#there are so many parallels it kills me

[withdenim]

Local man desperately trying to stop the cycle before it gets to his kids (it’s already there)

[aromantic-and-aromatic]

Sephiroth was denied his humanity so consistently that the moment he saw a sliver of a possibility to justify his separation from it in a way that put him above humanity instead of below, he took it, and decided to become humanity's victimizer instead of it's victim

[yaralulu]

“But I will say that Lucien is loyal— fiercely so." "Nesta is many things, but she's certainly loyal."

Lucnes you will ALWAYS be famous 🙏.

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[inke-ri]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[diddlesnap]

joniss for the soul

[clegfly]

Finally got caught up with TADC and to no one’s surprise I’m now uncontrollably sobbing over the tragic doomed loving couple

[daritskaya]

one of the things about gaius' character that makes me terribly angry and confused is that he also tells merlin about destiny from the beginning, even though it's not even something he truly believes in. prophecy is important to the druids, it is - in one sense or another - important to kilhgarrah, it is important to the sorcerers. It makes some sense for them to throw this weight of knowing destiny on merlin. they don't know him; he is to them the messiah they have waited too long for. he is to them the long-awaited release and/or long-awaited revenge

but gaius has turned his back on the sorcerer community. he doesn't wait for the prophecy to be fulfilled, even if he believes it to be true. he's been convincing merlin all show that it's too soon for change - it's too soon for merlin to reveal magic, it's too soon for arthur to take the throne; when in fact it's gaius who isn't ready for change, it's gaius who wants to leave things as they are. He's comfortable where he is. all he's doing is making it harder for merlin to fulfill the prophecy - even if he does it unintentionally.

and he knows merlin. merlin is not just a distant image from the prophecy, not just a messiah, he is the boy that gaius calls son, a boy who is too young to carry such a burden.

and despite all this! he still keeps reminding him of the great destiny as something that defines merlin and everything around him, with absolutely no thought of how it affects merlin, because…. it's convenient? in the first, uh. two, maybe, episodes it could be just a (dubious) attempt to encourage merlin, after all, these are his first weeks in camelot. but later? later it turns into a way to manipulate him, to push him at crucial moments (one of the most striking cases in the first episodes: merlin doubts whether he should go kill the griffin? remind him of his great destiny! gaius just… uses it as a convenient excuse after which he doesn't have to explain anything).

"you have a great destiny, merlin" = "you have my permission to use magic, merlin."

gaius' approval is important to merlin. gaius restricts merlin a lot, (ultimately exacerbating merlin's fear of his magic) and if he turns a blind eye to his prohibitions, then the situation is very serious. and guess what? the only times merlin has gaius' approval are when merlin needs to destroy someone or save the prince and/or king. he literally learns merlin to think that his magic is good for killing and guarding pendragon and nothing more. that's all he can afford (that's what gaius can control. if anything changes, gaius loses control and he doesn't want that)

and that's one big reason why, in the end, merlin sees himself as a weapon in arthur's hands and sees nothing beyond that

what the hell, gaius.

[a-very-sparkly-nerd]

Rayllum Month 2024! (4/13)

white flowers and love letters, you say i’m yours forever

July 7th - Flowers

~

Rayla hated mornings. Callum couldn't get enough of them- she was convinced he must be on something, but it wasn't her place to say; hell knew she'd done weirder shit. And conversely, Callum hated late night while Rayla loved them. But at least she had a reason- she was a Moonshadow elf, after all. Moon's at night. The math wasn't difficult.

He slumped onto his bedroll when they made camp that night in a meadow, a clear view of the stars above. And if Rayla had chosen it specifically for that, in memory of their last time and hoping for a repeat, well… at least Callum had the good nature to not say anything if it bothered him. He was probably too exhausted to care.

She pushed his hair back. “Go get some rest, Sleepy Mage.”

He groaned, pushing himself up and rubbing at his eyes. “No, I'm fine. I'll help with dinner, and-”

Rayla rolled her eyes, lifting the bag off Luna and holding it out of Callum's reach. “Your eyebags could carry a gallon of milk. Go to bed- you're exhausted. I've got it.” She smiled, letting her hand fall within his reach. “Really.”

Callum took it, sending a rush of warmth through her perpetually cold body, the smile he gave her worth a billion gold coins. No- more. Priceless. “Thanks, Ray.”

She smiled back, squeezing and lingering. “It's not a problem.”

With Callum passed out instantly, Rayla ate a handful of beige bittersquash as she set out her own bedroll. Once she had it laid out as flat as she could get it on the uneven ground, she plucked Stella from her shoulder, the cuddlemonkey looking at her sleepily.

“Shh, I know, baby,” she soothed when she chittered, scratching her under the chin. “Will you do a very quick job for mama?”

Stella nodded eagerly, big purple eyes focusing.

Grinning, Rayla set her down near Callum with a pat on her head. “I'm going to go use the bathroom. Will you keep an eye on our things and Callum for me?”

The cuddlemonkey saluted her, adorably tapping Callum’s shoulder.

Rayla kissed her forehead. “Thanks, baby. I'll be right back. So fast you won't even notice I'm gone.”

She picked her way off through the woods until finding a dark, secluded enough spot to do her business. Stopping the fuss with the buckles of her pants on her walk back–honestly, she’d had them for over a year now, and the damn things never got any easier to clasp–she stopped short.

Nothing looked familiar. Sure, it was dark, but Rayla had always been good at memorizing environments and had keen night vision even for a Moonshadow elf. Shit, was she lost? Wonderful; that was just the icing on the cake.

Rayla flicked open a single blade, letting it hang at her side. She doubted there was anything nearby, but better safe than sorry.

She slowly spun around, getting her bearings and trying to figure out which way was east, the way she’d come from. Moss grew on the north side of trees, so if she could just find some freaking moss, she’d be set.

She squinted at a faint glow in the darkness, picking up the pace as she made her way over, curiosity getting the better of her. She was already lost; what was another detour?

A cluster of flowers bloomed at the base of a tree, glowing silver and shaped like lilies. A little like lunablooms, Rayla couldn’t help thinking, a shuddering wave of nostalgia washing over her.

Rayla inhaled the flowers’ scent, smiling at the smell of, oddly enough, fresh-baked cookies and Stella–unhygienic as the little monkey was, she thought with a snort–and- Callum. Why on earth did a flower smell like her ex-boyfriend? Why did it smell like home?

Greedily, she leaned back in to smell it again, but lurched back when instead of everything she’d longed for those two years away, it smelled of sulfur. Of evil. Rayla coughed, shaking her head. Where had that come from? Yet when she sniffed them again experimentally, certain she’d gone well and truly crazy, she was proven correct by how it had gone back to smelling like home.

She was clearly crazy, Rayla decided. She’d already been having auditory hallucinations, and with the added stress of her parents in her pocket, the fate of the world on her and Callum’s shoulders, everything that might happen once they reached the Starscraper, what he’d asked her to do… She really deserved more credit for keeping herself out of an insane asylum.

She pulled up a flower, gently gripping it by the stem in her free hand, and continued on her way. No reason to kill all of them. Let a little beauty spread around, right? But, come to think of it, it was odd that none of the little blossoms were anywhere to be seen other than that one patch.

But what did Rayla know? She was no Earthblood elf, no botanist. And she had bigger things to worry about than flowers.

And yet, she couldn’t make herself let go of the blossom in her hand.

By the time Rayla found her way back to camp, tired and agitated from stumbling over tree roots and through thorn bushes, it’d been at least twenty minutes since she’d planned on returning. Stella had fallen asleep curled up with Callum, out like a light.

Rayla smiled softly at the monkey, brushing a kiss against her forehead. She glanced down at the flower in her hand, and before she could think better of it, tucked it behind Callum’s ear. Adorable.

Read more on AO3!

[acaciapines]

rereading random bits of descendants of olympus (as one does) and. vera <3 still soooo obsessed with how she takes lupa's divinity. like MAN.......there is something to how shes had to scrape and claw her way into every single good thing shes ever had. that she's never just been able to KEEP these things, that she is always always always fighting for them. and so of course she takes divinity. she wants to LIVE. and in this world where the fates themselves are trying to control her, its like--yeah. maybe you do need a gods power to finally get like, at least a year of the life you want. the life you werent supposed to have. forever thinking about vera's one line in her chapter thats like 'of course the fates are losing power. because they'd never let someone like leo into my life.' YELLS. FOREVER.

also have we talked enough about minnie I THINK WE NEED TO TALK ABOUT MINNIE--

[ruvviks]

Nathan Dixon is lead STEM developer of the Union environment and Team Bravo special ops agent of MOBIUS. He is one of the youngest recruits of the shadow organization, having been forced to join them after he killed his parents at age 16; and now, nine years later, he is looking for a way to destroy MOBIUS once and for all– if that is even possible.

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts

[greenleaf4stuff]

This is the worst way to find out I have a favorite kind of character and it is one that is loyal to his people no matter how much others might fear them, being a father and a protector of them, and then dying tragically even as they try to help and protect those they care about.

Brb crying

for the trop girlies (gn) unfamiliar with him - the other character is Hugh from Star Trek and he (spoilers for Star Trek Picard):

got taken by the borg and was modified against his will thereby losing his sense of self while forced to serve them (and needed others to regain his sense of self and empathy)

his name as a borg was Third of Five, but after gaining his freedom he was given a new name, Hugh, which he goes by

became a guardian of the freed former borg (xBs) helping them to heal from their trauma and get better while trying to protect them from those who feared them or wished to exploit them - against a whole galaxy of ppl who saw all borg or former borg as dangerous

him and his people also have no 'home' of their own

ended up getting killed while trying to help his friends and while being unable to protect the very xBs he had devoted himself to

also. facial scars due to experimentation/modification. dark hair. dark clothes. goth vibes but dark does not mean evil.

...does this remind you of anyone?

[fromtheseventhhell]

What if I said Jon breaking his vows to save Arya foiled (not paralleled) Brandon going to KL to demand that Rhaegar come out and die because Jon was focused on saving Arya and Brandon was focused on getting revenge on Rhaegar?

[youwerelikeanangel]

Someone New / No Plan / All Things End

[warchord]

guys is this a safe space.

original by ranchuppi