#these two characters are genuinely blorbos of all time

[livingasaghost]

last night i read the scene in tgcf vol 4 where hua cheng tells a group of people that he's married and his wife is noble and gracious and beautiful and he had a crush on them for years bc he knew them when he was young and he wooed them over a period of time and after he said all this xie lian immediately gets Jealous™️ and goes IS THAT TRUE??? (*crossing fingers behind his back* pleasepleaseplease don't be true) and hua cheng is like nah i lied.....(xie lian cheers)......i just haven't wooed them yet. and xie lian just sits there like ... ??? !!! ?!? *cannot compute* and the poor man has no idea that HE'S THE WIFE

[ohsunshine]

tonight i'm thinking about hosea hmm i tabbed out and tabbed back in so i've lost my train of thought... i had a whole big post about hosea being pragmatic and knowing he's not going to make it out of this (rd.r2) alive but for all the wrong reasons.

[lucalicatteart]

Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0

(additional pictures/info under the readmore)

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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...

Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.

The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.

I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.

The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol

Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.

Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.

Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .

Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).

The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).

Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.

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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.

Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol

[saint-hymn]

HYMN!!!!!! SHARE MORE WIPS AND MY LIFE IS YOURSSSSSSS!!!!!!!!! /j no but fr i love it so much when artists share the steps of their creations it's so interesting and cool. i really really enjoy seeing the process!!! :D (so yes if you want to post more wips i'd say go for it!!!!) (i'll be in the tags screaming. very loudly.) (like always.)

alright uh. uh. what did zeus actually do in the original god of war. uh. dies idk thank you!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! and i see your comments in the tags all of the time (i'm the most jobless full time office worker of all times and i scroll through my notes) thank you so much for being so hyped and chatty! i really appreciate it

[chompe-diem]

just started eldermourne and aaaaaaahh i love it sm honestly i love the vibe it has it mustve been a bit tough for the crew to try and get away from c1 at the time but truly it quickly established itself to have its own energy, which i adore

[bengiyo]

Random QL Superlatives: 2024 Edition

It seems @lurkingshan has begun the end of year listicle game. Time to shout out our faves.

Presented (mostly) in the order I watched them.

Favorite Blorbo of the Year: Dynamite in Cooking Crush

I love when a show reveals that someone who has been upbeat or strong is actually carrying a ton of pain. Learning about how Dynamite suffered so much because of his family touched me to my core, and forever solidified the friendship he has with Samsee and Prem.

Favorite Use of Visual Comedy: I Became the Main Role of a BL Drama

This show really had everything, and more than anything it had some of the best visual gags of the year. There is so much humor in the framing of scenes in this show. It was a genuine delight, and I'm so happy I'll get to see Aoyanagi Hajime again next year.

Favorite Facial Hair: Gu Jing in VIP Only

This show ended up rather flat, but damn do I think about this man's face sometimes.

Favorite Disappointment: Last Twilight

This show really could have been great if it didn't fuck up so badly.

Favorite Existential Crisis: Love For Love's Sake

The way this show telegraphed that it would be heavy, and then still managed to gut the audience, is one of the most impressive things I got to witness this year. I love that this show left people with so many different interpretations that don't contradict each other.

Favorite Use of Omegaverse: Tadaima, Okaeri

Yes, there were two BL omegaverse shows this year. No, I did not enjoy the other one. I was instead overinvested in the success of my gay dads and their kids every week. HIKARU IS OUR HERO!

Favorite Use of Food: She Loves to Cook, and She Loves to Eat 2

I love this show with my whole being. If the Japanese don't figure out a way to get this cast to crossover with What Did You Eat Yesterday? honestly what is even the point of putting queer people on TV?

Favorite Reunion Romance: Perfect Propose

I really loved that this show was about two childhood friends both at the end of their ropes. I also loved the way this show used a questionable sexual encounter to jumpstart the dynamic. I'm so glad Hirokuni quit that nasty job, because this was so difficult to watch after having left a very difficult workplace.

Favorite Cast Dynamics: Ossan's Love Returns

"We are family!" In their 3rd or 4th outing, depending on how you want to look at it, I continue to be obsessed with Haruta, Kurosawa, Maki, and their extended network. I loved seeing Haruta and Maki working on their relationship, and I loved seeing them all grapple with the changes in their lives. I hope I never have to fight my in-laws in my kitchen.

Favorite Version of Tay Tawan: Cherry Magic Thailand

Tay Tawan was at his most charming as Karan. I'm so glad that Tay and New are able to work together again.

Favorite Version of Cherry Magic: The Cherry Magic Anime

Despite my opinion that Cherry Magic TH is the best version of Cherry Magic, I still think the anime is my favorite. The characters have an ugliness to them in this version that I really love.

Favorite Use of Yukata: Love is Better the Second Time Around

Despite my qualms with the final arc of this show, I still think about the way this show handled its second chance romance and especially the way it handled sex. Also, this show has a great visual gag in a woman who doesn't deserve this physically restraining a man from proposing to her.

Favorite Performances: The Cast of Unknown

I really think this is my favorite cast of the year. I really loved the way they all played together, and loved the handling of growing up in this show.

Favorite Use of a Mirror: Memory in the Letter

To be clear, I do not recommend this show. However, I was very impressed with all of the acting and technical work around the mirror in this show.

Favorite Show About Actors: At 25:00 in Akasaka

I really loved the way Niihara and Komagine played actors in this show. It's rare that a character withholding the truth of their feelings works out this well. This is one of the best things I watched this year.

Favorite Boy: Igarashi Daichi from Ossan no Pants ga Nandatte Ii Janai ka!

Not BL, but I love Daichi so much that he gets a shout out here. I love that he wasn't a manic pixie dream gay, that he was allowed to be angry, and that he was allowed to be imperfect. Daichi is now forever a part of my soul.

Favorite Rambutan Enjoyer: Venice in Marahuyo Project

Venice is so funny to me. I love that she's not the brightest one in the group, but she understands everything important. She protects Archie because she understands how hurt and scared he is. She accepts everyone who joins their group unquestioningly. She is eating in almost every scene. She is perfect.

Favorite Flirt: Vee in San's Dreams in Century of Love

I think we should let Offroad flirt with Daou more in future shows.

Favorite Narrative: Knock Knock, Boys!

This is favorite show from Thailand this year. I loved the use of every story in this show. The kindness pouring out of this show was really something special. I loved that this show never made fun of Almond for being a version, let Latte have positive relationships with his exes, let Thanwa dress like a normie, and treated Peak's closeted storyline with immense respect. I look forward to showing it to many more people.

Favorite Back: Mahasamut in Love Sea

I loved the way Fort played this man, and I love that we got another BL romantic lead that doesn't look dehydrated. More romantic leads should get to deck abusive fathers in BL.

Favorite Collector of Marbles: Takara in Takara no Vidro

A rare version of the Knowing blessed us this year in Takara. He was overwhelmed by Taishin's naivete, and I really loved seeing a character who absolutely knew who he was. I loved watching a character manage obsessive tendencies, and I loved how he spent much of the show holding back because he was afraid of himself. What a blessing these two were.

Favorite Use of a Workplace: The Trainee

I really loved that GMMTV used one of their best production houses to tell a story about interns in a production house. It was genuinely refreshing to see a workplace show from Thailand where everyone involved understood the work they were portraying. This was a really solid ensemble piece.

Favorite Homo: Shion in Twilight Out of Focus

I love this pink-haired boy. He was loud and competent. He was clear in what he wanted. He said plainly that he wanted a boyfriend, and HE WON. For everyone who got called slurs in their youth, Shion is for you.

Favorite Second Chance: Let Free the Curse of Taekwondo

Hwang Da Seul was determined to get it right this time, and boy did she! This show did a wonderful job establishing the teen romance, justifying its separation, and earning its reunion. Best BL of the year.

Favorite Adaptation: Love in the Big City

Also not BL technically, but there's no way we make a list of shows form this year without acknowledging Nam Yoon Su's incredible performance as Go Yeong and the efforts of literally everyone involved in this show. If there's one show you need to watch this year, it's this one.

Favorite Angry Outburst: Qi Lu in Blue Canvas of Youthful Days

I loved the way Qi Lu got mad about Qian Xiao holding back with him. It's the most I've enjoyed a character being wrong this year. It was the exact right response for a character like him. He knew who he was, what he was feeling, and that Qian Xiao was feeling it, too.

Favorite Cross-Cultural Exchange: Love in the Air: Koi no Yokon

We've had more than a few Thai adaptations of Japanese works. This is the first time MAME work crossed over to Japan, and it's been so cool seeing how much the Japanese team really loves Love in the Air. I feel no competition between the two adaptations of this novel, because it's clear that the Japanese show is a huge fan of the Thai show. It makes so many loving homages to the source work that it's clear this is a passion project for many people involved. It's so cool that we're now seeing Japan adapt Thai works, and I'm so excited to see where this takes us next.

Well, this was fun! Tag me with your list if you make one!

[anthurak]

After rewatching Mastermind, I feel like the episode actually draws a very interesting distinction between Blitzo’s and Stolas’s respective big ‘Heroic Sacrifice’ moments. Namely in whether they are genuinely necessary sacrifices or a wasteful moment of a character pointlessly throwing their life away.

You see, when Blitzo does his big ‘throwing himself on the sword’ moment where he takes all the blame on himself in order to get Moxxie, Millie and Loona spared, it’s a genuinely heroic, necessary act.

In this moment, Blitzo truly did have NO other options. They were ALL being threatened with death, so Blitzo leveraged the one tiny bit of power he held and took all the responsibility onto himself.

This is very much not a case of Blitzo ‘throwing his life away’. Right then, he was going to die no matter what. But through his sacrifice, Blitzo made sure that the people he loved would live.

Now let’s contrast this with what STOLAS did. He does do essentially the same thing Blitzo just did to save him just as Blitzo saved his loved ones.

But in context, Stolas’s big moment of sacrifice is a complete WASTE. Because while Blitzo truly had zero other options, Stolas DID.

I mean think about it; Stolas is a Goetia. He has POWER, he has influence. The ABILITY, at least potentially, to save Blitzo.

But did he attempt to use any of that? When he appeared in that courtroom, did Stolas try to argue Blitzo’s innocence? Try to push back against his brother-in-law’s scheming? Try literally anything OTHER than big dramatic self-sacrifice?

No. Literally the first thing Stolas did was go straight to throwing everything away, INCLUDING HIS LIFE to save Blitzo. Admitting to whatever made-up bullshit Andrealphus used to frame Blitzo and co. in the first place and just throwing himself on the sword right off the bat.

And that’s not a good thing!

Blitzo was ready to sacrifice his life after it became clear that there was no other way to save his loved ones.

Stolas was ready to sacrifice his life because it seems to have been the first thing he could think of.

Do I really need to spell out how this is a VERY BAD THING for Stolas?

Especially given that one of those things he immediately decided to throw away without a second thought to save Blitzo happens to be HIS DAUGHTER.

I mean, you want a character contrast?

One of the last things Blitzo says is to ask his two best friends to take care of his daughter.

While I think it's pretty goddamn clear Stolas wasn't even THINKING about his daughter.

And before anyone pipes in with any trite about how their precious-little-blorbo-who-can-do-no-wrong ‘didn’t have time to think of anything else’ and ‘was just trying to protect the man he loved’,

Again; LITERALLY THE FIRST AND ONLY THING HE COULD THINK OF WAS THROWING HIS LIFE (and daughter) AWAY TO SAVE BLITZO. How the FUCK is that supposed to be ‘good’ or ‘excusable’?

And despite the ‘wholesome Stolitz domesticity’ ending note, Stolas’s reaction makes it pretty clear he is currently processing just how MASSIVELY and UTTERLY he just FUCKED UP. Particularly the whole ‘Oh shit I just threw away my daughter…’ reaction to Blitzo and Loona embracing.

Overall I think this is very much a deliberate contrast meant to highlight these characters’ growth, or lack thereof, as well as showing how they deal with a moment of true crisis.

For Blitzo, this is very much a make-or-break, back-against-the-wall moment where he demonstrates how much he truly loves his new family with a truly heroic act of self-sacrifice. Blitzo knew he was going to die no matter what, but he made sure that his loved ones would be saved.

Which of course is meant to sharply contrast how STOLAS handles the situation.

Blitzo’s moment of self-sacrifice demonstrated how much he loves and cares for his new family, to the point where he will lay down his own life to keep them safe. Whereas Stolas’s moment of self-sacrifice demonstrated how little he cares for HIMSELF, or anything other than Blitzo. To the point where his first response was to throw away everything, including his LIFE, and his DAUGHTER, to keep Blitzo safe.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[velvetvexations]

I’m. So baffled by that one dude saying that trans men being able to pretend to be women is a privilege, because in his tags he says that it’s a thing specific to transmascs. Does he mean pretending to be cis as a means of safety is a transmasc specific thing?? Because uh, I’m… pretty sure that’s something that can be done regardless of a trans person’s gender? There are transfems and nonbinary people who can also pretend to be cis [whatever their agab was], too?

Its also not a privilege. Having to hide what you are out of fear isn’t a fucking privilege lmao

strangely people understand that when it's about trans women

just saw a post on my dash saying "'infighting' is a dogwhistle which frames transfems as aggressors". i really hope the tide is turning like you said, bc this shit is getting exhausting and im still seeing it from random people i follow who otherwise gave no indication that they drank the koolaid.

they make me out to be the aggressor all the time!

Nazi imagery anon here

These are the pics I was referring to.

As you can see it’s posted on the verified border security account and you can see two different nazi symbols on him :(

yeah it looks like standards for what they allow soldiers to adorn themselves with are low and the person taking and posting the pics aren't paying good enough attention because that guy also straight up has a naked anime bitch on his knife sheath

as I said this is an individual thing and they need to start knocking their heads together like the Three Stooges and sending them into trenches first

You know who saying that th**fab is actually a storied term that trans fems have been using to identify transmisogonists is fucking insane like girl that's such obvious lie give us nothing

they aren't even trying

It’s crazy how almost every other day on this site I see a new post with like 50k notes talking about how absolutely NOBODY deserves to be harassed, sent death threats or be put on blast yet once again I’m seeing people trying to justify the harassment of another transmasc teenager. Honestly people should just start openly admitting Tumblr is becoming increasingly hostile towards trans masculine individuals, I don’t see clownery on this level on any other platform-

Tumblr...is really bad.

I think the reason why this whole headcanons discourse bothers me so much is that is really is just fuelled by petty spite. Like all these characters are cisgender in canon. We make headcanons because it’s FUN to expand on characters in ways that reflect our different life experiences in whatever form that may take. Intentionally going after transmascs, especially young transmascs, for doing this with characters like they like and accusing them of all these different things genuinely does just feel like bigotry. Who cares if a head canon may not make the most amount of sense? It’s a cisgender fictional character we’re playing around with! Why does it have to be some grand act of activism to say blorbo number 3 is transmasc? We have much bigger fish to fry here.

exactly it's such dedication to not letting anyone else have anything

So sick of people acting like trans men are the same as cis men under the patriarchy and moreso im really sick of the "you're privileged to not be surrounded by men". Like, for lack of better phrasing, saying that about a group of people that is generally perceived as "failure women" pre transition (and sometimes during and post) is a little tone deaf. All about acknowledging how women and people perceived as women are harmed by misogyny until the ones perceived are men. Gender essentialism is ugly and tasteless and nonsensical. Please feel free to delete this im just rambling without a point

rambling is okay anon <3

„wow ur so privileged to not fear men”

i fear the fucking everyone asshole, i just realized that isnt everyone elses fault so i should still treat them with respect !!!!!

that woman called me a "self-hating doll" and I hate the second part a lot more than the first

[olderthannetfic]

oh MAN, im genuinely at the edge of a mental breakdown whenever the femslash numbers discourse resurfaces, like at this point it just elevates my blood pressure, i dig my nails into my thigh, and i go to one of my trusty fandom friends to complain about other people's complaints. i ship pretty much across the board without preference for gender combo, altho by virtue of my favourite character archetype niches being occupied by men, i end up with comparatively mostly m/m and m/f with only the occasional f/f. almost all of these end up being rarepairs with at least one supporting or minor character that are eclipsed by whatever juggernaut ship the fandom prefers but never compels me. im used to looking into a ship tag and come up with less than 100 works, most of the times it's less than 50. does this annoy me on the odd occasion, be it because i think X/Y is so much more cooler than uh, A/B that the fandom is obsessed with? sure, but i see no reason to rain on people's parade - i just mute tags and mentions and seethe in silence or private DMs. i write for my unpopular rarepairs, i reblog stuff posted in tags and cheer in my own tags, i chat with people who are also into it, and get overjoyed whenever there's a new fic in the AO3 tag (or elsewhere) that I can read. to me, the femslash situation feels very similar - you like the ship between two blorbos, there's enough fan made stuff for them to fit in the shell of a hazelnut, and 80% of the fandom will swoon over the two people who you personally couldn't give two fucks about even if someone paid you. and shoutout to the people who DO make the fan stuff, the art, the fic, the meta, the discord servers, who request and put up prompts in fic exchanges to inspire others... but by god, if the whiners aren't the ones who dominate the conversation, which i wouldn't mind as much if they'd do ANYTHING besides whine. no, they will scream and shout about how the "yaoi empire" needs to be taken down (how about you just move to FFN? Wattpad?), but then it's either obnoxious nitpicky fucks who haven't posted a single fic in their entire miserable life, or it's m/m shippers who are Not Like The Other Fujoshis and got, uh, i dont fuckin know, 30 works for hockey RPF and 10 for two guys from The Terror who canonically interacted like two times under their belt while they mostly blog about the guys from Interview with the Vampire. they want God, everyone's mother and all the slash shippers on Hedy Lamarr's world wide web to prioritise femslash but don't practise as they fucking preach, tear the work of the people who DO indulgently write about gay women, and think they're oppressed because no one will write exactly what they want. the code for AO3 is for free - unionise along with your fellow femslash enthusiasts, beat the drums really loud, open those google docs, and get some shit started! granted, you're unpleasant cunts and will probably go "actually, no boys allowed in here! get your boy cooties away from this forever!!!! if you like men fucking, go back to ao3!" which will inevitably drive people who like f/f as well as m/m away, so you might be doomed to fail but in the words of that adorable little kitten poster: hang in there!

--

[noraigo]

some days ago, i started watching we are the series, since a friend of mine tried to convince me for a long time to tune in. we are isn’t exactly the type of series i would watch. not disregarding its charm, i must admit it’s even endearing, i’m just more keen on the angsty, adult queer love. however, there’s a certain couple that’s been running nonstop in my mind ever since i started the series and, of course, it’s no other than tan and fang.

tan is certainly unique as a whole, because if anything — i think it’s the first time i see such a loud but not annoying character, and that’s hard to portray. his excitement seems genuine all the time and i feel his happiness is shared through the screen. that doesn’t brush off his emotional intelligence and i think people underestimate this trait of his: just because he seems silly and party-loving doesn’t mean that he is insensible. he can be serious if it’s needed and he cares for the people around him. it’s safe to say that cheerful characters are often overlooked because of it and, as viewers, we shouldn’t take it for granted.

fang, on the other side, is the total opposite of him, yet it doesn’t make him less interesting. his background is implied to be unstable, which made both phum and fang be more closed off emotionally speaking. even so, fang is trying his best to be on the same page as tan, though tan adores him when he’s serene and quiet. most of the time, characters like fang are misunderstood and it’s a little saddening. he is kind and tough, but it’s not hard to love him. something tan understood from the very beginning.

their dynamics keep me pushing watching the series. now that fang has been softening more and more, their scenes became even lovelier to watch, if that was ever possible; their kisses, clear eyes of infatuation, playful banters and words of love show it. i’m not a fan of sex scenes, they underwhelm me a little (might be the acespec in me), but tanfang’s was just perfect. not too much, not too little. just enough to show that these two desire each other. possibly, it could be not their first time as a couple, which is refreshing and new in thai queer shows as far as i've seen. (aouboom definitely enjoyed kissing and touching each other a little too much but, didn't the same happen with hidden agenda? just saying.)

people like them could be too much for others, but for each other, they are an absolute match. fang knows tan loves him unconditionally and so does tan. tan tries to push him for the better without overstepping his boundaries whilst fang apologizes if his behavior might be irrational when he’s angry and accidentally lashes out on tan. that’s actual respect and patience in a relationship. none of them are trying to change the other to fit their own personality, they have already changed once they realized they were into each other back then when they were problematic teens. ain’t that sweet?

just look at these sweet two blorbos, just in their own world, happy and in love.

on another note, though, i’ve gotten to know aouboom since viceversa era and i could already smell the cute chemistry between both, yet it’s very sad to know they suffer from secondary couple syndrome. how many series have they starred in as a second or even third couple? very unfair, gmmtv, you better give them a nice series, regardless of its length. as long as they don’t keep acting in college settings, i would give my entire scholarship for a coffee shop or any other ordinary plot. they are just THAT good and i will never get tired of their chemistry. they have a kind of spark i see very rarely and if gmm doesn’t give them a shot, they’re losing a potential gem.

please, give us more tanfang content and especially, an aouboom series. thank you very much.

[skibasyndrome]

why are your kinktober stories all bottom Simon heavy? I trusted we would see more bottom Wille from you /gen

Anon, up front, genuinely sorry if you meant well and are now about to get the brunt of my frustration that I've built up for over a decade of existing in fandoms and fanfic spaces surrounding queer men and their sex.

Ooookay, I try not to engage in this discourse normally because frankly? It's kinda draining, because the way queer men's sex lifes are picked apart in lots of online spaces is not okay and, frankly, hurtful. But, okay:

I have posted 10 of 31 stories

I intentionally don't tag any of my smut as top!/bottom! anything (tho I don't mind other writers doing it - go off) cause frankly? I don't believe that's something that should matter. It doesn't to me when I think of wilmon. Preferences are fine, cool, awesome, both irl and in reading, there are couples who like to do things one way only and there are couples who mix things up and there's lots of stuff in between. People love to bottom! People love to top! People love any- and everything in between and that is great for them. All of that is fun and cool and absolutely awesome if everyone involved is on board. I simply don't have any one way I headcanon wilmon, I literally just go with whatever the vibe is. That also means I don't believe in having to strike a 50/50 balance or whatever. Also because

sex between men (and, since in one of the stories Wille is a trans woman, between all people, for that matter) is about more than anal and/or penetration. I love to read and write about Wille bottoming, love to write and read about Simon bottoming. But that's noooooot all there is. One thing I do try to do with my smut is write about some of the other ways sex can look. Which includes (mutual) masturbation, hand jobs, blow jobs, intercrural, frottage, a myriad of other acts. All of these are fullfilling ways of having sex, all of these don't follow top/bottom "logic" or whatever you'd like to call it. So what do we do about that?

I know some people - not saying you do, this, anon - like to conflate topping and bottoming with power dynamics, be it sub/dom type of stuff, or just... some vague idea of who is superior or whatever. And that very much CAN be the case, I'd argue Wille bottoming in my vampire fic or even Wille during the wax play in the one fic and the intercrural afterwards is definitely bordering sub-y territory. But you know? That also very much doesn't have to be the case. In the fic that includes 69 it's Simon "calling the shots" or whatever you'd like to call it, despite being the one that's being penetrated. I have fics planned out where the opposite is the case, I have plenty of fics where bottoming doesn't have anything to do about being sub or being dom or anything like that. I think there's this idea going around that somehow, (gay) sex acts are linked to power and power exchange and that there needs to be some equilibrium or... justice??? And. No. That's not how consensual sex, be it in relationships or hookups, works in my mind. In consensual sex, there is no disadvantage in bottoming or no need for any of the partners to bottom to fix some sort of hierarchy. Because there is none. Not in the consensual sex of two (or more) partners that want to have sex to have a good time or feel close or relax or any of the other reasons people have sex.

Fair question to ask, just know that I don't write bottom anything for the sake of making a point, I just write whatever feels like the characters would enjoy it in that particular moment in time, whatever suits the POV I wanna go with. I don't keep a tally of times penetrative sex has been part of a story and who did what. If that's a no-go for you, that's fine and I won't hold it against you. I have a bunch more stories coming up with all kinds of dynamics, all kinds of sex acts, all kinds of differently written versions of our two blorbos.

hope this was concise enough and I recognize that I've definitely put all kinds of other, adjacent, points into this, but this gay man right here is kind of fucking sick and tired of seeing stuff assigned to gay sex acts that are just. sex between consenting partners

[ughsecondblogsdontwork]

ok. I've sat with the final season a bit and need to rewatch it, and I have a lot of complaints *and* a lot of things I liked about it, and I think in the end the complaints are more structural and they drag down my enjoyment of the likes. RE: nandermo though, there just seems to be this overall sentiment from both the creators and people in the fandom that somehow their being shown as more directly romantically involved/headed that direction would "ruin" the show or something, or it would be just "not right". And I'm just like, eh really? Are we sure? I just can't wrap my head around how it would "ruin" the show. With the way this season went, it would have needed to span the course of an entire season to get there, but it absolutely wouldn't have ruined anything. It could have been easily executed in a way that 1. didn't disrupt the comedy and 2. wasn't OOC for anyone, right? There are even a lot of ways they could have made it funny without being mean spirited. The sentiment is weird, especially for this like "queer show" where it's such a Big Deal that it's a "queer show"- I think perhaps a visibly queer couple in the main cast wouldn't...hurt lol. (Yes laszlo and nadja are queer yes i'm bisexual no i'm not discounting them you know what I'm saying when I say visibly queer). Time and time again throughout television history, people watching a show (justifiably) give the show a queer reading among other readings, and a large response is always "no these two blorbo bros love each other very deeply in a way that transcends time and space and all... but a kiss would be cheap and gross". Or something along those lines, ykwim? And now they're doing that with objectively queer characters too lol...saying "it would ruin it/be unpure/etc" is not a believable excuse for two characters not being together in an explicit way. And because that seems to be the motivation for the treatment of nandermo from interviews I've seen, it feels uncomfortable and insincere that it all ended up this way. Oh, and a lot of that "their bond is deeper" shit does not come from a place of genuine reflection of the problematic nature of the depiction of romance on film and in fiction broadly. Seeing as this is a show about murderous perverted vampires who only protect their own, I don't think it would kill the show to have toxic romance in it either lmao like come on

Another response I see to people unsatisfied with nandermo's presentation/conclusion is "this isn't a romance show, relationships aren't the core of the show, it's a comedy, it's about bad vampires, etc etc" and I'm like yeah...you're right...so why would more-romantically-presented-nandermo ruin any of that? Like explain in detail how the presence of nandermo or the presence of romance contradicts comedy or vampirism etc? Well you can't lol

[insert-random-account-name]

Crappy Character Analysis, part 8

As I'm posting this, I've realized that I was really hard on Opportunist. So if he's your blorbo, I apologize. Thank you all for reading these, and be sure to check out the links for your favorite voice!

part 1 (Broken) part 2 (Skeptic) part 3 (Cold)

part 4 (Paranoid) part 5 (Stubborn) part 6 (Contrarian)

part 7 (Smitten) part 8 (You are here) part 9 (Cheated)

part 10 (Hunted) part 11 (Hero)

VOICE OF THE OPPORTUNIST

Of all of the voices in Slay the Princess, the Voice of the Opportunist is one of the most hated. I understand, I hate him too. The Pristine Cut has firmly cemented his place as an annoying stuck-up boot-licking jerk who changes his mind every five seconds. He tells you to stab the Thorn, actually stabs the Princess (and you) in the P&D, gets into a street fight with the Witch, and, when she possesses you, pulls out a chair in your subconscious for the Wraith to sit on and hands her your resume. What’s even worse about him is that he can’t even make up his mind! Any time someone says something, Opportunist immediately starts buttering them up, telling them how great of an idea they have. However, if someone else disagrees, he switches sides, telling them that their idea is the best, and that’s why he has always sided with them. In every appearance, he’s arrogant, slimy, and all-around untrustworthy. He even denies seeing the mirror, something which, as proven in literally every other chapter, every voice can see, just for the sake of playing both teams.

Why is the Opportunist like this? He wants to self-preserve. Every time you get him, you do it by stringing the Princess along, making her believe you’re going to help her, and then stabbing her in the back when opportunity arrives. Each time, the reason you stab her is because you value yourself and your agency over the person you promised to free. In the Spectre, you know what happens after you slay her, so why bother? To get her out of your head, to get full rein of your mind. In the Nightmare and Chapter 1, you stab her when it’s clear that the two of you will never escape together while the Narrator has anything to say about it. Every time Opportunist changes his mind, he does so in order to align himself with who he thinks has the most power. He does this in an attempt to ensure your safety when things inevitably get messy. This is seen in the Thorn, when he quickly switches sides once he realizes the Princess might have the knife. However, if you find it touching how much he cares about you, there’s still more to this argument. When Opportunist says he’s looking out for you, what he really means is “The body I’m inhabiting,” since, in the P&D, he stabs you with little hesitation. He wants to protect himself, but he claims to want to protect you because in the end, you are making the choices. The more he aligns himself with your viewpoints, the more likely you are to like him, meaning that you’ll take his advice later on. However, as showcased throughout the game, he really sucks at sounding genuine, and lays it on way too thick. Of course, he isn’t ride or die; if you make a choice that puts you in danger, Opportunist will protest. Out of all the voices, he’s the one that lacks empathy the most (Even more than Cold!). He is simply unable to make sacrifices to help someone else. He cannot put his trust in anyone except himself. He would never surrender power to another, no matter the risk. Honestly, I think the main reason people hate Opportunist is simply because of this attitude. I might have been a bit harsh on him, but the Pristine Cut did not make me like him very much.

[thechy-fychannel]

hi i am a chase adorer and as such would like to know your opinions on that weird little himbo

it is my belief that chase has/had a rather strong crush on house, probably influenced to a large degree by his severe case of the daddy issues (fawning subtype, in contrast to house's fighting subtype). i think that combining this with his lack of self-esteem (see: voluntarily working for house for ~7 years) would make him INCREDIBLY vulnerable to house asking him for sexual favors. like even if it was a joke i think chase would just kinda go for it and probably freak out house a little, but i digress. do you see my vision?

anyway my point is i am a chase lover and chouse shipper, do you have thoughts on my blorbo or my ship?

hi anon i'm so sorry it's taken me so long to get around to answering this!! honestly it took me a WHILE to put my thoughts together about chase bc I have a lot of em!!

first of all, chase is SUCH a weird little himbo, he's incredibly complicated and accomplished and tbh I feel like the show never took him seriously enough until the very end when they were setting him up to take over for house. there's something about that catholic guilt and the constant need to be the specialist boy in the whole world while NEVER succeeding at being treated like the specialist boy in the world that's just lick your fingers delicious when you break his character down. he's filled with so much need and desire and is any of it ever fulfilled? No. As are many such cases.

anon, I see your vision SO MUCH and it's exactly how I feel about them too. while I don't necessarily ship chouse in a positive sense, I also dig the very unhealthy dynamic they would have as this gross unbalanced hookup situationship where chase is like "🥺 he wouldn't keep propositioning me if he didn't actually like me, even if he won't admit it 🥺" and house is like "damn, he looks pretty on his knees, maybe i should follow him into the bathroom" alfjalfklakfld.

I was just rewatching clips from when chase's dad visits and house genuinely feels so bad for chase bc he sees the amount of hurt his dad caused him and he definitely sees a lot of himself and his own daddy issues there. (bonus points for house calling him "robert" in this soft way that I rly love) I could definitely see this being the catalyst for something happening between them, chase is sad and broody with those sad watery eyes and house has a real moment of vulnerability with him, says something nice to him and then tries to cover it up by saying something inappropriate. As a joke. Obviously. but chase takes it literally and makes a pass at him that house initially rejects, but then chase gets even more sad and embarrassed and house actually feels bad for the guy— that poor pathetic blond puppy with wet eyes and a pretty mouth... and he rolls his eyes and tells himself he "lets it happen" while being a very active participant in whatever comes next.

the first time could be written off just as two repressed men taking comfort in each other in a moment of father-induced vulnerability... but the rest of the times are definitely an unfortunate combination of chase's lack of self esteem and house's selfish, manipulative nature. chase is just so much prettier (and cheaper) than the male hookers available in the tri-state area and he's just as easy. chase isn't stupid by any means, he knows what house is looking for when his eyes drag up and down his figure and make some comment about his pretty lips or girlish waist or "chase in his little short shorts." but poor chase is just so eager, so hopeful, so romantic. he could easily convince himself that they have something deep and meaningful when it's really just bj's in the sleep lab or the very occasional late night booty call.

and house can be so gross about it too, especially when he learns that he can be gross and it doesn't deter chase— actively holding his job over him in such a teasing and casual way that chase convinces himself there's no way he'd ever get rid of me, look at the way he throws the threat around if I stopped giving him what he wants, it's all just a joke to him. And then house fires him :) and oh boy would chase have a meltdown and reevaluate his entire life bc what do you mean he's not house's special boy? he was supposed to be his special boy. but he isn't, and he never will be bc he's doomed to be daddy's little disappointment forever, just like house :)

[not-alpharious]

The Fire Warrior novelization is wild

For anyone who doesn’t know, Fire Warrior was a game from 2003 where you play as a Tau Fire Warrior trying to rescue a kidnapped ethereal before it’s revealed that the planetary governor that kidnapped the ethereal was secretly a chaos cultist and you have to deal with that too.

What’s more unusual though is that the game actually had a novel tie in and it’s wild. It’s not perfect obviously, there’s a lot of parts where it skips from the main character, Shas’la Kais, starting to do something to after it’s been done with maybe a fight scene with the boss. But to be fair it is a novelization of the game and constant variations “He then turned the hallway and shot some guys” would get old fast.

What’s even more wild is that the book treats everything you do in game as something Kais actually does. As a result Kais becomes this freakishly hyper competent killing machine fueled almost purely by daddy issues. Like he is a genuine blood drenched cryptid and there’s practically no characters that aren’t at least slightly terrified of him. And that is not an exaggeration.

Like from everyone else’s perspective Kais is just a fresh recruit on his first ever battlefield and out of nowhere he’s gunning down hundreds of guardsmen. He takes out a tank with a hijacked imperial turret, kills an attack helicopter single handedly, saves the ethereal completely by himself from a heavily fortified prison, two shots a space marine, fights off two attempted boardings of his ship (which includes killing four more space marines completely by himself), counterboards the Imperial ship where he kills even more space marines and even more hundreds of guardsmen crippled the ship with a bomb and nearly kills the entire command crew all by himself, fights off a demonic invasion in the ship while completely lost to his blood rage, cripples the imperial ship even more, killing who knows how many CSM and demons the entire time, solos a chaos dreadnought, goes back to the planet to kill even more chaos marines and demons, fights his way through a titan to blow it up, solos a warp spawn, and a demon prince, falls to Khorne for a bit and eventually even kills a greater demon.

Within the book the entire time he’s doing all this he never has a mech or supplies, he’s constantly forced to fight God with guns and ammo he’s scavenged from the countless corpses he’s left in his wake. He rocks up to the Tau ship in orbit before he sneaks into the prison literally drenched in human blood and there’s nothing they can do about it because he’s basically the single best person at killing in their entire army at this point

These are all the things he does in the book because he does them in the game and it’s a just amazing to see the rest of the world react to this video game character played straight. Usually in other game novelizations, the sheer number of enemies your guy kills is usually brought way down and is just chalked up to the enemy numbers being inflated in the game for the sake of gameplay. But Fire Warrior decided to say fuck that, our blorbo really is just this much of a hyper competent war criminal and you should fear for your IRL life.

And honestly?

I don’t think I could respect them more for that decision.