#they are really good books with really great characters

[creamflix]

UNSCRIPTED — toji fushiguro x female reader [chapter 1/?]

summary: you’re a faceless author of scandalous smut — great at writing steamy scenes but totally clueless about real-life romance (and with no one to match your freak). enter toji fushiguro, a hot stranger you (accidentally) throw up on during a drunken night out. surprise! he’s also the future voice actor for your smutty novel’s main character. can you survive the awkwardness of your disastrous meet-cute while keeping your identity (and dignity) a secret? welcome to the chaos of your own erotic fantasy romcom!

content warning & tags: (erotic) voice artist! toji, (smut) writer! reader, smutty content!! [will be added over the course of the series], sort of workplace romance, secret/anon identity, slight social media au, meet-cute, virgin!reader, single dad dilf! toji, kid! megumi, strangers to lovers (?), she fell first but he fell harder, mentions of other characters (satoru gojo, suguru geto, megumi fushiguro, shoko eiri, brief mentions of ryomen sukuna)

notes: hi friends !! wow, been a hot min since i wrote something of this caliber. feels good to be back in biz ;D did you all miss persephone! suguru? because there's a LOT of him here >_< i really wanted to publish this as a oneshot but....tumblr hates me so now it's gonna be a chaptered series! oh , joy! ps @nappingmoon i got u bae, this one is for you.

read on ao3! ● series masterlist

➤ related au: persephone [business tycoon! sukuna x reader]

you never really set out to be the face of smut-lit. 

in fact, you weren’t even really a face at all — just a “faceless” author penning scandalous stories for fans who devoured them, and haters who, well… tried to eat you alive.

you’d started out innocently enough, scribbling down your little fantasies and tropes that no self-respecting romance book would touch. then one day, a friend dared you to post one on booktok. 

you thought, "fuck it" and uploaded a snippet of your latest brainchild: a steamy billionaire x star-crossed chef fic called hunger games: not that kind of hungerer. it was, admittedly, extra spicy. 

and oh, did the internet have thoughts.

soon, your comments section and dm’s became a battleground for all opinions on “what qualifies as literature.” gems included:

who even writes this crap? did a middle schooler steal her mom’s laptop? i can feel my brain cells self-destructing as i read this 💀 girl hasn’t even been within a mile radius of a dick and it SHOWS

you'd had to admit… the last comment was right. but hey, they only added to the fuel. 

like moths to a flame, they kept coming back, and the trolling just made your followers skyrocket. a lot of people secretly liked the outrageousness, the drama, and the absolute audacity of it all. before long, your books were trending, and you were raking in numbers (and dollars) most “serious” authors could only dream of.

soon, you found yourself the subject of headlines you never thought you’d see:

the faceless queen of spice: how one unknown author is reshaping romance. trolled online, loved in secret—author sells millions in ebook downloads. social media says she has no idea what she’s talking about, but her bank account says otherwise.

and the kicker?

you’d never had sex with anyone, let alone…well, rocked worlds like your characters. 

here you were, a smut writer with zero real-life experience, who’d single-handedly created booktok’s, bookstagram and hell, even the people down at twitter's guilty pleasure.

but the day big publishers started knocking on your door, it was surreal, to say the least. 

you’d been fully prepared for the anonymous online fame — hell, you’d leaned into it, posting “faceless author life” videos and doing question and answer sessions where you dropped zero identifying details, save for some vague hand gestures and blurred-out backgrounds. but now, major publishing houses wanted in on the action.

“we think your stories have broad market appeal,” one exec had said on a zoom call, trying to make “billionaire mafia love quadrangle” sound dignified. “if we could get them on shelves, we’d reach an audience beyond booktok. international appeal is the goal here!”

suddenly, your filthy, albeit occasionally cringey, tales were going global. they got translated into french (where your enemies-to-lovers series got a fancy new title: l’amour et la haine). your spicy chef saga was reborn in italian as sapore di te, which roughly translated to taste of you (and made you blush, honestly). 

and when your personal favorite, the billionaire’s forbidden touch, hit the japanese market, they titled it 禁断の夜 (which… you didn’t even want to know the translation of, because you knew it was even worse than the original).

you had to admit, though, seeing these books spread worldwide made your head spin. what started as a joke online was now somehow sitting next to classics in international bookstores, becoming a hot commodity for fans everywhere.

but the cherry on top? 

oh, that came when you opened an email from none other than gojo-sonic, the world-renowned audio company best known for its highly specialized audiobook recordings. they’d taken smut literature to the next level, hiring voice actors who sounded like they were in the room with you, all breathy whispers and seductive baritones. people had raved that these audiobooks were “too real” — like they’d been recorded in a closed room with dim lights and a whole lot of… commitment.

they offered you a multi-million dollar deal to turn your books into experiences.

one of your friends, absolutely losing it, texted you as soon as they heard the news:

homegirl [5:21 pm]: “OMG OMG so you’re gonna do it right?? u realize this means ppl will be hearing ur lil virgin brain’s fantasies out loud in their headphones right” you [5:21 pm]: “no kidding. i’m freaking out. this feels illegal.” homegirl [5:22 pm]: “but u gotta!! pls this is ICONIC.” you [5:24 pm]: “they’re giving me millions. you think i’m saying no? lmao.”

it still felt surreal that soon, the whole world would hear your books come to life with professional voice actors — ones who knew exactly how to tease and breathe and make listeners feel like they were right there.

“bring my fantasies to life, huh?” you muttered to yourself, flipping through the contract that would secure your financial future, all because of your fictional men and their, uh, moves. 

who the hell were you to say no to that?

it was surreal enough to get an email from gojo-sonic, but now, sitting across from the ceo himself, gojo satoru, you were starting to wonder if this whole experience was some fever dream.

the man was stunning in an obnoxious, immaculate way. snowy hair, piercing blue eyes, and sunglasses balanced on his head like a headband. and, okay, you had to admit: it was a little weird that he’d named his company after himself — though, frankly, it just fit.

you tried not to laugh when he introduced himself. gojo satoru, ceo of gojo-sonic. the narcissism was off the charts, but so was his charm. as a quick google search before the meeting had revealed, gojo sonic had an impeccable reputation, and there was apparently not a single scandal tied to its name.

“nice to meet you,” you said, shaking his hand and trying to keep your cool. “kinda surprised a guy is running a… company like this. no offense.”

“none taken!” he replied, leaning back in his chair with an easy grin. “if i’m honest, i’m probably the last guy anyone would expect here. but,” he shrugged, “it works. my employees say i’m a ‘girl’s girl,’ whatever that means.”

the way he said it so nonchalantly made you smirk. apparently, the term wasn’t a throwaway nickname, either; the gojo-sonic gossip mill painted him as the absolute dream boss. rumor had it he’d given his whole office a free day off because his assistant had been dumped, and when a writer complained about unisex bathrooms making her uncomfortable, he’d personally had a “feminine touch” added to every single stall, complete with pink hand soap and luxurious lotions. he was kind, considerate, a man who just got it.

“people say i’m probably gay,” he added, laughing as if that was the most absurd thing he’d ever heard. “and you know what? let ‘em think what they want.” he gave you a wink. “as long as they keep buying the goods, i couldn’t care less.”

honestly? the guy made a point. did it matter who he was taking home at the end of the day? not at all, as long as your bank account kept racking up zeros.

“speaking of,” he continued, “we’ve got the full studio ready for tomorrow. you’ll meet the voice actors, go over a few sections, and give input as needed. think of it like a live theater production, except it’s your book.”

“oh, i get to… watch them record?” you asked, wondering how mortifying it might be to sit there, watching actors give their all to lines like, “you’re mine tonight, darling.” 

yeah, you’d written it, but watching someone breathe life into it was a different level of… embarrassment.

“even better,” gojo grinned, looking far too amused by your nervousness, “you’ll get to guide them. they’ll take direction from you — however you want the line delivered, that’s how they’ll say it.”

“you mean i can… like… make suggestions? on delivery?”

“exactly!” he said with a small clap. “we want it to be perfect. i’ve already arranged for our top voice actor, toji fushiguro, to voice your main character.”

toji fushiguro?

if gojo-sonic was the industry’s top company, toji was the crown jewel of voice acting. the guy was a legend. 

he had that smoky, velvet tone that could turn a mundane grocery list into a full-on romance scene. he was also notoriously elusive; some people waited months to get him to even consider their projects. and you — the virgin author who’d stumbled into fame thanks to trolls and booktok — had him voicing your main character?

“wait, toji fushiguro is doing this?” you asked, jaw practically on the floor.

gojo chuckled, looking far too pleased with your reaction. “yep! i think you two are going to work great together. he’s intense but flexible; really good at taking feedback.”

you tried to imagine giving feedback to toji fushiguro of all people. 

“um, maybe say ‘you’re mine’ with more… conviction?” 

“can you sound a bit more possessive on that line?”

“i, uh…” you managed, trying to swallow your nerves. “okay. yeah. sounds… good.”

“great! i think you’ll be amazed. toji’s professionalism is unmatched, and he’ll bring exactly the level of…” Gojo paused, grinning, “intensity you need to really make your character come to life.”

“good luck tomorrow! i’ll make sure everything’s set up perfectly,” gojo had assured you with a big grin as you left the office. “don’t stress about a thing. our identities are always kept top secret here. toji’s included! he’s never done a face reveal, and your privacy is just as ironclad.”

oh god. tomorrow, you were really going to sit there while toji fushiguro acted out lines you’d written on a whim in your pajamas.

sure, not stressing sounded like a logical plan. but after that surreal conversation — and the realization that tomorrow morning, you’d be face-to-face with the one and only toji fushiguro, hearing him breathe life into your raunchiest fantasies — you did what any responsible, mature adult would do.

you headed straight to the nearest bar and got sloshed.

by the time you were three cocktails deep, the reality of tomorrow’s “firsts” hit you like a ton of bricks. first real direction on an audiobook, first time meeting a voice actor, first time dealing with your own steaminess out loud, and — oh god — the cherry on top, it was toji fushiguro himself.

sure, you thought, sipping from your fourth drink and trying not to scream as lana del rey sings “it’s you, it’s you, it’s all for you,” i might be slightly freaking out.

another cocktail slid your way. you squinted, unsure if you'd ordered it or if the bartender was just reading your general mood, because yeah, you did look like someone who needed another round.

“tough night?”

“tough tomorrow.” you swirled your drink, laughing to yourself. “i mean… you ever written a, uh, totally inappropriate novel and had to watch a famous guy turn it into audio?”

“…can’t say that i have.”

you shrugged, downing a bit more of the drink, when the song on the speakers switched to avril lavigne’s complicated. fitting, given that your life had just become exactly that.

“why’d you have to go and make things so complicated?” avril sang, like she knew.

the bartender, apparently used to the types who showed up for existential crises alone, leaned against the counter. “sounds like big stuff tomorrow, then. what kind of work do you do, anyway?”

“oh, just… smutty novels,” you said, letting it slip before you could stop yourself. “just… page after page of absolutely shameless, absurd filth. and now i’m, y’know, supposed to direct the guy. to make it sound like he’s really, um, in the moment.”

the bartender chuckled, raising a brow. “sounds intense.”

“you have no idea.” you sighed, rubbing a hand over your face. “he’s this insanely talented voice actor. i mean, they’ve got toji fushiguro in there, which is like… god. if he knew who i actually was, he’d probably laugh.”

why’d you have to go and make things so complicated? avril continued wailing, her words your accidental anthem.

“well, whatever happens,” the bartender said, passing you a glass of water with a grin, “sounds like you’re about to have a pretty interesting morning.”

“i’ll drink to that,” you muttered, clinking your cocktail glass against the water. you downed it, hoping that somehow, it might chase the nerves away.

and as everytime we touch, i get this feeling started blasting on the speakers, you couldn’t help but shake your head with a groan. if there was a playlist made for romantic embarrassment, it was definitely playing tonight.

in your half-sloshed state, it seemed like a good idea to turn to the stranger who’d just sauntered up to the bar — a ridiculously hot stranger, tall with dark hair, and a scar slashing right across his lip. it was the kind of look that would’ve inspired an entire chapter in one of your books, but as of right now? it was just inspiring some truly regrettable choices.

“goodness gracious, great balls of fire,” you muttered to yourself, just loud enough to catch his attention, which felt smooth, in your totally buzzed opinion. so, of course, you swung around on your stool, plastering on what you hoped was an alluring smile.

oh god, here we go. “hey there, handsome…” you paused, hiccuping “… you come here often?”

the stranger raised an eyebrow, clearly amused, leaning an elbow against the bar with a smirk that could kill. “depends,” he said, voice low and rough. “you, uh, always this friendly after a few drinks?”

oh god. 

oh god. 

but you couldn’t stop now. 

you were committed. 

you were bold. 

with all the poise of a drunk giraffe, you propped your elbow on the bar and leaned in closer, pointing a finger at his chest — totally unintentionally, because your depth perception was off by, oh, about a mile. “well, what can i say,” you replied, attempting a sultry grin. “good-lookin’ guys like you… don’t come around often enough, mister.”

“it’s like i’m drunk off your love,” played from the speakers, not helping your case at all. 

oh god, this was actually happening. 

he actually laughed, a warm, deep chuckle, as he watched you struggle through whatever pickup line was about to escape your lips.

he tilted his head, that smirk turning up a notch. “should i be flattered?”

“you should!” you exclaimed, with a bit too much enthusiasm. “you’re like… i dunno, like one of my… you look like a… a fictional character.” 

smooth, real smooth.

“oh yeah?” his smirk widened. “so, what am i, a prince?”

“more like…” you bit your lip, trying to focus, “an antihero with a… tragic past and just enough softness in his heart to make him dangerous in all the right ways.”

he looked you up and down, bemusement clear in his eyes. “dangerous in the right ways? is that your type?”

you gave a shaky wink, nearly missing because the world was swimming a bit. “maybe.”

he chuckled, his voice all rich and velvety, and leaned in closer. “so… you’re here alone? i mean, besides all the fictional men you’re envisioning.”

“for now,” you replied, trying to sound mysterious, but it just came out as a bit… wobbly.

the bartender set the stranger’s drink down with a raised eyebrow, and he took a sip, watching you with amused interest. “you know, maybe you should slow down before you scare all the good guys away.”

“oh, trust me,” you replied, hiccuping again. “i don’t scare easy.”

he shook his head, clearly entertained, and you felt yourself glowing under his gaze. you were about to continue — just as soon as the world stopped spinning — when you felt the slightest bit queasy, your stomach reminding you that you’d had one cocktail too many.

the stranger’s amused smirk softened. “you alright there?”

“i’m…” you swallowed. “perfectly fine. just, you know… making sure you’re… getting the full effect of my…” you barely managed the word “…rizz.”

he laughed outright this time, low and warm, like he genuinely couldn’t believe you were real. “is that so? lucky me.”

it was all going so well — okay, not well, but you were holding your own, kind of. you had him laughing, after all, which for someone with approximately zero charisma was an accomplishment! but then the first chords of firework by katy perry blared through the speakers, and as if on cue, your stomach decided to join in the grand finale.

“do you ever feel like a plastic bag,” katy crooned, but for you, it was more like a “do you ever feel like you’re about to ruin your night by barfing on a hot stranger?”

before you could process what was happening, the tequila-fueled fireworks decided to erupt all over this guy’s very expensive-looking shoes.

oh god. oh god.

you looked up, mortified, to find him staring down at his shoes, eyebrows raised. wow, would you look at the time? 

run.

“oh… oh no. i… i’m so sorry, i swear this never happens.”

he raised a brow, still looking somewhere between amused and horrified. “well, that’s… comforting?”

you grabbed a napkin, fumbling, still buzzing enough to not know if you should laugh, cry, or just make a run for it.

“guess that’s, uh, one way to make an impression,” he murmured, lips twitching in a smirk even as he assessed the disaster on his shoes.

“oh god. really, i’m… i’m so sorry.” you dabbed helplessly at his shoes with a cocktail napkin, somehow making things worse. “if it helps, i… i normally only vomit on hot guys.”

he chuckled, though you were sure it was mostly at you, and shook his head. “well, it’s one hell of an icebreaker.”

“baby, you’re a firework,” katy sang passionately in the background, but you were already ready to crawl under the bar and disappear forever.

you were surprised — actually, you were shocked — that the stranger hadn’t ditched you after the whole public-vomiting-on-his-shoes fiasco. instead, somehow, he was still right there, leaned in close and casually sipping his drink, just as much a mess as you were. hours had passed, and you’d been rambling about anything and everything, lost in an alcohol-fueled bubble that had turned the night into something you’d never have dreamed of.

maybe it was the booze, or maybe it was the guy’s ridiculously calm attitude, but you’d opened up about your career, the absurdity of writing spicy novels as a faceless author, and even your terror about tomorrow. he’d listened with a smirk, offering the occasional snarky remark or grunt of approval. in return, he’d told you a bit about himself too — well, at least, you thought he did. at some point, the details got hazy.

“so, what do you do?” you asked, squinting at him like it was going to make his face stop swimming in your vision.

he shrugged, swirling his drink and giving a lopsided grin. “something kinda like… acting. you know, nothing glamorous.” there was a hint of amusement there, like he was in on a joke you weren’t.

you squinted harder, your mind pulling up images of random professions. “oh, so like… theater? or like, movies? or wait — commercials? are you one of those guys that has to pretend he’s in love with a bowl of soup?”

he let out a deep laugh, and the sound sent an unexpected shiver down your spine. “sure, something like that. though i’d like to think i’m a bit more convincing than a soup guy.”

you grinned, leaning in closer, your curiosity fully piqued despite your state. “convincing, huh? so you’re a good actor, then?”

“i do my best,” he said, voice low, that amused glint in his eye again.

“you have to be really good to make people believe in, like, totally unrealistic things, y’know?” you babbled, waving your hand. “like, imagine trying to voice —” you cut yourself off, feeling a hint of embarrassment as you remembered why you’d gotten so sloshed in the first place. the irony of tomorrow, and how this entire conversation felt like it was straight out of one of your own stories.

but before you could get too in your head about it, he tilted his head, looking genuinely interested. “voice what? i’m curious, princess.”

princess. the nickname sent a bolt of something dangerously warm straight through you, and you bit your lip to keep from smiling too wide. “oh, nothing…” you said, waving him off. “just, you know… the usual. people who… um, make people fall in love with their voice.”

“and what if i told you,” he leaned in even closer, smirking as if he’d just had the best idea ever, “that i could probably do that?”

you rolled your eyes, not believing him one bit. “oh really? think you could pull it off?”

“depends,” he said with a shrug. “what kinda character am i playing?”

you didn’t realize it, but you’d inched even closer, like you were hanging on his every word. “someone… someone rough around the edges,” you started, your voice dropping, completely lost in the moment, “but with a softness underneath. someone who could make the world stop with just a whisper…”

he smirked, eyes never leaving yours, and for a second, you felt like he was taking every word way too seriously. “i think i could manage that.”

you blinked, feeling a blush rise. 

this stranger had charisma — like, the kind of charisma you’d thought only existed in your characters. 

oh god, maybe you should write him into your next story. you shook yourself, blinking the daydreams away just as he started talking again.

“... and that’s why,” he was saying, “there’s a bit of an art to saying things just right. people think it’s all about the words, but it’s the way you say them that makes it real, y’know?”

you nodded, trying to focus on his words as the room spun just a bit. “so you’re telling me, it’s all in the delivery?”

“exactly.” his gaze dropped to your lips, and he smirked, like he knew exactly what he was doing. “even the… dirtiest lines sound good if you say ’em the right way.”

oh no. that dangerous warmth was back.

somewhere between his intense gaze and that slow, lopsided smirk, dancing queen by abba blared through the bar speakers, jarring you out of your tipsy trance. the upbeat, disco-infused rhythm filled the room, all but laughing at the “moment” you thought you were having with this too-hot-for-reality stranger.

was this a moment? or were you just ridiculously drunk? did he even have a name? or were you just too far gone to have bothered asking?

“you can dance, you can jive,” abba sang, practically mocking you as you stared, wide-eyed, at the man across from you, his scarred lip twisted in a little grin as he watched you piece it all together. he must’ve seen the dawning realization on your face, because he chuckled, reaching for his drink again.

“something wrong, princess?” he asked, leaning forward with a glint of amusement.

oh, great. i’ve already been promoted to ‘princess’ by a guy i might not know the name of. you were seconds away from facepalming.

“uh, nothing,” you said, waving a hand as casually as you could manage. “just, uh, thinking how ironic it is that dancing queen is playing while… we’re, you know…”

“... having a moment?” he teased, clearly enjoying himself.

“well,” you cleared your throat, cheeks blazing, “if you can call me drunkenly staring at you while abba serenades us a ‘moment.’”

“hey, it’s a solid soundtrack choice,” he replied, looking like he was suppressing a laugh. “besides, don’t pretend this isn’t kinda perfect.”

“you think dancing queen is perfect for this?”

he shrugged, sipping his drink. “come on, you’re hammered, i’m here keeping you company, and we’re both, what… living in the moment?” he quirked a brow, his smirk widening as he eyed you, like he was daring you to argue.

and then, maybe out of pure liquid courage, or maybe because the absurdity was too much, you laughed. “yeah, living the moment… with some guy whose name i don’t even know.”

“toji,” he said, offering his hand with a lazy grin, like he’d just handed you a secret.

“toji,” you echoed, shaking his hand. he held on for a second longer than necessary, his gaze never leaving yours.

 oh, this guy was trouble, and you were in so deep.

“and you?” he asked, still holding your hand.

you barely managed to whisper your name, but it came out like a sigh, and he repeated it back like it was something precious. “well then,” he said, smirking, “guess that makes two dancing queens tonight.”

“toji…” you muttered, the name slipping off your tongue again as you tried to place it. there was something familiar about it, like you’d heard it before, but in your tequila-drenched state, nothing was sticking. 

toji, toji… where had you heard that name?

he cocked an eyebrow, clearly amused as you stared at him like he was the world’s most frustrating puzzle. “something on your mind?”

“n-no,” you stammered, then immediately backpedaled. “wait, actually, yes. toji, right?”

he nodded, a playful gleam in his eye. “that’s the one.”

“toji… toji…” you repeated, squinting at him as if a clearer view would magically connect the dots. and then, it hit you — toji fushiguro. 

the voice actor who would be bringing your spicy, shamelessly dramatic main character to life. 

the same guy you were supposed to meet tomorrow, the guy who was probably used to making everyone’s knees buckle with just a whisper.

“no way…” you whispered, clutching your head, and you could practically feel the blush creeping up your cheeks. “you — you’re… that toji?”

he gave a slight tilt of his head, his eyes twinkling with mischief. “what, surprised that i could be both hot and talented?”

you sputtered, trying to backtrack and failing miserably. “no! i mean, yes, but i just — tomorrow —  you’re… you’re the guy who’s voicing my main character?”

he leaned back with a smirk, clearly enjoying the whirlwind of emotions he was putting you through. “didn’t think the universe would give you a sneak preview tonight, huh?”

your fuzzy brain struggled to compute this twist of fate. you were drunk, mortified, and beyond flustered, sitting in a bar with the man who’d soon be giving voice to all your filthy, shameless words. this was almost too much.

“oh my god,” you muttered, sinking back in your seat. “i literally threw up on my main character’s shoes.”

toji let out a hearty laugh, patting your shoulder. “hey, if anything, i’d say it’s on-brand for the kind of night you’d write.”

just as you were processing the sheer, ridiculous insanity of the situation, a fresh wave of nausea hit you like a freight train. before you could even react, you leaned forward and… splattered the floor with a decidedly not-dignified stream of bile. this time, it was almost cinematic, complete with a dramatic gagging sound that had you doubling over.

you watched in horror as you once again spewed your insides onto the floor, narrowly missing toji’s shoes but definitely adding a new layer to the already mortifying scene. 

you’d probably just hit rock bottom.

“oh, god,” you groaned, covering your mouth with your hand as the bile burned your throat. “i swear… i’m not normally like this.”

toji chuckled, rubbing a hand over the back of his neck as he handed you a stack of napkins the bartender had generously supplied. “i’m starting to think i’m just a little too overwhelming for you, princess.”

you shot him a sheepish look as you wiped your mouth. overwhelming was an understatement. 

“yeah, maybe we can leave that out of tomorrow’s team introductions,” you mumbled, trying desperately to pull yourself together.

toji chuckled, tossing a few more napkins your way. “no judgment here. it’s a rough night for a first ‘meet-cute,’ but hey, you’re nothing if not memorable.”

you gripped the napkin, willing yourself to hold it together, at least until you could make a semi-dignified exit. “i don’t even want to know what story you’ll tell people about this.”

toji just laughed, completely unbothered, as if getting vomited on was a regular night for him. “don’t worry, i’ll keep it discreet.” his voice dipped, lowering to a murmur. “for a girl with secrets, i figure you’d appreciate that.”

he lifted his drink and gave you a small toast. “to first meetings — and unforgettable nights. and hey, maybe tomorrow, you’ll surprise me and keep it down.”

oh, god, you thought, as you attempted to bury yourself in your napkin. if only i could crawl under the bar and hide forever.

normally, you wouldn’t wake up with “dancing queen” stuck in your head, but as you nursed the remnants of a truly terrible hangover, it felt almost... pleasant? the upbeat melody cut through the fog of your brain, and you couldn’t help but hum along, even if the lyrics felt like a cruel reminder of your embarrassing escapades from the night before.

“you can dance, you can jive, having the time of your life...”

wait, why dancing queen of all songs? you squinted at your alarm clock, your heart racing as the memories started flooding back like a poorly written rom-com. oh.

OH.

your eyes widened as you bolted out of bed with a speed that could make an olympic runner blush, frantically throwing on whatever clothes you could find — did you seriously still have a piece of glitter from last night stuck in your hair? gross! but no time for a shower; you had a meeting to get to at gojo-sonic, and you were about to meet — erm, remeet — toji fushiguro.

“ooh, see that girl, watch that scene, digging the dancing queen...”

as the lyrics blared in your head like an incessant movie soundtrack, you dashed out the door, praying you’d catch a cab in time. the universe couldn’t possibly let you walk into this meeting looking like a hot mess — especially when your main character's voice was waiting on the other side.

“you’re a tease you turn ‘em on…leave ‘em burning and then you’re gone…”

you rolled your eyes at your own ridiculousness. who cared if you’d practically thrown up on the guy? all you had to do was survive your own personal dance-off with fate and hope toji didn’t remember the lovely little details from last night.

you took a deep breath, determined to channel all the confidence you could muster. today was going to be great. right?

as you walked into the meeting room, gojo practically huffed an air of relief. you couldn’t help but think it was a little dramatic — like, it’s just a meeting. you took a deep breath, trying to shake off the last remnants of your hangover and the lingering embarrassment of last night’s vomit-venture.

the room was brightly lit, filled with a few familiar faces, including toji, who was leaning casually against a table with that annoyingly charming grin plastered on his face. 

great. you’d somehow forgotten just how hot he was in the light of day. 

toji’s presence made your stomach flutter and flip, but you shoved that feeling down — this was business, after all.

you scanned the room and spotted gojo-sonic’s most valued investor suguru geto on a screen in the corner, his hair tied back and eyes sharp as he joined the meeting online. wow, great first impression! with a sudden wave of panic, you could almost hear the dancing queen lyrics mocking you in the back of your mind. what’s next, bursting into song?

“hey, look who finally made it!” toji said, amusement dancing in his eyes. perfect. if he was going to make light of your grand entrance, you had to think fast to steer the conversation away from the disaster that was last night.

“sorry for keeping you all waiting,” you replied, forcing a smile that hopefully didn’t look too forced. “i had... a crazy night.”

toji raised an eyebrow, an amused smirk tugging at his lips. “crazy night, huh? did you bring us any stories?”

you shot him a warning glance, your heart racing as you internally pleaded with him not to say anything that could ruin your career. thankfully, he just chuckled, crossing his arms and leaning back, letting the moment hang in the air without any revealing comments.

“i think we’d all like to hear that,” suguru said, his tone teasing as he adjusted the camera. “but let’s save the fun stuff for later, right? we’ve got work to do.”

you nodded, grateful for suguru’s timely intervention. “yes, absolutely! so, uh, about the voice work —”

the atmosphere shifted as the others exchanged knowing glances, and you knew you’d have to tread carefully. this meeting was crucial, and you couldn’t let last night’s incident derail everything you’d worked for. with any luck, maybe you could just keep your foot out of your mouth for the rest of the meeting.

toji always knew he was hot.

i mean, how could he not? 

with a jawline that could slice bread and a smirk that could charm the pants off anyone, confidence practically dripped off him like a cologne commercial. but the real question was: how to channel this hotness and turn it into something lucrative? great question! 

being a single dad to wasn’t easy, and running from odd job to odd job just to scrape enough money for the brat’s school was proving to be tiresome. until one day, a certain gojo satoru decided to drop a bombshell on him.

“toji, you ever think about using that voice of yours for something... more creative?” gojo asked, leaning back in his office chair, a devilish grin spreading across his face.

“creative? what, like narrating my life as a sad single dad?” toji replied dryly, rolling his eyes. “because let me tell you, it’s not exactly a page-turner.”

“no, no, hear me out!” gojo insisted, practically bouncing in his seat. “i’m talking about voice acting — specifically, erotic audiobooks. it’s the next big thing!”

toji blinked, momentarily stunned. “you mean to tell me that the former bouncer at an elite club would be voicing erotic audiobooks? saying those weird, cringey lines that women seem to love? you’re insane.”

“think about it! you have the looks, the voice, and the whole mysterious vibe down pat,” gojo urged, waving his hands dramatically. “besides, you need the cash, and i need someone to bring a little... heat to my company.”

“you really think people want to hear me read lines like, ‘take me, you wild beast?’” toji quipped, snorting.

fast forward to his first recording session, where everything seemed to be going smoothly until disaster struck. toji was deep in character, delivering his best sexy voice when — bam! — the bathroom pipe exploded in his tiny flat.

“oh god, yes, just like that —” he started, voice dripping with sultry charm, when suddenly, a muffled splash! interrupted him, followed by megumi’s wail from the other room.

“dad! there’s water everywhere!”

toji cursed under his breath, trying to maintain his composure. “i’m coming! just... give me a second, i’m — ah, it’s getting so hot in here!” he struggled to continue, desperately trying to block out the chaos around him while the sounds of the pipe gushing water filled the audio.

but it turned out hormones took over the technical difficulties, because when the snippet was finally released, women and men of all ages were devouring it like it was the last slice of pizza at a party. it even went viral on tiktok, with cringe-worthy wannabes trying to recreate his sultry lines, failing miserably while toji sat back, amused.

“really? you think you can pull this off?” he chuckled to himself, watching one kid awkwardly mimic him. “nice try, kid. but good luck sounding this good while your mom’s screaming at you for hogging the bathroom.”

because toji wasn’t just a househusband — house father — anymore. he was a household name, and everyone knew him. his rise to fame was a wild ride, but hey, at least now he could afford to get the bathroom fixed — one line at a time.

he could hardly wrap his head around how he’d managed to move out of his tiny, crumbling apartment and into a much better place for him and megumi. it was like waking up one day and realizing he’d accidentally won the lottery. “wait, how did i end up here?” he’d mutter to himself, staring at the pristine walls and polished floors. “and how the hell can i pay megumi’s school fees on time without dodging dirty glares from the accounts office?”

he’d walk into the school, head held high, while megumi proudly puffed out his eight-year-old chest. “my daddy’s an actor!” he’d announce to anyone who would listen. toji couldn’t help but feel a swell of pride. i mean, the kid wasn’t wrong. he was acting — acting like he had his life together, at least!

but did his new job stop toji from being a little hoe? oh, hell no. 

if anything, the fame went straight to his head — both up and down there, mind you. toji was like a kid in a candy store, and he was using his newfound charm to siphon money from literally every sugar mommy he could find. 

and daddies, too, if he was feeling daring. 

because people would die to be known as someone “close” to the toji fushiguro.

“oh my god, is that him?” a passerby would whisper, nudging her friend as they walked past toji at a private event.

“i think it is! i heard he’s dating someone famous,” her friend would respond, leaning in as if they were sharing a juicy secret. “i’ve seen him at that new club downtown. he’s just so... magnetic.”

“totally! i mean, if i could get him to call me ‘sweetheart’ just once, i’d die a happy woman,” the first friend would say, fluttering her eyelashes dramatically.

toji would smirk to himself, sipping his drink while casually overhearing their chatter. “yep, you’re right. i’m as available as a 24/7 convenience store,” he’d think, reveling in the attention. "i could probably charm the pants off a rock if i tried."

another group of giggling fans would walk by, whispering amongst themselves, “i met him at that charity event last week! he was so sweet! like, did you see the way he talked to everyone? he’s definitely a heartthrob.”

“sweet? you mean hot, right?” one of them would tease, and they’d all burst into laughter.

“please, if he looked at me, i’d die!” another would declare, all starry-eyed.

toji’s smirk widened. “keep it coming, ladies. i’m just here for the show.” he couldn’t deny it; being the center of attention was intoxicating, and he was loving every second of it.

with a wink and a little wave, he’d keep strutting through life like a runway model, knowing full well he had the power to turn heads and keep wallets open. “who knew being a hot voice actor could be this fun?”

great that you’d ask what toji did with all that sweet, sweet cash! save it all for his brat of a son, of course, even if he wouldn’t admit it. beneath that rugged exterior and playful swagger, he had a soft spot for the little sucker.

just the other week, megumi had been rambling on about wanting a really cool new video game console. “but daddy, alllll my friends have one! it’s so unfair!” he’d whined, big blue eyes practically shimmering with hope. toji had rolled his eyes, trying to act tough, but the moment he saw the kid's face, his heart melted like butter on a hot skillet. “fine, but only if you promise to finish your homework first.”

the next day, megumi had unwrapped a brand-new console, complete with all the latest games, and toji had basked in the sheer delight radiating from his son. “this is the best day ever!” megumi had screamed, wrapping his arms around toji’s waist. “thank you, daddy!”

toji grinned like an idiot, pretending to be unimpressed. “yeah, yeah, don’t go losing it on the first day, alright? and remember, no playing after eight!” he was basically a walking contradiction: a grumpy dad who secretly loved being the cool parent.

then there was that time megumi had been obsessed with this rare action figure from his favorite show. toji had seen the way his son’s eyes lit up every time he spotted it in a store, but it was always sold out. so, naturally, when toji found one online at a steep price, he didn’t hesitate. “i’ll just skip my overpriced rum for a week. totally worth it.”

when megumi had opened the package, he’d literally jumped in the air, screeching like a siren. “no way! you got it for me!?” and toji had played it cool, shrugging his shoulders. “what can i say? your dad’s a generous guy.”

of course, this indulgence didn’t go unnoticed by gojo satoru. the six eyes — er, eyes! — of the man always seemed to be on toji, especially when he noticed his friend was splurging just a little too much on himself — like that new leather jacket that looked ridiculously good on him. 

“i need a jacket like that,” gojo had muttered to himself, glancing at his own wardrobe with disappointment.

whenever toji treated himself, gojo would quietly slide a check over to him, nonchalantly muttering, “just a little something for megumi’s school expenses.”

some people would have viewed it as offensive or patronizing, but not toji. he’d always laughed it off, feeling grateful instead. in his mind, gojo was like a guardian angel — “if guardian angels wore sunglasses and had a taste for expensive sweets.” he saw it as gojo looking out for megumi, which made toji’s heart swell with warmth. “who else would want to help raise my kid? might as well accept it.”

“just don’t make a habit of it, alright?” toji would say with a teasing grin. “i don’t need you spoiling him more than i do.”

“too late,” gojo would quip, already plotting ways to sneak more gifts into megumi’s life. “it’s my new hobby.”

so, when gojo casually dropped the bomb that toji would be voicing one of the hottest, trending smut book — “mating with the demon king” or something equally ridiculous — toji shrugged it off. “simple enough job,” he thought. “and it must be good if they came to me for it.”

but when gojo suggested he read the book to get an idea of the material — “just a little prep work,” he’d said with that infuriatingly charming grin — things took a wild turn.

big mistake, toji would later reflect as he flipped through the pages, his eyebrows shooting up higher than a roller coaster. “who writes this stuff?” he muttered, half-laughing at the sheer absurdity of it all.

the content was downright depraved. there were scenes that had him questioning his entire existence. 

“‘he thrust into her like a man possessed, each stroke igniting a fire within her’ — what even is that?” he read aloud, only to burst out laughing at the ridiculousness. megumi, playing quietly in the other room, wondered why his daddy was cackling like a madman.

“uh, daddy? why are you reading that out loud?” megumi had peeked in, eyes wide with curiosity. toji quickly scrambled to shut the book. “uh, just… learning about, uh, cooking techniques!” he stammered, trying to play it cool. “you wouldn’t get it, buddy.”

but the laughter continued to bubble out of him, and he couldn’t help but read some of the more ludicrous lines. “‘his lips found her collarbone, trailing heat like a wildfire’ — who even talks like that?” he shook his head, utterly bemused.

by the end of the chapter, he was howling. “‘she gasped as he swept her off her feet and into a world of ecstasy’ — oh please!” toji chortled, clutching his stomach, imagining how this would all sound through a microphone. “my kid is gonna think i’ve lost my goddamn mind.”

but hey, if this job was going to pay the bills, he figured he could endure a little humiliation. “it’s all in a day’s work, right?” he muttered to himself, finally accepting that he was now the voice of “mating with the demon king.”

all that reading really took its toll on toji — physically, mentally, spiritually even. after hours spent tripping over lines like “pressed against the throbbing heat of his desire” (yeah, that one took five tries to get through without laughing), he needed to clear his head. so, he found himself at a bar, halfway through a drink, hoping to numb the embarrassment he’d just endured in the name of rent money.

then stumbles this stranger — a cute, very tipsy stranger who quickly parked herself right next to him and started chatting him up, wide-eyed and slightly unsteady. great, drunk people, he thought, resisting an eyeroll as she grinned at him, looking ready to either start a fight or profess her love. 

maybe both.

of course, what are the odds she’d go ahead and throw up on his shoes? yes, his brand-new shoes, because, apparently, the universe had decided that tonight, toji fushiguro would be the world’s personal punching bag. “can’t even get through one drink without some shit happening,” he muttered to himself as she looked up at him with a horrified expression. “we’re off to a great start here, huh?”

after some water and some awkward apologies (mostly her apologizing, mostly him trying not to laugh), they fell into surprisingly decent conversation. she was rambling about her job, the stress, the weird demands — stuff he could sympathize with, honestly. 

and that’s when he dropped it, just for fun: “i’m a voice actor.”

her eyes sparkled with recognition — a little too much recognition, actually, which made him narrow his eyes. “wait, what’s your name?” she asked, suddenly all ears.

“toji. toji fushiguro.”

the second he said it, her face went from curious to horrified to... oh yeah, she knew exactly who he was. “wait,” she gasped, putting her hand over her mouth. “you’re... you’re the voice actor for my book.”

toji raised an eyebrow, deadpan. 

so this was the writer, the one who wrote all that nonsense he’d been struggling through for days. well, wasn’t that just the cherry on top. not only was this his boss but also the very person responsible for phrases like “pulsing need” and “moans spilling like honey.” and she’d just puked on him. 

talk about a power move.

“small world,” he said, his tone dry as desert sand. wonderful, he thought. my boss threw up on me. but, hey, the night was still young. 

he took a long sip from his drink, hoping she wouldn’t take this as an excuse to unleash some kind of creative critique.

“i... i didn’t know you’d be here,” she stammered, a shade redder than before, probably realizing what this made her look like — her, the lady behind the “throbbing heat of desire” shtick.

“don’t worry,” he said, giving her a smirk. “i won’t tell anyone the literary mastermind responsible for all that... romance has a weak stomach.”

you probably don’t remember much after you composed yourself following that second round of projectile embarrassment — but don’t worry, toji remembers. the man’s got a steel trap for the kinds of memories you’d prefer stayed buried. once he’d figured out that you weren’t exactly in shape to be left wandering around, he made the executive decision to get you home. yeah, he’d just met you a couple hours ago, but somehow, through the boozy haze and questionable life choices, he’d managed to catch your address. 

impressive detective work, really… or, well, you may have blurted it out mid-ramble about how “the streetlight outside is the only thing lighting up your lonely hallway.” 

a touch dramatic, but, hey, it worked.

so he got you back to your place (no thanks to the cab driver’s judgmental side-eye), got you up the stairs without you faceplanting, and, after propping you up long enough to unlock your door, he even went the extra mile and tucked you under the covers. you, meanwhile, mumbled something about “tequila being the devil,” blissfully oblivious to the poor guy who’d just witnessed more of your personal life than your closest friends. toji took one last look before heading out, chuckling to himself as you drifted off, probably already dreaming of whatever literary nonsense you’d be writing next.

but what really stuck with him? the damn “dancing queen” chorus ringing in his ears from the bar. maybe it was still playing somewhere out there in the night, or maybe you’d just cursed him with it. because as he walked home, hands shoved in his pockets, there it was, looping over and over in his head. 

“you can dance… you can jive…” 

great, now he’d be humming it for days.

both you and toji were snapped back into the fluorescent-lit reality of the conference room, where gojo was still going on about… royalties? percentages? to be honest, the entire spiel sounded more like corporate white noise to you. 

toji, on the other hand, was leaning back in his chair, looking as disinterested as humanly possible without actually falling asleep. across the screen, suguru appeared in one of those stiff, all-business modes, nodding along to gojo’s speech. his eyes had that telltale sparkle that only appeared when money was the topic — “stakeholder perks,” as gojo would call it, though it just meant suguru got to rake in extra cash on the side.

“and once the audiobook’s live, the split from the sales will be recalculated quarterly, yadda yadda, yadaaa —” gojo’s voice broke into a sing-song, clearly amusing only himself. “anyway, you guys will see some real sweet checks from this.”

“royalties…” suguru interjected, a bit too smoothly, “remind me what those projected percentages were again, satoru?”

toji suppressed a snort. here they were, with the man himself who could barely be bothered to read a weather report straight, much less your raunchy magnum opus. good luck explaining earnings, gojo.

“oh yeah, royalties!” gojo cleared his throat, launching into a number-laden monologue that seemed to somehow both explain everything and nothing at once. toji barely listened, glancing at the digital clock on the wall. it was only when gojo pivoted, with a suddenly very pointed look, that toji actually tuned back in.

“so, did everyone do their, ah, homework?” gojo grinned as his gaze swept across the room, his eyes landing on you with a bit too much knowing amusement. “read the… material?”

you shuffled uncomfortably in your seat, and every other voice actor in the room suddenly found the table, the wall, or their own shoes very interesting.

all except toji, of course, who stretched back with the most obnoxious smirk you’d seen yet.

“homework?” he drawled, deadpan as always. “yeah, got right into it. wouldn’t want to miss a single word of that… fine literature.”

a few of the others exchanged awkward looks, clearly unsure how to respond to the dead-serious way toji said fine literature without a shred of irony. meanwhile, you shrank a little in your seat, not exactly loving the fact that the guy you threw up on was apparently the one voice actor who actually read your work cover-to-cover. not to mention, this was toji fushiguro, the voice actor who’d taken the world by storm with a single, leaked snippet. you'd heard your fans say that he was some kind of god-tier talent — practically a household name. and now? 

he was casually staring you down like he'd just read your diary.

“it’s… it’s not that bad,” you muttered defensively, feeling a prickling heat rise up your neck.

toji raised an eyebrow, clearly enjoying himself. “oh, didn’t say it was bad. just, uh… thorough.”

you felt the blush intensify, but before you could reply, gojo jumped back in, undeterred. “great! since everyone’s read it now, we’ll dive into scene breakdowns tomorrow, with input from our illustrious author here.” he winked at you in that annoyingly playful way of his, as if he’d just orchestrated the whole thing for kicks. “it’s all about bringing your vision to life, yeah?”

“looking forward to it.” toji’s tone was smooth, with just enough emphasis to hint at the mischief lying behind his calm expression. you could swear there was a glimmer of challenge in his eyes, and the fact that he’d actually read the book — a book that you wrote in a creative haze, no less — was beginning to feel less like a weird coincidence and more like some cosmic joke at your expense.

suguru’s voice broke through, “and let’s hope that translates to success, right, gojo? my dividends would certainly appreciate it.”

“oh, don’t you worry, sugu bear.” gojo leaned in with that shark-like grin of his. “with toji voicing this masterpiece, and the author right here to guide us? we’re printing money already.”

with a dramatic flourish, gojo clapped his hands together, instantly breaking the tension. “alright, dismissed! snacks are out front — help yourselves, or not! more for me, after all,” he added, a mischievous glint in his eye as he clearly envisioned his sugary hoard.

suguru took this moment as his graceful exit cue, giving a short nod before the screen blinked off. gojo sighed theatrically, clasping his chest. “oh, suguru, leaving so soon? you wound me! who’s going to discuss ‘dividends’ and ‘royalties’ with me now?”

nobody had the heart — or possibly the patience — to answer that question, which suited gojo just fine as he spun on his heel, making his way toward the snack table. 

you, meanwhile, considered vanishing altogether, at least until the next segment of the day when you’d actually need to make yourself useful. judging by the energy in the room, none of the other voice actors were in a rush to strike up a conversation with you. 

ouch. apparently, being the creator of their next project wasn’t that much of a social asset.

you edged toward the door, already halfway to freedom when, like clockwork, a deep, familiar voice stopped you in your tracks. “leaving so soon?”

you didn’t even have to turn around to know who it was. obnoxious didn’t even cover half of it. “just… thought i’d give you guys a break from me,” you muttered, gripping the strap of your bag tighter, hoping it looked casual instead of like an attempt to bolt.

toji’s laugh was low, almost teasing. “a break? i don’t mind the company. in fact, i think the others are just shy.” his words were smooth, but there was a mischievous lilt to them, like he was very aware of just how uncomfortable you probably were.

“right,” you deadpanned, summoning every ounce of sarcasm you had left. “they’re all just shy.”

he chuckled, falling into step beside you as you made your way to the snack table. gojo was already there, unabashedly sampling a tray of tiny cupcakes. he shot you both a grin that was, in all honesty, more threatening than friendly. 

oh god, why is he looking at us like that?

“so!” gojo swiped another cupcake, leaning back against the table as he took in you and toji with an almost too-pleased expression. “getting along, are we? i mean, it’s not every day you get to work so closely with the voice behind your book, right?” he wiggled his eyebrows suggestively, as if trying to ignite some sort of spark just to make things interesting.

toji, unbothered as ever, shrugged. “she already threw up on me. might as well be friends after that, huh?”

oh my god. 

you felt the flush rise to your face instantly, a mix of embarrassment and horror. he did not just bring that up in front of gojo, of all people.

“aww, how cute!” gojo crooned, looking absolutely delighted as he clapped his hands in that overly-enthusiastic, not-at-all sincere way. “bonding over bodily fluids. you guys are practically soulmates!”

“please, kill me now,” you muttered under your breath, glaring at the snack table like it might provide an escape hatch.

toji leaned in, voice dropping to a near whisper, and you could practically hear the smirk in his tone. “don’t worry, author. i’ve seen worse.”

“great, that’s… comforting,” you muttered, resisting the urge to roll your eyes as you grabbed a snack at random. at this point, you were ready to make a quick exit, potentially before the day’s work even started if it meant escaping this scene.

“now, don’t run off too fast,” gojo added, wagging a finger at you with a sly grin. “i’m expecting all of us back here in an hour, nice and energized. don’t want any excuses!”

toji shot you one last look, equal parts teasing and unreadable, before he turned to grab a coffee. “guess you’re stuck with me for a little longer,” he murmured, a faint glimmer of humor in his eyes.

wonderful. absolutely wonderful. well, at least there’s cupcakes.

it’s only five minutes into the recording session, and you’re already wondering if there’s a job market for earth-burrowing positions. if there is, you’d gladly take it. anything would be better than this…circus.

the sound booth is packed with voice actors delivering line after line of your book’s carefully crafted (painfully cheesy) smutty dialogue. you bite your lip, both cringing and resisting the urge to laugh out loud as one of the actors, a slender guy with an unfortunate tendency to over-dramatize every vowel, reads his line with a tragic sigh.

“i can’t help it… i just want to devour you.”

devour you? you want to throw yourself into the nearest trash can. before you can stop yourself, you lean forward into the mic, managing a half-apologetic, half-pleading tone. “uh, could you maybe… ease up on the ‘devour’ part? like, less dramatic, more… suave?”

he nods seriously, doing a quick vocal warm-up before trying again. “i can’t help it… i just want to devoooour—”

“nope! nope, nope, nope!” you blurt, a little louder than you intended, the cringe spiraling out of control. you quickly clear your throat, trying to sound as professional as possible. “let’s, uh, maybe just skip to the next line.”

from the corner of the room, you catch sight of gojo, who’s grinning so widely you’re genuinely concerned his face might stay that way forever. he’s watching you with an infectious enthusiasm that’s bordering on manic, his eyes practically sparkling with amusement. you’re half-expecting him to yell, “surprise! this is an snl skit!”

you rub at your temple, wishing the earth would do you a solid and open up beneath you, while the next actor — a petite, sweet-looking woman who’s visibly uncomfortable — takes her turn. she clears her throat, looking down at her script, and delivers the line in a barely-there whisper, “i… i want you to take me… take me as if…”

“um…” you grimace, instantly feeling the heat rise to your face. “maybe a bit louder? but, you know, sensual.”

she blushes, muttering something under her breath before raising her voice, though it’s still trembling. “i… i want you to… take me… as if…”

toji, who’s been watching the whole scene from his seat, chuckles lowly, and his smirk sends a jolt of embarrassment through you. “jeez, author, why don’t you just hop in there and show ’em how it’s done?” he mutters, voice dripping with sarcasm, though it’s not unkind.

you throw him a flat look, biting back an eye roll. not like i wanted to be here, you think to yourself. it’s just that somehow, the universe decided that today you’d be responsible for turning lines you’d never want to say out loud into something even remotely palatable.

and it only gets worse. 

another actor — a deep-voiced, well-meaning guy in his mid-40s — leans into his mic and reads out, in a gruff voice you can only describe as a rejected batman impersonation: “you’re driving me… wild.” his tone is so intense it’s like he’s threatening to fight the listener in a parking lot.

“okay… we might want to dial it back a little,” you say carefully, hoping to mask your horror with politeness. “just… a little less ‘supervillain,’ more… warm?”

you hear toji chuckle behind you, low and rumbling, clearly reveling in your suffering. and as you glance over your shoulder, you find gojo, once again, looking like this is the best entertainment he’s had in years. 

at this point, he might actually cry from laughing.

just when you think it can’t get any worse, toji stands, giving you a wink as he heads into the booth for his turn. he takes the mic, his face blank and unreadable as he starts reading the next line.

“i need you… right now,” he purrs, his voice oozing that lazy, sensual charm you’d envisioned for this character. it’s… almost unfair, really. 

there’s not an ounce of irony or overacting. 

toji’s delivery is so smooth, so confident, that it catches you off guard, a flush rising to your cheeks.

gojo lets out a low whistle, giving you a teasing look as if to say, see? was that so hard?

“finally,” you mutter under your breath, swallowing the lump in your throat. gojo raises a brow, clearly enjoying every second of your awkwardness.

you sigh, mentally bracing yourself for the rest of the recording. if nothing else, at least one actor seems to have nailed the tone — much to your embarrassment and gojo’s endless delight.

you clear your throat, attempting to regain some semblance of control over the recording session, which is proving to be harder than herding a pack of caffeinated cats. “right, everyone, let’s, uh, keep moving and go ahead with recording the dragon king’s lines. toji, if you’re ready?”

but you barely finish your sentence before gojo claps toji on the shoulder with that all-too-annoying bromance energy, grinning from ear to ear. “our star is ready, aren’t ya, toji? i mean, look at this guy! look at him! can’t believe i found this gem for gojo-sonic!” gojo’s voice carries that infuriatingly proud tone that practically drips with smug satisfaction.

you stifle an eye roll, and even the other actors exchange glances, half-annoyed, half-amused at gojo’s over-the-top fawning. but before you can jump in to cut gojo off, toji just smirks, sliding comfortably into the mic like he was born to deliver cheesy lines.

“alright, alright,” you murmur, mostly to yourself. “let’s see what you’ve got, mr. dragon king.”

toji adjusts the headphones, his lazy smirk already primed. 

and then he begins, voice low and sultry, hitting each cringe-worthy word with the same ridiculous gravitas that has the whole room mesmerized.

“i have waited eons for a beauty like yours to grace my realm. come… be mine, and together we shall rule the heavens.”

you can practically feel everyone holding their breath, transfixed by the sheer sincerity in his tone, despite the line’s absurdity. you, too, can’t help but feel a blush creeping up your neck, which is just unfair given you wrote these lines. 

you knew what they were meant to sound like, but this? 

he’s delivering them like they’re damn poetry.

toji doesn’t stop there, though, his deep voice carrying each line as though he’s serenading the mic. “my heart burns with a fire only you can soothe. take my hand, and i swear to guard your heart with my very life.”

gojo is practically fawning, batting his eyelashes like a proud parent in the corner. “see, people, this is how it’s done! let the dragon king here show you amateurs how it’s really supposed to sound!”

you resist the urge to chuck something at gojo as the other actors’ eyes widen, watching in awe.

one of them mutters under their breath, “no way we’re topping that.”

and then, toji’s voice dips even lower, the next line coming out in a growl that somehow manages to be both dramatic and, disturbingly, kind of… enchanting.

“you are the breath in my lungs, the flame in my veins. without you, i am but a shadow… a beast in the dark.”

the room is dead silent. 

you’re all fawning, gushing messes, and you’re not even sure how it happened. it’s like toji’s somehow turned this trial recording into an absurdly hot moment. you can barely believe you’re hearing the same lines you once labeled “ridiculously cringey” in the draft.

finally, he leans back, looking pleased with himself, as if he hadn’t just left everyone a little breathless. gojo practically beams with pride, nudging you. 

“so… i think you’ve found your dragon king, wouldn’t you say?”

you nod, still stunned, half in disbelief, half in begrudging admiration. if this was just the trial recording, you could only imagine how many blushing, starry-eyed listeners this final audiobook was going to leave in its wake.

the moment the trial recording session wraps up, gojo is the first one on his feet, clapping his hands like he's just watched the performance of a lifetime. “brilliant!” he practically shouts, pulling out his phone faster than you can blink. “suguru needs to hear this,” he mutters, already dialing his business partner like a kid who can’t wait to brag about his latest toy.

sometimes you really do forget that gojo is the ceo of a multi-million dollar company — an erotic audiobook company, no less. 

is he this passionate about the art, or is it just the money? either way, watching him fanboy over his own employee leaves you a mix of amused and exhausted.

there’s a charm to it, though, even if it’s a little baffling to witness in real time.

as the energy in the studio starts to mellow, you find yourself actually breathing a bit easier. for once, things seem to be going smoothly. 

maybe this whole collaboration wouldn’t be a disaster after all. 

you let yourself relax, even if a small part of your brain chides you with a quick reminder: next time, skip the cheap caffeine fix when you’re pulling an all-nighter writing smut. 

or… cheap anything, really. 

yeah, you don’t actually smoke, you remind yourself — except, well, that one time in college, but hey, that was a whole different you. one that should stay buried in the relics of questionable decisions, right next to your spiral-bound notes of embarrassingly bad poetry.

just as you’re praying to the universe that this is all going to wrap up without any extra drama, you hear it. the sound that’s become both your nightmare and… okay, maybe, a little less than that.

“well, princess,” toji’s voice rumbles, his tone as amused as it is teasing, “got anything else you want from your dragon king?”

you close your eyes and will the ground to open up beneath you, but nope, nothing. 

nothing but the sound of your heartbeat doing an awkward little tango in your chest.

of course he’d pick now to resurrect that ridiculous moniker from last night. like it wasn’t humiliating enough when he threw it out there while you were a couple drinks deep and all but glued to your seat at the bar. 

oh, you’re practically begging the universe to put you out of your misery — well, actually, now that you think about it, maybe being wrapped up in those beefy arms wouldn’t be the worst fate…

wow. get a grip, girl. this is the caffeine deprivation talking. 

definitely that.

but then toji smirks at you, an eyebrow raised, as if he’s just dared you to respond. and all you can think is… oh, lord, this man is trouble.

"c’mon, just a drink,” toji insists, flashing that devil-may-care grin that both ruins and improves your day within a matter of seconds. he’s leaning back like he’s got all the time in the world, casually ignoring how you definitely don’t. 

“trust me, princess, it’ll settle your nerves.”

it’s not like you need a reminder of the mess that was last night. every foggy memory swirls in your head, like life’s own cruel version of a mocktail — one garnished with shame, regret, and a generous helping of last night’s tequila. 

if anything, adding more drinks to this equation feels about as smart as walking blindfolded into traffic.

but toji’s already up, stretching like he’s completely unaware of the chaotic memories this whole “outing” is summoning. “just a quick look around gojo-sonic, yeah?” he says, nodding toward the maze of hallways beyond the studio door, his face the perfect picture of innocence.

“you’re new here, and it’s… important to know the lay of the land. work reasons.”

you can practically hear the quotation marks around that “work reasons.”

“you know,” he adds with a wink, “never hurts to see where the magic happens.”

yeah, right. you have a feeling the only magic here is him somehow dragging you deeper into your personal nightmare.

you don’t even get the chance to respond with a yes, no, or a “maybe next century” when toji’s phone lights up and his whole expression darkens. not exactly the look you expect from the guy whose voice practically ruined half the internet last month with that infamous line about... well, yeah, better not go there right now.

“satoru, the brat got into a fight,” he growls into the phone, and suddenly, satoru’s jaw hits the floor with such force you can practically hear it from across the studio. toji doesn’t stick around for a reply, though — he’s already striding toward the door like a man with a purpose, ignoring satoru’s spluttered, “the what did who?”

and somehow — god knows how — you find yourself tagging along like it’s the most natural thing in the world. maybe it’s curiosity, maybe it’s the thrill of seeing toji in full boss mode, or maybe it’s just because, oh, y’know, “responsible adult and responsibilities” instincts or whatever. 

but the further you walk, the more you realize that toji doesn’t mind you following one bit. in fact, he’s practically matching his pace to yours, as if you’re part of some unofficial escort mission to... whoever this “brat” is.

which, speaking of, who the hell is megumi?

you’re still trying to wrap your head around how this was supposed to be a “quick tour” of the office and not, somehow, an impromptu escort mission to the world’s sleekest car, a porsche 911 turbo — yep, that’s right, the kind of car you’ve only ever seen in movies where the bad guy’s got a mysterious, sexy side. all you can manage is, “you own this?”

toji shrugs, slipping his keys into the ignition with an air of pure, unbothered cool. “you don’t?”

oh. okay. 

you barely have time to process this response before he’s peeling out of the parking lot, narrowly avoiding a stray cat, a snail-paced truck, and an old lady who’s almost sacrificed her wig to his driving style. but hey, all part of the thrill, right?

definitely not questioning life choices here.

by the time you pull up to a cutesy primary school — you know, the kind with pastel-colored gates and cartoon murals of bears and rabbits — you’re genuinely confused. 

toji seems like the last guy who’d be here unless it was some undercover op. and “megumi,” whoever he is, sounds like he could be the school’s playground menace.

“wait, this is where we’re headed?” you ask, eyeing the building like it might suddenly make sense.

but toji’s out of the car, moving so fast you practically have to jog to keep up. the school secretary gives you both a wary glance, likely sensing the storm of exasperation radiating off toji, as he strides straight into the principal’s office. there, sitting on a chair with his arms crossed and an unimpressed scowl that screams “mini-toji,” is a little boy with spiky hair and an air of quiet defiance.

without missing a beat, toji asks, “megs! did you win?”

the principal, a kindly-looking woman whose expression is rapidly shifting from “calm mediator” to “i don’t get paid enough for this,” clears her throat. 

“mr. fushiguro, your son wasn’t... in the wrong, per se. it appears he was, um, defending his honor.”

defending his honor? you blink. what kind of second grader even knows what that means?

“that true, ‘gumi?” toji says, arms crossed, looking every bit the unbothered, proud dad of the year.

“he said my dad was a... weird voice actor,” megumi mutters, then shrugs. “so i said at least my dad works.”

you nearly choke, partly from stifled laughter, partly from the sheer absurdity of all this. here you were, thinking “honor” meant, like, taking down a playground empire or something. 

but no, megumi’s just a kid with a sharp tongue and a little too much of toji’s attitude.

“damn right, kid,” toji says, patting megumi’s head, then looking over at you with that familiar, annoyingly smug grin. “raised him right, yeah?”

“...sure,” you say, because what else can you even say at this point? it’s like you’ve stumbled into the weirdest sitcom ever, and the laugh track is somehow missing.

the principal’s expression morphs into something almost painfully polite as she addresses you, tiptoeing around the word wife with an impressive mix of caution and curiosity. 

“are you, ah... megumi’s guardian?”

and then, in perfect, unplanned harmony, you, toji, and megumi all blurt out, “no.”

the unity, the instinctual synchronization — it’s like you’re all on the same wavelength, for better or worse. soul-level understanding, or something. 

what the hell is happening right now?

with a polite smile and a “let’s never speak of this again” nod, you three finally leave the principal’s office. megumi, looking more bored than reprimanded, flicks at a speck of lint on his uniform, while you and toji attempt to navigate the hallway swarming with concerned teachers and worried front-desk ladies. and by “concerned” and “worried,” it’s more like they’re curious about toji’s parenting style and, let’s be honest, probably toji himself.

“oh, mr. fushiguro!” one particularly invested teacher coos, “we heard about the incident. is everything all right?”

toji, of course, laps up the attention, chuckling low and throwing in a wink here and there like he’s starring in some kind of action-movie dad role. the ladies are practically falling over themselves to get a response from him, their questions barely veiled as they assess you with raised brows and sideways glances, a classic “who’s she?” written all over their faces.

“and you are...?” one of the front-desk ladies finally asks, voice all sugar-coated and sharp.

toji slides in smoothly, cutting off whatever half-formed, awkward introduction you were about to stammer out. “oh, she’s a colleague,” he says, his tone effortlessly suave, like introducing a perfectly respectable coworker and totally not the author of his last, extremely explicit audiobook project.

you’re almost grateful until it hits you — this is the same guy who made a whole production of calling you “princess” in the recording booth just yesterday. 

as if he hasn’t played one of your absurdly corny dragon kings in all his full-throttle intensity. 

and now he’s here, all casual and cool, giving you a proper, respectable title like he hasn’t spent hours voicing content these people probably keep hidden under their pillows at night.

but at least he didn’t out you as the actual author of those… creative pieces. 

that’s something.

toji is out here, doing his social service to society. and no, it’s not about lending his voice to steamy audiobooks, thank you very much. 

today, he’s serving the community by providing these teachers with a generous five minutes of his attention, which they’ll probably be replaying in their heads until the next parent-teacher meeting. and — oh, what a surprise! — that’s exactly what they’re talking about now, circling back to how he must come to the next one for a “serious discussion” about megumi.

toji’s stance? why bother? if the kid’s acing his tests, staying out of trouble (mostly), and keeping a lid on the whole “honor” thing, why does he need to sit through hours of polite lecturing from the pta?

while he’s busy justifying his lack of parental enthusiasm, you feel a pair of eyes on you. glancing down, you meet megumi’s steady, curious stare. 

it’s oddly intense for a kid his age, but you’re not one to back down from a challenge. you narrow your eyes, feigning a critical, assessing look, and he visibly falters, going slightly pink around the ears.

ah, kids.

as you three make your way out of the building — toji still being all socialite with the staff and probably postponing that pta date indefinitely — you suddenly find yourself in a mini interview  with megumi. it’s as if this eight-year-old has appointed himself the gatekeeper of his dad’s life and has decided you’re the latest applicant.

“so… what’s your favorite color?” he asks, with an unblinking, serious stare.

“uh…” you pause, realizing the weight of your answer here. “blue. like, uh, light blue.”

he nods, considering. “good answer.”

a pause. “favorite superhero?”

“batman?” you try, glancing at him for a sign of approval.

“hmm. fine. but iron man would’ve been better.”

noted, you think, as he then moves to cereal brand, favorite animal, and even your preferred subject in school. you navigate each question as best as you can, almost feeling the burn of a final exam.

then, in a moment of quiet, just as you think the quiz is over, megumi looks down and asks, voice barely a whisper, “did i… do the right thing? defending my… my hone-er?”

“your… oh, honor?” you say, a smile twitching at the corner of your mouth as you catch his wide-eyed, earnest gaze.

he nods, cheeks tinting a bit as he scuffs his sneaker on the ground.

“megumi,” you say, kneeling a little to get on his level, “defending your honor is important. just… maybe don’t go for all the punches next time? sometimes words work too.” you give him a playful nudge.

he nods, seeming satisfied with that answer, then glances over his shoulder. “and don’t tell daddy i asked.”

“your secret’s safe with me,” you whisper back, giving him a conspiratorial wink.

toji’s arms were crossed, an unreadable expression on his face as he watched the little interaction between you and megumi. 

he was always careful about the people around his kid, fiercely protective to the point that very few in his line of work even knew megumi existed. the only ones who had ever met him were gojo and geto — and that was already a stretch.

but something about how you handled the kid’s questions, actually entertained them with the same patience he’d usually summon up himself, caught him off guard. the way you knelt down to answer him, even kept a straight face through the hard-hitting topics of favorite superheroes and cereal brands... it was surprisingly nice. 

almost… reassuring?

ugh, what was he even thinking? you were still the same girl who’d written, and he mentally cringed as he remembered the line, 

“dragons may have claws, but they’re nothing compared to the grip i have on your…” 

yeah, yeah, he really didn’t need to finish that thought. the memory alone had him chuckling under his breath, shaking his head.

of course, that earned him a suspicious glance from both you and megumi.

“what’s so funny?” you asked, brow raised.

“yeah, daddy, why’re you laughing?” megumi chimed in, clearly puzzled.

toji waved a hand dismissively, realizing he’d just blown his cool for no reason. 

“nothin’, don’t worry about it. just thinkin’,” he mumbled, aware he’d probably looked a little unhinged just then. 

maybe he really needed to work on his awareness — or maybe he just needed to get a grip, period.

toji’s mind was doing somersaults, genuinely debating if he could manage both you and megumi tagging along for the afternoon. megumi’s insistence didn’t help; kid was determined that toji should keep you both company for the rest of the day, despite having school hours left. 

“you’ve got work, right?” you ask, half-joking, half-serious. “aren’t you supposed to be off doing big, important actor things?”

toji only smirked, whipping out his phone with the sort of confidence that made it clear he had a workaround for everything. he tapped open a message to gojo, fingers moving fast.

you [11:31 am]: hey. kid’s dragging me to the arcade. need a few hours off. gojo s. [11:33 am]: need or WANT, toji? ;)) you [11:31 am]: like i said, KID is dragging me. gojo s. [11:33 am]: oh sure, blame megumi. what, does he have you wrapped around his little finger or something? you [11:31 am]: think whatever you want, but you’re handling my schedule for the rest of the day. gojo s. [11:33 am]: wait, are you with...the AUTHOR? ;)) you [11:31 am]: quit smiling through text, it’s creepy. gojo s. [11:33 am]: i’ll allow it. but only cause i’m such a good friend.  gojo s. [11:33 am]: tell megumi uncle gojo says hi  gojo s. [11:34 am]: and he owes me 20 bucks. you [11:35 am]: he doesn’t owe you anything. gojo s. [11:35 am]: fine, but bring me something from the prize counter.

satisfied, toji pocketed his phone and shrugged. 

“all right, kid. we’ll hang out for a bit. but i swear if you drag me into any embarrassing games —”

“arcade!” megumi interrupted, not even giving him a chance to finish. “i can show you both that i’m the best at every game! daddy taught me how to play, so you better watch out!”

you couldn’t help but chuckle at the kid’s enthusiasm.

“all right, let’s go. but you better not make me look bad, kid,” toji said, smirking down at his son, who was now practically vibrating with eagerness.

“arcade!” megumi yelled again, nearly bouncing as he grabbed your hand and began to lead the way.

megumi barely lets you settle into the leather of the passenger seat before he’s bouncing in the back, practically vibrating with energy as he plugs toji’s phone into the aux. you’re trying to wrap your head around being in toji fushiguro’s car, the man who not only voices the romantic lead in your steamiest, most dramatic book but also owns a luxury car that could probably pay off your loans twice over.

"so, uh... passenger princess, huh?" toji smirks, catching you in mid-thought.

"i… what?" you stammer, feeling the heat creep up as he settles a hand on the wheel with all the nonchalance in the world. “i, uh —” but you’re cut off by megumi excitedly blasting his choice of artist: korn.

"your son listens to korn?" you blurt out, giving toji a mix of awe and disbelief.

toji just raises an eyebrow, deadpanning, “yours doesn’t?”

ouch. okay, fair point. 

because no, you do not have a kid, or a husband, or even a boyfriend…or any romantic prospects, really. 

toji’s question leaves you fidgeting as you try to muster a dignified response.

meanwhile, megumi is full-on screaming to the lyrics of "freak on a leash," and you catch snippets like “something takes a part of me!” which, yeah, relatable — korn is honestly hitting the mood. but of course, toji catches you staring out the window, attempting to look casual as he throws you a side-eye.

"so, what’s got you without a boyfriend?” he asks, way too casually, as if this was a natural segue from whatever korn-fueled karaoke session is happening in the backseat.

you practically choke on air. "what, me? no, i’m...," you laugh awkwardly, shifting in the passenger seat. “besides, i don’t meet many guys. i'm just… you know… doing my thing.”

megumi, pausing his headbanging just for a moment, turns and looks at you with an exaggerated ‘yikes’ face, as if being single was the worst possible fate in his young, eight-year-old eyes. 

but then he shrugs, clearly uninterested in this adult drama and goes back to screaming, “feeling like a freak on a leash!”

toji, still watching you, smirks, “so, doing your ‘thing’ includes no boyfriend, no husband... what, are you just swearing off men?”

"uh, no!” you say quickly, too quickly, and feel your face heat up. “just haven’t... y’know, met anyone worth dating. been busy.”

toji gives a low chuckle, clearly entertained. “busy doing what, writing your ‘torrid love stories’?”

you make a face, biting your lip. 

“they’re not that torrid.” but even as you say it, you hear the echo of a particularly cheesy line you’d written for his character in your novel, which, mortifyingly enough, involved the phrase “my darling flame, you set my very soul alight.”

toji chuckles, as if reading your thoughts. “maybe i’ll get to hear one of those lines in real life someday, princess.”

“can we not call me that while megumi’s in the car?” you mutter, glancing back, only to find megumi fully engrossed in his self-proclaimed vocal talents.

“noted.” toji snickers, shooting you another mischievous look as korn plays on, megumi happily singing about “breaking down” in the back.

“but hey,” toji says smoothly, hand resting on the gearshift, “just so you know, even my son knows a good band when he hears one.”

you roll your eyes at him, managing to mumble, “at least one of you is a bit mature.”

the porsche pulls up to the arcade with enough fanfare that heads start turning even before the engine purrs to a stop. not that the onlookers were ready for what steps out next: a towering, chiseled man looking like he’s on his way to a modeling photoshoot, a cute kid in full confidence mode, and, well… you.

still feeling a little dizzy from the korn concert that just took place, you barely register megumi bolting out of the car with a grin, leaving you and toji to get your bearings. his energy’s practically crackling by the time toji pays for the play card, and you’re pretty sure if he has to wait even one more minute, he’s about to combust.

“okay, okay, slow down, megumi,” you say, trying to keep up as he yanks you to the nearest neon-lit game. 

but the kid isn’t hearing it. he’s already dragging you to one machine, and then the next, moving faster than you can process where you even are. each one is seemingly more intense and blinding than the last, and you’re hit with a sensory overload of neon lights, retro game sounds, and the feel of the arcade carpet sticking just a little too much to your shoes.

toji’s watching the whole ordeal with a bemused smirk. you and his kid are like a whirlwind of neon and laughter, barely stopping to catch your breaths between games. the sight is somehow… comforting. like a scene from a life he hadn’t planned but couldn’t help finding strangely compelling.

but then he catches himself. seriously? 

he shakes his head. this is not the time to get all sentimental over his kid’s new ‘playdate’ or whatever. 

he’s just here because megumi insisted, and maybe he thought it’d be amusing to watch you get dragged around by an eight-year-old with zero restraint. that’s it. 

nothing more.

yeah, right. his internal grumbling comes to an abrupt stop as he watches megumi take your hand and pull you over to a classic claw machine. the kid’s looking up at you with the widest eyes you’ve ever seen, all excitement and pure innocence, like winning one of those knockoff plush toys is the pinnacle of existence.

“you got this?” you ask, grinning at him as he lines up the claw with intense concentration.

“of course! my dad showed me,” he declares, like he’s about to go pro in the claw game league.

toji, watching from a distance, feels a twinge in his chest. 

yeah, he’d shown megumi how to play this game ages ago, more to give him an edge over the other kids than anything else. it was a dad-and-son thing, just the two of them. but seeing megumi look up at you with the same pride and excitement makes him feel… something. 

and he doesn’t know if he likes it.

you’re so focused on megumi’s moves that you don’t notice toji’s slight frown, nor do you hear his quiet mutter of, “this is ridiculous.” 

but when he sees the way your eyes light up as megumi successfully nabs a cheap stuffed animal — a lopsided dinosaur, of all things — and the way you celebrate like he’s won an olympic medal, he feels himself relax, just a little.

he chuckles, shaking his head and crossing his arms as you high-five megumi, both of you beaming over a prize that probably cost less than the game itself. but toji doesn’t move. 

he stands there, rooted, as you two bounce from game to game, his thoughts too jumbled to focus on anything else.

but maybe… maybe that’s okay for now.

toji’s phone buzzes just as he’s leaning against the side of a vintage racing game, watching you and megumi practically lighting up the whole arcade with your laughter. he glances down to see satoru’s name pop up on the screen, already feeling a headache brewing.

gojo s. [12:20 pm]: so, arcade? 😏 you [12:20 pm]: yeah, i just told you. gojo s. [12:20 pm]: nah, i mean WHY the arcade? what are we celebrating here, toji? ;)) you [12:21 pm]: why does it matter gojo s. [12:21 pm]: CUZZZZ gojo s. [12:21 pm]: lemme guess, megumi's there with her now, right?  gojo s. [12:22 pm]: bet they’re having the time of their lives, while YOU gojo s. [12:22 pm]: you’re just there all moody on the sidelines😔

toji glances up at you and megumi, who’ve now moved on to a skee-ball machine, both cheering as you score a perfect 50-point throw.

you [12:23 pm]: like i said, work stuff. gojo s. [12:24 pm]: HAHA. work stuff, right.  gojo s. [12:24 pm]: work stuff that has megumi running around grinning like that.  gojo s. [12:25 pm]: bro gojo s. [12:25 pm]: you’re terrible at lying.  gojo s. [12:26 pm]: she’s a keeper if she can deal with YOU you [12:26 pm]: keep dreaming.

he slips his phone back into his pocket, unable to shake off the grin creeping onto his face as he watches you high-five megumi. the kid’s happier than he’s seen in ages, and he…

well, he can’t remember the last time he felt this relaxed watching anyone just being with his kid.

toji stands back, taking in the moment — megumi’s laughter echoing through the arcade, your smile as you lift him up with an ease that has the kid giggling uncontrollably — and for some reason, his mind has turned the whole scene into a rom-com montage.

you are the dancing queen…

it’s absurd, really. 

he doesn’t even like abba. but there it is, the stupid song playing in his head, all set to the image of you holding his son, twirling him like he weighs nothing, both of you in fits of laughter.

young and sweet, only seventeen…

and for a split second, his heart does this awkward little stutter. 

he chalks it up to the neon lights. 

or maybe the greasy smell of the arcade food messing with his senses. but as he watches you hold megumi up, almost as if he’s flying, he can’t ignore that ridiculous, cheesy pull in his chest.

feel the beat from the tambourine, oh yeah...

oh god. 

is he seriously catching himself grinning at the way you’re both trying to get him to join in? megumi’s little hand reaches out, beckoning him over, and you’re giving him that smile, that “come on, get over here, big guy” look.

you can dance, you can jive…

the song hits that soaring note in his head just as he finally gives in and starts to walk over, and his pulse actually picks up, as if he’s not just at some run-down arcade but in the middle of some ridiculously sappy rom-com finale.

having the time of your life…

and then megumi is shrieking again, calling, “dad, hurry up!” like it’s life or death, and you’re beaming at him with that mischievous, encouraging look.

toji sighs, shaking his head at himself. 

just great. 

the two of you have officially dragged him into your world, soundtrack and all.

toji's trying his best to lock in. 

but as he walks out of the arcade — juggling not one, but four oversized plushies, two fancy new lego sets, a slinky, a bouncy ball, some glow-in-the-dark slime, and a rainbow slap bracelet — he can’t help but snort at the sheer ridiculousness of it. 

between his loaded arms and megumi curled up fast asleep in yours, it’s a scene straight out of one of those cheesy family movies.

he shakes his head, trying to push down that weirdly warm feeling creeping up on him. 

stay focused, toji. 

he doesn't need any sappy feelings right now. he's a single dad with a kid and a job, not some washed-up rom-com character, damn it. 

but watching you gently adjust megumi as he drools onto your shoulder, snuggling deeper into the crook of your arm as you carefully slide into the backseat, it’s hard not to feel that tug again.

ugh, he thinks, climbing into the driver’s seat as you buckle up up front, giving him a soft, tired smile. 

“never held a kid before, huh?” he teases, eyes glancing from the road to the rearview mirror, where megumi’s still dozing, soft breaths muffling against your arm.

“nope,” you shrug, but there’s a softness to your voice as you gently rub megumi’s back, “first time for everything, i guess.”

toji’s heart does that weird skip thing again. 

oh god, he thinks, gripping the wheel a little tighter as he tries to ignore the sappy old man vibe overtaking him.

the air in the car feels... charged, but it’s not like either of you are exactly leaning into the tension. instead, you both sit in this weird, awkward silence, save for the quiet hum of the radio, like you’re suddenly too aware of just being there with each other.

and then, as if the universe wanted to toy with you, iris by the goo goo dolls starts playing. 

oh, god. you immediately wish you could just evaporate into the passenger seat.

“...and i’d give up forever to touch you…” the lyrics croon, filling the silence, and you can practically feel the heat crawling up your cheeks.

toji clears his throat, obviously catching it too. “radio’s on a roll, huh?”

“yep,” you say, managing a weak laugh. “i mean, this is classic… everyone listens to goo goo dolls in, uh, total silence in the car with their coworker, right?”

he glances at you, a rare, subtle smile ghosting on his lips. “totally normal.”

“and i don’t want the world to see me… ’cause i don’t think that they’d understand…”

you glance out the window, eyes focused anywhere but on him, biting back a laugh at how the song somehow keeps getting more dramatic. like, who’s writing this scene, seriously?

“just tell me where to turn,” toji says, breaking through your internal monologue, and you do, mentioning a landmark close to home, hoping he’ll take the hint.

but toji only raises an eyebrow. “near it? nah. i’m dropping you at the door.”

“oh, no, that’s really fine —” you start, but he’s already shaking his head.

“don’t worry about it,” he insists, a smirk in his voice. “besides, i remember where you live. from, you know… last time.”

wait. last time? as in… when you were embarrassingly, unapologetically wasted that night?

you want to crawl under the seat as the lyrics continue, “when everything’s made to be broken…”

so when toji pulls up in front of your apartment, there’s this odd feeling hanging in the air. you catch yourself wanting to... linger, just a little longer, even if you’re home. 

and lowkey? 

so does toji. 

it’s like the two of you have hit this weird teenage crush level of awkward — just leaning, leaning, like there’s some invisible string pulling you closer.

he’s looking at you, and you’re looking at him, and you’re both just… stuck there. you can’t even bring yourself to reach for the door handle, and it’s the same for him.

but right as the moment peaks, a tiny, innocent voice cuts through from the backseat. “are you two going to kiss?”

megumi’s question hangs there, blunt and childlike, breaking whatever spell had you both frozen. you both jolt back, blinking as if you just woke up.

“what? no!” you blurt, practically tripping over your own denial. 

your face feels like it’s about to catch fire.

toji coughs, rubbing the back of his neck, just barely suppressing a chuckle.

“kid’s got a helluva imagination,” he mutters, eyes anywhere but on you.

as you finally reach for the door handle, ready to slip out and say your goodbyes, you hear a little sniffle from the backseat.

“wait…” megumi’s voice is tiny, almost shaky. you turn around, and to your surprise, his face is scrunched up, his eyes glistening with tears that he’s trying so hard to hold back.

“hey, hey, what’s wrong?” you ask, twisting around in your seat to face him. “i’ll see you again, kiddo.”

but his lower lip wobbles, and suddenly he bursts into full-on tears, clutching the giant plushie he won at the arcade. “b-but i don’t want you to leave!” he sobs, voice cracking. “can’t you stay just a little longer?”

toji’s eyes widen; he looks genuinely shocked. 

“megumi, you’re fine, she’s not going anywhere forever. what’s gotten into you?” he tries to keep his tone steady, but there’s an undercurrent of surprise. 

megumi doesn’t cry. 

ever. 

this is new territory.

megumi just shakes his head, burying his face into the plushie. “but she’s nice,” he mumbles, muffled but insistent. “and she plays games with me and —” he peeks out from the plushie with red, teary eyes. “and she talks to me like you do.”

you feel something stir in your chest at his words, this overwhelming urge to hug him even though you’d sworn up and down just an hour ago you didn’t know how to handle kids.

“aw, megumi,” you say softly, reaching over and giving his little hand a squeeze. “i’ll still see you, i promise. maybe we can even play again sometime, okay?”

“but you’re leaving now,” he says, his voice quivering, clutching your hand with a desperation that tugs at your heart. 

“and daddy didn’t even kiss you.”

the absolute silence that follows is deafening. 

you feel your face go redder than it’s ever been, and a glance at toji shows he’s equally flustered, mouth opening and closing as if he’s trying to find some way to steer this conversation back to normal.

“whoa, hey now,” toji says, forcing a laugh as he clears his throat. “that’s, uh — that’s not how it works, kid.” he ruffles megumi’s hair a little too hard, clearly floundering. “and hey, don’t go crying over someone just leaving for the night, you’re stronger than that.”

“i don’t care,” megumi sniffles, clutching your hand tighter. “i like her. and she makes you smile.”

toji freezes, the color draining from his face for just a split second. 

makes him smile. 

he doesn’t even realize he’s been smiling, maybe more in one day than he has in months. he glances at you, brow furrowed like he’s trying to make sense of it himself.

“well…” toji’s voice is softer now, almost cautious, like he’s testing out words he hasn’t said in a long time. “

maybe… maybe she could come around again. if she wants to, that is.”

“i do.” you answer without thinking, your gaze drifting to megumi’s tear-streaked face, which immediately lights up.

“really?” megumi’s eyes shine, practically bouncing in his seat. “you promise?”

“i promise,” you say with a smile, giving him a reassuring nod. “as long as it’s okay with you and your dad, of course.”

“’s fine,” toji grumbles, running a hand over his face to hide his slight grin. “besides, someone’s gotta teach you a lesson or two at the arcade next time.”

���is that a challenge, toji?” you quip, smirking. “because if i remember right, megumi here got more tickets than both of us combined.”

“that’s because i taught him everything he knows,” toji scoffs, rolling his eyes as if he can’t believe he’s even entertaining this.

megumi sniffles one last time, his eyes practically glowing with happiness. “then… you’ll come over soon, right?”

“absolutely,” you say, warmth bubbling up in your chest as you meet his hopeful gaze. “but only if you promise to keep practicing at the arcade. gotta keep that winning streak going, right?”

megumi grins, finally letting go of your hand as he settles back with a contented sigh. “deal.”

toji just shakes his head, muttering something about the “drama” gene clearly skipping a generation, though the smile tugging at his lips says otherwise.

as you unbuckle your seatbelt, ready to say goodbye, you feel the car click with the unmistakable sound of the child lock. you glance back at megumi, who’s nodding off against his plushie pile, and back at toji, who’s already climbing out to walk you up to your door. 

gentlemanly of him, sure. 

though, the way his eyes linger on you… there’s more to it than that.

“i could’ve walked myself, you know,” you say, falling into step beside him as you head up to your building. “it’s not that far.”

“maybe i just felt like making sure you didn’t trip and embarrass yourself,” he shoots back, smirking as he nudges your shoulder.

“very chivalrous, fushiguro,” you reply, rolling your eyes but grinning anyway. “honestly, you’re like a walking textbook definition of ‘gentleman.’”

“yeah, well,” he clears his throat, looking just a bit smug. “maybe i was raised right. or maybe,” his voice drops a little lower, “i just wanted an excuse to stick around a little longer.”

you blink, caught off guard by the soft rasp in his voice, the way his eyes are just a bit darker under the porch light.

“oh,” is all you manage, though your heartbeat’s doing a little somersault. “well… uh. here’s my door.”

“guess it is,” he murmurs, eyes glinting as he takes a step closer, leaning against the doorframe like he’s meant to be there, like he’s settled in the idea of being right here, with you. 

“y’know… not a bad place to end the night.”

“yeah,” you say, feeling the words catch in your throat as you gaze up at him, taking in every detail, every shadow. “definitely not bad.”

the two of you are just standing there, a little too close, the space between you narrowing with every unspoken word. he glances down at your lips, and your pulse spikes — he’s thinking it too, right? but just as the moment seems to reach its tipping point, toji smirks, a flash of mischief in his eyes.

“you know,” he says, raising an eyebrow. “still can’t believe you’re the same girl who wrote that… what was it again?” he chuckles, clearly remembering. “oh, right — ‘her legs wrapped around him like a vice, his name spilling from her lips like honey’.”

your face goes nuclear. 

that line. 

of all the lines, that one?

“you… you remember that?” you manage, mortified.

“’course i remember,” he says, that smug smirk firmly in place. “you think i just skimmed through your stuff?”

“well — i — ” your words are a mess, barely coherent. “i mean, i just thought —”

“nah, i’ve been reading it all.” his voice is low, almost a whisper as he leans just a little closer, his fingers lightly brushing your arm. “you’ve got quite the imagination.”

“s-shut up,” you stammer, unable to meet his gaze. “i was just… doing my job.”

“i know,” he says, voice soft but unyielding. “you’ve got talent.”

there’s a beat, silence stretching between you, the weight of his words settling over the both of you.

“...and you’ve got this whole heartthrob thing going for you,” you blurt out, finally meeting his eyes with a nervous laugh. “kind of makes it hard to believe you’re my colleague.”

“heartthrob, huh?” he smirks, voice dipping lower as his fingers drift to your chin, tilting your face up. 

“so that’s what you think of me?”

“i — i mean…” you stammer, your heart racing as you look into his eyes, feeling your cheeks burn. “maybe a little. just… a tiny bit.”

“tiny?” he murmurs, his lips barely an inch away. “could’ve sworn you looked a little more than just ‘tiny’ interested.”

“oh yeah?” your voice is a whisper now, almost breathless as you feel his breath on your skin, his gaze never wavering. “what if i was?”

“then i’d probably do this,” he mutters, his hand sliding up to cradle your face, and before you know it, his lips are on yours, soft and warm and impossibly gentle.

your breath catches, and instinctively, you lean into him, letting his kiss deepen, his hand tracing slow, lazy patterns against your cheek. it’s everything you’d imagined and somehow even better, his presence grounding and electric all at once.

when he finally pulls back, his forehead rests against yours, his eyes soft but searching. “so… do i still get to be a heartthrob?”

“only if i still get to be the girl with the cringe smut,” you murmur back, grinning like an idiot.

“deal,” he says, chuckling as he pulls you in for another kiss, his lips brushing yours like a promise.

ah, shit.

as toji slips back into the car, he barely manages to close the door before megumi’s voice hits him like a lightning bolt.

“daddy kissed the pretty lady!” megumi shrieks, pointing an accusatory finger from the backseat. “i saw it! you have that weird face on!”

toji’s eyebrows shoot up. “weird face? what weird face?” he tries to play it cool, adjusting the rearview mirror, but the ghost of that kiss is still painted on his lips, his pulse betraying him with every beat.

“that smile,” megumi says, wrinkling his nose in a perfect mirror of his dad’s usual expression of disdain. “you look like a… like a…” he pauses, searching for the right words. “...like a love puppy!”

toji chokes, stifling a laugh. “a love puppy? where the hell did you get that from?”

“it’s a thing, daddy,” megumi huffs, crossing his arms. “you have that goofy look, and your face is all soft. you only look like that when you’re being weird.”

“me? weird?” toji glances in the mirror, catching megumi’s glare. “kid, i think you’ve got this all wrong.”

“no, i don’t!” megumi insists, practically bouncing in his seat. “you were all ‘goo-goo eyes’ and ‘smoochy-smoochy’ and ‘mwah mwah mwah!’” he makes exaggerated kissing sounds, complete with squished-up lips and hand gestures, utterly scandalized by his dad’s sudden transformation.

“alright, alright, enough with the ‘mwah mwah.’” toji tries to suppress a laugh, rubbing the back of his neck. “you’ve been watching too many cartoons.”

megumi shakes his head, his expression serious. “nope. i knew it. i knew you liked her.” he narrows his eyes, as if seeing through toji’s very soul. “so… are you gonna marry her?”

toji’s eyes go wide. 

“whoa, whoa, hold on. nobody said anything about marriage.”

“but if you kiss someone, that means you wanna be with them forever, right?” megumi asks earnestly, looking way too wise for his age.

toji stares ahead, caught off-guard by the kid’s earnestness. 

that kiss… he didn’t plan it. he didn’t even know he was going to do it until he’d leaned in, felt the spark pull him closer. but now? 

yeah, the idea of just walking away feels… wrong. he tightens his grip on the steering wheel, his mind racing.

“kid, sometimes people just… feel things, okay?” he says, his voice softer, more introspective. “even if they don’t really know why.”

megumi tilts his head, watching his dad closely. “so you do like her, then?”

toji snorts, pulling the car out onto the road. “alright, detective, settle down back there. no more snooping.”

they drive in a comfortable silence for a moment, but the radio has other plans. 

as if on cue, the familiar, aching chords of iris by the goo goo dolls come through the speakers, and toji swears he could feel the universe laughing at him.

“and i don’t want the world to see me, ’cause i don’t think that they’d understand…”

toji clenches his jaw, feeling the lyrics press into him, each line stirring something restless and warm in his chest. he’s always been a guy with his walls up, always knew the stakes were too high to let anyone in. 

but tonight… tonight, he let his guard down. just for a second. 

he kissed you, tasted the softness of your lips, and the spark left him reeling.

“when everything’s meant to be broken, i just want you to know who i am…”

“daddy?” megumi’s voice breaks through his thoughts. “do you think… maybe you could see her again? so she could come play with us?”

toji blinks, glancing at megumi in the rearview mirror. “you really like her, huh?”

megumi nods vigorously. “yeah! she’s… nice. and fun.” his face softens. “and… she made you look happy.”

toji’s heart gives a strange, unfamiliar twist at that. 

happy, huh? 

he’s been around the block long enough to know that happiness isn’t exactly his best friend. but sitting here, listening to megumi, feeling that residual warmth from your kiss… it makes him wonder. 

wonder what life could look like with you in it.

but he pushes the thought away, focusing on the road. doesn’t change the fact that you’re just his colleague. right?

“and i’d give up forever to touch you…”

ugh.

he shifts uncomfortably, hoping megumi doesn’t notice his knuckles going white on the steering wheel. 

that kiss wasn’t just some fleeting thing — he’d known it the second he felt the warmth of you linger even after pulling away. the idea of letting you go now feels… impossible. something’s tugging him back, making him want more.

“hey, daddy,” megumi pipes up again, breaking toji’s brooding. “you got that look again.”

“what look?” toji mutters, trying to focus on anything but the goofy grin creeping back onto his face.

megumi smirks, mimicking toji’s soft expression. “that ‘i kissed a pretty lady’ look!”

toji laughs, shaking his head as he glances at megumi in the rearview mirror. “alright, alright. i guess you caught me.”

and as he drives home, the final notes of iris playing softly through the car, he can’t shake the feeling that this… whatever this is… isn’t something he’s ready to let go of.

ah, shit.

as soon as toji sets megumi down on his bed, tucking him in amongst the mountain of ridiculous plushies he’d somehow won at the arcade, he heads back to his room. sliding his phone out, he finds himself doing something he never thought he’d do: texting gojo. of all people.

with a reluctant sigh, he taps out a message, feeling a pang of embarrassment he can’t shake.

you [8:47 pm]: how long’s her contract with gojo sonic?

a moment later, he watches the screen, regretting even reaching out. but, of course, gojo wastes no time with a reply.

gojo s. [8:50 pm]: ohohohohooooo her contract???  gojo s. [8:50 pm]: i knew it. you’re smitten. you [8:51 pm]: don’t start. gojo s. [8:51 pm]: too late! c’mon, dish it out, big guy.  gojo s. [8:51 pm]: you guys had a moment, huh? the chemistry finally snapped? what’d ya do, kiss her?

toji clenches his jaw, hesitating before typing back. his thumb hovers, wondering how much grief he’d get for saying yes. finally, he mutters a curse under his breath and just goes for it.

you [8:53 pm]: ...yeah, i kissed her. happy?

he can practically feel gojo’s cackle vibrating through the phone.

gojo s. [8:53 pm]: WHAT???  gojo s. [8:53 pm]: WAIT.  gojo s. [8:53 pm]: oh, i need details.  gojo s. [8:53 pm]: full play-by-play.  gojo s. [8:53 pm]: like was it one of those slow, cinematic moments?  gojo s. [8:54 pm]: or was it a grab and smooch kinda deal??

toji rolls his eyes, fighting off a grin he refuses to admit is there. of all the reactions, he’d been prepared for gojo’s nosiness, but it’s still as annoying as ever.

you [8:55 pm]: shut it. i already said too much. gojo s. [8:55 pm]: pfffff as if i’m letting you get away with that tidbit and no context.  gojo s. [8:55 pm]: did she look at you all wide-eyed?  gojo s. [8:55 pm]: did you do that thing with your voice??  gojo s. [8:56 pm]: or was it just an accidental, “oh no, we tripped into each other’s faces” sorta thing?

toji rubs his temples, trying to block out how much his stupid heart rate picks up just remembering the way you looked up at him, the softness of your lips, the way it all felt so natural. he shakes his head, forcing the memory aside.

you [8:57 pm]: none of your business, and it’s private.  you [8:57 pm]: don’t you dare send any of this to suguru. gojo s. [8:57 pm]: oh relax! suguru’s not that nosy.  gojo s. [8:57 pm]: okay maybe he is.  gojo s. [8:58 pm]: but he’s a romantic.  gojo s. [8:58 pm]: think of it as getting free relationship coaching!! you [9:00 pm]: i swear to god satoru i’ll leave the company if you spill this.

there’s a pause, and for a second toji hopes that maybe he’s scared gojo off. 

but, predictably, the next message makes his blood pressure spike.

gojo s. [9:05 pm]: ohhhhh no no you’re not getting off that easy.  gojo s. [9:05 pm]: i’m calling dibs on being the flower girl at your wedding. suguru can be the maid of honor.  gojo s. [9:06 pm]: no nvm he’d wanna be the best man gojo s. [9:06 pm]: I’LL GET MEGUMI TO CARRY THE RINGS gojo s. [9:06 pm]: genius.

toji practically growls at his phone, already regretting every second of this conversation.

you [9:07 pm]: i’ll delete this whole damn thread. this never happened, got it? gojo s. [9:09 pm]: aww, toji bear, don’t be like that. i’ll take care of your little love story for you, promise. consider me your personal wingman.  gojo s. [9:10 pm]: now tell me this — when’s round two of smooch central happening? you [9:11 pm]: goodnight, satoru.

and with that, he shoves his phone onto his nightstand, rubbing his face with a hand. he can still feel the lingering warmth of that kiss, the way his heart skipped, the unexpected tenderness that’s lodged itself in his mind. 

stupid.

he shouldn’t have even told gojo.

but as much as he regrets letting it slip, he doesn’t regret the kiss itself. 

not even a bit.

as soon as you slam your door shut, you just… stand there for a minute, heart racing, and press your fingers to your lips like it’ll somehow reverse what just happened. 

you kissed toji fushiguro. 

the toji fushiguro.

colleague extraordinaire, with biceps that could probably benchpress your entire life’s savings, and that smirk… oh god, that smirk that had you in a daze.

but the problem? 

there was a mini him there. 

a little him with matching black hair and a sharp gaze. 

you thought he was, like, the cool uncle? but… he’s a dad? 

and if he’s a dad… does that mean he’s married? are you the other woman?!

you pace around, practically stomping into the carpet. 

“okay, okay, let’s think this through,” you mutter, putting your hands on your hips. 

“he… he could be a single dad, right? it’s 2024, it’s not that weird for people to have kids without, like, commitment commitments. but then again, he does look like the type who’d… i don’t know, maybe be exclusive? probably?”

your brain is racing, and you’re spinning yourself into circles. 

“i mean, i haven’t seen a ring on his finger… but maybe he just doesn’t wear it?” you plop down on your couch, practically sinking into it as you cover your face with both hands.

ugh.

“did i just kiss a married man? or worse… what if he’s, like, engaged? or has a live-in girlfriend? or — oh my god, what if he’s in some high-profile relationship and i just stepped into the middle of it? —”

you groan, flopping back. “but he… he definitely leaned in first. i’m not hallucinating. he did! but then, if he’s that willing to kiss me, does that mean he’s… a cheater?”

you sit up and shake your head, wide-eyed. “okay, no, i refuse to believe that toji fushiguro, mr. brooding and brooding-er with a kid who listens to korn, is a cheater. there’s no way… right?”

your own voice is almost pleading as you try to convince yourself, pacing again. 

“i mean, maybe he’s just… really, really committed to… being mysterious. yeah, that makes sense. he’s keeping everything a secret, so that just leaves me spiraling about him… perfect. just perfect.”

you smack a hand against your forehead. “why couldn’t i have asked literally any of this earlier?” you shake your head. “right, because i was too busy kissing him.”

you throw yourself back onto the couch and stare at the ceiling, the whole thing replaying in your head. 

that look he gave you, the warmth of his hand on your back…

stop.

but it’s too late. your brain keeps running with it.

“what if… what if he has no idea i’m freaking out?” you frown. “oh, he probably doesn’t. and here i am, making a whole drama out of one kiss.” you let out a deep sigh.

you flop onto your bed, heart still pounding, and stare up at the ceiling, fingers absently grazing your lips. 

burning loins, they said. melting from one kiss, they said. 

well, no one exactly said that — except every steamy novel you’ve ever read or written, but that’s beside the point.

you groan, kicking your feet up in frustration. this isn’t one of your own novels! it’s supposed to be real life! but now here you are, in the aftermath of what was arguably the best kiss you’ve ever had, practically combusting at the memory of it.

“if one kiss with toji — no, any man — can get me this hot and bothered, how am i supposed to handle it if i ever… you know…” your voice trails off, and you turn over, burying your face into the pillow as if it’ll smother the absurd train of thought. 

but then, just as you start to get your mind off it, his face pops back up in your head.

“oh god,” you mumble, pulling the pillow over your face. “this is pathetic.” you roll over again, laughing helplessly to yourself. 

if this is what one or two kisses do to me… what’ll happen if we actually have sex?

your eyes snap open. “okay, no. no! i didn’t mean toji, i meant, like… any guy! any guy at all! but, oh god, why is it always him?!”

you stare at the ceiling, huffing as your brain keeps looping back to him. 

his stupidly attractive smirk, the way his hand was firm but gentle on your back, how he looked at you as if you were his next breath. 

girl, get a grip.

“this is ridiculous,” you mutter, swatting at your face like it’ll erase his image from your mind. but it doesn’t work; he’s right there, all hot and smug in your imagination. ugh, this isn’t fair!

it’s like all those countless hours you spent spinning erotic fantasies are coming back to haunt you — and in the most inconvenient, infuriating way possible. you scrunch up your face, realizing with mild horror that maybe… just maybe… you wrote this scenario into existence for yourself.

“oh no… is this karma?” you groan, curling up and swatting the air in helpless embarrassment. “girl, this is not supposed to happen in real life. or with toji.”

but there it is: his face, and your wildly racing heart, and the undeniable, excruciating heat pooling in your belly that refuses to quit.

but even with the spiraling, there’s one thing you can’t deny: as much as it’s driving you crazy, as much as you’re practically scaring yourself into thinking you’ve just made the worst mistake of your life…

you kinda don’t regret it. and that’s the scariest part.

ah, shit.

you step into gojo-sonic, clutching your bag with a little more intensity than usual, and it’s as if you’ve entered an alternate dimension. 

the energy is somehow… different. you expect to be greeted with the usual casual nods and waves, but instead, gojo is practically skipping toward you, arms spread wide like he’s welcoming the new queen of the recording studio.

“there she is! our star of the show, our resident heart-throb wrangler!” he coos, louder than necessary. his grin is blinding, and you’re caught between the urge to backpedal out of the building or dive under the nearest desk.

“uh… good morning?” you reply, more like a question than a statement, glancing around to see if anyone else is picking up on his hyperness. it’s like he’s had twelve cups of coffee or ten bags of skittles. “gojo, you’re… kind of extra today.”

“extra? extra?” he throws a hand over his heart, eyes gleaming. “honey, i’m never just ‘extra.’ i am exactly the right amount of gojo for the occasion.”

“and what occasion is that, exactly?”

“oh, nothing much, just a certain someone having an… enlightening encounter last night,” he says with a wink so exaggerated it looks like he’s trying to shoo a bug off his face.

you stiffen. “wait, how do you…?”

“oh, come on,” he waves it off, laughing. “you think you can keep something like that from me? i mean, i might be blessed with an enormous amount of talent, looks, and charisma, but i also happen to have eyes and ears everywhere.” he taps his temple, looking ridiculously pleased with himself.

“seriously?” you glance around, your stomach sinking a little, looking for any sign of smirking coworkers or curious eyes, but everyone’s just… normal? going about their business, not sparing you a second glance. relief washes over you, only to be swept away by gojo’s piercing stare.

“oh, don’t worry. i haven’t shared your scandalous rendezvous with the world. only i am privy to this delightful information — for now,” he adds, wagging a finger. “and don’t look so shocked! nothing juicy stays hidden from me for long. i know all the company secrets.”

you feel heat rise to your cheeks, equal parts exasperated and embarrassed. “gojo, it wasn’t even that big of a deal. it’s not like…” you trail off, realizing he’s hanging on to your every word, eyes sparkling with mischief.

“uh-huh,” he drawls, drawing the word out. “not a big deal, you say? then why do you look like you’re about to start sweating bullets?”

“i’m not sweating bullets,” you say through clenched teeth, then give in and sigh. “look, we just… it was just a… i mean, we’re colleagues, and things got a little… friendly. it doesn’t have to mean anything!”

gojo gasps, mock-horrified. “oh, but darling, this is precisely why it’s so interesting! you, of all people, getting caught up with toji fushiguro? and here i thought you’d sworn off office romances.”

“it’s not an office romance,” you insist, voice practically a whisper. “we just… kissed. once. or twice. maybe. but it doesn’t mean anything!”

gojo leans in, conspiratorially. “and yet you look ready to combust from the inside out just talking about it.”

you huff, throwing him a half-hearted glare. “maybe it’s because someone is making this into a bigger deal than it actually is.”

“you wound me!” he presses a hand dramatically to his chest, giving you an exaggerated pout. “but don’t worry, your little secret is safe with me. i only told you so you’d know that i know. and, you know, to make things extra awkward in case mr. heart-throb walks in.”

“oh, so you’re really just out to make my life difficult?”

he grins, all teeth. “precisely.”

just then, as if summoned by some cruel twist of fate, toji strolls in. he’s the absolute picture of normalcy, no hint whatsoever of last night’s… moment. 

in fact, he gives you a polite nod, a polite nod, as if he hadn’t had you pressed against your own door just hours ago.

“morning,” he says casually, voice smooth, tone nonchalant. he doesn’t even so much as smirk.

you nearly choke. polite nod? normal greeting? did he forget the entire thing? 

“oh, morning,” you manage, clearing your throat, feeling like you’re about to combust again.

gojo, however, is having the time of his life. he’s practically vibrating next to you, watching the exchange with glee.

“morninggg, fushiguro,” he greets toji, voice syrupy with unrestrained glee. “any exciting news today?”

toji raises an eyebrow, shooting him a confused look. “uh, no? everything’s pretty normal.” his eyes flick over to you, calm, almost neutral, as if he hadn’t kissed you senseless just last night.

you clench your jaw. is he really going to act like this? you nearly feel like gaslighting yourself into thinking last night never happened. maybe you just dreamed it, right?

toji’s gaze flicks away from you, unperturbed, as he moves over to get his things ready for the day’s recording. and that’s when gojo leans over and mutters under his breath, “you sure you don’t want to just… remind him?”

“i hate you,” you mutter back, trying not to smile, knowing that he’s secretly rooting for you to fall flat on your face with this whole ordeal.

“i live for your misery, my friend,” he replies with a wink.

meanwhile, toji was absolutely in another dimension of romcom chaos himself, feeling like some kind of high school kid who just had his first crush. he woke up grinning, actually giggling as he got dressed. 

giggling. when was the last time he did that? 

he nearly skipped out the door, and on his drive to work, he found himself humming, humming, to his car stereo like some lovestruck fool. and he didn’t stop there. oh no. 

by the time he reached gojo-sonic, he’d already run through a few extra vocal warm-ups in the car — something he never did this early. he cleared his throat and ran through his usual lines twice, even testing his pitch a bit. no, not because he wanted to be extra smooth today, of course not. he was doing it for the… for the paycheck. 

definitely.

but as soon as he walked into the studio, and he saw you standing there beside gojo, looking all kinds of pretty and polished… he practically heard violins. except no, it wasn’t violins. 

it was, somehow, worse.

his mind cued up dancing queen.

“no. nope. nope.” he muttered under his breath, trying to swat the ridiculous soundtrack out of his mind. but it wouldn’t stop. 

“dancing queen, feel the beat from the tambourine, oh, yeah….”

why, in the name of all things sacred, was his brain doing this to him? he was toji fushiguro, not some idiot falling over his own feet for a girl at work. he gave himself a good shake, squared his shoulders, and tried to keep his composure. yet every time he caught your eye, his chest did a little flip — and dammit if he didn’t want to just pick you up and give you another kiss right then and there.

“morning,” he forced out, nodding as casually as he could.

and there you were, gaping back with that hint of nervousness, looking like you might combust from just a regular “good morning.” 

god, it was almost cute enough to make him actually laugh out loud.

“she’s just a colleague,” he reminded himself, over and over again, as he worked to keep the grin off his face. “a colleague. not some romcom lead you just made out with in front of her apartment.”

yet the way dancing queen kept droning in his head, as if mocking his every move? toji was seriously questioning whether he’d woken up in some kind of alternate reality.

and he just knew gojo was watching the whole thing with a smug look, likely dying to crack a joke, or worse, belt out dancing queen if he somehow figured out what was in toji’s head. 

and knowing gojo? he probably already had.

the studio door clicked shut as gojo swept out with an exaggerated bow, holding up his finger in a silent “one minute” before he launched into his call with suguru in a voice loud enough to be heard two floors down. gojo was probably already going on about the “incredible chemistry” between his favorite team members, or whatever nonsense he’d decided on for today. 

and with him out of the room, it was just you and toji. 

alone. 

in silence.

you shifted on your feet, eyes darting everywhere except directly at him, yet somehow landing right back on him. it was like your brain had a toji magnet switched on, and no matter how hard you tried to look elsewhere, you found yourself glancing back at him.

finally, the quiet got so charged that you both ended up blurting out at the exact same time —

“are you single?”

you both froze, then looked at each other, wide-eyed, like you couldn’t believe you’d just asked that out loud.

“uh,” toji coughed, scratching the back of his neck. “well. yeah, i am. single, that is.

“oh.” you tried to act cool, but it came out as a slightly breathless squeak. “good to know.”

“and you?” he asked, voice low, almost cautious, as if bracing himself for an answer he wasn’t sure he wanted to hear.

“also single,” you admitted, feeling your cheeks warm under his gaze. “which… is also good to know.”

there was a beat of quiet where you both just kind of looked at each other, a half-smile creeping onto his face as you kept shifting on your feet, practically melting under the intensity of his gaze.

“so…” you cleared your throat, your hands fidgeting a little as you gathered the nerve to ask the next thing. “didn’t know you had a kid.”

“oh, yeah.” toji chuckled, a hint of fondness lighting up his expression as he thought of his son. “he’s my kid, alright. handful and a half, that one.”

“he’s adorable.” you smiled, thinking back to the mini toji who had totally stolen your heart. “how old is he?”

“eight.” toji’s voice softened, a rare warmth in his tone that you’d never heard before. “he, uh… he means a lot to me. not that i’d ever tell him that, though. don’t want him thinking he’s got me wrapped around his little finger or anything.”

you laughed, picturing the little boy with his big grin and fearless energy. “something tells me he already knows.”

“yeah, probably.” toji laughed too, and for a moment, there was an ease between you, a shared warmth that made the whole moment feel so… natural.

“so… um, are you, like… a single dad?” you asked, careful with your words, not wanting to pry too deeply.

“yeah.” his answer was simple, but there was a weight to it. “just me and the kid. been that way for a while.”

“that’s…” you bit your lip, not sure what to say without sounding weirdly sentimental. “that’s admirable. megumi’s lucky to have you.

“i don’t know about all that,” he muttered, clearly uncomfortable with the praise but unable to hide a small smile. “just doing what i can, you know?”

“still,” you said, feeling a swell of admiration you hadn’t expected. “it’s impressive. and honestly… seeing you with him yesterday? it was… kinda heartwarming.”

toji looked at you, eyes softening in a way that made your heart stutter. 

“thanks,” he murmured, his voice almost a whisper. “means a lot, hearing that.”

the two of you stood there, closer than you realized, in this weird bubble where everything felt warm and intense and perfect. just as you felt that strange magnetic pull drawing you closer, like maybe you’d just close the gap and —

the studio door banged open.

“don’t stop on my account!” gojo sing-songed, practically sashaying back into the room, a smirk plastered across his face.

you both leaped back, clearing your throats and suddenly finding the walls, the floor, anything else in the room utterly fascinating.

“alright, lovebirds, let’s get this recording started, shall we?” gojo grinned, his eyes sparkling with mischief as he looked between the two of you, not even pretending he hadn’t just caught a whole moment.

toji settled into the recording booth, leaning back in the chair with the script in hand, his voice dipping to that low, gravelly tone that made every line sound like an invitation.

“so,” he began, speaking as the dragon king to the main character in the script, his words practically dripping with intensity, “you think you can resist me? i see right through you… even the bravest warriors have trembled at my touch.”

your breath caught as he delivered the line, eyes wide as you watched him through the glass. 

you couldn’t help it — his character was practically staring into your soul, voice thick and slow, practically wrapping around each word.

“do you know what happens to those who challenge me?” toji continued, his eyes narrowing as he held the script in one hand, his gaze piercing. “they are forced to surrender… one way or another.”

outside the booth, you practically felt yourself melting, feeling a flush creep up your cheeks as you fidgeted with the edge of your shirt. 

toji’s voice, his delivery — it was all too much. how was it possible for him to sound that… that intense? it was like he was actually speaking to you.

“ah, beautiful.” gojo, standing beside you, broke in with a theatrical sigh. “our dragon king sounds magnificent, doesn’t he? i could practically faint!”

you shot him a quick glare, barely masking a smirk. “keep it down, gojo. he’s in the middle of it.”

“oh, i’m just here to appreciate the artistry,” gojo whispered back, feigning innocence as he leaned in to watch, hands clasped together dramatically.

“the choice is yours,” toji went on, his voice softer now, laced with something tender that made it impossible to look away. “join me… or keep pretending this —” he emphasized the word, letting it linger “ — isn’t exactly what you’ve been wanting.”

you swallowed hard, feeling the weight of his gaze even through the glass. 

was he delivering that line as the dragon king or as… well, toji?

but then —

“ohhhh!” gojo chimed in loudly, clutching his chest as if he’d been struck by an arrow. “the passion! the romance! our hero’s heart is pounding!”

toji paused, rolling his eyes as he looked at gojo through the glass. “you really gonna keep interrupting, gojo?”

“oh, don’t mind me,” gojo said, waving a hand. “i’m simply enjoying the magic in the air! please, carry on. do go on.” he pretended to dab at his eyes. “so moving.”

toji gave a small sigh but threw you a barely-there smile before settling back into character.

“and when you finally stop running…” his voice softened, a quiet urgency threading through it. 

“i’ll be here, waiting… because you belong to me, whether you admit it or not.”

your heart skipped a beat, and you found yourself leaning in, hanging onto every word, caught up in the sheer pull of his voice. 

you didn’t know if it was his talent as a voice actor, the lines he was reading, or him, but every word was drawing you in deeper, bit by bit.

“ah, what is it like to be so passionately claimed by a dragon king? how riveting!” gojo murmured dramatically, as if providing a play-by-play to an audience. “she’s helpless, entranced! they both know she’s falling!”

toji cast a pointed look at gojo, barely concealing a smirk. “you done yet, gojo?”

gojo merely grinned, shrugging. “hey, i’m just here to make sure the romance shines through. and oh, don’t worry — it’s definitely shining.”

toji rolled his eyes but kept going, lowering his voice to a rumbling murmur. “if you don’t know where your heart lies, then i’ll show you.” 

he paused, his words lingering in the air like a promise, like he was speaking directly to you.

by now, the studio felt suffused with tension, thick enough to cut with a knife. it didn’t help that every time gojo piped in with another comment, it only made you feel more painfully aware of every detail: the way toji’s gaze kept flickering your way, the way your own pulse raced faster with each line he spoke.

“the truth is right in front of you,” toji continued, his voice dropping low, rough, something smoldering behind each word. “all you have to do is reach out… and claim it.”

“gorgeous! breathtaking!” gojo burst out, clapping his hands loudly. “i can practically see the sparks flying! ah, young love!”

toji finally broke character, raising a brow at gojo with a look of pure exasperation. “you gonna let me finish or not?”

gojo waved a hand. “fine, fine. but for real — if you two don’t kiss after this, i might have to stage a re-shoot.”

both you and toji threw your hands up simultaneously, voices raised in exasperation. 

“gojo, would you please stop interrupting!”

“yeah, seriously, man,” toji added, shaking his head as he glanced over at you with a shared look of pure frustration.

“okay, okay! sheesh!” gojo shrieked, actually shrieked, as he staggered back in mock terror, clutching his chest like he’d been mortally wounded. “all i wanted was to witness some workplace romance! is that so wrong?”

“yes, gojo, very wrong,” you shot back, rubbing your temples. “this is literally supposed to be professional — you should know that.”

toji snorted, crossing his arms as he smirked at gojo. “for once, i agree. you’ve got all the dramatic flair of a middle-schooler.”

“excuse me,” gojo replied, flipping an imaginary hair strand over his shoulder. “i’ll have you know my artistic eye is very advanced.” he let out a huff, but from the grin on his face, you could tell he was thoroughly enjoying himself.

you shook your head, exasperated. “look, can we just get this recording done without any more —”

“interruptions,” toji finished for you, raising a brow as he glanced over at gojo.

“fine, fine!” gojo finally backed off, dramatically sliding into a chair in the corner, arms folded in mock offense. “i’ll be silent as a stone. a beautiful, thoughtful stone.”

you exchanged another look with toji, both of you sighing in unison. 

something told you both that it was going to be a very long day, especially with gojo’s creative direction…

toji, after finishing a solid block of recording, had ended up chatting with the sound techs, leaving you flipping through your phone while you waited. 

gojo, in his usual meddling fashion, suddenly brightened up and declared, “oh! why don’t you have a little chat with suguru? i told him you were here. he insisted on saying hello!”

you raised an eyebrow. “uh, sure?”

gojo sent you a link to join the video call, and soon suguru’s face popped up on the screen. his calm expression softened slightly when he saw you. “well, hello there. gojo wasn’t exaggerating when he said he had a new ‘star’ at the studio.”

you laughed, feeling a bit flustered. “thanks, geto! i hear you’re a partner at a... famous wine company?”

suguru gave a modest shrug. “yeah, it’s called persephone. it’s a small project that grew bigger than i expected. i handle a lot of the sourcing and marketing — keeps me away from here most of the time.”

“persephone? i’ve heard great things about it!” you said, genuinely impressed. “the way gojo talks about it, it sounds like a pretty big deal.”

he chuckled, glancing to the side as if recalling memories. “i started it with a... friend, actually. she was passionate about wine and had a vision that i couldn’t help but support. i guess i have a soft spot for her, and i... well, care about her a lot.”

you felt your heart warm a little at his sincerity, and the slight hesitation when he spoke of his partner. “it sounds like you two have something special going on,” you said, offering a supportive smile. “i’m sure she appreciates everything you do, especially with how involved you are. and honestly? best of luck. that kind of partnership sounds really meaningful.”

suguru gave a small nod, a faint, appreciative smile on his face. 

“thank you. i think she’d like you. maybe one day, if you ever make it out here for one of gojo’s wild wine-tasting parties, we can all meet up.”

“i’d love that!” you replied, already imagining how intriguing that partnership might be. and as you finished up the conversation, it struck you that you’d gotten a glimpse of a different side of suguru — one he clearly didn’t reveal often.

toji hadn’t meant to get distracted, but the second he saw you on a video call with suguru, laughing over whatever he was saying, he couldn’t help it. he’d been halfway listening to the sound tech drone on about waveform patterns, but all of that faded when he caught sight of you smiling on-screen. 

who exactly were you talking to like that? why did you look so happy?

the tech was still talking beside him, but toji’s focus was elsewhere. 

suguru. 

that damn calm, collected face of his. 

the same suguru who he’d seen only sparingly around the company, mostly through gojo’s random updates, but who was still one of the few people gojo actually respected.

toji squinted, his jaw tightening as he took a few steps toward you and pretended it was a casual stroll.

why was he doing this? it wasn’t like he had any claim on you, right? 

sure, there was that one kiss — or, well, those two kisses, actually. 

but still. 

he was a grown man, not some jealous kid. yet here he was, feeling like he had to size up suguru over a damn screen.

before he even realized it, toji had closed the distance. without asking, he leaned over your shoulder, practically shoving his face into the camera view as he met suguru’s face.

“hey, suguru,” he drawled, and the way his voice came out a little gruff didn’t escape him. “didn’t know you were interrupting a busy studio day here.”

you blinked, wide-eyed at his sudden closeness, but toji kept his eyes on suguru, ignoring your flustered reaction. suguru looked almost amused, raising an eyebrow at toji’s unannounced intrusion.

“toji. i’m just saying hi to the new talent here,” suguru replied with a smooth smile, clearly unfazed. “i’m sure you wouldn’t mind me meeting one of satoru’s top finds.”

“top find?” toji scoffed, feeling a weird pang at the words. “i’m the one doing all the work here.”

you shot him a look, somewhere between surprised and amused. “toji —”

but he just grunted and kept going, ignoring your attempt to intervene. “so, suguru, been busy with all that wine business, huh?” he went on, as if suguru’s whole life story had suddenly become his priority.

“pretty much,” suguru replied, a slight smirk in his tone. “it’s been keeping me busy, and i have a…close partner who keeps me grounded. speaking of which,” he turned his gaze to you with an amused smile, “she was the one who started persephone. i’m really just there to support her vision.”

“sounds convenient,” toji muttered, but suguru just chuckled.

you nudged him with your elbow, giving him a warning look. “toji, come on,” you whispered, as if he was the one being out of line here.

he let out a low sigh, then pulled back slightly, looking at you as if he’d just remembered himself. “what? ’m just makin’ sure you’re not getting dragged into any fancy wine scams or whatever.”

you rolled your eyes but couldn’t hide a smile. “geto’s company is doing fine, toji. it’s called persephone.”

toji folded his arms and gave a dismissive shrug. “well, just saying. i know people.” 

the whole room seemed to go a bit quieter, and toji cleared his throat, looking away from suguru's patient amusement.

“nice meeting you, toji,” suguru added, with a slight tilt of his head. “take care of our new ‘top find’ there, alright?”

toji clenched his jaw a little at the words, then nodded, pretending he wasn’t glaring at the camera. “yeah, yeah. we’re all set here.”

as the call ended, you turned to him, eyebrows raised, clearly wanting an explanation. “what was that about?”

toji scratched the back of his neck, trying to look casual. “just, y’know…making sure you weren’t getting yourself in with shady people.”

“oh? like, you?”

he let out a bark of laughter, realizing he’d backed himself into a corner. “hey, i’m not shady — i’m just thorough.”

you raised an eyebrow. “thorough? right, that’s the word you’re going with?”

“yeah. and what — you mad at me for caring?”

at that, you went quiet, a faint blush touching your cheeks. 

and toji? well, he could only think of those two kisses again, and how stupidly close he’d just gotten to the camera just to… what? size up suguru? 

he mentally groaned. what was wrong with him?

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[wlfawnbby]

my list of hunger distractions:

watch a movie. I've been watching a looot of movies recently to avoid going to the kitchen

watch anything actually. I love to watch ed wieiad. but also I like watching Mukbangs or literally anything. (anyone else love the broski report...)

Cleaning. It's easy to forget about hunger when cleaning. Organizing my bedroom can take hours so its very time consuming. Things like doing dishes or scooping the litter box are so gross that they make me lose my appetite.

Going for a walk. Getting AWAY from the food is nice. And walking burns cals so its a win-win.

Taking a shower. If I have to look at my n4ked figure.... I'm not gonna want to eat anymore

Cooking/baking. this seems so counterintuitive. But if I make something for my family, I get the fun of preparing food and I can use it as an excuse to not eat.

Homework. I always have homework to do. If I can get into the rhythm of studying then Ill forget about my hunger.

sleep. can’t eat if you're unconscious.

Scroll on Tumblr/Pinterest. Th1nsp0 and M34lsp0 is all over my feeds which makes me want to not eat

Games. I've been playing Dress to Impress because I'm basic asf, but its so fun and the characters are kinda th1nsp0.... I also really like animal crossing. And it animal crossing I can make my character eat fruit which kinda subsides my hunger in some weird way.

Making playlists. Making new playlists. Changing playlist names or photo covers. I love organizing my Spotify account, its so fun.

Shopping. Online and irl. Going out and shopping can be a fun day activity even if you don't buy anything, I also like to use it as an excuse to lie to my parents "Oh I ate while I was out so Im not hungry". And walking around burns cals. I like seeing clothes I'm gonna wear when I get thinner, its good motivation.

Working out. I really want to start going for more runs again. My family is renevating our basement right now, but when it’s done I can do body weight workouts again & we have a rowing machine which is my fav thing ever. Also I figure skate, which is a great way to burn cals and Ana is so so normalized within the community lol

Plan. I've discovered that you are allowed to plan fake events. It’s so fun to plan random outings.

Read. I love a good book.

bedrotting. I looooove a good bedrot reach. Just lay down (I like to have my stuffed animals 🎀) and doomscroll until you forget

scroll on tumblr,twitter,Pinterest. So much good m3alsp0 and th1nsp0. Literally crushes my appetite.

playing instruments. I play guitar and piano.

[soodoonimin]

Logan Howlett and animal instincts (or in other words my long winded analysis of a comic book character)

So before I start, just know that I have read a lot of comics but I don't know everything. I can take notes all day long but I have a bad memory and comics are confusing so please be nice and enjoy, this took a lot of effort to put together, it’s mostly my thoughts on the character as I read the the comic books. The movie character is a lot different and I will also probably do something like this for movie Logan as well (though it will be significantly shorter).

Also there are some pictures that have blood and body horror so beware.

What does it mean to be human? Well that's a question we as humans have been trying to answer since we could think to ask it and ever since then we've never been able to give a fully conclusive answer. Why? you may ask, well because think about it like this, the traits we most often associate with humanity (higher thinking, creativity, empathy, and love) may not and some times do not always exists solely within us when applied to fiction, we write whole stories about how robots can be human too, how aliens can be human etc etc as long as they have these traits (more or less) AND LOOK I'm not going to get into a whole philosophical discussion about the nature of humanity on Tumblr.com but I do want to take a second to talk about how those traits are applied to Logan and how he has to fight to prove his humanity.

So mutants are an oppressed people but being a mutant isn't always the same for everyone. You can be a mutant like Rouge who can kill people with a single touch or mutant like Storm who can bend the weather to your will (the most obvious example). You can be a mutant like Jean with no obvious physical signs of your mutation or you can be a mutant like Kurt, where 9/10 people think you’re a demon of some kind.

But what happens when you're a mutant like Logan Howlett? I mean you look human enough, sure you're a little more hairy than most people, you have fangs, you smell, and oh yeah the claws but those are retractable so overall....you're just a normal person right? Nothing you can’t hide, right? Yeah, for the most part, yeah. But there are a couple of other things about you that someone might not know from looking at you, you have an extraordinary healing factor, you have almost animal like senses and when you are pushed to your absolute brink you go into a monstrous like a rage and kill everything in sight.

For every gift Logan was born with theres a very real curse attached to each one.

Healing Factor: Logan still feels pain, the healing factor isn’t just limited to his body but it also messes with his memories, and more importantly he’s lived a very long life. In The End comic and Old Man Logan comic etc, when he’s out lived most of the world, he’s miserable.

Keen senses: Seems great, until they’re exploited, imagine what being able to smell and see and hear that well all the time without relief must be like. Imagine not being able to tell when someone is going to die? Or when they’re lying or when they haven’t showered etc. sure you might get used to it like you might get used to pain but that doesn’t make it pleasant.

Claws: Need to really touch on this one? Aside from the obvious please remember that Logan’s claws aren’t in his knuckles but in his fucking forearms so when using them he needs to make an effort to direct them or….

Berserker rage: great to get you out of a pinch but you can’t control it. (We’ll talk more about this later)

Most people don’t see these very real downsides of Logan’s mutation, they just see a small, angry guy, who’s good at fighting and can take a hit better than almost anyone.

Here’s what worse, a lot of people (X-men included) don't see, they don't all the ways Logan hates himself (and those who do don’t see the depths of that hate he has for himself). They don't see the scared little boy whose father was killed in front of him. They don't see that little boy who killed his father's murderer and was abandoned by all but one person for one person (Rose). They don't see the young man who accidentally killed his first love while trying to protect her from his brother. They don't see the man who lived a relatively miserable life being plucked up by a group of people who only saw him as something to be experimented on. They don’t see the man who believes that if he loves someone he's destine to hurt them in one way or another because he has multiple times over (even if it wasn’t always his fault). They don’t see that for all the times that they call Logan an animal, he already believes them and he’s called himself worse many times over.

(Deep down he truly believes he deserves be to alone, especially in death. That would be his “deserved” hell. Eternal loneliness.)

Which is funny because I think Logan goes back and forth in deciding on whether or not he has any humanity in him in the first place. See in the Black, White and Blood comic, the FIRST story told in this series, is an account of Logan’s time at Weapon X and we get this…interaction:

Pourquoi tu me fais ça?///Why are you doing this to me? This "monster" asks him this on the cusp of death....

(Moments during the Weapon X program, be they real memories or not, when Logan’s humanity shone through)

And THIS almost immediately snaps him out of mind control he's under going. I don't know if he understood the words per say but I think even if he didn't, he still understood the plea on a human level. Because it wasn’t Weapon X who responded, it wasn’t the berserker, or Wolverine. It was Logan Howlett. It was a moment of humanity that broke the conditioning he’d been put through that answered that plea and stopped him. Because if you think about it, if these two memories actually are real, that means that Logan recognized this plea as the same one gave to the scientists. Now determining what did or didn't happen during the Weapon X program is difficult to parse out because they implanted false memories. BUT regardless of that there was always a part of him that held onto his humanity. But I think that just adds to the horror of it all. Imagine not being able to know what memories are yours and which ones are not? So let me ask, even if those memories are “false” does that make them any less real? Does that mean that Logan suffered any less under their stewardship? He was still kidnapped, he was still experimented on, still tortured. He still had the adimantium grafted onto his bones, he was still made into a living puppet and was still seen as nothing more than a weapon, an animal, a monster by the very people who were doing all of this to him and in some respects they are the reason he is seen as a monster by others.

At the end of that comic (where he was momentarily snapped out of his conditioning) he states that no his humanity wasn’t stolen from him but he still lives with that guilt of everything he can’t remember and the things he can remember are unreliable.

I know a lot of people haven’t read the comics so I’m not trying to do annoying about it BUT if you get the opportunity to PLEASE go read The Weapon X comic (by Berry Windsor-Smith) & Wolverine’s first limited series run (by Chris Claremont).

I specifically say that second one because I think the story that’s told is probably one of the more interesting told for Logan because of the relationship he has with Yukio and Mariko. I’m not going to get too deep into it because I really think you should read it for yourself but the basic outline of it is that where Mariko loves the man, Yukio loves the “monster”. And when he’s initially trying to court Mariko it’s his attempts to in a sense to court humanity but he fails and when he turns to Yukio. And for her part it’s not just as simple as her loving the “monster” but more than she goads it out of him, for thematic reasons and plot reasons. But needless to say, they both love Logan but they both love an incomplete version of him. (It’s a really good story and it’s literally what sold me on the idea of reading through any of the older comics.)

Anyway, (in the comics and movies especially) some people solely see him as a man with an uncontrollable side that they’d run from at the first sign of aggression and others only want that animalistic side and don’t love the man that Logan is. The thing is, he is both of those things. Think about it like this. As humans we like to think ourselves above the food chain, we like to think of ourselves as *more* than animals. And sure we’re definitely one of the most successful species of animals on Earth and we definitely don’t act on instincts in the same way most animals do, we’ve created society and rules and we do things a lot different than other animals but we are still animals.

So Logan isn’t both a man and an animal anymore than you or me. But he is a man that is more in touch with those animal instincts than the rest of us (bc of his mutation). Which I think is why when he does act on those instincts, people see him as less, because we (yes even comic book characters for this argument) only seem associate those traits with animals, with something lesser than ourselves.

The thing is, being “an animal” doesn’t need to be an insult or a condemnation of any kind. Humans are still animals but humans are still kind, and caring, humans have still created beautiful art and music and food and architecture and have got to the stars will probably go beyond the stars all while still being an “animal”.

So I think where most people get hung up on word “animal” is because it has such a negative connotation when applied to humans. And thus that negative connotation basically perpetuates itself so the only time we call other humans animals is when we mean to attack their humanity.

So back to Logan. Imo, there is no better example of this than the way people, Logan included, treat his (and subsequently him) berserker rage. Logan describes it as a monster that shares his soul, something else inside him, the real thing that makes him a monster, something that he doesn’t like, something he’s scared of, something he can’t always control but that he does everything in his power to keep away from the people he loves. Because Logan doesn’t like to kill, he doesn’t like hurting people. He might be good at it, he might be known for it but that doesn’t mean he likes it. Even when he thinks death is a deserved punishment, he isn't ever happy about having to kill. And he even says as much at one point in the comics.

And as a real quick aside, but this is almost exactly what sets him apart from Victor Creed. They're both men whose mutation gives them heightened animal like traits. The only difference is that Logan is ashamed of those parts of himself especially when they pertain to violence where Victor likes it, enjoys it; he goes out of his way for violence.

(If there is more to Victor Creed than meets the eye please tell me bc I gotta say I don’t actually know too much about him except that any time I see him in any Wolverine media I immediately laugh bc I know the two around to brawl. And I’m almost never wrong lmao)

And mind you there are times when Logan is also a hammer in the sense that he tends to punch his way through most of his problems. But he doesn't go out of his way for it in the same way Victor does despite having every reason to.

Logan has killed people but unlike Victor he isn't a killer. Even if that's what he's "the best at".

So when he goes into this specific rage that labels him a monster (an animal) it’s almost always in front of someone he loves and it’s almost always in a moment when he’s trying to prove his humanity (when it’s being used thematically and not for plot convenience). Like if you go read the comics 9 times out 10 when Logan is being called a monster or animal by some scientist or an enemy looking to humiliate him. But it’s almost always in the mitts of a life or death situation. A situation that anyone would fight light hell to get out of even with an amazing healing factor like Logan’s.

Because he still feels pain.

He still wants to survive.

He still feels.

And at the end of it all, he feels ashamed and horrified with himself and he'll always have to live with that guilt and shame. There's a point in one of the comics when he describes his heart as being slower to heal than the rest of his body and I think its interesting because although that story he's talking more from a "heart broken" sense. I also think that can apply just as equally to idea that it also harder for him to heal from not just heart break but also from shame and guilt. In certain situations, it takes longer for him to forgive himself emotionally because he suffers physically in the short term. He’ll never have a physical scar of his wrong doing and so he carries the emotional weight of it with him.

But also because he isn't just dealing with himself. In those moments when he comes out of that rage, the people he loves are in shock and are scared because they saw the “monster” and some people do reject it and in so they reject him and although rejection is something Logan thinks he deserves, it doesn’t make that pain hurt any less. it doesn't make it any easier to heal just because you agree with them, and in a way I think that's what slows down that healing process. Logan's inability to forgive himself.

Because that's the thing, Logan, would rather be scared of himself than forgive himself, be it because of his past trauma or because of the Weapon X program (which in the Weapon X comic it’s implied if not outright stated that the scientist at Weapon X are the reason he feels the fear he does about himself). Logan is scared of no one on Earth more than the man he sees in the mirror. And that’s because in his lowest moments when he looks in the mirror he doesn't see a man, instead he sees an animal, a monster. He doesn’t need the rest of the world to tell him what he already thinks of himself, it just doesn’t help that he has a choir of voices that are sometimes louder than his own telling him his worst fear is real. He is the monster that hides under his own bed but the problem is, while the monster is 'real' is a physical sense, it does not share a soul with him anymore than the boogeyman does. He wrestles with himself. Somedays he believes he's a man like anyone else and other days he can't drown out the voices telling him he's nothing more than a monster.

And as my last touch on the beserker rage, I want to posit my own theory about it. Personally believe to some extent that it isn’t part of his natural mutation and that instead it’s something that was “given” to him by the Weapon X program. The reason I say this is because I think it would make a lot of sense that like the adimantium claws and false memories it would make sense to give you “weapon” this uncontrollable rage (that mostly comes out in times of great duress). Not just because it would be one more thing Weapon X has taken from him (control over his own emotions/body) but also because wouldn’t that just make sense on the side of the people who ran the project? That your living puppet have a fail safe of sorts in case it ran into something bigger than itself? During the Weapon X comic, the scientist are constantly surprised by how resilient he is and even though some of this surprise happens in a false memory, they really do believe they can kill him at one points so if they thought they could kill him, why not something else? Why not give their investment insurance? And what better insurance for an animal than monstrous rage. 

But of course none of this is even to talk about the kind of person Logan really is. The thing that I think most people (in the comics) tend to ignore about Logan, in favor of focusing on his rough exterior (and some of his more questionable characteristics) is that he really does have a heart of gold. Now do not get me wrong, he can do some pretty fucked up shit (I will not talk about the Jean and Scott love triangle bc it gives me a migraine) but he does regularly do things that show how much empathy he has. That show that despite what he (or the rest of the world) might think, he isn’t a monster. The best examples of this are his relationships and more specifically the relationships where he’s a father/mentor. Like his relationship with Kitty Pryde and Jubilee, two kids that he basically adopts/takes under his wing and constantly goes out of his way for. Some of you might remember this post and the reason Logan does eventually fuck Wade’s shit up is because Wade literally punches the ever living shit out of Kitty in front of Logan. In another comic issue (after this), Logan beats the shit out of Wade again for punching Kitty, it’s funny but it also just goes to show that he does take protection of his family seriously. And mind you he doesn’t hunt Deadpool down, he find him by sheer plot coincidence when he’s getting a book signed for Kitty and the author just so happened to be Deadpool’s mark.

And mind you, Logan does have love for his own kids (Laura and Daken) despite the troubled nature of both this relationships but again those are a little more complicated. That’s partially for plot reasons but also because they play into just how much Logan hates himself that he struggles active show the same love for his adopted family to his “blood” family (again with Daken it’s a lot more complicated) but I also think that not only are his relationships with them fraught because of how much he hates himself but because both Laura and Daken were experimented on just and manipulated like he was (and in Daken’s case by a major player of Weapon X) so while he does love them past his own self hatred, they are also a reminder of his deepest traumas. It’s not their fault and it’s not necessarily Logan’s fault either, it’s just the cards their characters were dealt. (I haven’t read any comics with them yet so once I do I will most likely write my thoughts on his relationship with them each individually)

Regardless, Logan, depsite what he’d like you to think, is a deeply loving, empathetic and loyal person and this doesn’t just extend to people who considers family:

(Logan says this a man who not only a few issues ago was trying to kill him and his partner/friends. He saved Roughouse (the character he went berserk on a few pictures ago) because he was being experimented on in a way not too dissimilar to the way he had been by Weapon X. And if I remember correctly this is before he even knows how he got the adimantium in his bones)

He is James 'Logan' Howlett. He is a man whose life was stolen from him so many times over. He is a man who believes that the worse parts of him are all that matter and fails (or refuses) to see the good he has done in the lives of the people he cares about and believes that only death will truly bring him peace. He is someone who despite his flaws can’t help but to be kind. He is someone who fights like hell for what he believes is right. And even if he believes he’s a monster, even if the world believes he’s a monster, he will try to do the right thing because although he knows his soul is damned that doesn’t mean that exempts him from doing what good he can. He is someone who gives and good as he gets and then some. He’s the best at what he does but for him, that isn’t alway what he thinks it is.

And I think that’s the beauty of Logan as a character. Someone whose life is so wrought with tragedy and yet he is someone who can’t help but to be kind, someone who can’t help but love and care and find the humanity in the world despite the world seeming to be hellbent on taking his humanity away. Even though he (and many people in universe) might disagree with me, he is not only a one of the best humanity has to offer but he is also a shining example of the tenacity of the human spirit.

[zoppa682]

For any nonhumans struggling with species dysphoria, I want to help you all as much as I can. I've been experiencing it all week. It can be quite exhausting and put you in a lot of distress, in my case. X(

Here are some tips I'd recommend to help:

1. Mimic the diet of your kintype/theriotype. You are a shark? Eat seafood. A dragon? Maybe try to burn some food a little (or turn it black like my own preference if you want). You kin a character from [Insert source]? Try recreating foods/dishes from their world or dimension.

2. Listen to relatable music. I'd recommend making a playlist of any songs that feel species affirming/euphoric, or even echo that dysphoria further, therefore turning it relatable. (Few of my favorites are Bones by Imagine Dragons, Control by Halsey, Ancient Dreams in a Modern Land by MARINA, Momento Mori by Fish in a Birdcage, among other songs that feel therian coded to me).

3. Do vocals. Howling, barking, screeching, or roaring are very relieving if you are in the correct space to do them! If you are in a quite space or do not want to out yourself to anyone, try purring, growling, hissing, or other unnoticeable sounds. You have an object kintype? Mimic the sounds of the object, like beeping, clicking, etc. (I personally make microwave sounds just because it is fun). Recite voice lines of your kintype from the source they are in. Mimic their voice and volume to match.

4. Move and physically act like your kintype/theriotype. Quadrobics, mimic the flapping of wings, walk bidepedally, whatever you do, turn your mannerisms and motion to reflect your kintype/theriotype.

5. Dress like your kintype/theriotype. Is your kintype a character? Cosplay them, or mimic their clothing style, clothing color, hairstyle, etc. If they have tattoos, scars, or patterns on their body, copy them on your physical form with paint or pens. (PLEASE USE NON TOXIC MATERIALS. STUFF SAFE FOR YOUR HUMAN SKIN.) Are you a species of animal(s)? Dress in your species' colors, or, once again, paint or color yourself like it/them. Are you perhaps any other form of creature or object? You can use the same tips as the others, and another idea that works for all is that you can buy costume pieces of your kintype/theriotype. Masks, headbands, just normal clothing in general, the options really are infinite.

6. Express your dysphoria through artwork. I love doing art when I am heavily species dysphoric. Drawing, crafting masks, origami, painting, collages, all are forms of art. If you are skilled in music, then you could even create some songs of your own!

7. Go out and explore nature. This one is mainly targeted towards therians, whose types are grounded on the life on earth rather than other dimensions or universes, but just like the other methods, it can be universally used by any types of nonhumans. Collecting things is my favorite way of exploring nature. Collect rocks, shells, sticks, leaves, bugs, plants, anything that makes you feel more comfortable in your own (unfortunate) physical body. Stay grounded in the world around you and you may find the dysphoria slips away. Hiking and going on short walks can also help, building a den, smelling the scents of the outdoors. All great ideas that I personally recommend.

8. Write about your feelings. Whether you are good at expressing yourself through poetry, you keep a diary/journal, or you can project onto OCs for new backstory lore like I do, writing can truly help with any dysphoria. Not only that, but it is sometimes refreshing to come back later and read about what you were feeling before. It can serve as a great reminder that you are a powerful being and you will always overcome the feelings if you try.

9. Research about your kintype/theriotype. It does not matter if you are an animal, concept, or object from earth, a being from fantasy, or a character from the greatest book or show, you learn something new every day. So why not learn about yourself? Read books or watch animal documentaries of your theriotype(s), same thing for you otherkins and your fantasy species. Fictionkins can look up facts about themself as a character, their book, show, game, etc.

10. Talk and interact with other alterhumans/nonhumans. Remember, we are a community, and while you are experiencing horrible episodes of species dysphoria, there are many other beings going through the exact same thing at the exact same time. So why not talk to them about it? Share your experiences, help eachother cope, you may even connect with more individuals that way, building more relationships with others and meeting new beings.

11. Past life meditation. If you are a nonhuman who has a past life/lives, you may find comfort in meditation, where you can truly tap into what you once were, and still are in this life as well. Look to the forgotten, and turn in to remembered. Open up your past and live over again.

12. Listen to sounds. Nature sounds, voices of other characters you know from your world, vocals or sound effects of your kintype. These are all good options to turn to if you want to feel at ease with yourself.

13. Let your emotions out. Sometimes this is all you really need to do when species dysphoria hits hard. Cry, bite things, claw at pillows, LET IT OUT. There is absolutely no problem in being yourself and expressing your heavy emotions in your own, unique, nonhuman way. You may find you feel much better after.

That's all I've got, but I hope whoever/whatever reads this far has an amazing day/night. You are an amazing being, thank you for embracing yourself and living authentically. <3

[himboblaze]

i was never truly a nightheart hater because i understood he was just a vessel for the erin’s misogyny but the personal growth he goes through this arc solidified him as a good character in my eyes. he’s not perfect, he’s not a great character, but he’s good. he’s decently written.

he learns from his mistakes, he grows out of his immaturity and hotheadedness, he learns to be selfless and put others before himself. i swear, if you read his pov in book 1 before he got his name changed, you would have no idea that nightheart is the same cat as flamepaw. and that’s a good thing!

i love his friendship with frostpaw. he’s so protective over her and believes in her so fiercely. he would go to the ends of the earth to defend her without thinking twice. he was one of the first few cats to truly see her potential and ever since their journey to the park together he has been taking his job as frostpaw’s number 1 cheerleader incredibly seriously.

and, i know this isn’t a very popular opinion but.. i like his relationship with sunbeam. i think sunbeam especially really helped him grow into the cat he is today. a cat who uses his stubbornness to defend his loved ones. a cat who’s willing to die as long as he can go out doing what he believes is right.

a cat who isn’t ashamed of his heritage anymore and accepts comparisons to firestar with grace. a cat who doesn’t do grand heroic gestures because he wants to live up to his kin, but because he wants to do the right thing. a cat who, while watching his mother and sister care for sunbeam after she lost her mother like she was their kin, is baffled by the idea he ever once felt resentment towards them. a cat who’s proud of his clan and is excited to teach their ways to his own apprentice. a cat who throws himself into the paws of enemy warriors several times to save kits he doesn’t even know, and just about loses his life in the process. a cat who goes to save blazefire from being killed because he knows sunbeam cares deeply for him, instead of standing by and feeling jealous because his mate still cares for a cat she used to have a crush on.

does he have a good arc? no, not really, not even by warrior cats’ standards. his arc definitely isn’t up there as one of the ‘top 5 character development arcs a warrior cats protagonist goes through’, but it also could be much worse!! i think, where he’s at right now, that’s a pretty good ending for him. he’s not one of my favourite characters, but he’s a good egg. i like you nightheart, keep being you dude!!

[xanderjkz]

Knox Overstreet- Fixing the problem of a kind boy

I like fucking love the concept of Knox's character and the message he portrays but holy shit they really fucked up when it came to the execution. Both in the movie AND book (ESPECIALLY there). This fandom takes its time to reconstruct his character to be likeable. But how would this actually play out in a better-constructed storyline for this dude with girl problems?

Well, that's the answer I would like to answer today

Knox in the official dead poets media

Like every poet in the movie Spotlight, Knox comes from a family that's enforcing the path of a lawyer. His father is one, which is how his storyline even starts. He is invited to the Danbury's because his dad helped the only responsible and well-mannered dude in the house. And in that same scene, they literally tell us that people expect him to be a lawyer. So there's this kind of pressure.

But not really because we never get to see that side of Knox in the movies where he clearly states that he doesn't like the path people chose for him. All he has is girls problems.

Which is sad considering that he could be so much more

But then we'd have to extend the movie by about 1 hour and that would make it unenjoyable because this movie is perfect because of the pacing they chose. It's fast and yet slow and kinda counts down to Neil's suicide in a way that gets stuck. Because he is one of the main characters and most scenes should be with him. Not with Knox considering if his life expectancy is okay.

So is there any extra scenes in the book?

...yeah no

"But how do we solve this issue with knox's awful storyline?"

Rewrite the book and hope for the best.

Since I'm an author myself I know that writing often gets complicated when your creative streak is gone but since I'm an author I'd solve it this way:

Keep the Chris storyline

Let that boy be problematic, let him make mistakes but not once that deeply traumatises someone like SEXUALLY ASSULTING someone. Knox is the message bringer of the bad side of carpe Diem. Sometimes seizing the day will make things worse because you didn't think it through. That's a great message to bring across, I mean how many 16-year-olds make mistakes that we thought were okay? A lot, and he is the one who made the mistake in the story.

"So how would you change his mistake?"

The storyline reinvented

He meets Chris like usual

Look he didn't fuck up here in the slightest. I too would be stuttering if I met a beautiful girl. And him meeting her through the Danbury clearly shows the problem he has to date Chris. It's classic anyway

Cut the bike scene and use his sister instead

From what I gathered his sister goes to the same school as Chris (can be mistaken but for this story she does! ) so he uses her to kinda pry into Chris's life and find things out. It is problematic if he literally implies stalking her but c'mon, at least someone in the Overstreet family has common sense and only observes in the distance...right? Besides who doesn't use their siblings for their advantages? Plus it brings depth to that mean. Seeing how he treats his sister could indicate his behaviour with people extremely close to him.

Let him attempt the party but be extremely obnoxious

That's what he's best at

His nickname is literally knoxious. But what the hell do I mean by being obnoxious? Let that boy not leave Chris's side. Why? Because that sets up his mistake. Being attached to someone's hip can be extremely uncomfortable and with Chet's provoke able (?) ass this can go wrong fast. (Also we can't forget that Chris is the one being played around like an object in this and this should be his biggest mistake as we do not treat anyone like that, especially women!) But what would be the breaking point for CHRIS and Chet and the thing where he decides that "carpe diem" is good to use (even tho it's not)?

HE DANCES WITH CHRIS

Okay, instead of him being an ass and kissing Chris, he's an ass and dances with her. He was under the influence when he made both decisions which isn't an excuse but something that pushed him towards it. Because Knox in his most sober self wouldn't even talk properly to her.

So, some lame-ass song from the 50s is playing and he grabs her hand. Maybe she danced with someone else and he stole her. Considering that the tension between Chris and Knox is already uncomfortable, this would bring it to the maximum. Chris (as the beautiful woman she is) would try to use this moment to finally talk about his behavior so he lets her go. And the moment he finally talks chet comes in.

This small synopsis is weak but let's be honest, no one would read a whole ass script abt this.

Anyway

Chet comes in, the situation becomes way out of control and the only person getting extremely hurt is Chris. As she was toyed around by Knox and Chet. So she leaves the party prematurely (as she should, take care of yourselves) and Knox returns to Welton with the same bloody nose as in the movie

He goes directly to her house

Him doing so is a direct response to his failure. Between the party and them talking he needs to reflect on his failures and feel genuine guilt. It sucks that he can only do so once he gets punched but at least he has the mind to realise that.

But Chris isn't that easy to talk to. Obviously, this whole thing made her feel weird and sad so she avoided both of them. When he goes up to her house and gets rejected? He talks with Keating.

Mentor Keating

Not only would this solidify his last scene in the movie more but it also gives them a connection more than Keating humiliating him. Okay, but can we fit this into the movie? Not the conversation but he could easily fit it into the scene where he returns to Welton after talking to her.

"What would Keating tell him?"

The same thing he told Neil. Honesty.

Fate decides itself in the decisions you make and Knox knows that lies won't wrap her around his fingers. So maybe honesty carries them to a state where they can be friends.

So his masterplan gets made and it's the most trope-st shit you can think of.

Throwing a rock in the night at her sweet sweet window

Why did I think of this? Well, do you like the scenery of how he originally apologised and made everybody look at her?

At least it's at night so fewer people look and it would show us the skills he earned from sneaking off bc of the poet's meetings. Thus showing the audience more connection to the group. Plus at night people are mostly at their most vulnerable time and it would get Chris to talk.

But what would they talk about?

Considering that he finally saw the wrong parts of his obsession with her, he would give her the space to express her discomfort to its fullest after he of course apologises. But I think Chris wouldn't even express herself to the fullest because she has sympathy for him. She understands that loving someone can make you sick and twisted when you're a teenager but she is still her flesh and mind who clearly didn't want it to cause her relationship to break.

She might not express the worst anger that comes with something like this but she still expressed her sorrow in this mess. And Knox listens and sees the wrong in his actions. He doesn't need to justify himself because no justification could make this play in his favour. And when all is said and done, she forgives him for being so damn obnoxious.

But she doesn't like him in the way Knox wishes her to feel. And knox needs to learn to accept it. Like we all do

The story progresses without knox getting what he wants

Through this whole story he went through, we as viewers get the message that even if you apologise, it's up to the victim of your actions to give you what you want. And throughout the film, I never even got the notion that Chris has an interest in Knox. Hell, they don't even talk that much to build a conclusion on their goddamn relationship before he kissed her. He sets the message of a "Carpe Diem" gone wrong. After that, he is a reminder of us humans and our way of going through those problems you cause.

There are probably better ways of doing his arc, heck give him a different one. I mean he has potential. Maybe he's better off once the group splits or maybe he isn't.

But the way he is in the movie is a horrible portrayal of romance. I get it, the script is from the 80s but c'mon you're allowed to admit that it's bad.

Well, there's nothing we can really do, the movie in itself is an art and should be viewed as it. It fits into the zeitgeist of past generations and our present ones. I love the movie but if I had to change one storyline it would always be Knox oversteet's

Btw can be talk about how stupid his fucking name is? Who names their child Knox? With the last name OVERSTREET

[sicklyworm]

hello your taste in characters is so cool and based i LOVE shang qinghua. i was wondering what ur thoughts r on his relationship with shen qingqiu as portrayed in the books and in canon?

i feel like even tho they have great scenes together, we don't get all that much interaction between the two so its easy to miss key details about how exactly their dynamic works.

like, in fanfiction i often find that writers tend to write shen qingqiu as like Incredibly antagonist towards shang qinghua or they're the bestest friends in the entire world and neither of those feel quite right, but otherwise getting their relationship accurate seems to be kinda tough.

Oh dear moot thank you for giving me an excuse to talk about this!

My thoughts on cannon Cumplane:

SQH and SQQ's friendship mostly stems from circumstance.

Both of them are modern men in a ancient fantasy world with little to no connection too there past lives. They both have to act out the strict standards of ancient chinese culture while on the inside both of them are brain rotted netizens.

So having another transmigrator who they can unmask with and be able to say all the shit they can't elsewhere is probably super cathartic!

They do like pestering and annoying each other in cannon. But rather than interpreting this as animosity i believe this is just another sign of them cutting loose and being more authentic than they usually can be.

Now this not to say they are ride or dies. Both of them have things they prioritize over there friendship and that's okay! They can have a good friendship without being all super loyal and dramatic about it.

Honestly it would be OCC if SQH suddenly stopped be a slimy rat bastard because he was circumstance buddies with SQQ. And with how thin SQQ's face is it would be SUPER OCC for him to declaring they were besties lol.

Also side note about SQQ being portrayed as antagonistic in fanfiction:

Many people find SQH relatable and get really defensive about his character because of that. I can easily understand someone misinterpreting there dynamic as hostile and getting super defensive and start character bashing SQQ because of that.

We all love our favorite characters but it's important to keep a level of separation in mind when writing!

Extra:

I was rereading the books to make sure my brain wasn't getting things mixed up and I realized that most of the time SQH is the one doing the pestering in cannon. Yes SQQ does go on his little tirades about PIDW but with his face being so thin and SQH being so shameless it's usually SQQ at the butt of the jokes!

[swordsandarms]

i know you just tend to lurk (me too) but your fandomised rhaegar thoughts are very validating lol. ive always thought blue roses are symbolic of a child born from love, not symbolic of a woman. like lyanna has the roses cause she's jon's mother and rhaegar's love, not because they're her "thing"? never thought that was far fetched til coming online lmao.

OK, this was in my drafts for like a decade.

The roses aren't really the child or the woman, but a representation of the (tragic, but bittersweet) love itself. Though, of course, Jon as the "fruit"/"proof" of it is still at the centre of it all.

Used to hate the concept of "tragedy" and not understand how that can be compelling/satisfying. Turns out a lot of tragedy is badly done, hence the feeling of meaningless/pointlessness of it all some of them give you. Look at HOTD. The problem with the writing is that everything is made meaningless, not that your "favourite" isn't winning everything. It is the fact that it's all bitter and no sweet at the end of the day. (Not the book version, which is also a matter of how much better ASOIAF handles the "continuation" of the tragedy better than GOT).

I see Rhaelya as a representation of the concept: "The love was there. It didn't save anyone, it didn't change anything, but the love was there."

Once you get to look at it like that, it becomes very annoying when people in the fandom sound like a broken record of "what's nice about this?? EveRYoNE dIeS". Yeah, that's how tragedies work, but look at it as such and you'll see the nice, too.

It's not about how "oh, why would you think the author is trying to paint Romeo and Juliet as a romance when he liked Rosaline before, and now suddenly her overnight?"/"oh, it's all about how they are dumb teenagers messing up"/"oh, isn't Orpheus the dumbest for turning round".

Romeo and Juliet are young people finding a shiny thing in a shitty society that creates generational cycles of pain and hate for stupid reasons. The ending is satisfying not because the love is successful but because the characters - and readers are meant to - finally get that. Orpheus turns round because he loves Eurydice and if you did you would, too.

Westeros is a hellscape of ambition, heartlessness, and corruption. Everyone is stabbing everyone's back for a bit more of land, a bit more of wealth, a bit more political influence. Selling and pawning their loved ones for a corn chip. (Controversial opinion, neither Elia or Lyanna should have been in that position, but that's the reason why, "loving families" and all. Even more Controversial, Rhaegar shouldn't have been in that position also. And that's the "good" people - as Controversial as people might think that statement is for Rhaegar. But also OH, you mean selling off Cersei didn't work out well cause she was meant to be a pretty object and didn't have to be taught about armies and resources, just vanity? Or Lysa for some reason wasn't all that grateful to papa to give armies to the great alliance when they needed them, for reasons of keeping the one "trueborn child" she had sheltered, cause that's the one thing you promised her she could get if she did your bidding?) Looking away from what is fair when it is "lawful" according to the status quo (and fandom finds it easy to pinpoint it when it's someone deemed hateworthy, but will be 1000% lenient towards a Ned Stark, and will even hold characters they hate accountable when putting FAIRNESS ABOVE LAW).

And the thing about ASOIAF fandom is THEY LOVE THIS SHIT. They love to romanticise it all. But there's the paradox of it all. Romanticising comes with this idea of unrealistic wistfulness, I guess. If a character lives in "the cruel real world", the romanticised ideal is nice to think about. If they actually reach for ideals, they are fools who should get real about living in the "cruel real world".

Oop, I ventured far from the point. But I just love the whole CONCEPT of the blue rose at its roots. 💙 It literally means just that at its roots. Something wistful but unattainable.

[firestarter91]

Yeah not particularly sold on the Grantley woman either but then maybe it’s because I don’t want them shoehorning her in as an obvious love interest for Siegfried.

Regarding Mrs Hall and Siefried, in the books they didn’t get together and in the original show they had a completely different dynamic but there’s no denying their chemistry in the here and now. It feels too good to waste frankly but I can understand why they might be dragging their heels if they have decided to go there, they’ve done such a good job bringing acgas back to a fresh audience and it’s a big step.

Carmody has been a good addition, often shows can come a cropper introducing a character like this to replace a key popular one but I have to say I didn’t really miss Tristan as much as I thought I would to the point I was quite happy to have Carmody stick around. It’s sad that he’s off but it was right that he took such a great opportunity, hopefully he will come back now and again.

I’d also forgotten how much fun Tristan can be, they really did hit pay dirt with the casting on this show, the key actors have all fitted in seamlessly. It's such a tough thing to pull off and the fact they've done it with all the main cast, hat's off to them.

The feelings I had about this episode were very mixed. The Grantley woman or whatever bugged me and I do hope she isn't a recurring character. I just want Audrey and Siegfried to get together, is that too much to ask? However, I was very pleased with the scene at the end with the two of them being supportive parents to Carmody as he rung Doris. And how close they got in that hallway before walking out was absolutely lovely. I must say, I'm sad to see Carmody go. He actually grew on me quite a bit. Decent episode overall, but bloody hell, they are testing my patience...

[samirant]

[messiahzzz]

it’s been almost a year now… is the bg3 fandom finally ready to talk about how gale’s “hubris” is the sole product of actively feeding his insecurities further and straight up denying him help & guidance when he was at his lowest and needed it most. it’s not one of his core traits and never was. he isn’t some closeted power hungry monster that is just waiting to be enabled. what he wants is admiration, recognition and acceptance. which is also what he sought from mystra before the orb disaster happened. he had no desire whatsoever to become a god himself or challenge her rule, he simply wanted to be seen as sufficient in her eyes (“to serve her better”). to be as equal as he could possibly be in a relationship with a literal deity. he has a deep passion for magic and knowledge that affects almost all areas of his life and enjoys the display thereof. he wants to be the smartest person in the room and enjoys when his work is recognized. he may be perceived as arrogant when it comes to his skill, but he IS NOT hubristic. it truly takes so little for him to be wholly content.

[notbecauseofvictories]

it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.

and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.

but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?

[aster-wright-writes]

I'm going to do it anyway

Okay, so I'm going to give a review of each of the series in Dawn of X (including HOX and POX)

House of X: Six issues long. 8/10: Fantastic. It starts the new status quo with a bang. That first issue alone is incredible; the reveal with Moira is super exciting and recontextualizes a lot. It's a fantastic start to the new era.

Powers of x: Six issues long 6.5/10: It was really interesting, but paired with HOX, it kind of ruined the momentum for me. I thought it was a cool writing choice to have us see where the series begins and ends, but personally, I just enjoyed HOX more. I might enjoy it as a reread once I finish all of Krakow, but for right now, it is just good.

X-men: 11 issues long, 8/10: This is the flagship series, and it does its job well. It works as sort of an anthology, where many of the issues are self-contained but introduce some of the concepts that will be found in the era. (I.E., the summoner, orchis, the vault. and most importantly Arrako) overall a good display of characters and their relationships while also showing some idea of what to expect for the era.

New Mutants: 12 issues long, 3/10: one of my big hot takes of the list. I really did not like New Mutants that much; according to one of my friends, I would need to wait until Vita Ayala takes the wheel, but for now, I just couldn't get into it. This is likely because I don't know any of these characters apart from Magik, but even then, if this is supposed to be your introduction to the characters, you should work to make them interesting. full disclosure I ended up not finishing this series so take my opinion with a grain of salt.

X-force: 12 Issues long, 7.5/10: the mutant CIA? What could go wrong? This is a pretty good series; it uses the concepts of resurrection brought up in HOX in exciting ways and proves that just because Jonathan Hickman has introduced basically immortality, that doesn't mean he has erased the stakes. One of the reasons I love this series is how they handled Domino's trauma. They handled it incredibly well, and I respect their nuanced approach.

Fallen Angels: 6 issues long, 7/10: I only hear a little about this series, which is weird because I liked it a lot. The gritty art style was fantastic, and the story was super interesting. Seeing Kwannon's character and personality in action was fascinating, and seeing her go up against an enemy like this one was so cool. I just really wish we got more of it.

Excalibur: 12 issues long, 10/10: Genuinly fantastic. my favorite series out of the run HOLY SHIT. so I have met Tini Howard the author at 2 seperate cons and she has been so nice to me both times, so not only is she a fantastic writer but fantastic person as well. okay onto the book. it's like if X-men became a fantasy novel (even more than it already is) it takes place in otherworld (essentially Camelot. and deals with Betsy Braddock the new captain Britain ballence her loyalty to krakoa, otherworld, and Britain. it also has an absolutly stacked team with apocalypse now working with the hero's, the ever fun jubilee, and one of my favorite mutant power couples Rouge and Gambit.

Marauders: 12 issues long, 9/10: it's mutant pirates; what more could you want. My second favorite series is Dawn of X, about Kate Pryde traveling around the world with her crew and rescuing mutants from foreign governments. Not only is this one of the funniest series, but the downtime we see between the crew is also charming. It has an entertaining team, and we also get to know how the Hellfire Club is running now that it has rebranded; with the Hellfire Club comes one of my favorite mutants ever... emma frost; if frost is what you want, then a double helping of iceman and Emma should keep you fed for days. Now, it's not all fun and games; there is a specific moment in these issues that will make you super emotional, I won't spoil it, but the moment is super well done, and its ripple effects through the following matters are great to read,

Wolverine: Five issues long, 6/10: Another hot take. So, I love Wolverine. I've loved him for a while, and the fact that he is my type doesn't hurt at all. However, I also think he works best when he is on a team. and while he did have people to bounce off of in this series, I think I overall preferred it when he was on a team and working with people when it's just him it kinda feels very serious all the time. Still, he can let loose a bit when he's with others. The second story arc, with Wolverine fighting the vampires, was awesome, though.

Hellions: 4 issues long. 7/10: so this is just the beginning of the series, but I am only counting the problems in Dawn of X. First, I love the concept of villains on a team willing to get their hands dirty. Second of all, I love seeing a catty Mr. Sinister. He quickly became a standout, and I might cosplay him eventually. This also reintroduces one of my favorite lesser-known characters. Madalyn before the goblin queen. Her interactions with Alex Summers were exciting, and I loved seeing her again. Also, Psylocke having to act as the parent of a collection of homicidal killers was fun to see.

Cable: Four issues long, 5/10: It had some fascinating concepts, especially with kid cables' relationship to old cable and those who knew old cable, but overall, it was not my favorite. The Space Knights were excellent, and how they were confronted was interesting. Their use of time travel was terrific, but overall, it was just not my favorite.

X-factor: 2 issues long, 7/10: it's an X-Men mystery solvers group. Basically, if you die outside of the walls of Krakoa, X-factor will come and find your body so you can be brought back. It's fun, and the team is filled with characters you don't see often, like Eye Boy and Daken. It's good. I just can't talk about it too much with how few issues there are in Dawn of X

empyre x-men: 4 issues long. 3/10: I was curious if I should count this since it's part of a crossover event, but it's in the Dawn of X collection trades, so I might as well. So this had some exciting concepts, such as the Scarlet Witch trying to redeem herself, mutants vs mutant zombies vs plant aliens. But overall, it could have been better. I didn't read any of the connecting crossovers; I needed clarification.

X of Swords: 22 issues, 10/10: the culmination of all the storylines so far, genuinely fantastic. What starts out as an X-Men tournament arc turns into so much more. We learn more about the history of Arrako and the apocalypse's connection to it. Satyreene is stunning and a fantastic villain. Everyone getting their swords. And once the battle actually began the rounds. How different they were and how cool they were. If I have any complaints, they are: 1. I would have liked to see some of the fights described, mainly in the fashion show, but many others sounded cool. 2. I wish the battle between Storm and Death lasted longer. 3 I think that as a promo or special edition, they should have allowed you to buy your own Xmen tarot deck, But hey, if my main complaint for a 22-issue crossover is that I wish there was more content, then you know you did a pretty good job. (also, speaking of Storm, the issue where she gets her sword might be my favorite issue in the entire crossover, which is saying something because it's incredible.) also, I got Tini Howard to sign my copy of the collection, which is fantastic.

I know the krakoa era is over but would y’all like to hear my review of each series in dawn of x, I’m finally finishing it tonight and I have some thoughts.

[mercurybomber]

excerpt from "The Ozmapolitan" (Issue 5, Reilly & Lee, 1928) featuring Ozma's thoughts on becoming a girl

[basiliskfree]

I need to talk about the murderbot diaries as that has been my current hyper fixation for like the last few weeks. Spoilers for the book 5 to 7 as that's what I need to talk about.

I find it interesting that Murderbot starts having more clear signs of trauma responses in the later books as it some ways it seems tied to it feeling more "safe" ( I doubt Murderbot would ever feel true safe unless it and it's humans were in a sealed box full of cameras). More that it's more emotionally safe, like it's humans are trusted, Murderbot can have emotions (even if it hates it) without having that punished.

It's pretty common for people who where in traumatized situations to not have emotional breakdowns until they start feeling safe. And it's often a subconscious thing, the person not realize that is what's going on. From their point of view suddenly they just can't handle things as well anymore. Suddenly they are feeling things much more then before. Suddenly they have difficulty with there functionality.

So in book 7 we see the whole Redacted thing (it having want looks alot like a panic attack/ flashback) and Murderbot being both surprised and scared that that can happen, means that it likely never happened in it's time before in the corporate rim (which was 100% also a thing traumatizing enough that it could of trigger a panic attack). Murderbot is having difficulty doing it's job like before, stuff it use to find easy. It's having much stronger emotional reactions,everything something reminds it of the alien contamination, it has an emotion sometimes enough to paralyzed it. It also feels useless do to all this as it was easier before.

But the fact it can have all these emotions means it's safe enough to start to heal, and that is just neat.

(Love at the end of the book, we get a "maybe I should also go to therapy and not just "blackmail" Mensah to go )

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.