#there are other repercussions as well

[secretsoftheuniverse1987]

had a very ✨disillusionment disassociation derealization✨ week or so and now that i've pulled out of it a bit i can't stop thinking about the truly absurd amount of laundry that needs to be done

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[rmbunnie]

I'm reading A Lonely Place of Dying and Alfred latching immediately onto Tim is NASTY work. Tim shows up and is like "I never aimed to be Robin! I mean I did karate my whole life to emulate Robin and just so happen to have sought you out and grabbed this costume in my size out from that case and really you should be calling me Robin just for now and let me come with you as Robin but I never dreamed it would specifically be ME being Robin. You have a lovely house and home btw :) Now go back to being 10." And Dick's understandably like "No I am a grown man now who are you" and Bruce is not here for this one, but later on is like "You aren't Robin, you're some kid dressed up like my dead son." But Alfred?

IMMEDIATELY Alfred is implying Dick was trying to subtly ask Tim to be Robin (simply not true in in NTT 61, when the implication is made, although he changes his mind in Batman 442) and that Bruce should be grateful for this young man's profound bravery and immense natural skill and maybe show him a few pointers or something idk we'll see :) Like let's be clear, the idea that Tim didn't want to be Robin is simply not part of this story outside of like two lines of dialogue where he's like "oh I didn't consider it could be me!" after which he immediately goes "Wow so you ARE gonna let me be Robin right?" the second he sees the opportunity. The guy essentially makes himself Robin once Dick makes it clear he isn't gonna be. Dick tells Tim nobody should be at first (until he changes his mind) but is ignored because Tim doesn't get why and goes with what he understands, his own stance.

I'm of the opinion that the whole "Tim understands that being Robin is an arduous task full of suffering from the start and chooses to bravely yet sadly martyr himself for the cause" thing I see sometimes is strongly disproven, at least in the beginning of his Robin career, by his "Batman NEEDS a Robin (to love and care for and to watch out for him in return :) )" line of reasoning, his subsequent willingness for Anybody to be Robin whether or not it was him (unless he was consciously okay with other children suffering for his benefit which I find really hard to believe,) and his active glee at anything involving being Robin and persistent smiling pursuit of Doing So against Batman's strong disapproval, because he hasn't officially said no (he did several times, but you can't blame a kid for being excited.) Like, I think he said he never dreamed of being Robin just because having a kid come in begging to replace Batman's dead son because it was a personal aspiration would be extraordinarily rude and arrogant and they wanted people to like this one. He was NOT in any way adverse they just couldn't make him THAT presumptuous, and he is by nature of what he's doing already moderately so.

But say it was true, that Tim was actively opposed to being Robin? Alfred would be pushing this shit HARD onto this thirteen year old kid like what the fuck bro. And "From what Master Richard said, he follows your orders." is HEINOUS but let's not get into that.

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[merlinfromberlin]

I have to admit that this fandom has conditioned me well.

I just need to read or hear the words Tyger Pax and my stomach turns into a pit full of anxious scraplets trying to eat each other because scrap is about to go down.

Nothing good ever comes from that place.

[carnage-cathedral]

yeah I feel ill. yeah I still need to get blackout drunk

[nemesis-is-my-middle-name]

yknow what minor transient detail abt s4 is fun to me? prior to john's reveal, noel apparently assumes the KIY to be a totally unfamiliar character to them both. he pauses his story to give background info on him ("he rules the dreamlands, he's a master manipulator, etc") in a way he doesn't with other stuff. he points out yellow like "that's the bitch btw. if you were curious." which is. like he knows they were in the dreamlands. i think he knows or at least assumes they were in the pits for a while given they ran into lorick. what does he think they were doing there. just. passing through??

[eclysia]

i was never sure where to mention this but my chronic pain is like 99.9% completely gone. absolutely baffling. all it took was one injection to fix it and my doctor was like nah.. nah.. dont feel like it.. actually you arent in pain at all and youre being overdramatic. ..no

[wyrmfedgrave]

🚨Nationwide PROTESTS 🪧 are ERUPTING EVERYWHERE‼️#wakeupamerica

Now this I like!

We have to remind both Parties that they get their power from us!!

And, we have to remind the rich that not all things are for sale.

If they don't have to follow the law - neither do we...

And, all things being equal, we out- number you both.

Let's see who ends up "eating cake."

End.

[solar-nightengale]

@lizardthelizard You wanted my thoughts, you're getting them 😏 Three and a half weeks later but you're still getting them ehehehe 😌😌😌 (Idk what to make of them so have fun with that word wall of mayhem)

August 2.18 | Zelena 3.16

[dragon-zena]

im going to wexplode if i dont have dnd in the next week

[eggfriedricedwasian]

Tim Drake probably got into fights at school, but he didn't start the fights, he'd finish them. He'd also get away scott free.

People think that they can ruin the Drake's name with their kid getting into fights and causing problems, but no. They encourage him to do these.

Janet had a firm stance in her belief to have the upper hand, so he'd never get in trouble, because she'd blackmail and/or grill into the principal so hard they had to let him go and give the other kid(s) punishment.

Jack had one solid rule, don't start a fight, finish it, and always win. He enforced it by having occasional spars with Tim whenever he could and signed Tim up for all kinds of martial arts to make sure he knew how to fight.

Janet signed him up for whatever else extracurriculars he wanted(ballet, gymnastics, theater, art, vocal coaching, instruments, figure skating, track, etc.).

So just imagine, Tim Drake, publicly known to get into and win so many fights but with no prior context is seen as a trouble maker till they see how well behaved he is. They talk badly about him though, how much of a bad kid little Tim Drake who physically looks like his father but has the face and acts exactly like Janet when he speaks and leads.

And then his parents die and he doesn't cry. They think he's an even horrible kid for not caring about his parents' death even though he's torn.

And then he becomes a Wayne and his reputation, which only Alfred and Bruce know, brings the Wayne name down.

And then he becomes CEO of Wayne Enterprises and everyone expects him to be just like Bruce. What they don't expect is Janet Drake 2.0 when it comes to getting his way and the way he acts or Jack Drake 2.0 with his outstanding leadership and ideas and proposals and what not.

When the rest of the Waynes find out about his reputation, they don't believe it till they see it for themselves.

It's probably at a gala or some sorts. A socialite is being inherently racist towards Damian and talking about how bad of a kid he is. Tim is not standing for it.

"Oh I'm sorry!" he says just a but too loudly to get the attention if everyone in the place, "Would you care to finish that vile comment about my brother? That he was a what now."

"I do, in fact. Perhaps after everyone hears this you Waynes will do better to control that little devil and his unnatural brow-"

The socialite doesn't even get to finish his sentence when Tim karate chops their neck, making them choke(literally) in their own words.

"Oh what was that? Did someone who is actively cheating on their own wife with the underage heir of another company be racist towards my underage and tri-racial brother? Sorry? Did a pedophile defiling the 15 year old daughter of the Miller's family say my 11 year old brother's skin was the sign of the devil? Hm?"

No one says a word, even as they watch Tim twist his words and spill out every secret and dirty fact about the socialite.

They don't even stop him as they watch him beat the crap out of the person with out even trying when said person tries to throw hands with Timothey Jackson Drake, publicly known for getting into fights and winning as well as being graduated from every martial arts class in Gotham ever.

Police were involved, headlines were made, the Miller heir was no longer seen in public and her younger sibling was pronounced heir, and Tim Drake, not Wayne, got off without a scratch, repercussion, or warning.

Damian has never felt an older siblings' loving protection more than he did when he saw Tim grill that socialite. He s never felt more respect for the guy before. And suddenly Dick was lower on the sibling scale.

He was lower on the sibling scale for everyone. Good by #1 sibling Dick Grayson and hello Tim Drake.

Have a problem? Someone's mean or is picking a fight? Don't worry, Tim Drake's there.

Drake is more noticeable than Wayne when it comes to Tim, and everyone finds it out the hard way.

[14dayswithyou]

Some long-term followers may have noticed this subtle shift already (especially those who are in the 14DWY Discord server or have read this post), but I figured I'd make it official.

I'm no longer associating myself with the yandere VN community.

The TLDR is that the energy here really fuckin SUCKS!! And I don't want to be part of something so hostile and needlessly competitive.

The constant infighting and epicaricacy between communities is deeply upsetting, and it's very disheartening to see aspiring developers cancel their projects because of the unwarranted backlash and harassment they face.

Some entitled folks on here reeeeally need to understand that constantly harassing others for updates, encouraging developers to belittle others to make themselves/their project look better, complaining about a project not meeting the expectations you specifically put in place, attacking other communities because of the parasocial relationship you share with another developer, getting mad that you chose to ignore important PSAs or warnings and faced the repercussions, or even sending in hate messages on anon because you're bored are not things you should be doing — let alone be proud of.

I try to avoid bringing up these topics as it's not the vibe I want to have on this blog (nor do I want to negatively contribute to the Streisand Effect and blow things out of proportion), but I'm genuinely getting tired of being on the receiving end of all this harassment and negativity, seeing it happen to others, and watching other indie developers encourage such vile behaviour. I'm done.

For those wondering what this means for "14 Days With You": for the most part, everything will still continue like usual. I've said this from the very beginning, but 14DWY is just a passion project I pursue whenever I feel like it. It's something I do for fun as a hobby — not because I want to publish a well-known game or turn it into a career. I've been on Tumblr for over thirteen years now, and it's taught me how to grow thick skin, so everything that I'm yapping and yammering about won't stop me from working on 14DWY.

However, this does mean that I won't be as interactive with other developers or their communities anymore; many ill-natured people have ruined this for me.

Because of them, I'm no longer able to voice my opinion on other games without some opinionated rat whispering in my ear about how the developer is "problematic" or that I could get cancelled for simply following them on Twitter. I can't interact with certain games without its parasocial community becoming hostile or gatekeepy towards anyone they don't like. I've seen communities belittle and devalue promising demos because in their eyes, nothing can compare to their favourite game (or their favourite developer). I have been harassed, bullied, and doxxed by other communities and have seen the same thing happen to others as well. I've heard about the developers who weaponise their community's loyalty to attack and drive out their competition. And I've witnessed more than enough developers expressing how badly they want to take a hiatus due to how much unwarranted negativity they receive, but don't want to disappoint their community by doing so.

By saying all of this, you can understand why I dislike being here so much, as well as why I no longer find any enjoyment in interacting with the yandere VN community.

Many people here — fans and developers alike — are so needlessly pushy about their standards and personal opinions being the norm, and if anyone else goes against them, they'll purposefully try to ostracise and bully them out of the community. This place isn't as laid-back or inclusive as it used to be, and I don't want to be associated with a community that acts so hostile and aggressive towards anyone who shares a differing opinion — nor do I want to be part of a space that caters towards developers who'll tear down others in order to have a moment of relevancy.

We're all doing our own thing and making our own games; it shouldn't be a competition. But if you see it as such, then I urge you to take a moment to stop and rethink your actions — or, at the very least, understand how it's affecting you and others around you.

So until there's a reasonable change and people can go back to being less... demanding, hypercritical, and gatekeepy about who interacts with what, I'll be stepping away and continuing to stay in my own bubble, as I have for the past two years now. I've already unfollowed everyone associated with the yandere community many months ago, but I think I'll just unfollow everyone entirely now for my own peace of mind. I will also no longer be interacting with any yandere VN communities (aside from close friends), nor will I be as public with my interests from this moment on. Everything on this blog will be strictly related to 14DWY like usual, and I will continue to block and report any spiteful "anons"/burner accounts sent my way and delete their messages.

Again, this isn't really much of an announcement — it's more so just paragraphs of me bitchin and moanin 🫶 — but I wanted to get this all out there instead of leaving things unsaid and having people come to their own conclusions as to why I've suddenly become less active, less optimistic, and why I've stopped engaging with a majority of the yandere community in the last two years.

So, yeah... ^^; If there's anything I want y'all to take away from this entire post, it's to be kind, open, and understanding towards everyone — developers and communities alike — and to spread support rather than negativity. It's what I want my own community to be known for, so please be mindful of how you treat others online.

And if you find yourself being surrounded by constant toxicity and negativity (be it from friends, mutuals, or even other developers or communities), please don't feel ashamed to step away or cut them off entirely. Put yourself and your mental health first. I also think it'll be good for me to leave all this negative energy behind and continue to kick off 2025 in a better light, so if y'all need to let out any frustrations of your own, feel free to go ham in the replies (obviously, be kind and civil though jghsjg T_T)

[unboundprompts]

advice for a character who grips control like a lifeline. who wants to be in charge of every little thing because whenever they're not in control of something something bad could happen. has happened. they can't let a single variable be wild or in someone else's hands

How to Write a Controlling Character

Backstory Rooted in Trauma or Guilt

This character likely has a history that has ingrained the belief that they must be in control or face devastating consequences. Perhaps they once trusted someone else with something crucial—a promise, a responsibility, or a life-altering choice—and that trust was broken in a way that had lasting repercussions. For example, maybe they lost someone because they weren’t “careful enough,” or they experienced a betrayal when they trusted another person’s plan.

They might frequently flash back to this moment, possibly catching themselves thinking, If only I’d been the one in control, this wouldn’t have happened. This memory fuels their need to keep a tight grip on everything, especially if they’re in high-stakes situations.

Rigid Daily Routines and Habits

This character’s day is probably packed with small rituals and routines that give them a sense of security. From double-checking door locks to setting multiple alarms, they rely on routines to give themselves a sense of order. In fact, they might be nearly ritualistic about small actions—checking emails three times before sending, never leaving a task halfway finished, or meticulously arranging their workspace.

Even something as simple as making coffee can become a precise process. If someone moves one of their tools or a file from their desk, they may feel a spike of frustration or even anxiety, seeing it as a disruption to their personal “system.” They could feel that control in their daily life is the only thing keeping chaos at bay.

Intensely Observant of Details and Mistakes

They are hyperaware of mistakes or inefficiencies in others, mentally cataloging things like a coworker’s slight lateness or a friend’s disorganization. They may feel a sense of superiority (or frustration) over people who don’t “have it together” and take it upon themselves to organize or “fix” things for others.

In conversation, they might cut people off or “correct” them even over small points, often justifying this to themselves as necessary. For instance, if someone shares a plan that seems half-formed, this character could immediately dive in, pointing out potential problems or filling in details.

Controlling Relationships and Social Situations

This character struggles in relationships where they aren’t the dominant or organizing force. They might instinctively take over when making plans with friends, micromanaging even casual hangouts to make sure everything goes “right.” For example, they might pick the restaurant, plan the travel route, and check weather forecasts—assuming that if they don’t, no one else will think of these things.

When someone resists their attempts at control, they can respond defensively, often turning cold or resentful, unable to understand why anyone wouldn’t want them to manage the situation. Statements like, “Fine, but don’t blame me if this doesn’t go well,” are frequent in their interactions.

Extreme Anxiety or Panic When Control Is Taken Away

When things go beyond their reach, this character might experience panic, as if they’re suddenly powerless. For instance, if an unexpected roadblock prevents them from handling a task (like a canceled flight they needed to board, or a plan that falls apart), they might spend hours trying to regain control, calling every contact or frantically exploring alternatives.

Their reaction may feel extreme to others. Even minor setbacks—such as a colleague taking initiative on a project or a friend planning something without consulting them—can trigger a disproportionate response, like clenching their fists, pacing, or silently stewing as they feel the situation “slipping.”

Inability to Accept Help or Collaboration

Their controlling nature makes it hard for them to collaborate, as they believe their methods are the only ones that work. For them, accepting help feels like an admission of weakness or failure, so they rarely delegate or ask for assistance. If they do reluctantly accept help, they are constantly supervising or “suggesting” things, making it feel more like they’re still in charge.

In a team setting, they might take on all the major tasks, either out of distrust in others’ abilities or a feeling that no one will match their standards. Their motto could be something like, “If you want something done right, do it yourself,” even if that means working late or burning out.

Reluctance to Show Vulnerability or Need

Since vulnerability and control rarely coexist for them, they avoid showing weakness at all costs, preferring to mask stress or struggles as “just part of the job.” If they do become overwhelmed, they’re more likely to shut people out, saying, “I’ve got it handled,” even if it’s far from true.

When people push them to let go or share the load, they might lash out, accusing others of “just not understanding.” They often see their intense responsibility as a form of sacrifice, justifying their behavior with, “If I don’t handle this, who will?”

[katakaluptastrophy]

I think what's so interesting about Gideon as a narrator at the anniversary dinner is the fact that there's clearly tensions that she's just not picking up on because she's only there to eat a dessert.

But these people are all the immensely powerful leaders of the Houses and consider themselves to be in competition for literal godlike powers and the favour of the emperor.

There's so many little snippets that are potentially intriguing: why is Teacher trying to prime the Ninth to consider the Fifth a threat? Why are the Third and the Sixth "sizing each other up like prizefighters"? The Fifth absolutely knew what they were doing when they sat the teen heads of the opposing cults near each other.

Through Gideon's lens, Magnus' speech is a little awkward jokey thing. But...the seneschal of the House that is known to be actively trying to absorb another House is saying it's such a shame they're all so remote from each other and what do they all have in common (and it's so quiet you "could have heard a hair flutter to the floor") - that had to feel a bit different to people who aren't Gideon.

Palamedes' is dissecting the meaning of "Master Warden" and at one point compares it to a prison warden. 'Dulcinea' asking about whether Magnus and Abigail have children is perhaps less small talk and rather more pointedly political. Harrow's apparently stilted conversation with Protesilaus is clearly her actually probing his limitations like he's a bad Chat GPT-run chatbot.

And then 'Dulcinea' tells Gideon she liked the dinner because it was "useful". In her typical "I never lied to you" way, Cyth wasn't lying when she said Abigail had to die because of her hobby - Abigail Pent let loose on the Facility would have risked blowing Cyth's cover sky high. But what does a Canaan House look like where after the dinner party, the Fifth go down to the facility, get a key, and survive to continue their 'the Houses are going to get along or else' agenda? We've seen Fifth House soft power on a smaller scale in HTN: and it looks like inviting a teenager round for coffee, lulling her into a false sense of security with small talk, and then physically preventing her from leaving the room until she does what you want, while smiling the entire time. A series of little coffee chats could probably have led to a lot of cooperation in Canaan House, one way or another.

Gideon jokes about Silas marrying Ianthe because of their similar colour pallete, but it does raise the fact that there seems to be some tension around the Third, its succession, and the *point* of Ianthe. Why is Silas openly saying Ianthe should have died at birth? Combined with Judith's comments in the Cohort Intelligence Files about succession on the Third, it feels like there's something else being said here that Gideon isn't picking up on.

And of course, Harrow wasn't the only one desperate to become a Lyctor because her con was unsustainable. Presumably at some point Corona and Ianthe would be expected to marry, or at least take on more separate roles as Corona prepared to take over the throne and Ianthe was funneled off elsewhere. At some point, their package deal would have become unsustainable and Corona's cover would have been blown. But much as Harrow wants to become a Lyctor so she can reveal the state of the Ninth without repercussions, Ianthe is probably in part motivated to become a Lyctor for the same reason. Because otherwise, what would Ianthe's expected role have been? Amidst the suggestion of anxiety about the Idan succession, the dinner party also presents the fact that the reason Abigail and Magnus' infertility isn't a succession crisis for the ruling family of the Fifth is that Abigail's younger brother dutifully married in his early 20s and had kids. We know there are branch families in Ida - Babs is from one. He may be a prince, but he's not treated well, and you do get the sense that the stakes to stay in power in Ida are high.

We don't learn anything about the political situation in the Houses themselves during HTN or NTN, but in the wake of Canaan House, you have to suspect there are a number of tensions and concerns.

[nightingale-prompts]

Overworked- DCxDP prompt

The knight led the group of selected heroes into the throne room. Sitting before a crowd of his people was none other than the ghost king.

"Do not test His Majesty, his mood his well this day. Say only what is necessary." The knight warned before stepping aside.

The kind wasn't what Constantine had mentioned. He was young and rather small for the throne he now sits on. The green flaming crown was unmistakable though.

The young man glared at them with intense animosity, his upper lip curled as he held back a reflexive snarl. Sharp canines peeked out just for a moment as he schooled his expression.

"Do you have any idea what you've done?" The kind said drumming his fingers on the armrest of his chair. His black claws each clicking aginst the cold metal.

The group had been briefed on the situation by Constantine after they were summoning to this realm.

The short and sweet was that they were being mandated to appear before the king of the infinite realms for a long list of violations against the order of the universe. The current group contains Bruce, Clark, Wally, Kon, Jason, Hal, Barry, and Damian. Constantine himself will also be there but he already knows that this tribunal will have multiple groups.

The group reamined mostly silent.

"Where you not read your list of crimes?" The boy asked this time.

An attendant scurried through the crowd with a large scroll in hand before the king immediately waved him off tp return to his post.

"No, lets skip the reading. It would take cycles to get through the charges. Let me be brief. You have all been found guilty of charges of resurrection, time traveling, timeline manipulation, Planetary rearranging courtesy of Mr.Kent here, Interdimensional universe travel, and UNIVERSE MELDING! THE LIST GOES ON!" The king became more irate with every charge. "Tell me why I shouldn't banish you to an empty dimension right this instance."

Constantine knew this was all politics at the end of the day. This whole thing could be smoothed over with the right words by the right person.

"We are human." Bruce said firmly before anyone could stop him. Jason held back a groan of agitation.

"...So you are. What does that have to do with anything?" He boy asked.

"Isn't it natural for us to want to live and do whatever we can to keep living?" Bruce responded

Murmurs erupted amongst the crowd of onlookers.

"So what? Do you think you are the exception then? Look around heroes. This room is full of ghosts who would also have done to keep living. My people couldn't avoid death but they accepted it. What can I say to them if I let you go while they paid their price? How fair would that be?" The king condemned.

The murmurs turned into cheers for their king's words. It was unfair. Why do they get to do what they want without repercussions when they died without even getting the option to live?

"If it counts for anything many of us died to protect as many people as possible," Hal said.

"Well, good for you. How much was that sacrifice worth in the face of your resurrection? That probably doesn't feel cheap at all." The king said sarcastically. "I suppose that goes for most of you."

"I have an objection. Resurrection is not a choice if someone chooses to bring us back we don't get a say. By default we shouldn't be charged for it." Jason argued.

The king paused and raised a hand silencing the crowd.

"Hmmm, I suppose you are correct. Fine, I will strike it from the record." The kind relented.

The heroes had finally found an in. If they could argue their charges down they could leave.

"None of use have willingly time traveled. Hell i hated it. Being lost in time was not a chose we made." Wally said as Barry nodded along.

The king bit the inside of his cheek as he pondered the response.

"I suppose I can overlook it."

"Let me just say that any melding of the universe happened as a consequence of our battle with Darkside." Clark said getting rid of their their biggest charge.

"Darkside?" The king narrowed his eyes.

A courtier stepped forward and leaned down to whisper into the boy king's ear.

"I see. He will be added to the ledger for his crimes. His trial will not be as forgiving as yours. You will not be seeing him again." The boy silently signaled to the knight who bowed and exited with a group of others.

The boy sighed and stood up.

"Follow me."

The group was led down a long corridor to an office with stacks of paperwork from floor to ceiling lining the walls.

"Welcome to my personal hell." The king announced.

Constantine whistled at the sheer number of documents scattered across the room.

"Sorry about the whole court thing. I don't really want to do it but I kind of have to. The Observers demand some kind of punishment for violations. Also, you need to understand that your actions are kept track of and you can't escape it. When you break the rule I have to do the paperwork. AND I HATE PAPERWORK. So here is the deal. You guys bring me the people that have done worse than you on this list and I'll call it square. And if you don't I take everyone's souls." The King handed the scroll to Bruce. "I want the Al Ghul clan first."

"Wait but my-" Damian spoke out but was cut off by the King's raised hand to silance him.

"It is irrelevant to me what your personal issues are. Every violator will be judged for their crimes. If they can give me a good plea then they can return. Consider yourself lucky that you're too young for a full sentencing. As for the rest just do what I say and make up for your crimes. This is a mercy so don't complain."

It was clear that the moody young king wasn't going to argue. It was best to keep quiet and before they knew it the group was sent back to earth.

"You have no idea how lucky we got," Constantine said lighting up a cigarette and leaving to get a drink.