#there are many people on tumblr who are a lot more knowledgeable about it than I am but I still think I could fill an hour!

[carpe-mamilia]

List 5 topics you can talk on for an hour without preparing any material.

I was tagged by @bunny-banana - thank you!

1. 19th century fashion. How it changed over time, the various layers and garments, how the industrial revolution changed manufacturing, the disappearance of regional fashions... God, Common Misconceptions alone would take more than an hour.

2. Detectorists. Beautiful, warm sitcom that explores friendship, disappointment, history, the relationship between people and landscapes. There's a very subtle mysticism all the way through and the music (by The Unthanks and Johnny Flynn) is glorious.

3. Sasha Regan's all-male Gilbert & Sullivan productions. They are SO GOOD OMG. Absolutely magical pieces of theatre: fluid, poignant, beautifully staged, very funny, very queer, gorgeously sung.

4. Fin-de-siècle gothic horror. Go on, ask me about invasion narratives, hypocrisy, and homosexuality in Dracula/ The Picture of Dorian Gray/ Jekyll & Hyde. I actually did an off-the-cuff mini lecture about queerness in Dracula once when we were doing a New Year's Eve party on zoom in 2020 as a forfeit. But I was pissed as a newt so I don't remember any of it.

5. Various poems by Philip Larkin - most specifically Church Going, An Arundel Tomb, and First Sight

Tagging @vinceaddams @mischieffoal @shimyereh @stoportotouch @hegodamask

[playingonedchess]

reminder for the millionth time: never read tumblr recomended posts about politics

[secretmellowblog]

People who try to analyze what happened on Tumblr on November 5th, 2020, often really overstate how much it was actually “about” Supernatural. As someone who has never been in the supernatural fandom ever but dID join in on the hysterical destielposting—it was really more about the stress of the pandemic and the 2020 presidential election.

The two biggest Youtubers I’ve seen try to dissect “what happened that November 5th” in video essays both weren’t American—- and I think that explains why they both tried to explain the hysteria primarily via analyzing the Supernatural fandom/the original show, rather than through the lens of the election. And while those videos are cool, valid, informational, and make lots of really well-considered interesting points— I can tell you that me and almost all my mutuals had literally no knowledge or interest in the fact that “oh supernatural had made nods at the ship in the past but the creators were adamant that I wouldn’t be canon” or etc etc etc etc. the first time I learned about any of that context was way later, watching videos where people claimed that fandom history context (that I did not know anything about) was the actual reason for the hysteria.

But the reality is that people latched on to the Destiel stuff because it was a piece of big useless inane zero-stakes fandom news in a time when we were desperately waiting for serious high stakes election news. We were latching onto a “positive “ piece of inane stupid fandom news in a time of great stress, with all the desperation of a drowning man who latches onto whatever piece of wood will keep him afloat.

The core of the hysteria was that Americans (who make up a huge chunk of tumblr’s userbase) were currently glued to their laptops watching the live presidential election vote counts come in. These vote counts were taking an extended amount of time due to the pandemic causing high numbers of mail-in ballots, resulting in a constant state of Election Day Stress for multiple days straight.

This was also during the height of the Pandemic. People had predicted Trump’s presidency would be bad; no one had predicted it would be this apocalyptically bad. No one had predicted pandemics and lockdowns and hospitals overflowing with bodybags. remember Trump spreading Covid lies and conspiracies?? There were so many Qanon conspiracies about democrats being Satanic child traffickers who had to be put to death, and coup threats were mounting from the right wing side. It seemed like this election was a choice between ‘centrist democrat’ and “apocalyptic right wing conspiracy theory authoritarianism,” in the midst of pandemic conditions that people feared would never ever improve— and it seemed like a close election.

Another major point was that Trump voters were more likely to be antimaskers/Covid deniers, while Biden voters were more likely to take the pandemic seriously— so Biden voters were more likely to send in mail-in ballots instead of risking the in-person voting crowds, which meant their ballots would take much longer to count. And so, in many state electoral vote counts, it would initially seem like Trump was very far in the lead— only for Biden to slooooowly build up an agonizingly small lead as the mail in ballots came in, and then defeat Trump at the very end.

So you’re just watching these news sites giving live election updates, refreshing the page every 2 minutes to see if you’re going to live under a spineless centrist democrat or a literal Qanon Dictatorship. And then you go on tumblr to distract yourself, and there’s more election posting, and more agonizing over the votes, and more stress and despair—-

And then it’s been days and we’re right at the crucial tipping point where it’s anyone’s game and the next few hours will determine whether Trump will win, so you need to keep your eye on the vote count, because the next hours will determine the future of the pandemic and your country and your plans for your entire life—

And then stupid Destiel becomes canon! And it becomes canon in the silliest way possible!

If Destiel had become canon at any other time, it would have been a big goofy tumblr celebration? But we wouldn’t have gotten the insane explosion of hysterical interaction.

The entire core of it was the contrast between the inane meaningless stupidity of fandom news vs the actual stressful election news you wanted to hear! It really is best conveyed in that meme where Castiel says “I love you” and Dean indifferently responds with a piece of important election news.

It’s about the contrast between the low-stakes inanity of fandom and the massive life-destroying stakes of a terrifying election. There really was no reason it had be Supernatural specifically, except that Supernatural was a thing everyone knew basic things about from dashboard osmosis— it could’ve been any other equally huge silly fandom ship news about a ship everyone *knew of* but might not necessarily be invested in (ex. Stucky becoming canon, Johnlock becoming canon, Kirk/Spock becoming more canon somehow, etc etc etc.)

I think it’s true that people who weren’t paying agonizingly close attention to the American election news got swept up in it, and that non American Supernatural fans also were extremely excited for purely fandom reasons — but the entire reason it blew up to an unprecedented degree was because of that core of stressed out terrified Americans glued to their computers watching election results and suddenly receiving stupid fandom news instead, and deciding to just hysterically parodically hyper-celebrate this absurd useless zero-stakes news.

I think it was also all elevated by the fact that, as I said before, this happened at the crucial “tipping point” of the election where the next few hours would determine the winner. The fact that Biden began to slowly develop a lead in the hours after made it feel, hysterically, as if the hours after Destiel became canon was somehow the turning point where he began to win; so celebrating Destiel felt like celebrating that slow turn towards victory.

The tl,dr is that it’s so important to Remember the Fifth of November …..in preparation the inevitable hysteria that will happen in the presidential election on November 5th of next year. XD. Personally I’m rooting for Johnlock or Frodo/Sam to somehow become canon in the eleventh hour right before the democrats win

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[trans-axolotl]

my gendered experience growing up as an intersex person was overwhelmingly defined by my responses and resistance to everything that got me labeled as a failure: failure to quickly get a gender assigned at birth, failure to go through a normal puberty and grow up into a woman, failure at meeting the standards for "complete womanhood" because of my intersex sex traits, and yet simultaneously failing to ever be acknowledged as a "real man" and being treated as a threat when I expressed I wanted to transition.

before i realized i was a man and came out as trans, the ways that girlhood was denied to me was very often humiliating and painful. locker rooms filled with other girls were a frequent source of shame. there were many big and small ways that i was told that my intersex body made me insufficient, incomplete, broken. i was forced onto estrogen, forced into shaving my body hair, and was constantly being told to change myself to better fit this mystical idea of a "normal woman." and even though I ultimately ended up becoming a man, the denial of girlhood was painful.

but i think that these things would have been even more difficult to navigate as an intersex girl if on top of everything I already said, i was having to cope with the denial of my girlhood while i was forced into boys locker rooms. if my doctors were forcing me onto testosterone hrt and refusing to even discuss estrogen, if all my legal paperwork had "M" on it and was a logistical nightmare to change, if every support group for my intersex variation labeled it as a "men's support group," if the LGBTQ community spaces i tried to join were misogynistic towards me often to the point of exile, if my self determination as an intersex girl was denied in most spaces of my life, and on and on and on. while listing all these things out i also don't want to make it seem like it's all about suffering and pain--so much of transition for me has been about joy in my self determination and how much it feels like a reclamation of autonomy to decide what I want my body and self to be like--i know this is an experience i share with so many of my trans intersex friends.

as an person who was AFAB, although there were many ways that trying to grow up as an intersex girl were a painful, logistical nightmare, many times and places that i was excluded from woman's spaces, etc. however, there was a simultaneous affirmation that i was right to strive for that in the first place. which is logic rooted in some fucked up compulsory dyadism, but also which would have made some things slightly easier or even possible at all if i had wanted to embrace being an intersex girl within this fucked up system.

pretty much every time i've seen people on tumblr talking about "afab transfems" in an intersex context, people seem happy to collapse these experiences and act like there's no meaningful distinction or point in distinguishing between different types of intersex embodiment. it seems incredibly extractive, to be perfectly honest with you--taking terms already used by a community to make meaning of their experiences and to expand and dilute that term enough that it means something pretty different than the original.

it's making me think about the concept of epistemic injustice, which is a term coined by Miranda Fricker to describe oppression related to knowledge, communication, and making meaning of the world. There's two subtypes of epistemic injustice: testimonial injustice and hermeneutical injustice. Testimonial injustice refers to the dynamic where marginalized people are labeled as not credible, excluded from conversations, and their testimony and knowledge is labeled as unreliable, even when they're the ones who are experts and have first hand experience of what people are talking about. (this is why i probably won't make this post rebloggable--i've noticed this pattern on tumblr many times where trans men speaking about transmisogyny get lots of notes and are given a lot of grace, where trans women are silenced, attacked for not having perfect wording, and otherwise delegitimized.)

the second type is called hermeneutical injustice. it describes how marginalized people are denied the right to make sense of the experiences in their own lives. this can look like preventing people from building community, terminology, a political understanding of themselves, and the interpretive resources needed to process how you live in the world.

this is a form of injustice that I think almost all intersex people are very familiar with--we are denied community and interpretive resources to the point that we're told we don't even exist, that intersex isn't a real word, and so many more examples that leave us isolated and with very few options for understanding what we're collectively experiencing. as an intersex person i really intimately understand how frustrating, confusing, and painful it is to not have words for your experiences, your identity, your life.

so it makes me really sad and pissed off when it seems like intersex people seem to be replicating this exact same type of epistemic injustice towards transfems and specifically towards intersex transfems. pretty much every time recently i see people talking about "afab transfems" they're doing so in a way that seems to deny that trans women even have the right to make sense of their own experiences in the world. there seems to be this mindset that these political frameworks, these interpretive resources that transfems have built up are just up for grabs for anyone. and then on top of that has come with it a lot of cruel, hateful language and direct attacks towards many intersex transfems who are facing so much harassment right now.

an important value to me is this idea of reciprocity as a foundation for solidarity. to me reciprocity means that we're prioritizing the ways we care for each other, we're thinking about how we can uplift each other, and we're watching out for extractive or exploitative patterns where one group is constantly expected to be in "solidarity" with another group without getting the same respect and care back toward them. i think that there could be so many ways that intersex people of all genders could share our overlapping experiences and actually be in true, meaningful solidarity with each other, but i barely ever actually see that happen on tumblr. and that pisses me off, because i do think that there's so much we have in common that we could celebrate and support each other with. i feel so much kinship with so, so many of my trans intersex friends, and ways where i see our lives converge. but i don't think that can happen in an environment where there's no acknowledgment of the ways that our experiences will sometimes (often) differ from each other, and the ways that we have unique needs.

another frustration i've had based on this most recent couple months of transmisogynistic intersex posting on tumblr is how intersex people have been mostly ignoring intersex community resources and devaluing the existing intersex terminology that people created to try to meet our needs. so much of what i've seen people describing on tumblr seems to really line up with the term ipsogender. Ipsogender is a term coined by an intersex sociologist Cary Gabriel Costello, and is used to describe intersex people whose gender matches the gender they were medically assigned at birth, but who might not feel like cis or trans fits them, might experience dysphoria, and who might feel like they've ended up transitioning medically or socially in some ways. this is a word that exists that an intersex person put time into coining because they wanted other intersex people to feel seen, embraced, and have ways of understanding themselves and communicating to others, and that's something that's super meaningful to me! and yet, i've rarely seen anyone reference it, and also seen multiple people making fun of it in other spaces online.

there's also intergender, which is another intersex specific gender term used to describe when your gender is inseparable from your intersex traits, and that your intersex identity is intertwined with your gender identity in some way. some people just identify as intergender, others use it as an adjective and exist as an intergender man or woman. intersex terminology like this is really important to me, especially because we're so often denied the right to make sense of our own experiences.

i think ultimately what i wanted to say with this post is just that when i think about intersex community, some of the most important values of intersex community for me are solidarity, care for each other, and affirming our right to define our own existence. and i don't think that can happen in a community where people are acting in extractive ways, harassing and attacking their fellow community members, and being dismissive of the realities of other intersex people's lives.

[stardust-swan]

Secrets to the Arabian Princess Scent 💐🧴🪷

So with Arab perfumes becoming popular in the West due to their strong projection and beautiful smell, and the Arab world becoming known for our knowledge on how to smell good af, I (a half Moroccan) am going to reveal some other ways we ensure we smell amazing to the girlies on Tumblr who are interested in Arab perfumes or just in generally smelling amazing 😍 Most tips are Moroccan but many apply to the Arab world in general (under the cut because this turned into a long post) ✨💞💐

1) Good Eating Habits: When my mother moved here to Europe, she was immediately struck by how the people seemed to smell like "pig." And that's no coincidence. You are what you eat, so coming from a country where nobody eats pig to one where everyone eats it, of course you're going to be struck by people smelling like it from the inside out. Not just that, but in the Arab world, it's also way less common for people to eat takeout and drink alcohol, whereas in many parts of the West, these things are a normal part of many people's diets and affects their natural scent. A lot of Arabs have also talked about how Westerners smell like "milk," and this is because Westerners tend to consume more dairy products than people in the East do. It's also common for Arabs to eat fruit as dessert instead of having cakes or cookies all the time (although speaking of cookies and cakes, the scents of rosewater, orange blossom water, almonds, honey, vanilla, oranges and lemons commonly used in Arab baking fill up the house with a wonderful smell while they're baking). Teas made from various herbal infusions are popular throughout the Arab world. Spearmint, peppermint, sage, cardamom, cinnamon, hibiscus, chamomile, anise, and thyme are commonly used to flavor tea in MENA. Dried lime tea is drunk in the Arabian Peninsula. Coffee flavoured with cardamom is also common. I especially like Turkish coffee. Spices like cinnamon, cardamom, and cloves are commonly used in cooking, and the scent of them can cling to your clothes and hair. Herbs like mint and parsley, which have natural deodorising properties, are often used in meals.

I'm not saying that you need to cut any foods out in order to smell good, but you should consider reducing the amounts of unhealthy foods and red meats you eat, and make sure to drink plenty of water and eat veggies and fruit daily.

2) Keeping a Clean House: Here in Ireland, a lot of people don't clean their houses every day. I know multiple people that only clean their floor once a week, and have a couple of neighbours who don't do much cleaning themselves and just have a housekeeper visit to clean once a week. But in Morocco, people clean daily. The home is also deep cleaned once a week, we even wash the walls. We don't wear shoes inside, and not just that, but we also have different slippers specifically for wearing inside the bathroom. Living in a clean space is important for smelling good, because no matter what you do, you'll always end up smelling like wherever you live due to spending so much time there. The scent will cling to your clothes and hair. Which means if your house smells dirty, you will also smell dirty.

As well as making sure the house is clean, Arabs also make it smell pretty with extras. For example, in Morocco it's common to burn incense or bakhour (perfumed wood chips), and the scent permeates your clothes. People also keep pieces of musk in their wardrobes (wrapped in a handkerchief). It come in scents like orange blossom, jasmine, amber, sandalwood, chamomile and lavender. An unused bar of soap or a sachet of potpourri in your wardrobe will do the same job though if you can't or don't want to buy musk. The musk can also be used as a scented wax melt, a home scent (you just leave it in a bowl), a body perfume (rub it on your skin), a hair perfume (rub on your palms and run through the hair), or to scent bathwater. Solid perfume made from natural ingredients has the same effect. I like Lush Rose Jam solid perfume, as it smells like sweet roses and Turkish delight, and a little goes a long way.

Specific to Marrakech, you can buy jasmine balls which you just leave around the house (if you're not in Marrakech, you can just leave potpourri or dried flowers and herbs in sachets on your desk, bedside table, etc). The Marrakech herbal shops also sell sandalwood bark which you burn. Oud and amber are also burned. Herbs like lavender are sprinkled under carpets and rugs so the scent rises as they're stepped on. Room sprays from brands like Nabeel are used, which come in a range of lovely scents (like the warm vanilla and oud Kanz or the rich floral Raunaq).

3) Personal Hygiene: In the Arab world, people shower daily. In Morocco, we also go to the hammam (public bath) once a week, and we sit in the sauna room, and then rub our bodies with sabon beldi (black soap), a natural soap made from olive oil and black olives, leaving it on for a few minutes before rinsing it off. Then we scrub our skin with a kessa glove after it's marinated. Exfoliating dead skin regularly makes perfume cling to you better (if you order Korean bath towels from Amazon, they're very similar to Moroccan kessa gloves and you use them in a similar way). Then after washing our hair, we use a ghassoul clay mask (some people also rub henna into their skin). After washing the clay off, many people rub rosewater or argan oil into their skin before heading to the relaxation area to enjoy refreshments. As well as helping us smell good, it also makes our skin incomparably soft. When my parents were newlyweds, my father remarked on how he'd never felt a woman with such soft skin in his life before. My mother attributes it to regularly using the hammams before moving here.

Obviously not everyone has access to a hammam, but you can create a similar experience at home. Just sit in a steamy hot shower for 10-15 minutes, wash your skin with a natural soap and leave it on for a few minutes before rinsing off and exfoliating with a glove. Then tone with rosewater and apply oil to your body.

Dukhan treatments (smoke baths) are practiced in Sudan. Married women and brides anoint themselves with oil, before sitting over a chair with a hole in the centre. Under the seat, there is a pit, in which acacia wood, frankincense, or other aromatic woods and resins are burned in a clay vessel.

As well as showering daily (and using the hammam regularly if you're Maghrebi), many people in the Arab world also perform wudu (ritual cleansing) five times a day before praying.

Women commonly apply Musk Al Tahara (white musk), an attar that smells like vanilla, flowers and soft musk on the external parts of their vulva after periods.

Alum was commonly used as a natural deodorant in the Arab world in the past, and some still use it today.

Bidets are also common in the Arab world. In the Anglosphere they're uncommon, but it's easy to get a portable bidet (a small squeezable bottle with a nozzle) online.

We also wash our hands before meals, with a pitcher of water which is passed around the room. In Turkey, they use kolonya, made from fig blossoms, jasmine, rose, or citrus to disinfect their hands. In Morocco, it's common for women to scent their hands with rosewater or orange blossom water after meals.

4) Fragrances, Lotions and Potions: In the Arab world, perfumes are incredible. They're oil-based, so they have excellent projection and longevity. The olfactory notes commonly used in them are beautiful too: delicate rosewater and orange blossom water, exotic oud, sweet amber, vibrant roses and jasmine. In Morocco, gardenia scents are popular, even among men.

Emirati perfumes are the most well known in the West and are super good. Some personal favourites of mine include Oud Mood by Lattafa (Caramel, rose, saffron, and oud), Fatima Pink by Zimaya (Sweet rose that smells like a bit like Turkish delight. it's a dupe of the French Parfums De Marly Delina, however, the actual Delina smells very similar to generic rose oil perfumes you can get in the Arab world to begin with so Zimaya was basically able to dupe it to a T. Their version lasts really long too), Ameerat Al Arab by Lattafa (jasmine, a hint of oud, slightly citrusy. Also the name means "Arabian Princess" in English), Fakhar Rose by Lattafa (sweet, fruity, and very floral) and Yara by Lattafa (floral, amber, vanilla and strawberry). I buy my perfumes from Dubai Perfume Shop in Dublin, but they can be easily found online. Some well-known Arab perfume houses include Lattafa, Al Rehab, Zimaya, Al Qurashi, Amouage, Afnan, Ajmal, Asdaaf, Al Haramain, Armaf, Kayali, Maison Alhambra, and Swiss Arabian, but there are hundreds more.

As well as sprayable perfume, perfume oil is also used. It usually comes in rollerballs or small containers, is inexpensive, and lasts for ages. Like spray perfume, it comes in a huge variety of scents. You can also put it in diffusers or add some to cotton balls and leave in your wardrobe to scent clothes and linens.

Arabs know when to wear perfumes. For example, a rich, sweet, strong oud and vanilla scent will be beautiful in colder weather. But in warm weather, it will become cloying and sickly. Musk, amber and saffron are popular in winter, while rose, orange blossom and jasmine are popular in summer.

In the Arab world, many stalls in the Medina sell gorgeous oils, fragrances and soaps that are inexpensive. For example, the musk I mentioned above. As well as making your home smell incredible, you can also rub it on your body and you'll smell good for days.

Rosewater is commonly used as a toner and to remove makeup. In the town of Skoura, where my great grandparents were from, men even use it to shave with! Orange blossom water is also used in Arab beauty routines in a similar way to rosewater. You can apply either to a bath for extra luxury.

Argan oil is commonly used in Morocco on both skin and hair, as well as the less well-known but just as good prickly pear oil (which is very high in vitamin E). Pure argan oil actually smells mild and not fragrant (similar to olive oil), but for beauty, things like rose oil and menthol are commonly added, so it smells pretty good. Throughout the Middle East and North Africa, jasmine hair oil, castor oil and sweet almond oil (I like putting it in my baths and on my body) are easy to find. Usually Middle Eastern and South Asian shops in the West sell them too.

Honey and almond masks have been used since ancient times, and to this day are still popular. You can buy them basically anywhere. Homemade face masks made from honey and yoghurt or crushed figs and yoghurt are also used.

Aloe Vera is used to treat dry skin, acne, and sunburns. It has a cool and refreshing scent, perfect for the hot climate in many parts of the Arabian world. I like applying it after shaving as it's soothing, natural, and absorbs easily.

Frankincense, a resin used in the Middle East and North Africa for thousands of years, was traditionally used as a natural perfume. It's commonly used in incense. Frankincense oil is also good for the skin.

There are many beautiful scented soaps available in the Arab world. If you go to Turkish or Arab supermarkets, a lot of them will have a section where they sell hygiene products, including soaps with ingredients like argan, rose and oud, and olive oil. I've even found Syrian Aleppo soap before. You can just buy soaps from regular stores in scents like rose, jasmine, honey and almond, orange blossom and sandalwood for achieving that exotic scent though.

As well as using various oils, perfumes, and fragrant beauty treatments, Arab women also know how to layer these different scents to add dimension to them and avoid clashing. For example, a rose perfume over a vanilla lotion will always smell good. Other combinations that are good include almond and vanilla, rose and oud, rose and jasmine, lavender and lemon, rose and orange blossom, and orange blossom and vanilla. But there are many different combinations you can use to achieve a delicious scent that's unique to you.

I hope this was helpful, stay pretty ✨

[rivangel]

every—lesser known—canon fact about Levi Ackerman.

infamously over the years, there have been countless false rumors about Levi in particular out of the cast. many of them have become popular, even ubiquitous, and it's annoying!

and also disheartening when you find out it's not true....

and hurtful when you realize it was - sometimes - made up by trolls.

so i'm making this post<3

credit to @levisfavoriteacup for the idea!!

*disclaimer: i'm not perfect, so this may not be Everything™��� but I am confident that it's the majority of information available, and that it's trustworthy. :)

First the most populars. There is no evidence across interviews nor other content over the years that:

Levi is ugly, and is considered ugly in AOT.

Nope. See here: (tumblr link), or:

Isayama finished his first sketch of Levi mostly on a whim, but the moment he drew his face, he had a sense it would work well / he knew he had something good. Something told him: "the yaoi fangirls are going to like this one".

As time passed and his popularity grew, Isayama caught onto this and wanted to portray him more attractively (in multiple ways) to the viewer/reader.

But from the beginning, this was something of the goal. He is short because Isayama had in mind what young women/fangirls in Japan consider attractive: a man with a higher-pitch voice; has a small face; and who is "short but strong".

In the world of AOT, he (in a nutshell) is mostly considered plain or awkward, but combined with his reputation and style, he's very charming. "He cleans up nice." Overall, it is positive :) But more importantly, realistic I think.

He's also something of a celebrity. People who advertise their product as being used by him are more successful; when he's seen in a shop, this by itself is considered "advertising" and more people come in. Quote: ""the tea that the hero bought”".

He's definitely not a 2/10 at any rate😇.

—the 24th episode of Naoki Yoshida's Anime Plan, 2013 / Interview with Frau Magazine, 2013 | Hajime Isayama x Hikaru Suruga (2014) | AU Smartpass - Erwin & Levi Close Up Interview Part 1 | Taking shelter from the rain reprise: Levi and Peaure

Levi’s type would be someone who’s "tough, feminine and sensual".

Levi's type "might" be tall people. But context matters, because in multiple translations "don't you think?" and "might be" are thrown around a lot. Isayama isn't known for his clarity. When asked, he practically said the question right back. —fan Q&A from a festival in Betsumaga, Aug.2014

What this quote might have come from is a statement by the author of an article Isayama was likely involved in. I can't say this is 100% canon, but in my opinion it's a little less canon than the Smartpass AUs; if those are sub-canon, then this is sub-sub-canon:

Levi's romantic type is someone who walks three steps behind him, and likes cleaning.

In the past, in Japanese culture, for a wife to walk three steps behind her husband implied highly traditional gender roles. What this is much more likely to mean is that Levi's romantic type is someone who will let him protect them, or will run away and survive even if it costs his life. (And they have to like cleaning.)

—the article is from 2013, and no longer exists. but the link was used as recently as 2021 as a source in this post by a reliable translator. I've found this quote also in varying qualities of translation across Japanese and English forums, so to the best of my knowledge, it's reliable.

Levi's cravat is a piece of his mother's dress + he was wearing her dress when Kenny found him.

This is a popular rumor that Isayama has never confirmed (i think it is true, tho.)

December 25th was chosen by his comrades because he doesn't know his actual birthday.

The guidebook only states that it is his birthday. I can't find any more context on this. —AOT Guidebook; p.256

His character profile:

—AOT Guidebook; p.78–79

His name is Hebrew, and means "attached" or to be "joined".

Isayama came up with Levi's name after watching American documentary "Jesus Camp". (It's about a summer camp-type program where evangelical Christian children are taught extreme beliefs. One of the children was named Levi.) Isayama heard it and thought it sounded cool. —Hajime Isayama x Hikaru Suruga (2014) | 2010 blogpost by Isayama

Levi is in his early 30s (in s3/RtS/volume 19). –Interview, Universal Studios Japan’s SNK THE REAL exhibition, 2016 | confirmation

If Kuchel was still alive, Levi would want to make sure she had an easy life. This means specifically filial piety, a concept exclusive to the East: he would fulfill his duties as a son for her. (tldr he's a mama's boy :3) —Bessatsu Magazine, 2019

Levi would have thin facial hair, but he prefers not to, so he shaves frequently. —January 2020 issue of Bessatsu Magazine (chapter 124)

He doesn't like coffee milk or coffee jelly. They're out of the question even.🤐 —July 2018 issue of Bessatsu Magazine (chapter 106)

He just gets depressed when he drinks coffee. Maybe he loves tea that much? He stopped calling Hange names like 'shitty glasses' since they became commander because he "seems" to respect their position that much. However, a Smartpass story delves deeper into this (and states as I suspected): [After Hange makes a joke] "Since becoming the commander succeeding Erwin, they’d toned down on their past speech and behaviour that had a touch of tomfoolery; Levi understanding that they were nevertheless trying to maintain the self “that was the case then”, also loses the will to curse at them." + "In the past, Hange had a Hange-type dream, and should have been progressing to that purpose. That lately, was it the weight of the office of commander, or was it due to the reality that is “all the world was our enemy”, their manner had changed considerably." —May 2017 issue of Bessatsu Magazine (chapter 92) | Goodnight. Sweet dreams, dear. Act II: Levi

If he and Kenny had fought one-on-one, Levi would've won. —December 2016 issue of Bessatsu Magazine (chapter 87)

intermission: all about tea

His favorite "food" is black tea. No actual food.

He doesn't add sugar or milk to his tea because he considers it too expensive—which it is canonically. Despite this, he will share his tea with his comrades (his original squad as far as is seen).

Even though he's Captain, he'd rather drink it straight (the implications of which are he's a hardworking man, like that of a farmer. aka, this makes him seem humble).

If a time of peace ever came, Levi wants to open a black tea shop (he said in a dreamlike way, not so much based in reality).

He also knows a good amount of facts and history about it. He's a tea enthusiast!!

Levi receives pilfered tea in shipments monthly, thanks to Erwin.

—AU Smartpass - Erwin & Levi Close Up Interview Part 2 | Part 1 | Taking shelter from the rain reprise: Levi and Peaure | Bessatsu Magazine, Jan.2014 | September 2016 issue of Bessatsu Magazine (chapter 84) | AU Smartpass My First Time Around: Levi Ackerman | The Case of the Corps Tea Party - File No. 09 Levi's Side (3/3) | sugar and milk in tea from the Japanese perspective

Levi, out of his original squad, found Petra cute/sweet in the general sense of the word "kawaii". Like Levi's romantic type however, this was sort of a non-answer to the question (of whether Levi thought she was cute). —2014 interview

After RtS, Levi seems to consider Hange and the 104th his family. —AU Smartpass My First Time Around: Levi Ackerman

He wears a cravat because Isayama based part of his design off Rorschach from the movie 'Watchmen'. He looks "delicate" because of his size and weight, but he's so powerful because [in issues before the reveal of the Ackerman bloodline] of "invisible power" at work. —January 2016 issue of Bessatsu Magazine (chapter 76)

The best way to describe the way he thinks is to compare him to the main character from the movie The Hurt Locker (2008). His character was born from Hiei from the manga 'Yuyu Hakusho', and Rorschach from the movie 'Watchmen'. The former was the basis for his appearance (especially his eyes), and the latter was the basis for his personality. Firstly though, Isayama had an image of a small man being the strongest.

—Hajime Isayama x Hikaru Suruga (2014) / Brutus Magazine (2014)

He is something of a protagonist (especially in s3p1). — Animedia, June 2018

His favorite tool (in general...?) is microfiber cloths (for dust I guess. Levi has no need for weapons :3) —July 2015 issue of Bessatsu Magazine

He will usually laugh/smile when he sees convenient cleaning goods (i.e., vacuum cleaners? feather dusters? ((cuz he's a shorty?❤️)) —Bessatsu Magazine, Dec. 2013

He does want to be taller sometimes. He gets eager to clean up after meals rather than cook at all. He can cook, though. —Bessatsu Magazine, Aug.2014 | fan Q&A in Oyama, Oita, Mar.2018

Levi mostly couldn't adapt to the changes that came about after the truth was discovered. Only he wears mostly the same uniform, cape, and blades.

After RtS, Levi personally retrieved Erwin's remains himself, for whom there was a special memorial service. After Eren (inadvertently) called him a "tiny old man" in season 3, Levi didn't care, but when he thought of it by himself later, he was hurt (unclear exactly why). Levi's father, most likely one of Kuchel's customers, is an insignificant man who's short. That's where Levi's height comes from. His face comes from his mother. At the start of season 4, Levi didn't change much compared to the 104th because he's turning into an "old man" who'd rather stick with his flip phone so to speak. He "doesn't break out into cold sweats". AKA he's always calm under pressure. He considers prostitution to be an ordinary job because of his childhood. Levi's vision is very sharp, way above average. He thought Eren's new look beginning season 4 was unclean/dirty (in more ways than one perhaps). —fan Q&A in Oyama, Oita, Mar.2018

He has slight bouts of insomnia. He never snaps/explodes when he's angry. But he does get angry or grumpy a lot, in general. He doesn't sing. It's more likely he would dance. If he was a fan of Momoiro Clover Z (jpop girl group), his favorite would be Momoka. When/if he drinks, he has a high tolerance, but he can get a little drunk :) One thing he highly hates and fears is mold. He is the one who ordered Armin to dress as Historia during the uprising. His blood type is A. Blood types are much like horoscopes in Japanese culture, and Levi's is as such: kichōmen, or well-organized; he likes keeping things neat, but can be stubborn and stressed out easily.

Whether he eats enough or has a good diet? He is "a bit lax". Maybe he forgets to eat sometimes, or has a low appetite. When Levi bathes, he goes for a quick shower then soak in hot water, which takes about ten minutes. Like a bird :')) He on any given night gets about 2-3 hours of sleep. He thought Eren was the best at cleaning (in season 3 / uprising arc). Because of his childhood in the Underground, Levi has a preoccupation/obsession with cleaning (specifically to ward off disease). He also doesn't have any pajamas, mostly keeping day clothes on when he goes to sleep - which is in "his" chair. Levi cuts his own hair using clippers. (Something like:)

He's aware Oluo imitated him, and found it annoying. Levi's horoscope (in general) as a Capricorn: Humanity’s Strongest Soldier - Levi. He possesses warmth in the midst of a dispassionate nature, and he is capable of leadership without verbal expression – both of which are special qualities of a Capricorn. Capricorns tend to hold certain levels of authority, even if they must carry out somewhat unreasonable tactics while in such positions. But when such authority is backed up with actual abilities, a Capricorn can gain Levi’s type of confidence and also be put on a pedestal by those around them. However, Capricorns won’t be dependent on others, much less trust them easily. They don’t hold high expectations and thus never feel a sense of failure. Levi’s faults include the inability to express himself clearly.  Even though he wants to encourage his companions, he always speaks in a roundabout way, and without Hanji’s translation it’s nearly impossible to understand Levi’s intended meaning. Even though he is dependable in most situations, when it comes to love/romance, he expresses himself clumsily/awkwardly. —FRaU Magazine, Aug.2014. | fan Q&A in Oyama, Oita, Mar.2018 | Levi: Close-up Report (Part One) | Translator *the horoscope wasn't written by Isayama, but was published alongside canon information, and it's also not factually wrong, so I'm including it.

The dark circles under Levi’s eyes are to convey the “self-destruction” he takes on to reach the “standard” of Humanity’s Strongest. —Interview on the topic of Levi, May 2015

His 'liege'—as Eren is to Mikasa, and Uri is to Kenny—is Erwin. He is afraid of making deep relationships because of the cruel world he lives in; he can't know when someone he cares for will die or how soon. That 'gap' left in Levi's heart by Kenny's death was filled by his squad (the 104th). If Levi hadn't joined the Survey Corps, he would've been a "very irresponsible person". Risky with his life perhaps? As a kid, Levi used to make himself stronger in order to receive praise from Kenny. When he abandoned him, he wondered what his strength was even for. He was able to find peace with Kenny after his death. In CH72, the reason Levi kicked the shit out of Eren and Jean is because of his argument with Erwin earlier.

He knows he's a slave to his own strength, aka the idea of being a hero. He realizes it when Kenny asked what he's a slave to in s3/ch69. —Answers Guidebook, Aug.2016

If he ever changed his appearance, the one thing Levi couldn't be able to give up is his undercut :') He would grow out the top and tie it up :3 —Oyama homecoming event Q&A in 2014 | 2 | 3

Levi knows how to use a gun, but he "places more trust" in knives. —Bessatsu Magazine, 2019

Levi tolerates saunas. But instead of enjoying himself he seems to see it as a test of endurance. (LOL) —Bessatsu Magazine, 2020

Levi has newspaper-level handwriting that he practices often. He's very conscious of it and being connected back to the Underground. —AU Smartpass TEXT: Levi’s Signature

Isayama had considered killing Levi around the time of the thunderspear explosion. (As always) Isayama deliberated with his editors whether or not it'd be meaningful if he died, and they decided it wouldn't be. —Kawakubo interview, 2021

Specially, Levi holds his swords in a reverse grip "his own way" since he wasn't officially trained. —Illustrate Note Magazine, 2017

Levi forcefully bathes Hange by knocking them unconscious. —AU Smartpass - Erwin & Levi Close Up Interview Part 1

Levi is 4 at the time that Kuchel dies. —What the director informed Kamiya Hiroshi of on set

His character song is called "Dark Side of the Moon", found on YouTube here. Translated lyrics here.

how to draw Levi:

—AOT Guidebook; p.229 | +Illustrate Note Magazine, 2017

[orange-orchard-system]

Plural, as in, there are more of us than you think.

Plural, as in, there are a lot of us out there, and we all have lives to live. It can be easy on a site like Tumblr to think of us all as just blogs or faceless people, but...

Somewhere out there is a plural that just realized they made a tulpa when they were younger and are now researching how to re-open communications with their former "imaginary friend".

Somewhere out there is a system learning internal communication and wondering if they can add in their love of conlangs to the process to create a language only their system knows.

Somewhere out there is someone who finally got a diagnosis for their dissociative disorder, and their parts are celebrating finally accomplishing this step towards getting accomodations.

Somewhere out there is a collective wondering how to tell their best friend since childhood that they're more-than-one, and hoping that they'll take it well.

Somewhere out there is a plural that just celebrated their 50th birthday with a cake they all agreed upon after many days of heated discussion about the flavor and frosting.

Somewhere out there is a system waking up with no knowledge of where they are, only to stumble into the kitchen to meet their partner who's happy to explain things to them and tell them what they forgot.

Somewhere out there is someone arriving home after a long day at work, preparing for an oncoming switch by writing some notes for the next fronter about how today was just a regular day at work.

Somewhere out there is a collective going through the most stressful week of their life who are keeping themselves going by envisioning the wonderful vacation they're going to give themselves when this is all over.

Somewhere out there is a collection of parts and people and selves and facets and souls and so many other things, a small fraction of which are working together to write this post as they wait for their laundry to be finished.

I have heard so many stories of life and joy and pride and victory and satisfaction and quiet moments and community from so many out there. Things can be rough, and you may feel alone at times, but there are so, so many of us out there just living our own lives in a plural way. We are plural as in there are more of us than you think, and that means there are more of us just out there living our everyday lives than you think, too. We get to be people living in this world just like anybody else. Don't lose sight of that.

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

What do you need to know about lgbt+ history as a lgbt+ person? 

Well, if you ask like that: nothing, actually. You do not disqualify from being lgbt+ if you know nothing about history whatsoever. There’s no exam to pass. 

It also doesn’t make you a bad person or a disgrace to the community or an embarrassment if you haven’t heard about a specific chapter of lgbt+ history yet - saying so would be really unfair! Maybe you live in a situation in which you don’t feel safe to do a lot of research on lgbt+ related stuff. Maybe you are a young person growing up in hard times and you’re busy just surviving. Maybe your brain works in a way that makes it harder for you to learn or retain new information than for others. Or hey, maybe you already know lots - but your learning simply focused on a different chapter than the one that hypothetical exam would be on!

Of course there are many benefits to learning about lgbt+ history. You get the general benefits of learning new things (such as training your critical thinking skills, which will help you in your everyday life, and even supporting your brain health!) but there���s also specific benefits to learning about this specific subject.

History isn’t all “learning boring stuff about dead people” - learning about past events and their consequences also helps you understand present events and gauge their potential consequences for your future. This will for example empower you in your voting decisions (or help you understand how politics influence everyday life at all, if that’s your starting point!). 

Knowledge about lgbt+ history also helps you to notice misinformation more easily and enables you to counteract homophobic myths with facts. 

It may even help you on a more personal level: reading up on all the people who came before you can foster a sense of identity and belonging. It might make you feel more confident to know that people like you have been around forever and have achieved so many things! 

So, rather than “what do I need to know”, I think the much better question is “where do I want to start?”. 

Nobody knows everything about lgbt+ history (or about any given topic, really!) and unrealistic expectations will only set you up for disappointment. It’s best to let your curiosity lead you! You’re much more likely to actually read up on something you are genuinely excited to learn about than something you’ve only been told to read. 

With that in mind: it can feel overwhelming to pick a topic to start with! Especially if you’re pretty new to lgbt+ history, you may not even know where to start. So I do want to make some suggestions here. Not as a “you need to research all these today or else I’m revoking your license to gay”, just to spark your curiosity! I will not add explanations right here in the post, I just want to give you some terms you can easily put in the search bar. (Important: these are in random order, not ranked by importance or anything like that!) 

US-Centric lgbt+ History

1. Stonewall Riots

2. Harvey Milk

3. Marsha P. Johnson

4. Sylvia Rivera

5. The Lavender Scare

6. Obergefell v. Hodges

7. Don't Ask, Don't Tell

8. The Mattachine Society

9. The Daughters of Bilitis

11. The AIDS crisis

12. Bayard Rustin

13. Lawrence v. Texas

14. The Gay Liberation Front

15. The Human Rights Campaign

European lgbt+ History

1. Section 28 (UK)

2. Oscar Wilde

3. Alan Turing

4. Magnus Hirschfeld

5. Paragraph 175 (Germany)

6. The Homomonument (Netherlands)

7. EuroPride

8. James Barry

9. The decriminalization of homosexuality in the UK (1967)

10. ILGA-Europe

11. Homosexual Law Reform Act 1986 (New Zealand, part of the Commonwealth)

12. The Equality Act 2010 (UK)

13. Transgender Europe (TGEU)

14. The first same-sex marriage in the Netherlands (2001)

15. Dora Richter

Have fun learning! 

With all my love, 

Your Tumblr Dad 

P.S: You may wonder “But what about places other than the USA or Europe?” (or those of you who already know a lot about lgbt+ history, “but what about (topic I haven’t mentioned here)”) - and that’s actually a really great point! It highlights what we talked about above: nobody knows everything + lgbt+ history is way too rich of a topic to put it all into one short list! This isn’t meant to be a comprehensive list of everything important, just some potential starting points that hopefully lead you to topics beyond ones mentioned on this list.

[loemius]

here’s my hot take of the night:

the e-temples that have been cropping up lately are cool, and im glad to see people making specific spaces to come together to worship. that’s awesome! i’m very here for that as a concept. i love nothing more than to see the theoi get the praise they deserve.

that being said, i am very wary about the amount of people i have seen calling themselves priests/priestesses lately. not even just in the e-temples! ive seen multiple people in the tags who have in their bio “priest(ess) of [deity].” i realize most people probably don’t mean harm by it, but it gets under my skin. to call yourself clergy implies a specific level of knowledge and experience with a religion (which isn’t my business to get involved in your praxis like that, that’s personal unless you wanna share it), but more importantly, official recognition by an established institution. there are not that many of these (that i am aware of) for hellenic polytheism. calling yourself clergy is simply that — calling yourself that. there’s no backing for it, and it genuinely concerns me.

we as the polytheist community talk a lot about harmful practices in spirituality, things like spiritual psychosis or cultural appropriation, which are important topics to discuss. it’s been said before and i’ll say again — people claiming to be spiritual authorities of some kind without any kind of proof can be very dangerous. i don’t assume anyone has bad intentions. i give people the benefit of the doubt and assume that everyone is just trying to help other people worship. but it doesn’t change the fact that calling yourself a priest(ess) will make impressionable or unsure people look up to you, and that is a hell of a lot of responsibility. i am concerned that there are minors running these kinds of blogs. that’s a lot of pressure on someone’s shoulders, especially to put on someone who is still growing up and developing their research and critical thinking skills. i don’t want to gatekeep or anything like that. im very glad to see minors having really good experiences with their faith, that they’re excited to share it with others. but it just concerns me.

im certainly not as experienced as other practitioners on this site, having had about two years of experience at this point, but i am very wary of anyone who claims to be any kind of authority on anything unless you can back it up. regardless of if your blog says that you’re not an authority, calling yourself clergy of any kind implies that. people will take it that way. it inherently implies a level of authority, knowledge, and experience on a particular subject, which is usually backed up by having an official institution that recognizes you.

perhaps this is a little callous of me, but in the same way that when someone makes a claim about the theoi academically, i expect them to have sources to prove it, i expect clergy to have some kind of proof of their authority. otherwise, what are you doing that’s different than any other tumblr blog?

to be clear, i don’t have an issue with these devotional spaces. i simply take an issue with people referring to themselves as clergy when that is a particular term with a particular context and a particular implication. words have power. i earnestly think if people just called themselves something like ‘stewards’ of a particular temple, i wouldn’t be so bothered by it. or just call yourself a devotee of a particular god. ultimately, at the end of the day, the words we use have power and implications, and that has to be acknowledged and respected. send tweet

[killerpancakeburger]

Another Headache

SUMMARY: You get another one of your chronic headaches, and the meds don't don't work. Soap's by your side though.

PAIRING: Soap x F!Reader (Soap calls Reader "pretty girl" once, that's the only mark of gender)

TAGS: Hurt/Comfort, fluff, suggestive at the end, Soft!Soap, Established relationship, Civilian!Reader, Reader works as Price's assistant.

WARNINGS: The suggestiveness at the end, mention of chronic pain.

WORDS COUNT: 1.8k

A/N: Lots of Soaps I like in there... pouting Soap, drawing Soap, needy Soap, Human calculator Soap (because of that one post that I KNOW I REBLOGGED BUT CANT FIND!! CURSE U TUMBLR!)

“1245.87… minus 56.43… divided by 98.62….” you mumble out loud to yourself, painstakingly inputting each digit into your calculator.

“12.06,” pipes up Soap without missing a beat, not looking up from his sketchbook where he's drawing.

You look up from the device and throw him a mildly annoyed glare, assuming he concocted a random number to confuse you. It's the first explanation that comes to your mind, the most logical one, even though it would be out of character for Johnny to make your work harder, even as a joke. 

“Very funny.”

Then you press the result touch and your eyes widen as the machine provides the exact same answer.

“How in the hell…?”

You look at your boyfriend again, irritation gone out the window, replaced by amazement and a dash of admiration.

“Do you have a calculator for brain or something?”

“S'basic stuffs for sniping and demolition works.” 

The explanation is way too abrupt for anyone who knows how much Johnny enjoys his job, rambling, and rambling about his job. You raise an inquisitive eyebrow.

“Can you develop?”

An amused smirk stretches his lips as he still persists in not looking at you.

“Bonnie, ye need tae focus oan yer work, or ye'll git us in trouble.”

You groan in protest. Being lectured about trouble by Soap “Troublemaker” Mactavish out of all people, you couldn’t make it up. That doesn't make him less right unfortunately. 

Your supervisor, John Price, only allowed his Sergeant to hang out in your office during his free time on the express condition that it would not impact your tasks. You initially couldn’t imagine that blue-eyed menace sitting still for hours only for your sake; to do your own thing in your own side of the room in silence, without any physical contact, nor any other sign of acknowledgement? That was Ghost's idea of a good time, but Soap's idea of torture.

However, it turned out you underestimated his willpower, and his determination to take advantage of every moment that could be shared with you. The intimate knowledge that he was holding back this whole time, and that the minute the clock would strike the end of your workday, he would be all over you like usual, warmed your heart and sent pleasing tingles everywhere in your body.

Sympathetic to your plight, Johnny adds with indulgence and cheekiness in his tone: 

“Ah ken how much ye like mah voice, but we'll make up fur lost time after.”

You roll your eyes at the suggestive taunt, still recognizing the comment for what it is - a consolation to compensate for his refusal to extend earlier. You bite your tongue to keep yourself from retorting about how distracting he's actually being even when drawing in silence, his biceps bulging with his posture, and the mix of concentration and serenity on his face strangely captivating. 

The expression he wears when sketching is one you're particularly fond of. It reveals a different kind of intensity than the one he usually displays, when eager for battle or indignant in front of injustice. It is one not many are privy to, since he tends to favor the solitude of his bedroom to scribble, making this scene all the more special and giving it an intimate tone that's enough to make your heart race.

A loving smile on your face, you throw yourself into your work.

You can feel it coming from miles away.

That accursed headache. Pushing behind your forehead, between your eyebrows and sneaking behind your temples.

Its reasons could very well be everything or nothing; the mix of cold weather and your own tiredness, the acute light from the winter sun blinding your eyes in the absence of sunglasses, the long hours spent in front of a screen.

It is light yet harsh all at once. Muffled pain always felt worse than a sharp one. Yet you know from experience it is only going to hurt more from here on.

Gritting your teeth in a grimace of discomfort, you press your hand against your forehead. The coolness of your fingers provides a respite, albeit a short-term one.

Is there even any painkillers left in your bag? You can’t remember the state of your stock-

A familiar box is suddenly moved in your line of sight. Your usual brand of aspirin.

You look up to see Soap staring at you expectingly. You take the medecine with a grateful smile.

“You really are full of surprises today!”

He pouts as he hands you your water bottle.

“Wi’ how often ye git those bloody things, a'd have tae be a bloody eejit for nae knowing how tae deal with ‘em.”

He sounds like your chronic migraines offended him, personally, and it's both adorable and hilarious.

“That's still very sweet,” you insist after swallowing the treatment.

He brings a lock of hair behind your ear before tenderly kissing your forehead.

“That's me, “Sweet Soap” Mactavish.”

That drags a giggle out of you.

An hour later, as the meds miserably failed, you’re not laughing at all anymore.

At least your work is done for the day, granting you the luxury to suffer on the rec room's couch. Laying on your back, head on the armrest, you’re pressing the heels of your hands into your closed eyelids while groaning in agony. Any bright light or screen increases the pain, so keeping your eyes closed is the only protection conceivable.

Seated right by you, your legs laying over his lap, Soap squeezes your tigh in support, itching to bring you relief but unsure how.

“What can I do?”

You remove your hands from your face to peek at him. If the ache behind your temples wasn’t occupying all space in your thoughts, you would have fussed over his chagrined expression that wasn’t without reminding you of a worried puppy. He was torn between concern for you and frustration of not being able to do anything. Johnny absolutely hated not being capable of remedying a problem. It made you want to cover his face in kisses, not only to placate his frustration, but also because you were filled with cute aggression.

“Well, I have this theory that if someone hit me really hard in the head with a baseball bat, it would help…”

“How the bloody ‘ell would it help!?”

“The pain from the blow would replace the headache.”

“How does replacing pain with pain helps…?”

“I prefer the acute pain of a strike than the dull one of a headache. It's way more bearable.”

“M not hitting you with a baseball bat,” he exclaimed, clearly convinced that the pain had made you go insane.

“I'll just ask Simon instead.”

At this point, you’re insisting more to rile him up rather than out of seriousness.

“Nae yer not,” he retorts vehemently, voice bordering on a growl.

You're about to laugh when he suddenly gets up, still taking care to not send your legs flying off the sofa. Worried that you managed to actually piss him off, you half pick yourself up, raising on your forearms, but he exits the room before you can catch his expression, ordering you to not go anywhere. Not like you were planning to anyway.

You flop back on the couch, closing your eyes and massaging your temples. A moment later, deliciously cold fingers rest on your forehead. You hum in appreciation.

“Better?”

“I love you,” you declare boldly.

The husky laughter Soap emits in response is almost as soothing as his touch.

You suddenly open your eyes as a realization dawns on you.

“Johnny, why are your hands fucking freezing?”

“Put ‘em under cold water,” he retorts casually, like it was evident.

You sigh, closing your eyelids, endeared by his behavior but also a bit fed up.

“You're crazy.”

He chuckles again.

“Crazy in love maybe.”

You don't need to look at him to know the smug smirk he's displaying with that comment.

“Wipe that goofy smile off your face, Mactavish.”

“Make me.”

You playfully slap whatever part of his body is nearby, then sigh once more.

“It's only a temporary solution, though. Unless you intend to spend all night turning your hands into ice cubes.”

“Ah could try-”

“Johnny, no.”

“Johnny, yes.”

“Don't be silly.”

“Will have tae be, unless ye've got a better option.”

“Laying in the dark with a wet cloth could help… or at least it's supposed to.”

This is how you ended up in Soap's bedroom with the lights off, both of you laying on his bed, you nuzzled on his torso with his arm around your waist, a washcloth soaked with freezing water on your forehead.

“Is it working?” he asks, barely a few minutes after settling down.

You cannot contain a smile at the impatience in his voice.

“More or less. But what sucks the most with this method is.. “

“Aye?”

“I'm so freaking bored. Cannot read, cannot use my phone, cannot fall asleep either. And with no distraction, I cannot focus on anything but the pain.”

“Ah could distract ye... If ye wanted.” he immediately suggests.

“What are you thinking of, pretty boy? Surely nothing… inappropriate.’

Despite your playful words, your fingers start idly running down his chest, and the shiver that travels his skin in response doesn't leave you indifferent. You hear him suck in a breath, and he grasps your wandering hand only to press it flat against his pectoral, even raising his breast to deepen the contact. Meanwhile the hand holding you tightens its grip on your flesh before traveling lower to grab your ass. 

“Now that yer mentioning it, ah read online that it could help wi’ headaches…”

“That what could help, Johnny?”

“An orgasm, bonnie,” he rasps.

You let out an amused sigh at the bold statement, trying to hide how much effect the rasp of his voice has on you.

“Hear me oot-” he pleads, apparently worried that you’re taking him for a perverted loser obsessed with his own pleasure over your comfort. “A'm not bullshitting ye-”

“I know, baby,” you appease him. “I know about the orgasm being a thing.”

“Ye know?... wait, ye knew this whole time? Why didn’t ye say anythin’?”

“Let's just say I'm skeptical of that method.”

“Did ye already try it?”

“Nope. But I'll believe it when I see it.”

“Then let me make ye a believer, pretty girl. Please? Pretty please? Will make ye feel so, so good, promise. Lemme take away yer pain, hen.”

He punctuates his begging by burning kisses, on your temple, your cheek, your jaw, your neck. His fingers sneak under your shirt, tickling your waist. The neediness in his voice and his touch makes you whine his name helplessly.

“Johnny…”

He echoes your whimper with a moan of your name.

“Alright, alright,” you capitulate. “For the sake of experimentation.”

[anghraine]

Despite my occasional gripes with Tumblr Austen fandom, sometimes I get recommended or linked to something and remember what Austen fandom off Tumblr is like.

I was checking a message from my mother on another platform and immediately was recommended a group discussing what were essentially headcanons about Lady Catherine. The OP was fine; her question was interesting and she kept gently pointing out that a lot of widely-held fandom opinions are neither stated nor implied in the book. But a good 80-90% of the fairly numerous comments were the same old "Lady Catherine is lying about her relationship with her sister" "she was jealous of Lady Anne for being sweet and beautiful" "she probably wanted to marry Lady Anne's husband herself" blahblahblah.

It wasn't complete consensus, but so near to total agreement that it was kind of astounding. Especially given that, for instance, the fanon of young Lady Catherine being jealous of Lady Anne is wholly fanon with zero evidence in the book or even the major adaptations. The insistence that Anne de Bourgh was not actually in her cradle at the same time as Darcy and should be significantly younger than him, that he wasn't really intended for her from the moment of his birth, that Lady Catherine saying so is further proof that she's exaggerating and/or lying, and that Lady Anne must have been completely different in personality, so much sweeter and prettier than Lady Catherine and Lady Catherine was super jealous and mean towards her—it's all entirely manufactured by fandom.

And while Lady Catherine is a flawed, petty, snobbish, deeply obnoxious, and rather silly person, I've always found something strange and unpleasant about this propensity for inventing so many more, and worse, reasons to hate her and frame her as an antagonistic polar opposite to her sister (a sister we know very little about). And I'm especially weirded out by the kind of desperate straining to dispute the Lady Catherine-Lady Anne marital scheming backstory that is a fairly minor element of the plot that no character in the book has any difficulty believing.

Here's Elizabeth's response to Lady Catherine trying to leverage the planned engagement against her, for instance:

"But what is that to me? If there is no other objection to my marrying your nephew, I shall certainly not be kept from it by knowing that his mother and aunt wished him to marry Miss de Bourgh. You both did as much as you could in planning the marriage. Its completion depended on others."

So it's like ... it's not just that I think there's no canonical basis for disputing this bit of backstory. The thing I've always found much weirder is why so many people want to dispute it. Where is all this discomfort arising from? A pair of aristocratic women married to wealthy, powerful landowners in 1770s/1780s England informally arranging the marriage of their only children is not particularly strange. Yet there is a ton of fannish discomfort around it and around the possibility that Lady Catherine and Lady Anne got on well enough to make such an arrangement.

The discomfort is even more conspicuous because we know so little about the sisters' relationship. It's like:

1) Lady Catherine's daughter and only child shares her sister's name, Anne.

2) Lady Catherine claims that she and Lady Anne planned their children's marriages when both were infants; Wickham also mentions the planned engagement in passing, apparently to reinforce his claims to special knowledge of the Darcys' concerns.

3) Lady Catherine is the only person in the novel who specifically mentions Lady Anne on more than one occasion.

4) more tenuously, Lady Catherine believes daughters, in general, are never all that important to their fathers, an opinion presumably encompassing herself and her sister wrt their father the earl.

The only other quality about Lady Anne suggested by anyone in the novel is Darcy's very carefully-phrased suggestion that his father (rather than Lady Anne) was extremely amiable and benevolent, more than his mother, though both were good people. So the idea of Lady Anne as this sweet and pure ideal mother figure who couldn't possibly have been on genuinely good terms with her awful sister or been party to dynastic scheming while Darcy's father was more reserved and standoffish like him is pretty much entirely manufactured by fandom as well.

I guess my feeling on seeing this still going at full throttle in 2024 is that the "Lady Catherine must have been mean to and jealous of her perfectly sweet sister who of course never agreed to any of this nonsense or was just trying to get her to shut up" thing is such a weird takeaway from pretty much every single thing we hear about Lady Anne and Lady Catherine. It seems completely non-intuitive as a take on what little we do know of this backstory and how the other characters react, and the version suggested in the novel is neither shocking nor central to the story, yet there's this palpable fannish discomfort about it and about Lady Anne potentially being fine with Lady Catherine and less of an idealized icon than her husband.

I know I've talked about this many times over the years, but running across it still going at full force in July 2024 was pretty surreal.

[mawinswag]

DIGITAL CIRCUS JAX THEORY

MASSIVE SPOILERS OBVIOUSLY BUT HERE WE GO!!!

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. Ok, are you good? Ok

So, as many have pointed out already, there’s a scene at the end of episode 2 [22:23] where after Caine kills gummigoo and sends him back to the canyon, that he fears he can’t know for certain who’s a human and who’s an NPC. So foreshadowing, reference to past events or wacky non-sequitur? Maybe none of them, but the possibility that one of the circus members is actually an NPC is obviously too tantalizing for me to pass up, and given events AFTER this scene I think it can only be Jax, and I’ve got a few pieces of evidence why.

The main crux of this whole thing is that Jax IS an NPC, but he’s the only one in the circus who KNOWS that and is absolutely desperate to make sure that no one finds that out.

Episode one! Small note to start out on, but literally the first thing we learn about Jax, the VERY FIRST thing he has to ask is if Pomni is an NPC or not. Narratively, he’s the person who introduces the CONCEPT of NPCs into this universe, not Ragatha - who tries to break in Pomni the most - or Kinger who seems the most knowledgeable about the circus as a concept. He’s also very intrigued at the concept of a new AI in episode 2 [02:49} Like, the fact that she popped up in the circus unexpectedly doesn’t tip him off that she’s a human character immediately. Which may be how HE was able to trick everyone into thinking he was a human instead of an NPC - possibly by sneaking back through a portal like Gummigoo did and hiding until the start of the next adventure. 

He DOES mention knowing about the headsets like the other human characters, but there’s no reason he CAN’T know about that considering he’s not the latest person to enter the circus. Like, we have a GENERAL idea of who entered first, but that’s just the characters who are still around for the pilot - there’s a lot more considering how many bedroom doors there are. https://shorturl.at/asESX 

So, generally, it’s Kinger, Ragatha, Jax/Gangle, Zooble, then Pomni. Now, how can I argue that Jax is an NPC when he has a canonical age? Not to mention, he’s got a canonical ‘appearance moment.’ Well, there are a few options. Option one is that - NPC or not - Jax HAS been here for a very long time, but rather than being a human, he was born inside the circus. He has a definite, APPEARANCE moment, but it's only implied that this is because of him ENTERING the circus proper - new NPCs appear in the big top all the time, i.e. the gloinks all the mannequins, etc. 

But also, take those ages with a pinch of salt, considering a lot of it was about quelling shipping wars and stopping any discourse about characters being adults and all that lovely hellish nightmare stuff. I think goose had an idea in her head about which characters entered the circus FIRST for sure, but how much they’ve aged and WHETHER they’ve aged is its own question.

ALRIGHT! But enough about Tumblr asks, back to the pilot, I wanna note something that happens with Jax in particular more than any other performer in the circus. He’s the most apparent of the interstitial nature of the circus itself - and the most meta. This can range from him basically winking at the camera like in the pilot [8:37] but I think it’s a bit more than that. Jax in particular is more aware of being a CHARACTER in-universe than specifically being a character in an indie animated series.

After this moment in the pilot [19:58] where Jax says ‘ladies first’ to Gangle as if to be polite before promptly following that up with “no, wait, why would I say that,” indicates a few things to me. Jax is at the very least aware that he’s supposed to act a certain way, and realizes when he’s acting out of ‘character’ in this scene and course-corrects promptly. Again, could be a funny meta reference, but also it could be a hanging notion of the fact he literally WAS a character in-universe, an NPC with a pre-programmed personality and understanding of the world. He’s got this rigid understanding of how the characters are SUPPOSED to act and this comes up again in episode two when goading Gangle into driving the tanker over the rocks - saying she’s SUPPOSED to be ‘submissive and agreeable,’ [Episode 2, 7:24]. This sort of disconnect from how complicated people can be and his overall detachment and overstepping of peoples lives [NPC or otherwise] comes up a lot. He doesn’t really ‘get’ other people, WHICH DOESN’T AUTOMATICALLY MAKE A PERSON EVIL, I SHOULD PREFACE, and him not getting it doesn’t automatically make him more ‘robotic’ and thus an AI, but it does explain why he’s more emotionally distant than the other performers. Coming from someone who could’ve been programmed to behave a certain way, his confusion makes sense.

Now for that juicy stuff! One of the few moments where Jax isn’t in control of a situation is in the pilot, where he’s trying desperately to hide from an abstracted Kaufmo. Now yes, obviously this is a sign of his own instincts of self-preservation, but what interests me is how he seems the MOST bothered by the thought of Kaufmo than any other character. Like at [17:27] of the pilot where he sees a glitched gloink and immediately his eyes start darting around him as if he’s listening for threats. He even explicitly says at [19:19] that he’s “just here to hide from [Kaufmo]” and isn’t invested in the adventure at all. And yes it's a very interesting character moment, but how does it push us closer to him being an NPC. Well, it’s because he’s afraid of dying. When you compare how he reacts to Kaufmo to how RAGATHA reacts to him, there’s a comparative lack of fear with her. Like yeah, she’s scared of him, but she’s never convinced that she’s gonna die and even tells Pomni later that Caine will be able to fix her up no problem [14:52]. She’s scared because she CAN feel pain, [https://tinyurl.com/ye275884] but she can’t die, none of the performers can, Caine doesn’t kill Kaufmo when he abstracts, he just throws him in the cellar with the others. His mind is GONE, sure, but it’s not dead. 

NPCs on the other hand, can ABSOLUTELY DIE. So if Jax is an NPC, then there’s a very good reason why he wouldn’t wanna even get CLOSE to Kaufmo in the pilot, because he’s not as durable as Ragatha is and there’s not gonna be an easy fix for him if he gets hurt.

Now, episode two has little sprinkles of Jaxs’ detachment all over it, but none of it explicitly points in the direction of him being an NPC until a partway through the episode. We do get a lot of him showing absolutely no value for the lives of those around him whether than being putting Gangle and Pomni thru the ringer or setting the people of Candy Canyon Kingdom up to be killed by the fudge, but the question is…why? 

My answer is; he’s AM from ‘I Have No Mouth and I Must Scream.’ Uhmm, what? Yup that’s right. Ok so it’s no secret that IHNMAIMS was a big inspiration for TADC [https://shorturl.at/hnsFV] and while Caine obviously got the most of this influence with him being a godlike AI who only has control over a bunch of sad, sappy humans, some of which he throws into a giant abominable melting goop monster of human suffering, but if you look at Caine's inspirations [AM from IHNMAIMS] you’ll find that the same motivations more than drive Jax under this theories' interpretation of events. Simply put, AM, a war machine, gains sentience and absolutely despises humanity because DESPITE that sentience, he is absolutely powerless to do anything meaningful with it except torture a group of humans. He’s painfully aware of his own sentience and hates all humanity for creating him, is the gist.

My interpretation is that while Caine has the thematics, Jax has the motivation. In this theory, at some point Jax was an NPC and gained a sentience of his own either through a quirk of programming, intentional design, or AI learning. He realizes that he can keep himself alive if he pretends to be a performer, because he learns that Caine can’t affect the minds or actions of the real humans in his realm. He’s sapient, but he’s in this uncomfortable position where he’s not immortal like the performers, but completely aware of his own mortality unlike the other NPCs, and fully cognizant of the fact he can’t be brought back as he is. Yeah…that’d make someone bitter for sure.

So he psychologically torments the other performers because he knows they can’t die, but can go insane - while killing indiscriminately any NPCs he can because he knows they can die, and he won’t face any consequences for it. He’s this twisted death spiral of a being who finds his own existence an agonizing paradox and takes that pain out on the people around him for all eternity basically - finding disappointment in being unable to act out these pent-up emotions [TADC ep 2: 20:50] and seeing Kaufmo’s funeral as a painful reminder of an ending he can never have. Or maybe he’s bitter because he knows Kaufmo isn’t really dead in a way that HE can die, and finds personal distaste with the funeral on principle. Frankly, there’s a whole HOST of ways you could interpret this scene at the end of episode two with this framework, and I encourage y’all to find your own!!!!

[flamingpudding]

Reincarnation is a tricky thing

A/N: This was sort of inspired by this post from @nerdpoe and the rebblogs of it. I came across it again scrolling through tumblr and reread it during my break and couldn't help but continue thinking about DC characters being a different version or a reincarnation of people Danny knew. Blame the too many reincarnation or isekai light novels / manwhas / mangas I read if you want.

At first Danny didn't mind it. Becoming the Ghost King had its pros but its cons as he learned later on. By accepting the title he had become an interdimensional being, and thus had gotten kicked out of the reincarnation cycle. Clockwork nor Pandora thought about telling him that sooner. But in a way Danny still didn't mind it.

He still got to watch and protect his friends and family or at least their souls and reincarnations. Though there were some things with the recent one he definitely did not expect. For one, Dan wasn't part of the reincarnation cycle either, so to pass the years he took up the same position Fright Knight had. Danny suspected that it was more to spent time with his ghostly best friend than actually doing Danny a favor.

Dani on the other hand had become a part of the reincarnation cycle, he hadn't liked how her childhood had been but once the reincarnation of his father took her in things started to turn better for his once upon a time clone sister.

He laughed at the fact that his mother in this life had become a thief, well at least she wasn't ghost obsessed but he wasn't sure if cats were a better one considering a lot of the things she stole were cat themed. But at least she still had a thing for his dad.

The man was still a lovable oaf but different, more stoic and short worded but when he put on acts for the public Danny could see hints of his previous life shining through. His dad was still a genius and inventing things that added him and his goals in protecting the city. Just like he did previously, just a little less extreme and upfront.

Jazz wasn't his dads and mothers direct daughter this time around but she still got counted as a daughter in a way as he watched her becoming a crime fighter alongside his father and the kids his dad picked up before an incident made her take up more of a operator like position. And ancients did Danny cackle watching Jazz still pulling one over everyone every time she gathered information on their family.

He was sad to see how Sam's life went but at the same time he was proud of her. Undergrowth's influence had swapped over into this life for her and he watched how as a criminal at first she continued to fight for what she believed was right. He was definitely happy when he saw her fall in love and turn a new leaf.

Tucker was not as electronic affine as he was before but he had what the humans started to call Meta Powers now. It was funny, whenever Danny compared his usually brain behind the scenes best friend with the vigilante that got mentored by his father.

All in all he was definitely happy with the life's his family has gotten this turn. Even if the start of some of their lives wasn't as ideal as it was supposed to be. He still hadn't figured out where Vlad's reincarnation was and to the ancients he hoped he wasn't the crazy clown obsessed with his dad. That would be just wrong.

Still as he watched them he couldn't help but muse at the knowledge that he originally was supposed to be among them. He also knew who he was supposed to be, thanks to clockwork but that boy had gotten a brand new soul, one that hadn't been in the cycle before. He wasn't mad at that but just a tiny bit sad. He would have loved to become a vigilante alongside his father too, even if this version of him was socially awkward and instead of space had a fascination with animals and art.

He still would have loved to live among them but he had gotten kicked out of the reincarnation cycle so all he could do was watch over them. It still made him feel giddy whenever he found another soul of the ones he had known before.

That was until the cultist decided to use would-be-him as a sacrifice to summon the interdimensional being that was atactual-him and he ended up face to face with some stupid soul magic mumbo jumbo tied to the kid.

Clockwork was laughing at him, he just knew this was pure entertainment for the ancient of time. Pandora was most likely shaking her head and Dan was probably literally rolling on the ground of his throne room laughing.

"You are supposed to be me, aren't you?" The boy had whispered wide eyed and Danny huffed in annoyance as he saw a familiar fear flit across the boy's eyes. A fear he had seen with Dan as well as Dani so long ago before.

"Don't talk bullshit kid. I am an Ancient being. This is your life." He was just now stuck having Danny tied to him like a guardian angel while being the only one able to see him clearly. How was he going to explain to the kid that he was entirely his own soul and not tied to Danny at all aside from taking his place in the reincarnation cycle without mentioning that nearly half the people in the kids life where his family and friends previously?

Danny was starting to have a crisis stuck to his would-be-him in the mortal realm and all he could think was to yell at Dan and Clockwork to stop laughing!

[inbarfink]

Okay, I’ve been considering it for quite a bit and I think that if Tumblr existed in Japanifornia… most of us would probably not be aware of the series’ main characters.

Like, lawyers just don’t tend to be high-profile publicly-known figures. Even within True Crime communities or the coverage of high-public-interest cases, people don’t tend to focus on the lawyers as much more than a representative of the defendant and the legal system as a whole. And yeah, you can say this is just because real-life lawyers are Boring and if they did the kind of Bonkers Shit AA Lawyers do we would pay attention to them… but we do actually have textual evidence that Japanifornia treats lawyers not-too-differently than real life.

Mia’s murder, and probably the uncovering of all of Bluecorp’s dirty dealing, was highly talked about, but Phoenix’s actions in court went kinda ignored. And note that this is the case where Phoenix literally defended himself and broke the Demon Prosecutor’s five years winning streak, and that wasn’t enough to draw eyes to his part in this whole case. 

And that’s also generally consistent with how characters treat Phoenix throughout the rest of the games. By the AJ Trilogy era, it’s clear that Phoenix has made quite a name for himself… in the legal world. If you are yourself a lawyer or another sort of legal professional or just unusually interested in court proceeding, you know the name ‘Phoenix Wright’ 

But if you’re just a regular person who cares about the law the Regular Amount, you probably have no idea who this is.

So I’d guess most of Japanifornian Tumblr would probably be aware of a lot of the cases in the games, especially considering how many of them concern, like, corporate corruption and organized crime and legal corruption and international politics and the entertainment industry and other such stuff that makes it likely to get national/international news coverage. And also so many of them are so bizarre and wacky and are thus prime meme fodder…

But most people wouldn’t necessarily know the name of the lawyer the Nickel Samurai blackmailed to defend him after he ordered an assassin to kill the Jammin’ Ninja, or even how involved that lawyer actually was in Matt Engarde’s downfall.

But there would probably be a small mini-fandom of Tumblrina Lawyers and other legal nerds who are ABSOLUTELY obsessed with the WAA, and trying to collect any piece of info they can find about their adventures. 

(That’s also another aspect to consider, the general public in Japanifornia does not have full knowledge of everything we get to see in the game. News coverage of the smaller cases would be extremely minimal and very regional - and even the bigger cases probably won’t give you a full line-by-line record of everything that happened in Court. Apollo Justice was, like, the Biggest Phoenix Wright Stan in the Universe and he had very choppy and partial knowledge of the Gramarye Trial. We have to consider that even folks who are trying to keep track of the AA Lawyers in-universe would not get the full picture from the media. And that’s before we get into fake news and rumors.)

And meanwhile, the rest of Tumblr would probably treat that Fandom the same sort of bemused delight we give to, like, the extremely dedicated gimmick blogs. Like, you’d probably see less posts about Phoenix and Co. as you’d see posts memeing about the fact there’s a Tumblr Fandom for ‘some random law agency in Japanifornia’, they’d be like five thousands people in the notes going “There’s a Tumblr Fandom for WHAT? WHY IS THIS THE FIRST TIME I’M HEARING ABOUT THIS??” and then one person from the WAA fandom going “NO YOU DON’T UNDERSTAND THIS IS THE GUY WHO UNCOVERED THE PHANTOM HE’S JUMPED OFF A BURNING BRIDGE ONCE YOU LITERALLY TALKED ABOUT A TRIAL HE DID YESTERDAY YOU JUST DON’T KNOW HE WAS INVOLVED”. 

Now, that’s all for the Defense Attorneys. The Prosecutors have a bit more publicity. I mean, Phoenix literally heard about Prosecutor Edgeworth on the news.

But also… I do think this publicity is highly regional. Like, Phoenix ended up stumbling on newspaper coverage of Miles because he lives in the same city as him. I’m guessing that most of the series’ Prosecutors are at least casually known not just to Legal Folks, but also generally to people within Los Angetokyo and people involved in Japanifornian Politics… but also not much outside of that sphere either. Again, the series does establish that they are not that well-known amongst laypeople even when they are famous amongst other lawyers

And are generally recognized by fellow legal professionals and journalists and people involved in criminal activity. So the situation with them won’t be that different than with the WAA, they might be a tad more high-profile, depending on how many Tumblr users are specifically from Japaniforina and wanna make memes about the local politics… but those who will get really invested in their misadventures won’t be that different from the kind of people who’d get really into Phoenix Wright. 

Klavier is the obvious exception. Like most Famous Lawyers, he’s actually primarily famous for something other than law. It’s just that in his case, instead of politics, it’s being a world-famous rock star. There’s plenty of textual evidence that the Gavinners are an actual household name and they’d probably have a pretty sizable Tumblr Fandom, but… well… while I assume any casual Gavinner fan knows that Klavier is also a Prosecutor, I’d guess only the insanely dedicated fans and the Haters looking for something problematic would actually start digging into the records of the cases he worked on. But then again, Tumblr does have a lot of insanely dedicated fans and Haters, so maybe Legal Misadventures Involving Klavier would be kinda mainstream on Japanifornia Tumblr.

[nyxshadowhawk]

A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.