#these are the thoughts that torture me

[ajevil]

𝓕𝓻𝓮𝓪𝓴𝔂 Sah this 𝓕𝓻𝓮𝓪𝓴𝔂 Sah that when will we get other 𝓕𝓻𝓮𝓪𝓴𝔂 elders. open your minds people

I'm literally always saying this

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[ticklemesilly420]

A glory hole, but for my clit and nipples only. Feathers, every size makeup and paint brush, electric toothbrush, arousal gel, ice, vibrators of various sizes and obviously vibrators that also suck available to torture the most sensitive places 💦💦💦🫠

[bi-writes]

the knock at his door is a ferocious one. it rattles the hinges, shakes the doorway. it is not a kind knock. it is the knock of anger, of impending terror, of death at his door, but he knows that if he doesn't answer, he will be even more sorry. (ghoap x curvy!fem!reader, 18+, smidge of dark)

johnny isn't happy. he yanks the door open, glaring, knowing who is on the other side. his superior, his lieutenant, the fucking tart that started this whole thing in the first place, the bastard that stands a few inches too tall, is that what she sees in him, too tall, is that much bigger than me, the fucking--

"dinnae want t'talk to ye, ye fuckin'--"

"'f y'know wot's fuckin' good f'ya, you'll shut y'r fuckin' mouth," ghost snaps. his accent is thick and gravelly. he moves over the threshold, pushing johnny back, his eyes dulling over as he presses an accusing finger against johnny's chest. "y'r gonna pick up the bloody phone, 'n y'r gonna call 'er."

"she's a right--"

ghost hisses, a heady growl coming out roughly as he grips johnny around the throat and slams him against the nearest wall. the entirety of it shakes, and the pictures there nearly fall, and johnny chokes as he tries to scramble, but ghost is too strong, too rough, too overpowering. there is something behind his movements, some purpose, and it makes something acidic bubble in johnny's throat.

"don't you fuckin' dare finish that sentence," ghost snarls. "don't care wot it is y'think y'feel, do y'really wanna have tha' on your conscious, y'fuckin' bastard, yeah? want her t'know tha' is the last thing y'called her?"

johnny sputters. he's gasping for air, but it's hard, and his eyes water. even though johnny hates him, even though he loathes the man he used to admire, he knows ghost is right. his lip trembles. it wouldn't be right to say it, it wouldn't be right to call you anything other than what you are, and that is beautiful, bonnie, the stars in the sky and the water in the soil and the dream he always has but cannot remember but one he knows is all he wants and more.

"ye took 'er from me," johnny gasps. "took her from me, and she's all i've ever wanted..."

"took nothin' from ya. now call 'er," ghost growls. "pick up the phone, and y'call her. she's hysterical. 'n i won't 'av it."

"ye won't 'av it? fuck off with ye!"

ghost tilts his head to the side, using his forearm now and pinning johnny to the wall. they meet eyes, and even though johnny pulls a brave face, he is staring at a man who clawed his way out of his grave. a man that endured days of torture and inexplicable horror, that knew the taste of his own blood from another's. johnny is strong-willed, but this is a battle he will not win.

"won't tell ya again," ghost mutters. "i mean tha'."

johnny's tired. he loathes. he hates. he feels sick. he wants to claw and kill and blow something up, but then ghost is letting him go, he's taking in full breaths, and there's a voice in his ear suddenly, an unfamiliar sound of a beautiful voice that he knows. she's crying.

"johnny? j-johnny, i-is that you?"

"mmmph," he coughs. "mmm..."

even riddled with sadness, you sound as pretty as always.

"johnny, i'm sorry," you whimper. he can picture your face, probably a gorgeous pout, tears gathering along your cheeks that normally are from the brunt of his cock, but now they're the proper response from your panic. "johnny, i'm...i'm so sorry--"

"'s..." he hums. "'s a'right, lovey. shhh. quiet."

"johnny, please--please come home, i-i...i can't stand this, i don't want to...i-i--"

"told ye to quiet," he murmurs. "quiet."

and you do, but he knows there's tears, he knows you're probably still there on the other side, your cries muffled into your hand. you probably still look so beautiful, probably sitting there in one of his jackets and nothing else, perched on the bed he shares with you and looking like an entire meal.

"ye lied to me, bonnie," johnny tuts, and ghost steps closer, into his space. watch it, his eyes say, and johnny glares. "why did ye lie?"

you whine, "i didn't know what to say...i...i just thought--"

"ye thought what?" johnny prods. "ye thought i would nae find out about it all? what did ye think, what the bloody fuckin' hell did ye--"

ghost walks forward, enough that johnny is pressed flat against the wall. ghost leans down, tilting his head, close enough that he feels the warmth of johnny's breath as they stare down each other.

"say y'love 'er, johnny," ghost mumbles in his ear. he comes closer, one thick thigh fitting between johnny's legs. "say it."

johnny swallows. "i love ye, bonnie."

a quiet whine, and then your soft voice, "i-i love you so much, johnny--"

"say y'want her, johnny," ghost encourages him, in that low voice that is starting to make johnny's head a little lighter.

"i miss ye," johnny whispers. "sorry for not having me head on right, love..." he hisses when ghost pinches him. "ahh--i want ye. want yer bonnie face...yer bonnie cunt...got to know it. got to know how much i want ye."

ghost shuts his eyes when he hears your breaths. desperate, a little emotional, that beautiful lilt that drew him in the first time.

"tell 'er ye want to eat 'er, johnny," ghost hums. "tell 'er she tastes like sweets." ghost comes closer, his pelvis against johnny's, and there is no space between them. johnny's blue eyes are bright, pupils dilated, and when ghost opens his eyes, they stare at each other, some kind of understanding that they have never had before.

they've been to the same place. they've seen the same eden. the love of the same woman, the taste of the same forbidden fruit, the kind of thing that men like them dream of having but give up for the sake of their sanity--

"want to eat ye, love..." johnny sighs, and his eyes flutter when ghost reaches up and smooths a gloved hand along his throat. his adam's apple bobs, he is so alive, and ghost tuts lowly as he speaks. "taste so good...think about it all the time...about getting under yer skirt," he sighs deeply when ghost's hand moves lower, against his chest, "cum so nice, bonnie, when ye sit on m'face..."

"j-johnny--" ghost grits his teeth when he hears you. pretty baby girl, probably squeezing your thick thighs together, maybe leaning over to show off your soft hips to no one in particular, tits pressed together because your hand is drifting low and circling against you because he knows you probably aren't wearing any fucking knickers, "anything for you, baby...you know i would, you know i'd do anything..."

"i know, my pretty," johnny coos. "will ye wait for me? will ye wait before ye get ahead of yerself, love? ye will, yer a good girl..."

"y-yes--" you whine. "y-yes, i'll wait for you...please come back...please--"

"should i bring back yer keeper?" johnny asks. blue eyes on dark ones, the look of a thousand words, the look of newness, of acceptance, of the power of two being so much greater than one.

two gloved fingers make their way down his throat. petting johnny's pink tongue, stuffing him full, reminding him of his place, where he truly is, where he belongs and where he is always meant to be. he relaxes his throat, and ghost snarls, satisfied, when johnny takes the girth of it easily. he touches the back of johnny's throat, and ghost's eyes flash when he hears your sweet voice on the other end.

"simon...i know you're there. be nice. or we won't get to play."

[wavesoutbeingtossed]

My brain is on fire same I can’t sleep and am thinking of this:

The way she writes about marriage/family/commitment through these different situations across the album is soooooooooo interesting.

You have a very intense first experience of it in “The Manuscript,” where it is first dangled in front of her/the narrator’s young, impressionable self as shorthand for real love in a situation that ended up being smoke and mirrors. She’s being told everything she wants to hear by someone who basically thinks it’s just foreplay. In the end, when it’s clear that the other person has no intention of actually making a life with her, it makes her feel used, but she forces herself to recalibrate and become the girl she thinks he and all the other hes want her to be. Easy breezy cool. But there’s a sense of loss in realizing those hopes were merely banter to the other.

You have the “grown up” version of it alluded to in “So Long, London” and “How Did It End?”, the years of putting in work to save a relationship and the “deflation of our dreaming leaving [her] bereft and reeling” leading to them “calling it all off.” The implication is clearly that they built a home together with plans for next steps at a point in time, but the commitment is shattered. (Obviously to me it sounds like marriage.) She’s bitter at spending her “prime” years with someone who ultimately didn’t want to be there, even if he couldn’t or wouldn’t admit it himself.

She felt like she did everything she was supposed to, but they were learning the right steps to different dances at as it were. Those dreams were at one point shared, but in the end they weren’t right for each other and she admits that, though bitterly (“I founded the club she’s heard great things about” eg the years she put in for him to help him grow up will end up benefiting his new lover, “but I’m not the one,” “you’ll find someone,” etc.). Mixed in with all this of her resentment of him wasting her youth (sacrificing herself at the altar), and his resentment of her for reasons less defined, and insinuations of betrayal in the shadows. The fantasy of the whole package disappears into the ether, yet she still has no answers as to how they got there.

Then in comes the wolf in sheep’s clothing in many of the rest of the songs, the one who promises her all those things she’s dreamed of since she was a kid instantly. After years of moulding herself to other men’s desires, someone comes in and tells her exactly what she wants to hear at the most vulnerable time of her life, as though the universe is answering her prayers, like some sort of cosmic payback for all she’s suffered, and it’s the most intoxicating drug of all. She’s gone from her wish for a family life feeling like she’s in a way being used for her body, to it being used as a chain to a relationship gone sour, to having someone put a metaphorical ring on her finger and tell her he wants to have babies with her, fuck those other guys.

In her grief and stupor, it’s too good to be true, which is exactly why she falls for it. But of course, it’s all an illusion, because this wolf is an amalgamation of the worst of all the men who came before him. He tells her everything she wants to hear not to make her dreams come true, but to make his. He takes the worst parts of these scenarios to make his move: he’ll stand by her, he’ll commit, he’ll do it out in the open under the spotlight’s glare (all things desperately lacking in her last relationship), but after he beds her he stabs her in the back in private and leaves her. He got what he wanted at the expense of her losing everything she wanted, this time as her world caved in seemingly for good. She feels like she gave up everything she thought she might have had for a chance that this is where the universe has been point her all along, only to be left broken for good (you represent the loss of my life as I knew it).

Then there are two sort of codas to this. In “But Daddy I Love Him” we get a sassier reimagining of “Love Story,” where the girl with the scarlet letter is mouthy and crass and tells everyone to go fuck themselves for cursing her in the first place, choosing her love above all else. And no, those haters can’t come to her wedding. Her daddy may have come around, but they sure can’t. Finally it seems someone is choosing her and will someday give her these things, and she’ll be able to show all the naysayers. (Also interestingly one of the more fictionally-veiled songs which ends happily vs the diaristic ones that don’t.)

Then of course there’s “So High School,” our first glimpse into what the future holds. Probably the only unabashedly happy (nay… electric?) song on the album, it’s all about reclaiming the buzz of youth (which is a whole other post) with a new lover. “Are you gonna marry, kiss or kill me? It’s just a game but really, I’m betting on all three for us two.” It’s, er, a direct nod to a certain now-infamous interview, but again, she’s staking her claim on her future, if not certain then at least hopeful again. This time the prospect doesn’t come with a “but.” It’s not, we’ll be pushing strollers but actually you’re too young. It’s not, we had these dreams for our future but actually I can’t move forward. It’s not, I’m going to promise you a ring and a baby but only until my needs are met and then I’m out. It’s, I know what I wanted and I’m not leaving, and thanks to that now she stays too.

The album dealt with the theme not at all in the way I expected, but is absolutely fascinating.

[jasonsbruce]

[lovereadandwrite]

it’s funny because they barely lasted half an hour👹💉

[sleepyconfusedpotato]

Makarov in "The Lobby"

Just a sketch before I sleep! Took this opportunity to study Julian Kostov's face and I think I'm getting the hang of it 👌

---

Am I highkey seeing Makarov as another Vampire in Halloween AU? 👀 Imagine Makarov being a much stronger vampire than Price because he's been consuming human blood non-stop without remorse. And now in order to defeat Mak, Price has to break his oath and start consuming human blood again 👁️👁️.

Here's some timelapse and hope you love it! *(੭*ˊᵕˋ)੭*ଘ

Tip Jar ✨

[agirlwiththoughtsandnegativity]

oh sorry you’re right I forgot that an album specifically had to cater to everything you like and nothing can be different and it all has to be up to your crazy standards which you change everyday. and she better not put her real feelings on it because you don’t like what she feels. it can’t possibly be good because it’s not the one you imagined in your head so it objectively has to be horrible! And the rest of us can’t like it either we’re delusional!

[freyadragonlord]

Cale "I'm keeping all the extremely powerful bad guys we worked so hard to defeat alive in case I need them later" Henituse VS Han "I'm snapping a small fry's neck on a whim cause he looked at my brother wrong" Yoojin

[calciumcryptid]

Kinn would use pet names because he is the type of dork who would find them genuinely romantic.

Kim would use pet names because he thinks it gets him a good grade in boyfriend, a normal and possible thing to want to achieve.

Vegas would use pet names because he is trying to exert ownership in the ways deemed socially acceptable, but he has to be pretentious about it.

[dapper-lil-arts]

It's never too late to love, it's never too late to live.

[randomly--accessed--memories]

I’m curious as to why this wasn’t discovered before now, but it feels like it belongs here

[coeluvr]

Me when chapter 4 was so nice that I must go back to my roots and edit the prologue so I can be who I am but then also pretend I'm totally normal 😋

[feroluce]

So I've already seen this one pointed out, but in the new CG, Boothill's older human form doesn't really match what people thought it should. Of course it could just be neglect on Hoyo's part like I've seen speculated, but personally? With the other lore we got from this patch, combined with some of the stuff we already had, I'd love to think there is a possibility that is way, WAY more fun.

(fun for me and all the other whump enjoyers, anyway, RIP Boothill fjkasjkdj)

In Boothill's lc, we see him in the middle of his surgery where he threw away his flesh and bone body for steel and cybernetics. We know it was The Big Surgery and not just like some sort of tune up or modification because of the description attached to the lc:

Which is where a lot of the dissonance comes in, because in this lc, Boothill's hair is much, much longer than in the cg.

And as someone who also has super long hair, I can tell you that it would take like. Multiple years to grow it out to this length.

There's also the fact that these cybernetic arms don't even match, the lc is the one that looks like our Boothill does now. And there's no reason for Boothill's shirt to be ripped up and in tatters like that; it even states he takes off his clothes before the lc surgery. If it were a matter of Hoyo needing to censor nudity, there were plenty of other methods they could have used that would make more sense, like a hospital gown, a blanket, surgical partition, etc

When will I get to see Boothill with all his scars, Hoyo, when, quit cockblocking me!!! OTL

But there was also another piece of new lore this patch that hit me like a fuckin' brick- the fact that Boothill was tortured by the IPC.

He just drops this out of nowhere! Just says it and then moves right along!! BABY, PLEASE. I WANNA KNOW MORE SO GODDAMN BAD.

But anyway as Hydrachea pointed out to me, this means the torture definitely had to happen before the lc surgery, because being whipped with a belt soaked in saltwater (fucking OUCH) wouldn't work on someone with metal skin.

So, we know that the IPC did, at some point, capture Boothill. And this is reaching further back to previous patches, but we also know from the Luminary Wardance event in 2.5 that the IPC also dabbles in cybernetic arms, because of the one they foisted on Luka.

The model there is a new one they're debuting, but we see in a flashback sequence that the IPC has been part of the cybernetics game for at least 700-800 years, because they also manipulated Igor into getting one too, and this could have only happened before the Eternal Freeze on Jarilo-VI.

It's never stated just how old Boothill is, or how long ago the genocide on Aeragan-Epharshel took place.

But I doubt it was more than 700-800 years ago.

I really don't think Boothill is that old, or has been doing this for that long. So he definitely would have been captured at a point that the IPC was manufacturing cybernetic arms, and had a known history of amputating perfectly healthy patients to use them.

I wonder if all their test subjects were willing.

(This part is entirely unnecessary for the new cg showing Boothill being a forced lab rat as part of the IPC torturing him. But it is a fun, delightful, bloodily gruesome twist of the knife nonetheless.

Boothill was also betrayed by his own brothers-in-arms on Aeragan-Epharshel. For the IPC. Just saying.)

[somerandomcockroach]

A large burning canvas could be seen in the distance.

The neat fingers, full of small dents from the friction of the sword handle, caught a small flame, which immediately went out from faint pressure.

There was silence, a living silence, one of those that strains with its sound. A warm wind heated his battered, but carefully polished armor.

"You want to say something"

"I want" Blurr answered, turning sharply to the dark silhouette behind him that was quietly watching him until now. He clenched his fist with a grinding sound, where the spark died out, and demonstratively opened it towards the darkness. "And this is how you are paid for making the world freer! This is what remains of your legacy, and you react as if it doesn’t concern you at all!"

"It does not concern me anymore" the figure answered him calmly.

"Shockwave, stop!"

"Is that an order?"

"It's a request” His angry expression made it clear that this request was an obligation. “I just don't recognize you for these few months." His hand shook slightly with anger. Black smoke seeped through the cracks in his armor.

"I don't recognize myself for even longer time." Blurr visibly trembled at these words, realizing where the dialogue was leading. Shockwave slowly approached, his long, deformed fingers, three times longer than one of Blurr's fingers, carefully reached out to his hand and wrapped his palms in his huge paws, kneeling down to be on the same level with him. "Blurr, I-"

Blurr turned his head away so as not to see one piercing, but such a swampy dim light of his terrifying eye, which had become more precious to him than his weekly knightly brigandage. "Shut up. It's too early, we haven't agreed on when exactly to do this"

The dull mass of metal, which was only a tangible casing, after some hope of catching at least a spark of doubt, only lowered its head heavily. The crackling of the fire continued to be heard around. The soot reached them, gifting them with at least some warm light among the shades of cold before dying. Realization, regret, reluctance were not reflected in the knight's optics. His armor, always proudly looking into the face of danger, now reflected only the cowardly lights of the fire from behind. Despite this, he did not remove his hand from the strong lock until the blades themselves parted. Shockwave disappeared. Disappeared as he had done for the past few months.

Blurr turned back to the burning wall. From afar were heard screams, squeals, grinding, clanking. The column of fire did not subside, as if it was fed by fuel from secret reserves. It had been burning like that for hours, as if to show the greatness of this building over others that would have left only a column of smoke long ago.

Shockwave's last school of dark magic was burning out, as was the will of its creator to live.