#there's stuff I didn't love but also I really had fun

[intersexwiki]

Rest of post for archival purposes

WHAT THE BOOK DOESN’T HANDLE WELL

The body descriptions. As Dmitri put it: “ Like "his butt jiggled and it reminded  me of women" ew. It was intentional but I had to put the book down. It reminded me of transvestigators and how they take pictures of people in public.” 🤮

Not pushing Genly to reflect on how weird he is about other people’s bodies. We all had issues with how Genly is constantly scrutinizing the bodies of other humans to assess their gender(s) and it’s pretty gross.

vic asked: “how much of this is her reproducing violence without her knowing it? A thing I didn't like was how he always judging and analyzing people's bodies and realizing others treat him that way. And I wish there was more of his discomfort about this, that it made him feel icky.”

Dimitri added: “I really wanted him to have a moment of this too, for him to realize how much it sucks to be treated this way. As a trans person it's so uncomfortable. What are you doing going around doing this to people?”

Using male pronouns as default/ungendered pronouns. Élaina asked why Genly thinks a male pronoun is more appropriate for a transcendent God and pointed out there’s a lot to unpack there.

OTHER POSITIVES ABOUT THE BOOK

Genly’s journey towards respecting women, that he still had a ways to go by the end of the book. vic pointed out how “LeGuin was straight, and she loves men, and is kinda giving them the side-eye [in this book]. Her writing about how Genly is childish makes me really happy. It’s kind of hilarious to watch him bang his head against the wall because he’s so rigid.” 

To which Dmitri added: “I agree with the bit on forgiving men for stuff. I don't know how she [LeGuin] does it but she really lays it all out. She gives you a platter of how men are bad at things, how they make mistakes that are pretty specific to them. She has prepared a buffet of it.”

Autistic Estraven! As Michelle put it: “autistic queer feels about Estraven speaking literally and plainly and Genly not getting it”

The truck chapter. Hits like a pile of bricks. We talked about it as a metaphor for the current pandemic.

The Genly x Estraven slowburn queerplatonic relationship

The conlang! Less is more in how it gets used

MIXED REACTIONS

The Foretelling. For some it felt unnecessary and a bit fetishy. For others it was fun paranormal times.

Pacing. Some liked how the book really forces you to really contemplate as you go. Others struggled with a pace that feels very slow to 2023 readers.

WORKS WE COMPARED THE BOOK TO

Star Trek (the original series) - we wondered if LHOD and Genly Ai were progressive by 1960s standards, and TOS came up as a comparison point. We were all of the impression that TOS was progressive for its time but all of us find it pretty misogynist by our standards. The interest in extra-sensory perception (ESP) is something that was a staple of TOS that feels very strange to contemporary viewers and also cropped up in LHOD

Ancillary Justice - for being a book where characters’ genders are all ambiguous but the POV character is actually normal about how they describe other characters’ bodies.

The Deep - for being another book in a situation where being able to reproduce as male and female is the norm. The Deep was written by an actually intersex author, and doesn’t have the cisperisex gaze of scrutinizing every body for sex. But oddly LHOD actually winds up feeling more like a book about intersex people, because it features a character who is the odd one out in a gonosynic society. In contrast, nobody is intersex in the Deep - everybody matches the norms for their species, which makes the intersex themes in the work much more subtle.

Overall, as vic put it, “there's something to be said about an honest depiction that's not great, especially when there's no alternatives��. For a long time there weren’t many other games in town when it came to this sort of book, and even though some things now feel dated, it’s still a valuable read. We’d love to see more intersex reviews & analyses of the book!

Discussion summary: Left Hand of Darkness

Published in 1969, The Left Hand of Darkness is a classic in science fiction that explores issues of sex/gender in an alien-yet-human society where the aliens are just like us except in how they reproduce. These aliens, the Gethenians, can reproduce as either male or female. They spend most of their lives sexually undifferentiated. Once a month, they go into heat (“kemmer”) and their sexual organs activate as either male or female (it’s essentially random).

Here's a summary of the discussions we had on 2023-08-25 and 2023-09-01 about the book:

HIGH LEVEL REACTONS

Michelle (@scifimagpie): even though it was written by a cis straight perisex woman there is a queerness to the writing that feels true and that she nailed. There is a queerness to the soul of this book that still holds up, that's true and good, and I cannot but love and respect that.

Elizabeth (@ipso-faculty): this book is such a commentary on 1960s misogyny. Genly is a raging misogynist. It takes a whole prison break and crossing the arctic for Genly to realize a woman or androgyne can be competent 👀

Dimitri: [Having read just the first half of the book] I wonder if it keeps happening, if Genly keeps going "woaaaah" [to the Gethenians’ androgyny] or if he ever acclimates. It's been half the novel my guy

vic: yeah a book where a guy is destroyed by seeing a breast makes me want queer theory

vic: [it also] makes me feel good to see how much has changed [since the 1960s]

THE INTERSEX STUFF

A thing we appreciated about the book was how being intersex is contextual. The main character of the book, Genly Ai, is a human from a planet like Earth, who visits Gethen to open trade and diplomatic relations.

On his home planet, and to Earth sensibilities, Genly is perisex - he is able to reproduce at any time of the month and is consistently male.

But on Gethen, Genly becomes intersex. On Gethen, the norm is that you only manifest (and can reproduce as) a given sex during the monthly kemmer (heat/oestrus) period. 

The Gethenians understand Genly as living in “permanent kemmer”, which is described as a common (intersex) condition, and these people are hyper-sexualized and referred to as Perverts.

At this point it’s worth noting that depiction is not the same as endorsement. Michelle pointed out the book is very empathetic to those in permanent kemmer. LeGuin does not appear to be endorsing the social stigma faced by these people, merely depicting it, and putting a mirror to how our own society treats intersex people.

Throughout the book, Genly is treated as an oddity by the Gethenians. He is hyper sexualized. He undergoes a genital inspection to prove he is who he says he is. 

When Genly is sent to a prison camp and forcibly given HRT, he does not respond “normally” to the hormones, the effects are way worse for him, and the prison camp staff don’t care, and keep administering them even if it’ll kill him. 

Two of us have had the experience of having hyperandrogenism and being forced onto birth control as teenager, and relating to the sluggishness of the drugs that Genly experienced, as well as the sense that gender/sex conformity was more important to authority figures (parents, doctors) than actual health and well-being.

Another scene we discussed the one where Genly is in a prison van en route to the gulag, and a Gethenian enters kemmer and wants to mate with him and he declines. He is given multiple opportunities over the course of the book to try having sex with a Gethenian, and declines every time, and we wondered if he avoided it out of trauma of being hyper-sexualized & hyper-medicalized & having had his genitals inspected.

We discussed the way he described his genital inspection through a trauma lens, and how it interacts with toxic masculinity - in vic’s terms, Genly being "I am a manly man and I have don't trauma"

Those of us who read the short story, Coming of Age in Karhide, noted that once the world was narrated from a Gethenian POV, the people in permanent kemmer were treated far more neutrally, which gave us the impression that Genly as an unreliable narrator was injecting some intersexism along with his misogyny

WHY IT MATTERS TO READ THIS BOOK THROUGH AN INTERSEX LENS

Elizabeth: I’ve encountered critiques of this book from perisex trans folks because to them the book is committing biological essentialism, and dismissing the book as a result. I think they’re missing that this book is as much about (inter)sex as it is about gender. I think they’re too quick to dismiss the book as being outdated or having backwards ideas because they’re not appreciating the intersex themes. 

Elizabeth: The intersex themes aren’t exactly subtle, so it kind of stings that I haven’t seen any intersex analyses of this book, but there are dozens (hundreds?) of perisex trans analyses that all miss the huge intersex elephants in the room.

Also Elizabeth: I’ve seen this book show up in lists of intersex books/characters made by perisex people, and I’ve seen Estraven listed as intersex character, and it gets me upset because Estraven isn’t intersex! Estraven is perisex in the society in which he lives. Genly is the intersex character in this story and people who misunderstand intersex as being able to reproduce as male & female (or having quirky genitals smh) are completely missing that being intersex is socially constructed and based on what is considered typical for a given species.

WHAT THE BOOK DOESN’T HANDLE WELL

The body descriptions. As Dmitri put it: “ Like "his butt jiggled and it reminded  me of women" ew. It was intentional but I had to put the book down. It reminded me of transvestigators and how they take pictures of people in public.” 🤮

Not pushing Genly to reflect on how weird he is about other people’s bodies. We all had issues with how Genly is constantly scrutinizing the bodies of other humans to assess their gender(s) and it’s pretty gross.

vic asked: “how much of this is her reproducing violence without her knowing it? A thing I didn't like was how he always judging and analyzing people's bodies and realizing others treat him that way. And I wish there was more of his discomfort about this, that it made him feel icky.”

Dimitri added: “I really wanted him to have a moment of this too, for him to realize how much it sucks to be treated this way. As a trans person it's so uncomfortable. What are you doing going around doing this to people?”

Using male pronouns as default/ungendered pronouns. Élaina asked why Genly thinks a male pronoun is more appropriate for a transcendent God and pointed out there’s a lot to unpack there.

OTHER POSITIVES ABOUT THE BOOK

Genly’s journey towards respecting women, that he still had a ways to go by the end of the book. vic pointed out how “LeGuin was straight, and she loves men, and is kinda giving them the side-eye [in this book]. Her writing about how Genly is childish makes me really happy. It’s kind of hilarious to watch him bang his head against the wall because he’s so rigid.” 

To which Dmitri added: “I agree with the bit on forgiving men for stuff. I don't know how she [LeGuin] does it but she really lays it all out. She gives you a platter of how men are bad at things, how they make mistakes that are pretty specific to them. She has prepared a buffet of it.”

Autistic Estraven! As Michelle put it: “autistic queer feels about Estraven speaking literally and plainly and Genly not getting it”

The truck chapter. Hits like a pile of bricks. We talked about it as a metaphor for the current pandemic.

The Genly x Estraven slowburn queerplatonic relationship

The conlang! Less is more in how it gets used

MIXED REACTIONS

The Foretelling. For some it felt unnecessary and a bit fetishy. For others it was fun paranormal times.

Pacing. Some liked how the book really forces you to really contemplate as you go. Others struggled with a pace that feels very slow to 2023 readers.

WORKS WE COMPARED THE BOOK TO

Star Trek (the original series) - we wondered if LHOD and Genly Ai were progressive by 1960s standards, and TOS came up as a comparison point. We were all of the impression that TOS was progressive for its time but all of us find it pretty misogynist by our standards. The interest in extra-sensory perception (ESP) is something that was a staple of TOS that feels very strange to contemporary viewers and also cropped up in LHOD

Ancillary Justice - for being a book where characters’ genders are all ambiguous but the POV character is actually normal about how they describe other characters’ bodies.

The Deep - for being another book in a situation where being able to reproduce as male and female is the norm. The Deep was written by an actually intersex author, and doesn’t have the cisperisex gaze of scrutinizing every body for sex. But oddly LHOD actually winds up feeling more like a book about intersex people, because it features a character who is the odd one out in a gonosynic society. In contrast, nobody is intersex in the Deep - everybody matches the norms for their species, which makes the intersex themes in the work much more subtle.

Overall, as vic put it, “there's something to be said about an honest depiction that's not great, especially when there's no alternatives”. For a long time there weren’t many other games in town when it came to this sort of book, and even though some things now feel dated, it’s still a valuable read. We’d love to see more intersex reviews & analyses of the book!

[mamawasatesttube]

Are you still accepting asks for the ship ask game? Bc if so what are your thoughts on TimSteph?

oh sure, i'll take it!!

Don’t Ship It (gently)

1. Why don’t you ship it?

so when i say i don't ship it i mean like... i like what they had in canon vis a vis "childhood sweethearts driven apart by The Horrors and they can never go back". i love divorce.

but also if i'm being honest, a lot of chuck dixon's writing of steph was really grating to me - the way he bashed ari and later zoanne to prop up steph as the Correct/Better tim love interest (she's Quirky and Fun and #NotLikeOtherGirls!!!) left a kinda bitter taste in my mouth, and made it a lot harder for me to actually like steph or tim/steph as a ship, tbh. and it's really not steph's fault she got juggled from misogynistic shithead writer to misogynistic shithead writer, but it did mean that plotlines like "steph becomes robin in order to spite tim because she saw darla kiss him against his will and didn't stop to ask any questions. this is how teen girls behave right?" made me so tired in robin '93. i honestly enjoyed the times she got to appear without tim more than their relationship, for the most part, but ... oof.

2. What would have made you like it?

lewis getting to write more than like 20 issues of the run before fucking willingham showed up lmao. lewis run was the first time in robin '93 that i actually liked seeing tim and steph together or felt like steph even had much of a character. which is wild because dixon is the one who created her! it's just that dixon only knows how to write two kinds of women: "the old ball and chain" and "quirky whitegirl who throws herself at robin do you like her do you like her do you like her you have to like her!!!!"

as opposed to lewis, who actually gave her depth, like... explained some of how her dad made her childhood shit, went into her complex feelings on him and her relationship with her mom, and made it actually read like she and tim enjoyed spending time with each other, not just "he was a boy. she was a girl. can i make it any more obvious." if he'd stuck on the book i probably would like tim/steph way more than i do.

3. Despite not shipping it, do you have anything positive to say about it?

oh sure! i think tim and steph have a fascinating dynamic. when you pick through all the issues with dixon and with willingham and with war games and all the writers that could not stop hating steph for the crime of being a girl (which... is a pretty tall order because jesus christ so many of them wrote her so shittily), you can kinda piece together a narrative that is really juicy.

my possibly unpopular steph take is that while i know her post war games and resurrection writing was not very good, i do actually find it compelling that she set assassins on tim at bruce's orders. i think having such a demonstrable and visible example of bruce being the driving force behind every single nail in the coffin of their relationship is fun. like, to me, timsteph is a formative relationship, but never an endgame one. there's a lot of fun stuff to say about them! i just unfortunately struggle to really enjoy picking through the mess of how steph has been written, so they don't compel me all that much.

[esamastation]

Gamer girl gets transmigrated into a farm boy Chapter 5 [<<Prologue | <Chapter 4 || Chapter 6>>] Ao3 link

-

The rest of the day goes by much the same way it did in the game. They make their way back to the farm, where Van helps Mr. Gylcross unload his purchases and carry some of them to the barn and the rest into the house. Janelle welcomes them with a warm meal and freshly made batch of apple juice, made from, "Apples I picked myself just this afternoon!" as she says. It's delicious.

"What did you buy in town?" Josel asks as they eat.

"Nothing much," Van answers, and ain't that the truth. "Mostly I just looked around, took in the sights."

Josel hums. "Yeah, you haven't been to the town a lot, have you?"

"I guess not," Van agrees, thinking back to the player character's messy background as a hand on the Gylcross farm, and how it might be revealed here - if it even was.

"How did you like it? Did you see anything interesting in town?" Janelle asks curiously.

"It was fine. It was all pretty interesting," Van admits and takes a bite of bread, wondering if she made it herself.

The System journal had updated while he'd been in town, and going by its writing, it was the most amazing thing ever to happen to Katie. Most of the journal entry was her detailing every event that happened, but there were some interesting titbits in between, which Van had noticed but not really thought about at the time.

… Oh my god, the town looks exactly like it did in the game! Only now I'm seeing it all in first person! It's so wild. There's so much more people here than there were in the game, too - probably since the limits of rendering capacity have been thrown out of the window. Real world isn't held back by RAM. Hah.

Also? Kids. There are children here - and not just one-age-fits-all like in some games, no, there's older teenagers and younger teenagers, and I also saw a toddler in the marketplace - and I think one woman had a baby in a sling? A baby! Definitely didn't have any of those in the base game - not a single kid to be had in all of Age of Tales, except in pre-rendered cutscenes. I wonder if it's just for humans, or will we get to see dwarf or elf babies - I've never seen a dwarf baby, ever, in anything I've ever seen or played. Probably not elf either, unless it was like a half-human-half-elf situation brought forth by an illicit cross-species love story.

I wonder if Van can have babies - like, conceive them? I mean, there's romance in Age of Tales, such as it is. There's sex scenes and stuff. Can those now have, like, consequences? Does this world have contraceptives? Is that something that I have to now think about?

Van with a baby would be pretty cute, though. I wonder if I can somehow get him to hold a baby…

And that's where Van had to stop reading in order to preserve the delicate equilibrium of his mental stability.

"There were a lot of people in town," he concludes with a cough to clear his throat, and takes another sip of the apple juice.

Janelle gives him a sympathetic look. "Yeah, it's a bit different from how it's around here, huh?" she says and pats him on the shoulder. "I'm glad you had fun."

"Yeah," Van agrees.

By now he's kind of starting to feel the limits of Katie's social meter, though. She'd never been a particularly extroverted person, and while it's different inside a videogame… this isn't a game, not really. It's been a whole day of interacting with people and trying to figure things out, and Van is feeling mentally kind of worn down.

Plus, he's got an existential crisis scheduled up, and it's starting to feel kind of urgent.

"You mind if I turn in for the day, sir?" Van asks once he's done eating, turning to Mr. Gylcross. "I'm kind of tired."

"Of course, my boy. Just get Bell settled in for the night and get the cart in the barn," Mr. Gylcross says.

Thankfully, Josel has apparently done all other farm-related duties off screen. All Van has left to do is get the cart inside and Bell brushed up, fed, and settled in a stall, all of which happens by automation. Josel, who's got a more permanent berth in a little hutch next to the farmhouse, bids Van good night, and with some relief Van heads up to the hayloft.

There he lays down in the hay, mentally preparing to Think About Things and Handle Them… only to find his mind full of static. He needs to deal with the Realisation and he needs to come up with a plan for tomorrow, because there's a lot coming his way tomorrow.

And yet, even though he lies there for a while, staring at the ceiling, not a single coherent plan comes to mind.

Finally, Van gets up again and goes back down to get a bucket of water. It's not quite as good as a real mirror, but in a pinch…

His reflection is very faint on the water's surface, but he can just about see himself and make out his features. The caramel ice-cream hair is really not looking its best. It's curly in the game, kind of fabulous in a way that doesn't fit Van's body type at all - here it sticks every which way, unkempt and not exactly flattering.

No permanent magical hairstyling in real life, huh.

Combing his fingers through his hair to push it away from his face, Van turns his head this way and that, taking in his features again. The jaw, the cheekbones, the forehead - he really looks like he was drawn by a comic book artist. Except made real. 

He's really - Katie is really in Van's body. This is Van, made flesh and blood. Well, he doesn't actually know if the body can bleed, but it probably does. It gets hungry and thirsty. And, judging by the feel of things right now, it also needs to relieve itself. Which is… another thing he hadn't been thinking about.

Sitting on his knees for a moment, Van weighs the oncoming mental health crisis against probably mortifying body function weirdness and chooses the latter, standing up. Time for a true fantasy adventure - figuring out how men piss.

Delightful.

Though as a man he should be able to go wherever - so long as he wasn't flashing someone, anyway - seeing as this is the first time and Katie only sort of knows what she's doing… yeah, some privacy is called for. There's a wooden outhouse behind the farmhouse, which Van slinks his way to like he's doing something wrong and illicit. The outhouse is pretty small and forces him to bend over, and it's overall very awkward. It stinks. The seat is tiny and looks kind of uncomfortable to actually sit on.

Katie has a feeling she's going to miss Earth's modern day plumbing before long.

Right now she has other concerns, though.

Van takes a deep breath - and then regrets it, because of the outhouse smell - before looking down. The trousers are easy enough to figure out, they're basically normal trousers except fastened with a string instead of zipper. The underwear, not so much. While Katie has seen it before and actually spent quite a bit of time trying to figure it out, seeing it on Van now…

It's a kind of cloth wrap thing, like the whole thing is one long stretch of fabric wrapped around the waist and down. The final effect is not unlike briefs, and it's actually kind of comfortable and it definitely keeps everything contained… but if Van takes it off, he will definitely not be able to put it back on again.

Hm, maybe he can, sort of… move it aside…?

Touching it is a bit weird. Katie does a little gibbering flailing thing in the back of his mind while Van tugs at the fabric, feeling all the stuff beneath shift - feeling all the stuff feel the movement. It's weird - having sensations in bits Katie never had before. 

Kind of cool though, too. In a sort of unreal way.

Van gets his fingers beneath to pull his penis out and then… there it is, sticking out past the cloth, with its two buddies still nestled in the wrapping.

It would probably be inappropriate to call it a tool. It kind of fits, though. It's very… proportional. 

And Katie is suddenly very aware of her long stint as a single woman, because damn. Like, she's never been that into the look or size of a guy's dick - a penis is a penis, they're all kind of the same in the end - but damn. Van has one hell of a dick. Like, Katie probably wouldn't want to have sex with Van, because ouch… but damn.

"Okay, don't play with it, just do your business," Van mutters, thinking back to Katie's stint in the kindergarten and wincing at the memory of potty training. As extremely unsexy thought as there ever was, he thinks with a grimace and then attempts to… manoeuvre himself into position. "Just point and aim."

It's weird, and very… fleshy. But at least the rest of the operation is roughly the same for a man as it is for a woman - bladder is a bladder, apparently. It's still weird - as is not needing to wipe afterwards. It doesn't feel like it's enough, to just shake it. Not that there's anything to wipe with in the outhouse.

"Weird, weird, this is so weird," Van mutters, shaking himself and then quickly tucking the weapon away.

There's nowhere to wash his hands afterwards.

"Great," he mutters and then slinks back to the barn where he sleeps at night. His mirror water turns into hand washing water, and he still feels a bit dirty afterwards. He's hyperaware of what's going down below the belt, all of a sudden. Also, maybe getting a bit hard? Is it really that damn easy to get riled up as a man? Van's not even thinking of anything sexy, and apparently it's going up on its own. What the hell?

Climbing up to the hayloft, Van lies down and tries to not think about his dick. He's got an existential crisis on his hands. Woman stuck in a man's body here. This is no time for any kind of self-inflicted fun times. He needs to experience the horrors of being not in a body of his own. Her own. Whatever. Body dysmorphia, here we go!

Yeah, no, apparently not. His mind keeps slipping downwards along with the blood pooling there, as though the damn thing has a gravity of its own. He can feel his penis straining his underwear - taking it out, putting his hand around it, it would feel… probably pretty good right now. And it's not like Katie doesn't want to - like she hasn't been curious what it was like, how it would work. Porn and smut painted a pretty vivid image, of course, but nothing beats hands on experience.

Mmm, hands on…

Van stares at the ceiling for a long moment, biting his lip. There's no one in this end of the barn but him. The Gylcrosses are in their house, Josel is off in his little hutch… there's no one here. No one but him.

… Right, okay. Fine.

With a grunt Van gets up to find a rag or something.

It would clear his head too, probably, if all the post nut clarity memes are to be believed. He would have his existential crisis with a clear mind afterwards.

-

Katie wakes up the next morning to the cock crowing somewhere outside and has a moment of flailing confusion at the feel of all the hay around her and sight of the wooden ceiling and beams above her head… before everything comes back.

Right. She's still here. She's transmigrated into Van and to the very start of Age of Tales. And it's now day two.

"Shit," Van murmurs, running a hand down his face. His chin feels bristly - apparently that's a yes on the needing to shave going forward, if he wants to keep Van's chiselled chin in view. Which is probably not all that important, considering that, well…

Tonight, the plot would finally kick off in earnest.

Breathing in and out for a moment, Van lets his arm drop to his side. He hadn't even thought of what he would do, beyond the usual. Even with all the dramatic consequences, the Rift opening was still part of the tutorial, and so all the enemies were pretty low level. The character was meant to run, of course - at this point there was not much they were supposed to be able to do against them.

Emphasis on the supposed. This is, however, Age of Tales.

The whole tutorial section is a bit… Well, overall, Katie gets it - the whole point of the tutorial section is to paint the illusion of peaceful normalcy and introduce the player to the base mechanics and the NPC shops before the plot can kick off and burn the whole idyllic place to the ground for shock value. The first time Katie went through it, it was pretty epic, overall.

But giving the players the chance to shop before the fight was kind of dumb.

Because, while the game didn't get that popular, it had some players, and just about everyone who did play it went about the tutorial the same way. They gambled for cash and kitted themselves out as best they could as soon as they could… and in so doing, turned the whole Rift thing into a bit of a joke by actually standing up against the invasion, something they plot-wise weren't supposed to be able to do. And most of them didn't even realise it, breaking the game completely by accident.

And when you went about it perfectly intentionally, well… the Rift stopped being a threat at all and became the perfect spawn kill camp.

That was what Van had been planning to do - until reality nerfed Katie's money-making tricks.

"System, open inventory," Van calls.

[Inventory] [Simple Knife, lvl. 1] [Shepherd's Slingshot, lvl. 1] [14 x Basic Stone Ammunition ] [3 x Spearhead] [1 x Apple] [Empty Jug] [Dirty Rag]

Yeah, not exactly winning starter gear, especially considering that he still doesn't have a single shred of proper armour. He hasn't been this poorly prepared for the Rift since the very first playthrough - and even then he at least had some armour and a sword! Reality is really kicking his ass this time.

He can't figure out if it's frustrating or exciting. Probably the first one.

"Guess I'm making some spears," Van muses and then sits up with a grunt. Finger-combing the hay out of his hair, Van eyes the dirty rag and then winces. He would need to get rid of it, and maybe he could wash up somewhere before getting started. Unfortunately, he doesn't think there's a washroom or anything around here…

[Farm Chores, Lvl. 1.] [It's a new day on Gylcross farm, and it's time to get to work!]

[Farm Chores 1, Lvl. 1.] [Let the chickens out.] [Let the goats out.] [Let the cows out.] [Let Bell out.] [Quest reward:  10 exp, 3 Apples.] [Farm Chores 2, Lvl. 1.] [Muck the pens and stalls.] [Quest reward:  10 exp, 5 Fresh Eggs.] [Farm Chores 3, Lvl. 1.] [Take a look at the garden and weed Ms. Janelle's vegetable beds.] [Quest reward:  10 exp, 4 x Mixed Herbs] [Farm Chores 4, Lvl. 1.] [Milk the goats and the cows.] [Quest reward:  2 exp, 1 Bottle of Milk.] [Accept?] [Yes.] [No.]

Van winces a little at the sudden bombardment of pop-ups. Looks like he has some work to do. How much it all will matter when this time tomorrow the farm will be in ruins aside… exp is exp. And if he could squeeze in another level up before the Rift, it definitely wouldn't hurt.

Standing up - and bending over to duck below the ceiling beams - Van shuffles to the ladder to start the day with a quick rinse in a bucket of cold water.

By the time he heads out of the barn, Janelle has breakfast ready and set in front of the farmhouse. "Good morning, Van!" she calls, waving. "Come have some eggs and pancakes!"

Josel is already there and already stuffing his face with eggs. "Good morning," Van greets them both and then asks, interestedly, "Pancakes?"

"Yeah - Daddy bought flour and sugar yesterday!" Janelle says excitedly. "We've got some honey too - come here and try it."

Van does, sitting down beside Josel, accepting his share with a, "Thank you, miss." It looks great, and it smells even better.

"It's Janelle," the farmer's daughter says firmly and sits down across from him.

The breakfast is great, as are the pancakes. Mr. Gylcross doesn't make an appearance, but no one comments on it, and so Van doesn't either - maybe the man sleeps in when it's not a market day, or something. After they're done eating, Josel helps Janelle clear out the table, while Van considers his quests.

"Are you going to let the animals out?" Janelle asks, wiping her hands in her apron. "I'll come with you - I'll collect the eggs while I'm at it."

"Sure," Van agrees and offers Josel an apologetic nod before following Janelle towards the chicken coops.

It's a perfectly pleasant day, with only a few fluffy clouds in the sky and just the barest hint of a breeze in the air. The sort of day when nothing bad is supposed to happen, of course. Perfectly normal day.

"Daddy says you visited the tailor yesterday," Janelle comments. "That you ordered some kind of armour."

Van blinks and looks at her. "Uh, I didn't realise he knew about that," he says. The man hadn't mentioned it. How did he find out, anyway? "I did, yeah."

"Why?"

Well, there's going to be a battle in Westbrook the day after tomorrow, and then the place is going to be set on fire, and Valthor's most annoying minion is going to make a grand appearance. Van is really hoping to curbstomp that guy's smug little face to the ground, and armour would make that much, much easier. "Well," he says, because clearly he can't say any of that. "I don't know. Just felt like it, I guess?"

Janelle looks at him carefully, and asks, "Have you… remembered something?" she asks. "About your past?"

Van hesitates, because in the game the player character never remembers time before the farm - but he does learn about it from others. "No, not really," he says finally. "I just… have a feeling I'm going to need something. Actually," he adds and takes a spearhead out of the satchel. "I also got a few of these."

Janelle accepts the dull spearhead, tilting her head with confusion. "Is that a weapon?"

"Head of a spear - I'm going to find some pole to stick it on," Van says and shrugs. "And then I'll have a spear."

Janelle shakes her head, looking a little upset. "But what do you need a spear for?" she asks.

Van shrugs again. "I don't know. It just feels like something I should have."

Janelle hums unhappily, turning the spearhead in her hand. "So, I was right," she murmurs and looks at him sadly. "You are a soldier."

In the game you learn the main character's background in flashbacks and  hints from the designated Mentor character at Ulgor's Camp, but it's a pretty cliché dealio overall. The player character has amnesia - of course - and was left at the Gylcross farm by a Mysterious Hooded Person - of course - while the Mysterious Hooded Person ran away all suspicious-like. Janelle Gylcross eventually found the player character hiding in the barn hayloft, all confused and out of it and bleeding from the head. Through some interrogation and arguing with her father, Janelle got him settled in as a new farm hand.

It's all shown to the player in this grainy sepia cut scene, a collage of moments as the player character learns how to swing a hoe and milk the cows and stuff. It's pretty wholesome. And the fact that it's shown to you only after the farm has been burned down and everyone there was killed, well… Katie has some issues with the arrangement of narrative there, but it was kind of a punch to the gut, the first time she played the game.

Also absolutely hilarious, watching this brick shithouse of a man do these cute farm chores, like carrying baby lambs around, delicately harvesting berries from the bushes and weeding garden beds.

"I'm not a soldier," Van says and accepts the spearhead back. "I just feel like it'll be better to be prepared than not."

"Right," Janelle says and hugs herself, looking uncomfortable. "Are you going to leave the farm? I know Daddy only contracted you until the harvest, but… I thought you liked it here."

"Well… it is nice," Van says. And it really is. He looks at the farmstead around them and hums thoughtfully. It's very peaceful and idyllic and wholesome. In the game it's often implied how much the player character wishes he could've stayed there, wishes none of the terrible things that followed wouldn't have happened, and the world could've stayed as it was.

More than another day of it and Katie would be climbing the walls, bored out of his mind.

"I guess we'll see," Van says and smiles at Janelle. "You never know what will happen."

-

[<<Prologue | <Chapter 4 || Chapter 6>>] Proofread by @nimadge, many thanks

-

I call this the Tool Inspection Chapter. And I hope it made at least one person laugh as much as it made me to write it.

[starvingnarcissistmusic]

I've had this drafted forever and I'm not entirely sure why I didn't post it. Oh well, better late than never!

MAL DU PAYS (the song) fun facts:

(Like the original post, spoilers for Act 5 ((and also 2hats)))

- Originally, after finishing the game, I wanted to write a song about Loop. They're one of my favorite parts of the game and I really loved their character, but I ended up scrapping that idea very early on, as I couldn’t really find a personal tie to anchor the song to me. While I did want to write a song about the game, I didn’t want to write something that didn’t resonate with me and my musical “mythos” in some way. It's a fan song, but it's also a Starving Narcissist song, and I felt it was important to strike that balance. MAL DU PAYS (Monophobia) only got released because I felt that it was something that fit into the larger body of my works even without the context of the game. So in the end, I chose to write about Siffrin, as I found them a lot more personally relatable. The final version, lyrically, is almost like I’m using Siffrin as a vehicle to write about my own feelings. Some lyrics are his, some are mine, a few are both of us, it’s a weird sort of style I’ve never really written in before.

I do have some leftover lyrics from the scrapped Loop version, though!

“There’s a you you’ll never be, across the cosmic sea / Who has everything you wanted, now it’s everything you need; is it over yet?”

- I think originally the song had a lot more of an exhausted vibe, but with most of the stuff I write, the tempo usually gets faster the more I play it. At some point in the writing process the song channeled more of a manic energy than I had originally intended it to. Loud and shouty is kinda just my default lol.

(The first ever demo for the song, recorded September 15, 2024. Features some slightly altered lyrics!)

- The title was also subject to change! I think for a while I was going back and forth on just calling it Homesickness, mostly because I was a little nervous that my song’s name was technically a late game spoiler. Half the reason I wanted to even write the song was because I thought MAL DU PAYS would make a great song title though, so in the end I just sucked it up and went with my gut. The alternate title was also not set in stone, I think originally I was considering just calling it Mania or Paranoia, but I thought those would be a bit generic. Eventually, I settled on Monophobia, because I felt it was apt in describing the song as a whole. I write a lot about loneliness, and Siffrin is afraid of being alone, so it felt fitting to name the song after the fear of it. (And also, a bit more superficially, I thought Monophobia made a better song title.)

- The song is the only Starving Narcissist song on a nylon string guitar, and it's also the second song in a completely non-standard tuning (third if you count ITWYW?, but that's just a half step down from standard). MAL DU PAYS (Monophobia) in DADF#BD, with a capo on 1.

- THIS SONG HAD SO MANY REVISIONS. I don't think I've ever had this many versions to a song ever. It got so bad that I made a specific folder just to hold all the different variations I had for the song. They're not all too different from each other, and they're all built on the same take of the song, but I was playing around with mixing and structuring and vocal layering and its a whole mess. Honestly, the fact that it's a song about a timeloop makes it probably the funniest song this could have happened to.

- And that's about it! To end off this little fun fact post, here's a little something I wrote for Genius (where lyrics for this song and all my others are posted! plus annotations I write! <3) about the song. The response to MAL DU PAYS (Monophobia) has been pretty wild, and I'm glad it managed to resonate with people, even some who don't even know the game it's about.

That's all. While I guarantee this year will probably be slower for Starving Narcissist, rest assured that I am working on stuff, just very slowly. There's a very low chance I'll ever do something as flagrantly self indulgent as this song, but whatever I do end up doing, I hope you're around to see it.

In the meantime, stream the song on spotify! or buy it on bandcamp! or even just go watch the lyric video i made for it (please i spent like a week on this)!

Thanks for everything, see you later <333

Happy one year anniversary to In Stars And Time! tldr; i wrote a song about it. if you wanna skip all the gushing and just listen to it, click here. (spoilers for act 5) If not, behold this big rambly mess of a thing i wrote:

So funny story, I kind of wasn’t planning on releasing anything for the rest of the year. The album wore me out, and the only other idea I had sort of fell through, so I was content on just letting the album be the only thing of note I would make in 2024.

… and then, in September, I played a little RPG called In Stars And Time. beat the whole thing over the course of three days, then spent the next couple weeks ravenously consuming all the fan content I could get my hands on. my friends have been forced to stare at my siffrin pfp every day for two months straight at this point and frankly i think they are tired of me talking about it.

i love the art, i love the story, i love the music, i love the characters, i love the world. siffrin sort of immediately became one of my favorite protagonists like,, ever. and it definitely did not help that i am also a scrawny forgetful person who has to regularly fight off the part of my brain that convinces myself that All My Friends Secretly Hate Me.

I’ve never really been so called out by a character before. The spiraling, the deflection, and the agony of being a stranger to yourself. the yearning for something you cant even name, because how could you? you cant even find the words on your tongue. not being able to tell anyone how you feel because its just easier to live with it, easier to let it eat you from the inside out then to bother anybody else. its easier to keep the mask on, stick to your lines, let the show go on.

all that hit just a bit too close to home. so i did what I usually do When Things Hit and wrote about it.

(like i said, spoilers for Act 5; It’s pretty devoid of context but they’re spoilers nonetheless)

MAL DU PAYS (Monophobia) is a song about cyclical burnout, self-estrangement, and homesickness. It’s half about Siffrin, half about me, but mostly it’s a rumination on loneliness and the hell that is the self.

Out now wherever you listen to music.

“How can you be homesick if nowhere is home?"

[bellsluck]

☆ about me ☆

hii, i’m bells!

thought it was about time i made an introduction.

i’m 21, a capricorn sun, leo moon, cancer rising (astrology freak), my ethnicity is a little complicated but i’ll put it as half british and half portuguese. i can speak english and portuguese fluently and have a half-decent grasp of spanish. i’ve lived in the uk for most of my life. sexuality: no labels.

i’d say i’m new to tumblr as this is the first time in my life i’m actually using it regularly, i think I’ve got the hang of it now. i feel so at home on here and i love having new mutuals hehe. feel free to message about literally anything (save me from the “singles in your area looking for-” dms, i beg).

☆ interests ☆

i love writing and reading, fanfic, music and film, generally just immersing myself in other worlds tbh. kisses to pinterest, ao3 and wattpad. tumblr now too i guess.

seemingly never ending harry potter obsession. marauders era, hogwarts legacy era, etc. slytherin girly. i was part of hptok at its peak in like 2020/2021, my page was basically dedicated to it. it was so much fun.

also star wars, specifically the hayden christensen trilogy, but i love the ogs too and i thinkmy favourite spin-offs are the mandalorian and obi-wan kenobi. if i ever get married it will be at lake como, idc how many times it's been done. i was at one of the filming locations last summer (theed palace) and almost crying like a little biatch.

i like video games too (mostly play on switch), but i’m very picky when it comes to finding ones i actually like, then I will rack up hours on it like there's no tomorrow… we love hyperfixation over here. love love love stardew valley, animal crossing and games along those lines but atm i’ve been doing my rounds on the resident evil games (re2 og, re4 remake, re6, down bad for leon kennedy) and also hogwarts legacy, i’ve finished most of it, i just have to complete my field guide now (desperately want to replay for the sebastian quests, also the new mod stuff is so cool!).

music wise, i listen to lots of different stuff, constantly go through phases, but for my all timers, aka can quote their discography from start to finish, i’d probably say lana del rey, radiohead, the weeknd and nirvana. recently it’s been lots of david bowie, queen, beabadoobee, portishead, fleetwood mac, the beatles… i could go on.

always open to recommendations for songs, playlists, films, series, games, books, fanfics, or anything, i love it all.

☆ onto the topic of shifting... ☆

i am happy to announce i am free from the shackles of “shift-tok”. if yk, yk. 

i’ll take this as a chance to ask nicely for any antis to please, please, not interact from here on out. thank you.

so, i initially found out about shifting on hptok 2020 (huge surprise ik) and so obviously i wanted to go to hogwarts. like??

needless to say i got caught up in all the tiktok misinformation, blatant lies, complicated asf methods, self explanatory. sorry younger-me. i could explain more but all in all i was too impatient and clueless, didn't really know what i was doing at all, eventually got bored, busy with school, and assumed everyone was lying (a few were, it seems).

 i completely forgot about it all after that until i came across a shifting post on reddit a few weeks ago. my tiktok fyp started filling with shifting/manifestation videos too right after. i was coincidentally in between a rewatch of the harry potter films at this point too. you know where this is going. i started seeing tiktoks from smaller creators just answering people’s questions about shifting, and it was all so different from all the stuff i’d heard years ago, spoken about in a completely different way, which just made so much sense to me and was so intriguing. i decided to delve into it all once again. it was those same creators who also would mention tumblr, and i, who had just joined tumblr for writing related stuff not long ago, decided to start searching up things related to shifting.

 i eventually came across some great accounts and information, stories of experiences, motivation, help. i started reading “journeys out of the body” by robert monroe too, so interesting, btw, and have since began my own shifting/exploring consciousness journey (i try to be careful what words i use for things, for lots of reasons, and i understand everyone might use different terms, reminder that i haven’t been on here for that long). it’s been amazing so far. 

(i may have straight up searched shifting realities on google the other day. curiosity got the best of me. it was bad. don’t do it.)

to not mislead anyone, no, i haven’t actually had a full experience in my specific “dr” yet. however it’s only been a small amount of time and i’ve already had lots of different types of sensations and experiences that i’ve never had before and it’s all so beautiful and interesting to me. i definitely view things a lot differently than i did before. i have shiftblr to thank for it.

i adore finding new shifter blogs and reading everything on them, so if i’m giving stalker behaviour it just means i’m loving your stuff or you're all over my feed. 

idk what i’m even going to post about yet, if or when i do. maybe i’ll write a bit into my “journey” so far, any experiences or how and what i do to get into certain states, about my dr, or stuff i’m just nerdy about in general. 

fyi just because i write does not mean i will always use any grammatical skills at all when writing for blog. sorry ;)

if you ever have any questions i’ll love you forever i will answer as best as i can.

this wasn’t all that exciting but i just wanted a little intro because i’m always blank on my socials. 

 thanks for reading !!

⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆୨୧˚⋆ ˚｡⋆ ୨୧˚⋆ ˚｡⋆ ୨୧˚⋆ ˚｡⋆ ୨୧˚⋆ ˚｡⋆

[charmwasjess]

okay well maybe I'm finally making sense of my Acolyte experience because I'm genuinely very very bummed to hear that it's been cancelled

[marieaqua]

Fuckass Ginger Lesbian Chart: The Remaster

A character design trope I've noticed

(I included Vi only because I've seen multiple people describe her hair as red even if I don't agree with that description)

(I know that Bo doesn't have a canon sexuality. I hc her as a lesbian and its my chart)

(I still need a fuckass butch and the Ultimate fuckass ginger lesbian)

(I called this the remaster because I had an original chart that I made years ago and have since lost. Also fuckass is used lovingly here <3)

[mymarifae]

sooooooo when i jokingly said to myself "haha did ruan mei play aeonic necromancy on tingyun's remains or something" i wasn't expecting that to literally be the case what the fuck

[sciderman]

howard the duck (1976) #10

[averlym]

no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein

(click for better resolution!)

:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''

close up!

[silveredsticks]

christmas eve ramble tags and some pictures of me and nice things from this year that i have randomly at 2:47am on christmas eve decided to post on tumblr. like why am I posting my face idek but I just felt reflective and i always just dump my rambles on whichever blog I'm using the most 🙈 i have not thought very hard about picking these. my motivation is that i want to force myself into acknowledging that for the majority of this year i felt good. I did good things for my health, and at work, and for my friends and family (even though I am desperate always to tell myself that i have never done anything good for anyone ever.) I found a new fun thing & lovely kind fun people to help me explore it. i got to sleep with my hand on/in Henry (cat not popstar) belly fur. yes i started having panic attacks about stuff to do w my dad, and money is tight (i mean i live in syd..) and i miss my mum and sara and i maybeee spent far too much time speaking to my ex fiance until he went on some rant about family law and I got the ick for once and for all lmao - but i was happy on many occasions.

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[anothermonikan]

Ponee (It is half 3 in the morning)

[radarsteddybear]

[For the Anastasia AU ask game] Back to the Future? (I mean, did you expect anything else from me...?)

Send me a piece of media and I'll tell you how I'd do an Anastasia!AU for it!

Oooooh, that's going to be tough because I've only seen the film once and that was probably...somewhere around 10 years ago? But let's give it a go. (I apologize in advance if this doesn't actually fit.)

In order to keep the royalty element, I'd stick Marty and co. in a fictional country that recently overthrew their monarchy and replaced it with communism. The country is buzzing with the rumor that the youngest of the king and queen's three children survived. Meanwhile, Marty, as above, has amnesia and is trying to eek out a meager living while trying to piece together who he is, only having bizarre flashes of memory fragments to go off of--fire, nearly being run down by a strange-looking car, blinding flashes of light, the sound of tires squealing against the pavement. He arrives in this fictional country's version of Twin Pines, where he finds himself drawn to Doc, former Scientist to the Crown, who's now working as...something that is definitely not science and is unquestionably beneath his ability/skill level. Doc, much like Marty, exists on the fringes of society as the sort of person that everyone else tends to avoid because they're different and weird and tend to say stuff that doesn't make any sense and are probably doing things that could probably get them in a lot of trouble with the law. Which Doc is, by the way. Doing things that could get him in a lot of trouble with the law, I mean. Idk what he's doing exactly (probably multiple different things), but he's doing it to earn money to fund his scientific experiments and hopefully get out so he can relocate to somewhere he can have the freedom to pursue his scientific endeavors.

Now, this next part's a bit tricky, because Doc is, at heart, a very kind person who would absolutely never intentionally do anything that would ever hurt his good friend Marvin (or whatever the heck's going by at this point in time), but let's see if we can make this work. Soon, what remains of the government in exile announces a monetary reward for whoever finds the Lost Prince, Marty McFly. This gets Doc's brain going, and he starts to put some details together in a rather "I've connected the two dots/you haven't connected shit" sort of a way. Dates line up, places line up, and the kid even sort of looks like the lost prince. And if he is the prince, the reward money is more than enough to get Doc (and Marty, because Doc doesn't really think through the idea that Marty being the prince would lead to their separation) out of this fictional country and set them up with the tools and equipment to do Science™️. Doc uses his knowledge of palace life to teach Marty how to be a prince as they make their way towards Fictional Country #2 where the government in exile is currently exiled. Marty slowly begins to regain more and more of his memories, though they don't paint the happiest picture.

After they arrive in Fictional Country #2 and start to prepare to meet with the Fictional Country #1 Government in Exile (which is mostly going shopping for snazzy new clothes), Marty starts to realize that, this whole time, Doc has been more motivated by money (and freedom) than by the idea that Marty actually may be the lost prince, that Doc has been twisting the facts in his mind to fit the picture he wants to paint. And Doc starts to realize this, too, and he is absolutely horrified because, again, he'd never do anything to hurt his friend, and now...he has.

And just before realizing this, Doc also realizes that, if Marty is the Lost Prince (which Doc hopes he is, after all this), Marty is going to stay in Fictional Country #2 to take his place as the exiled king leading Fictional Country #1's government in exile as well as take his place in Europe's royalty. Sure, maybe they'll still get to see each other here and there, but it'll never be the same; they'll never again get to live in the same world.

Marty is understandably angry and decides he needs his space. Doc decides that the best thing he can possibly do is respect this, so he wishes Marty the most genuine, heart-felt "good luck" he can and starts making arrangements to return to Fictional Country #1 (because without the reward money, he can't afford to start a new life in a new country; there also a definite element of some self-flagellation in there as well).

I guess Biff gets to play the role of Gleb, working as an agent for the government of Fictional Country #1, which has a vested interest in not having any of the members of its former royal family return from the dead. Biff's mission is to either bring Marty back to Fictional Country #1 to be made an example of (if he's not the lost prince) or kill him (if he is). So at this point, Biff has been following Marty and Doc for their entire journey, and this is the moment he chooses to make his move, having determined that Marty is, in fact, the lost prince, and therefore he needs to die.

Marty, of course, isn't going down without a fight. The ensuing fisticuffs somehow catch Doc's attention, as he's still nearby and hasn't left yet. He joins in the fight, probably with the help of an invention or two, and quite literally throws himself in front of Marty to protect him from Biff once Biff reaches for his gun. Biff doesn't get the chance to fire because Marty is able to use whatever invention Doc brought along to defeat Biff once and for all (he doesn't die, of course; he just ends up getting arrested by the proper authorities).

Doc and Marty hug it out. They don't have to say much to convey their apologies to one another. They decide to ditch the whole lost prince business and find a place for themselves in Fictional Country #2, starting from scratch, because they don't need much as long as they have each other.

[unproduciblesmackdown]

come get your levitous sidekick / vicious bastard / funny little guys

[13eyond13]

actually stunned by how gay The Beatles has been all this time and I just never knew