#there was a point it started being comedic

[mrs-stans]

Inside Sebastian Stan’s Winning Look at the Golden Globes 2025

With help from Frank Sinatra and hopes of a postshow burger, the Prada- and Cartier-clad Stan prepared for his first major awards show victory.

BY SAVANNAH WALSH

Sebastian Stan entered the Golden Globes 2025 with two chances at winning—nominated for both his portrayal of Donald Trump in The Apprenticeand his more comedic performance as Edward, an aspiring actor living with neurofibromatosis, in A Different Man. But in the lead-up to his big night, Stan was eager to put his double nominations into perspective, instead focusing on what he could control: a hearty postceremony meal. “You always read about people having burgers or somethingafter these award shows,” he told Vanity Fair.“I mean, that sounds kind of nice, to be honest.”

A celebratory nosh was well-earned by Stan, who won best actor in a musical-or-comedy film, his first-ever Golden Globe. After thanking A Different Man filmmaker Aaron Schimberg and his costar Adam Pearson,who has the genetic condition neurofibromatosis in real life, Stan advocated for more inclusive narratives onscreen. “Our ignorance and discomfort around disability and disfigurement has to end now,” he said. “We have to normalize it and continue to expose ourselves [and our children] to it. Encourage acceptance.”

A Different Man languished for two years before it debuted at the Sundance Film Festival, and the A24 movie later landed Stan the Silver Bear for best lead performance in Berlin. But The Apprentice, directed by Ali Abbasi and written by Vanity Fair special correspondent Gabriel Sherman, also endured a beleaguered road to distribution in the weeks before the 2024 presidential election. “Both of these films started out as major risks,” Stan told VF shortly before the Globes. As such, he’s not taking any of the recent accolades for granted.

“I feel very blessed that I have good people around me, friends who I’ve had for 20 years at this point, who remember as much as I do what it was like to be in New York City and going out to auditions and not getting it,” said Stan. “Even my mother, who has been with me over the holidays, I was growing up with her in Vienna, Austria, and not even really knowing that I was going to get to America. So when I think about those moments,” he continued, “I’m immediately humbled and on the ground. Because even as it is currently, without anything happening on Sunday, it already feels like such a win.” Stan dedicated the award to his mother and stepfather during his acceptance speech, also taking the time to profess his love to his girlfriend, actor Annabelle Wallis.

Stan spent hours in prosthetics for both A Different Man and The Apprentice, getting comfortable with a bit of metamorphosis. “I kind of liken it, for better or worse, to being in a relationship,” he said of transitioning back to himself postproduction. “I always remember somebody telling me, ‘However long you’ve been with somebody in a relationship, take away half the time, and that’s how long it’s going to take for you to get over them when you break up.’ It’s a little bit like that. It doesn’t just go away suddenly, I guess. There’s a process…that happens with it. It’s sort of a slow, gradual disconnection.”

But does Stan find it harder to disappear into a character or present as himself at an awards show? “That’s a very good question,” he said with a laugh. “Sometimes it’s easier transforming into a role…. Being yourself at an award show, it can be quite tricky, because I’m not going to an award show [thinking], Oh, I’m a funny, interesting guy. I’m feeling self-conscious.”

Nevertheless, Stan was excited to venture beyond his comfort zone in custom Prada. “It’s really fun and different, and it’s something I’ve never really worn before,” he said, crediting stylist Michael Fisher with steering him toward a different era in Hollywood. “You get romantic sometimes when you see clips in black and white of the Oscars and how people dressed up. So I think I’m more old school like that in my mindset rather than, Hey, let me take a crazy swing on this red carpet. Even though, once in a while, Michael has definitely had me in pink.” This time, though, Stan opted for a black mohair coat and trouser with contrasting white piping detail, paired with a black knit wool sweater and white poplin shirt, plus black brushed-leather lace-ups.

The “timeless and classic” vibe continued with Cartier accessories, including a [Sur]naturel transformable brooch made of 18k white gold, diamonds, and black lacquer, as well as a 1968 CartierCollection wristwatch made of 18k yellow gold, sapphire cabochon, and leather. This collaboration marked a full-circle moment for Stan, who fondly remembers wearing Cartier at May’s Cannes Film Festival, where The Apprentice premiered.

Stan’s vintage-Hollywood vision also extended to his pre-Globes playlist. “I don’t mind a little Frank Sinatra,” he told VF. “We’re going to be getting ready at the Hotel Bel-Air, and that hotel itself has such history and that Old Hollywood classic style. I might be playing some ’20s or ’30s music, something that will at least keep me under the illusion that I’m in a different time, because it does feel like a different time.”

As for grooming, Stan said that with age, he’s embraced more facial hair. “I used to be more clean-shaven when I was younger, but it also depends on what I’m working on at the time,” he said. “A lot of how I was looking this year was informed by the fact that I was shooting Thunderbolts, so there was not much I could do. Even with the hair, I don’t always want everything to be perfect or slick. Maybe that just reflects my attitude in terms of staying flexible in the moment with these things—to go, All right, keep it loose and keep it fun.”

Stan never dreamed that A Different Man and The Apprentice would debut in the same year, but they have been in conversation with each other this awards season by virtue of his involvement. “Both films, to me, are about the loss of identity and the loss of self, and to some extent denial of reality and denial of self-acceptance,” said the actor. “Both of the films focus in different ways on characters that go to great lengths to abandon their true selves.”

Stan’s searching, self-conscious characters in the two films meet ego-driven fates. Edward is “obsessed with what he doesn’t have, and then he spends the rest of the film trying to deal with the shame that he’s buried, the shame that he’s never really accepted himself,” said Stan. “Then the Trump story is very obvious to me—it’s a total loss of humanity, empathy and vulnerability, and any morals, sort of at the hands of this very self-indulgent, self-narcissistic way of life. It’s also about how far one can go to deny the truth, deny reality, and lose humanity as a cost.”

Stan’s performance in The Apprentice, which was bested by Adrien Brody’s in The Brutalistfor best male actor in a drama film, has faced a particular uphill battle given the utter Trump fatigue in many circles. “Trump is part of our lives. It’s inevitable that we’re talking about him. You go to a coffee shop, and someone’s talking about him; you open your phone, the news, whatever—he’s everywhere, even in the award season,” says Stan, who believes his film will stand the test of time for boldly “challenging, or at least the attempt was to challenge, history as it’s happening rather than waiting.”

With Trump’s second election to the presidency, it feels as if perception of The Apprentice has shifted, as evidenced by its awards season embrace so far. (Stan is also nominated at the upcoming Independent Spirit Awards.) Would that be the case had Trump been defeated? “I don’t know if I know the answer yet to that,” said Stan. “We’re all still trying to figure out how to feel, or to think, about the election and what happened and the next four years.”

In the days before his first Golden Globe victory, which involved a lively backstage reunion with his frequent Marvel costar Anthony Mackie, Stan was similarly open-minded about what’s next. “[In] Eastern Europe, we grow up with a lot of superstitions,” he said. “But this year I just basically surrendered to whatever’s going to happen. Wherever this wild sort of ride I’m on is taking me, I’m just going to kind of follow and really try to be in the moment as much as possible.”

[sillygoofyqueer]

I don’t know if you or any of your anons have said something like this before but what if Corvid King/Crow Deity thing Shen Yuan gets B-points whenever he’s prayed to, given offerings, etc?

First of all, it has been a W H I L E since I've seen a crowyuan ask in my inbox, you should have seen the WHIPLASH I got when reading this - I thought I'd gone back to Summer last year!!! And this isn't a bad thing, my brain immediately started ticking, thank you for sending this bad boy! I always love asks, especially ones like these. Now, *cracks knuckles then dies because I hate the sound* let's get back into my crowyuan mindset, ehhehehehehe!!! Honestly, this is such a good idea! Because it's like, Shen Yuan is getting these random offerings and prayers (and obviously he both accepts the offerings and helps out, he's going to be a good deity!!), and then he gets B-points for it?! I think this would almost throw him off, because the system's been pretty silent in the AU so far (from what I can remember), and then he's suddenly getting an influx in all these B-points, reminding him that he wasn't born in this world! You can have angst from that - y'know, imposter syndrome and all that - and/or you can also have Crowyuan going out of his way to gain more followers, for more B-points! This is great comedic potential because before he was just casually helping out whoever needed assistance while being a social devil who broke through literally all of the demons' different social rules because he didn't know them, and now he's actually going out of his way to help people? He's actively seeking out people to help out and gain as followers? That shit's hilarious. Imagine for a moment, that you're an NPC in a random village, a village that is kind of removed from the cultivation world as a whole, that has heard whispers of some sort of 'corvid deity' that helps out those in need. Now, you may believe it, you may think it's bullshit, but you know that it won't affect you because your village doesn't get involved with any of that!! You go about your normal day, right, helping out in the local village, and then out of nowhere, this demon with golden crow wings and golden eyes and feathers (or like feather scale type shit (think those feathered dragons as a reference of sorts)) dancing down his neck and cheeks and {insert other cool features here} is like "hi, friendly neighbourhood corvid deity, here! Y'all need any help around the village? Any beasts terrorising you, or curses befalling you, or....broken fences that need mending???" I think I'd devote myself right away, my bad for even doubting you Mr. Crow King sir!!!

[camieoux]

i needed to get the idea off my head.

__________________

"Could be environmental. Paralysis from the insecticide poisoning could explain his symptoms," Chase shrugged, fingers fiddling with a pencil, "That or the Holy Ghost he's been imagining is actually a fungal or bacterial infection."

House's brows furrowed, giving Chase's rationale some thought. He then glanced at Foreman and Cameron, giving them a chance to debate with Chase's differential. For once, they actually seemed to agree.

"Rose Gardener's Disease," Cameron spoke up, "Sporotrichosis explains the skin lesions, respiratory distress, fever."

"Alright. Cameron, do a blood culture and get me a skin biopsy of the lesions. Start the patient on IV amphotericin B and itraconazole while you're at it," House replied, agreeing with the ideas presented so far. The older physician tapped his cane on the carpeted floor a few times, then pointed it towards Chase. "Chase, you go check God's holy house for toxins," House then moved his cane to point at Foreman, "Foreman, go with him in case the catholics decide that they want the prodigal son back."

Chase frowned, the frown on his lips evident, unsure if he was offended by the notion of being the prodigal son or the jab at his religious history. "Why do I have to be the one to do it?" He asked, grumbling. "I don't wanna go in a seminary."

"Because... you're Catholic?" House retorted, "and I'm pretty sure you can find a way to fit in the seminary. I mean, you certainly don't look like Judas over there."

Giving a wink and a nudge towards Foreman's direction, House snickered and slapped his leg for comedic effect. "Besides, I can bet a hundred that you have a seminary outfit lying around."

you know those spn episodes where sam and dean pretend to be priests? yeah, that but robert chase

[toukothetower]

i made a tier list of the OP in inazuma eleven. I like all of them all tho

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically

[sysig]

Just be honest! (Patreon)

Bonus:

Could be :)

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[prolibytherium]

Honestly? I love queerbaiting

[rambles-about-minecraft-ocs]

theres something so funny to me when hermits are talking about redstone and theyre like "and then theres an etho hopper clock here-"

like. of course they use etho hopper clocks, itd be weirder if they actively avoided using it, considering its like. a redstone thingy that is very useful and still works even after all this time, and from what i understand it was like. a pretty big deal in terms of useful things you could do with redstone back when he first made it because it opened up ways to do even more things with redstone

and like for the most part theyve probably been referring to that particular thing as an etho hopper clock for longer than theyve even known etho personally, considering the etho hopper clock predates his joining hermitcraft by at least 1-2 years, and several of the other hermits joining hermitcraft by even more. so of course they still call it that

on a related note, most of them likely had at least heard of etho before meeting him, even if they didnt personally watch him (tho i know some did) since he was an old school minecraft youtuber. like his original season 1 of "lets play minecraft" started when minecraft was so new it hadnt been officially released yet. literally back in minecraft alpha. he was a minecraft youtuber OG

so with those two points taken into consideration it completely makes sense that "etho hopper clock" is something ingrained into the terminology of anyone that does stuff with redstone somewhat regularly. theres no reason it wouldnt be

but when you put it into contrast with like. their actual interactions with etho. it kind of cracks me up???

its like. in my head the vibes are this: imagine building something and being like "okay guys, for this machine we need to use an archimedes screw, which is named of course after its inventor archimedes, a man so genius that to this day he is regarded as one of the most brilliant inventors and mathematicians to ever walk this earth" and then like thirty minutes later you go to a restaurant and you see archimedes, of classic antiquity fame, trying to eat a sandwich but the ingredients keep falling out in increasingly comedic manners. so you of course call him pathetic to his face, and then ask if he wants to try out your new totally-not-a-scam product that you carry on you at all times for opportunities like these. and for some reason he doesnt just say yes, but buys two

[lovifie]

Price had a young girlfriend and did not tell anybody until he decided to get married...

He probably didn't tell them until the night before the wedding…He asked them to come over for a little celebration and everyone expected a middle-aged woman. But when they saw a girl in her mid-20s opening the door with Price they were shocked

Soap probably even asked if she's his stepdaughter LOL

Hey, love!! 💗💗

I wrote you a little something...

I hope you like it 💗

❤️Mr. & Mrs. Price❤️

Fluff | Sugestive | 1547 words | Back to Masterlist

They were having a pint at a pub close to base when he told them. 

“I'm getting married next Saturday, you have the weekend free, so drop by so I can introduce you to the missus.”

Now, Ghost wasn't surprised he didn't know about his captain having a girlfriend, let alone a relationship serious enough to talk about marriage. What surprised Ghost was that neither Soap nor Gaz knew about it. 

“Married?!” Gaz asked, loud enough to make some people turn their heads. 

Price furrows his eyebrow, surprised by the reaction as if he had just told them about what he's having from breakfast. 

“I didnae ken ye had a pretty bird waiting for ye at home, Captain!” Soap says, just as loud.

“Yeah, I have for a couple of years now.” Price simply answers, shrugging his shoulders as he takes a sip.

“A couple of years?!” The three men ask in unison like a bad comedic joke. 

A chain of questions starts to unravel, curiosity for the mysterious woman pouring out; but Price waves his hand shutting them up. “No point in that, you are meeting her this weekend, easier that way”

They begrudgingly agree, keeping to themselves the mental image of the possible woman. She must be around Price's age, so between 40 and 50 years old; knowing how little the man likes to go out they probably met at work so she must be military too. Stern woman. 

Price tells them that is something minor, the close family and a bunch of friends; that they can join at the reception at his house and to dress nicely. 

“No ghost mask.” He chastises the man pointing at him. “I don't want work involved, alright?”

During the week until the wedding, they keep thinking about her, about how she must look like, her personality, her age, her eye colour.

“What do you think she'll look like?”

“In my mind, she's like Laswell… but being into men.”

And out of every possibility and different mental image, the last thing they expected was the pretty thing that opened the door for them on Saturday. 

Pretty little thing, around 25 years old, with the kindest smile on her face even when looking at the three giants on her doorframe, flowy white dress, little hair strands framing her cute face with the rest of it gathered up in an intricate updo in the back hold together with shiny pins and a silky bow. 

“Oh, you must be John's friends.” You say, voice sweet as an angel. “Please, come in, don't just stand there. I'm gonna go get him, be back in a second”

You step back, holding the door open for them, inviting them in and once inside you close the door, walking past them to reach their captain who is looking in the opposite direction, talking to somebody else.

“That must be the stepdaughter… right?” Soap asks what all of them are thinking. 

They stare as you walk up to Price, placing your hand on his lower back making him turn to look at you; a wide smile appearing immediately. He leans forward, his arm moving behind your shoulder and his hand keeping your jaw in place as he kisses you. 

Lips crashing against yours, closing his eyes and letting his tongue into your mouth tasting the champagne you were drinking just a moment ago. A passionate, sloppy kiss that would make a maiden blush at the impropriety of it even for the newlyweds.

“Mate, I sure fucking hope she's not.” Gaz answers after a moment.

The two of you finally pull back, telling Price about his friends arriving and he looks behind you to see them. He smiles, not as wide as when he looked at you, and gives you a quick peck before walking to the door. 

“Welcome, lads. Thank you for coming.” He says simply, crossing his arms and looking proud. You appear from behind him, hand resting on his arm slightly leaning to his side.

“Do you want anything to drink? To eat?” You ask softly, love pouring out of Price's eyes as he looks down on you. 

“I'll help you.” Ghost says, a curl of his lips you could identify as a smile if you wanted to. And once the captain is left with the sergeants, the attack starts. 

“How does an old churl like you manages to get a pretty thing like her?”

“Where do you even meet a doll like her?”

“How many years have you exactly been dating for?”

Ghost clears his throat when he turns around the corner on his way back, with you chirping on his side about how happy you are to finally meet them. He has a more natural smile on his face now, clearly infected with your enthusiasm. 

Price finally introduces you to them, exchanging everyone's name. You hug both the sergeants and shake Ghost's hand, the man glad that you made the observation of his lack of appreciation towards body contact. 

After a little chat, you excuse yourself; promising to get back in a while wanting to talk to your own friends still waiting around the room. It leaves Price on his own and that's when he tells the nosy men how he met you. 

You were his neighbour, sharing half the walls of the old flat he house to live in before moving in together. How he introduced himself to you one day when he saw you leaving your house, how he told you he was military so you wouldn't freak out if you saw him in the middle of the night or suddenly disappeared for months, how after a specially long deployment he got back and you dropped by hours later with a bunch of tupperwares with homemade food “I assumed you would be tired, it's nothing special but I'll save you the hustle of cooking”, about how he had wanted to marry you ever since, how he gave you the tupperwares back one by one so he had more reasons to talk to you, how he finally asked you out with the last one and how after that it all was easy between you two.

The four of them swiftly move to sit down on the kitchen table, Price still telling them everything about you and the relationship. Ghost is just as invested as the other two, trying to play it off as polite interest. Slowly and smoothly people leave the house as the day goes by, the sun having set a couple of hours ago; and you walk into the kitchen, sitting on Price's lap with a sigh. 

“I know it isn't proper of a good host, but these shoes are killing me.” You announce looking at the three men as you bend down and take them off, a sigh of comfort leaving your mouth as you lean back on Price. “I'm also sure you have endurance worse than some stinky feet.” You joke with a tiny chuckle making them smile. 

“Everyone gone, darling?” Price asks, his hands resting on your lap as you nod smiling. He looks up to the boys as he says. “Better to tidy up then”

“Jonathan Price, don't be rude!” You exclaim looking at him. “They are your friends and there are more than enough rooms for them if they want to spend the night. They have been drinking too!”

“Mrs. Price.” John says with a teasing tone, standing up and helping you stand. “Talk to me for a second, love.”

Price bends down to pick your shoes up, holding your hand to walk you to the living room. They hear the two of you whispering back and forth, then silence and lastly the unmistakable sound of kisses. They peak behind the door, managing to see you sitting in the backrest of the sofa with Price standing between your legs, grinding his hips against yours. You moan softly against his lips, before pulling back and whispering something they can't make out; Price pulls back as well and they sit back on their chairs. 

Price walks in just a second later. “Lads… thank you for coming, I'll see you when I'm back from the honeymoon, now… OUT!” He barks the last word making Soap chuckle as they all finish their drink in a gulp and start to walk out of the house, congratulating Price on the marriage and walking out one by one; meanwhile, you remain completely out of sight for them.

“They gone?” You ask for the top of the stairs, looking at Price with a smile. 

“Yep.” Price says locking the door.

“You didn't have to kick them out like that, though.” You say cocking your head with a smile.

“Oh, yes, I did.” He says, turning around to start to walk up the stairs. 

“Why? Afraid they might join?” You say winking at him, making him laugh before he throws you over his shoulder making you shriek.

“Wouldn't you like that, you little minx!” He jokes, landing a smack on your asscheek. 

You gasp dramatically holding onto his clothes. “It's Mrs. Price to you, young man.”

He chuckles, making your body shake, before he throws you down on the bed; him instantly crawling on top of you. 

“Who's your husband, darling?”

“You, Mr. Price.”

A bit more of this

[cherry-leclerc]

true temptation ☆ cl16

genre: sainz!reader, humor, nnn (mommy, i can explain), smut, fluff, whipped!charles, established relationship

word count: 2k

Your boyfriend makes a decision to participate in NNN, but immediately regrets it when he realizes just how difficult it is to stay away from you. 

nsfw warning under the cut!

18+...car sex, riding, fingering

req!... probably the longest drabble i’ve done so far, but i hope you all enjoy! 

“You’re never going to last.”

The Monegasque’ eyes challenge you as you stand there unimpressed, hands on your hips. It had all started with him barging in on you and calling an ‘emergency couple’s meeting’.

Pacing the room, he goes back and forth, mumbling slowly, as if creating a plan up in his head. As far as you’re concerned, he was never going to actually do it. The man was obsessed with you. 

“Have a little faith in me,” he groans, hands brushing his hair back in despair. 

His so called - ‘emergency’ -  was that he would be taking part in No Nut November. No kissing. No sex. 

Or anything remotely related to it.

Walking up to him, you pat his chest. His hands find their way down to your waist, doe eyes staring back up at him.

“I will… But I’m going to make your head spin.”

-

He started off strong. He even felt a bounce in his step when he entered Ferrari Hospitality; he swore he felt like he was walking on sunshine. 

“You’re actually doing it?” 

Joris, too, had no hope for his friend. He had seen the way the green eyed boy would cling onto you as if it were the only thing he knew how to do. The way he talked about you, even when you weren’t around. 

“Oui. Why? Do you not think it’s a good idea?”

His friend tilts his head to the side as he thinks about it for a minute. “Not sure. All I know is that your and Pierre’s bet on who can last longer is never going to end up good. You can’t even go a single second without kissing her!”

“He said he could last longer than me? I have to prove him wrong….” His mind slips over to the last part. “I can live without her kisses for a month. It’ll be fine.”

The Ferrari driver makes his way to his team, properly analyzing what faults his car had and how he can make the best out of it. Frustrated, Charles rubs his eyes. 

“I will do the best I can, but I can’t promise a podium. Not with a car like this.”

Taking notes, Xavi nods as he walks away. “Hi, Xavi!” The sound of your voice instantly makes him ease up as he searches for you. His jaw goes slack.

“What are you wearing?”

Smiling wide with eyes crinkled, you rush over to him. “It’s only a dress.”

But it wasn’t just a dress. He knows you did it on purpose, wearing the little black dress he had last fucked you in. It’s the way it fans your thighs as the wind gently teases anyone passing by. 

“You’re supposed to be on my team. Are we really going to let Kika and Pierre win?”

Rolling your eyes, you tippy toe, naturally about to kiss him, but stop yourself before you do. He frowns. 

“You are sooo right!” You comedically screech as you slap your hands against your cheeks. “I do want us to win! Forget the kiss, my mistake.”

He chuckles darkly, shaking his head. 

“You’re a fucking nightmare.”

-

He’s a week in and he’s finally starting to lose his grip.

“You’re sweating buckets, mate,” Daniel points out as he lets out a loud laugh, doing a muppet dive. Charles unbuttons his collared shirt. 

“It’s the heat, it’s the heat.”

The Aussie furrows his eyebrows and he raises a hand up to feel the air. Light breeze. Shivering, you strut over to your boyfriend. 

“Can we leave? It’s getting too cold.”

And he hates the way that dress clings onto your body, your figure being completely shown off. Nothing but dirty thoughts have entered his mind from the moment he first saw you. 

“Sure.”

Kicking off your heels, you throw yourself onto the bed, face first. Shooo tirefff, you mumble against the sheets. He purposefully takes a seat across from you, knowing he’d be tempted to cross the line if he didn’t. 

Tossing over, you reach out for him. And he’s about to turn you down, but he notices the way your nose is painted pink - your cheeks, too - and soft, tired eyes meeting his. His heart melts at the sight. So, he reminds himself that a hug with his girlfriend is nothing bad.

Climbing onto his lap, you dig your face into his chest, short dress riding up. He physically has to stop himself from letting out a loud moan. Instead, he traces his fingers up and down your spine. You shudder.

“Are you sure we can’t fuck, Charlie?”

Right there, is his breaking point. He’s ready to kiss you, finger you, eat you out, fuck you, anything. But you giggle teasingly as you pull back, a wicked smile drawn. 

“Whoops. Never mind.”

-

He’s known you wouldn’t make this easy on him. It’s almost as if you’ve made it your mission to screw with his head - and while he would normally love it - in this case, it was killing him.

Dance with me, you would beg him and you sway in front of him. It was a rare moment of it just being you two, so naturally, you took advantage of it. You showered, did your skincare, watched a movie, but the moment you heard Sparks by Coldplay echoing from his phone, you immediately jumped up like a bunny.

Then, his heart would melt, and melt, and melt - and melt some more. It would only be a reminder of what a perfect match you both were. He would memorize your face once again; no makeup, eyebags due to long travels with him, a small cut on the bridge of your nose from earlier when Lando had accidentally hit you with his frisbee, pink lips he so desperately missed. 

He would oblige, the way you knew he would. He found home within you as you would both sway, your feet on top of his as he would lead you both, you having to do nothing but close your eyes and feel his heartbeat. And it was so sweet to know that it was only yours.

I love you, he would remind you as if he didn’t already tell you a million times before. As if it were a way to make up for all this. And you would say-

“I know.”

-

“How are you keeping up?” 

The Frenchman smiles proudly as he takes a sip of water. “I’m actually doing fine. You?”

Charles gulps, green eyes following to where you stand next to Kika.

“Good.”

-

“It’s actually not that hard.” 

Kika and you had been touching up on your boyfriend's challenge. She would say it as if it were the easiest thing. You slump against your chair.

“That’s not fair… Mine has the most beautiful face ever!”

“Hey!”

You squeal as she aims a pillow at you. I’m sorry! The Portuguese laughs too, sticking her tongue out. You sigh. “I do miss him, though.”

“Yeah…”

“Have we seriously just been talking about how horny we are?”

“Don’t say it like that!” She bites her lip. “We have.”

“Why did they ever think this was going to be a good idea?”

Propping her arm against the table, she beams. “It’s not, but I heard from Pierre about how much Charles is struggling.” You groan.

“Yeah, well that’s nothing but his own fault.”

-

It’s now been 2 weeks and he’s already given up. His pleads were convincing. 

C’mon, baby. Let me fuck you.

It’s been too long. I miss the way you taste.

But you stood your ground. 

“No, no, no.” You shook your head, running away. Seeing Carlos, you hide behind him. “You brought this onto yourself! Now you’re just going to have to deal with it.”

Confused, Carlos questions you both on what you’re talking about. It’s just that your sister won’t let me-

“Stop! That’s my brother!”

The Monegasque shrugs as Carlos turns to you. What is he talking about? Your face burns up as you brush him off. “Nada, nada - he’s just being a jerk.” And so, he believes it and walks away, too tired to deal with any of it.

 You let out a squeal when Charles plunges towards you. He picks you up, carrying you to his motorhome.

“Let go!”

Dropping you onto his small bed, he stares down at you like a lion salivating over their prey. You suppress a whimper, clamming your legs shut. He raises a brow.

“You’re telling me you don’t want the same thing I do? I promise I’ll do it just the way you like it.”

Closing your eyes, you can picture it. You can feel him already, pressed up against you. You do want it, you do. Opening your eyes, you shake your head. 

“Just two more weeks to go.”

-

“We lost.” Taken aback, you snort. What do you mean? Your friend blushes before dragging you to the corner. “I mean that last night Pierre and I went out for dinner and one thing led to another and-”

“Okay, okay, I caught on!”

Giggling, she shimmies her shoulders towards you. “What are you going to do?” You pout as you stare back blankly. She sighs. “I’m talking about you and Charles! I mean you both already won - you could do whateverrrr you want.”

Stuttering, you cough before saying, “You made it loud and clear, thank you very much.”

-

Shivering, you climb into the passenger's seat of his Pista as you thank him for opening and closing your door. As soon as he climbs in, he turns on the heater. The Monaco streets were lonely, everyone already in their homes, sheltering from the light rain that had picked up.

“You want to pull over?”

You sound so sweet asking that he almost thinks he’s hallucinating or that any second now you’re going to surprise him with a, just kidding!

But he quickly could tell you weren’t and he doesn’t want to let the moment slip away. Not when he’s been waiting for so long. Screw it if he lost.

Pulling over on the side of an isolated street, he hauls you onto his lap. You thank the universe for skirts. Pushing your panties aside, his long fingers slide against your wet folds. You let out a wail.

“Fuck, you don’t know how I’ve missed hearing you.” He slides two fingers in. “Feeling you.”

Dazed, you find yourself grinding on his fingers. Every single time they would brush against your g-spot, you would kiss him harder. He slips them out, bringing them up to his lips. 

And he moans in a way you’ve never heard before. So fucking sweet. Blushing, you lean in to kiss him. You can still taste yourself.

“Charles, please - do something.”

Never during your entire relationship has he ever fucked you as hard as he did that day. His grip on your waist hurt, but it hurt so good. His cock would continuously brush against where you needed him the most, so much so, he left you seeing stars. Drooling all over him, you hold onto his shoulders, bouncing up and down rapidly.

“So tight – So warm.” He chokes when you ground your hips deeper. “So fucking good.”

Then, he finishes inside of you. His fingers slide down to your clit as he rubs it. You finish with a loud cry. Kissing you one last time, he slaps your ass. You scowl playfully.

“Admit it - you’ve missed it, too.”

-

“Just a few more weeks and you would have won!” Pierre clicks his tongue before kicking his legs up against the table in front of him. Charles rolls his eyes.

“I’m never doing that again.”

Kika smacks the Frechman’s thigh. “You both lost, remember? Only, you did before him.” The Monegasque quickly springs up.

“You’re saying we won?”

“You’re acting as if this were the fucking Olympics, Cha.” You drag him by the arm to sit back down as he starts celebrating his ‘accomplishment of the year’.

“What are we clapping about?”

Your brother strolls over to an open seat as he opens up a water bottle. Hurriedly, you screech, “Nothing! Only that the season is almost over-”

“He’s yapping about how he won No Nut November, except, he didn’t. 2 weeks and fucking does not count.”

“You did what?”

Jumping up, Charles trips over his feet as he tries backing away from the angry Spaniard. “I think I forgot my phone! I’ll be right back!”

Chasing after him, your brother yells out, “That’s my baby sister, cabrón!”

[celtrist]

This was the piece that I had started before my extensive vacation (of coughing). Once again, Alastor is consistently the bane of my existence with his... well everything.

No matter! Anyway, this is something I like to call the Obsession AU. To sum it up real fast: Everyone is yandere for Alastor. I think it would just be apart of his punishment in Hell, being consistently forced into or desired in romantic/sex which he's never had much interest in. I would describe it as a dark comedy thing, but it can be as comedic or as dark as you want here. With that said, please be on guard with any mentions of darker content that treds towards a certain dead bird territory when I get a bit into how I imagine some of the characters. Again, it doesn't have to go that far if you're interested in this premise of an au and wanna focus on the more light hearted stuff, feel free.

This au is just poking a bit of fun at how everyone in the fandom wants to put Alastor in romantic situations constantly (whether it be with themselves or the other characters) despite Alastor probably being the least interested in the subject in the whole show. This is by no means a hate train or making fun of people who do enjoy shipping Alastor, it just more of a funny thing I think comes off as pretty ironic for his character and hopefully, others can enjoy that too. In this au he leans pretty much on the clear-cut side of aromantic and asexual with no interest in romantic affections at all. With that said, if you want to explore Alastor genuinely being interested in one of the other characters romantically or something similar, feel free to explore that! I can see some interesting dichotomies there. It's just within the actual "canon" of this au, he's not at all interested with that sort of thing. And just with a last final reminder to get into some character things I have in mind, some of the content mentioned does get pretty dark, particularly with Valentino but I don't think anyone's surprised there. But there might be some triggering content of the following mentioned here with characters but no crazy details really: Manipulation/Gaslighting, forced feminization, Non-con, Munchausen syndrome, Poisoning, Possessive, Drugging, Love bombing And I will be sure to give a quick warning to each character it might apply to, please feel free to let me know if I missed anything!

Rosie (Munchausen syndrome, Poisoning): Rosie has 100% poisoned Alastor before to make sure he relies on her. They started off as good friends but at some point Alastor began getting ill and Rosie offered to take care of him. This leads to Alastor staying in bed for full days, only really seeing Rosie who took care of his every need from food, clothing, washing, and so on. At some point, Alastor caught on that Rosie was putting something in his food to make him sick and he managed to escape with their friendship tarnished much to his dismay. He's often uneasy around Rosie but is upfront about his knowledge of Rosie's deeds. Rosie, in turn, acts like it is a lighthearted situation and often offers Alastor over for lunch, which he often denies. Any food he gets at his doorstep from a secret admirer or a lunchbox he finds at his seat in an overlord meeting goes straight into the trash. Alastor will still use Rosie's assets to his benefit of course, but is always careful as to what she might try to get in exchange. He has had more awkward lunches with her with his homemade meal versus the buffet she catered for the occasion, with the two gossiping like old times. Alastor is still uneasy during these times, but he also revels in the false pleasantries due to not having many others he's able to associate himself with due to the curse.

Lucifer (Controlling, Possessive, Manipulation): So I'm not 100% clear how I wanted to approach Lucifer. He and Charlie are probably the most similar I suppose? He wants Alastor as his queen (either alongside him and Lilith or only with him, he doesn't mind either way). He doesn't force him into dresses or anything, but Lucifer does consistently make doting moves and talks about how Alastor would make a good father to their children. Marriage is one of the mind and Lucifer probably gets a bit possessive with him. He also tries to guilt trip Alastor a lot, or manipulate situations in one of their arguments to get Alastor to say something he doesn't mean.

Charlie (Controlling, Possessive): Probably the most tame of everyone quite honestly. Charlie can be a bit controlling but does step off when Alastor expresses his dislike of her doing so, even if it takes a couple times. She likes doing things for him, is super affectionate, and daydreams about her, Vaggie, and Alastor all getting married. She can get pretty possessive with him, not being pleased when anybody does anything against Alastor's will or hurt him. The only exception to this rule is Vaggie, to which Charlie sees it like two cats getting along and finds it very endearing.

Vaggie (Forced Feminization, Controlling, Murder): Depending on how you look at it, Vaggie's one of the more fucked up obsessions or one of the more funnier ones. Because she's automatically inclined to like Alastor quite a bit with the curse thing but her personality doesn't jive with his for her own taste (in terms of their first meeting), she both hates and loves the guy. She's obsessed with trying to murder Alastor with traps around the hotel or outright standing over him with her spear. The hatred comes primarily from not wanting to feel the way she does about him, I guess like a fucked up tsundere if you wanna go that route. At the same token, however, she does want Alastor to be involved with both her and Charlie romantically. There's just one little problem: Vaggie has about the same amount of interest in men as she does in canon. So to sort of "fix" Alastor, she consistently tries to force him to be more feminine in clothing, offering different feminine names, and even trying to force him to get a sex change. Alastor is pretty slippery though, so it never quite works out in Vaggie's favor aside from the occasional dress or skirt being worn, which solidifies her attraction to him. Then he takes it off and looks more like a man again, and it solidifies her frustration/hatred for him.

Angel Dust (Drugging): To start, while I think Angel would love to have sex with Alastor, he 100% would not force it. Wouldn't even do touches or anything. Potentially he could just like as a coping (to be in a situation where HE'S the one in control), but that is a darker route that I don't think will be exactly true for this AU. However, he very much enjoys drugging Alastor similar to Rosie. Not only just as a bonding thing since Angel would also do the drugs WITH him, but just to get the not-quite-lucid compliments from Alastor and maybe a snuggle then and there. He wants to dote on Alastor with him drugged out in his bed saying nice things to Angel. Admittedly this one's a bit of a workshop as I just knew I didn't want Angel to be focused on sex like somebody, but wasn't sure what to do here.

Valentino(Non-con, LoveBombing): I mean... it is Valentino, what did you THINK he'd be trying to do with Alastor? There's really not much to say here, Valentino essentially tries pulling all the stops trying to get Alastor in bed while also love-bombing the hell out of him. Which really doesn't work. Valentino is pretty open with sharing Alastor, but again, does this surprise anyone? As long as he's participating in some way, he really doesn't mind.

Vox (ALL warnings): Pretty much the worst version of himself that people make him be sometimes for those darker stories in the fandom. While more interested in having an enthusiastic partner, I don't think Vox would be opposed to forcing himself onto Alastor. He consistently tries to manipulate and gaslight, while enjoying both the suffering and pleasure of Alastor. Much like Vaggie, Vox is obsessed both being in love with Alastor while also downright hating him to the core. He's possessive and likes the idea of being both sweet and heinous with Alastor. He pretty much is every other character wrapped up in one fucked up TV man. Vox acts the most well-adjusted of the characters here, but he's probably got the obsession the worst.

And of course, pretty much every other conceivable ship is up for grabs here. I did think about maybe unfallen angels are able to resist the obsession curse, which would possibly make a funny team-up of Alastor, Adam, Lute, and Emily. Alternatively, I thought maybe the other canonically asexual characters in the show wouldn't be affected instead, meaning another oddball team-up of Alastor, Octavia, and Mammon. Then there is of course the "nope, there's no escape for deer man". Not sure yet, maybe I'll workshop it. I have more normal things in the works rather than this messed up little au, but darker content is a guilty pleasure of mine.

[kiashieart]

Goatee Nick: getting an expert opinion

[image descriptions in read more]

(the setting is after timeskip, after Diego has been released from prison. Diego has specialized contacts to replace his visor)

page 1: in the top 2 panels, Phoenix is wiping his face with the towel around his neck, saying "alright", going into the second panel where he lowers the towel to reveal his face with his freshly cut goatee and ask "what do we think?". the third panel has Diego and Trucy with hands to their chins, both humming in deliberation. in the fourth panel, Trucy cheekily responds with a bright smile on her face: "yup! it suits my dear old daddy!", which Phoenix shouts "hey!!" from off screen in offense to his daughters statement; meanwhile Diego is starting to take a step forward, stating "hold on" - as his judgement will require more inspection.

page 2: the top 2 panels are drawn in a comedic simplified style, showing Diego bluntly grabbing phoenix by the chin, and then tilting Phoenix' head back while he leans in close to inspect the goatee. Trucy stands behind Diego in silence, unprepared for what she is about to witness.

the third panel at the bottom is a more detailed drawing of Diego holding Phoenix by the chin in a way that appears surprisingly and unintentionally intimate; Phoenix is wide eyed and starting to blush, while Diego is calmly assessing the goatee with his lips pouted in concentration, narrating his assessment: "hmm… the cut is clean… looks even".

in the bottom right corner, a 'LIVE TRUCY REACTION' display shows Trucy's face cropped; she is smiling thinly, and her eyebrows are raised to the point of a light crease in her forehead in stunned surprise. she is doing her best to reel it in.

page 3: the top two panels are portrait closeups; Phoenix's blushing and surprised face with Diego's hand around his chin almost as if from Diego's point of view, sparkles around his face - and then to Diego's face, calm but his lips still pouted. he idly thinks to himself '… he's pretty handsome'.

the third panel goes back to Phoenix's face; cropped and more close up to his even more flushed lower face, a bead of sweat rolling down his cheek and Diego's hand on his chin, Diego's thumb slipping to touch the corner of phoenix's lips. Diego thinks to himself 'hmm…', and then catching himself in surprise to the position of his thumb; 'ah-'.

the fourth panel goes back to the comedic simplified style with all 3 of them, Phoenix is wide eyed and full on blushing, Diego has quickly pulled his hand back while also blushing and a creased brow but is trying to play it cool with a smile, and Trucy is behind Diego also with wide eyes and her mouth in a straight line. Diego plays it off, stating: "woops - apologies, hand slipped, anyway-" with his speech bubble captioned with 'smooth recovery!!'.

the final panel is like the 4th but bigger and back to being drawn with more detail. Diego is leaning back with his hand close to his own chin again and a pleased smile and blush, slightly sweating from having recovered his slip up; he makes his final positive judgement on the goatee and says "well done! it looks good on you birdie~". Phoenix is still somewhat blushing but he's smiling and leaning back tilted bashfully, responding with "haha, you think? i quite like it myself!" Trucy has put on a calm and friendly smile one her face, but is turning her head to look away and brought her hand up to shield her peripheral view; above her is a faded crudely simplified drawing of her face that reveals her internalized true expression of a stunned grimace. she thinks to herself both impressed and slightly horrified at the outlandish unintentional flirting her father experience with 'wowwww'.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[loveinhawkins]

picturing Dustin watching at the trailer park, right after Eddie says, “Hey, Steve? Make him pay.”

And for some reason Dustin’s reminded of ‘84, of his conversation with Steve on the railroad tracks, it’s like before it’s gonna storm, you know? You can’t see it, but you can feel it, like this, uh... electricity, you know?—although he’s grown enough to suspect that Steve might not know everything in that regard.

And it’s not electricity he senses, not exactly, but it’s definitely a storm of some kind: something fragile. Something—someone—that’s very scared.

Dustin’s running before he’s even registered his decision. “Steve!”

Steve turns around, and he already looks like he’s about to ask a question—something practical, like whether Dustin’s forgotten something—and Dustin feels a twist of regret, that that’s where Steve’s mind goes; yeah, they’re all ready for battle, so it makes sense, but…

Feeling suddenly very young, Dustin barrels into Steve and hugs him.

He hears Steve’s surprised inhale, his hesitancy, before he returns the hug in full force.

For a little while, it’s like the world narrows down to only this. No ash in the air, no nightmarish red in the sky. Just the two of them.

Dustin’s about to pull away when he feels Steve’s chin dig into the top of his head. Hears him sniff, very quietly, like he’s trying to hide it; and that makes Dustin think of the tunnels, or afterwards, really, when Steve held onto him with shaking hands, kept saying, “We’re okay, we’re okay.”

So he just keeps hugging back.

Steve’s the one to let go; he’s smiling, but he looks a little sad too, forehead creased with worry.

“I need a ride tomorrow,” Dustin says.

Steve huffs. “Oh, yeah? Where to?”

Dustin taps his nose obnoxiously. “That’s for me to know and you to find out.”

It’s bullshit, of course; Dustin doesn’t need a ride anywhere.

Steve rolls his eyes, but some tightness in his jaw finally eases. “God, you’re such a dick.”

“Bright and early, Steve!” Dustin adds smugly. “Five am!”

“Yeah, yeah,” Steve says, waving him off, and for a moment it’s like they’re just in the school parking lot. He looks as if he’s about to say something else, then thinks better of it—glances back to where Robin and Nancy are waiting. He pulls Dustin in with one arm, a brief but tight hold. Nods, as if to himself. “Go on, scram.”

Dustin runs back to the trailer with a stitch in his side but a smile on his face. He knows it’s naive to think he can fix everything, but in this moment at least some part of the universe has been righted, even while in The Upside Down.

Eddie’s standing right where he left him, like he’s been frozen the whole time.

“Hey,” he says quietly. “is he, uh… is he okay?”

Dustin’s reminded that of course, Steve isn’t the only one who’s scared.

“Yeah, he will be,” he says, which he thinks is a more accurate answer than a simple yes or no.

It’s funny how life works, he muses while gathering supplies for the trailer defences. There’s no way he’d have thought even a week ago that Eddie would be sincerely asking him about Steve’s well-being. Whenever he happened to bring Steve up at Hellfire, Eddie would imitate him in a comedic falsetto, “Oh, Steve this, Steve that.”

For a minute, Eddie remains rooted to the spot, still staring in the direction of where Steve went—like he’d watched helplessly as Steve walked into the eye of a storm or something.

“You just gonna stand there and gawk?” Dustin says.

Eddie snorts. “So rude, Henderson.”

And it’s not like Dustin really knows, not when Steve and Eddie are still barely dancing around it themselves. Still, he can pick up on some things.

Like when they’ve finished setting up everything, waiting for the go-ahead for Eddie to start playing his guitar—to pass the time, they recount the high points of the day, keep it light. It’s a practice Eddie used to implement after campaigns.

And look, Dustin’s damn good at picking up on patterns. Like, he loves Steve, but he’s pretty sure the reality of him driving the hotwired RV doesn’t quite match up to how Eddie’s currently waxing lyrical about it.

He’s making it sound like it was something outta James Bond, Dustin thinks, when he’s sure Steve drove right into several trash cans.

Suddenly he knows exactly what he should do.

“Steve this, Steve that,” he sing-songs.

Eddie flushes; Dustin cackles.

“Fuck off,” Eddie says, but he’s smiling as Dustin keeps laughing, like he knows there’s nothing mean-spirited in it. He keeps going, Steve this, Steve that, talking right over Dustin’s teasing—somehow finding even more moments where Steve truly shines.

And Dustin doesn’t know everything, not even close, but at the very least, he knows that this feels right.