#they DO get their own storylines

[malevolencc]

"Why can't they have their own separate storylines?" "Why do you make everything about buddie?" because they're a pair next question

[qwainte]

People are so weird about Halsin and other characters, I hate fandom sometimes.

[pyrosomatic-metamorphosis]

i love it when bad is very specifically a good roleplayer by giving other people good prompts. like casually bringing up wilbur now to tallulah. or when he put missa in the petting zoo. or all those times he Tormented the Lesbians so they could protect each other from him. its just so !!!! I love watching roleplayers be considerate of other roleplayers and gleefully hand over something they Know the other person's character can react to. i've seen cellbit do it, too (that time he handed his knife to bbh. oh my god). it's not a rare thing, and it's possible to be a good roleplayer without keeping that sort of considerate back and forth in mind, but its one of my favourite things to notice. foolish does it too, sometimes- i haven't watched him much, but i did take note of when he Made Sure to bring jaiden along with him on a cucurucho quest. and basically every interaction he had with bad when the eggs were missing. its just so so good

[deepfriedpaddymayne]

printing this out and putting it into an envelope to mail it to steven knight

[skitskatdacat63]

There's something inherently romantic to me about having to hold a magazine open for your rival to sign

[mischiefbuckley]

For this season being marketed like Eddie’s season again with Ryan doing so much press heading into the beginning of season 8… like where are all my Eddie scenes ABC??? Season 8b please deliver on more Eddie scenes and more focus on Eddie’s storyline please 🙏🏻

[canichangemyblogname]

911 fans do understand that someone doesn’t need to be devout to still be Catholic, right? They don’t have to be actively practicing or a staunch practitioner to still be a believer and, crucially, culturally Catholic, something which will influence their lived reality and worldview.

Sure, Eddie Diaz has been far from the most devout Catholic and he has frequently been portrayed as the least likely member of the 118 to believe in the supernatural. But that doesn’t mean he doesn’t believe in God or honor the Saints or practice casually. Nor does it make Catholicism any less influential in his life. He might be the type of guy who’s a “Chreaster” (Christmas + Easter Christian; a.k.a. A “submarine Christian), but that doesn’t mean Catholicism is any less influential on his upbringing, lived reality, or worldview. In fact, it has deeply impacted how he views his place in the world as a man and even how he views other people’s place in the world relative to him as a man.

More on this below:

Cultural Catholicism— specifically Mexican Catholicism— is why Eddie hallucinated his former girlfriend as THEE Madonna. But not just any Virgin Mary, she looked to him like Nuestra Señora de Guadalupe del Tepeyac. The Catholic influence on his upbringing has had a large impact on how he views manhood, womanhood, and the relationship between the two. This Catholic influence, combined with the influences of the patriarchy in Mexican culture, like machismo, has led him to view women in the role of carer instead of partner. It’s why he seems to “use” his girlfriends as glorified babysitters. It’s why it seems he’s been looking for a woman to simply “take the place” as Chris’ “new mom,” instead of find someone he enjoys life with. It’s part of why he has a hard time getting it up or keeping it up when he’s in a loving and respectful relationship with a woman. It’s part of why he could only fuck around with Shannon when she wasn’t filling the role of “mother” for Chris, but once he let her back into Chris’ life, she ceased to be his wife and then became “the mother of my son” (see: the beach scene). He keeps falling into the trap of sorting women into either the Madonna archetype or the Whore archetype, yet people aren’t really talking about WHO he views as the Madonna, HOW he views the Madonna, or fucking WHY.

As @/talktonytome mentioned, it is the cultural influences in his life and the absence of his father that have taught him what “being a man” means. He was expected to assume the role of “provider” from a young age. He was forced to grow up fast, literally parentified by his paterfamilias. His own father told him that he had to assume the role of the “man of the family” as a child, and yet would continue to exert an incredible degree of influence and control over Eddie’s life course and decisions, as Eddie, Shannon, and Chris were completely financially dependent on Eddie’s parents (and dependent on them for child care). This dependency fostered an hostile and toxic dynamic. On top of this, he was literally just a kid when he got his girlfriend—who was also just a kid—pregnant. He believed that he and Shannon *had* to make it work for their kid and that they both *had* to “step-up” and “do it right” by getting married, despite literally being teens. There are reasons why babies should never feel pressured to or be forced to have a baby.

Because of his father, Eddie comes to believe that a “real man” devotes his all to his wife and kid, never abandoning them and always providing for them, unlike his own father. Which is why Eddie has spent every waking moment since moving to LA trying to make up for a life choice that he truly believes meant he abandoned his family: joining, and then reenlisting, in the army. “I ran out first. I ran out on both of them. … Instead of going back home, I reenlisted. I told myself it was to pay the bills—” “But you were running away too.” “Yeah…” It was all overwhelming because he wasn’t ready, so he sought an escape. He felt trapped by his circumstances and his family and saw only one “legitimate” route out: joining the army. He was then forced to grow up more by the force-arm of the (equally authoritarian) masculinist state: the United States Military. And this institution would continue to reinforce aspects of machismo that he’d learned through his father. Showing fear, pain, or grief makes you weak. Turn off your instinct to cry, embrace stoicism, and push through with any weapon you’ve got; it’ll award you accommodation.

This is also why he has spent every day since Shannon died punishing himself. He believes he abandoned her. He believes he failed her. He wasn’t able to devote his all to her. He couldn’t provide and he couldn’t make it work. All of this makes him a failed man in his mind. A failed husband and a failed dad and a poor excuse of a man.

Cultural Catholicism was also part of the reason for the familial and societal pressure to marry that he experienced as a teen after getting his girlfriend pregnant. It does, in fact, contribute to the social pressure to be partnered. And not *just* partnered, married. Through the church. There actually *IS* a reason Eddie’s mind immediately jumped to “marriage” when Tía Pepa set him up on a blind date. There is genuine pressure in Latiné families not just to be partnered, but to get married. Tía Pepa ambushed him with a date because it “breaks [her] heart to see [him] alone” and she’s afraid of him being alone forever. And she told him this immediately after bringing up how Alicia is getting married soon, and how Rafael, Fernando, and Liliana are all having kids. She might say “¿Que marriage? Who said anything about marriage?” (immediately after bringing up marriage, mind you) or “Let me introduce you to—” or “You need to get back out there—” now, but it will be “When are you getting married?” and “When are you having kids?” later. Being alone is stigmatized. Not getting married is stigmatized. Having a kid out of wedlock is stigmatized. And the thing is? Your parents and family don’t even have to be devout practitioners themselves to still contribute to this social pressure. Hell, you don’t have to be a devout practitioner to still believe any of it. Like Eddie hasn’t been the most devout and yet the seal of St. Christopher still holds a great deal of meaning to him.

Eddie doesn’t know who he is outside of being a provider. He’s never had the opportunity to discover himself. He went from being a kid to being a husband and father over the course of nine months. He then quickly went from a military career to being a single father in a new city, finally under his own roof at the age of about 28+. He never went on a long meandering road trip across the US and several countries in a quest to “find himself.” He never went to college where he’d experience new friend groups and ideologies. He has been under the thumb of authority or expectation since he was a teen. He’s never been alone.

So, how does he now find himself when he can no longer be what he’s long defined himself by?

[buckevantommy]

...what do i want from season 8?

tommy. more outfits for buck and hen and tommy. buck in the sunshine. more tommy. beach day. more soft pda from all the couples and friends. multiple scenes of tommy in an ep. crazy bee shenanigans. eddie's moustache. bobby VS gerrard. eddie in therapy. harbor station. tommy backstory. happiness for henren fam. death to gerrard. eddie's sisters. tommy emotional range. bathena new home. bucktommy. tommy and eddie. tommy's friends. tommy and hen. tommy and karen. tommy and bobby. tommy and maddie. tommy and jee. chim and tommy. buck's curls staying. tommy's curls being freed. buck's bisexuality as an independant element. goodbye to the loft. tommy's house. more bi-coding for buck in the set design and soundtrack. buck interacting with more queer people. bamf athena. comfort for any hurt. did i mention tommy?

[ruvviks]

Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[kaidanalenkosprmanager]

Sophie Shepard & Dominik Shepard (ME2)

Ft. Cmdr. Kaidan Alenko & Zaeed Massani MIRA'S MORE CANON ME2 "We both did the best we could do underneath the same moon- in different galaxies..." AKA: The aftermath of Lair of the Shadow Broker. Recruiting the Not-Dossier: Apollo. Mass Effect 2: Legendary Edition (2021) + Bonus :)

[to-be-a-dreamer]

A brain dump of thoughts after Agatha All Along ep 6:

Okay but like. The parallels between Agatha and Billy that we get to see now????

Both of their mothers chose to protect other people, complete strangers, over their own children??? Like. We know Wanda made the right choice, sacrificing her family for the greater good, but in her own twisted way did Evanora believe she was doing the same? Did she ever love her daughter? On some deep level, beneath the anger and hatred and warped sense of justice did it hurt her to try to kill her own child? She believed Agatha would bring countless death and destruction, that she was destined to be evil. As warped as her justifications were did she see it as a selfless sacrifice like Wanda's? Does that make it right? Does Billy have as much reason as Agatha to be angry with his mother for choosing to let him and his brother die? Do her truly selfless intentions matter to a child was just desperate to survive? Will he be able to forgive Wanda before that resentment is used against him? Is Agatha just trying to manipulate him by taunting him about Wanda or does she truly see a bit of herself in a child whose mother tried to kill him? (Edited)

Both of them were forced to do something horrible just to survive??? Agatha had to murder her own family. Billy had to steal the body of a boy who had just died. He had to pretend to be the child of these poor unsuspecting parents who just want their son back. Who have no idea their child is dead. The Kaplans will never get to bury William. He has to look them in the eye every single day knowing he's not really their son but what else was he supposed to do? He hates what he's doing to these people but what choice did he have? Could he even control it or did his soul instinctively seek out a new vessel to protect itself? Agatha was just a child who didn't want to die. Billy was just a child who didn't want to die. Were they selfish? Could they control it? Can we truly blame them if they could?

Both of them do terrible things when they feel backed into a corner or overwhelmed or emotional??? Things that they come to regret as soon as the emotions clear??? Billy looked horrified when he finally realized what he had done to Lilia and Jen but he's an intensely powerful and traumatized child who was overcome with grief and anger. Do we really think every single one of Agatha's kills was 100% self-defense? Do we really think she never killed someone in a fit of anger only to regret it after? And maybe Agatha has come to accept and embrace that now but she must have been like Billy when she was young. (Billy is literally the same age Agatha was when she killed her coven and was even younger when he took William's body) She must have been horrified at her power, at the things she did when she felt trapped. She must have bent over backward trying to defend herself and justify her own actions before realizing no one would believe she didn't want to do those things so she might as well embrace her power to its fullest potential ("I'm not that nice").

Both of them are walking the road for someone they lost??? I know Agatha says she's on the road for her power back but that's not how the road works, right? It doesn't give you what you want it gives you what you're missing. I think if Agatha was really able to get anything at all in the world, it wouldn't be her magic. Agatha is looking for Nicky. Billy is looking for Tommy. I don't know if either of them will really get that at the end but they are absolutely in this for the same reason.

I know there are mixed responses to this episode (at least when I first scrolled through the tag) but I for one really enjoyed it. I was really worried they were going to half-ass the explanation for why Billy was being Like This and fuck up one of the only queer Marvel Comics characters but comparing his actions to Agatha's and showing us this kid who is SO MUCH like how Agatha must have been when she was his age is so much fun actually. Like, it would have been really great but pacing-wise we probably couldn't have spent the necessary time going back into Agatha's past and diving deep into her progression from "scared child who does horrible things out of desperation for survival" to "cutthroat witch who is more than eager to hurt and betray others for her own personal gain". But we get to see it happen to Billy over the rest of the season and maybe even multiple MCU projects!!! Or maybe we'll get to see him make different choices. Maybe Agatha will be able to give him the chance no one gave her. Maybe history doesn't have to repeat itself. Maybe Billy's journey will give Agatha the chance to change her own story once and for all.

Idk this is really rambly and maybe my opinion will change as I think about it more but my first reactions are positive. Yeah on a meta level it sucks that the wlw couple is moving so slowly in their own show while the young, conventionally attractive mlm couple got to kiss within their first few minutes of screentime and they probably could have put in the effort to intentionally combat the miserable lesbians trope. But on a story level, I'm personally glad they're not rushing Agatha and Rio's arc. They're definitely going to get their moment but the reason they're so compelling is because of their history and the tragedy between them. We don't have all the details of what really happened between them yet but I don't think it's something you can just kiss and make up about. Billy and Eddie are teenagers with no real baggage between them. Agatha and Rio have possibly centuries of hurt and anger and betrayal to work through Let Them Cook! It'll be that much sweeter and their relationship is one of the CORE overarching plots of the show you don't want them to rush it. (Also I personally am too ace for the "we're gonna make up by having hot sex about it" type of conflict resolution and would have hated if Agatha and Rio were intimate before sorting at least some of their shit out but that's just me ik a lot of people would have enjoyed it and I'm sure it could have been really compelling but I actually cannot stand those kinds of plots most of the time.)

Also just keep in mind that the only other named queer characters we've had in the MCU literally ever are Phastos and Ben in the Eternals and like. Yeah it shouldn't have taken this long for a queer lead but the massive jump??? We went from one character (out of like ten mains) whose partner has minimal personality traits and like five minutes of screen time to a show with two main character on-screen queer romances!!!! In the Marvel Cinematic Universe??? And one of them is a season-long complex and interesting story that is a central plot of the series and not just half-baked fanservice!!! And one is just sweet innocent love between kids who care about each other!!! I do wish wlw stories didn't always have to come with attractive cis gay men but do y'all understand how huge this is for the MCU????? It shouldn't have taken this long and we can definitely criticize the negative tropes the show falls victim to but net positive progress is always something to be happy about. If you're not familiar with the greater MCU and the history of Marvel in general just understand that this is actually insane for them and I'm so excited for the doors that just opened for future queer storylines, but that can only happen if we show Marvel that, yes we do want queer characters being openly intimate on screen. Be happy for Billy, keep being happy for Agatha and Rio during all stages of their story and maybe we'll get to see more of this!!!

[thetimelordbatgirl]

How it feels to see one of the alleged leaks is ANOTHER Doctor Lite episode in S15 that focuses on Ruby working with UNIT:

[sonknuxadow]

"the sonic franchise has never had a misogyny problem" <- person whos never played a sonic game in their life

[epiphainie]

.

[canisalbus]

in light of that last ask, would you ever consider drawing Machete enjoying a little treat? Maybe licking cream off his snoot after devouring a sweet, or laughing at something unexpectedly silly, or being caught up in the beauty of something and showing some wonder...? Glimpse of happy Machete

(which, as an angst writer, is also a large part of how to make the bad stuff hit. Rip that happiness away, make a smile too ephemeral, etc. Joy as the most fragile of things, that can't be pursued and comes on its own terms...)

I love how you put it, "joy is the most fragile of things and comes on it's own terms".

I do, in fact, have a bunch of happy/content/uncharacteristically genuine Machete pieces underway. If I can keep up this surge of motivation I've been having during the past five weeks or so, you should see them soon.

[runninglikeabuckley]

i was in the middle of making a post about my predictions for the finale when i realised my buddie stuff could take up a whole other post so here ya go:

this is a bit of an out there theory and i don't necessarily think it will happen, but it's something i'd do if i were the writers. eddie makes a move on buck. i don't mean 'yay buddie goes canon in the last 10 mins of s7', i mean 'eddie fucks up so monumentally they don't know if they can come back from it.' i think he'll try to kiss buck and buck will push him away.

eddie's confused and lonely and heartbroken (not to mention desperate) and he turns to the one person who has unfalteringly been by his side the whole time, the guy who likes to fix things. it's not that he doesn't have genuine feelings for buck, because he really does, but he's not thinking about it AT ALL. he just wants buck (to his core) and is maybe letting himself feel that for the first time.

but it's like a slap in the face to buck. buck, who's in a happy, stable relationship for the first time in years. buck, who eddie told his bisexuality wouldn't change anything between them. buck, who's been used for his body for his entire life. he would be absolutely crushed if eddie did this. and he's matured to the point that i think he might not let it slide. he wouldn't cut eddie out of his life, but i think he'd need space and for once he might respect his own needs over his wants. especially since i don't think he's considered his feelings for eddie and definitely doesn't think eddie's acting out of love/desire

so we get to the end of s7/start of s8 and eddie has fucked up his relationships beyond belief. chris, marisol, even his parents and shannon's memory. buck is still there, because he's always there but things are different. and i think that it could be a great set up to explore who eddie really is and what he wants, especially if/when the 118 get split up. as ryan keeps saying, he'll be isolated. neither buck or eddie will tell the others what happened between them, but that doesn't mean that eddie won't finally look into his sexuality by and for himself.

when i say i want a divorce era 2.0, i don't mean screaming at each other in a grocery store bc to a certain extent that was almost funny - they were coworkers of less than 2 years and it was wildly overdramatic. now they're partners and best friends and co-parents and they've suffered blow after blow, and their kid's gone and eddie betrayed buck and they don't know how to be anymore but they love each other too much to let go