#there are genuinely ideas i still find interesting in that story but god it needs so much work to not be the most cringe BuzzFeed feminist

[box-dwelling]

So the YA dystopia I started writing at 13 has a lot of problems that need rewrites if I ever choose to do anything with it but the literal dumbest one is that I had this uniquely British lib brain rot at the time that guns are bad and should never be used. Weapons were fine but these bitches were fighting for their lives and were using swords despite having just as easy access to modern artillery. It wasn't an issue with violence or taking lives it was just guns because "Americans use guns and mass shootings happen" as though that is in any way applicable to the scenario it was discussing. Yes common sense gun reform is an important legislative issue in the states but bestie facing off against genocidal super soilders is not the time to die on that hill. There was absolutely no issue discussed with the ethics of stabbing and neck snapping hordes of faceless villains just as long as they weren't shot by a pistol.

[sapphosclosefriend]

- Money, Power, Glory pt 1 -

Pairing: CEO! Silverfox! Natasha Romanoff x Escort! Fem! Reader

Genre: suggestive

Summary: Natasha Romanoff, successful and rich CEO, books an urgent meeting with someone who she might be able to finally destress with. Part 2 Part 3 Part 4

Word count: 1.5k

Warnings: top! Natasha x bottom! R, Natasha has a penis, BIG age gap (N=56, R=24), suggestive themes.

A/N: this story contains mature topics so anyone who isn’t 18+ DNI. Just as an introduction hehe don't worry, their first time is in the next one, I won't leave it out! Thanks sooo much to @rt--link and @supercorpdanbeau for being the kindest and both helping me out ❤️ As usual, likes, reblogs and comments are very appreciated! Enjoy ♡

Masterlist

You still remember clearly the day you received the call from your agent. You honestly thought it was a cruel joke of hers at first, but the serious, yet excited, tone in her voice easily reassured you of the realness of the situation. The fact that she was calling you in the first place, and not quickly messaging you, was clear proof of just how important and urgent the matter was. Not only were you requested for that same night, meaning that the trusted woman deemed the new customer as important enough to ditch the advance days you usually demanded, but the house you needed to get to was of no regular person.

You were a high end escort, pleasing la creme de la creme only, well, at least in terms of monetary assets. You, and the agency you worked with, were known for your discretion, professionalism and skills, an overall level of competence that simply tended to attract clients of a certain status. And that's how you met her, the Natasha Romanoff herself, CEO of a multi-billion company she had created from the ground up in her decades-long career. But why was she so important? She would've been the richest one of your clients, it was as simple as that. Pretty much every single one of them were at the head of, if not close to, big and different companies, all with the highest power of the twenty-first century in their hands, money. You had actually thought about dipping your toes in the world of politics once, which was not so surprisingly filled with countless requests interested in your realm of expertise, but thanks to long consideration and much advice, you had decided to avoid its risks, settling on who you knew, after all, had what you wanted, filthy rich assholes. And gosh, wasn't she the richest one of them all.

Aside from her status, the thought of such a woman, so idolized she seemed unattainable, who could and probably had everything in the world, asking for your company, intrigued you immensely. That day, during every single hour you had spent to thoroughly take care of your appearance just for her, anticipation completely took over you. You knew she was beautiful and you genuinely thought she was fucking hot, which wasn't necessarily to be taken for granted in your line of work, but what you found yourself needing to know, and consequently making your interest in her grow even more, was how she was going to be in private. Was she going to be just like one of those countless naggingly cocky know-it-all's who thought of themselves as some sex gods, and gods in general, but really couldn't even figure out if you had cum yet? You found yourself almost wanting her to be different than everybody else, because deep down you felt like, even if she was the most annoying, full of herself bitch ever, you would’ve gladly tried to satisfy every single one of her needs and taken anything from her with a smile on your face. Ok, maybe scrolling for an hour through the internet looking up information about her and consequently ending up lost through any picture of her you could find wasn’t the best idea, but what could you say, you had a bit of a sweet spot for powerful women.

What you gathered from your innocent stalking session, though, was mainly about her countless successes in life but also concerning some gossip regarding her not so successful marriage life. It didn’t bother you, barely anything about your clients did at that point, but it only intrigued you more about why she wanted someone like you. She could’ve had anybody, she was a walking goddess with her pockets more than full and ladies most definitely falling at her feet left and right, yet there she was, in her car, getting back home after one of the longest and most tiring weeks of the past few months to wait for a girl she’d only seen a couple pictures of to take her mind off of everything. Her driver immediately knew not to even greet her by her frustrated sigh and the pinching of the bridge of her own nose as soon as she got in the car and immediately took off to her desired destination, making Natasha thank any and all gods for the nice relief after such displays of incompetence she had to endure from basically her whole staff. She was right at her limit and all the pent up anger and irritation from the week was finally starting to crack her composed facade at the prospect of the imminent weekend slowly reaching her. She didn’t even want to have dinner, she just needed to be at home, everyone out of her goddamn house and a pussy to unload some stress into. If she had to be honest, in that specific moment, she even missed her disastrous married life and the perk of having a wife always waiting for her at home, ready to meet her needs at the end of the day.

She, unfortunately, never felt the symptoms of "true love" with any of her ex wives, but the thought of how badly it had gone wrong with all of them still pained her a little every time her mind drifted to that phase of her life. During her successful yet busy life she'd been through her fair share of failed marriages, all with beautiful women she'd deeply cared for, but all eventually focused on one thing only, her absence. The first thing she'd always made sure to make very, very clear was just how little time she had to dedicate to anything outside of her company, which unfortunately included her personal life. Her best guess was that the haziness coming from a brand new love must've made it hard to get a grasp on her words…every single time, apparently.

It didn't matter anymore, though, because what she had to focus on now seemed to be much more important than any matter ever had. The quick, warm shower she had just enough time to take as soon as she got home was thankfully able to wash away the surface level anger that was starting to make her temple throb, preventing her from being a rude prick for the rest of the night. She was aware, after all, of the favor you were doing to her by working the night without any notice and all she wanted to do was be respectful for your kind availability. Being her perfectionist self, and deep down maybe even wanting you to like her, she knew she had to focus on not losing her mind on minor things like her outfit, so she decided to try to at least appear to be careless about her appearance and only focus the last bits of mental strength she had on the more relaxing, pleasurable parts of the night. Of course she still couldn't help but fix her hair just a little and change her sweatshirt for a still casual but more put together beige, cashmere sweater. She'd had it for years and, despite its condition not being the best, she couldn't bring herself to get rid of it, it just reminded her too much of- nevermind. A few small holes and pulled threads on her top would certainly be the last thought on your mind anyway.

She didn't even realize she was starting to zone out while still looking at herself in the mirror, when the sudden, distant ring of the front door slightly startled her, effectively making her get herself back together. What was minutes away from happening truly dawned on her as she descended the stairs to the first floor and, for a brief moment, as she walked through the entrance corridor and saw the blurry outline of your figure through the frosted glass of the tall door, time seemed to slow down and for the first time in years she felt a small twinge of anxiety creeping up on her the closer she got to you. She was really doing it, she was really about to follow the advice of her idiot Stark friend and didn't mind it too much. Maybe she was really getting old, maybe age was starting to actually play some tricks on her, because, as her hand pushed the cold handle of the entrance door and started to pull it open, the snippets of hair she could start to see of you lit a confident fire in her that only burned more vividly as your form was finally fully displayed to her, making it impossible for her to suppress the excitement she suddenly felt at the sight of you in person, looking at her through your lashes with subtle faux innocence she could see right through.

"Good evening, Ms Romanoff"

.

.

Part 2

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.

Tags: @fxckmiup @natashasilverfox

[lych33dragoncookie]

Only the masterpieces that survive the fiercest flames earn their place in history.

(Analysis post)

Alright, they absolutely cooked this update. Like, undeniably so. I was admittedly not that huge of a fan of the last 2 beast yeast chapters we got; they had really good ideas, and Mystic Flour is a wonderful character, but... Dark Cacao hasn't really been done enough with for it to feel like it had the amount of weight it could have, and it really doesn't feel like much about him actually changed at all. Combine that with a complete lack of interesting dynamics and you have a lot of very good and genuinely pretty well thought out story concepts with extensive cultural research, executed in a way that feels more like a traditional old-school story that weakens the attachment the audience feels to the components of said story.

Here, though? I have no complaints so far. It was absolutely wild in fact, to the point where I don't think it's gonna happen again (nor am I entirely sure it should ever happen again). This was back to back, non-stop, smack to the face one after the other. The moment the first point of conflict came up, it was just shit happening left and right; even in the mandatory moment of rest where we chill out for a bit, it's revealed that hey, these sandstorms? Yeah the sand is actually ashes. It's the remains of all the people that live here. Whether they died off on their own or were killed by someone else.

And if that wasn't enough, very shortly after;

... It's fucking crack.

So, people die and kill each other here very frequently, and not only are their remains visibly on display, their ashes also become sandstorms that make it near impossible to navigate the land; on top of being something that people snort like cocaine to become more energetic and aggressive.

We started fucking wild, dude. This whole thing is pulling no punches.

Though, I do wanna note; I really, really enjoyed the interactions between Smoked Cheese and Golden Cheese. It shows not only how forgiving she is, but how these two have known each other for an incredibly long time, and know each other well. They're incredibly comfortable around each other, despite it all, and despite how brazen and Very Much Not Strategic the queen here can be. I really, really enjoyed them.

Always fun to see a recovering villain do things for good, but in their own unique way that's still not exactly heroic but definitely effective and, at times, very gratifying.

Though I enjoyed all this, there's one thing I wanna talk about above all else.

The star of the show. Note that every single part was enjoyable, of course, and he wouldn't be half as interesting without Golden Cheese Cookie to serve as a parallel, but they've cooked up something special here.

So far, Burning Spice's extent of onscreen appearance is very, very short, but... I don't think I need to tell you that he's already made an impact and a half.

Christ, that's violent. With the sound effects and everything too, god damn. But, I'd be lying if I said this wasn't a pretty superficial source of judgement for this character. It's very very telling of what kind of person he is now, what he's all about, what he's willing to do, what he likes doing, but...

More than anyone else in recent memory, the devil is in the details. So let's look at those details.

Nothing too much so far, other than how much he absolutely loves destruction, but there's already a trend; namely on "Nothing lasts forever. It's as simple as that", "In the end, everything becomes dust.", and "You, too, shall see that destruction is the only way.". There seems to be an infatuation with the natural process of everything fading away, turning to dust and dying out. An entirely honest one, believing that there is just about nothing else to life. These will be important to keep in mind.

Here, we see a bit of his current relationship with his own immortality. He doesn't seem to mind the idea of losing it, finding something that may eventually take him down, but he still takes great pride in it. These lines, in text, seem somewhat miserable (and trust me, they definitely are), but the voicework in just about every language conveys that they are said in a more neutral, even potentially proudly manner. Again, not much on their own, but...

Here's where we get into the fun part.

This. This is the crux of their character. At the start, him and Golden Cheese cookie were more or less the same. Benevolent royalty, close and personal with their subjects. Beloved, and loving.

And then, they lost it all.

One way or another, their kingdoms were lost, reduced to almost nothing. They were overcome by grief, desperate, unable to cope with their loss. One tried to latch on as hard as possible. Preserve what she could, blindly, replacing the harsh truth of reality with an idealized, constructed world, where no one would ever have to know pain ever again. She shut herself off, and retreated in the safety and peace of a false reality. She would rather have lied to both herself and all her subjects than face reality. And eventually, she had to learn to move on. Let herself and her kingdom heal more naturally, facing reality. The other, meanwhile, was desperate to let go. He detached himself, trying to move past the pain of loss. But, of course, he couldn't force it to happen. No one can. And so with the grief of losing that which he held dear, continuing to be faced with the reality that nothing is forever, over and over, while he endured, the world slowly turning to ash around them again and again... It's no wonder something in there eventually cracked.

What will it take to destroy me. Nothing is forever, and yet, I am.

Nothing is forever. And yet, I am.

With time, misery turned to mania, and in an attempt to overcome their grief, they embraced it, in the worst way possible. A coping mechanism gone horrendously wrong. That destruction, that loss, the inevitability of death... It's not painful, no. It doesn't have to be. It can be thrilling. Exhilarating. A new reason to live. If all you care about turns to dust anyways, if that's really the only logical destination... Why not have some fun with it? Why not embody that inevitable, unstoppable force? Why not become what you fear, so you no longer have to be afraid anymore?

... You know, at least that's what I think is going on here. The next chapter could contradict this reading, but... From what all we have right now, it seems like Golden Cheese and Burning Spice are two completely different paths for the exact same type of pain. They are, in a way, the same, but diverge in almost complete opposite ways where it counts.

Spice is genuinely equal parts absolutely terrifying and absolutely miserable; a balance that is incredibly hard to strike in writing, but always absolutely fascinating and wonderful to observe when it happens. I have to say, the more I found out about them, the more I couldn't keep my eyes off everything they have going on.

I'm loving every little bit of this update. Mad props to the devs for cooking something up here that I am genuinely incredibly invested in, almost to the same degree as White Lily and Dark Enchantress. Banger update. Absolute S tier material.

TL;DR: Burning Spice is terrifying, miserable, and ridiculously cool. Everything about this update was an absolute merciless flurry of consecutive gut-punches. And I loved every second of it.

... Now we sit and wait for Shadow Milk's release next year.

[elodieunderglass]

I am absolutely wild and feral over HDM (legit like, daemons fit SO well. I'm watching dunmeshi wondering where Laios' dog went) and super curious if you do plan a sequel or other fics following this AU??

(In reference to the His Dark Materials / Dungeon Meshi fusion fic)

thank you so much for this question I love this question god!!!! Thank you thank you thank you

God sorry about HDM being delayed, I’m going through hell over it at the moment. It’s meant to end a little after the dragon, then a timeskip epilogue, with special coding so that you can read it two different ways, depending on whether you want spoilers for the manga/season 2. (My idea is that you’ll click a button to reveal/hide it, and the spoiler-free epilogue will be like found poetry.)

Firstly, if you or anyone else would like to take the concepts/characters in His Delicious Materials forward for themselves, you must do this. You don’t need my permission (but I’d love a link! so I can read, scream, reblog, comment, link to it, etc. there is also the “inspired by” setting on ao3 so we can link works directly to HDM, forming a collection for anyone who reads one and wants more.) I don’t own any of it! We are all just having fun! YOU can be the sequel you want to see in the world! If your heart feels a way forward, then follow your heart!! A daemon AU is really about revealing character and I find them really inspiring, like adding a whole engine to a story idea.

If I were to write something to follow up, I do know what the sequel WOULD be! It would be a sort of Discworld novel about the slow social revolution occurring in the half-foots as a chain reaction to Bee settling as a weasel, all occurring behind Chilchuck’s oblivious and unhelpful back. Pushed into a sort of bottleneck of sparrow- and mouse-souls, and marginalised to the very edges of society, half-foots are precarious and endangered. Chilchuck is mostly eating a ham sandwich unhelpfully in the foreground, and at the end of the story looks back and sees to his bewilderment that his people have found a way forward (they don’t have a Shire or a Chosen One, but they do have a goddamn functional worker’s union and their own collective dignity.) kind of Discworld-commentary-comedy, kind of a loving argument with Tolkien, kind of Sharpe hostile-and-awkward-protagonist-POV-doesn’t-know-and-wouldn’t-believe-that-his-men-genuinely-love-him, kind of about the experience of parenting, and kind of gently warmly political BUT FUNNY so it would be ok. but feel it would be too much of a stretch of people’s patience and the original materials’s intentions to call it fanfic. Too many OCs needed to carry the weight, too little reference to the other Dungeon Meshi characters, almost too little “payoff” for what would be a full 70k word work. So maybe to let the story breathe, it would be better worked up as original fiction?

(Plus, that is actually an actual novel: if people write their own novels and manga about orc coffeeshops and dnd parties, I could just write my own too: wait but how do you know if you should?)

Anyway, that is an entirely separate kettle of weasels and my own cross to bear! If your heart cries out for a sequel the best way to manifest it in the world is to write it!

If you feel that A Weasel Heart In Defiance feels like it would scratch that itch, here is a bit that is mildly relevant to Dungeon Meshi, which is Chilchuck and Bee starting to work away from home while the girls were still small. You’ll probably see what I mean from it.

About seven of the village children, including his own three, had a snake in a wooden bucket. They didn't look up.

The reappearance of a random guy who functioned mostly as a postal service and occasionally shouted at them about bedtime - in a way that could be easily blanked out if something more interesting was happening - simply could not be expected to compete for attention with a snake in a bucket.

Chilchuck could recognise this on some level, but as his own children ignored him, he felt very hot and angry, in a way that he had never wanted to feel about children, especially his.

Bee, also rigidly pissed off, growled, "Easy, boss."

This was where Chilchuck did the only thing so far that he was proud of, in this day. He did not start shouting, even though his temper was going something like What the fuck, kids, but worse. He stopped, took a minute, and remembered he'd had this whole thing where he'd wanted his kids to love him. He rubbed his nose, said, "Remind me," and his daemon reminded him: "What do we want them to actually do?"

And he said, "The bare minimum fucking acknowledgement would be nice."

And Bee said, "Have we explained that to them? Do they know?"

So Chilchuck and Bee, hot and tired and cross and still on the job apparently, sat down on the ground with the kids and looked in the bucket. The snake, poor bastard, looked very limp and tired. Chilchuck could relate.

After a while, Chilchuck said, "Girls?"

Or more accurately, something like, "Girls! Girls. Meifleurpatti-I mean Puck-PUCK. Listen up. Mei! Fleur, I'm talking - thanks Fleur - Puck. (Ryeland, stop the baby.) PUCK. Mei, Fleur, Puck - PUCK, eyes on me - thanks, Ryeland - PUCK. EYES," which condensed in parent-speak to a single roar of "Girls!"

When he had them more or less listening, he remembered to set his voice to the more singsong cadence one used for children, instead off the deeper version of his natural voice that he used for shouting at the top of his abilities at tall people; making the choice to be patient and gentle, or at least pretend to be someone who was; and in this manner he said reasonably, "Now, your dad's been away for a very long time and missed you all very much. What do you say? What do you say when your dad comes home?"

Six children stared at him blankly, and the baby toppled gently into the bucket. He fished it out, stuck it sideways under his arm, allowed the snake to escape in the confusion, acknowledged someone's grievously injured finger, stopped Fleur from pinching, took out his pocket handkerchief and wiped Puck's nose in essentially one continuous motion.

To be completely fair, now that he'd let go of the initial anger, he could see that the kids had absolutely no idea what he'd wanted of them. Kids had practically no social instincts at the best of times. Chilchuck coming home was remarkable, sure, but beyond their influence; how were they supposed to react? What do you say to a comet? What do you say to a hailstorm? What do you say when daddy comes home?

He repeated the question, as the children had universally drawn blanks and devolved into staring vacantly.

"Good morning, Daddy!" A child chirped helpfully, setting off the rest in an automatic drone of "good morning, Daddy," in the strangely universal dreary tone of all children saying that.

"So close, Fernwise! Is it morning? What else do we think?"

Bee, fighting for order among the kit-daemons, was simultaneously washing Fleurtom's daemon, Pantoufle's, face; receiving a long rambling report of a grievance from three incoherent witnesses; and minding the baby's chick-daemon; up to her ears in parenting. She said, around a mouthful of Pan, "Speed it up, boss, you're losing them."

"Where are your spots, Daddy?" Pan asked him. He was in the form of a young ferret and scrabbled against his mother's grip on his scruff.

"My what?"

"Your freckles," Bee said grimly, and seeing he'd been temporarily disarmed - and being a valiant beast in her way - charged in to her human's defense, "Is that nice, Pan? We don't want to make people feel bad about their looks, do we?"

"Yes we do," said Fleur.

"Fleur! We've just - we haven't seen much of the sun, that's all," said Bee, taking charge, the best and most loyal soul a man could have. "They'll come back, and they're not spots."

"Mei has spots."

"Freckles."

"Grimbob has spots."

"Yes, and you shouldn't notice," Bee said. "Think of Grimbob's feelings."

"I do, I think he feels spotty."

"I'm thirsty," Puck said flatly.

"Stick to the point, kids," Chilchuck said, recovering from the fact that his usual face was apparently indistinguishable to children from Grimbob's, who had been taking puberty hard. This was surprisingly difficult to do.

Ryeland, a mildly bright spark who was older than the Chils girls, connected two dots and suddenly roared "WELCOME HOME DADDY," so six children all repeated that automatically, and Fleur added sunnily, "I missed you Daddy!"

And just as a very small piece of Chilchuck's heart was finally allowed to melt, she added, equally sunnily, "Mei didn't."

"I did a little," Meijack said vaguely.

"That's great kids, well done, we got there in the end," Chilchuck said. "Remember it for next time, okay? It makes Daddy feel better about his stupid life. Now, next time, let's remember that it's traditional to do a hug."

He realised his mistake instantly, as six children and their daemons all bore him - and the baby he'd forgotten he was holding - to the ground.

___________

[exilethegame]

What's the go-to topic for the RO's if you want to get them talking for the next 4 hours straight? In other words, what kind of things are they most interested in/passionate about?

Hmm...

Vethna: Politics in Vygrand, the ethics of blood magic, the history of magic in general... they are very much an academic at heart and like trying to find the balance between a "perfect world" and reality. Plus they've never spoken about these things to someone who takes them seriously, so having a place to do just that would have Vethna blabbering for hours.

Nikke: Weapons, daggers, specifically. He collects them as he finds them which may be grim to other people (considering he usually takes them from the bodies of the people he kills), but hey... it's still a cool collection, okay? He also loves talking about all his adventures and sharing stupid stories about cool places he's visited. Also fighting techniques. He's genuinely super into that. Goes for Jost + Nikke that they both have A LOT to say about the Taipan gang in Vrithka as well. Like a lot a lot. (None of them are good things)

Jost: Jost is a listener, not a talker. But in the rare, rare occasion you have her going on about something, it's usually because she's upset and somehow, you became the one person she trusts enough to vent things to. It's not necessarily upset as in sad, per se, but she's in a place emotionally where needs someone to bounce ideas and thoughts off of. (However, passion-wise, she's super into the arts, so you could probably pull some words out from her re. arts from the Old Worlds, museums, that sort of thing). 

Amilia: Amilia does not stop talking. Amilia will go for hours talking about a cute mushroom on the side of the road, no not underestimate her. And you know what? Yes, she's doing it to annoy who she's with, but part of her really is interested in that mushroom you know. On a more serious note, she's really into music and getting to know people. Amilia's one of those people that makes others open up pretty easily, and it's something she genuinely enjoys since she likes learning the "lore" of individuals. (... is that just gossip?)

Sabir: Astrology, the gods of the Old World, the Old World in general, really. Interestingly enough, Sabir does not enjoy talking about politics. Like you can rile him up if you try hard and enough, but he sincerely tries to avoid getting too far into it because it's such a glib subject. That, and he's already talking about politics all day given his position. Sabir isn't a ramble talker though-- he won't just chatter for hours on end about something. He's into the art of conversation, you see. The back-and-forth is what's fun for him, so he'd rather talk about nothing at all and fill the conversation with shallow banter than passionately talk about his map collection.

Syfyn: Just remind her of the time someone vaguely pissed her off one time and you got about an hour of entertainment off that incident alone. (One time a person cut her in line at the mess hall, one time she stubbed her toe because someone moved a box, one time--) Syfyn also likes talking about combat and training, but Nikke's more like "genuine excitement and tips and tricks" and Syfyn's more like "lmfao I kicked your ASS you're a loser" or "did you see how hard I punched that thing lemme remind you"

Freedom: Hmm... this only works if one is super-super close with Freedom, but they'll be very genuine and skip the word-games when it comes to talking about the Old World, the time when the other gods were alive, their past and people they've met/known. That's the one thing Freedom could speak about for hours and be upfront about AND be genuinely invested in the conversation. They enjoy sharing relics of history with people who are actually willing to listen, and the fact anyone might want to really know about them on an individual level would be very flattering.

[lakesbian]

i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it

so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough

worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!

one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.

the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.

i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.

the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.

and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.

*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign

as for the downsides of worm/things that might put you off:

there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!

worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.

worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel

overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)

oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.

[allamericansbitch]

my review of ttpd is under the cut

i liken this album to digging through the cushions of a couch. sometimes you find money, sometimes mindless scraps, and sometimes it's weird shit you have no idea why it's there.

first things first i'll just reiterate what i've seen a lot of people saying: she needs to move on from jack and work with new producers. the production is so recycled, we've heard it before, it's no longer serving her art (and i would argue it's limiting it) and it's tired. the first half is midnights and 1989 vault tracks and i would like a new album to sound like a new album.

but you know who came in and saved the day, my man my man my man aaron with those real instruments and decent mixing/production skills that actually work with taylor's voice!

like i said before, i like a good chunk of this album, so what i'm about to say might come off strong but trust me. i feel like this whole album is very.... unnecessary. it's very repetitive, she's reusing so many metaphors, sayings, etc just song to song and then also repetitive production like i already touched on. her current mindset of creating art as frequently as possible, quantity over quality, is just becoming more and more hard to ignore. of course she can still write and work through her feelings but you don't need to release it. you can work through it and move on. the best songs on here have authority, know what they wanna say and tell a good story. the worst are just sitting there roaming around aimlessly and not saying anything new or anything at all really. there is a really interesting, good album in here... somewhere. move the cushions around a bit more.

here's some random/general bullet points:

the best songs for me are the ones with a clear message and simple production. she's not trying to sound smart with the lyrics and just making the song clunky and try-hard. so long london and loml?? clara bow? yeah yeah

speaking of the lyrics....... my god are they rough. she saw people saying midnights had some corny lines and said charlie puth hold my beer. this album genuinely has some of her worst, which is sad because we know what she's capable of.

none of the music matches the aesthetic but sadly that's become par for the course, but now the title of the album doesn't even fit for me. i feel like, if she wanted to name it after a song title, 'the alchemy' or 'i can do it with a broken heart' are right there. this isnt giving tortured poet.

all of this to say she needs to get new collaborators, stop surrounding herself with yes men, and learn to trim the fat and we'll be in a lot better shape.

[cod-fishing]

(Continuation of this post with vampire soap human ghost)

The second time Johnny feeds on Simon, they still stumble into it.

After that first time, in the bunker, they don’t really bring it up again. It’s not some elephant in the room, it doesn’t feel awkward per se, just not something that needs to be discussed.

And just as Ghost doesn’t bring it up with Johnny, he very purposefully locks his own thoughts on the interaction behind a very thick blast door in his own head. No no, it didn’t make him feel mind-blowingly relaxed and at ease for the first time in who knows how long. No, it absolutely did NOT make him content and settled in his own bones and feeling like Johnny hung the god damn moon. Nope.

And so it goes on for a few weeks. Everything back to normal. They go on a few more missions with far less problems than the one that got ghost and soap locked in that bunker in the first place, and slowly ghost isn’t even drifting off to the thought of Soap’s weight on him every night. The end of the next mission finds the team celebrating a tidy hit on their most recent target, smoke and whiskey filling them up in ghost’s office.

Eventually, laughter and traded stories slow. The captain heads off, begging the need for sleep. Gaz heads out to go call that girl he’s been seeing back in London. And his loyal sergeant is the only one left.

A comfortable silence drapes around them. It feels good, to just be with Johnny like this. His mask is off, but in the low light of his office, whiskey warming his belly, and nobody with Johnny around, it almost feels good.

“You know, I knew you were tough, but I’m still impressed with how you took my bite, Ghost.”

Glass at his lips, Ghost almost chokes at Johnny’s sudden interjection. His chest tightens at the thought of that moment, of Soaps steady weight on him, his teeth at his jugular -

Ghost shakes his head.

“Really didn’t feel like much. Not bad at least. Just made me kinda loopy.”

Soap looked at him thoughtfully. “Well, loopy makes sense, with the blood loss. But usually it hurts a lot, even when someone consents. At least that’s what I’ve been told.”

Ghost clenches his jaw, and realizes an embarrassing moment later that he might genuinely be jealous of the idea of anyone underneath Soap like that.

Purposefully relaxing, he shrugs, hoping the topic will die out.

“You were really loopy. If anything,” Soap looks over at him, eyes hooded and head tilted back against the couch. Suddenly, ghost is nervous. “If anything, I would say you were enjoying yourself.”

Ghost can’t help the way he tenses, god damn it, and he can see the second soap narrows in on the movement, just like the predator he is.

He leans forward, his half empty glass balanced between strong fingers. “I mean you said it yourself, L.T.”

“Johnny,” Ghost interrupts, but it’s never stopped Soap before.

“You said it was good,” a smirk creeps onto his face, but there’s still that bit of wonder in his eyes.

“Johnny.”

“I mean that’s just curious to me. Why is that?”

“Johnny.”

He finally stops talking, but Ghost knows it doesn’t matter. He’s shown his fucking cards. Silence hangs between them, far less comfortable. Ghost glares at the stupid, beautiful cunt sitting across his desk from him, and Soap stares back with that same bloody smile in place.

Johnny knocks back the rest of his drink, and stands. His thighs flex under his jeans, and he moves towards Ghost, gracefully stepping around his desk. Ghost clenches his hands into fists as soap steps neatly in between his spread legs, and relaxes against his desk.

Ghost very purposefully doesn’t look up at him for a long, long moment. He keeps his eyes trained on the mug of pencils he keeps on his desk. Suddenly the bland mug stollen from the chow hall is the most interesting thing ghost has ever seen. Maybe he’ll just look at that for the rest of eternity.

But all too soon, his eyes flit up at his sergeant, completely against his wishes. Because he’s weak, he’s always been weak when it comes to Johnny, and god, he feels weak as he looks at him.

The barest hint of soap’s canines are peaking out between his teeth.

Ghost inhales sharply, feeling frozen in place at the intensity of soap’s stare. Soap’s eyes flick down, past Ghost’s chin to his bare neck, and then back up.

“Do you mind being a guinea pig, L.T.? I just want to understand why it doesn’t seem to hurt you.”

Ghost swallows, Soap watching the bob of his throat. “How, uh. How would you do that?”

“By feeding on you again,” he says it so calm, almost casually, even as tension is so thick Ghost can almost taste it. He can’t seem to find a response to that, so Soap continues.

“Now that I’m not starving, I can actually pay attention to what I’m doing, how you’re reacting.”

Ghost swallows again, and fuck it’s so embarrassing to know that soap can hear his heart rate slowly ticking up, racing like a rabbit in his chest. He still can’t force his mouth to move, and he wouldn’t even know what to say if he could.

Something changes in soap’s face, and he shifts, turning away from ghost.

“Sorry L.T., silly thing to ask. Didn’t mean to push you.”

Without thinking, ghost is snatching soaps wrist to hold him in place, suddenly desperate. And god, desperate for what? If he can’t even say it in his own head, how on earth is he gonna ask for it?

Soap looks back at him, surprise in his expression, lips parted just so. His fangs are gone, and Ghost wants them back. Doesn’t ever want Johnny to hide himself like that.

“No, uh. You can. You can do it,” he manages to choke out. And god, it’s worth it to see the way Johnny’s face lights up with hunger.

“Right now?” Soap asks.

“Uh..” ghost searches soap’s face, and there, there, he can see his fangs again, deadly sharp, and that expression- “yes.”

Soap is on him before he can blink, bullying his way into his lap, strong legs boxing him in. One strong hand runs up his shoulder, gripping the back of his head and gently tilting it to the side, opening ghosts neck up to Johnny. Ghosts hands are fisted in soap’s shirt, and he finds himself almost panting at the anticipation, at Johnny just sitting on him, breathing against his throat.

“Tell me if you need me to stop, okay?”

He jerks his head in a nod, and sucks in a sharp breath.

Johnny’s teeth meet his skin.

Again, there’s the pain, but already, Ghost feels heat flood his body, turning his limbs to jelly, turning the pain sweet. Almost instantly, Johnny is moaning against his neck, tongue lapping at his pulse, and Ghost has to stop himself from moaning back.

“Fuck,” soap slurs against his throat, “I thought you tasted this good just because I was starving.”

Ghost’s hands clench around Soap’s hips. He can feel the beating of his heart everywhere, in every poor of his body. Somewhere, far in the back of his brain, Ghost is fixated on soap’s fingers on his scalp. The grip isn’t forceful, it’s light. But ghost has seen the way soap can hold down a meal, the strength in his fingers as he forces meat to comply, to stay in place until he can devour it.

God, he must be fucked in the head, because he only goes more boneless at the thought. It feels like the whole universe has been shrunk, nothing outside of this room, hell nothing outside the circle of their bodies, exists.

Johnny pulls back just a bit, and curses.

“Fuck, just a little more, okay? You just-“ he sounds desperate, and cuts himself off by plunging his fangs back in Ghost’s throat.

It’s much less gentle than Soap had been before, and Ghost does moan at that, which Soap answer back with a growl. Ghost feels it in his throat, his chest, everywhere. He feels…he feels fucking claimed.

It’s a miracle he doesn’t cum on the spot.

By the time Soap eases his teeth out of Ghost’s wounds, he’s started to see black spots at the corner of his vision. He probably should have told Soap to stop, but god, he didn’t want to. He wanted to be here forever.

Soap gets one look at him, and his face drops.

“Shit, L.T., why didn’t you tell me? Fuck, I know you keep snacks in here somewhere,” he turns, angling away from Ghost to rustle around in his desk, looking for his stash of granola bars. Finding it, he tears one open and breaks off a chunk, feeding it directly to Ghost like some sort of sad baby bird.

Ghost chews mechanically, barely even conscious of what he’s doing. When Soap offers him water, he swallows that too, and then more of the granola bar. The whole time, all he can focus on is a tiny smear of blood - his blood - on Johnny’s mouth.

Slowly, Ghost starts to feel like he’s a few steps from unconsciousness, instead of hovering on the edge. He realizes that he’s still hard as a rock, and takes a second to marvel at his own body. So little blood he’s about to keel over, but he’s got enough for a raging boner.

Soap must be able to smell his return to earth or something, because he stops looking so worried, and starts looking smug.

Fuck.

“So I see you do in fact enjoy that.”

“Shut it, Sergeant,” Ghost manages to croak out, and Johnny grins.

“I’ll leave the scientific survey of your experience for tomorrow, for now I’m thinking I’ll help you to bed.”

And he looks smug, so goddamn smug, and Ghost knows he will in fact need help getting to his room on the other side of the base. He can’t let it end this way, so unbalanced.

“Johnny, you’ve got-“ he lets his eyes go soft, lets his lips part, and reaches out his thumb, gently swiping the bit of blood from the corner of Soap’s mouth. Johnny’s eyes widen at the motion, and when Ghost brings his thumb back to his own mouth, sucking the blood off of it, that hunger is back.

“Oh you wanker,” Soap curses at him.

Ghost grins.

There’s no going back from there.

[yogsandchaos]

I clicked on a video essay about the problems with mcrp by frostbyfreeman, and boy did I regret it, giant rant under the cut

I genuinely think the dream smp as a story and it's failings can only be done by someone who was a fan or at least had some respect for the series. Listening to anyone who doesn't try and talk about it is very...painful, like I'm sorry but the Hamilton homages were really good and fun and helped make sure everyone understood what was going on! I've been listening to the frostbye freeman's video on scripted minecraft videos and i am wincing at the incorrect details and honestly somewhat pompous takes on what counts as a good story.

Wilbur's writing was genuinely good and moving at times, and the smp hadn't hit it's BIG popularity yet when it super was leaning into the hamilton stuff so they still were mostly just goofing around and the scripting was a lot looser. Like he spent the entire opening gassing up the early more obviously scripted stuff as if there wasn't like 30 over a million views yandere simulator knocks via all the yandere highschools, it's the same thing!

By the time the story shifts into Technoblade's allegories the entire genre of the smp has changed from a goofy joke about countries that also tackled things of justice in the background, into a more tense action and espionage story that fits allegories better (which tbf i always thought were a little forced, tommy is not theseus at all really, techno has more in common but thats a whooole other rabbit hole)

Also head writer? Since when was Technoblade a HEAD writer, he wrote the stuff around his own character yes, but everyone else around that was being written by dream quackity and tommy after Wilbur stepped down! It was not or never was his goal to tie all of the dsmp into a cohesive story to my knowledge or according to anything I can find.

While he has some points about people fighting for attention, a lot of the arcs that went nowhere or suddenly pivoted or stopped were for a lot of reasons outside the server's management. While I am sad some things didn't get proper endings, their existences weren't problems or a sign of arrogance, it was people excited to tell their own stories. Some failed, some didn't, that's natural for a collaboration of this size, and while things could have DEFINITELY been organized better 100% its just how its going to go in a project like this that not everything is going to be able to get the attention and streams it needs, people have lives outside the smp and have other things to do or run out of ideas, it happens.

If anything I liked how everyone had their own lore! Everyone had biased versions of events or thoughts and opinions! No one needed to agree on everything because the inherent nature of choosing a streamer is choosing a bias! No one 100% knew the truth, and everyone who saw the same event came out with different interpretations! That's just how things work! Thats not a writing error!

You say none of it made sense but did you actually ask someone who cared about the series about it! People have spent so much time piecing everything together it's actually kind of insulting to flat out state that it makes no sense when so many people could just straight up tell you the entire timeline for their streamer, or of events, or how things led into each other!

God I hate the use of "if everyones the protagonist no one is" like first of all, pretentious as hell. Second of all, the point of the other streamers isn't to just be supporting cast but to ALSO have their own goals and desires, because all characters have goals and desires! While tommy is the quote unquote main character, everyone in the dsmp has clear goals or at least interests that make sense for them to go after! Do you expect badboyhalo and quackity and everyone to just do nothing while tommy's in exile? No! That's stupid and he is ALSO a streamer who needs a story to tell!

It would be completely immersion breaking and so much less real feeling if every single story and every action was just about tommy and if he's not in the area it just stopped until he got back! You can just admit this kind of format isn't for you! Lifesteal isn't "worse" because there isn't one singular main character, that's not how servers work! You pick your favorite and see their pov and how they see events unfold! It's not supposed to be an unbiased telling, it's one person in this world giving their biased and personal accounts! THIS KIND OF CONTENT HAS BEEN AROUND SINCE LIKE 2012 WITH HERMITCRAFT, IT'S NOT NEW!!!

"The dream smp's only lasting legacy besides the amazing countless fanarts is infecting all the wannabe content creators it spawned with a terminal case of main character syndrome." Oh fuck offfff, have you literally talked to anyone in this fandom ever? Songs, animations, cosplay, stories, and CAREERS were launched off the back of the dream smp "and that final folly" say you've never talked to an inniter without saying you've never talked to an inniter.

Genuinely the entire dream smp part of this video is insulting, misinformed, and lazy. Getting key differences wrong and presenting opinion as objective facts. The worst part? You can find every single issue in an old school scripted series. He spends the entire opening talking about the good days when minecraft roleplay was earnest and was well written and had meaning but like?

"its homage" every single yandere highschool series but especially the main og of samgladiator's

"it has too many main characters" mianite

"too many dropped plots" aphmau, just aphmau in general

"the lore is confusing" jurassic craft

in fact, you can sum up ALL OF THAT UNDER THE YOGSCAST

YOU KNOW?

ONE OF THE BIGGEST SOURCES OF THOSE SCRIPTED MINECRAFT EARLY ROLEPLAYS THAT GOT SO HEAVILY PRAISED AT THE START? SHADOW OF ISRAPHEL?

IT HASN'T GOTTEN WORSE AT ALL, EVERY SINGLE PROBLEM LISTED, IS NOT THE DREAM SMPS FAULT, BUT IT HAS BEEN THERE SINCE THE GODDAMN DAWN OF MINECRAFT ROLEPLAY!

Calling all of the dream smp, life steal, all of those smps "crude performance art" is genuinely the most disrespectful thing I've heard I just, how is this video not disliked into oblivion!? You say they've yet to change from genre to it's own medium of art, but that means nothing! That has no meaning! It is the same thing! The medium is just the place the story gets told, it's the lens the story is created with. Writing is a medium! Drawing is a medium! Painting is a medium! Minecraft smp videos are inherently in the medium of the minecraft program!

The utter constant disrespect of the genuine stories and tales people try and tell with minecraft, saying minecrafters have nothing to say, it's cruel! I can find you so many minecraft videos over an hour long that are poignant! I can give you so many stories about minecrafters handling tough themes! To dismiss it ALL as lazy slop is at worst a show of utter pure pretension, and at best a lack of understanding for the genre and a lack of research.

Why are you trying to engage with a minecraft scripted story as a FILM it's NOT A FILM and it is not TRYING TO BE A FILM, it's closer to a tv series! You say people cant be off their cellphones during a film, but you're BINGING something not MEANT to be binged! You are also engaging incorrectly! You would fail to grasp the merit of a podcast because people listen to them while doing other things! Each video he showed of parrot's has MILLIONS of views so clearly, this isnt a universal fact! you just do not like this kind of content! That is okay! It does not mean theres a secret sickness!

Genuinely every word out of this person's mouth makes me want to start biting, he calls the videos entertaining, then DERIDES THEM for not being "actual stories" and that "he needs to sit at the grown up table if he wants to be a story teller" like literally? what the fuck is wrong with this guy? Just because it's not fucking brokeback mountain doesn't make it not a story. A story is just that, a story! You can tell a story in three lines

"Once upon a time there was a dog named spot Spot had a nice nap about chasing squirrels before he woke up Then he went to chase squirrels before taking a nap again"

THAT'S A STORY, that's objectively a story! im being a storyteller! Its not a long story, it's not LITERATURE, but it is in fact. A story. Just because it's not the odyssey doesnt make it not a story! THAT'S HOW STORIES WORK. How can you deride a story taking place in minecraft...for being bound to the rules of minecraft? thats a part of the medium! YOU JUST SAID YOU WANTED IT TO BE IT'S OWN MEDIUM AND YET YOU CONSTANTLY DERIDE EVERYTHING THAT MAKES IT UNIQUE

The lack of self awareness, the lack of care, the lack of understanding why these videos get so many views, it's insidious, it infects every pore of this video. The premise is "i dont like something therefor its bad and im going to ramble about cinema to make me sound smart for saying that" and it's so goddamn blatant that he worked backwards from an inherent bias against a type of medium to condemn it as a whole without taking any real steps to question that bias!

Also the sheer nitpicking against "content creator" vs "storyteller" like i get content creator is an annoying term and everyone hates it, but its literally just shorthand for "makes something for other people to enjoy" like oh my god you don't need to treat it like it's this disgusting plague on the minecraft community. Like you ask why minecraft roleplays have to be scripted smps, and the answer is that some stories want to be told through that lens, while others want to be told through different lenses of what minecraft can be used for. You might as well ask why some people use pens instead of pencil or why people use fantasy instead of sci-fi for all the meaning that question actually has. It's either so benign it has no meaning to ask, or complete apples or oranges!

God, how am I only 30 minutes in. I don't even want to continue. This was only supposed to be me rambling about how the dream smp cannot be understood fully as a story from someone who refuses to engage with it on it's terms, but the sheer audacity of everything this video says is just...disgusting to me and I had to keep commenting on it.

For someone who talks about how important brevity is, this hour long video is full of boring unrelated nonsense that easily could have been cut, false dichotomies being drawn, and far too much time talking about stories you clearly dont want to give even a chance. It's just bad, it's the "why is minecraft boring now" video for minecraft roleplay where it demands it be something its not and never has been, and then throws a fit about it and about people who do like it and holds a nostalgia for something that has the exact same flaws and thus polishes into something Better.

As a story teller myself, as someone who enjoys minecraft roleplays, who has been watching mcrp videos since 2012, it's genuinely disgusting how little respect or care he has for the creators he talks about. As if those creators and all the people who like it are idiots while He is the only one with True Taste that everyone else must go up to meet. It's annoying as hell, and i regret clicking on that video

[vvanillavveins]

On the WTNV finale:

Look, i like Brinknor. They helped me fall back in love with Night Vale when i was feeling particularly uninspired. It's hard to put it into words; i have adhd & i struggle to remember big intricate plots unless something reoccurring has really grabbed hold of my attention, and before Brinknor, i was struggling to sink my teeth into anything attention-holding, so to speak. I guess i was becoming less enthusiastic in Night Vale's storyline as time went on, even though i couldn't really work out why. I just couldn't stop tuning out. But, with Brinknor, there came a bunch of shiny new plotpoints- at a faster pace. The show could actually hold my focus properly, and my wtnv fixation was suddenly up & running again.

All this is to say that i know it's just my impatience talking when i say that i wish that the loose ends of those new, interesting plotpoints had been tied up a little more by episode 250. I adore the way they write about Cecil's childhood and his family, and i want Kevin & The Boy's arc to be given the same amount of love, and attention, and time that the Palmer siblings' arc got. The same goes for Tamika. And Carlos. And Lauren, actually. Yes, i know she was a central figure in the last 2 episodes, and i loved that because she's one of my favourite characters. I fucking adore eldritch Mother Lauren. But still, it was all too vague to really learn anything new about her or the desert otherworld. And, above all else, i can't help but think of how wonderful it would've been if Charles and Donovan were included in the finale- especially Donovan.

When Kevin first came back in 2023, one of my silly little hcs as to why he was apparently in the Smiling God's bad books (and why he didn't mention Charles or Donovan) was that because Charles & Donovan aren't from Desert Bluffs they haven't devoted themselves to the Smiling God like the rest of the townsfolk. They wouldn't "smile" properly. One of my darker ideas at the time was the possibility of Kevin having to choose between making them part of his faith, i.e., making them "smile" like the rest of Desert Bluffs (which i doubt he'd go through with after his mudstone abyss arc), or having Charles & Donovan leave town (which i doubt they'd go through with), or, doing neither & keeping quiet about his life with them to avoid drawing attention. If he chose the latter and then got found out, it would make sense that he'd stop being the Smiling God's favourite. Obviously, i never thought any of that was correct- i was just having fun- and i was excited to find out the real story further down the line.

But that didn't happen, and we still don't really have many answers. Everything to do with Kevin, and Lauren, and The Boy got wrapped up in about 10 minutes flat. We've already had an emotional Fatherhood themed episode with Cecil & Abby; we didn't need another one just for the sake of it.

With the context of what we already know about Kevin's father, the ending of episode 250 was just uncomfortable. Sure, Kevin's talked about his father positively before, but that's always been in contrast with the actual content of his memories. It's always been made clear that the script/the writers disagree with Kevin's sunny outlook, and therefore the listeners should too. Those moments are there to demonstrate just how fucked up Kevin really is, and that his positivity is just a coping mechanism. But this time Cecil spoke for him, so we didn't get Kevin's usual sing-song rambling. It was calm, and collected, and matter-of-factly. And this time there were no sugar-coated descriptions of abuse, only genuine praise. We were actually supposed to agree with him this time, and it made the whole speech (and ending) sound hollow and forced.

I really didn't like this episode. It felt rushed. It tried to cover far too much far too quickly, and it failed. But, despite all that, i am hoping that future episodes will bring some sort of clarity about what happened. And hopefully some closure about Kevin and his family, too. I want loose ends to get tied up properly and i believe that maybe, with time, the important ones will be. Slow burning subplots are kinda quintessential to Night Vale's writing at this point anyway. Brinknor definitely missed the mark with this one, but they're still incredibly talented writers and i'm not ready to give up on them like some of the other fans on here.

Besides, i think that some of Night Vale's worst episodes are still incredible pieces of writing in their own right. The bad episodes are only bad in comparison to the dozens upon dozens of absolutely phenomenal episodes that make up the rest of a show that is, for the most part, a joy to listen to. So, here's to some hopefully better episodes in the future, i guess.

[yellowocaballero]

going ape crazy over the latest installment in the roleswap au holy SHIT. love this akatsuki. rin with her zealous conviction and manipulative kindness. the horror of her smothering and reviving shisui for no reason. she's SO GOOD. kakashi being fully aware that what they're doing is fucked but just using it as a club to beat himself w/ rather than doing anything about it. yahiko trying to make therapy no jutsu a thing. god fucking bless

THANK YOU I LOVE THEM ALL.

Rin was really difficult to write - I think I need to write out a short story featuring her as a kid. Having a mental idea of herself when she was good is an important anchor to her life when she's bad. She has utter conviction in her team and her village, and boundless kindness for everybody around her. I think this grows warped into utter conviction in herself, and boundless kindness for those who she decides deserves it. I think she can be really interesting and unique as a villain, and I really hope to do more with her. Her convictions, ideals, goals, and dreams are very important to her - human life is not. She was idly killing and reviving Shisui for no reason at all.

Very accurate summary of Kakashi, haha. He's permanently in his Hound era and I'd say his depression is drowning him. He has no interest in improving his or anybody else's lives. The only things he still finds important are loyalty and love, but in many ways he's only loyal to the ghosts of two dead children. In Kakashi typical manner, he'd rather hate himself than help anybody.

It's almost strange - while writing it, I was thinking of him as the member of the Akatsuki with the clearest moral compass (yes, including Yahiko). But while writing I found myself genuinely asking myself the same question he was asking himself. I don't think I decided on a single clear answer. I think Rin has greater capacity for genuine goodness, while Kakashi is more likely to turn away from the Akatsuki without Naruto intervention.

Yahiko is a beautiful beam of sunshine who deserves his god complex and adoration of the masses. He's my little cutie-pie and all of his atrocities are for a good cause. Unproblematic king, the Akatsuki ARE a peace organization, never let Kakashi tell you anythhing different!

Regardless, the love that Rin and Kakashi have for Obito is very real. They're still very devoted to him. Or...like, the concept/memory/idea of him...same thing...right...

I definitely want to write more. Something weird that keeps tripping me up is the question, 'What's more interesting: outside POV of Tobi or inside POV?'. Seems like a simple question but it's actually being a big roadblock for a lot of decisions. I haven't done any writing in a long time for way too many reasons, but I have a miraculously clear weekend so I hope I'll be able to finally get something written.

[cry-ptidd]

Actually, i have an interesting question. I've never seen Anderson/Yumi/Heinkel and Laura crossover in your comics. And honestly, when I try to think about what that would look like, all I see is blood. BUT STILL.

It's funny to me to think that an Anderson/Laura ship would be pretty traumatic, even though Laura's story started a long, long time ago. And the old traumas have, in theory, healed a bit. But yet, Anderson is fucking crazy, not an asshole, so...

Yumi/Laura could be pretty cute, I think, especially considering Yumi's sweet personality and how she's generally a good girl even when she's in a berserk state.

Heinkel/Laura could probably be funny, because they're both completely mad (NOT IN A BAD WAY).

The reason I haven't done much Iscariot/Laura is because I have no idea what to do lmao. I would LOVE to make more of them considering I really like the Iscariots, but imagination completely evades me on this one. Anyway,

Anderson x Laura

- personal rating: 4/10?

- HCs: This would take a BILLION years to happen, but I like to think Anderson would actually sympathize with Laura if he ever heard her past. He's a caring man at heart and she used to be a good Christian girl who earnestly loved God but her faith was crushed by the lust and hubris of evil men. He knows damn well the corruption that takes place in the church, and the one thing he hates is people using scripture to justify their evil deeds.

- OTP level: eh, 3/10?

- Would I have liked to see it canon: This would never work in canon. Ever. Not even hatefuck they genuinely hate each other for so many reasons. Laura is probably the only one on the Hellsing side Anderson can't respect even if he can acknowledge her strength in a fight. Laura fucking hates his guts bc he's a loud bitchy Christian zealot who tried to kill (and insulted) Integra and he makes her work overtime. She'd spit on a Bible just to spite him

- General opinion: I want them to interact more SO bad, but they'd genuinely not work romantically. Even if Anderson was a woman Laura would hate her. That said, I need to make more content of these two hooligans because they're both genuinely medically insane

Yumi/Laura:

- personal rating: 6/10

- HCs: Laura would probably get really confused about Yumi's DID. She wouldn't understand why she's acting completely differently and why she's responding to a different name. It'd probably take a little while for her to get used to it, and she'd probably stare at Yumi constantly until she gets it.

- OTP level: 5/10? I never really thought about this one

- Would I have liked to see it canon: I don't think it could be canon. That said, I could see it as more of a fandom rarepair that would get excellent fics with a shitton of religious metaphors.

- General opinion: This one is probably the cutest from Iscariot x Laura? I really like it actually. Laura would probably lil bro Yumi a lot considering their age and experience difference, and she'd also probably be quite patronizing about Yumi's faith. However, I think Yumiko would be kind to Laura.

Heinkel x Laura

- personal rating: 4.5/10

- HCs: Laura would be so bitchy to Heinkel and vice-versa. It's a constant back and forth of sarcastic quips until they're called off. Laura calls Heinkel a dumb brat and Heinkel calls Laura a bitch hag. Both are seething

- OTP level: 4/10

- Would I have liked to see it canon: Not in canon for me. I could see it, maybe in fanart or a fic, with some enemies with benefits and constantly trying to one-up the other.

- General opinion: I feel like Laura would find Heinkel incredibly annoying. She'd see them as an absolute stupid brat that follows her superiors like a lapdog, and Heinkel would probably say she's doing the same but without a purpose. If either fell down the stairs the other would laugh at them

[s3a-s1ug]

Enkivaldr parent headcanons

-`♡´-

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ANON REQUEST- unfortunately I couldn’t find the ask in my notifs so sorry abt that :[ anyhoo finally got this one out! Sorry it took a while tho lmao- hope you guys enjoy it tho!! >:]

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-Enki would definitely start off as barely interacting with the two while they started living together after escaping the dungeons. But that gets difficult when they literally live together

- he’s honestly not sure what to do cuz he usually spends his time alone. So he tries to steer clear of them but that plan blows

- Ragnvaldr encourages him to hang out with the girl a bit. He might as well because they’re staying together. He’s not the most enthusiastic about the idea to say the least

———————————————————————

“Tch well I’m not her parent am I?”

“Ja ,Enki , I know but I think you should at least try… maybe you could- I dunno…”

A small silence is in which Enki didn’t break eye contact while Ragnvaldr thought

“Oh! I know! Maybe you could read her some or your book to her? Maybe before she goes to bed, ja?”

“Hmph I hardly think ancient ritual text and dark magic could constitute as bedtime stories” he said in a snark tone

“Well just find something, okej?”

———————————————————————

- so yeah ENKI READS THE GIRL BEDTIME STORIES JSJSJEJK

- He reads her things like stories about the gods or maybe share some excerpts from his own research

- She doesn’t understand it too well so she sometimes asks occasional questions during his reading and he answers [he secretly loves to answer her questions]

- Sometimes he gets so envied in what he’s reading aloud he doesn’t even realize that she’s fallen asleep. His heart melts a bit when he sees her. He says goodnight and leaves quietly

- Ragnvaldr is so genuinely happy about this. Whenever Enki comes out of her room and goes to Ragnvaldr he has the biggest smile on his face

———————————————————————

“What are you gawking at!?” He snapped

“Nothing, stjärnljus, just happy” He replied warmly

———————————————————————

- They would also go on nature walks together JSKSJ- although it does take some convincing to get Enki to actually go outside

“Come on Enki just for a bit. If not for me then for the girl.”

“I understand but I must finish my research”

“Yes but it has been…days since you’ve been outside, ja? You are kind of like a -how do you say…a vampire.”

“A vamp…” he cut himself off processing what Ragnvaldr just said “I’m not even going to dignify that with a serious response…” yet he still pondered and then sighed “fine maybe your right- not about the vampire part- but I might need to go outside for a bit”

“That’s the spirit!”

———————————————————————

- The all walk together. The girl LOVES going outside for walks. He loves running through fields and finding animals with Ragnvaldr. And looking under rocks to find all sorts of bugs with Enki.

- Seeing the two be so interested in the same thing and bonding over it make Ragnvaldr SO HAPPY

- On a good day, if they’re walking down a path together, Ragnvaldr stands on one side of the girl holding her hand and Enki holds her other on the opposite side

- Ragnvaldr even show her some simple hunting and fishing techniques. Enki takes mental notes of everything he’s saying

-Enki slowing but surely warms up to him and the girl and seems genuinely content with both of their company. Even if he doesn’t like to admit it. But Ragnvaldr knows that he has a soft spot for the girl

-`♡´-

———————————————————————

I had so much fun with this! JSKSJSJ this was so wholesome omg

(о´∀`о)

MY REQUESTS ARE OPEN GUYS PLEASE REQUEST STUFF

[takerfoxx]

Okay, with Return to Walpurgis or Walpurgis Rising or whatever they're calling it coming out later this year, we have to expect that it's going to totally destroy all of our headcannons about how Homura's post-Rebellion world looks like and works. So, until then, let's get a few more additions to my "And they were roommates" KyoSaya AU, in which Kyoko moves in with Sayaka's family and doesn't realize that they're a couple for several years, because she is, in fact, an idiot lesbian god.

Now, the assumption I've seen a lot of times is that Sayaka's parents would be put off by Kyoko, as she has that edgy delinquent energy. However, people often forget that the whole rebel thing is fairly new, and Kyoko actually grew up as a happy church girl who loved her parents and was probably close with all the church elders and stuff. So, while she has interesting views regarding the natural order of things, she still has a lot of respect for things like the family unit and the parent/child bond and stuff like that. As such, while Sayaka was nervous AF to introduce Kyoko to her family, Kyoko shocked her by turning up the charm and makes an amazing first impression for them, so much so that when Sayaka questions Kyoko about where the heck this socially competent and respectful Kyoko came from, Kyoko is all confused like, "Isn't that how you're supposed to treat other people's families?"

Anyway, Kyoko becomes a regular at the Miki residence, though Sayaka's family does notice how dodgy she is whenever asked about her personal life. And she sort of latches onto Sayaka's parents as a sort of surrogate family. Meanwhile, they start to suspect that there's something going on between the girls, but decide to respect their privacy.

However, when Sayaka's dad is out running errands one day, he notices a commotion at a local convenience store, which turns out to be some ragged street kid getting caught shoplifting, and he's shocked to find out that it's Kyoko. Like, isn't this our daughter's polite and upstanding best friend?

Mr. Miki steps in and offers to pay for anything damages in exchange for the girl, and takes Kyoko aside to talk in private. Kyoko is humiliated and freaking out, but Mr. Miki manages to calm her down and, over ice cream, coaxes the full story out of her. Naturally, he's horrified, and calls his wife.

Kyoko moves in with them that same night.

At first, Sayaka has no idea what to make of this new turn. She's relieved that everything is out in the open and her parents were so accepting, as she had been terrified of how they might react were they to learn of how Kyoko was feeding herself, but by then her crush is in full force, and now Kyoko is literally living with them. As for Kyoko, she seems a little broken and depressed at first, feeling like a total mooch, and it takes her some time to accept that they genuinely do care about her and aren't just taking her in out of pity. However, over time she comes to love her new life, especially since she no longer needs to shoplift just to have breakfast. Plus, she gets to spend all her time with her best friend!

However, the Mikis pretty much figured out that Sayaka is down bad, and they're pretty sure the feelings are mutual, but Kyoko's behavior is so perplexing to them that while they consider putting them in separate rooms, they eventually decide to back off and let things play out. They do try to ask Kyoko about it, only to be hit with, "Yeah, Sayaka's great, isn't she? I don't know why Kyousuke didn't go for her. If I were a boy, I would never let her go!" And they're like, "Has no one told this girl that lesbianism exists?" And when they hesitantly question Sayaka about it, she, being a terrible liar, avoids and deflects like crazy, so they leave it as is.

Anyway, years later after the girls have gone to college and they finally get the call that Kyoko has figured out that girls liking girls is an option, they're enormously relieved but so very confused as to why it took so danged long.

[gnashingwailing]

Kept notes on a reread I was doing of The Art of Love and War because I am so obsessed with the gay little borrower darkfic... sharing with u @fireflywritesgt

it falls apart at ch12 because that is where i consistently turn into a puddle under my covers kicking my legs and making sounds only audible to shrimps.

I HOPE THIS IS A SMALL TOKEN OF APPRECIATION FOR HOW GUD THIS FIC IS, SINCERELY... LIKE I SAID PUTTING THIS IN SOMEBODY'S INBOX IS PROBABLY A WAR CRIME. SO.

There is soooo muuuuch I want to saaaay. I did a reread and excuse my being verbose but.

Ch10 where Harry reads about how tinies don’t ask for things and prefer to do favors for them — how extra insulting that makes his message in Ch1!! “Just ask” no wonder Joe was so pissed!!

ALSO him feeling “dirty, somehow” about accepting chocolate that didn’t kill him… was he having a little bit of feelings for “the kind man” and it got transmuted into self-loathing… 😭 oh internalized homophobia tag we’re really in it now…

Re: ch2 I would kill for Joe’s pov of this… I’m also so fascinated to pick up the detail that Joe apparently talked to himself regularly, for Harry to hear him through the radiator pipes… one assumes Joe doesn’t have guests. Poor guy! He’s really smart! He likes talking! The assistant job is perfect for himmmm.

Re: ch3, i wonder how much Captain Calloway’s “if you die it’s your own damn fault” has influenced Joe’s life ethos of fucking around and finding out (btw… Harry would be sooo horrified to know Joe had been poisoned 3 times and still tried that chocolate 😭 yet another fun! anecdote of his) … im also kinda curious about Gutters. What’s that guy’s deal. And OF. COURSE. How Captain got all his injuries. It’s also so very sad he feels this tension with the guys, what they’d do to him if they knew more about who he really was. I love this as a metaphor for homophobia…

Ch5 I’m still fixated on the giants who are guarding the place. Hundreds of tinies going there every day… you’d think there’d be snatchers all over the place 👀 and the other great worldbuilding… lab tinies… “they were corralling everyone everywhere and the women and kids went one way…” GOD. also them building tiny capitalism plus tiny race science is just 😭😭😭 noooo… the way Harry reinforces their shared dignity and humanity by showing genuine interest in Joe’s art.. ouuuugh it hits every time.

ALSO I WAS SO SUSPICIOUS OF HILL WHEN I FIRST READ CH6 BUT NOW THST I KNOW HE IS A BONA FIDE WIFEGUY ALL IS REDEEMED. I AM so curious as to why he keeps tiny town schematics in his office if he dislikes it…

Ch7 profoundly funny to me how Hill is like “miniature is the academic term” and Joe is like what. Tinies.

I really appreciate how Harry started off having some uh. Idk. Colonizer savior complex stuff + noble savage ideas about Joe? Like “oh it’s in mother nature’s hands whether he survives then… I see…” as if the tinies social constructs about Pets are some immutable fact of nature instead of. A social construct !! It’s really well-done, how you show him gradually understanding that he needs to listen to Joe, not assume he knows what’s best for him just because he read a 50yr old anthropology book!! It makes me love Harry all the more that he managed to grow through it out of fondness for Joe 🥺

AND OF COURSE. THE G/T GOODNESS. My god. I loooooove that Joe is so creeped out by giants that he has to keep his eyes closed to stomach it… just feels. Hmm. Realistic?? It would be so overwhelming. I love that his trust gets rewarded with the doctor not hurting him…

The rapport they establish being based on talking to one another… it’s just suuuuch a perfect central theme for this story… Joe being able to tame Harry’s anger by reminding him of Joe’s own humanity. “Please don’t do that, doc. This is mean. You’re being mean.” And “you’re treating me like I’m not even… not even…” UGH. RENT FREE IN MY HEAD, WARREN. “Maybe he could do it; maybe he could sit in the same room as a giant for five minutes. He would only have to do it once, and then he would never have to do it again, he reasoned.” Bitch u thought… get loved and cared for idiot…

Joe asking him “why not”, echoing Harry’s words that stuck with him…

And then him being sooo pissed at the phone it’s just absolutely amazing stuff. Wagging his finger at it/Dr Hill lmaooo. I was hootin and hollerin when I realized this foreshadows him being the assistant!!! He can talk on the phone just fine!!!!

His legs threatening to give way from the prospect of Harry seeing him at ground level after he escapes using the phone receiver… ouuugh. It’s SO GOOD. He’s come such a long way…

“Touching every wooden beam he passed for good luck” is INCREDIBLY cute mental imagery.., he’s happy… poor guy has awful luck tho so Harry is just pissed 😭 HIM NEARLY DESTROYING THE PLATES BECSUSE HARRY SCARED HIM SO BAD HAD ME FEELING.. SOME KIND OF WAY…

Ch8 also has the first mention of Joe’s books… I’m sooo curious where he got these.. did he perhaps make them…? 👀 YEAH HARRY SHOULD FEEL LIKE A MONSTER THO. YOU TERRORIZED A LIL MOVIE STAR!!! HE ONLY BROKE A FEW THINGS… Making him hide under his covers like he saw a monster… 😭

I love their first god awful handshake lmao. Incredible subversion of the usual g/t first meetings… Joe’s just like OK 👋 NOW GET THAT THANG OUTTA HERE

And then Joe going “I know about that!” Joe protested, his voice growing stronger. “It’s up to me, doc. If it happens, it happens and it’ll be my own damn fault.” … something tells me when Harry finally comes to understand Joe’s recklessness with his own life and what feelings about its worth may be underpinning that, he will be so sad 😔

Joe losing his toes to frostbite… realizing that could very likely be from when he was kidnapped and enslaved with O’Grady… uuuugh he’s so brave to want to connect with anybody at all let alone with Harry!!

Ch9 professor wifeguy moments… yesss… I love that he wants to hang out with another tiny too 😭 Joe is making friends!! I can’t wait to find out about Lorraine and what “other place” she knows about!!! Lmfao I can tell she’s going to be incredible just from the little bit Joe hears of her. I wonder too if she’s been marked… aahhh I’m so excited to learn more about these two. How interesting of a parallel, too, that Harry noted Dr Hill might also be a former soldier… something-something folks unable to fully integrate into society finding and building community with each other…

Also PROFOUNDLY interested to note on a reread that the tiny town on his wall says “a SAFE place to be” and the one in Riverdale said “a CIVILIZED place to be” 😬 a damn prison indeed… I also really wonder just HOW the tinies are paying their rent(?) to stay there, if they’re all as disdainful of “borrowing” as a career as O’Grady seems to be…

MAY I JUST NOTE that Joe stimming around is sooo charming to me. He’s kickin’ his legs. He’s pacing back and forth. He’s doing something like that in the walls when Harry was first listening to him. I LOVE HIM.. aND I love how this chapter we see him going from “that tall bastard (derogatory)” to “that tall bastard (amused)”

AND POOR JOE ON THE MOST CURSED FIELD TRIP IMAGINABLE. There is much to love here but I absolutely adore this imagery: “Joe buried himself in the curtain as the doctor, dressed to the nines in his work clothes and vaguely resembling a horse in a brown suit, sidled over to him and towered there and seethed.” HE’S TERRIFIED 😭 and Joe learns that other people value his wellbeing more than he does… wow Joe no need to ponder that any further until Ch15!!!

There’s SO much incredible prose in this chapter… the haaaaands oh my god the hands. The tinies are on the order of 2-3 inches tall, right? You really get a vivid sense of how big and dangerous everything is to them… absolutely A+ stuff.

This part also slays me everytime I think about it: “Joe was hidden inside [the pocket], and the thought of how unhinged his dear neighbour must look to his fellow giants as he walked and talked gave him no small amount of delight.” HE WOUUUULD.

The mystery of just what Joe created as a boy… what he can’t find it in himself to articulate… why he can hardly fathom talking about himself and his inner world to anyone …

PART 10… the difference in the way Joe confronts Harry here vs with the assistant in part 16 is somehow heartbreaking to me. I think the anger must just be displacement for how he’s really feeling (worried, uncomfortable…) and he’s more able to show his feelings to Harry with the assistants than he is now… but Joeeeee. I don’t ever want him to feel hopeless with Harry, like he just has to accept whatever he wants 😭 I love him in this chapter… Arms crossed, eyes narrowed… red faced… clawing at the air as he ranted Jdhdhdj GOD HE’S SO ICONIC: ““Nope. Not gonna happen! Veto!” Joe leapt up from the box, strode all the way to the edge of the table, and jabbed a finger at him. “I don’t know what kind of sick, twisted doctor things you intend to do to people but whatever it is, it’s not happening in my house!”” I guess I want him to still be comfortable with yelling veto at Harry lmao!!

And then Joe being like WHO GIVES A SHIT ABOUT YOU SAVING ME THE OTHER DAY. THAT MEANS NOTHING TO ME, A WILD AND INDEPENDENT TINY WHO HAD IT ALL UNDER CONTROL, AT ALL.

ALSO: the way he words this, I have a strong suspicion he does not know the word “patients”?! “”Let’s make a deal in exchange for patients. Give me something in exchange for patients.” Joe stammered. “You do that and I won’t make any trouble.””

Harry thinking of Joe as “the little bastard” in counterpoint to Joe’s “the tall bastard” really makes me smile too, hahahah.

AND THE FURTHER G/T TROPE INVERSION… just because he was willing to get in the giant’s hands one time doesn’t mean he’s suddenly fine with it!! I love how pissed they are at each other over this misunderstanding lmfao. He’s 👏 a 👏 wild 👏 tiny 👏 ‼️

And it’s so meaningful to me that the two of them bond more over sharing art with one another… Harry wants to introduce Joe to an amazing piano player… and Joe is so happy!!! The idea for a Charlie Chaplin bit with a rich miniature woman is SO inspired btw, I was as delighted as Joe was 😭 Harry being like “oh shit wait is this offensive” and then Joe just being like “THIS FUCKS SO HARD LMAO IT REALLY DO BE LIKE THAT”

And then the tragic aftermath… Harry NOTICING that he didn’t even know that he was doing anything wrong by bringing Joe there, it just FELT so dreadfully taboo (enough that Hill, who is MARRIED TO A TINY, also seems like he’s been caught doing something wrong when Harry first meets him)…. and then of course society reinforces that fear in a terrible way. Only a shared humanity regarding love of art saves poor Joe.. how lucky he’s gotten enough exposure to be able to speak in the presence of giants. You have to ponder how many tinies just as wonderfully complex as him have died for not having that skill. It’s so very sad!!! THE IMAGERY OF HIM ON THE LAMP LIKE IT’S A STREETCORNER JUST TWISTED THE KNIFE. Your writing really is so excellent, the way you can carry us through so many different emotions… Joe my belovedddd. I’m simply obsessed with the implications of him NAMING HARRY. WHAT IS /THAT/?? And the way that the narration in the story from this point on swaps to using Harry as his name… it speaks VOLUMES without you needing to elaborate on it at all. Joe has changed him! He’s becoming someone he likes better than Herman! A day we had good luck… Harry is good luck… Luck as a concept very different from what giants think of… I am absolutely enamored with how clearly he has a whole other world, another culture, that Harry can only guess at and be grateful to be included in.

JOE GETTING A NICE BATH AND A COMFORTABLE BED IN THIS CHAPTER IS JUST SO WHOLESOME (even if it will torment his Calvinist sensibilities later…) I am also so charmed to imagine how Joe must have woken up and been like “what the FUCK did I do last night. Where the HELL am I 🤨”

And then in Ch11 he’s like I WILL PROCEED NOT TO THINK OF THAT AT ALL. <- clueless

Ch11 is one of my favorites I think… we really get a good glimpse into how much heavy-duty rationalizing Joe is doing LMAO. “Taking food is fine, because I’m just using this tall bastard.” “It’s fine if I have leisure time.” “It’s fine if I like Harry and his company and I miss him when he’s gone and I want to give him a name.” “AS LONG AS I DON’T GET COMFORTABLE ALL OF THIS IS FINE.” This line is such a banger lol: “Joe Piccoli was many things as he went to sleep that night, but he was not a pet, and he was not comfortable.” And then the mouse!!! That Joe decides to draw rather than kill!!! Look at his needs being met!!!!!

IT ALSO ABSOLUTELY FUCKIN KILLED ME WHEN I REALIZED IN THIS CHAPTER THAT THE BOYS HAVE JUST. FULLY LEFT THAT FLOORBOARD OFF LMFAO??? THAT’S HIS SKYLIGHT NOW…

And then. Good god. The arm scene… it’s just. Soooo. 👌👌👌👌 I’m so … 😵‍💫💖❤️‍🔥…

“I’m a wild tiny!” “You’re going to be a dead tiny if that gets infected.” Their dynamic is so fucking funny. AND THE TENDERNESS OF HARRY TOUCHING JOE… Joe being so overwhelmed not exactly with fear but HMMM I WONDER WHAT EMOTION AND WHY HE MIGHT FEEL SO OVERWHELMED HE STILL NEEDS TO CLOSE HIS EYES AND PRETEND HE’S HIDDEN UNDER THE FLOOR AGAIN… 🤔🤔🤔 whyever would the touch of this kind giant make his hair stand on end and make him contemplate the reverence he’s being touched with and leave his cheeks burning… it is a mystery

And then Joe being so afraid the mouse would be hurt because in contrast to the kindness he’s been shown, he still has this long history of awful experiences with giants.. this part in particular made my heart hurt:

“Don’t kill the mouse, Harry, please don’t kill it. It’s just like me. It hasn’t done anything to you.” Joe begged.

Followed by him remembering that this is /Harry, his friend, who he knows/:

“The words hit Joe like the breaking of a spell, and he stood in the kitchen windowsill feeling downright foolish. Of course Harry wouldn’t kill the mouse, Joe realized - of course he wouldn’t do that.”

OUGH. This story is SO delicious I’m beyond obsessed…

The two of them having a much less Charged encounter after Joe has resolved some of his internal conflicts, at least for the moment… chatting away like they’re two normal friends while Harry touches him… 😵‍💫😵‍💫😵‍💫 I LOVE THESE TWO SO MUCH‼️

Their motorcycle shenanigans… Harry showing Joe his precious Contraption and Joe absolutely hating it omg it was so peak 😭 PLAYING “WHO’S-MORE-BORING CHICKEN”… the way Joe is like “I would rather Die than have to listen to this guy talk about how he’s more exciting than me. Absolutely not.”

I also very much appreciate the foreshadowing of the street car on this re-read…

AND may I say I really love that they went on a little nature trip together!!! I have thought often of the potential of a g/t story set outdoors, where the normal sized person and the tiny are both made small by how all-encompassing the wilderness is. Something to do with camping or backpacking! Maybe something I want to write one day! This gave me a delightful taste of that.

AND ANYWAY THE ACCEPTING OF COMFORT EVEN AS IT FLIES IN THE FACE OF EVERYTHING HE’S BEEN TAUGHT TO ROMANTICIZE AND VALUE… ouuuughhh GET LOVED IDIOT!! GET SEEN AND KNOWN AND TAKEN CARE OF!!!

And then ch12… Harry’s realization that Joe won’t ever bring up anything if it’s just for his own benefit. Which by the way, on a re-read I can appreciate how cleverly you’ve set this up, if I didn’t write that clearly enough before! There’s something cultural there but also, I think, something uniquely Joe that Harry maybe can’t fully see yet. Harry’s watch from his parents breaking down at the same moment he’s trying to change his relationship with Joe, the new most important person in his life (at least I presume! He doesn’t seem to have other close friends/family) … very very good. This sentence is so evocative. Simultaneously funny and sad: “With the way Joe’s eyes shifted from side to side one would think the doctor had suggested they go rob a bank.” It’s very good angst realizing how much Harry is asking of Joe without him even knowing it…

BTW this part is so delightful. They’re so interested in each other!!! “When his footsteps announced his arrival, he could see the tiny’s movements through the missing floorboards as his neighbour crossed the floor and climbed back up to the windowsill above the counter.” <- guy who absolutely has NOT been gotten

“Joe smiling. A rare sight indeed.” JUST…. My heaaaart ‼️‼️

Also hilarious how Joe and now Harry have both had “mmm I do NOT like the way this guy is smiling right now” moments 🤣

GOD tho, Joe’s opening up about getting snatched… much like Harry, it made me feel absolutely beside myself.

^^^ AS YOU CAN SEE. I'VE FULLY FALLEN APART.

[theygotlost]

ohhhhhh my god guys I gotta give you an update but i need to explain my entire job history for the past year first cause its a little confusing uh.

so feb-may I did this internship at this real estate digital marketing firm and I was just making social media graphics there. just instagram stories and shit. and it was boring as hell but I needed to find a job cause I was graduating, and I was hoping they would hire me but they didnt have the space for a new full time employee at the time so... that was a bust.

in june and july I was applying to jobs foreverrrrr and getting nowhere so I said fuck it i need SOMETHING to hold me over, so I started working in the print department at staples as you are all well aware. at least it would be relevant enough to put on my resume cause I do want to make print graphics right? so its something.

then like 6 weeks ago my manager from the internship reached out to me and said she wanted to take me back part time after all. so for the past month and a half I've been working 2 part time jobs, one at staples and one at this marketing office doing the exact same fuckass ig stories as before. i wont lie its been exhausting and unsustainable so I was still applying for other full time design jobs cause I had no idea how long I could keep this up.

about 3 weeks ago I got an interview for one of those jobs I applied for and they explained that they were actually looking for a senior designer which obviously im not qualified for, but they liked my portfolio enough that they wanted to consider CREATING a junior designer role for me which was CRAZYYY to hear... it's a hawaiian bbq restaurant chain and I'm definitely wayyy more interested in designing for food and beverage stuff than real estate, plus a few other aspects about the job sounded really appealing to me and the interview went great so I was really hoping to get that job. but then I didn't hear back and Im so desensitized to getting ghosted after interviews i stopped getting my hopes up a long time ago.

a week and a half ago management at my real estate job told me that they were finally ready to bring me on full time, and since it didnt seem like I had any other prospects I wasnt really in a position to turn it down, so I immediately accepted and put in my 2 weeks at staples. this saturday will hopefully be the last day i ever have to work retail forever. I didnt make any announcement here when I found out because its honestly been making me depressed thinking about doing nothing but making fuckass instagram stories for ugly real estate companies 40 hours a week and people congratulating me on it would just make me more depressed. I wasn't supposed to start full time there until the monday after thanksgiving so ive still been doing my double part time grind.

but then......

whats that....???

THE HAWAIIAN BBQ RESTAURANT ENTERS WITH THE STEEL CHAIR!!!!

after weeks of no response the hr guy finally gave me a call just now to tell me I GOT THE JOB?!??! i genuinely honestly did not think they were gonna give me an offer and was just gonna move on with my life 😭 so now im gonna have to walk into my office tomorrow morning and say SIKE!!! and theyre all gonna be so mad at meeeee but this is genuinely such a better position for me I didnt think this was gonna happen for another year at least....

tldr I thought i was gonna be stuck with a job i dont like but I ended up getting the job I want!!!!!!!!