#there was a point it started being comedic

[callmebeav]

Mouthwashing x Scrubs AU

I've already posted this on TikTok, but I wanted to share it here as well. A few days ago, I had an epiphany, so, if there are any Mouthwashing and Scrubs fans out there, please I need y'all to hear me out on this AU.

I want to preface by saying that this AU is meant to be specifically for Anya, to fit her dream to become a doctor. I wanted more than anything to make an AU where she's happy and has a normal life.

Since it's a Scrubs AU, it's also meant to be more comedic and light-hearted than the og game. So, for the sake of my sanity, I had to put aside the angst and the most gut wretching side of MW, but please follow me.

🌘ANYA🌔

Starting with Anya, she would be the focus and "main character" of this AU. As JD in the TV series, she's a medical intern, and later resident, with her everyday struggles as she navigates the hardship of her job as a doctor and finding her place.

Her personality is kinda the same as we see her before the crash: she's kind, intelligent, self assured, determined and passionate about her job. She can get quite competitive at times, especially during board game nights. I wanted to add some of JD traits, like his daydreams and a bit of social awkwardness.

In this AU, Anya has her own group of friends, which would consist in mostly ocs that I didn't think about yet (this is still a work in progress). But she would have her own Turk, Carla and Elliot. And yes, in this AU Anya is a lesbian.

Anya also have her own version of Dr. Cox as a mentor as well. I thought it would be interesting to see her navigating that kind of rocky dynamic.

🪓SWANSEA🪓

Next is Swansea. I thought he could be a senior medical technician, with a lot of years of experience in his job and all the knowledge (and tiredness) that comes with it. His years on the medical field made him grumpy, cynic, abrasive and rude, often complaining about the interns who work under him.

Despite his tough exterior, he still cares a lot about his job, and enough for him to keep taking interns under him and teaching them (one of this intern would be Daisuke, who would be introduced later in the story). I imagined him to have some similarities with Dr. Cox as well.

🌸DAISUKE🌸

Continuing with Daisuke, he'll be an intern, specializing as a medical technician under Swansea's supervision. He's introduced later in the story, when Anya has already been a resident physician for a couple of years, since he's a few years younger than her.

As both Anya and Swansea, Daisuke would maintain his personality from the game. He's optimistic, sociable, easy going, enthusiastic, but still rather naive and inexperienced, resulting in him being a bit clumsy at times. He seeks the approval of his superior.

Despite him trying to maintain a peppy exterior, he's still insecure about his future, as he struggles to find his way into adulthood. Since his family pressured him to choose the medical career, he's still not sure if that is actually what he wants to do in his life.

🪓SWANSEA AND DAISUKE DYNAMIC🌸

I've pictured their dynamic to be similar to the one between JD and Dr. Cox. Swansea is initially really annoyed by Daisuke naivety and cheerfulness, treating him rather rudely, but then he finally sees his actual potential and starts to mentor him (in his own Swansea way).

On the other hand, Daisuke sees a mentor figure in Swansea and seeks his approval, working hard and trying to improve himself despite his clumsiness and inexperience.

🌘ANYA AND DAISUKE DYNAMIC🌸

Since Anya is already a few years ahead of Daisuke, he sees her as a successful doctor, and looks up to her, asking her for advice.

On the other hand, Anya sees herself in Daisuke's struggles, especially since they both have to deal with reluctant and abrasive mentors.

🌔ANYA AND SWANSEA DYNAMIC🪓

Anya had a rough relationship with Swansea when she began to work as an intern, since he was rather abrasive with her (as he is with mostly everyone). At one point, they had a few heated disagreements, but they eventually ended up being on good terms, as they mutually respect each other.

💊CURLY AND JIMMY DYNAMIC🔪

Now, coming to Curly and Jimmy, I initially thought about making them both surgeons, with Curly being a highly regarded and praised one, and Jimmy living in his shadow, being his friend and rival, consumed by bitterness and envy.

But I still wanted to make Jimmy kinda incompetent, so I thought it wouldn't work that well.

So I opted to make them paramedics. In this way, I maintained the driving/piloting aspects (them driving an ambulance), and the idea of them having to work together and to rely on each other a lot.

Their relationship would still be similar to the one in game, with them being friends and Curly covering up for Jimmy, beside him being an awful person. While their dynamic would be more comedic, I don't want to water it down too much.

🔪JIMMY🔪

Jimmy is still a spiteful and envious person, prone to anger and acting impulsively. He's not reliable, and Curly often cover for his mistakes on the job.

Jimmy comes from a difficult past and wants to have some control over his life, but always ends with self sabotaging himself, continuing the same cycle.

He's envious of Curly's position, and wants to have the same recognition by his colleagues, but he refuses to actually improve himself. When he makes mistakes (either for lack of care or for his own incompetence), he blames others for his own faults, not taking responsibility.

It's important to note that there won't be any SA in this AU, mostly because I want it to be chill and funny, and I want Anya to be happy.

But despite the fact that Jimmy's character would be a bit more comedic for AU's themes sake, he would still be an awful person.

💊CURLY💊

Curly is an highly regarded and praised paramedic, having studied hard to get where he is, and with a lot of years of honorable work and experience. He's a high achiever and ambitious, but he's grown disconted with his job, as he wonders if that's all he'll ever be.

He's a people pleaser at heart, wanting to see the best in everyone and ignoring incovenient details, focusing instead on the bigger picture. He wants everything to go smoothly and without any conflict, and that's why he usually covers up for Jimmy's mistakes.

He's supportive and caring, trying to be the responsible one, but he can also be way too lenient with Jimmy, as he wants to help him.

OVERALL GROUP DYNAMIC

Despite not working as closely as in the game, the main cast will still know each other, since they're working in the same hospital. Though, there are a few dynamics that I haven't thought out fully yet.

IN CONCLUSION

So, for now this is all I've come up with. I didn't do a lot of research on medical jobs and environment, this is all kinda rushed. I still didn't dive too deep into the plot, the characters and their developments either. But I had fun writing this, and I wanted to share my thoughts.

I want to make it clear that this AU is mostly for fun and a bit of coping, and it was essentially created for Anya to have a chance to actually do the job she dreamt to do.

[toukothetower]

i made a tier list of the OP in inazuma eleven. I like all of them all tho

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically

[sysig]

Just be honest! (Patreon)

Bonus:

Could be :)

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[prolibytherium]

Honestly? I love queerbaiting

[rambles-about-minecraft-ocs]

theres something so funny to me when hermits are talking about redstone and theyre like "and then theres an etho hopper clock here-"

like. of course they use etho hopper clocks, itd be weirder if they actively avoided using it, considering its like. a redstone thingy that is very useful and still works even after all this time, and from what i understand it was like. a pretty big deal in terms of useful things you could do with redstone back when he first made it because it opened up ways to do even more things with redstone

and like for the most part theyve probably been referring to that particular thing as an etho hopper clock for longer than theyve even known etho personally, considering the etho hopper clock predates his joining hermitcraft by at least 1-2 years, and several of the other hermits joining hermitcraft by even more. so of course they still call it that

on a related note, most of them likely had at least heard of etho before meeting him, even if they didnt personally watch him (tho i know some did) since he was an old school minecraft youtuber. like his original season 1 of "lets play minecraft" started when minecraft was so new it hadnt been officially released yet. literally back in minecraft alpha. he was a minecraft youtuber OG

so with those two points taken into consideration it completely makes sense that "etho hopper clock" is something ingrained into the terminology of anyone that does stuff with redstone somewhat regularly. theres no reason it wouldnt be

but when you put it into contrast with like. their actual interactions with etho. it kind of cracks me up???

its like. in my head the vibes are this: imagine building something and being like "okay guys, for this machine we need to use an archimedes screw, which is named of course after its inventor archimedes, a man so genius that to this day he is regarded as one of the most brilliant inventors and mathematicians to ever walk this earth" and then like thirty minutes later you go to a restaurant and you see archimedes, of classic antiquity fame, trying to eat a sandwich but the ingredients keep falling out in increasingly comedic manners. so you of course call him pathetic to his face, and then ask if he wants to try out your new totally-not-a-scam product that you carry on you at all times for opportunities like these. and for some reason he doesnt just say yes, but buys two

[lovifie]

Price had a young girlfriend and did not tell anybody until he decided to get married...

He probably didn't tell them until the night before the wedding…He asked them to come over for a little celebration and everyone expected a middle-aged woman. But when they saw a girl in her mid-20s opening the door with Price they were shocked

Soap probably even asked if she's his stepdaughter LOL

Hey, love!! 💗💗

I wrote you a little something...

I hope you like it 💗

❤️Mr. & Mrs. Price❤️

Fluff | Sugestive | 1547 words | Back to Masterlist

They were having a pint at a pub close to base when he told them. 

“I'm getting married next Saturday, you have the weekend free, so drop by so I can introduce you to the missus.”

Now, Ghost wasn't surprised he didn't know about his captain having a girlfriend, let alone a relationship serious enough to talk about marriage. What surprised Ghost was that neither Soap nor Gaz knew about it. 

“Married?!” Gaz asked, loud enough to make some people turn their heads. 

Price furrows his eyebrow, surprised by the reaction as if he had just told them about what he's having from breakfast. 

“I didnae ken ye had a pretty bird waiting for ye at home, Captain!” Soap says, just as loud.

“Yeah, I have for a couple of years now.” Price simply answers, shrugging his shoulders as he takes a sip.

“A couple of years?!” The three men ask in unison like a bad comedic joke. 

A chain of questions starts to unravel, curiosity for the mysterious woman pouring out; but Price waves his hand shutting them up. “No point in that, you are meeting her this weekend, easier that way”

They begrudgingly agree, keeping to themselves the mental image of the possible woman. She must be around Price's age, so between 40 and 50 years old; knowing how little the man likes to go out they probably met at work so she must be military too. Stern woman. 

Price tells them that is something minor, the close family and a bunch of friends; that they can join at the reception at his house and to dress nicely. 

“No ghost mask.” He chastises the man pointing at him. “I don't want work involved, alright?”

During the week until the wedding, they keep thinking about her, about how she must look like, her personality, her age, her eye colour.

“What do you think she'll look like?”

“In my mind, she's like Laswell… but being into men.”

And out of every possibility and different mental image, the last thing they expected was the pretty thing that opened the door for them on Saturday. 

Pretty little thing, around 25 years old, with the kindest smile on her face even when looking at the three giants on her doorframe, flowy white dress, little hair strands framing her cute face with the rest of it gathered up in an intricate updo in the back hold together with shiny pins and a silky bow. 

“Oh, you must be John's friends.” You say, voice sweet as an angel. “Please, come in, don't just stand there. I'm gonna go get him, be back in a second”

You step back, holding the door open for them, inviting them in and once inside you close the door, walking past them to reach their captain who is looking in the opposite direction, talking to somebody else.

“That must be the stepdaughter… right?” Soap asks what all of them are thinking. 

They stare as you walk up to Price, placing your hand on his lower back making him turn to look at you; a wide smile appearing immediately. He leans forward, his arm moving behind your shoulder and his hand keeping your jaw in place as he kisses you. 

Lips crashing against yours, closing his eyes and letting his tongue into your mouth tasting the champagne you were drinking just a moment ago. A passionate, sloppy kiss that would make a maiden blush at the impropriety of it even for the newlyweds.

“Mate, I sure fucking hope she's not.” Gaz answers after a moment.

The two of you finally pull back, telling Price about his friends arriving and he looks behind you to see them. He smiles, not as wide as when he looked at you, and gives you a quick peck before walking to the door. 

“Welcome, lads. Thank you for coming.” He says simply, crossing his arms and looking proud. You appear from behind him, hand resting on his arm slightly leaning to his side.

“Do you want anything to drink? To eat?” You ask softly, love pouring out of Price's eyes as he looks down on you. 

“I'll help you.” Ghost says, a curl of his lips you could identify as a smile if you wanted to. And once the captain is left with the sergeants, the attack starts. 

“How does an old churl like you manages to get a pretty thing like her?”

“Where do you even meet a doll like her?”

“How many years have you exactly been dating for?”

Ghost clears his throat when he turns around the corner on his way back, with you chirping on his side about how happy you are to finally meet them. He has a more natural smile on his face now, clearly infected with your enthusiasm. 

Price finally introduces you to them, exchanging everyone's name. You hug both the sergeants and shake Ghost's hand, the man glad that you made the observation of his lack of appreciation towards body contact. 

After a little chat, you excuse yourself; promising to get back in a while wanting to talk to your own friends still waiting around the room. It leaves Price on his own and that's when he tells the nosy men how he met you. 

You were his neighbour, sharing half the walls of the old flat he house to live in before moving in together. How he introduced himself to you one day when he saw you leaving your house, how he told you he was military so you wouldn't freak out if you saw him in the middle of the night or suddenly disappeared for months, how after a specially long deployment he got back and you dropped by hours later with a bunch of tupperwares with homemade food “I assumed you would be tired, it's nothing special but I'll save you the hustle of cooking”, about how he had wanted to marry you ever since, how he gave you the tupperwares back one by one so he had more reasons to talk to you, how he finally asked you out with the last one and how after that it all was easy between you two.

The four of them swiftly move to sit down on the kitchen table, Price still telling them everything about you and the relationship. Ghost is just as invested as the other two, trying to play it off as polite interest. Slowly and smoothly people leave the house as the day goes by, the sun having set a couple of hours ago; and you walk into the kitchen, sitting on Price's lap with a sigh. 

“I know it isn't proper of a good host, but these shoes are killing me.” You announce looking at the three men as you bend down and take them off, a sigh of comfort leaving your mouth as you lean back on Price. “I'm also sure you have endurance worse than some stinky feet.” You joke with a tiny chuckle making them smile. 

“Everyone gone, darling?” Price asks, his hands resting on your lap as you nod smiling. He looks up to the boys as he says. “Better to tidy up then”

“Jonathan Price, don't be rude!” You exclaim looking at him. “They are your friends and there are more than enough rooms for them if they want to spend the night. They have been drinking too!”

“Mrs. Price.” John says with a teasing tone, standing up and helping you stand. “Talk to me for a second, love.”

Price bends down to pick your shoes up, holding your hand to walk you to the living room. They hear the two of you whispering back and forth, then silence and lastly the unmistakable sound of kisses. They peak behind the door, managing to see you sitting in the backrest of the sofa with Price standing between your legs, grinding his hips against yours. You moan softly against his lips, before pulling back and whispering something they can't make out; Price pulls back as well and they sit back on their chairs. 

Price walks in just a second later. “Lads… thank you for coming, I'll see you when I'm back from the honeymoon, now… OUT!” He barks the last word making Soap chuckle as they all finish their drink in a gulp and start to walk out of the house, congratulating Price on the marriage and walking out one by one; meanwhile, you remain completely out of sight for them.

“They gone?” You ask for the top of the stairs, looking at Price with a smile. 

“Yep.” Price says locking the door.

“You didn't have to kick them out like that, though.” You say cocking your head with a smile.

“Oh, yes, I did.” He says, turning around to start to walk up the stairs. 

“Why? Afraid they might join?” You say winking at him, making him laugh before he throws you over his shoulder making you shriek.

“Wouldn't you like that, you little minx!” He jokes, landing a smack on your asscheek. 

You gasp dramatically holding onto his clothes. “It's Mrs. Price to you, young man.”

He chuckles, making your body shake, before he throws you down on the bed; him instantly crawling on top of you. 

“Who's your husband, darling?”

“You, Mr. Price.”

A bit more of this

[celtrist]

This was the piece that I had started before my extensive vacation (of coughing). Once again, Alastor is consistently the bane of my existence with his... well everything.

No matter! Anyway, this is something I like to call the Obsession AU. To sum it up real fast: Everyone is yandere for Alastor. I think it would just be apart of his punishment in Hell, being consistently forced into or desired in romantic/sex which he's never had much interest in. I would describe it as a dark comedy thing, but it can be as comedic or as dark as you want here. With that said, please be on guard with any mentions of darker content that treds towards a certain dead bird territory when I get a bit into how I imagine some of the characters. Again, it doesn't have to go that far if you're interested in this premise of an au and wanna focus on the more light hearted stuff, feel free.

This au is just poking a bit of fun at how everyone in the fandom wants to put Alastor in romantic situations constantly (whether it be with themselves or the other characters) despite Alastor probably being the least interested in the subject in the whole show. This is by no means a hate train or making fun of people who do enjoy shipping Alastor, it just more of a funny thing I think comes off as pretty ironic for his character and hopefully, others can enjoy that too. In this au he leans pretty much on the clear-cut side of aromantic and asexual with no interest in romantic affections at all. With that said, if you want to explore Alastor genuinely being interested in one of the other characters romantically or something similar, feel free to explore that! I can see some interesting dichotomies there. It's just within the actual "canon" of this au, he's not at all interested with that sort of thing. And just with a last final reminder to get into some character things I have in mind, some of the content mentioned does get pretty dark, particularly with Valentino but I don't think anyone's surprised there. But there might be some triggering content of the following mentioned here with characters but no crazy details really: Manipulation/Gaslighting, forced feminization, Non-con, Munchausen syndrome, Poisoning, Possessive, Drugging, Love bombing And I will be sure to give a quick warning to each character it might apply to, please feel free to let me know if I missed anything!

Rosie (Munchausen syndrome, Poisoning): Rosie has 100% poisoned Alastor before to make sure he relies on her. They started off as good friends but at some point Alastor began getting ill and Rosie offered to take care of him. This leads to Alastor staying in bed for full days, only really seeing Rosie who took care of his every need from food, clothing, washing, and so on. At some point, Alastor caught on that Rosie was putting something in his food to make him sick and he managed to escape with their friendship tarnished much to his dismay. He's often uneasy around Rosie but is upfront about his knowledge of Rosie's deeds. Rosie, in turn, acts like it is a lighthearted situation and often offers Alastor over for lunch, which he often denies. Any food he gets at his doorstep from a secret admirer or a lunchbox he finds at his seat in an overlord meeting goes straight into the trash. Alastor will still use Rosie's assets to his benefit of course, but is always careful as to what she might try to get in exchange. He has had more awkward lunches with her with his homemade meal versus the buffet she catered for the occasion, with the two gossiping like old times. Alastor is still uneasy during these times, but he also revels in the false pleasantries due to not having many others he's able to associate himself with due to the curse.

Lucifer (Controlling, Possessive, Manipulation): So I'm not 100% clear how I wanted to approach Lucifer. He and Charlie are probably the most similar I suppose? He wants Alastor as his queen (either alongside him and Lilith or only with him, he doesn't mind either way). He doesn't force him into dresses or anything, but Lucifer does consistently make doting moves and talks about how Alastor would make a good father to their children. Marriage is one of the mind and Lucifer probably gets a bit possessive with him. He also tries to guilt trip Alastor a lot, or manipulate situations in one of their arguments to get Alastor to say something he doesn't mean.

Charlie (Controlling, Possessive): Probably the most tame of everyone quite honestly. Charlie can be a bit controlling but does step off when Alastor expresses his dislike of her doing so, even if it takes a couple times. She likes doing things for him, is super affectionate, and daydreams about her, Vaggie, and Alastor all getting married. She can get pretty possessive with him, not being pleased when anybody does anything against Alastor's will or hurt him. The only exception to this rule is Vaggie, to which Charlie sees it like two cats getting along and finds it very endearing.

Vaggie (Forced Feminization, Controlling, Murder): Depending on how you look at it, Vaggie's one of the more fucked up obsessions or one of the more funnier ones. Because she's automatically inclined to like Alastor quite a bit with the curse thing but her personality doesn't jive with his for her own taste (in terms of their first meeting), she both hates and loves the guy. She's obsessed with trying to murder Alastor with traps around the hotel or outright standing over him with her spear. The hatred comes primarily from not wanting to feel the way she does about him, I guess like a fucked up tsundere if you wanna go that route. At the same token, however, she does want Alastor to be involved with both her and Charlie romantically. There's just one little problem: Vaggie has about the same amount of interest in men as she does in canon. So to sort of "fix" Alastor, she consistently tries to force him to be more feminine in clothing, offering different feminine names, and even trying to force him to get a sex change. Alastor is pretty slippery though, so it never quite works out in Vaggie's favor aside from the occasional dress or skirt being worn, which solidifies her attraction to him. Then he takes it off and looks more like a man again, and it solidifies her frustration/hatred for him.

Angel Dust (Drugging): To start, while I think Angel would love to have sex with Alastor, he 100% would not force it. Wouldn't even do touches or anything. Potentially he could just like as a coping (to be in a situation where HE'S the one in control), but that is a darker route that I don't think will be exactly true for this AU. However, he very much enjoys drugging Alastor similar to Rosie. Not only just as a bonding thing since Angel would also do the drugs WITH him, but just to get the not-quite-lucid compliments from Alastor and maybe a snuggle then and there. He wants to dote on Alastor with him drugged out in his bed saying nice things to Angel. Admittedly this one's a bit of a workshop as I just knew I didn't want Angel to be focused on sex like somebody, but wasn't sure what to do here.

Valentino(Non-con, LoveBombing): I mean... it is Valentino, what did you THINK he'd be trying to do with Alastor? There's really not much to say here, Valentino essentially tries pulling all the stops trying to get Alastor in bed while also love-bombing the hell out of him. Which really doesn't work. Valentino is pretty open with sharing Alastor, but again, does this surprise anyone? As long as he's participating in some way, he really doesn't mind.

Vox (ALL warnings): Pretty much the worst version of himself that people make him be sometimes for those darker stories in the fandom. While more interested in having an enthusiastic partner, I don't think Vox would be opposed to forcing himself onto Alastor. He consistently tries to manipulate and gaslight, while enjoying both the suffering and pleasure of Alastor. Much like Vaggie, Vox is obsessed both being in love with Alastor while also downright hating him to the core. He's possessive and likes the idea of being both sweet and heinous with Alastor. He pretty much is every other character wrapped up in one fucked up TV man. Vox acts the most well-adjusted of the characters here, but he's probably got the obsession the worst.

And of course, pretty much every other conceivable ship is up for grabs here. I did think about maybe unfallen angels are able to resist the obsession curse, which would possibly make a funny team-up of Alastor, Adam, Lute, and Emily. Alternatively, I thought maybe the other canonically asexual characters in the show wouldn't be affected instead, meaning another oddball team-up of Alastor, Octavia, and Mammon. Then there is of course the "nope, there's no escape for deer man". Not sure yet, maybe I'll workshop it. I have more normal things in the works rather than this messed up little au, but darker content is a guilty pleasure of mine.

[kiashieart]

Goatee Nick: getting an expert opinion

[image descriptions in read more]

(the setting is after timeskip, after Diego has been released from prison. Diego has specialized contacts to replace his visor)

page 1: in the top 2 panels, Phoenix is wiping his face with the towel around his neck, saying "alright", going into the second panel where he lowers the towel to reveal his face with his freshly cut goatee and ask "what do we think?". the third panel has Diego and Trucy with hands to their chins, both humming in deliberation. in the fourth panel, Trucy cheekily responds with a bright smile on her face: "yup! it suits my dear old daddy!", which Phoenix shouts "hey!!" from off screen in offense to his daughters statement; meanwhile Diego is starting to take a step forward, stating "hold on" - as his judgement will require more inspection.

page 2: the top 2 panels are drawn in a comedic simplified style, showing Diego bluntly grabbing phoenix by the chin, and then tilting Phoenix' head back while he leans in close to inspect the goatee. Trucy stands behind Diego in silence, unprepared for what she is about to witness.

the third panel at the bottom is a more detailed drawing of Diego holding Phoenix by the chin in a way that appears surprisingly and unintentionally intimate; Phoenix is wide eyed and starting to blush, while Diego is calmly assessing the goatee with his lips pouted in concentration, narrating his assessment: "hmm… the cut is clean… looks even".

in the bottom right corner, a 'LIVE TRUCY REACTION' display shows Trucy's face cropped; she is smiling thinly, and her eyebrows are raised to the point of a light crease in her forehead in stunned surprise. she is doing her best to reel it in.

page 3: the top two panels are portrait closeups; Phoenix's blushing and surprised face with Diego's hand around his chin almost as if from Diego's point of view, sparkles around his face - and then to Diego's face, calm but his lips still pouted. he idly thinks to himself '… he's pretty handsome'.

the third panel goes back to Phoenix's face; cropped and more close up to his even more flushed lower face, a bead of sweat rolling down his cheek and Diego's hand on his chin, Diego's thumb slipping to touch the corner of phoenix's lips. Diego thinks to himself 'hmm…', and then catching himself in surprise to the position of his thumb; 'ah-'.

the fourth panel goes back to the comedic simplified style with all 3 of them, Phoenix is wide eyed and full on blushing, Diego has quickly pulled his hand back while also blushing and a creased brow but is trying to play it cool with a smile, and Trucy is behind Diego also with wide eyes and her mouth in a straight line. Diego plays it off, stating: "woops - apologies, hand slipped, anyway-" with his speech bubble captioned with 'smooth recovery!!'.

the final panel is like the 4th but bigger and back to being drawn with more detail. Diego is leaning back with his hand close to his own chin again and a pleased smile and blush, slightly sweating from having recovered his slip up; he makes his final positive judgement on the goatee and says "well done! it looks good on you birdie~". Phoenix is still somewhat blushing but he's smiling and leaning back tilted bashfully, responding with "haha, you think? i quite like it myself!" Trucy has put on a calm and friendly smile one her face, but is turning her head to look away and brought her hand up to shield her peripheral view; above her is a faded crudely simplified drawing of her face that reveals her internalized true expression of a stunned grimace. she thinks to herself both impressed and slightly horrified at the outlandish unintentional flirting her father experience with 'wowwww'.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[muletia]

These obsessed Orian and Optimus fics have got me thinking about what if Megatron was just as obsessed with reader as Optimus, and they have a tug of war sort of battle between them where one side snatches you for their leader back and forth.

It has gotten to the point where you couldn’t even sleep in your own home anymore without some decepticon destroying your ceiling in order to take you away to their leader like a toy.

Megatron would definitely see reader as a tool to further his goals as well as leverage to use against Optimus. He laughed out loud when he heard about his nemesis having feelings for a puny human. If Megatron could punch his past self for daring to think so lowly of you, he would do it without a second thought. He is so much worse than Optimus because he doesn’t allow you to leave him sight even when you plead that you have to go to work.

Work? What work? You don’t need to work anymore now that you’re his queen. Don’t be ridiculous.

Oh, but Optimus… He. Is. Pissed. He would never rest until you were back in his servo safe and sound. He would quite literally crash out as soon as he found out Megatron took his beloved.

I love having two obsessed bots fight over me <3

YOU ARE SO BIG BRAINED OMG, these ideas are so tasty

okay, this scenario could unfold in several ways, but i see a huge comedic potential here. at first, of course, there's nothing funny about it at all, because being kidnapped by the leader of the decepticons himself to be used as a bargaining chip is far from humorous. but! let's say that despite the hopelessness of your situation, you dare to resist, to fight back, because you know that megatron doesn’t have the guts to hurt you. he knows you’re too important to optimus, and killing you gains him nothing. the problem is that by being defiant, you end up sealing your fate because megatron starts to take an interest in you. at first, he’s just fascinated by you, maybe even slightly amused. but this unimportant infatuation quickly turns into something more, something that terrifies megatron himself. it’s stronger than him, more powerful, more aggressive, and more relentless. suddenly, you’re no longer a bargaining chip—you’ve been promoted to a much worse position. you’ve become his partner, his second-in-command, his queen. someone who suddenly holds immense significance for him. and that is absolutely terrifying.

megatron doesn’t get to enjoy your company for long, though, because you’re quickly rescued by the autobots. optimus is, of course, ecstatic that the mission was a success and that you’re finally safe, but for a few days, you’ll have to kiss your social life and work goodbye, as optimus will insist on you being under constant supervision at the base. maybe during this time, the two of you grow closer despite the circumstances of your house arrest? and despite the paranoia wreaking havoc in optimus's processor, part of him is content with having you constantly in sight and that your relationship has warmed even more.

the same can’t be said for megatron, who is, to put it mildly, tweaking out. is he just supposed to let you go after he’s had a taste of you? after he’s grown to enjoy your company and having you always within reach? ha! he’s not letting go that easily. a few days after you return to your normal life, a random vehicon gets the order to bring you back to nemesis, straight into his master’s hands. megatron is satisfied—you, not so much—and optimus is losing his mind. this time, however, the rescue mission doesn’t go as smoothly. the leader of the decepticons personally keeps an eye on you, and you’re constantly watched by soundwave. but let’s say the autobots manage to rescue you again... until you’re kidnapped once more.

and here’s where the comedic aspect kicks in. at some point, your fear for your life shifts to irritation. by the tenth time you land in the servos of the great leader of the decepticons, whose most sinister plans apparently involve just keeping you here against your will and occasionally you patting him on the helm, it’s honestly just exhausting. the most troublesome part is the lack of autonomy—otherwise, you’re pretty much chilling as long as you don’t tease or provoke him. although, even that gets boring after a while. you just want to live a normal life... you never asked to be sandwiched between the boobs of two leaders who do nothing but bark at each other...

[loveinhawkins]

picturing Dustin watching at the trailer park, right after Eddie says, “Hey, Steve? Make him pay.”

And for some reason Dustin’s reminded of ‘84, of his conversation with Steve on the railroad tracks, it’s like before it’s gonna storm, you know? You can’t see it, but you can feel it, like this, uh... electricity, you know?—although he’s grown enough to suspect that Steve might not know everything in that regard.

And it’s not electricity he senses, not exactly, but it’s definitely a storm of some kind: something fragile. Something—someone—that’s very scared.

Dustin’s running before he’s even registered his decision. “Steve!”

Steve turns around, and he already looks like he’s about to ask a question—something practical, like whether Dustin’s forgotten something—and Dustin feels a twist of regret, that that’s where Steve’s mind goes; yeah, they’re all ready for battle, so it makes sense, but…

Feeling suddenly very young, Dustin barrels into Steve and hugs him.

He hears Steve’s surprised inhale, his hesitancy, before he returns the hug in full force.

For a little while, it’s like the world narrows down to only this. No ash in the air, no nightmarish red in the sky. Just the two of them.

Dustin’s about to pull away when he feels Steve’s chin dig into the top of his head. Hears him sniff, very quietly, like he’s trying to hide it; and that makes Dustin think of the tunnels, or afterwards, really, when Steve held onto him with shaking hands, kept saying, “We’re okay, we’re okay.”

So he just keeps hugging back.

Steve’s the one to let go; he’s smiling, but he looks a little sad too, forehead creased with worry.

“I need a ride tomorrow,” Dustin says.

Steve huffs. “Oh, yeah? Where to?”

Dustin taps his nose obnoxiously. “That’s for me to know and you to find out.”

It’s bullshit, of course; Dustin doesn’t need a ride anywhere.

Steve rolls his eyes, but some tightness in his jaw finally eases. “God, you’re such a dick.”

“Bright and early, Steve!” Dustin adds smugly. “Five am!”

“Yeah, yeah,” Steve says, waving him off, and for a moment it’s like they’re just in the school parking lot. He looks as if he’s about to say something else, then thinks better of it—glances back to where Robin and Nancy are waiting. He pulls Dustin in with one arm, a brief but tight hold. Nods, as if to himself. “Go on, scram.”

Dustin runs back to the trailer with a stitch in his side but a smile on his face. He knows it’s naive to think he can fix everything, but in this moment at least some part of the universe has been righted, even while in The Upside Down.

Eddie’s standing right where he left him, like he’s been frozen the whole time.

“Hey,” he says quietly. “is he, uh… is he okay?”

Dustin’s reminded that of course, Steve isn’t the only one who’s scared.

“Yeah, he will be,” he says, which he thinks is a more accurate answer than a simple yes or no.

It’s funny how life works, he muses while gathering supplies for the trailer defences. There’s no way he’d have thought even a week ago that Eddie would be sincerely asking him about Steve’s well-being. Whenever he happened to bring Steve up at Hellfire, Eddie would imitate him in a comedic falsetto, “Oh, Steve this, Steve that.”

For a minute, Eddie remains rooted to the spot, still staring in the direction of where Steve went—like he’d watched helplessly as Steve walked into the eye of a storm or something.

“You just gonna stand there and gawk?” Dustin says.

Eddie snorts. “So rude, Henderson.”

And it’s not like Dustin really knows, not when Steve and Eddie are still barely dancing around it themselves. Still, he can pick up on some things.

Like when they’ve finished setting up everything, waiting for the go-ahead for Eddie to start playing his guitar—to pass the time, they recount the high points of the day, keep it light. It’s a practice Eddie used to implement after campaigns.

And look, Dustin’s damn good at picking up on patterns. Like, he loves Steve, but he’s pretty sure the reality of him driving the hotwired RV doesn’t quite match up to how Eddie’s currently waxing lyrical about it.

He’s making it sound like it was something outta James Bond, Dustin thinks, when he’s sure Steve drove right into several trash cans.

Suddenly he knows exactly what he should do.

“Steve this, Steve that,” he sing-songs.

Eddie flushes; Dustin cackles.

“Fuck off,” Eddie says, but he’s smiling as Dustin keeps laughing, like he knows there’s nothing mean-spirited in it. He keeps going, Steve this, Steve that, talking right over Dustin’s teasing—somehow finding even more moments where Steve truly shines.

And Dustin doesn’t know everything, not even close, but at the very least, he knows that this feels right.

[akanemnon]

TWIN RUNES MASTERPOST

Because of the limited amount of links you can put into a post, you can find the links to each page in these sub-posts:

To be continued...

FAQ under the cut!

TWIN RUNES MINI COMICS

Glasses - Frisk Dance - But nobody came - An acquired taste -Smalltalk - All You Can Eat - Page 75 EXTRA - Page 84 EXTRA - Kris the Detective

AFTER RUNES:

Not-To-Do-List - Beach Episode - Salute the Frick - Morning Routine - The Universe is a Hologram - Trick as a Treat - Taste the Painbow - Dungeon Doofus - Tour de Nope - Explosive Start - Conveniently shaped... - Sibling Bonding - Home for Iinfite Avoidance

PRE-RUNES:

Fallen down - First steps - Press [C] - Eye opening - Whatstheirface - Acid reflux - Connection issues - Normal Human Behavior

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TWIN RUNES - FAQ

What exactly is this AU about? Twin Runes is essentially a comedic crossover AU between the universes of Deltarune and Undertale. No fancy nicnacs. Just the characters being their chaotic selves. But there might be some darkness lurking up ahead... ____________________

When is the next comic? The comic updates most Sundays at 6:30 PM Central European Time. ____________________

Why is this AU called Twin Runes? The name is more or less a play on the typical naming format of most AU's by featuring the "Runes" part. There are no literal Twin Runes. The whole name is more of a stand in for Undertale and Deltarune as parallel worlds. Hence the "Twin" part. ____________________

When does Twin Runes take place? This AU takes place between a hypothetical Chapter 3 and Chapter 4 of Deltarune. On the Undertale side of things, it takes place post neutral route just as Frisk was about to deliver Undyne's letter to Alphys.

How many pages are there going to be? The script for this comic estimates that the comic is going to be 137 pages long (if I don't make any major changes). ____________________

Is the Player a thing in this AU? The Player(s) lost control over both human children as soon as Frisk entered the world of Deltarune. Essentially, the reader takes on the role of the Player. You have no influence on the outcome of the story anymore. All you can do is watch. Both Kris and Frisk refer to the Player as "It" and "the THING". ____________________

Is there going to be a Weird Route? Due to the lack of Player, all choices made by Kris are now their own. How to engage in battle all depends on Kris, and not the Player. Because of that, there are NO DIFFERENT ROUTES. There is only one route and that one is based on Kris' choices. Because of the lack of save points, there is no "what-if" scenario. ____________________

When Chapter 3 and 4 are released, will it affect the story? Any chapters after Chapter 3 won't affect the story in the grand scheme of things. Twin Runes created a new timeline so to speak. ____________________

How old are the characters in this story? Frisk appears to be around 9 years old. Kris thinks they're 14. (Both Frisk and Kris don't know their actual age.) Chara died when they were around 10-11. Susie is around 15-16 (she was held back once) Ralsei appears to be the same age as Kris. ____________________

What's up with Kris' and Frisk's hair? The red bits of their hair is more or less a representation of their souls. That in turn is also why Chara doesn't have that feature. They are soulless. It's a stylistic choice. ____________________

What's that thing on Kris' chest? It's a scar they got from tearing out their soul.

And why do they have weird lines all over their body? Both Kris and Frisk's anatomy resemble that of ball-jointed dolls. They appear just as markings across their bodies. Think of them as elaborate birthmarks. Kris and Frisk are still made of flesh and blood, but are in fact hypermobile. The reason as to why they do is still a little secret :) People here like to refer to these markings as "puppet limbs". You can get a better look at them and the scar in this artwork

Why does Kris have braces? This is why:

Are old art, comics and asks from your blog part of Twin Runes? Unless stated otherwise, all art that was made prior to the start of the comic are not canon to Twin Runes. That mainly includes the old asks. __________________

Why is Dark World Frisk green? Frisk changes their main sweater colors with Kris when they enter the Dark World.

Could other ghosts see Chara? (pre Darkner transformation) No, only Frisk and Kris were able to see Chara. ____________________

IS KRIS NOW FRISK'S COUNTERPART OR CHARA'S???? :) ____________________

Where are Jevil and Spamton? Are they in Castle Town? The Fun Gang have already fought these two in the previous chapters and added them into their inventory. Outside of that little dream sequence, neither will be making an appearance. ____________________

Is anyone from Undertale Yellow gonna make an apperance? Outside of a tiny cameo from Clover (that has no greater bearing on the story) no one from Undertale Yellow is going to make an appearance. ____________________

Is (insert character here) gonna go to the Dark World/underground? With the way the story is going to play out, only the main group will be heading to this new Dark World. The rest of the story will be taking place there. I want to keep the story focused and not involve too many characters. ____________________

How did you come up with the idea of Twin Runes? Twin Runes is an offshoot of a separate script I started in 2023. The concept of this script is similar to Twin Runes, but turned on its head. The funny moments in that script made me continue what now is the start of Twin Runes. I pretty much just wanted to see if I am actually capable of drawing a comic to begin with. So... in a way Twin Runes is my first attempt at a comic ever. If I ever finish Twin Runes, then I know I can tackle turning that mammoth project of a script into a comic too. In the grand scheme of things these two projects are sister series. They have A LOT in common and even share similar plot elements. When Twin Runes is over you will automatically also know certain mysteries of The Other Script. ____________________

What is The Other Script? As of this moment I call The Other Script: "Lost in the In-Between". At its core it's an inverse of Twin Runes. I.e. Kris falling into the underground and being aided by Frisk on their quest to return home. The story is considerably more grounded than Twin Runes and so are the characters. Though they do have their silly moments from time to time. The overall mood of that script is a lot darker in nature and it's a 200+ page passion project of mine. ____________________

Is there x ship in Twin Runes? The focus of this story is not on shipping. If it's in the game it will very likely be mentioned or brought up, but that's about it. ____________________

What pronouns do the human children use in this story? THEY/THEM FOR ALL OF THEM WITHOUT ANY EXCEPTIONS. That is what they are in this story. This is not open to interpretation. Please respect that. If this is a dealbreaker for you, then unfortunately this story is not for you.

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ABOUT FAN CONTENT

Am I allowed to make fanart? ABSOLUTELY! You are very welcome to make fanart if you feel like it. Please let me know if you do by tagging me, so I can share it with everyone to see so that you get the appreciation you deserve! ____________________ Can I use the funny faces you draw for memes or for stuff like memes or for profile pictures? That's what they're here for! ____________________

Am I allowed to translate the comic and post the translation to a different site? For transformative work like this, please ask me beforehand. If I have given you my permission, please link the original work with the proper credit given. ------------------------

Am I allowed to dub your comic? Just like the point above, please ask for my permission first. That is just common courtesy. -----------------------

If I have gotten your permission to create content off your comic (dubbing, translations, etc...), am I allowed to monetize it? NO. I don't make any money off this comic either, as it is purely fan content.

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ABOUT ASKS

Asks will open after a new comic has been released. I will queue the questions from Monday until Friday. Once the queue is full, asks will close. Your questions will then be answered over the course of the week.

Try not to submit multiple asks. If necessary, just keep everything in one post.

Keep in mind that I receive AL LOT of asks. There is no guarantee that every question will be answered.

Questions containing spoilers will not be answered on principle. Wouldn't be as fun if the surprise was ruined, right?

Before leaving an ask (mostly for everyone who's new), please make sure to read the FAQ section above. A lot of times your question might have been answered already.

I love memes and dumb jokes as much as the next guy, but try not to spam

It probably goes without saying, but please stay civil. I want to give everyone the respect they deserve, and naturally like to be treated the same way.

Please be mindful about drawing requests. It is understandable if you're eager to see a certain character drawn in my style, but I do not like to be bombarded by requests. The more it happens, the less likely I am to do it. Be kind and ask nicely.

I don't take unsolicited comic ideas.

Don't use other people's posts that I reblogged to ask me questions! It has happened before and I do not wish to see this!

This isn't an ask blog. The comic has a script that will not deviate. Reader interaction with the characters won't be possible due to the overall "no Player" subplot.

Please do not ask me to put your characters into the story. Like I said, the script is already finished and I'm quite happy with it. Your characters are in better hands with yourself and your own stories. Please have respect for mine.

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ABOUT SUBMISSIONS

The submission box is for FANART ONLY!

It is meant for those who do not want to submit their fanart to their own blogs, in case they feel scared or intimidated to do so.

ASKS AND REQUESTS THAT ARE SUBMITTED THIS WAY WILL NOT BE ANSWERED.

Please wait until the ask box opens. You can read more on how asks work in the section above.

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REFERENCE SHEETS

The following are ref sheets of characters that don't have established Dark World forms yet (as of writing this comic). The list will be updated as soon as a new character enters the Dark World. Here you will also find references of characters that might appear as surprise cameos, or maybe even completely new faces...

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FULL ART

[scourgeofmyownbrain]

Now, I just want to start by saying I love BabBee and Dadimus. I do, 10/10 would enjoy again, but I think Y'all are neglecting the comedic and story potential of Bumblebee and Optimus meeting as ✨Adults✨ and still becoming a family.

Imagine with me, if you will, Cybertron ravaged by war. Things have fallen to shit. Megatron has been dragging these divorce proceedings out for years. Bumblebee was born around the beginning, give or take a few years, I don't care about specifics. His parents were sadly killed early on in his life due to something war related and Bumblebee has grown up alone. He manages to survive to adulthood, and he joins the Autobots. Bumblebee has been drowning in the consequences of this war since day 1 and he wants to help fix it. If Megatron won't sign the divorce papers then Bumblebee will. Yada Yada Yada Sad Backstory This is so sad, Alexa play The Less I Know The Sexy Back.

Anyhoo, Bumblebee is very good at his job as a scout. Top of the line shit, best of the best, 5 stars would eat here again. He's so good he gets promoted to work directly under Optimus Prime himself. Look at our boy go, we're so proud of him, you get that bag sister. Overtime, Bumblebee manages to become friends with Optimus (and the rest of Team Prime but we're focusing on Optimus rn) and they get pretty close. They're work besties, Bumblebee will make a joke over comms and Optimus will smile and say "I N D E E D, B U M B L E B E E.". Fucking insufferable, the both of them, it's so cute. You know how you can become friends with people twice/half your age when you're working at a hard job? That's what happened here, they've been through the (actual) trenches together, they've bonded.

So at some point, Bumblebee gets seriously injured while under Optimus's command, like some life threatening shit. Whether or not it's voicebox related is universe dependent , so we're not going to specify what happens, but it's serious. Bumblebee survives, obviously, but Optimus feels SO bad about it. Oh the Guilt is strong. When he's visiting Bee, some of this leaks out and Bumblebee tells him that he should not blame himself, Bee is choosing to fight, if he dies while fighting for the good of Cybertron, so be it. Better him than some innocent spark in the future. Plus, Bee only got hurt because of a stupid mistake he made, not anything Optimus did.

Bumblebee says this to try and reassure his friend/superior, but now Optimus feels WORSE. Bumblebee is like half Optimus's age (Bee and Optimus are whatever the Cybertronian equivalent of 20 and 40 are, respectively) and had nothing to do with the start of the war, and he's just as ready to die as Optimus is? And he's blaming himself for his injury? That he only got because Optimus told him to do something? Optimus is NOT going to let that slide, no he's not! Over his dead body! He is not crying in the club rn, what are you talking about.

Optimus has decided Bumblebee can not die now. He has declared, as the 13th Prime, that Bumblebee dying has become illegal and he will do everything in his power to enforce this new Law of The Universe That Should Never Be Broken Ever. Now, whenever the two are on a mission, Optimus tries to protect Bumblebee as best he can. He doesn't want to coddle him, Bumblebee is an adult and Optimus respects that but he'll be damned if he lets Bumblebee get seriously hurt when he could have prevented it. He also starts checking up on him when they're not fighting, asking how his day is going, how a mission went, making sure he see's a medic if he's hurt, making sure he's eating his energon, all that good stuff. Bumblebee is his friend, he's going to make sure he's okay, this is perfectly normal friend behavior. The rest of team prime is doing a similar thing, they all want to make sure Bumblebee is doing okay. Optimus isn't being parental in the slightest, he is being very normal. (Author's note: Optimus and Team Prime are being very Not normal about their emotions. All of them have some level of abandonment issues/lost-a-loved-one-itis and can no longer be normal about people they care about.)

Bumblebee recognizes what Optimus (and the rest of Team Prime) is doing. He knows that Optimus cares for him; he cares for him right back. Bee's not stupid, he knows that he's been getting some special treatment in the form of vaguely parental affection. And you know what? He likes it, a lot. He didn't get any growing up and now he's getting it from a guy he really looks up to, why would he pass this up. Bumblebee tries to return this affection he's being given in any way he can. He makes sure Optimus isn't overworking himself by visiting him while he's working, he makes sure Optimus is eating by inviting him to eat with him, he drags Optimus into the med-bay with him so he see's a medic every once in a while, he tries to make Optimus smile with his dumb jokes and antics, the whole kit and caboodle. Bee sees Optimus as some kind of parental figure, and he's going to make sure his newly acquired pop-pop is okay, just like he's doing for Bee. The Pop-Pop thing was a joke (Kind of). Why is he looking for cybertronian legal papers? That is none of your business, Bee just wants to see them for fun. No he's not drunk, the container of high grade started empty.

Life continues, Optimus (and Team Prime) continues to take care of Bee in his unknowingly parental way and Bumblebee is vibing with his newly acquired dad. It takes a while for anyone to acknowledge the new dynamic, Bumblebee just doesn't explicitly bring it up and Optimus hasn't pulled his head out of his suppressed emotion ass long enough to realize it. And keep in mind that Bumblebee is still an Adult and they are still technically coworkers, they still have a job to do, a war to win. Eventually though, maybe after the Autobots have left Cybertron, Optimus finally processes his emotions and realizes he see's Bee as family.

Optimus: Bumblebee, I care for you deeply, and I've come to see you as family.

Bumblebee: Aw, thank you! I consider you family as well. *Hands OP a data pad* In fact, you adopted me months ago.

Optimus (who did not sign any adoption papers at any time): I did what?

Bumblebee: I forged your signature.

At some point in the future, some guy is being a dick to Optimus, i don't really know what could happen, but Bumblebee steps in to defend Optimus with "That's my dad, you bitch!" and fucking slams the guy and Optimus is just standing there buffering, bc he's still getting used to showing and taking obvious affection and he approches Bee later to ask if he really considers Optimus as his dad. And Bee just kind of stares at him then points at the bumper sticker on OP's chest and says "yes, you idiot, I gave you that sticker for a reason" bc the sticker says "Worlds Best Dad" and it matches the "Worlds Best Son" sticker Bee got for himself and I'm rambling, I'll shut up now.

I made more

i did it again