#there's an explanation for that but not here

[ellecdc]

this may be a bit left field from what you were asking but i had this idea in my head for awhile of remus being told he couldn't have children because of the whole werewolf thing and reader gets pregnant and he instantly thinks he's been cheated on and it couldn't be his because of what he was told from a young age (his self esteem and insecurity that he isn't good enough etc. flaring up!! not that he truly believes she would but he's spiralling and it's the only explanation right????) and it takes lily and the marauders to knock some sense into him and realise he's been given a little miracle and a chance at having a family like he's always wanted!!! (i imagine being told he couldn't have children put the whole werewolf thing into perspective and meant he secretly yearned for it as it was another thing it had taken from him)

sorry this was long, if it's rubbish please ignore, it's why i've anonned!!!

poor angsty moony hahahaha. thanks for your request!

Remus Lupin x Black!reader who tells him she's pregnant, and he doesn't respond well [1.7k words]

CW: pregnancy, implied belief of cheating/adultery with a happy ending, background jilypad because I wanted to

“Wait, wait, wait.” James interrupted, holding his hands up from the table as Lily folded her lips over her teeth like she was working over time trying not to laugh. “Hang on. Are you telling me-”

“This is not funny, James.” Sirius hissed, glaring daggers at Remus though his hold on Harry in his arms was as soft as ever.

A giggle escaped Lily’s lips, though she was quick to slap a hand over her mouth when Sirius turned his burning gaze to her. 

“You’re telling me” James continued “that your girlfriend-”

“My sister.” Sirius interrupted.

“- that you love-”

“More than life itself, right.” Remus continued.

“- told you she was pregnant, and you…” James trailed off, clearly waiting for someone else to jump in here. 

“Came here?” Lily tried.

“Ran off like a sod?” Sirius muttered. 

“Told her you…didn’t believe her?” James offered.

“It’s impossible!” Remus argued.

“Do you not fuck your girlfriend, Moons?” James drawled then, causing Sirius to moan very dramatically as he held his son against his face as if he couldn’t even look at Remus right now; Harry, for his part, found that hilarious and started pulling at his papa’s long hair. 

“Sod off, James.” Remus groaned miserably as he ran his hands over his face. “It’s impossible, werewolves cannot procreate.”

It was Lily who asked “Says who?” 

“Just… everyone.”

“Everyone?” James asked, his eyebrows rising over the frames of his glasses.

“Yes, James, everyone.” Remus hissed. “The…healers-”

“Would have told your parents they had ‘no idea what your future holds’.” Lily explained simply. “What lycanthrope have they studied to know if that’s true or not?”

“There has never been any cases of a werewolf successfully procreating, Lily.” Remus explained simply.

“So just because it’s never been bloody written down, you think it could never happen?” Sirius spat then, looking around Harry’s little body who still had a fistfull of his hair to level Remus with a look. “So, what? She’s lying? She’s making it up? She’s cheating on you?”

The room fell quiet as everyone, even Harry, turned to look at Remus as they waited for a response.

“Remus.” Lily breathed out in disbelief when he didn’t provide one.

“You didn’t…” James sighed.

“Remus fucking Lupin, I swear to Merlin if you-”

“What was I supposed to say!?” Remus exploded then. “I- it’s supposed to be impossible. Werewolves cannot or do not procreate, they cannot be parents, they-”

But his excuses sounded feeble, even to his own ears. Lily was right; no studies as such have ever been conducted on lycanthropes. Sirius was right; there was no evidence because it had just never been written down. James was right; Remus does fuck his girlfriend. 

Remus had always assumed this was just one more thing that his lifelong curse had stolen from him; the ability to ever have a family of his own. 

Although, there were a lot of things Remus’ lycanthropy was supposed to have taken from him, yet….

Yet, he had two parents who loved him unconditionally and did everything they could for him, even though there were no rule books or how-to guides on raising a werewolf child. Yet, he had been accepted to attend Hogwarts at age 11, even though he never expected to be able to attend school with his affliction. Yet, he met four boys on the train who turned out to be his roommates, who turned out to be his friends, who turned out to be his pack, even though they didn’t have to be. Yet, he found himself a precious love who loved him in return, even though you were raised to lift your nose at anyone who wasn’t a pureblood, even though you were raised to harbour disdain for creatures and beasts alike, even though you were a Black and he was a Lupin, even though you were a Slytherin and he was a Gryffindor, even though….even though. 

Remus wasn’t supposed to have any of this, yet here he was. And he wasn’t supposed to ever have children of his own, yet…

“Oh Godric.” Remus breathed out as he sat back in his chair; both hands over his mouth in a silent gasp as he stared unseeingly past his three friends. 

“You know Sunny loves you to the stars and back, Remus.” Sirius started earnestly. “And the fact that you think she could have ever betrayed you like that-”

“I didn’t.” Remus hissed. “I don’t.”

“I know, Rem.” Lily offered, even though Sirius didn’t seem all that convinced. “It’s just what you thought made the most sense at the time.” 

But it really didn’t make sense at all. The thought would have absolutely never crossed his mind in a million years if he hadn’t been told his entire life that this was just impossible for him. 

“Have you wanted kids, Rem?” James asked quietly then, and Remus’ eyes came back into focus as he looked at Harry.

Harry, who was the spitting image of James, who had Lily’s eyes, who had Sirius’ mischief. Who was loved beyond measure and loved his parents exactly as they were.

Did he want kids? He certainly liked kids. He loved Harry. He thinks he’d be a good dad… that is, if it weren’t for the lyca-

“I can see where your mind is going, Remus.” Lily interrupted his spiralling then. “We didn’t ask if you should be a dad - which is not even a question, by the way - we asked if you wanted to be.”

“Yes.” Remus whispered; the answer came so easily. 

“Alright then.” Sirius declared, sitting Harry up as if they both meant business. “So let’s pretend - even for a sodding second - that Y/N did end up pregnant by some random imaginary bloke that doesn’t exist. This would mean that she apparently had many options, yet she came running to tell you. She’s pregnant, and she wants to do this with you.” 

And if Remus didn’t feel like an arse before, he certainly felt like one now. He knows you would never do that to him, of course he does. But even if you had the choice of 100 other men to father your child - all of whom would be able to provide for you better, who wouldn’t risk the safety of your child every month, who wouldn’t risk passing that curse down to your child, who wouldn’t make their life harder by simply being the offspring of a werewolf - you wanted it to be him. You wanted Remus. 

The good, the bad, and The Wolf - you wanted him all. 

“I think you need to go talk to your girlfriend, Moons.” James offered with a hopeful smile, and Remus couldn’t agree more. 

✩₊˚.⋆☾⋆⁺₊✧₊˚.⋆☾⋆⁺₊✩₊˚.⋆☾⋆⁺₊✧₊˚.⋆☾⋆⁺₊✩₊˚.⋆☾⋆⁺₊✧

The flat was quiet when Remus stepped through the floo; the entire space seemed spotless, evidence of your anxious tidying taking over after Remus took off.

Remus tried to tamp down the guilt and shame working its way up his throat as he took off his shoes and jacket, placing them in their designated spots lest he disrupt the perfect kept house you’ve worked on all afternoon (and well into the evening, now that Remus could see that the sun was long gone from the sky). 

He found you in the living room at the desk bent over a book and some papers, and Remus found himself smiling without his consent when he was brought back to late nights in the Hogwarts library; his grades profiting greatly simply because he wanted to find any excuse to be in your company. He’d find out later that you were doing the same. 

You looked over at him expectantly, and Remus felt his heart splinter at the cautious, uncertain expression on your face. It was as though you were afraid of him, like you weren’t sure what he was about to do or say. 

“Dove?” He ventured. “Can we talk?” 

“That’s what I’d been trying to do, Remus.” You merely whispered, and Remus can’t remember the last time he’d ever heard you sound so small.

He made for you immediately, crouching down beside your chair so that he could look up at you. “I’m so sorry, baby, I-”

“And you accused me of whoring around and ran out on me.” You added, and the final fracture split Remus’ heart in two when he saw your eyes well with tears. “Remus, I would never-”

“I know dove, I know.” Remus insisted, reaching up to take your face in both of his, quickly wiping at the tears falling from your lower lashes. “I know you wouldn’t. I know that, I just- I didn’t think it was possible for me, I didn’t think I’d ever be able to have kids.”

You sucked in a shuddering breath and closed your eyes, clearly trying to will away the onslaught of emotions. Remus felt like scum of the earth. 

“I never imagined I’d ever get a chance like this.” He whispered. 

“Well,” you offered primly, and Remus could tell you were working hard to imbue a certain levity to your words, “I’m not sure that you should, now. Taking off on me like that.” 

Remus knew you were joking, but he sighed at you as he pouted his lips. “M’so sorry, dove.”

“You should be.” You agreed, though you leaned forward to press your forehead against his. 

The two of you sat in silence for some time; you evening out your breathing, and Remus drawing circles with his thumbs where they rested on your arms as his legs started to cramp. 

“Are you really going to have my baby?” He whispered then; the weight of the words finally settling somewhere deep within his soul, though not unpleasantly. 

“Well, yes, but I’m not going to do it on my own.” You responded, sitting up to look at Remus imploringly. “So what do you say, Lupin? Are you in or out?”

In, of course. All the way in; for as long as he lived, for as long as you wanted him, he was in. He was all in.

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[hotshotsxyz]

hope for the future (got me on my knees)

(buddie) (s8 spec) (2.4k words) car crash spec <3 title from bastille's hope for the future, which, imo, is one of the eddie songs of all time cw: blood (like. a lot)

Eddie’s not supposed to be here. He’s not—

He’s—

God, he’s not supposed to be here again. He’s not even on shift. But Buck is.

It was a favor. He’s covering for a last minute absence on C shift. So now he’s—

He’s on shift and he’s lying in the middle of the road and he’s not moving. And Eddie. Can’t. Breathe.

“Buck!” someone shouts, and Jesus it sounds like their entire world just crumbled. Eddie’s throat feels raw like—

Oh.

He’s the one screaming.

Buck’s three feet away from him, sluggishly bleeding out on the pavement. Shannon’s six feet under in a graveyard halfway across the city. Buck’s ribs are giving way beneath Eddie’s hands. Buck’s blood is soaking through his jeans. It’s staining him, his skin, his mind.

He—

“Sir!” Someone snaps. “You need to—shit, Diaz?”

No, that’s—it’s not Eddie who’s broken and unmoving on the ground. It’s not Eddie who’s going to die with or without a tube down his throat.

It’s—

It’s—

Two pairs of hands grab him, yank him away.

“No!” Eddie screams, thrashing wildly at whoever it is that thinks they can keep him from Buck.

“Diaz, stop!”

He can’t. He won’t.

“You have to let them help him.”

They won’t do enough. Only Eddie will fight for him hard enough. Only Eddie knows how to bring him back. An animalistic snarl climbs out from his chest.

“I’ve got a pulse!” a paramedic Eddie doesn’t recognize shouts. She’s a floater, probably.

A floater is holding Buck’s life in her hands. Does she even know? Does she know that the world will stop turning if he’s not in it?

Eddie’s knees hit the pavement. Distantly, he feels the sting. Mostly, though, he feels Buck’s blood. It’s on his hands and soaking through his clothes, painting him red, red, red.

Two firefighters carefully roll Buck onto a body board and lift him to the stretcher. For a split second, it’s 2019. Eddie’s watching his wife die. He’s holding Buck’s hand and trying not to stare at his mangled leg.

“Diaz! Now or never, are you coming with us?”

He doesn’t feel himself move, but between one blink and the next he finds himself in the back of an ambulance staring down at his—

His—

Buck’s eyelashes flutter and Eddie can’t do this.

“Please,” he sobs, clutching Buck’s hand. “You—you have to—”

He’s squeezing too hard. So hard he might break Buck’s hand, but he’s terrified that if he lets go, so will Buck.

The floater moves to intubate, but before she can Buck heaves a shuddering breath and opens his eyes.

Eddie thinks he might be screaming again, only this time the sound is trapped deep inside him.

“Eds… hurt?” Buck manages.

He must be. He’s dying maybe, because that’s the only explanation he can think of for the creeping numbness in his limbs.

“He’s fine, Buckley,” the floater says.

She’s wrong. She doesn’t— how could she? She doesn’t know that every piece of Eddie that’s worth anything is dying right alongside his—

“I can’t wait any longer,” she says apologetically before shoving a plastic tube down Buck’s trachea. He chokes on it, and oh, Eddie’s choking too.

The ambulance slows and Eddie’s about to bang against the wall, about to demand they keep going, when the doors are flung open revealing an entire trauma team dressed in pristine scrubs.

The floater rattles off Buck’s vitals and the injuries they know of.

As they pull Buck from the back of the ambulance, one of the doctors catches Eddie’s eye. He nods, and Eddie hopes to God that means he knows that Los Angeles will be swallowed by the sea if this man doesn’t live.

All at once, Buck is gone and Eddie’s left standing next to an ambulance that could be the last place he ever hears Buck speak.

“Diaz, you okay?” The C shift captain whose name Eddie can’t be bothered to remember right now asks.

No.

No.

No.

He doesn’t answer.

…

There’s blood on his face. Buck’s blood. Eddie doesn’t— he’s not sure how it got there, but now that he sees it, he can feel it too. It’s tacky and drying and God, there’s so much.

Gentle hands turn him away from the mirror.

“No,” Eddie says as his sluggish brain recognizes Bobby. “No, no he can’t—“

Bobby was there when—

He held Eddie. Let him weep into his shoulder. Stood steady as Eddie’s world crumbled to pieces.

“He’s in surgery,” Bobby says.

“They don’t know,” Eddie babbles.

Bobby’s face creases in concern. “Know what, Eddie?”

“He’s— he—“ He can’t force the words out.

“Eddie,” he repeats forcefully.

“I love him,” Eddie croaks.

Bobby, steadfast and solid, cracks.

One sob escapes his chest, then another, and soon they’re both sliding to grimy bathroom floor, trying not to shatter entirely.

“I can’t lose another—“ Bobby gasps.

Eddie squeezes his eyes shut. Bobby can’t lose another child. He can’t lose another spouse. Not now, not when he’s just begun to understand the depth of what he’s been denying himself for what feels like his entire life. Not now, not ever. Not— not, Buck.

The bathroom door bangs open and Hen steps in. Tear tracks stain her cheeks, but Eddie can’t bring himself to analyze her expression further. If Buck’s— Eddie wants to live in a world that hasn’t quite ended as long as he possibly can.

“No update,” she says quietly.

She grabs a few paper towels and wets them in the sink. She kneels in front of Eddie and brings one to his face. He flinches back.

“Eddie?” she asks.

He swallows past the lump in his throat. “What if…”

What if the blood staining his skin is the last piece of Buck he gets to keep? What if he dies on the operating table? What if he’s already dead? Eddie can’t— he won’t let anyone take the last of him away.

A harsh sob drags itself past his lips.

“Oh, Eddie,” Hen whispers, and why do people keep saying his name?

No one— he’s never heard it so many times from anyone but Buck. He doesn’t want to hear it from anyone but Buck. He shakes his head and presses his hands to his ears.

Hen says something else, but all he can hear is the whoosh of his own pulse, and it’s so unfair. Shouldn’t his heart know not to beat until he’s sure Buck’s will again?

“Eddie,” Hen says, taking his hands. “Let me, please.”

He can’t bring himself to agree, but he doesn’t fight back when she raises the paper towel to his face again. She pulls it across his skin in gentle drags, but it’s cold and Eddie can’t help but think uncharitably that Buck would’ve waited for the water to warm before he wet the towels.

When she’s done with his face, Hen guides him to the sink to wash the blood from his hands too. For a split second, Eddie wonders if Buck washed his blood away in this same sink after Eddie was shot. He wonders if Buck’s hands shook the way his are shaking now.

“That’s good Eddie, there you go,” Hen encourages him softly.

He bristles at her careful tone. Nothing she says can make any of this better or worse, not unless she can tell him with absolute certainty whether or not Buck will survive the night.

“I grabbed your duffle from the station,” she continues, and it’s only then that he notices his own bag slung over her shoulder. “Think you can get changed?”

Eddie nods mutely. Distantly, it occurs to him that this is part of what makes Hen such a good paramedic— her ability to meet someone where they are. He peels off his henley and exchanges it for the long sleeve LAFD crewneck she hands him.

He swaps his pants next, and for the first time, wearing a piece of the uniform feels wrong. He couldn’t— he wasn’t a medic today. If it had just been him and Buck out there, Buck would be dead already. He’d, what? Held his torn skin together? As if that was the wound that was going to kill him. Shannon didn’t even bleed when she died.

“Maddie and Chim are waiting for you,” Hen says, nodding toward the door. “I’m going to sit with Cap for a little while, okay?”

Again, Eddie nods. He stumbles through the door and into the arms of a woman who, for all they share, he barely knows.

He can’t bring himself to look her in the eye. She’ll know, he thinks, know that he didn’t do enough. Know that he failed one of the three people she loves most in this world.

“I’m sorry,” he croaks into her hair.

“For what?” she asks shakily.

“I should’ve— I didn’t—“

“You were there,” Maddie says. “You made sure he knows he’s not alone.”

Eddie swallows harshly.

“He knows what he’s fighting for,” Maddie continues. “Thank you.”

He wants to shake her. He should’ve done more. He’d demanded it once of a different team of doctors, and then he couldn’t even—

He was there and it didn’t matter. Buck’s still dying in a sterile operating room.

Maddie pushes him toward a chair next to Chimney in the waiting room, then sits on his other side. They talk to him, Eddie thinks, but he doesn’t hear a word.

…

“Family of Evan Buckley?”

Eddie’s on his feet before he’s even made a conscious decision to stand. Maddie follows quickly behind him, and— oh, Bobby’s in the waiting room now, too.

The doctor smiles at them, and while Eddie’s sure it’s meant to be reassuring, every second that passes without news is more excruciating than the last.

“Mr. Buckley did well in surgery,” she says.

Eddie’s entire body sags, like a marionette with its strings cut. Hen’s subtle but steadying hand on his back is the only reason he doesn’t collapse to the floor right then and there.

“He’s not out of the woods yet,” the doctor continues, “but his CT was clear and we were able to locate and repair the source of his internal bleeding.”

“He’s going to be okay?” Maddie asks, high and watery.

The doctor nods. “We’d like to keep him a few days for observation, but barring unforeseen complications, we believe he’ll make a full recovery.”

Maddie presses a hand to her mouth and nods, eyes shining.

“The effects of the anesthesia should be wearing off soon, I can take two of you to his room.”

To Eddie’s surprise, Maddie takes his hand. “We’ll—us,” she says.

Eddie looks at Maddie, then Bobby. “Are you—are you sure?”

“Go,” Bobby says. “He needs you.”

Eddie’s not sure that’s true, but he sure as hell needs Buck and he—he thinks this is probably one of those times when he’s allowed to be a little selfish.

“Through these doors,” the doctor says, leading them back with a wave of her key card.

…

He’s pale, unnaturally so. It’s like, despite the massive transfusion he received, there still isn’t enough blood pumping through his veins. Eddie wishes he could wring out his shirt and return every drop he took.

“Eddie, what happened?” Maddie asks softly.

Eddie shakes his head. “I, uh, I wasn’t supposed to be there,” he says haltingly.

Maddie takes his hand with the one that isn’t holding Buck’s and squeezes.

“I don’t think he knew I was there,” Eddie continues. “It was just… God, Maddie, it was a coincidence.”

Eddie closes his eyes and takes a steadying breath.

“It came out of nowhere. They were responding to a fender bender, wouldn’t have even been a call except one of the drivers was stuck in their car, I think. He was helping someone when it—there was a car. And then he was just—I couldn’t—he—”

Maddie squeezes his hand again. “You know, I—” she hesitates, then nods like she’s made a decision. “I’ve never seen him happy the way he is with you.”

Against Eddie’s will, a pained noise escapes his throat. “I don’t know why,” he admits. He looks down at his feet.

“Sure,” Maddie says, blowing out an amused huff.

“He’s so good. He walks into a room and everything gets brighter. He’s the sun,” Eddie says helplessly.

Maddie’s smile turns impossibly fond. “You love him,” she says. It’s not a question.

A smile of his own spreads unbidden on his lips. “How could I not?”

There’s a sharp intake of breath.

Eddie whips his head around and sees Buck, eyes open, lips parted.

“Eddie,” he breathes.

He should be panicking, maybe. Throat closing, heart racing, but—the singular feeling in his chest is relief.

“Hey, Buck,” Eddie says, incapable of and unwilling to keep the warmth from his voice.

“You—” Buck blinks twice, slow, like he’s trying to keep himself awake.

Eddie lays a hand on his ankle and squeezes. “Rest,” he says. “I’ll stay.”

“Stay… s’nice,” Buck slurs as he slips back into sleep.

“For what it’s worth,” Maddie says after a long moment, “pretty sure he loves you, too.”

Eddie watches the slow rise and fall of Buck’s chest. “Yeah,” he says, biting down on a grin that’s far too wide for the ICU, “I think he might.”

“Could take a second for him to work that out for himself,” Maddie says.

Eddie lets out a soft chuckle. “Oh, I know,” he says. “Gives me time to pick out a ring,” he jokes. Kind of.

Maddie laughs and shakes her head. “Is this your way of asking for my permission to propose?”

“Well I’m not going to ask your parents,” Eddie replies, wrinkling his nose.

Maddie’s eyes twinkle with amusement. “Could you imagine if I said no after all of this?”

“I’d ask him anyway,” Eddie admits.

“Good answer,” Maddie says.

Eddie laughs. “Oh, so that was a test?”

“No,” Maddie replies, shaking her head. “But he deserves someone that chooses him no matter what.”

“I do,” Eddie says with conviction. “I will.”

“Then yes,” Maddie says. “Just—don’t ask him in the hospital.”

[islandofarson]

Oh there'll be plenty of time for explanations later. right now i'll be taking my puppies back.

But they're ours! You stole them from us!

Here's a phone! Call somebody who cares.

(dials 911)

top tier simpsons bit tbh

[staffs-secret-blog]

Like multiple times every day everything on Tumblr won't load for 5 minutes, and then it just randomly works again without explanation and when I looked it up apparently nobody else has this photo :(

Get off tumblr permanently. If anything like this happens it's actually because we don't want you here

[a-substantial-trash-pile]

Catalyst

so in my au which i'm totally not using to cope or anything haha, after realizing that curly isn't going to do anything about jimmy, anya confides in swansea and he goes Protective Dad Mode. i'm calling this the "Responsibility AU." ramble below cut.

swansea doesn't immediately go after jimmy with an axe or anything because 1. they're not in a high stress life/death crash situation and 2. anya specifically requests that swansea not enact violence upon jimmy after swansea says, and i quote, "i'm gonna beat his ass." anya just wants to feel safer and more supported on the ship—she doesn't want swansea to get in trouble even if jimmy does deserve to get destroyed by 10000 punches.

what swansea can do is watch out for anya and make sure she's never alone in a room with jimmy. if there's a situation where she has to be alone with jimmy (like the psych evals), she and swansea have a system where she can signal for help. with anya's permission, swansea asks daisuke to help look out for her too (without telling him the details as to why since that's anya's right to share or not). daisuke has already picked up at this point that something is wrong based on how much more hostile swansea's become towards jimmy, and he trusts his boss, so he agrees without much question.

anya, feeling less alone now that she has people watching her back, gains more confidence to stand up to jimmy. which makes him angry because his unwanted advances are being denied and swansea and daisuke keep getting in his way. he just can't understand why he's being treated as the bad guy here (this is because he is a delusional asshole).

meanwhile curly is slowly realizing that he needs to actually do something here because the tension in the crew is palpable and increasing by the day. also swansea is being mighty passive aggressive to him and talking about "responsibility" a lot. curly keeps trying to talk to jimmy about it but the guy just keeps downplaying it and blaming everyone else but himself. and curly is realizing that his friend isn't who he thought he was.

it all comes to a head one day when an angry jimmy tries to confront anya alone and swansea steps in. things get heated, people start yelling. curly show up to see swansea and jimmy on the verge of fighting with anya and daisuke trying to hold them back respectively. curly breaks up the fight. jimmy storms off. curly follows him and finds him trying to get the gun from the case in the cockpit. curly asks him why he's doing this and jimmy claims it's for his own protection because he feels "threatened by swansea." he tells curly to give him the code. curly, the sheer wrongness of the whole situation hitting him, finally calls jimmy out on all his bs. jimmy just laughs in his face, still believing that he's not in the wrong and curly doesn't have the guts to do anything anyway. so the captain fires him on the spot. jimmy snaps and he and curly get into a fight in the cockpit. jimmy is trying to crash the ship and curly is trying to stop him. then the rest of the crew show up and anya knocks jimmy's ass out with the gun case. swansea is so proud.

they throw jimmy in the cryopod so they don't have to worry about him pulling anything else and he can be properly dealt with once the stupid delivery is over. everyone's like, "wow that was a close one—could you imagine how messed up it would be if we ended up in a crash because of jimmy? thank god that didn't happen." curly makes swansea the copilot until they can get a replacement and swansea's like, "goddammit as if i don't already do enough shit around here."

anyway my whole goal here was to get rid of jimmy early so i can have beautiful Found Family shenanigans in space with the rest of the crew. apologies and healing and happy times will happen. no the whole getting laid off thing doesn't happen. no i don't have an explanation for it. sorry for the essay.

[pageturner001]

Me: Ok, so Elijah was born in December, is majoring in Computer Science, is allergic to milk, here is an entire explanation of their gender identity and how they present themselves as well as an explanation of how I imagine their undiagnosed autism affects them. Also they love shrimp. I have yet to use most of this.

Also me: Um... Jeremy goes to college for... degree... and um... anime...

Are you a "I know their allergies, favorite holidays, favorite songs, birthday, etc. No none of this is in what said OC is in nor is it relevant to know" OC creator, or are you a "Yeah I mean... They probably have a birthday maybe idk..." OC creator ? Or a mix of both ?

[mywhisperingwords]

a touch that never hurts | fred g. weasley

summary: you seem to have fallen for your best friend, which you could handle if only he didn’t constantly touch you word count: 3.2k masterlist

It was official: you were stupid.

Only a complete idiot would fall for their best mate and here you’ve gone and done it. Because there was no other explanation for this feeling in your stomach as you looked across the Great Hall and watched Fred Weasley tell some stupid joke to his friends and wishing nothing more than to be the one he told the joke to.

He wasn’t even supposed to be here; just earlier today, Snape had given him detention.

While working on the assigned potion, he decided to mix things up to make you laugh after your bad day.

Before class started Snape decided to ruin the day and give everyone’s essays back. You flunked. Hard. After a big explosion and an awful lecture from Snape, any of Fred’s afternoon plans were ruined. For you.

You stood there, frozen in shock, trying to figure out how to go on with your life from here.

But how could you? This realization felt like the worst thing that’s ever happened to you—right after becoming friends with Fred Weasley himself.

You must’ve stood frozen in place for too long because he caught your eye and was now waving you over with his typical charming smile while the people around him were continuing their conversation, oblivious to the turmoil inside you. You briefly considered turning around and running away, but you decided against it. That would make this situation even more awkward than it already was.

Taking a deep breath and mustering a wobbly smile, you made your way over to the Gryffindor table. You exchanged greetings with your friends and headed toward a seat, hoping to get as far away from Fred as you could. But, of course, Fred had other plans. With a grin, he shoved Lee aside and proudly declared the seat next to him as free.

Bloody hell, he was making it hard for you. It’s as if he knew and wanted to torture you now that you had finally realized your true feelings. Feelings that didn’t actually exist; denial was your new best friend.

With no other choice, other than making this one hell of an uncomfortable situation for everyone, you reluctantly sat down next to him, trying to put as much distance between you two as possible.

But to no avail. As soon as you sat down Fred swung his arm around your shoulder and pulled you closer to him. “Thank Merlin you’re here. Could you be a darling and tell our idiotic friends that Snape does in fact secretly love me and that is the only reason he so often chooses to see me after class?”

‘Darling’ and ‘secretly loves me’, seemed to be the only thing your brain registered, not to mention that arm still wrapped around you. Has he always been this physically affectionate with you? It was hard to remember because Fred was looking at you expectantly as if he were waiting for something and…

Finally, your brain catches up, “Oh, that my dear Fred, is what we call detention. And wouldn't you know it, you're supposed to be there... like right now!" You playfully glanced at your imaginary wristwatch.

You could practically see the second he realized you were right. In a hurry, he jumped up from his seat and snatched the last food from his plate. But there was something important he seemed to have forgotten.

With a grin, you asked him, "Aren't you forgetting something?" Confusion washed over his face as he turned back to the table, searching for what he had missed, not finding anything. After a brief moment, he leaned down and surprised you with a kiss on your cheek. Speechless and mouth agape, you watched as the rest of the table erupted in snickers.

"You git!" you exclaimed, feeling your cheeks burn. "I meant your wand!"

Instead of being flustered like you, Fred found the whole situation hilarious. He joined in laughter with his friends and sent you a playful wink. With a glint in his eye, he swiftly retrieved his wand and innocently exclaimed, "Oops!" before making a speedy exit from the Great Hall.

Still trying to process what just happened, you turned to your friends, hoping they could provide the distraction and peace of mind you desperately needed.

Just when you thought it couldn't get any worse, George decided to torture you. With a grin, he leaned in and asked if you've figured it out yet. Your whole body tensed up, and you found yourself desperately wishing for an escape.

In your horrified state, you managed to stammer out a weak, "W-What?" The anticipation of his response hung heavy in the air, and you braced yourself for the worst.

George burst into laughter, which echoed through the Great Hall, making everything feel ten times worse. You couldn’t help but feel exposed, as if your deepest secrets were on display for everyone to see.

Through his laughter, George managed to squeeze out, "Bloody hell. Looks like someone forgot the essay for McGonagall that's due tomorrow."

You breathed a sigh of relief, realizing that he had no idea. How could he? You yourself just figured it out. And you’d do anything to keep it that way. You won’t tell a soul about any of it and just pretend that things were normal.

��

How naive could you be? How in your right mind could you ever think that keeping this from Fred was a possibility?

He knew you better than you knew yourself.

No matter how hard you tried to keep things like always it just wouldn’t go your way. First everything was completely normal, nothing out of the ordinary. You two would banter and share jokes. But as soon as he touched you in any way you panicked and run away from him.

You hadn’t realized how often he reached for you. It apparently had become like second nature for him.

At first you noticed the small touches, like accidentally bumping shoulders while walking together or him gently tapping your arm to get your attention.

But it was the larger gestures that pushed you to your breaking point, stirring up your traitorous heart even more. Like when he reached out and grabbed your hand in the bustling crowd of students during a visit to Hogsmead.

But the absolute worst was when he would slide in next to you, casually drape his arm around your shoulder and pull you close, all while effortlessly engaging in conversation with someone else. And what made it even more unbearable was that no one seemed to bat an eye. It was as if this physical closeness was an unspoken agreement between the two of you, that no one remembered to inform you about.

But as much as you tried to subtly keep your distance you could tell that Fred knew something was wrong. He saw it in the way you would purposefully choose to sit the furthest away from him even when the seat next to him was unoccupied.

You saw the confusion in his eyes when you started to avoid going to Hogsmead with the excuse of finishing your school work. He knew that this was never something that stopped you from spending time with him or your friends.

Since that first year you met Fred on the train, he’d been a constant presence in your life. You stumbled upon Fred and George pulling a prank on their older brother Percy. Instead of telling on them, you decided to join in on the mischief. As a result, Percy ended up with boils all over his face. From that moment on, you and Fred became inseparable. So, when you suddenly started pulling away without any explanation, it felt like the most awful thing you could do to him.

And you could tell that it was hurting Fred too. He wasn't the type to wear his heart on his sleeve; in fact, quite the opposite. But after all the years you've known him, you were priding yourself on understanding him better than most people in his life. He would never outright admit it, but your actions were causing him pain.

He would extend his hand, reach out, but as soon as he noticed that you turned away from him, he would pull back. In that fleeting moment, you could see the hurt and confusion reflected in his eyes, mirroring the hurt you were experiencing.

He even attempted to talk about it once. Normally, he would rely on laughter to uplift your spirits rather than delve into the realm of emotions. So when he approached you before your class, specifically to ask if you were okay, it created an awkward conversation for the both of you. All you could do was promise him, that if anything was wrong, you’d tell him.

What a lie.

His genuine concern shattered your heart. But it wasn't just him who could sense that something was off. You noticed how your friends would exchange worried glances every time you came up with a new excuse to avoid spending time with Fred.

Being around him became an unbearable risk, fearing that he might somehow discover your true feelings for him. It wasn’t just a simple crush; your feelings ran deeper, more intense.

Every time you witnessed his infectious laughter or his ability to light up the entire room with his jokes, a swarm of butterflies erupted in your stomach, consuming you from within. The guilt of keeping such a significant secret from him and the rest of your friends gnawed at you. But the thought of confessing your feelings and potentially jeopardizing everything held you back.

It has gotten to the point where you chose to spend your free time in the library. You knew that he would never step foot inside of it. So this place became your sanctuary.

But you should’ve known better. Fred Weasley may not be an overly emotional person but he was stubborn to no end.

One night after dinner, that ended with you leaving the table as soon as possible and an excuse, truthful this time, to do your unfinished homework you returned to the only place that felt safe from Fred.

There were only a few students left in the library. You grabbed your Charms Book and settled into a quiet corner, hoping to review your homework for Professor Flitwick.

But your silence was soon disturbed by the one person you wanted to avoid. Which was not entirely true.

The situation hurt, but you couldn’t help wanting to see him — even if only from afar.

Fred appeared to be searching for you because the moment your eyes met, he marched over to where you were sitting.

"Back to doing homework, huh?" he asked, glancing at your table.

"Actually, yes," you replied honestly.

“Oi, sod off. I know you mostly just sit here doing nothing — Lee saw you, you know?” he said.

“I don’t know what Lee thinks he saw but that’s not the truth. This is a library. I study,” you argued.

“Listen, I know you’ve been avoiding me. And I have no idea what I could’ve done. You’ve been blowing me off left and right. You’re being pretty obvious and I think it’s time we had this discussion.”

You stared at him, eyes wide open. “I don’t know what you’re talking about. I already told you, everything is fine.”

“Come off it! We’ve been friends for years and I know when something’s off. You’ve been avoiding me and you have been for weeks. I’m done pretending like I don’t know that. And things aren’t fine since you won’t tell me what it is. What’s this really about?” his voice was low, but you could feel his anger seeping through.

But you couldn’t tell him; too much was at stake. You’d lose your best friend. Even the thought alone was too much to bear.

“Fred, please. I just… I can’t explain it to you,” you pleaded.

“Why the hell not? I’m your friend!” You appreciated his concern, but his persistence was becoming overwhelming. “If everything truly was fine you wouldn’t be hiding here all the time! What’s going on?” he demanded, clearly just wanting answers, answers you couldn’t give him.

“I really can’t tell you. Please, I’m begging you, let it go.” Keeping this from him was killing you. You felt awful holding this secret from him. Deep inside you entertained the notion that he felt the same, but doubts held you back. It was pain-filled hiding something so important from a person that meant so much to you. You wished that he felt the same way, but fear gripped you tight.

Fred's anger was palpable, evident from the fury etched on his face. Madam Pince was shooting both of you disapproving glances. You secretly hoped that she would kick you out, giving you an excuse to escape this conversation.

“No, I’m not giving up. I deserve answers and I’m not leaving until I get them, understood?” He defiantly took a seat right in front of you.

You remained silent, refusing to speak another word. The more he pushed, the harder it became to keep this from him.

“I’ve got all night. Nowhere else to be,” he stated, arms crossed, his gaze fixed on you. Still refusing to speak, you turned your attention back to your essay, hoping he would eventually relent.

After a few minutes, he broke the silence. His voice now calm and his expression blank. No trace of anger or irritation. It almost seemed like he had come to accept the situation.

“Maybe this is for the best. You clearly don’t want to talk to me, so I’ll guess I won’t bother you anymore,” he said in a monotone voice, before he abruptly stood up and started to walk away, not looking back once.

Hot panic was surging through your veins and in an instant you jumped up, to go after him. Realizing that you were about to lose him either way, you took a chance.

“I like you!” The words echoed through the quiet library, their volume seemingly too loud for the stillness around you. He paused in his tracks, but didn't turn around. Unable to see his reaction, you continued, thinking maybe it was better this way, shielded from the potential disgust his face might reveal.

"I like you, and I'm really sorry, okay? I just need some time to sort things out and get over these feelings. I promise, but right now, I can't be around you. Not right now. That's why I've been avoiding you. Please, please don't hate me," with every word, your desperation spilled out, raw and unfiltered, while your eyes began to burn.

As Fred slowly turned around, his expression was unreadable, and it felt like everything was falling apart. Immediate regret was filling you up. Maybe, if you would’ve stayed silent and kept on ignoring what was going on inside of you, there would have been a chance to mend the friendship later on. But now, it felt like it might be too late.

“You like me?” he asked, his voice filled with bewilderment.

“Please, don’t make me say it again,” you pleaded, feeling overwhelmed by the situation.

His expression slowly transformed into a wide smile, "You're not kidding. You actually like me?"

Confused and feeling a sense of panic, you asked, "Why are you smiling at me like that?"

Fred's grin widened, making him look like a complete idiot, "I can't control it. You've just made me the happiest person in the world. Do you have any idea how long I’ve been hoping to hear those words?"

Silence filled the air. Your heart skipped a beat. "What?"

“I like you too, I was just waiting for you to catch up,” he confessed with a soft grin, his hand nervously rubbing the back of his neck.

"So, that's why you were always touching me?" you asked, trying to make sense of it all.

He let out a loud laugh, quickly quieted by a stern look from Madam Pince. He sent her an apologetic smile before refocusing on you and speaking in a hushed tone.

"And here I thought I was being smooth about it. I've been trying to let you know for a while now, actually."

“Bloody hell. You mean you felt the same all this time? Why on earth didn't you say anything?" You were in disbelief, feeling like you were in a dream. Maybe you had dozed off while reading about The History and Evolution of Enchantments and Charms Throughout the Ages.

"Well, why didn't you?" he asked.

"You've got me there," you said with a quiet laugh, looking down at the ground. After a moment of silence, you glanced up and saw him smiling softly at you.

"So... what's the plan now?" you asked, seeking some clarity.

"You like me, I like you. It's pretty clear, isn't it?" he responded.

You squinted your eyes at him, still not fully convinced.

"Now I can touch you as much as I want, and you can't escape anymore," he said with a mischievous grin, taking a step closer until he stood right in front of you.

"Oh, Merlin. You're a git," you exclaimed, unable to hold back a laugh. "Why on earth do I like you again?"

“Because I’m just that irresistible, obviously,” he laughed, joining in with you.

You placed your hand on his chest and playfully gave him a nudge. But before you could pull away, he surprised you by grabbing your hand. As you looked down at his hand enveloping yours, he posed a question. "So, about you admitting you like me... do you wanna back that up with a kiss?"

"Mhm, I'll have to think about that," you teased, raising an eyebrow. "I'm not sure if you deserve it, to be honest."

He grinned cheekily and retorted, "Oh, I definitely deserve it. What have I ever done to not deserve it?"

“Let’s try and remember. Just last week you-”

As you were about to list all the things he had done, he surprised you again by silencing your words with a passionate kiss. In that moment, your thoughts faded into insignificance, consumed by the intensity of the kiss. His hand gently caressed your cheek, deepening the connection between you. Your emotions were running wild, and it felt as if your body was ablaze.

After a moment or an hour, he pulled back, and you took a deep breath, trying to regain your composure. Opening your eyes, you gazed up at him.

"Sorry, I interrupted you. What were you saying?" he asked, his playful tone laced with a hint of mischief.

“I can’t remember,” you murmured, connecting your lips with his once more.

You’d been wrong all along—falling for your best friend might have been the best idea of all.

[nightmareweaverz]

What Is Love? (Mr. Gap x GN!Reader)

(Baby don't hurt me, don't hurt me)

This contains spoilers!!

CW: brief mention of murder, one single swear word, romantic gestures but it's all SFW, reader is a serial killer Word count: 1923

Hi, hello, I ended up writing fanfiction for this game after all. And it's for Mr. Gap because I love this dumb void creature obsessed with body parts. He's a love interest in the game, don't boo me, I'm right. Might continue this one later, maybe? Not sure if it's a one shot or not yet.

How long has it been since you’d decided to return to the other world indefinitely? You’re not entirely sure. Time is hard to measure here. You sleep when you are tired and you eat when you’re hungry. You’re at least certain you’ve slept many times since then. Sometimes you wonder whether decades go by as you remain here, among ghosts and monsters. 

If you’re entirely honest, it isn’t so bad. You can massacre whoever you please and nobody bats an eye. There’s no need to hide bodies, build alibis, get rid of evidence. 

Yet, at the same time, with every new set of hallways and decaying rooms, you begin to sympathize more with the likes of Mr. Stitch and Mr. Machete. You’d once wondered why someone would give away clothes for free or play hairdresser in this world. Now you find yourself yearning for something similar, a purpose or at least a way to pass the time. 

At least you aren’t alone. Mr. Gap has become an expected presence in every crevice, hole and gash you gaze into. He’s still a mischievous little jerk, of course, but there is comfort in knowing someone nonthreatening is at your side at all times. And he keeps your boredom at bay sometimes. 

One day (or perhaps night), you’re walking through the maze of hallways and rooms of the Other World, searching for a way to entertain yourself. You hope to encounter a new face. Or perhaps an old one. Part of you still hopes you’ll run into Mr. Crawling or Mr. Chopped again, as unlikely as it may be. 

Room, after room, after room, you walk. Until, eventually, your legs grow tired and, with a long sigh, you lean against a wall. Mr. Gap’s face appears in a nearby hole. 

“What wrong?” he inquires. 

“Bored,” you confess. 

“Me fun. Give your heart.” 

You scoff. “You not fun.” 

He shoots you a disgruntled look of disbelief, which begrudgingly makes you snicker. He thinks too highly of himself if he believes constant demands for body parts is considered entertainment. Messing with him on the other hand… 

You set your crowbar aside, then curl your palms in the shape of a heart, which you then present to Mr. Gap. 

“What you do?” 

“This is heart.” 

“That is hand.” 

“No, this is heart. Above world heart.” You grin mischievously. 

He looks entirely unimpressed and partially confused. “That not heart.” 

“This heart humans show when lots of like someone.” 

He goes quiet for a bit, still staring at your hands like they’re an unsolvable riddle. Then he stares at your face, even more confused. “You lots of like me?” 

Oh. You hadn’t considered that’s how the explanation would come across. You were only trying to poke fun at him. How do you talk your way out of this one? Would he get mad if you said no? Would it even be true to say no? You don’t think you’re ready for that type of introspection. 

“That…” you search for the right words in the very limited vocabulary of the Other World’s language. “Not… know…” you finally force out. 

“Why this heart show?” 

Now it’s your turn to grow frustrated with him. “Why you want heart?” 

He’s already given you an answer to that question in the past. Because it’s fun. Something you failed to comprehend. Perhaps the same way he failed to comprehend your idea of “like.” So before he can answer, you grab your crowbar and march off. 

Unfortunately, the question pops into your mind again as you continue to wander aimlessly. Can someone like you fall in love? 

You've taken so many lives, simply because it was fun or convenient or you got sick of their attitude. You've done the same thing in this world. 

The hunched over figure of Mr. Crawling pops into your mind. Then, the smiling face of Mr. Chopped. And, eventually, Mr. Gap's annoying grin. Those are people you wouldn't kill. They are people you want to keep around. Perhaps people you would kill for instead, if needed. But does this attachment go deep enough to be called love? 

Perhaps you aren't sure of what that feeling is anymore than Mr. Gap and it’s all feigned knowledge. 

Your feet are hurting by the time you finally find a proper place to rest. You've lost track of time. 

Though your body is tired, your mind remains restless as you set aside your crowbar and sit on the bed. This is a far cry from the entertaining activity you’d hoped to find. 

“What wrong?” a familiar voice inquires beneath the sheets. You lift them up to reveal Mr. Gap’ face once again. 

How do you even explain your issue to him? 

“Feeling not know.” 

He goes quiet for a bit. “Teach me lots of like?” 

Is he saying he wants you to explain love to him? How do you even begin to do that? Perhaps you can narrow it down to romantic love at least. 

“When lots of like, person special. Say nice words. Want to protect. Want to follow. Do special touch. Help person when need.” 

The limited vocabulary makes it especially hard to put it into words. You aren't sure how well you'd explain it to another human either. 

As expected, Mr. Gap looks puzzled. “Nice words? Special touch?” 

He's focusing on the more romantic aspects, it seems. You prop your head against your hand, thinking. “Nice words not have here language. My language have nice words.” 

“I see…” he murmurs. “Show special touch?” 

You pout at him. “Why?” 

“Want to know.” 

So he's just curious. Or, knowing him, he heard the word “special” and decided he wanted it to be about him. He does have a bit of a big ego, always taking pride in startling you, often shoving pages of articles about him in your face. You cross your arms and turn your back to him. 

“What wrong?” 

“You bad. Me need help, you want heart. Me need help, you want hand, you want head, you want leg. Me not show special touch.” 

“Me nice,” he says, sounding offended. You don't have to turn around to know he's giving you that astonished look he makes whenever you criticize or baffle him. 

You laugh mockingly. “Not. Goodnight.” And with that, you shove down the sheet, blocking him from view. He's always poking fun at you, it's about time he got a taste of his own medicine. 

. . . 

When you wake up, Mr. Gap is nowhere in sight. It isn't entirely unusual. He has moments when he's off doing his own thing. Deciding to do the same, you take off in search of something interesting to occupy yourself with. Preferably not another mind boggling question. 

Hours pass, probably. Residents appear every once in a while, some friendly, some hostile. None of them scare you anymore. You only interact with them to pass the time. Until you eventually come to a stop in a room full of debris and objects from the human world. There, you sit down and begin to search for anything worthwhile. Maybe something to read. 

To your luck, you gather several magazines and books. Your arms are full by the time you feel a tremor shake the room. Another earthquake. You waste no time getting out of there with your new haul. 

But as you stop to set everything down, you realize you've left your crowbar behind, in the now collapsed room. A few curses rush out under your breath. 

“Hello.” 

You turn around to find Mr. Gap peeking out of a hole in the wall. “Want attack tool?” He waves the tip of your lost crowbar around. “Take, take.” 

“Take? You not want heart?” 

“Not want!” 

Huh. Maybe he took your criticism yesterday to heart. You grab the crowbar and mutter a “Thank you.” 

That wide, unnerving smile of his spreads over his face before he fades off into the darkness. What is he planning now? 

For the next few days, he continues to go out of his way to bring you things, take you places and fulfill any requests you might have without demanding any body parts in exchange. Relying on him almost becomes a habit. However, you have a slight suspicion he's not doing this out of the goodness of his heart or because he felt particularly sad about your accusations. These nice gestures must be leading to something. 

And surely enough, at some point, during one of your breaks from wandering, he appears before you, looking particularly delighted. 

“Me nice. Show special touch.” 

How typical. You narrow your eyes at him. 

“No?” he asks, the smile fading from his face. 

Part of you wants to lecture him on doing all that to prove a point. The other part suspects it won’t do much. 

“Okay okay. Me show,” you give in. Maybe this will make him act nicer overall. You can't deny the fact that he's helped you a lot lately. 

“Thank you.” 

You position yourself directly in front of the hole in the wall and then point at him. “Hand.” 

He blinks. “Not give my hand.” 

Of course he thinks you want his severed hand. 

“Me touch your hand,” you clarify. At that, he finally understands and sticks one of his hands out. 

His palm feels cold and damp to the touch when you press yours against it, but his skin is oddly soft. You interlock your fingers. His own remain limp in the air for a moment. Then, upon observing what you're doing, his fingers press down against the back of your palm, mimicking yours. It's not an unpleasant feeling. 

Are his nails naturally black or does he paint them, you wonder. The image of Mr. Gap painting his nails makes you snicker internally. 

“This one touch,” you explain. “Human person do this with special person.” 

He stares at your interlocked hands, intrigued. “You know more?” 

Naturally, you do, but you hesitate as the next gesture comes to mind. Your own curiosity is beginning to kick in, ushering you to try it. Will it awaken anything in you? 

Driven by that curiosity you say: “Yes.” Then, reach into the opening in the wall with your free hand. 

His cheek is just as cold and damp as his hand, perhaps the effect of dwelling inside crevices and hollows all the time. Gently, you tug him towards you and he follows, gaze flickering between your hand and your face. You lean closer as well. 

His lips are dry against yours. And you feel no breath from him. Whether it's because he's holding it in or he never breathes to begin with, you aren't sure. You don't linger for long, but something odd stirs your insides for the brief moment you spend kissing him. 

How suitable, for someone like you to be exploring love with a sinister void dweller who knows even less about it than you do. Oddly enough, you don't dislike it. 

“This lots, lots special,” you explain after you've pulled away and let go of his hand. 

He uses his now freed hand to touch his lips. A smug look is slowly overtaking his face. This arrogant little jerk. 

“Me special,” he concludes. 

“Not,” you argue. “You ask. Me show.” 

You have a bit of a staring contest between your glare and his smug grin. 

“Me want your heart,” he says finally, still with that smug look. 

“Oh, fuck you!” 

It's going to take a long time if Mr. Gap is to become anything akin to a lover.

[prettypinkeel]

I made some icons for my megoplita au, so here's some explanation of the relationship between the characters in this AU + icons without text in the end. (this is inspired by other tf universes and various shows, etc., it's not tied to any canon)

Relationship chart:

1)Megoplita family

Optimus and Elita are married here. The two were dating since high school and their relationship only grew stronger through years, eventually leading to their marriage.

Both OP&Elita are having feelings/dating for D-16 (and this is mutual).

Rodimus is a distant family member from OP's side but he visits his family a lot, giving that "cool uncle" energy towards Bee.

Arcee and Roddy are besties, and based on comics, I made her adopted by Ultra Magnus, with Magnus mentoring Arcee.

2) Skystar/Jetstar family

Starscream and Jetfire were also high school sweethearts but they were more "friends to lovers" troupe. Both Star and Jet wanting to become researchers in the future. Eventually, they achived their dreams ⭐.

One day Twitch and Spitfire appeared in their lives, the twins were the important life for the two. Despite being a young parents, they always there for each other.

But after one accident, Jetfire was declared missing/dead and that had a big impact on Starscream, so he had to abandon his dreams and focus on raising Twitch and Spitfire, who are still very young.

3)Megastar family

Somehow, D-16 appears in Starscream's life when he needed someone the most. Their relationship were nice at first, D-16 helped with raising Twitch and Spitfire.

Spitfire didn't really like her new dad, so she still clang to Starscream more. Meanwhile Twitch grew really close to D-16, her friendly personality is irresistible!

But D-16 and Starscream relationship doesn't last long. I see them dealing with their own problems separately, they struggle with something «simple» like just sit down and talk, since none of them wants to bother the other. One is growing distant due to trauma of his soulmate leaving him all alone in this world, the other has no idea how to fix this, in a fit of frustration it all ends in break up. They still think of each other as the reason of it.

4) Colleagues:

I think 13 Primes are alive here, and they trust Sentinel very much to deal with the company.

Elita-One is mostly closed with D-16 since they work together, with Elita being his boss. There are some admiration D-16 feels towards Elita which grows into deeper feelings.

Starscream and Elita dislike Sentinel due to his smug personality. Sentinel makes it his personal goal to mess with Starscream throughout the day, and Elita just gets very protective over D-16.

Sentinel and Arachnid are dating here, but they're free to explore the other options. Airachnid listens to him gossiping about the others or just rambling his thoughts to her, both don't really mind it. They're just that duo who tell each other "exaaaaaactly" lol.

I also like the idea of Shockwave having that tiny crush on Elita but he would never admit it, even though it is very obvious. They're co workers but work in different department.

Airachnid and Elita rarely talk to each other unless it's about business, there's something in Elita that makes Airachnid to take interest in her. Silently staring at Elita from the corner of the room as definition of love language, aaaaaaa :p

[massharp1971]

Oh look I found why I'm getting anon harassment in my inbox - back from the depths of one of my shittiest years - and also note my explanations have been edited out. How very intellectual of you all to prove I'm very very stupid via the medium of memes. I give a more lengthy explanation of where I was coming from here although I'm pretty sure I did so at the time.

But also, some context: At the time of writing I was a part-time academic researcher in HUGE study related to a marginalised group. There are reasons I can't specify. The tenured professors in charge of the project had no academic background in this very niche field nor lived experience (I did and so did other junior researchers). And through the duration of the project they failed to engage with the existing research on this marginalised group, which meant by the time we came to write up they were embarassingly ignorant about the field. They also did really poor work - writing stuff up on the fly that was academically weak, poorly analysed, and poorly cited. If an undergrad had turned in what they did, they'd likely have failed. But they were professors - in UK, that means the top echelons of academia, and they could get away with any old shit. The professors were also heavily politically influenced by existing powers within the clinical field to water down what could have been incendiary findings about existing practices. I.e. the people who did not have lived experience but studied our community like bugs under a microscope were the people who called the shots. And they were also a boys club who got where they got via recommendation rather than training or academic engagement. There was no real evidence or academia underpinning much of their practice, which was part of what our research showed, and they were trying to cover up. So when I wrote this (and the more that has been cropped) I was an exhausted, burnt out academic working ridiculous hours to catch the worst of what these truly incompetent and self-serving professors were trying to put out into the world, all the while knowing that the very clinicians who were being exposed for basically abusing marginalised patients had more influence over the project than the people of lived experience (and more considerable collective academic knowledge of this particular niche) being tokenised and exploited as workers in the research, but also being silenced and ignored when convenient in the interests of power.

And the thing was, that there is such a complete lack of engagement with this community's embedded knowledge and our academic output that piss-poor academia passes muster in the field IF it props up existing biases and oppressive practice.

So I was, and continue to be, very jaded about how marginalised folks fare in academia. I'm also terrified of the way money and power dictate what research tells us and which research findings get heard and which buried. As for peer review? The "peers" reviewing are rarely embedded or of lived experience themselves, so peer review is sometimes little more than a pale stale male back slapping exercise. It vastly depends on the field, of course. But go read about the replication crisis in psychology - all that shit was peer reviewed and a whole field was built on it. You don't need to be an academic or be able to read books to tell whether academic research on marginalised people is good or not, you just need to listen to a few sensible, moderately smart people from the marginalised group, and check that they are reasonably well thought of by the group at large. Whether or not they're academics - personally, I'd pick both, because there was A LOT of pressure on those of us who were marginalised in academia to eat our words and not challenge stuff for the sake of career progression, and I came rapidly to the conclusion you cannot be a marginalised person in academia without having to make choices that may well betray your principles and your community.

Which is why I'm no longer an academic. There are other sources of learning than influencers OR academia and sometimes the best way to learn is to listen to a bunch of people who have the right experience rather blinkeredly trusting letters after their name. I got into academia through an atypical route and had written very well thought of, well researched and well cited materials including a published book before I was (briefly) an academic.

So, don't you come at me telling me I can't read. I wonder which line of this people will cherrypick to "prove" that anyone who doesn't swallow whole every last thing academics say is stupid?

(including Andrew Wakefield, presumably, because he was very much peer reviewed, but when your research feeds a moral panic about a marginalised group, peer review isn't the all-powerful catch of bad research people think it is) Will you screenshot me again so I don't get a chance to explain myself or right of reply? So I don't know why I'm suddenly having to turn my inbox off anon asks?

signed an anti-intellectual, apparently. Or maybe someone who doesn't think it's safe to go round the internet saying "believe everything academics say, peer review means you can trust each and every word of it, always, and the neoliberal and political forces that blight influencer culture are repelled entirely by red brick" I fucking wish.

[senseandaccountability]

the narrative that could have been

Having mulled over the game for a couple of days I have realised that the main problem for me is that Veilguard is good based on the premises they ultimately choose, but not based on the set up and promise of what was there before. I know this isn’t a unique take by any means and yes it’s all about the Evanuris and the Veil and Solas. 

Replaying really emphasises how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

The game actually gives no explanation whatsoever as to why the Veil coming down would be worse than what Rook causes in the beginning and what the escaped gods then do to the entire Thedas. The entire south falls to the Blight because Elgar’nan and Ghilan'nain are let loose. The Wardens are more or less wiped out. There’s enormous political turmoil. The game gives us Solas saying “thousands” would die when he brought the Veil down, but that he had a host of spirits there to help. (Yes, I know, his sole function in this game is to Trick and Deceive so who is to say if he’s lying, HUH, but even so, THE ENTIRE SOUTH FALLS TO THE BLIGHT IN ROOK’S VERSION OF THINGS.)

The game puts emphasis on Solas's questionable methods and past horrors but it doesn't ever explain why his goals are despicable here and now. It doesn't convince us that tearing down the Veil with lots of safety measures in place and after considerations is a bad result, all things considered - save for Varric’s initial yelling about demons. (We even learned in DAI that the Veil itself creates demons because it restricts the passage of spirits, come on.) Because three games have suggested it's not, not ultimately. Trespasser especially nuances this, just as it nuances Solas’s view of this current world state. Right after his long nap he would have nuked it all, I’m sure, but the whole point of character arcs is that things happen in them and what happened to him is that he was shown layers and angles he had not considered and adjusted his mindset and ultimately his plan accordingly. That is where DAV should have picked it up. That's where the build up was headed. But, now he must serve the narrative solely as the God of Treachery and Lies which means that previous build up is washed away for the most part. (In no way do I think he is OOC in DAV, I just want to point that out so nobody thinks I’m a sappy fangirl or whatever. I think he is perfectly in tune with his inner Dread Wolf, but that is also all he gets to be, because of the narrative, and I’m always much more interested in when roles and personas clash.) Again. The main problem is that the narrative cannot explain why bringing down the Veil would be the worse option than the shit we see unfold on screen. Instead it gets a bit lost in the past.  And I have Issues with that, as well.  Like, the dumbing down of the war against the Evanuris. The war that started because the leaders of the rebellion - who previously had to carry out terrible orders so the Evanuris, the upper crust of the Elvhenan, could play gods - decided that the Evanuris was a threat to them all. And the game gives us what, a depiction of how the rebellion ended up crossing lines, too? No shit.

Like, I am fully on board with the individual theme of regret on Solas’s part and he ought to be wrecked with guilt but I wish the game could be less all over the place with what sort of things he ought to be wrecked with guilt over. Saying fuck you to the Evanuris is the best and brightest of his character, I suppose I just don't want it dragged down to the same level as him breaking the Titans. I suppose I would have wished for a narrative that also worked on a systemic level when depicting things like, you know, war and revolutions and subjugation. But we don't have that, because DAV is only about personal choices. The Lighthouse crew flippantly writing the hierarchical and violent power struggle off as being about love and betrayal is on my shitlist forever. 

No, Taash et al, it was not about pussy, it was about feeling compelled by superiors to commit heinous war crimes and being lied to about the actual purposes of your damn war in the first place. The elves shouting at Elgar’nan and Mythal in this painting aren’t driven by love and sex they have been lied to by their ruling class. It was never about freedom or ending the wars, it was always about Elgar’nan jerking off to ultimate godhood. The writing even suggests betrayal here is to be understood as Netflix drama betrayal, maybe some juicy porny plot but it’s ABOUT THE BETRAYAL OF THE ELVES BY THEIR OWN KIN.  ((ETA: I would have wanted my Dalish mage to be allowed to be furious, NOT WITH SOLAS, but with the fucking Evanuris for betraying her people and being so fucking vile that the only option that remained was to create a world where she's a second-class citizen. I would have wanted the game to recognize that not all causes are equal and that Elgar'nan's cause for godhood was objectively more vile than Solas's cause for freedom because as it stands now, there are some really iffy vibes of "both sides are equally bad" and other things authorities tend to say when comparing destructive regimes with uprisings.)) I’m sorry, this shit hits me on a personal and political rage level. 

I also can’t help but mourn a game where the Trickster God fulfilled his trope’s duty and shook the stagnation apart with his actions - for good or ill, the way trickster gods are wont to do - and where Rook was tricked into helping and then, a more complex game about its consequences could have unfolded. The Evanuris could still have been the bad guys, if they wanted big villains frothing at the mouth. There could still have been numerous unplanned consequences, like all of Solas's plans have. Maybe other ancients awake as well. Maybe ancient evils who aren’t elves, who knows. Point is - the Veil should have come down, at least in some form, at least in some outcome. THAT is what they've been building up to. In this game that never was, Rook could be an actual interesting character where we could mold her as either accepting of this trickster role (which fits perfectly for a blank slate with no ties) or set to overturn it and enforce status quo, with some vanilla option in the middle. Maybe the Veil doesn’t come down until the very end of the game, ancient magic takes time after all, maybe a lot has happened by then. But ultimately, Rook’s choice in the end should not have been about siding against Solas because he’s lying to you or because he did horrible things in the past or siding with him because you want him redeemed. The narrative should have provided those options either way. The narrative should have been brave enough to suggest that hey, maybe Solas isn't wrong at all - his methods maybe, but his goal, no. If they truly wanted mirrors between Rook and Solas, Rook should have tackled the issue of actively bringing down the Veil herself, not because it's a roses and sunshine-outcome but because it might very well be the lesser of two evils. Gods, that would have been interesting. It should have been a choice about what sort of world Rook and the Veilguard wants to see in the future. It should have been about the people, the world, not how angry Rook is that an ancient elf has tricked her. 

That would have been the game I wanted to play.  This story doesn't really give anything new to the world of Thedas, which a world without the Veil would have. It accomplishes closure for our favourite trickster god and bless them for that, but as for the plot and the world-building it ends on a meh because the narrative isn't about the people unless they're brought up as being endangered. This is why I can feel satisfaction regarding the thematic conclusion to certain character arcs, the trickster becomes the healer with the bloodiest hands, the wolf submits willingly to his trap and so on and so forth, and I can have fun with the characters and their arcs but also really mourn the game that was there, in subtext and build up over three previous games and in several tie-ins.

[literaryvein-reblogs]

A Guide to Descriptive Writing

Descriptive writing makes reading a more visual experience.

Utilize descriptive writing, to show not tell your story to readers.

However, it is important to note that if passages of descriptive writing are too long or too complex, they will slow your story down.

Alternatively, the story's development and readability fall flat if you do not use a variety of types of words.

Take time to choose your words carefully, expand your vocabulary, and practice descriptive writing.

Below are some tips that may improve your descriptive writing.

Try Using Metaphors

Metaphors compare one thing to another.

Utilizing this technique is not saying the objects you’re comparing are the same, but that your audience can note shared traits between the two.

Example: Jordan is a living map.

Explanation: Of course, Jordan is not literally a living map. What the map and Jordan have in common is geographical information and the ability to help others navigate locations without getting lost. What the writer has done here is demonstrate to readers that Jordan has an excellent sense of direction.

Play with Similes

Similes also compare one object to another but discuss one thing as being like another.

You will often find words such as “like,” “so,” “than,” or “as” used in similes.

Example: Diego soars across the soccer field like a jet.

Explanation: Again, this is not a literal statement. The author shows us that Diego is a fast runner and creates a vivid image in the reader's mind that would not have been present if they had simply stated that Diego is fast.

Make a Statement with Hyperboles

Hyperboles are exaggerated statements.

They are used to make a point.

Example: Math class lasts a million hours.

Explanation: Your readers will know there is no way a class can realistically last a million hours, but they will understand the feeling of time dragging on when you’re doing something you do not enjoy.

Use Sensory Details

Adding sensory details is a great way to help your reader experience your story.

Depending on the character and story, sensory details may include sight, hearing, touch, smell, and taste.

Be careful not to overload passages with sensory information.

Only use what is needed to communicate with the audience.

Example: Cold, wet glue dripped from the bottle onto her fingers; the tangy, chemical smell flooded her nose. She rubbed it between her thumb and long finger, relishing the transition from silky gliding fingers to tacky digits to peeling the cast of her fingerprint away from her skin with the satisfying crinkle of crisp paste.

Explanation: In this description of glue on skin, readers encounter details of touch and smell. Although this scene is not happening to readers at this moment, they can easily recall the smell of glue and the feeling of it between their fingers.

Choose Vivid Language

Choosing vivid language can form a clearer image in your reader’s mind.

For instance, you may select words that more accurately convey what you’re aiming to communicate, whether you are simply searching for a synonym to vary language or trying to locate a word with a more nuanced meaning.

Example: “The knight entered the kingdom on the back of a horse.” vs. “The knight stormed into the kingdom on the back of a mighty stallion.”

Explanation: Having a knight storm in on a stallion rather than enter on a horse is a much stronger, more heroic image. Additionally, stallion may be a better word choice than horse because it is specific. The word stallion tells the reader the horse is male and could be used for breeding, which, since this is a knight’s horse, could be relevant since it could be used to breed warhorses.

Incorporate Feelings

Crafting a visual experience for readers marks successful descriptive writing, but you also want your readers to experience your work emotionally.

For your story to reach its full potential, you need to incorporate feelings, whether those feelings are positive or negative.

Example: Desiree felt the weight of the empty space in bed pressing down and stealing her breath like a knee to the chest. She was cemented in place, limbs unfeeling, as she floated above the bed tethered to her body but no longer secure within.

Explanation: Here, the author shows the readers a woman dealing with the pain of grief and the hollowness that sometimes accompanies it. Most readers have experienced some level of loss in their lifetime and will understand and emotionally connect with Desiree.

Source ⚜ Descriptors ⚜ Common Metaphors ⚜ Mixed Metaphors Plot ⚜ Character ⚜ Worldbuilding ⚜ Imagery ⚜ Notes & References

[lolli-popples]

I love Pearl shooting BigB after Cleo confronts him about plotting betrayal. And I love how happy Cleo is about Pearl having her back on this, about not just brushing it off.

Like idk, Pearl directs her unhinged violence towards BigB for an event she wasn't even there for, she's not listening to his excuses, or to his explanations.

Cleo being fully believed, and taken seriously, on a betrayal from someone she trusted. They're not welcome back here, no matter what's said.

And Pearl being appreciated for what she does. Thanked, by Cleo, for keeping out the person who conspired to kill Scott.

Someone gets kicked out of an alliance by two people, on Cleo's word, for hurting Scott. But it's BigB, by Pearl.

Idk. Things change. Are they better? Are they worse? Maybe both. But things change, and they repeat, but in different ways.

I love it.

[zippocreed501]

Here's an explanation via www.quora.com

In British slang, however, “to trump” (intransitive verb) also means to expel gas through the anus — e.g. Trumped from eating too much baked beans — often in a highly audible way (as in with trailing sound)

GOD BLESS PATTI LUPONE BECAUSE SHE SAID THAT WITH HER ENTIRE CHEST 😭🫡

[archiveikemen]

"Chaotic Night" Collection Event: Bonus Story

Ring Schwartz

This is a fan-made translation solely for entertainment purposes with no guaranteed perfection; expect mistakes, grammatical errors, and some creative liberties. All original content and media used belongs to Cybird. Please support the game by buying their stories and playing their games.

Read this before interacting

creds. to nagi for sending me the story ♡

Due to the effects of an extract derived from Queen of The Night flowers, the Cursed Ones had a change in appearance.

Amidst all that, someone grabbed my arm and pulled me into an empty room.

…

The moment I entered the room, I frantically looked around to see the identity of that person. He was none other than—

Kate: Ring…? 

The uncertainty in my voice was because he looked different from usual. 

Ring had a pair of animal ears on his head, and a beautiful tail on his bottom. 

On top of that, those eyes that were usually calm and the colour of a water’s surface were dyed red. 

Ring: Um… sorry for dragging you along without explanation. 

Despite the change in eye colour, the intensity of his gaze remained the same. 

Under that gaze, even though I wasn’t guilty of anything, I felt flustered. 

Ring: But in order to protect, there was no other way. 

Kate: To protect…? 

Ring: To protect Nica and Dari, I had to take you away.

(... Ah, it's those two from Vogel.) 

It was embarrassing that for a moment, I thought he meant that he was trying to protect me. 

Ring: It’ll be trouble if something were to happen to you from going near Nica and Dari who are acting weird now. 

Kate: “Something”...? 

Ring: Y-you want me to say it…!? It’s, you know, that sort of erotic thing…! 

(Erotic thing…) 

Kate: Uhh… even if you weren't concerned about that, I would never do such a thing to those two, you know?

Kate: Besides, I’m worried about everyone who had their appearances changed, so I want to head back… 

Ring: S-stuff like being worried… y-you’re always so casually saying such adorable things… 

Ring: It’s just as I thought… even if you don’t have that sort of intention, just being near you is dangerous. 

Ring: Doesn't matter how you think. I can't allow you near them. 

Kate: But if you do this… won’t you be in danger yourself for being closed in the same room as me? 

Ring: That’s not a problem at all. 

Kate: … Why so? 

Ring: Even if I get seduced by you, I don’t know how to—... 

Ring: A-anyway! It just won’t be a problem! 

Kate: W-wha…

Ring: Whatever it is, I won’t allow you to appear before Nica and Dari until this whole situation resolves. 

Ring: You MUST remain where my eyes can see you. Got it? 

While saying that, Ring went to sit in front of the door like he was going to physically block me from leaving the room. 

(Looks like it’ll be hard to talk him out of this.) 

(But I don't want to sit here idling while Ring keeps an eye on me…) 

(What can I do in this situation… oh, right!) 

Kate: Ring. If you don't mind, can I examine you?

Ring: Examine me…? 

Kate: Roger said that there are still many things unknown about the Queen of The Night flower. 

Kate: So I’m thinking that if I examine someone who went through the change, it’ll be helpful for the other Cursed Ones… 

Ring: Helpful for Cursed Ones… in that case, being cooperative temporarily shouldn't be a problem… I think. 

Ring: … Got it. I don’t mind if it’s myself you’re examining. 

Kate: Thank you so much! Can I start with touching the places that changed? 

Ring: These ears and tail? Well, those aren’t any weird parts so it should be fine… 

Kate: Okay then. Pardon me.

I touched the pair of animal ears on Ring’s head. 

Kate: The fur is thin and soft… very much like Ale’s ears. These are dog ears. 

Ring: I- I see… 

Kate: Can you sense it when I touch them? 

Ring: … Yes. 

(So they have sensory functions and aren’t purely ornamental. In that case…) 

I moved closer to Ring’s dog ears and whispered.

Kate: Can you hear me…? 

Ring: Uwagh! D-don’t whisper in my ear all of a sudden…! 

Kate: I-I���m sorry! I thought I’d examine if you could hear through them… 

Ring: N-no, it'd be fine i-if you told me beforehand… I was just a little surprised… 

Ring: Uhh… I could hear your voice through the ears. … You can continue examining. 

Seeing how frightened Ring was, I figured that continuing with the examination would cause him distress. 

In the corner of my eye, I noticed something shaking. 

(... Hm?) 

I took a better look at it and saw that Ring’s tail was wagging vigorously.

(Tail wagging is what a dog does when it’s happy, right?) 

(Could it be… whispering in Ring’s ear made him happy…?) 

Ring: … Robin? 

Ring tilted his head and stared at me as I stood there deep in thought. At the same time, his tail kept on wagging non-stop. 

(Maybe Ring didn’t notice it himself… I’ll give it another try.) 

My initial plan was to do a proper examination, but my curiosity and mischief got the better of me. 

Kate: I whispered into your right ear earlier, so I’ll try it on the left ear this time.

Ring: Y-yeah… sure.

I moved to his other side from behind and gently put my lips close to Ring’s left dog ear. 

Kate: … Ring.

Ring: UWAH…! 

The instant I whispered into it, Ring jumped back in surprise. 

Kate: A-are you okay? 

Ring: My ears aren’t okay… my dog ears… did they melt? 

Kate: Melt…? No, they look the same as before. 

(... Only that his tail is now wagging even harder.)

Ring still didn’t notice his tail wagging faster than one’s eyes could catch. 

It looked exactly like Ale getting a tasty snack. 

Ring: Hearing your voice and feeling your slight breath against my ear… felt like my ear was going to melt off… 

Ring’s face was bright red as he covered the dog ears with his palms. 

(As I thought, the ears are sensitive… although it's for the purpose of examining this strange phenomenon, I ended up doing something naughty.) 

Ring: …

Ring: sigh… you’re sly indeed.

Kate: Huh…? 

Ring: It’s unfair that I’m the only one feeling embarrassed here. 

Ring: … Can I touch your ears too? 

Kate: My ears…? 

I was surprised by the unexpected question, and he gently touched my ears with his fingertips. 

Kate: …! 

Ring: Even your ears… are small and soft… cute… 

Kate: I-I don’t think my ears are cute or anything like that…

Ring: That’s what I’d been thinking until now. … But everything about you is cute. 

He only touched my ears, but Ring was staring so fervently at me… 

I felt loved all over, not just my ears. 

(T-this is embarrassing…) 

It got too awkward and I tried to avert my gaze, but… 

Ring: … What are you looking at apart from me? 

Ring: I’m the sole other person here, so you’ll look only at me. 

Kate: … 

Hearing his plea in that heartrending voice, I could no longer take my eyes off him. 

(Besides… his tail was now wagging really hard.) 

Kate: U-umm… did you really enjoy it that much? 

Ring: … E-e-en-enjoy!? 

Kate: You were wagging your tail so much while touching my ears… I’m not sure if you have a thing for ears or… 

Ring: I-I don’t especially like ears… 

Ring: Or should I say, what was that about my tail—...!? 

Ring finally noticed just how hard his tail was wagging. 

Ring: Ahh, t-that’s not…! It… it’s just shaking on its own…! 

He tightly grabbed the base of the tail in an effort to stop it, but it was fruitless. 

Ring: Ggh…! You ARE dangerous after all! This is my own body, and yet it’s not listening to me…! 

Just then, there was a knock on the door.

Darius’ Voice: Ring, I heard a voice… are you in there? I’m coming in. 

Darius: Here you are, Ring. Miss Fairytale Keeper is here too. 

Ring: Dari, no! Her eyes are dangerous! 

Darius: … What do you mean? 

Ring: If you look into them, you’ll get sucked in and your tail will start wagging— whatever, it’s just dangerous! 

Darius: I don’t feel anything at all. Aren't you the only one getting spellbound by her, Ring? 

Ring: W-what do you mean spellbound…! 

Darius: Either way, you shouldn't be alone with her if she makes you feel uneasy…

Darius: Wouldn’t it be better to stay somewhere everyone can keep an eye on her? 

Ring: T-that’s… 

Darius: … You see, Ring. I’m concerned about you the same way you are about me. 

Darius: That’s because we’re family, isn’t it? 

Ring: … Yeah. 

Darius: Come on, let's go. Nica’s waiting for us. 

Ring, who was led out of the room by Darius, looked at me as though he had something to say… but he left without a word in the end. 

His tail, which had been wagging energetically just a moment ago, was now hanging limply. 

(Like a dog feeling lonely after being separated from its owner…) 

(... No, no, no. If I have to put it that way, wouldn't Ring’s owner be Darius?) 

(Stuff about feeling lonely after being separated from me… it must be a misunderstanding.) 

= Flashback Start =

Darius: Under the effects of the flower, just like on the night of the Queen of The Night flower, our sins are heightened.

Darius: … Ring’s sin is “jealousy”. 

Darius: So even if Ring’s words and actions come off as suggestive today… it’s because unlike ordinary people such as yourself, we’re Cursed Ones. 

Darius: Don’t get the wrong idea, Miss Fairytale Keeper. 

Kate: U-understood…

= Flashback End =

(It was indeed as Darius said. Ring only touched me because of his curse’s sin…) 

(But…) 

On this night when everything was turned into chaos due to the Queen of The Night flower, my feelings aren't influenced by anything because I’m not cursed.

So that means… my heart racing because of Ring’s honest gaze and his hot fingertips touching my ears— were undeniably real, even on this chaotic night.