it's so nondescript. But this scene happens shortly after the visit to the remote outpost. The soldiers that burned to death in there were all Skywings. Skywings like himself, and like his mother, who also was a soldier before she joined the Talons. Whenever I picture him standing there, I imagine he is reliving that moment, hearing the dying screams of his kinsmen. I think he will be hearing them forever.

So in conclusion: The reason why I like the alternate dragonets so much is because of the enormous, untapped potential they possess as characters, and how deep some of them run if you take some time to look at them. I feel like all of them have a story to tell, and it's a bit of a shame that Sutherland likely won't come around to telling any of them. If I had infinite time, money, and energy, I would love to make many more comics about them, as they are an interesting lot.

Especially Flame's story I feel is such a heartbreaking tragedy, and thinking about the way it ended saddens me. He's one of my six all-time favorite characters in the series, I wish he could have gone out in a happier, healthier way.

[just-prime]

Tales of Squandered Potential

Oh hello again everyone who follows me for my Star Wars ranting!

So! Tales of the Empire. The Hat Man is at it again.

Episodes 1-3 : The Path of Boredom

As expected, all of the Morgan stuff was not my thing. She was boring in Ahsoka, she was boring here. The entirety of the three episodes just hammered home "this lady is angry" in a way that felt overdone because there is no arc. There's no growth, no interest, no nothing. It all just feels like Filoni trying to retroactively make his one dimensional character that gets killed off in the stupidest way possible feel super badass. However because we know that she gets killed in the stupidest way possible, everything falls flat and none of it feels earned. It also doesn't actually answer any of the many many questions that Ahsoka raised about her. She's just there, standing in front of a fire. That's all she does.

Thrawn is there for all of about two seconds, and every moment of it is painful, because here's the thing. WE KNOW WHAT THRAWN WAS UP TO AT THIS TIME!!! We have the book that explains all of Thrawn's many exploits as an admiral. This is only more evidence for the idea that Filoni has never actually picked up any of the canon Thrawn books. Which we kinda already knew, but this is all but confirmation. As I've previously said, and will continue saying, Filoni needs to contextualize Thrawn as a 100% big bad otherwise his Heir to the Empire fanfilm won't actually feel earned, so he is systematically destroying any and all nuance that Thrawn has had to make sure that new viewers only ever see him as an unredeemable evil.

And I know that there are a lot of you out there who are holding out for the possibility that this is all a misdirect by Thrawn! That this is all part of his grand plan to go back and help the Ascendency, and that he's lying to everyone about his intentions. But the sad truth is that Filoni doesn't give a rats ass about anything other than cartoonishly evil Thrawn which means we're never getting Eli, or Karyn, or Hammerly or any of the characters from the six fantastic canon books that Timothy Zahn so lovingly created. That was made very clear with Filoni's prioritization of Admiral Pellaeon, who for those who don't know is actually in the new canon Thrawn books too! He wasn't just left behind in Legends, Zahn brought him back into canon too! But again, being the Legends fanboy that he is, Filoni doesn't care about where Pellaeon should be canonically, so instead he's just shoehorned into the episode for no other reason then Filoni likes him.

Episodes 4-6 : The Barriss Content

Soooooo, why didn't Barriss get a full fucking season to herself??? I get the idea behind the 15 minute episodes, but it really makes it hard to tell any sort of cohesive story. It works far better as a snapshot of a couple of days in someone's life. So unfortunately, while I did enjoy them, Barriss's episodes felt really rushed and I found it really hard to tell when things took place. How long was she at the Inquisitor training center? Was it a day? Was it a month? Really would have been interested in actually seeing the inner workings but it all has to get brushed over in favor of her becoming an Inquisitor. A seemingly intentionally not named Inquisitor which makes me feel like they've run out of early Inquisitor names. Unless there's a trial period before you get a proper number? I don't know it was just one of those things that niggled at me. Another thing that niggled at me (which was also mentioned by the wonderful artist @stealingpotatoes, go give her art some love) is that her design is kinda boring as fuck? Like, you have Birdy-Mc-Skullface right there with such a neat design and yet all Barriss gets is a motorcycle helmet with very slight voice modulation.

But I digress. The fact that Barriss commits herself to the Inquisitorium via a ritualized fight to the death, and then goes "wait, the red light saber wielding, all black wearing, Darth Vader serving inquisitors aren't here to help people?" before immediately bailing is so funny to me. This girl cannot for the life of her commit herself to an organization without becoming disillusioned within 1-3 business days.

I'm not sure how I feel about it all being about Lyn? I was very much rooting for her to totally die in the ice shafts instead of what felt like a very last minute redemption arc?

Though speaking of the last episode...HOLY SHIT OLD BARRISS IS FUCKING HOT. *coughs* Excuse me. Anyway. I would have loved to see more of what happened in between eps 5 and 6. Seeing how she and the jedi kid escaped the planet, and where the two of them did after than in the very hostile Empire would have been a facinating story watch play out. Also, who is this female friend that Barriss is referring to when she sends the child away? Is it Ahsoka??? If it is...WHY WOULD YOU NOT SHOW US THAT REUNION??? Like I get the whole point of this is to set up Barriss to make the jump to live action like every single other Filoni character is curseddestined to do, but also you've had people waiting years to find out what happened to Barriss and it feels like they burned their biggest story possibility on a throwaway reference. Did she find Ahsoka? Did Ahsoka find her? When did they find each other? Was it pre-Rebellion? Was it after Ahsoka was already functioning as Fulcrum? Given that we now know the Fulcrum name originated from Anakin, did Barriss recognize the name and seek this mystery person out? I don't know it just feels again like more wasted potential.

Final Thoughts

Fuck this animation is good now! Can we get a new writer?

Like, even for the shit I was annoyed by, the entire show just looks fabulous. It makes me really really wish that ANYONE other than Filoni could make content in this style. Let the writers of Jedi: Fallen Order and Survivor do a Merrin episode or a baby Cal episode. Or the people doing The Acolyte, let them do Tales of the High Republic! Let anyone other than Filoni have a chance to create within the world of Star Wars animated content.

[tanoraqui]

key elements of Crownless (the Young Aragorn show that lives in my head and heart) season 1:

(Note that I will play a little fast and loose with timelines and for the sake of a better story. And/or take ruthless advantage of canonical slow Dúnedain aging to spread the timeline out over several decades)

First episode(s) is Aragorn (age 21, functionally late teens) leaving Rivendell to start wandering the wilds with the Rangers. I would do Elrond & his people dirty and say that Aragorn has been kinda sheltered growing up, a little because Elves tend to baby Men, especially young Men, and mostly because everyone wanted to be sure Isildur’s heir was safe as darkness grew in the world, especially after his father was killed when he was 2.

So Aragorn starts with significant book smarts, homely peace smarts—historical knowledge, animal friendship, herblore, diplomacy skills, technical sword/knife/bow skills…but he doesn’t know the dirty fighting tricks that win a fight. His tracking, hunting, forest stealth, etc. skills…suck at first. He’s prone to freeze in urgent healing (or combat) situations, because he’s never done this on his own before—though he has a natural talent for the ‘calling people back from death’ thing we see in LotR.

(This gives Aragorn obvious skills to pick up that demonstrate his character growth as a leader, while also establishing from the start that his real talent in kingship is, always was, diplomacy, strength of character & connection with his people, literal and metaphorical healing. Also, weirdass plans, often based on things he read, with success resting on luck/prayer/hope more than any reasonable thing…including a willingness to trust strange new and/or sketchy people…and they work.)

Maybe eps 1-2 is a double-length episode: opens with newly widowed Gilraen arriving in distress with a toddler 18 years ago, then first half is mostly restless late teen!Estel in Rivendell, ending with Elrond revealing his true name, broken sword, time to go forth… Smash cut to Aragorn tripping in the forest and falling in a stream while 2 other baby Rangers laugh at him and whoever’s stuck training these new recruits sighs heavily. There’s a lot of “this is the new Chieftain of the Dúnedain, Isildur’s heir?”

Format: 22ep 44min monster of the week (like GOD INTENDED) focused on the newest young Rangers: Aragorn, Halbarad, Dúnawen (OC: “maiden of the west”, don’t @ me for naming), as they range throughout Eriador learning how to be badasses guarding the boundaries of civilization. Monsters include orcs, wargs, mortal bandits, trolls, giant spiders, a small ice wyvern that made its way to northern Dale, barrow-wrights, unhoused fëa, rival clans of Men or maybe Dwarves who are about to go to blood feud war…

…and a slowly mounting season plot of the trouble of 3 Nazgúl reoccupying Dol Goldur, after the White Council forced the “Necromancer” out 15ish years ago. (Riling up ghosts throughout the countryside? Something something themes of moving on from the past. Also, can’t go wrong with an episode in which heroes must confront their literal personal ghosts.)

Repeat cameos from Elrohir & Elladan, cousins of all Mannish Dúnedain (and kind of older brothers to Aragorn in particular.) Are they helping him? Are they harder on him than on the other new recruits? Are they good cop/bad cop-ing it?

Arwen! Meet briefly ep1 and/or she’s a key feature of midseason finale; return in season finale to be badass. “Tinúviel! Tinúviel!” scene in Lothlórien casts a hiccup in a fledgling romance between Aragorn and Dúnawen

All combinations of Aragorn/Halbarad/Dunawen ARE welcome, nay, encouraged. They’re functionally in college and they’re all hot, and constantly in near-death situations. I advise the writers to have fun. Bisexuality is free.

Gandalf introduction early, ep2? Probably also in finale (something of a large team-up).

Late season bottle episode, maybe just before a 2-parter finale, in which due to a thunderstorm/mudslide/cave-in incident, Aragorn, Halbarad and Dunawen are trapped in a cave/small series of caves with a random assortment of other travelers on the road west of Bree: a pair of Dwarvish merchants, a few men, 1 elf (journeying to the Havens to Sail?), and 1 hobbit, Mr. Drogo Baggins of Hobbiton, who was making a perilous journey to Bree and back in order to fetch his beloved, very pregnant wife a particular kind of cheese she was craving. No loss of air threat, but they’re stuck. Obviously getting Drogo home is of utmost importance (and everyone else needs to get home safe, too). Tempers run high! Only once the Junior Rangers sort out their late-season interpersonal drama can Aragorn rise to the occasion and organize/mediate this microcosm of Middle Earth’s populace to dig their way out of this cave.

Aragorn is exceptionally good at facing down Nazgúl and their weaponized despair because he has—indeed, he is, by name!—hope. This show is about hope first and teamwork second, and looking badass in a beautiful landscape while Howard Shore music swells third.

[s2 in notes]

[darklinaforever]

https://www.tumblr.com/aryas-faces/759627378192465920/the-house-of-the-dragon-writers-are-so-jealous-of?source=share

Lol just lol

Wow. Reading so much crap at once should be banned.

The delusion that Aegon II took the throne for his family is reported by Eustace, a maester pro-greens and anti-Blacks / Rhaenyra, who spends his time whitewashing them as much as possible. What he says about the Greens is still highly questionable. Especially since this bullshit of only wanting to protect one's family as a motivation to take the throne can quickly be challenged when we see how different Aegon II seems to be with the crown on his head, ready to do anything to keep it for himself and absolutely not mischievous. Firing Otto and refusing the peace agreement proposed by RhaeRhaenyra which would precisely save his family, except his grandfather who... well that's good because he doesn't care! Not to mention calling Rhaenyra a whore as easily as he breathes when apparently before taking the throne he actually respected Rhaenyra saying what kind of brother would steal what belongs to his older sister ? A little common sense. Eustace's comments about the Greens / Aegon II taking the throne are not at all consistent with Aegon II's behavior after that.

Then, the same, the so-called great exceptional link between Syrax and Aegon II is propaganda bullshit. Did Sunfyre love Aegon II? Yes. Is the opposite true ? No. He saw it as a kind of replaceable accessory. As proof, when he loses Sunfyre, he says that he wants a new dragon which will be an even more efficient Sunfyre. That doesn't sound like someone who cares about their dragon. Unlike Rhaenyra who just says that her team just needs dragons otherwise they are lost to the war. At no time does she look for a better, more efficient Syrax. Also, if we really have to decide who seems to have a better connection with her dragon in a deep way, it is undeniably Rhaenyra with Sunfyre. I remind you that Sunfyre was hatched for Rhaenyra and that she rode him from the age of 7, making her the youngest dragonrider. Syrax also formed a mated paur with Caraxes, Rhaenyra's husband's dragon. But apparently, it is Aegon II who has an exceptional bond with his dragon ? My eye. Once again, we must differentiate between the words of propaganda and the facts in the book. Also, gold and yellow are almost the same color. When you put official images of Syrax and Sunfyre side by side validated by GRRM sorry but... Well Syrax is also golden from what we see. Honestly, who tells you that the maesters didn't just try to tone down the color of Rhaenyra's dragon to highlight Sunfyre and Aegon II ? See here for more development on the color of Syrax :

If the writers wanted to make Rhaenyra want to participate in the battles in HOTD, it's simply because they didn't know what else to do with the character and give her a false badass look. Not to show off her doing to Aegon II or make her as brave and selfless as him. This literally has nothing to do with your dear Aegon II here. It's just that the writers have no imagination. Then, sorry to shatter your dreams, but there's nothing brave about Aegon II going into battle. It's unconscious. A monarch generally does not go to the battlefield. Because life is precious because... well it's the fucking monarch ?! Sending him to death's door is stupid and counterproductive. Also, people seem to forget that Rhaenyra couldn't even fly a dragon in Fire and Blood when the war started, because she had just had a complicated stillbirth with Visenya. But obviously, no one is going to take all that into account. Let's forget the historical context and Rhaenyra's physical state to treat Fire and Blood's version as cowardly and selfish for not going onto the battlefield when there's no the fucking point here. All this to try to make Aegon II appear brave and selfless ?! Aegon II ?! He is neither of those two fucking words.

I remind you once again that no, the idea that Aegon II was forced to take the crown is bullshit, completely invented by Maester Eustace.

And no, Rhaenyra doesn't take the crown to protect her family in HOTD. She doesn't even have children when she accepts to be heir in 1x01. Rhaenys' words in 1x10 are just a classic fucking warning. Rhaenyra was already planning to be queen before this because she saw it as her duty and did not expect to be usurped the way the Greens went about it. So what are that person talking about ?! Rhaenyra even considers giving up her crown and her youngest boys (Aegon III and Viserys II) to the Greens to ensure the peace of the kingdom. So once again, what are you talking about ?! Rhaenyra didn't accept the crown at all to protect her family in this whole situation. Also, when you are designated heir, you accept and you keep quiet, that's all. Do you think 7 / 8 year old Rhaenyra was an aide to the throne or something ? Reading this kind of bullshit you might think that's what is being insinuated. To say that the Rhaenyra of the show is forced to have the crown is essentially saying that the 7 / 8 year old Rhaenyra who was named heir was completely on board and wanted it, when we're talking about a child who probably only accepted what was his duty in the first place, to then grow up always having this perspective in mind and having been educated for it, and then obviously considering the crown as rightfully his. Because it is. Quite simply. But apparently, with Green stans it's horrible... On the other hand, an impersonation if you have a dick is okay for them.

I also remember that in Fire and Blood, when Aegon II was crowned, the population demanded Rhaenyra...

On the other hand, I don't know in what universe this person lives to believe that Aegon II is the favorite of those who watch the show ? All the polls that are done on the internet simply prove the opposite. Yes, we all recognize the actor's performance on Team Blacks side, but he is certainly not one of our favorites and even less the favorite. Even some of the Greens Stans hate him... And yes, a large part of the Greens stans love an Aegon II that they fantasized in their heads, but they are not at all representative of the majority of the fandom. Again Aegon II is not a fan favorite in general in HOTD. This place is rather held by Daemon or then (to my great despair) Aemond (ironically because he is precisely a poor version of Daemon).

[feanoryen]

AU where all the adult dragons survive the dance in full health but no new eggs are hatched

(and their riders still die ofc)

Here's who I see the next generation of Targs claiming:

(Seasmoke will continue getting passed down by House Velaryon)

Viserys II: Vermithor - Intellectually he had the potential to be the second coming of Jaehaerys, I think Vermithor would have seen his first rider in Viserys II and formed a bond with him.

Aegon IV: Syrax - Both very lazy and very fertile. I know he would have wanted Sunfyre because he seems superficial as heck but I can NOT see him bonding with Sunfyre. (Say what you will about Egg2, but he loved Sunfyre in a was Egg4 was incapable of loving anyone.)

Aemon: Tessarion - The Daeron the Daring vibes are there! I think Tessarion would have been drawn to him judging by him sharing many traits in common with her first rider.

Naerys: Dreamfyre - Might have not claimed a dragon at all but Papa Viserys might have hoped a dragon would improve her poor health and pushed her to claim one. Plus, Dreamfyre LOVES her miserable tragic Targ Queens and Naerys gave birth to twins once. You know who else had twins? That's right, Queen Rhaena and Queen Helaena.

Daeron I: Vhagar - Boy King would have wanted himself the greatest beast he could get. Nothing more fitting to conquer Dorne than a conqueror's dragon. Would have gotten himself and Vhagar killed in Dorne like Rhaenys & Meraxes.

Baelor I: Silverwing - If he chooses a dragon at all I can't imagine it being anyone other than the gentle Silverwing.

Daena: Meleys - I think Meleys has a type: strong & badass Targ ladies.

Rhaena: NONE - She 100% wouldn't have claimed a dragon.

Elaena: Morning - After aunt Rhaena's death. She stole her other aunt Baela's man (Alyn V), only fitting for her to take Rhaena's dragon.

Daeron II: Sunfyre - While he's not that similar to Aegon II obviously, Sunfyre is a dragon who's characterization is built around love. I love the idea of Sunfyre picking up on a boy feeling rejected by his father and filling that hole like he did for another Targ boy before, only this one ended up being a better person. (Plus daddy undearest Aegon IV would have been so pissed off seeing Daeron claim the prettiest dragon.)

Daenerys: Silverwing - She seemed intelligent and likable and kind, not to mention her descendants followed absolute primogeniture and she shares a name with feminist icon Alysanne's daughter so Silverwing just fits.

Baelor: Tessarion - Listen! I trust my girl Tessarion to have good taste! I can see Baelor claiming her after great-uncle Aemon's death.

Aerys I: NONE - I feel like be wouldn't have one. He's so Archmaester Vaegon coded, he'd just be locked up in his room with his books.

Rhaegel: N/A - Just N/A, we know nothing about him.

Maekar: Sunfyre - He would wait years to claim Sunfyre after his dad's death. Sunfyre would have been very large at this point plus he's a war dragon which would be perfect for Maeker's war-like tendencies.

And the great bastards...

Daemon Blackfyre: Vermithor - I think Aegon IV would 100% let him claim a dragon and I think Vermithor would fit him. Especially with his forbidden love story with Daenerys.

Bittersteel: Vermithor - After Daemon's death, he'd claim Vermithor to continue Daemon's fight just like he took Blackfyre.

Bloodraven: Caraxes - An unusual dragon just like Bloodraven himself. I can see Daeron II offering him a dragon but I can't see him having a dragon going into current day so he'd probably get Caraxes killed at some point.

Shiera Seastar: NONE - As lovely as she is, there would be 0 good reason for Daeron II to give her one since she isn't fighting wars for him like Bloodraven.

[wingsofhcpe]

yeah now I see why everyone's saying Netflix ruined the Witcher story in s3 and why Henry Cavill hightailed it the fuck out of there.

They ruined Dijkstra by making him a coward and a drunken fool by the end. They ruined Philippa by making her a "sexy dominatrix" cardboard cutout instead of the calm and collected mastermind powerhouse she's in the books AND it seems they'll give her secret magic meetings orchestrator role to Yennefer because fuck any female character who isn't her or Ciri, I guess. They changed Cahir's story for.... God knows why, actually. They FUCKED UP Fringilla and Fransesca and the emergence of the Dol Blathana kingdom, seriously I don't even know where to begin when it comes to these two.

And worst of all, the one thing I will absolutely never forgive them for: Tissaia.

My brave, strong, arrogant Tissaia, brought so low for a man. Making mistakes not because of her arrogance or her immense power and her belief that she was protecting what she treasured, but for a fucking love interest. Oh, but he turned her soft, she finally trusted, she was finally happy, she's better for it per Yen's literal words. And she gambled and lost not because of her unwavering beliefs, but because she was shagging Vilgefortz and he manipulated her.

The lightning scene and her hair turning white? Yeah, that was fucking badass. But since they went through all that trouble to keep her around longer/have her do more things, I don't understand why they had to kill her in the same way as the books in the end. With the path they chose for her, she should have died during the lightning spell. That would have been okay. But no, they had to do that part like the books, I imagine for shock value. And somehow, that made everything even worse.

CW for self-harm and suicide under the cut.

In the books, Tissaia taking her own life was not a dramatic, prolonged scene. It wasn't an emotional decision she took by smoking drugs and writing farewell letters. She made a mistake because of her own arrogance: not because of men or love but because she truly believed herself to be powerful and infallible and trusted herself to protect Aretuza. And so when she gambled and lost, taking her own life felt like her acknowledging her colossal mistake and not cowering at the face of consequences, but instead delivering those consequences herself, which only strengthened her image as a powerful, self-sufficient mage; she didn't even need someone else to point out her failures and deliver punishment, she did it herself. And to be clear here, I am not glorifying her act; suicide is no "proper punishment", nor should it be regarded as something admirable. All I'm saying is that it was very much in line with Tissaia's character and thematically fitting. This is fiction, not reality. Let us not confuse the two.

In the show, however? They dragged it out, they had Philippa rubbing her mistakes at her face, humiliating her in front of the other sorcerers. And the last straw for me was her conversation with Yennefer, because it really came off as Tissaia accepting that her living and staying strong and leading them would be the proper way to atone for what she did. It came off as Tissaia accepting responsibility, recognising the truth in Yennefer's words, and actually trusting in them. Then, the moment Yennefer looked away, she got high, made a callback to season 1 for... some reason with the rock and flower trick, and killed herself.

In the books, death felt like her righteous punishment that she accepted for her mistakes. Here, it felt like running away, choosing the easy way out and, ultimately, doing it all because of Vilgefortz.

And I am never, ever forgiving the show writers for that. Tissaia was my favourite character in the books, and they absolutely destroyed and humiliated her, and for what? For shock value and to prop up Yennefer. Because God forbid this show has more than one badass woman character in the lead. If yall wanted to change Tissaia's character you could have done that by keeping her alive, having her stand by Yennefer, maybe having lost her powers after thar spell but still being there to guide the new generation of sorcerers as they rebuilt their home- that would have been what book!Tissaia would have done as an alternative to dying. But no. You just had to make her a pathetic little coward whose actions were mostly because of her relationship to Vilgefortz. Taking away her strength and agency in every possible way.

I'm glad Cavill left this shitty-ass production and I honestly hope s4 flops SO bad you'll have to cancel s5 even if it's already renewed. Fuck this shit.

[iris-sistibly]

The Targ Talk: House of the Dragon S2

Episode 5 commentary

Alicent finally realizing that the men she sided with doesn't give a shit about her. The fact that even Crispy and Larys agreed that Aemond should be Prince Regent was a huge slap on her face. Now that she knew that she is no longer of use to the council, realized why Rhaenyra rejected the orange bitch, and how much of a vengeful motherfucker her own son is, I am interested to know as to what Alicent would do next. If she wanted to correct her mistakes, she'd turn her back against the greens and bend the knee to Rhaenyra. But that would mean that she's gonna betray her own sons, and she'll possibly end up dead before she even gets out of the castle gates. OR she could stay loyal, keep her mouth shut and let Viserys' children kill each other while she isolates herself in her own chambers, carrying that guilt of how much she fucked up until she passes. Let's see what she does next.

Rhaenyra's council is full of misogynistic cunts and the only ones who respect and support her are the women. Rhaenys fought to the death to make sure Rhae sits on that damn throne, something she never got to do because she was born a woman. My badass Baela on the other hand defended the queen and reminded Corlys that Rhaenys' fate was her own choosing, and no one should be blamed in her untimely demise. Honestly, she and Jace would have been the best king and queen.

I have always loved Jace in both the book and the show, still young but has already showed his potential in becoming a great leader. This makes me dread his fate even more.

Targaryens are known for their inbreeding, but it is uncommon for a parent and child to have a relationship that is beyond...well...a parent and child. I am one of those who felt uncomfortable watching it, but when I saw this, the first thing that came into my mind was Daemon has mommy issues. But then I remembered that he was very young when Alyssa died so that's highly unlikely. I did however found an explanation for that vision, someone wrote that the sex scene between Daemon and his mother was actually about Daemon's superiority complex. He likes being the dominant one, it arouses him (hence the sex scene). Looking back at the previous episodes, no one has really regarded him as the stronger or the better brother and that vision was feeding his ego basically, and I couldn't agree more.

I NEED LONGER HELAENA SCENES.

[tobiasdrake]

Digimon Adventure 01x03 - The Blue Wolf! Garurumon! / Garurumon

Previously on Digimon Adventure: Prank phone calls sure do hit different when the emergency line operator is the one doing them.

Good news is, we have like a day's worth of food. Bad news is, we're still in this awful place File Island and don't know how to go home. Or even where we can physically be that won't piss off territorial wildlife. Man, when I signed up for an Isekai, I was promised elf waifus and unearned combat supremacy; I want to speak with this place's manager!

We open on Taichi standing on the edge of a cliff, staring into emo distance. He's trying to make sense of the rules of this death world. Why did only Agumon evolve? Why did he lose his evolution and revert to Agumon again?

Agumon has no answers for him. As noted last episode, the Partner Digimon don't understand how this works either. We're all figuring this shit out together.

Dub Tai makes the wild-ass claim that they've already searched the whole island, which is a bald-faced lie given that exploring File Island will take up much of this arc. Then he just brags about how Greymon is super badass, rather than contemplating how evolution works.

Tai does also ask Agumon why he can't remain as Greymon, but he's more macho about it and kind of mean. "I like you better as Greymon," he says with actual words from his mouth. Agumon apologetically explains that "Even superheroes need a rest."

No time to keep thinking about this, nature has discovered us once again. Monochromon, an Adult-stage Digimon, smashes through some nearby rocks. Tentomon assures us that Monochromon are docile. The narrator agrees, but adds that they have a foul temper.

As a second Monochromon emerges from the other side of the group, the kids quickly decide to skedaddle out of the way. The Monochromon aren't here for us, we're just in the crossfire. Nature can be like that sometimes.

Tentomon speculates that this is a territorial dispute. Makes sense, and also not our problem so we book. Fleeing from this violence, Takeru trips and falls, but Yamato stops to help him, giving the brothers a nice moment.

Once we've run as far as we can from the territory duel, Mimi gets tired. She offhandedly complains that all this walking is going to thicken her calves, prompting Agumon to chime in that thick calves are good 'cause you can kick dirt with them. Palmon argues that leafy feat are better. Mimi is unswayed by both of these arguments.

Dub Mimi adds a bit about shopping malls; "I don't walk this much unless I'm at a mall, and as you can see, we're nowhere near one!" However, the thrust of her complaint remains that she's tired and sore from all this walking. Agumon inexplicably suggests she'd feel better if she took off her shoes and walked in bare feet. Palmon doubles down, saying she loves the feel of dirt between her toes. Mimi is not impressed.

Meanwhile, Koushiro and Sora discuss the strangely colored sunset of File Island. Even the sky in this place is weird. In any case, the sunset brings a more pressing concern: It's going to get dark soon. We're about to spend our first night on File Island.

Tentomon notices the smell of water in the air, so he takes to the sky to scout out and discovers a lake nearby. A freshwater drinking source is a huge discovery in a survival situation, so we should head that way!

It takes very little time to reach a survival consensus. Everyone is tired and hungry. We'll make camp at the lake and figure things out in the morning.

Well, consensus except for Dub Matt. Yamato likes the idea of stopping to rest for reasons that are clearly visible onscreen with him and require no elaboration. Matt, however, decides to be contrarian and barks that "We should keep walking and stop all the complaining!" Harsh, Matt.

Lake's full of telephone poles and shit but honestly we are past caring that File Island is weird. As we approach the lake, the group takes a moment to agree that this is a great spot to camp out for the night.

Mimi's nervous, though. She asks Taichi to clarify that camping means they have to sleep outdoors, which he confirms.

However, a new option suddenly presents itself courtesy of File Island being so weird. As if directly responding to their presence, a trolley sitting on a little island connected to the mainland by a manmade stone bridge suddenly turns on and calls their attention to it.

As they race for the trolley, Dub Tai inexplicably calls out, "Mimi, wait up!" as he leaps through the doors, despite being the first kid to set foot on it.

Having thoroughly failed their Don't Get In A Stranger's Car check, they take a moment investigating the trolley. Taichi and Koushiro confirm that nobody's here. Taichi's extremely bothered by this whole thing. Jou agrees, wondering aloud if the trolley's going to start moving by itself, but Taichi waves him off; There aren't any tracks for the trolley to go down.

Dub Tai agrees with Joe, but thinks it might actually be good if the trolley suddenly kidnaps them all. It might take them home. Dub Tai somehow manages to be worse at Stranger Danger than any of the Japanese crew. To be fair, he's not alone; Dub Mimi said that too.

Well, it's decided. We'll sleep in the trolley tonight. Just like that, the group sets to work on foraging for food and supplies. Last episode, the Digimon said they're good at foraging; Now they get to show off their skills, gathering various fruits and berries. Mimi tries to help, but Palmon stops her from accidentally picking poisonous mushrooms.

Jou and Sora gather firewood while Koushiro and Takeru catch fish to cook. Taichi and Yamato prepare the fire and just like that, we're camping.

When he sees Takeru struggling with figuring out how to eat a whole fish like this, Yamato offers to de-bone it for him. Taichi interrupts and tells Takeru to just start at the head and bite; Takeru accepts that advice and gives it a try.

In the dub, T.K. complains that his mom wouldn't like this. He's only supposed to eat fish sticks, and he's not supposed to eat with his fingers. Matt assures T.K. that he won't tattle, and Tai chimes in to tell him he's "hanging with the big boys now" which seems to settle his nerves.

From there, Taichi approaches Sora, who's filling up a bamboo shaft with water from the lake. He's noticed that Takeru refers to Yamato as "Onii-chan" and he's curious about it. Sora's as lost as he is about it.

Dub Tai already gets that Matt and T.K. are brothers, and instead complains that Matt "doesn't treat T.K. like a brother, only like he's a bother." Rude. Sora agrees, but suggests he's still learning how to be a big brother.

Jou returns from having a short walk around, stargazing. He's been trying to use the night sky to figure out where the hell File Island is, but the sky is wrong. Not just wrong for Japan; It's just wrong. Neither the North Star nor the Southern Cross can be found. So we are neither in the Northern Hemisphere nor the Southern. What does that leave?

Sora quickly corroborates, observing that she can't find any familiar constellations either.

Dub Joe is less thorough than Jou. He doesn't look for the Southern Cross, instead settling on the idea that we must be in the Southern Hemisphere if he can't find the North Star. Mystery solved.

Before long, it's officially time for bed. Time to spend our first night on File Island. Koushiro wants to establish a night watch rotation, which Taichi and Jou quickly agree to.

Taichi suggests that the girls shouldn't have to keep watch. Upon hearing this, Yamato jumps to his feet to demand that Takeru be excluded too. Takeru volunteers to take a turn anyway, but Yamato tells him no; Takeru should just sleep.

The dub cuts Tai's line about wanting Sora and Mimi excluded from the rotation, which leaves Matt issuing demands on T.K.'s behalf out of nowhere. This still works for the scene's intent.

Mimi points out that they have no bedding to sleep with. Getting an idea, Taichi goes straight for Gabumon, trying to steal his pelt away from him. He's only playing around, and he lets go as soon as Gabumon freaks out and runs.

Dub Tai somehow makes this about Mimi, playing her up like a predator in the night who's going to come for Gabumon in the night and cut off his tail.

Yamato angrily shoves Taichi away from Gabumon and the two nearly come to blows before the others tell them to quit it. Jou interrupts, calling the group's attention together so they can set up the shifts. With Sora, Mimi, and Takeru all excluded, the rotation he comes up with is:

Taichi

Yamato

Koushiro

Jou

Sora and Mimi remain excluded from the list even in the dub, so I guess Joe's the sexist one in this version. :P

As the kids prepare for bed in the trolley, they proceed to make unbelievably poor use of all that seating area. Everyone has to sleep in a sitting position but like there is so much space y'all.

Mimi's upset because she's used to sleeping in a bed. Dub Mimi instead is mad that she has to share sleeping space with other people. Rude.

Going to bed, we're made privy to each of their last thoughts as they drift off. Sora hopes they aren't attacked in the night. Mimi wants to take a bath. Koushiro expects it will be a long day for the group tomorrow. Jou wants this all to have been a dream.

In the dub, T.K. bids everyone good night with, "Don't let the Monochromon bite," giving Sora a specific monster anxiety to worry about. Mimi's feet are still sore. Izzy speculates that the aliens he's still on about put the trolley here to help them. Joe worries about getting "monster cooties", actual quote.

Yamato's staked out his own bench to rest on. He orders Gabumon to go keep Takeru warm. Gabumon teases him about loving his brother and Yamato storms off in a fit of embarrassment.

As the group drifts off to sleep, things start to go to shit almost immediately. The other shoe finally begins to drop during Taichi's shift, as he steps on a strange red leaf on his way to wash his face. Nothing comes of it, however. Not yet.

While Taichi's washing his face to stay awake during his shift, Yamato exits the trolley to get away from everyone. He apologizes to Taichi for their earlier fight, and confides that Takeru's closer to Taichi than to him because of his overprotective behavior; Calling back to the earlier incident with the cooked fish.

Dub Matt, meanwhile, continues being a total jerk. He still apologizes but, rather than opening up about his feelings, Matt aggressively blames "having to watch T.K." for his behavior. Nice, bro.

Taichi asks Yamato to explain the nature of their relationship for him. Yamato explains that they're brothers from a broken home; Their parents divorced and the brothers were split between them, which is why they have different last names.

The dub hasn't been playing coy about this the way the original did, so Tai instead has to ask, "Do you two even live in the same house!?" out of nowhere to provoke Matt's explanation. Matt answers that they're half-brothers so that's why they see each other so rarely.

Having had his fill of emotional honesty, Yamato splits with Taichi and goes to play his harmonica by the lake shore. He's shortly joined by Gabumon, doing a startlingly poor job of being Takeru's blanket.

That's when it happens.

Okay, fucko, I can handle being stepped on but that is a bridge too far. Local wildlife mad now.

I blame Taichi for this. 100%. That fin wasn't exactly hard to spot.

This is the Adult-stage Seadramon, the first of a particular kind of Digimon. The "dramon" lineage is a pun on the word "dragon". Any time you meet a -dramon, that's a dragon Digimon. Seadramon is, of course, the Sea Dragon Digimon.

Seadramon honestly wants nothing to do with this. His first reaction to his rude awakening is to try and peace out. Unfortunately, his tail is embedded in the island, so he ends up dragging it around with him.

Tentomon explains that Seadramon is normally pretty docile. He only attacks if he feels threatened. As long as we haven't threatened him, we should be fine. As Tentomon says this, he hops directly onto Seadramon's tail like an idiot.

Really playing up how much this impending fight is absolutely, 100% our fault. We screwed up. Seadramon is trying to defend himself against us.

This context doesn't make it into the dub. Instead, Tentomon assures the others that they'll be fine as long as Seadramon doesn't realize they're here; However, by stepping on Seadramon's tail like that, he reveals their presence to the dangerous predator.

Wrenching his tail free of the island, Seadramon retaliates by submerging himself and pushing the island further out into the lake until it collides with those telephone poles we saw earlier and can't budge any further.

Seeing Takeru in trouble, Yamato doesn't even hesitate to throw himself in the water and swim halfway across the dragon-occupied lake to reach his brother. Gabumon hesitates for a moment, not wanting to get his fur wet, but pursues Yamato anyway.

As Seadraman renews his assault on the island, the Child-stage Digimon try to fend him off, but their attacks are useless against an Adult-stage Digimon as usual. Taichi tries to get Agumon to evolve, but he can't; Agumon doesn't know why. As previously established, the Digimon don't understand this whole thing any better than the kids do.

Dub Agumon is lost too, but at least offers speculation. He thinks his body might still be tired from his fight with Shellmon. Valid theory.

Takeru falls in the water trying to get to Yamato, but Gomamon gives him a ride. Trusting Gomamon to take care of Takeru, Yamato and Gabumon throw themselves into the Seadramon fight.

Gabumon's signature move is Petit Fire. Like Baby Flame, this conveys the idea that it's a junior attack fitting of a Child-stage Digimon. The dub calls it Blue Blaster. Like the other Child attacks, Petit Fire is useless against Seadramon, who flicks Gabumon away with little difficulty.

Wrapping his tail around Yamato, Seadramon goes in for the kill.

The dub uses careful language to avoid explicitly saying that Seadramon is going to kill Matt, but nonetheless conveys the same idea. Tentomon calls Seadramon a "bubble brain" but explains that "once he finds his prey, he won't let go".

Takeru, Patamon, and Gabumon briefly discuss what they can do. Takeru wants Patamon to help, but Patamon is powerless so he turns to Gabumon. Gabumon's hesitation strikes again; He wants to help Yamato but he isn't strong enough to intervene.

However, as he watches Seadramon choke the life out of Yamato, Gabumon thinks about his harmonica music and how much he wants to hear it again. He dwells on that music and how badly he wants to hear Yamato play, then lets out a bloodcurdling scream and begins his Adult-stage evolution.

None of this emotional conflict makes it into the dub. English Gabumon agrees to go save Matt immediately, calling out that he's on his way and assertively saying, "What's a little stinky fur compared to a friend like him?"

Either way, Gabumon SHINKAAAAAA!!!

Gabumon's Adult-stage is Garurumon, another onomatopoeia name. He's named for the sound of a wolf growling. "Garururururu...."

While Garurumon and Seadramon fight, Tentomon explains that Garurumon's fur is as strong as the legendary metal mythril. The kids don't know what that is, so Koushiro asks for clarification. This puts Tentomon on the spot, who has to admit that he doesn't know what mythril is either. Taichi wonders aloud if they should really be trusting Tentomon's word when he's explaining the Digimon lore.

Dub Tentomon only equates Garurumon's fur to steel, and adds that he's a "growling torpedo". Izzy understands what that means and declares Garurumon to be invincible, forcing Tentomon to backpedal and say it's only local heresay, nothing concrete. Tai then accuses him of "exaggerating with another one of your wild fish tales again". Uh, another?

For once, we get some focus on the antagonist's special moves too. Seadramon is a wild animal so he doesn't talk, but Tentomon explains this to be his signature move Ice Arrow. Fitting for a sea dragon, he has frost breath.

Garurumon matches it with his Fox Fire. The dub calls this Howling Blaster.

Y'all, he just wanted to sleep.

Gomamon's Marching Fishes bring us back to land, but the sun comes up and nobody's rested. Exhausted, conversation turns to Gabumon's evolution.

Sora suggests that Gabumon was able to evolve this time because it was Yamato in danger. Taichi remembers Agumon evolving to protect him and corroborates that theory. The kids are beginning to develop an understanding of how evolution functions.

Once that's settled, the kids find spaces in the grass to snooze; Everyone's too tired to even care anymore where they rest their heads.

We close this episode on Yamato playing Takeru and Gabumon to sleep.

...I guess technically it is his turn to take watch.

[iheartgracie]

jude duarte badass quotes

Instead of being afraid, I could become something to fear

The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.

I kissed him on the mouth, and then I threatened to kiss him some more if he didn't do exactly what I wanted.

Vivi is right; it cost me something to be the way I am. But I do not know what. And I don't know if I can get it back. I don't even know if I want it.

I'm not a monster, I'd told her, back when I said I would never hurt Oak. But maybe being a monster was my calling.

You put a curse on that girl over there,” I tell him. “Fix her immediately.”

“She admired my ears,” the boy says. “I was only giving her what she desired. A party favor.”

“That’s what I am going to say after I gut you and use your entrails as streamers,” I tell him. “I was only giving him what he wanted. After all, if he didn’t want to be eviscerated, he would have honored my very reasonable request.

“If I cannot become better than them. I will become so much worse.”

“Sorry if you can’t read my handwriting,” I say, grabbing the notebook. The page tears, leaving most of my night’s work shredded. “But that’s not exactly my disadvantage.”

“I brush myself off. “Are you calling me out? Because then it’s my right to choose the time and the weapon.” How I would love to knock her down.”

“I don’t feel particularly miserable right at the moment.” I can’t show him I’m afraid.

His mouth curls. “What happiness do you have? Rutting and breeding. You’d go mad if you accepted the truth of what you are. You are nothing. You barely exist at all. Your only purpose is to create more of your kind before you die some pointless and agonizing death.”

I look him in the eye. “And?”

He seems taken aback, although the sneer doesn’t leave his face.

“Yeah, yeah, sure. I am going to die. And I am a big liar. So what?”

“You had the advantage of me twice, and twice you gave it away. Good luck getting it again.”

“Perhaps someone will ask for your hand and you’ll be made a permanent member of the High Court.”

“I want to win my place,” I tell her.”

“They talk about honor, but what they really care about is power. I am good enough with a blade, knowledgeable in strategy. All I need is a chance to prove myself.”

“Take a big bite.”

“Make me,” I say before I can stop myself”

“She can show us how sorry she is,” Cardan drawls. “Tell her she doesn’t belong in the Summer Tournament.”

“Afraid I’ll win?” I ask, which isn’t smart.”

“Nicasia's wrong about me. I don't desire to do as well in the tournament as one of the fey. I want to win. I do not yearn to be their equal. In my heart, I yearn to best them.”

“I don’t care if they don’t like my being in the tournament. Once I become a knight, I’ll be beyond their reach.”

“Do you know why Madoc won’t let me try for knighthood? Because he thinks I’m weak.”

“Jude,” she cautions.

“I thought I was supposed to be good and follow the rules,” I say. “But I am done with being weak. I am done with being good. I think I am going to be something else.”

“Cardan’s gaze catches mine, and I can’t help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.

“Have you lost your wits?” Taryn demands, shaking my shoulder so that I have to turn to her. “You’re making everything worse. There’s a reason no one stands up to them.”

“I know,” I say softly, unable to keep the smile off my lips. “A lot of reasons.”

She’s right to be worried. I just declared war.”

“Give up.”

“Never,” I say.”

“I leave my books and cross the grass toward them. Cardan half-turns, and I shove him so hard that his back hits one of the trees. His eyes go wide.

“I don’t know what you said to her, but don’t you ever go near my sister again,” I tell him, my hand still on the front of his velvet doublet. “You gave her your word.”

“I’m not withdrawing from the tournament,” I tell her.

“Even if it wins you nothing but more woe?” she asks.

“Even then,” I say.”

“My good intentions evaporate on the wind. My blood is on fire, boiling in my veins. I do not have much power, but here is what I have—I can force his hand. Cardan might want to hurt me, but I can make him want to hurt me worse. We’re supposed to play at war. When they call us to our places, I play. I play as viciously as possible”

“You’re no killer, Madoc said.

Right now I feel that I could be.”

“Get down on your knees,” Cardan says, looking insufferably pleased with himself. His fury has transmuted into gloating. “Beg. Make it pretty. Flowery. Worthy of me.”

“Beg?” I echo.”

“You think because you can humiliate me, you can control me?” I say, looking him in those black eyes. “Well, I think you’re an idiot. Since we started being tutored together, you’ve gone out of your way to make me feel like I’m less than you. And to coddle your ego, I have made myself less. I have made myself small, I have kept my head down. But it wasn’t enough to make you leave Taryn and me alone, so I’m not going to do that anymore.

“I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this”—I throw his own words back at him—“this is the least of what I can do.”

[rise-my-angel]

I am here for your takes on Dani. I'm glad I'm not the only one who thought her x Jon smelled of hot garbage. Like at best she was meh, and then when the two of them met I was just like "oh no....you're an entitled bitch". And now that its been years since I last consumed GoT, my thoughts have fermented into "oh no, she really is a conqueror" "oh no, everyone loves her because 'pretty badass lady'" "oh no i'm the fandom minority again". Anyway, where was I. She and Jon had no chemistry. The end.

The *only* way putting them in a romance even makes sense in concept is when you realize Benioff and Weiss gave Jon the Young Griff arc. It's why they gave him a Targ name, beacuse if they call him "aegon" then they can fufill that part of the books without ever having to establish Young Griff as his own character. He is the supposed son of Rhaegar Targaryean and Elia Martell, he goes to Westeros with intentions of using his better claim to take the throne and intends initially on marrying Dany, and it's theorized heavily that Dany will see his claim as a threat and the Burning of Kings Landing will come down to Aegon against Dany.

Jon Snow has nothing to do with that. He is a moral opposite to Dany as a charecter, and we've seen him time and time again be at strong odds against people with her morals. But by giving him the Young Griff arc, it means putting him into the romance spot when it makes no sense for him.

Hey I put a read more beacuse I cannot shut the fuck up about how this relationship is just rape and abuse but beacuse Jon's a man we think he wants it.

All of season 7 Jon is so out of place because he doesn't belong anywhere near Dany's Iron Throne plot, and he's being forced to interact romantically with a charecter that clearly he does not like as a person and is uncomfortable with.

But, Dany is the sacred cow of the GoT/asoiaf fandom. You love her and if you critizize her for villanious actions or morals then you are using bad faith towards her. While I personally don't like her, I don't mind other people liking her but I despise that her stans all refuse to allow any conversation about her being a morally bad person. A person who enjoys cruelty and death, enjoys creating fear and is smug when she can control others. That is not a person Jon would love, let alone even respect.

Their entire relationship wreaks of abuse, of Jon being forced into this and knows he cannot leave it without risking his and his families lives. Remember when Tyrion gave a very small level critisism of her actions and she angrily accused him of treason and siding with his family instead of her? Well what do people think would she have done, if her attraction to Jon was refused? Someone who she took all the defenses away from, all the power from, and could have killed at any moment (dont make an ygritte comparison mimi dont make an yrgitte comparison this is a different anti jon x fandom female fave charecter post).

I don't care how the show frames it, or what the intent was. What we got on screen, was Jon Snow being held prisoner to an immoral, cruel, military conquerer. And when that woman was attracted to him, she essentially forced herself into his life and gave him all but no choice. The Jon bending the knee scene and..the uh...boat...scene...later...uhhh....anyways, those to me feel so out of charecter. You cannot convince me Jon did any of this willingly. He is clearly trapped in this situation and cannot leave and is only with her beacuse she is violent and bloodthrirsty. But beacause Jon is a strong, capable man, it's not talked about as if he's the victim and that is insane to me. (Oh my good god the ygritte comparisons are almost laughable send help).

I don't consider a lot past season 5 to be canon, but if I am forced too, then I refuse to accept Jon was a willing participant in that relationship.

Jon's parentage reveal will always be about the revelations of his mother, and the understanding and acceptance of WHY Ned raised him the way he did. And how it was both his parents, his mother and his adopted father who loved him and kept him safe. The very fact that Young Griff's entire story is based around whether or not he truly is Rhaegar's son as opposed to that being a twist reveal is beacuse HE is the charecter whose Targaryean links is the important one. Jon's story is about him as Stark, and is always shown to be the moral opposite of Dany.

Their relationship in the best senario is not canon, but if it has to be, then there is no world in which Jon is there of his own free will. He is being forced into this relationship against his will. But considering his other love interest was another charecter who essentially forced him into a relationship against his will, and we were supposed to root for that tells me all I need to know.

Dany is a sacred cow charecter, and her stans are unreasonable in defending her. When you can like a charecter and critize them for their actions. Ned Stark was an idiot for ever trusting Petyr Baelish, Catelyn Stark's spiteful attitude and neglect of Jon Snow is was abusive behavior, Theon Greyjoy was a moron who ruined his own life for a father who long since abandonded him. Bam all charecters I love and there are some major flaws that I refuse to defend them for but thats also what makes them good charecters. Their flaws arent writing flaws, they are personal flaws for them as people.

Dany is not allowed to have personal flaws she is always to be justified even with incredibly bad faith defenses, but when she is flawed it's the writings fault not hers. Dany is a cruel, sadistic, controlling, military tyrant who enjoys watching her subjects fear her and her dragons. And she forced Jon Snow into a relationship with her beacuse otherwise then he is against her and we already knew she has no use for people who dont support her to be alive.

Jon Snow deserved better then to have both his love interests be domineering, controlling, abusive women who forced him into a romantic and sexual relationship.

Also, I mean, incest being normal is only a learned trait from Targaryens supporting their own blood purity. Jon was not raised to think incest is normal. Dany thinks its normal beacuse she and Viserys both were raised to think that, and Young Griff thinks marrying Dany is normal beacuse he too was raised with the mentality that Rhaegar would've been raised with. Jon finding out Dany was his aunt would've had Jon looking right at Sam and just

[n3kk1tty]

Hi ! I've seen your tlbxsoul eater au and, being a fan of both, I got to say I really love it ! Micheal, being his one-man army looks badass, and I love imagining Star and Mura dancing across the battlefield and gracefully killing baddies. Love it ! 😀

Inspired by this, I've wondered if you got any AU-related hc about Sam and the Frog brothers? Assuming the brothers are both weapons, what kind do you think they would be ? Did they rope Sam into being their meister, a bit how they gave him the comic books in canon? Would be funny 😁

Also, why do I feel like these three would be liable to go find *shudder* Excalibur?

Edgar and Allen of course roped Sam into being their meister. Set to be first years in the academy soon they were desperately begging people to take the role. But who really wants to partner with two comic nerds with a passion for army stuff. One day while Sam is practically hounding Michael about how he became a two star Meister so quickly after his old partner dumped him. *ouch* The frogs are quickly intrigued by the conversation as they snoop at a table next to the brothers pretending to read newspapers.

" Hey it's not like it's uncommon for weapons and meisters to not work out. And for your information dweeb Mura didn't dump me we both decided we weren't good for eachother. Look she's doing way better now she hit two stars before me so why don't you go bug her and buzz off. " Michael slumps in his chair chugging his drink at the cafe as his brother stares at him. " She's a weapon not a meister! When I asked Star about it she said something like soul wavelengths were like a dance and you needed a partner who could hear the music you were playing so they could dance with you. Obviously that doesn't help me! Michael you can synchronize with four different weapons and use them all at the same time! How can you not know what pointers to give me to matching wavelengths with a weapon. "

Michael grumbles at the mention of his four idiots who were probably off picking fights with Mura or getting into trouble. Wiping his brow and adjusting his shades he stares Sam down. " Why don't you ask Mom or grandpa. Both of them were excellent Meisters. I can't really give you pointers on matching wavelengths if you can't even find a weapon who will even try partnering with you. " Sam throws his hands into his hair frustrated. Why couldn't it be easy to just find weapons! He lived in death City now for peat sake was their no one in this town who wasn't already partnered up for the academy already! Sam was running out of time and he was getting desperate. It would be so embarrassing to show up on the first day with no partner.

As Michael takes a sip from his drink like a fifth sense tingling he looks over the cafe's balcony edge to see Marco and Paul chasing after Mura again as she's running away from the pair groceries in tow. Were those two perverts serious could they not chase skirts for one afternoon! " HEY JACKOFFS WHAT THE FUCK ARE YOU DOING!?!" Michael quickly slams money on the table from his pocket telling Sam he will be back as his brother jumps off the balcony to chase down his two dumbasses before they got fucked up before there next mission. It was only a matter of time before Mura would put them in the hospital again.

Sam sighs taking a sip of his drink watching the brawl ensue below before a set of hands slams on the table before him. " We're the frog brothers we hear your a Meister?"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

That's exactly how the three's first meeting goes.

It's weird how the Emerson brothers always seem to get the best partners when they're bullied into something.

Edgar's weapon form is a Rambo style knife.

He's able to do close range combat and can extend the blade using condensed soul wavelengths.

Allen's weapon form is a Vietnam War style machine gun.

Sam can shoot shots with one hand if he needs to but it does the most damage when he has some distance between opponents and can line up accurate shots.

With the frog brothers by his side Sam is really keeping the family tradition of being a one man army alive.

Sam may be more of an assassin style fighter but don't try and pull one over on him he can handle himself in close combat just fine as Allen can help point out vital spots for him to hit while using Edgar.

They achieve this by using there shared consciousness through soul resonance to share the images so no communication can be used against them while fighting the enemy.

Sam is quick as well. Wether that be from fleeing an area after his shot. Or erasing his and the frog brothers presence to sneak up on kieshen souls.

While not on missions they are goofing off reading comics together. If it wasn't for Allen there collective grades would be terrible.

Speaking of Comics and Excalibur. They were reading this comic book about the holy sword and they thought it would be a wonderful idea if they could join it to their party. How they would blast past Star and Micheal in their greatness as a group.

Taking the long track to find the holy sword the three all but made it there alive surprisingly mostly by having Edgar scale the cliff with Allen in weapon form and Sam on his back.

After Edgar and Allen stood nervously by Sam's side ready to add a fourth to their group as soon as Sam pulled it from the stone they all three wished they never had eardrums.

It took everything in Sam's body not to stab his ear drums out while Allen was busy trying to prevent Edgar from water boarding the weird small talkative creature.

Faces turned in cringe as soon as Excalibur stopped talking and turned into a sword Sam jammed it so far in the stone he hoped it never escaped.

The three Scooby Doo ran away all the way back to Death city.

When they got back the big monument of flowers Excalibur sent them had them dieing of embarrassment in the classroom and as Mura couldn't help laughing before filling the three in on a secret.

Sam wasn't the first Emerson to try using Excalibur as a weapon. Before Mura Michael had shit luck with finding anyone to work with him thanks to his attitude and rugged nature. So he attempted to use the holy sword and he was stalked by the thing for months even after he paired with Mura.

Sam and the frog brothers were of course then curious of how he landed with the lost boys and the girl gladly told them the story of how David stalked him outside classes and public each day till Michael finally caved. It took a whole month of harassment from each boy for Michael to cave and by that point everyone assumed they were dating.

[deadstaticolivia]

Undead Unluck week 2024 day 2: Favorite scene/moment

Spoilers ahead for anime only’s

Oh boy this one was hard. Undead Unluck are filled with SO many amazing moments that it’s really hard to define “my favorite” I chose multiple moments when I was first reading the manga that really got me on the edge of my seat and super hyped (story wise and character wise) These are in no particular order so I’ll list this chronologically.

1. Andy fully stating his feelings to Fuuko

You know I had to start off with Anfuu. I’m so crazy about them and their development. They’ve truly made each other better in so many ways. We already knew the Andy had feeling for Fuuko since the “What if” situation in the book during the Autumn arc but this is the first time Andy had fully opened up about his feelings about her (despite her not knowing what he said). This is HUGE for Andy as a character because it’s been a long time since Andy cared for anyone this much since the crew in the 1800’s. At first Andy didn’t really care about fuuko on such a deep level yet. Yeah he wanted to use her to die at first but by spending enough time with her it literally changed his ENTIRE outlook on the world, life and death. Protecting her had just been apart of his job to help him die to seduce and protect her but now he WANTS to protect and even seduce her because he fell in love. GAHHH THEY MAKE ME CRAZYYYY

2. Fuuko coming to get Spring

Fuuko a kindheartedness has always stuck out to me. For her it was always a weakness since she was hurting the people she loved. Her ability to weaponize it is amazing. The bravery it takes to feel affectionate to the enemy, get attached, and then witness their death is beautiful and sad all in one. The affection she has for spring is real and it introduces a whole new concept of an Uma liking humans (aside from clothy) I know later on to imbue an enemy she hates like the 10 master rules and god she uses her soul but taking that first step into caring for an Uma when no other union member or past Negator (aside from past ishiin) did is a testament to her bravery and kindheartedness

3. Everyone saying Fuukos name as the timer counts down

This moment had me on the edge of my seat that it had me saying fuuko like everyone else. The love, connection and trust they all have for each other always gets me. They all put their full support into her ability. The trust that fuukos kind heart will help them in the next loop. The willingness to bet EVERYTHING on fuuko wrings my heart strings. Plus this scene of everyone still alive and moving using their abilities to save her is just so cool

4. Fuuko’s cold rage

Seeing Fuuko who is known for her kind heart, filled with such genuine hate and Greif was heart breaking but so badass. She lost EVERYTHING. All the hard work that she and everyone in the union put in was for nothing. All the deaths she witnessed were just some game. Then in a split secound she comes back full of determination. Fuuko knows she doesn’t have time to grieve so her immediate snap back to “I will plan everything out to give everyone a better and I’ll still defeat you.” As Luna states in this scene that she emulates Juiz so much also is amazing cause I’m a sucker for parallels

5. Andy is on the Sun

THIS REVEAL WAS CRAZY. I thought he was out gathering artifacts to help but clearly I was completely wrong. I already wrote me first initial thoughts on this so I’ll just copy and paste here:

Andy so desperately wants to protect fuuko down to his very SOUL that it basically becomes a primal instinct for him. Also the fact his place on the sun is always facing the earth to watch over her and everyone else

Theres sooooo many other scene I could talk about but I’m getting tired of writing

[fantasyfantasygames]

Beyond Satan

Beyond Satan, Black Dog Games, 2016

A while back I reviewed HellBlaster, the 2009 game from Black Dog Games. Beyond Satan is the 7-years-later successor, sort of in the same way that Werewolf: the Forsaken is the successor to Werewolf: the Apocalypse but still very much its own game. Only HellBlaster and Beyond Satan have more edgelords. Sooooo many more edgelords.

Unlike HellBlaster, Beyond Satan is definitely in on the joke, which gives it a lot more space to breathe. HellBlaster was trying to be death metal; Beyond Satan is successfully cheese metal. For instance, the six mega-demons who replaced Satan are called the Sextality of Evil. Speaking of which, at game start, your characters have just killed Satan. However, months later, evil still abounds in the world, because there are even more powerful badasses behind him. You have to use the power you took from Satan to fight evil with evil.

I appreciate that the Sextality (hee hee) are not given ever-more-gross things that they do in the way that the Book of Vile Deeds did. They're defined by ability and personality rather than each having one type of evil. In fact, the book specifies that they often fight over bad-guy turf. There are also safety tools provided that lean into the game's theme. You don't touch the X-card or call for a veil, you mimic a guitar riff and say "Woah! Not Cool!" and the GM says "Fuck I fucked up!" and you figure out how to continue thrashing evil. Yes those phrases are straight from the book, and yes the guitar riff is mandatory.

The rules are massively streamlined, taking some inspiration from the (imo) better parts of the OSR community. It's still built on a core of AD&D1e, but number go up and damage reduction exists (reducing the opponent's die type). All my previous comments about "twice the number of rolls" no longer apply. Explosive critical hits are included but not quite so gruesomely detailed. Some of the old classes are back - Demon Summoner and Power Fist return - but others were trimmed and replaced. The Pyro and Detonatrix got combined. The Doom Reaper got a total overhaul. The spells got rebalanced and streamlined, and the edgelordier items removed.

The biggest loss from the original game is the 4th-color art process with the fluorescent green. I do like the style of the new stuff better (less gore), but it doesn't have that psychedelic dorm-room touch.

Beyond Satan has a slightly smaller audience than HellBlaster. Beyond Satan is widely recognized as the definitively better game, but Hellblaster's grunge, kibble, and eXXtreme aesthetic just grabs on to people and holds them. I can't say I'd ever want to run HellBlaster, but I get the appeal.

[lucienarcheron]

HOFAS Thoughts and Review!

This is also my review on Goodreads. Naturally, this is full of spoilers so proceed with caution!

4 star read!

This was a wild ride from start to finish. I found that you jumped right into the action and it literally didn't stop. The crossover with ACOTAR was very info-dump but I didn't mind since a) I don't remember anything lol and b) we needed to make the connection. I really loved seeing Nesta and Azriel in this different element. Given the timeline between ACOSF and HOFAS being about 3 months, I loved that Azriel and Nesta now know how to fight together and Nesta is so in touch with her powers. I love seeing how their friendship has bloomed.

Bryce is a menace and will forever be one. She's one of Sarah's MCs I relate to the least and therefore needed to warm up to her more. I found that in this book, I could despite a lot of her arrogant moments that will rub people the wrong way. I love Quinlar's love but didn't appreciate that she minimized Hunt's reaction to basically reliving much of his trauma with the first war. I'm glad she apologized and got to the point of understanding him but it left a little meh of a taste. The ending scene where he goes after her had my heart in pieces!! Through love, all is indeed possible and I love they were always with each other through it all.

Bryce basically being the High Lady of Dusk and controlling the land was amazing! I loved seeing those scenes. Saitha being the one to kneel first, declaring her as queen? Loved that. The two fae kings dying an awful death? Fabulously done! Hunt mf Althar removing his own slave halo and then removing Isaiah's while calling out that governor lady on her shit??? ADORE! Jesiba's everything in this book? I salute you, queen! Sabine's death??? The Under-King's death??? Literally had me gasping so much.

Ruhn my love, you will always be the Crown Prince of the Fae and that soundbite will always be on repeat every time I see your name lol.

Ruhn x Lidia's romance fell very flat to me. I love Ruhn and hated everything he had to go through but Lidia's character felt out of left field for me. I expected better/different? We find out out of NOWHERE that she's a mom of twins and suddenly, that's her whole personality. She went from this badass agent to everything being about her kids. There is NOTHING WRONG with her being a mother but why couldn't she be a mother AND care about the cause because it's the right thing to do? This was a missed opportunity in my opinion. I also felt like this was very self-insert of Sarah being a mom to have to include another character having kids. The constant talk about all these traumatized idiots having babies is getting on my last fucken nerves tbh. They have a million years to live so can we, I don't know, let them LIVE for five seconds without the absolute need to "start a family"? Let them go to therapy damn it. Sarah constantly writes about how awful it is that fae are obsessed with breeding and whatnot, yet every single of one her characters talks about babies...pls sarah, I beg. Give me ONE otp that doesn't have children. I know she's a HEA author which is what I love about her and her romances but it doesn't always have to end with kids and I just wish we'd see that more. Ruhn and Lidia did not strike me as characters who would be parents at all but now, Ruhn is a stepdad to the Hind's secret twins? It's very weird to me but I hope maybe down the line, we get to see Lidia realize that she is a whole person outside of being a mom. Aside from all that, the rescue scene was amazing. I loved seeing her destroy that asshole she had to endure and I just want to say, Aelin would be cheering mad hard at her for it! It felt like Lidia's fire abilities, the stag relation, and her son's name were all a nod to TOG and I loved that.

As for all the other characters, I really enjoyed seeing Ithan come into his own even though my guy was making mad stupid decisions along the way. His moment with Connor will always have my heart! l also loved the little bits of Ithan and Perry so much! Tharion my love, you will always be famous for making the most desperately dumb decisions before passing that one brain cell you have to Ithan but you know what? Sathia is going to be great for him and I ship it with my whole chest. Ari was wasted in this book and her ungrateful attitude annoyed me. Sigrid's whole plotline was pointless. Declan and Flynn are the best buds and I love them so much. Baxian, you are a gem! Pax being the one responsible for the actual HOFAS while being a healer who is making those antidotes was a great twist and I love it for her. The little fire spirits were so cute and their little moment with the viper queen made me cackle. The Viper Queen can suck it but I am also so very curious about what will happen now considering how that scene ends with Tharion/Ari/Sathia/Colin. I have a feeling all these characters will be showing up again in the future and I'd be excited to read how that will go. I have a feeling it might be done ACOSF style - in that, it'll be standalone in the CC world.

Bonus Chapters:

Bryce, Azriel, Nesta - hilarious and also so cute how Nesta was fascinated by the music playing from Bryce's phone. Azriel doesn't have a mate or partner so let that be clear LOL. Also Nesta already thinking about babies makes me wanna die tbh.

RuhnLidia - It was cute that she proposed and Ruhn is such a little dork crying left and right hahaha.

Quinlar - Hilarious how the big strong thunder boy was scared of those little dolls HAHA.

Ember/Randall - This made me want the Archeron sisters to have a mother figure so badly! The moment with Nesta and Ember hugging was so sweet in the book. I know people are mad at Rhys for yelling at Nesta but y'all...the whole world was at stake and that was a scary decision to make on Nesta's part given how the Pyrthian is STILL traumatized by the Asterie. I don't love how much he yelled but I get it.

Despite having parts I didn't like, I did overall really have fun with this. I think Sarah always does a great job with the action scenes in the end and giving us that found family connection. I could do without having the whole girl boss/girl power white feminist nonsense constantly shoved in our faces but alas! As I said, I still really enjoyed it! It had a lot of moments that pulled on all my emotions as every SJM book does. I will always enjoy what she puts out because I take it all at face value and read it to have fun. Sarah always knows how to enjoy her writing and you can tell while reading and for me, that's more than enough. The lore/plot is secondary to the characters for me and that is always how she sucks me in. She writes compelling characters who have amazing adventures and friendships that you feel through the pages and I will always enjoy that. Can't wait for more books! Here's to hoping we hear something about ACOTAR soon especially now that Bryce gave both swords back to Nesta! Can't wait to see how it plays out!

[joemerl]

I'm watching the Eragon movie after rereading the book this year.

It's kind of more enjoyable, sometimes because its changes legitimately improve things but usually because they stray into So Bad It's Good territory.

Durza is still generic af, but Galby is delightfully narmy.

Sloan feels more like an actual character, and the idea that the Spine is considered royal property is a lot simpler than "Sloan's wife died there because it's cursed, maybe, but Eragon can go in there because shut up."

"All hail Eragon, the mighty hunter!" And just like that, the movie makes Roran and Eragon feel more like brothers than Paolini managed in the first two books. Also, they're eight-year-old dorks in teenage bodies.

Sass-master Arya.

I am both annoyed and amused that the Urgals are just burly guys. They give them a little face makeup, but still.

Not really feeling Saphira's voice. I just imagined it huskier.

Durza summons the Ra'zac from the ground like Power Rangers villains. WTF (affectionate).

Eragon figures out that Brom was a Dragon Rider! And just like that, he's outstripped book!Eragon's supposed brilliance.

Arya is awake when she meets Eragon. Makes for a less awkward romantic arc. Also she just says she's a princess, so again, kudos on the screenwriters for not bothering with the obvious twists.

I think there's a passing line about dwarves and elves, but Arya is ostensibly human. There are some guys in the Varden who are clearly supposed to be dwarves but never referred to as such.

Why does the spell for dragon vision let Eragon see through walls? And why does the fire spell make things levitate?

"I expected someone a little more...well, more." Is this line actually clever, or do I just enjoy Eragon getting dunked on?

The whole thing with Brom flying on Saphira as he dies is kind of nice. It would have worked better if they mentioned that Saphira was named after his own dragon, though.

Murtagh is weird, because he acts totally different than book!Murtagh and is introduced with a different backstory. He even offers to lead Eragon to the Varden, which is directly opposed to his motivation in the book. But canon reasserts itself once they get there, so you're left wondering why he chose to do this.

Murtagh's prison cell, incidentally, appears to be a cage left out in the open.

I said Galby was funny, but how many scenes do we need where he's just whispering threats at Durza?

In the books, there are moments where I feel like Eragon has more chemistry with Nasuada than he ever has with Arya. Given the gratuitous "walking in one him shirtless" scene, I feel like the screenwriters agree.

Most of the clothes are Generic Medieval Drab, but then there was one costume designer who was like "NO! Shiny and exotic!"

One change I don't like: Saphira breathing fire before the battle starts is supposed to be cool, ooh-she's-badass-now, but sorry, having her dramatically do that at the end of the battle to save Eragon's life is much better.

So Durza summoned the Ra'zac from the ground, and now he summoned the Lethrblaka from Saphira's fire? somehow? Is it supposed to be made of smoke?

They're not very well done, but the script is trying to give Eragon some arcs that he doesn't have in the book. Some of it is generic "I don't want to be the Chosen One" stuff, but there's also this idea that he might get Saphira killed, like Brom with his dragon, augmented by the fact that Brom's death is kind of Eragon's fault in this version.

Speaking of which, the hell you letting Eragon think Saphira is dead, Murtagh? It's not just a jerk move, it's also out of character. Murtagh is not jokey, either in this movie or the book.

I was gonna say that the final scene is desperately trying to convince us that Eragon and Arya have chemistry, but I actually don't think it's trying that hard.

*watching the credits* That random guy who looked like a dwarf but was never referred to as a dwarf was supposed to be Hrothgar? I assumed it was Orik. He didn't seem to be a king or anything.