#then paste it into a google doc

[0luv9]

can't move on || mattheo riddle

Summary: He was done fucked, a weak man on his knees for her, mad for her, in love with her and funny enough she didn't know. Him sleeping around isn't helping him though.

Beware: angst, fluff (?), minimal plot, smoking, drugs, alcohol, she/her pronouns, second person used as well, miscommunication, misunderstandings, excessive use of swear words, both reader and Mattheo assume the worst, happy ending.

Words: 4.025k

Mattheo Riddle is in deep shit. His feelings have dug him a deep hole, a hole so deep that he could bury himself a hundred times over and still not be anywhere near the surface. He is so in love with you. And you being so fucking oblivious, mistake his advances for him being friendly. It's funny because when has he ever done something friendly? He's not even friendly to his friends, he insults them as a greeting for fucks sake. It's ridiculous how clueless you are, it was endearing at first but now it's just painful for him to watch you go on dates, that too every date with a different guy.

He thinks you've fucked them all, afterall it's him, Mattheo Riddle, he only thinks in extremes, if you've been on a date with some dude, you ofcourse had fucked him because who wouldn't do you. He resorted to the same ways, fucking his frustration out but instead of feeling satisfied, he would feel relieved for a moment and then his frustration would grow more and more, never coming close to being satisfied. He thought he could just fuck it all out, that he could just forget you, that he could just hate you. It became a routine for him, he got rougher and rougher with the girls he slept with, reaching his own high became harder and harder. It was all because of you, 'cause you couldn't see his love and make him a lover.

His reputation was worsening, his grades started slipping, he started ignoring you, becoming angry easily, snapping at anyone and everyone. Fucking girls left and right, every day was the same and he wondered why the hell he couldn't find a solution to all his problems. His smoking habits became worse, one cigarette turned into two, two turned three and now he was smoking one pack a day. His life was fucked, he could no longer think for himself, the thoughts of you with someone else corrupted his mind at all times. Everyone could see him ruining his life, he couldn't care less, he didn't give a shit about the names he was being called, most of them were true anyway.

…

Tonight was like every other Slytherin party night, except for the fact that he hadn't touched a drop of alcohol, all he wanted was a drunk hookup but he had slept with most of the girls in the room and he couldn't bring himself to repeat them over. He sighed, walking off to a secluded balcony, pulling out a cigarette, it was boring, life had become boring.

"Mattheo," he nearly jerked his head in the direction of your voice, it's been so long since he's heard it. All of it coming back to him, all the feelings he was trying to get rid of came right back, knocking at his heart. He's looking for the sweet smile, the one you'd always give him when you'd talk to him but all you did was frown at him, looking at him like the onlookers who gossiped about him and it fucking hurt. "Yes darling," he greeted you like nothing was wrong, before you would've smiled at his cheesy nicknames but now you grimaced at his hoarse voice and stepped back, he quickly looked away, just like that he blew off his last chance, he couldn't face it, he couldn't see you walk away from him, he physically couldn't.

"Riddle-" "Don't, don't call me that," he whispered, it was pathetic, he knows it too but that doesn't stop him, he couldn't hear you call him that. "Mattheo, I am Mattheo," he breathed out like an affirmation to himself, as though reminding himself of the person he's losing, dropping his cigarette and putting it out with his shoe. There it is, he's doing it again, acting how you'd want him to act, you disapproved of his smoking habits, you never told him to stop though, just so you know, he would stop if you only asked but you never did. You never asked anything of him, making the friendship feel one-sided, never wanting to bother him, you didn't do that with your other friends, you were openly asking them for favours albeit small, still favours, that's how friends are, looking out for eachother but no, you never expressed it, he just had to read into it. It made him feel as though he was your friend, just for the name sake, wow- he couldn't even be your friend.

He closed his eyes trying to contain himself, taking a hit from the burning cigarette, his hands were trembling, he was hurt, he could never be with you, you were making it clear. For the first time he got an actual sign of rejection and he just couldn't take it. "Riddle." It was still your voice, coming from his side, he slowly turned, there you were, standing next to him, looking at him with concern, giving him the slightest bit of hope, making his heart pound against his chest. He simply stared at you this time, unable to think of a response because you called him by his last name, you never did that. You didn't speak either, both staring at eachother, him with everything unsaid, sadness, anger, hope, longing, love, every fucking thing while you looked at him with worry painted all over your face. Mattheo hated to have people worry about him, noone was obligated to do so and he didn't want anyone to do it but right now, he didn't seem to mind, your attention was on him, worried about him. You finally looked away, placing your glass on the railing, alcohol with a lollipop in the glass, a typical you thing.

"alright, Mattheo," a small smile was tugging at your lips at his actions, "tell me, what's going on?" He didn't have anything to say, what would he say anyway? Upon not receiving an answer you sighed and continued, "Draco was telling me how different you've been-" he scoffed loudly interrupting you, ofcourse this is what it is, Malfoy sending you to talk to him, to scold him like everyone else, ofcourse you wouldn't come to him on your own, he was so fucking worthless in your eyes. “Don’t do that Mattheo-“ “Yeah? Why not? Coming here to scold me like everyone else, you know what, surprise surprise, it’s nothing I haven’t heard before.” He was angry, you come to talk to him after all these days and it was to tell him, that he’s bad, that he’s wrong, yes, he started it by ignoring you but you didn’t even make an effort to talk to your “friend” while he was away, it pained him to know that you didn’t even care to check up on him.

“No, I am worried Mattheo, this is not okay for you,” you moved closer, shaking your head trying to find the words, “I tried Mattheo, to catch you, to talk to you but you were always turning away, ignoring me, I couldn’t even get a proper look at you these weeks. Draco was joking about you smoking two a day, one for each girl you slept with, it was then but now, a whole pack a day? I tried to get to you, tried to see what’s been hurting you, but all I saw was your back towards me.” You paused, looking around clearly frustrated, “I thought maybe you didn’t want to talk about it, so I stopped trying but I am sorry, I can’t help myself, I care about you Mattheo and I hate to see you like this,” you looked up at him, hoping he’d understand but he only stared at you blankly, maybe you were wrong to care, he clearly didn’t want to be bothered, you sighed yet again, clearly there was no point, you could only wish for him to be better.

You mustered up all the courage you could, moving closer to the brunette who still hadn’t said a thing, “I am sorry for bothering you, I hope you win whatever battle it is that you are fighting, just know that I care and I can’t help but be worried when you are hurting, sorry if it is selfish that I want you to be better, I won’t disturb you anymore” you gave him a small smile, going up on your tiptoes planting a small kiss on his cheek, lingering for a moment, holding his hand in both of your own giving it a hard squeeze before letting go. It pained you to see that he didn’t seem to care about his own life, making you feel useless for doing the same, he was dear to you, you didn’t want to let go of him but clearly he didn’t want the same, who were you to deny him of anything? So, you let go, taking the moment in before walking away, the tears were ready to fall, you weren’t going to let him see that, you didn’t want him to see how pent up you were over him when he couldn’t even bring himself to care.

Mattheo could feel his chest burn, he could feel the sting in his heart at the sight of you walking away, his knees felt weak, you cared? You tried to reach out? Yes you did, of course you did, you weren’t the ugly person he tried to paint you as, he wanted to hate you so bad, he wanted you to be wrong, he wanted you to scold him, he wanted you to hate him just so he could move on but no, he could never move on from you, even if you spat his way he’d love you. ‘Sorry if it is selfish-’ he fucking wants you to be selfish, he wants you to be selfish about him. Only if he wasn’t busy imagining you with other guys, maybe he would’ve noticed that you smile a bit more around him, just maybe he’d see your eyes looking out for him. Maybe then he would’ve seen the look in your eyes, one similar to his, but he was a fool, he’d always be unworthy of your love, you wouldn’t love someone like him, he ruled that possibility out the very moment he fell in love with you, thereby in his mind even if you actually loved him, you didn’t because he couldn’t see it.

He called after you, he couldn’t see you walk away, not when he has so much to say. You turned around, he saw tears in your eyes, he felt like dying, it was him who made you cry, if he didn't hate himself before, he clearly did right then. With two wide strides he was infront of you, holding your face, wiping away your tears, "please don't walk away from me," he muttered, trying to get you to look up at him, you look up at him with stars in your eyes, taking his breath away, 'I want you so bad' he thinks to himself but it's false, no, he doesn't simply want you, he fucking needs you like the air you take away from him, when you look at him like that- hazy eyed, making him think that you love him but he knows you don't, he knows you don't love the guys you go on dates with, he knows you don't love the guys you sleep with, in his eyes you love to care but don't care to love, he'll be one of those guys, if it means you'll have him, even if it is for one night.

He was staring at you, looking for a sign, waiting for you to push him away but you just look at him with glossy eyes, making him weak, unable to contain himself he presses his lips against yours, you hiss pulling back, the bitter taste of smoke invading your senses, your reaction hurts him, he couldn't even be one of your guys, that's how worthless he is, his grip loosens, he tastes you on his lips, sweet cherry- the lollipop still sugary on your lips. Then you surprise him, fisting his collar, pulling him down, soft lips on his, like honey against his smoke. He loses it then and there, his hand comes up to hold your face, the other low on your back pulling you flush against him. It was heaven, eyes closed, moving in sync, savouring every second, he could feel his skin tingle, his body burn, it was pathetic how you could bring him to feel so much with the simplest of touches, and now you were kissing him, better than any dream or fantasy, it's real, he reminds himself, frowning as he concentrates trying to capture every single detail, of you against him.

Mattheo walks you back to the railings, not letting go of you even for a second. You pull away as the cold metal makes contact with your body, the sting seeping through the thin layer of your clothes. Still impossibly close practically breathing the same air, then the situation dawns upon you, you look up at Mattheo in horror. This is what has become of your love for him, he's using your attraction towards him to get you into bed, just like he did with other girls. There was no difference in their relationship with him and yours with him, evidently so. You loved kissing him but you hated the fact that it meant everything to you but all it was to him was a one night stand, your dignity would not allow it, even though you wanted him so badly. "I'm- I'm sorry but I can't," you quickly walk off, not looking back this was humiliation, you felt embarrassed.

One moment you were there kissing him and the next you were gone, he fucking hates this because he doesn't know what to do or what made you push him away. You gave him hope when you kissed him but shattered it when you walked away, you were confusing him. Why'd you kiss him like that if you wanted to let go? His hands reach out to pull at his hair, "Fuck" he grits out, it was frustrating not knowing what to do, knowing he has done something wrong. But for the most part, he doesn't know how you feel, you kissed him like you felt something but you walked away like it was nothing. He's over it.

…

He's absolutely not over it. He couldn't even stick to the plan for five seconds, images of you in his arms plagued his mind. He could only cherish that moment, he felt more alive in those few seconds than he ever did, his lips are still tingling, it's the next morning and his head is still in clouds. Mattheo for once, feels human- he feels like going to class again just so he could see you. The wound of your rejection was still fresh in his heart but so was the memory of your lips against his in his mind.

He could handle the professors' taunts, he infact muted them out and zeroed in on your face, you were avoiding him, he could see it, trying so hard just like he did the past few weeks. He saw himself in you for a moment but then you started talking to some Hufflepuff dude next to you, smiling at him so pretty, his blood started burning hot when he saw the guy touch you. You did nothing to push him away, pfft- ofcourse he wasn't Mattheo fucking Riddle that you'd push him away.

Mattheo was practically burning holes into you skull as he took a seat in the very back. Only if he wasn't so overtaken by jealousy he'd see that your smile didn't reach your eyes as you laughed at the Puff's joke, that your reactions were simply polite, a mere distraction from the pinching of your heart. You didn't want to be one of the girls he slept with, didn't want to be discarded after being used.

He couldn't even be one of your guys, he fucking wanted it to be him so bad just to have your for a night, just so you could see him in a different light, just so you'd know that he loved you. He'd gladly be discarded by you.

…

Mattheo has been searching for you, for about an hour now, you were minx- rushing out of the class before he could catch upto you. You were no where to be seen, he was actually getting worried. He was just about to enter the dungeons when he saw Pansy near the entrance. She'd know your whereabouts, she was a close friend of yours. She'd help him too, because she was his friend as well, right? Or had he destroyed every relationship he had the past few weeks. "Pans, a moment please" "oh hey Mattheo," she greeted him with a smile, that's a good sign, "umm- do you know where-" there he was, polite stuttering fucktard, "oh I know where she is," He didn't even tell her who he was looking for, confusion taking over his features, "I saw you looking at her in class, you like her don't you?" Was he that obvious? If so, why couldn't she see it? "Yeah," he finally admitted it to someone else, it was out there now, he felt some weight lift off of his shoulders, there was no denying to it, he loved her and he doesn't care if he gets laughed at for it but then his heart stops at her next words. "She's on a date with some Hufflepuff, in Hogsmeade," her voice was sympathetic, hurt was painted all over his face.

They were standing there in awkward silence for a couple of minutes before she broke it, heading towards the entrance, "You know you should tell her," she gave him a small smile, she patted his back ready to slip into the entrance, he stopped her "Why? Did she say something about me?" His voice was full of hope, hoping that maybe she had confessed to her friend just like he did right then but to add onto his sorrow, Pansy shook her head, he let his head hang low, moving his hand over his face, scoffing bitterly at the situation he was in, "but you should still tell her, at least you'll be satisfied knowing that you did something about it than do nothing." She shrugged walking in, leaving him there to think about her words.

She is right. He has to know, to know how you feel, he has to talk to you, has to let you know how he feels because in his heart, there's hope that you may like him back because you kissed him like you did. Mattheo wants to confirm that it wasn't his delusions that rendered your lips to move against his in adoration, something more than just physical. He has to hold you again in his arms-

He didn't even have to walk far away to find you, walking alone in the empty corridor but you turn around as you see him. Mattheo won't let you do that this time, he's onto you within seconds grabbing your wrist and pulling you back. "What-" "Please don't ignore me-" "I am not!" You sound defensive, taking your hand back, folding them as you look at him as though he is some lowlife human, there's a similar hurt in your eyes, one he knows a bit too well. "Yes you are, please don't try to deny it," he says slowly and carefully, he doesn't want you to walk away, "what do you want Mattheo?" You are annoyed, you stretch out his name showing your impatience. He takes his sweet time though, taking your hands in his, they feel cold, snatching away the warmthness of the action, "Why did you walk away? Yesterday?" "Why? Is there some rule against it-""no no ofcourse not-" both of you interrupting each other, you were frustrated, what was he trying to do? Did his ego take such a huge hit that you didn't want to sleep with him, like those girls he used and discarded? "Tell me why is it that you care? It's not a huge deal to you, you can have anyone else to sleep with you, it shouldn't matter that one girl decided to walk away when you have tens and hundreds lining up-" "WHAT?" He was looking at as though you were saying something ridiculous, "I cared about our relationship enough not to ruin it but you had to be there, trying to use me like you use the other girls and then discard me-" "STOP!" He holds your face in his hands, intense gaze setting you ablaze, "I fucking care, don’t think otherwise, I care because it's you, you could never be them-"

"wow- am I so worthless and unattractive in your eyes that you don't even-" "Wait, it should be me saying all of this, about you and the guys you on dates with, the guys you take to bed-" "What guys-" you both were now screaming at eachother, it was overwhelming, having to be vulnerable and admit your feelings and not understand what the person in front of you is saying. "I have not once slept with the guys I went on dates with, I'm in love with you for fucks sake but I got tired of waiting for you to love me," What.

He fucked up.

"Fuck, fuck-" his knees hit the ground as he covers his face with his hands, he's ruined all his chances by being an assuming dickhead. Heavens goodness- "FUCK!" He groans into his palms, not being able to digest what you had just said, he feels ecstatic that you love him but he hates that he's ruined his chances with you, "Mattheo-" "Fuck, I am so sorry, I've been a fool, a fucking idiot-" he pulls you down, grabbing your hands, crying because he doesn't know any other way to express it. He has lost his chance all because he let jealousy get the best of him, took illogical steps to overcome it. "I love you, I fucking am in love with you," he grips your hands tight, shaking them as he speaks, unable to control his very physical reaction, "Mattheo what-" "I thought that I could fuck it all out, fuck all the feelings away but no you were always on my mind, not just you but you with someone else, happy. I thought maybe I could resort to your ways, thought maybe I could sleep around then I'd get rid of my feelings, afterall you seemed happy doing it but you never- FUCK! I am so fucking sorry, I love you-" you kiss him, he sure was an idiot to think that you could just flip a switch and "unlove" him, what kind of love would that be? You hated to admit it, you loved him even when he was sleeping with so many girls, you loved him before he did that, a few weeks were nothing to make you hate him.

It was brief kiss, enough to silence him, tears were still running down his face- he was a heartbroken man on his knees afterall- they were only a sign of his regret, then he was at it again, apologising, "stop Mattheo, you are foolish if you think that I'll love one moment and not love you the next-" "but you don't deserve it, not after what I did-" "let me decide that. Do you love me?" Your ask is serious, so he answers you with utmost sincerity, his words soft, full of truth "I love you, more than I think I can handle," he looks down, you don't let him as you wrap your hands around his neck, pulling him close, "Learn to handle it then, I am not going anywhere." For the first time in his life, does Mattheo experience pure bliss, you are a sin against his lips, he pulls you closer like a prayer because if there's a god above, he'd pray for you to be his.

...

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[msmc-796-official]

I... have a confession to make, of sorts. There won't ever be a good time to admit this, unfortunately, so it's best I get this off my chest now, and ask for forgiveness rather than permission.

It has not been easy speaking with all of the flashclones who have made themselves known in the wake of Union's latest raids; both for myself, and the squadron at large. I must commend my squadmates for handling themselves with the utmost professionalism - while my own correspondences with these newest members of the Omninet have been what I would consider adequately polite, I've been biting my tongue the entire time, and I fear that my personal discomfort with the issue is starting to slip through the cracks.

To this end, I wish to share my thoughts publicly, that I might better express my own emotions towards this complicated, frustrating, and highly nuanced issue. I only ask that you hear me out in full before you render judgement, and pronounce your sentence carefully.

First: an observation.

MSMC policy requires that all pilots dictate an end-of-life plan at the time of their recruitment, that their final wishes may be carried out by the company in the event of their death under MSMC's employ. The options provided for this are effectively unlimited, allowing the pilot a great deal of choice and freedom in planning their postmortem arrangements. These plans may also be altered in the future should circumstances change, provided the pilot is of sound body and mind.

Under MSMC policy, in compliance with the policies set forth by Union, one of the available postmortem options is flashcloning.

In my fifteen-odd years serving under MSMC, I have only heard of three pilots who have willingly chosen to be flashcloned after death (thus prolonging not only their life, but their term of service under MSMC as well). Of these, I have only personally met one, affiliated with MSMC-808 "5Q8R3 L00P3RZ" - I believe their current iteration goes by callsign Lemniscate. While I do not know how many times they have been cloned during their term of service, their current iteration seems happy enough, and their squadmates reassure me that they've maintained a consistent identity (plus or minus the odd quirk, as is typical of flashclones) throughout their life (lives?).

Second: a digression.

I purchased my Dusk Wing, And The Voice of Apollo Spoke From On High (Apollo for short), from an SSC showroom on a planet whose name I no longer recall. The curated atmosphere called to mind the high marble pillars and lush green-blue waters of some distant Cradle mythology where gods roamed the earth and mortals strove to emulate them, punished and rewarded for their folly in equal measure with gifts and curses beyond name. Each frame was posed as the statues of old on Cradle, too-human limbs arrayed in too-human poses, each a machine of war turned living art piece.

Apollo, true to its future name, was arrayed in flight; hover-jets draped with sunlight-yellow gossamer, veil rifle aimed in its middle tier of manipulators with the same care and precision as an archer would take with their bow. To see it lowered to the floor after its purchase was to see Icarus fall; to climb inside its cockpit for the first time, to don wax-and-feather wings of my own and fly.

The old tales caution that divinity has a cost, and I too paid the price. A vial of blood, drawn with silver needle and spirited away into an unseen cooler before my pen ever touched paper. Apollo was mine, but SSC had received a far greater gift in its place: a sample of my DNA, unwillingly donated as the price for my divine armament.

Even now, this price weighs heavy on my head like the sword which hung above Damocles, poised to drop without a moment's notice with each new Union raid on yet another forgotten cloning facility. Who can say on what distant planet the children I did not birth sleep in stasis - children with my eyes, my hair, my nose, my smile; sons and daughters who will never be called as such because, to their creators, they are slaves, weapons, property - anything but human.

Third: an explanation.

I believe that flashcloning, in its current state as of 5016u, as approved by Union's Third Committee (and exploited by the likes of SSC, HA, and several countless others across the stars) is an inherently unethical practice; both for those who donate their DNA (willingly or otherwise), as well as for those persons produced by it.

To see countless lives created, manipulated, slaughtered, and recycled in the name of so-called "progress"; to see inherently human beings stripped of every vestige of humanity but the body in which they reside and then forcibly brainwashed and molded into soldiers, medics, mechanics, weapons, machines, slaves, property - it is an abominable and inhumane practice that should have died a slow and painful death in the darkness from whence it was birthed.

This being said: I cannot stand idly by as the products of this inhumane practice continue to suffer. No matter whether it is beneath the apathetic gaze of Union, the dehumanizing bootheel of HA, or the eugenicist scalpel of SSC, I will not allow my fellow persons to endure another day of abuse at the hands of those who would abandon their own creations as little more than imperfect failures for daring to remind their creators of their sentience.

Alone, I can do nothing. I too am but a cog in this great uncaring machine humanity has built, one which prospers on suffering and bloodshed and the work of hands which have forgotten the body to which they are attached. Even if I were to risk life and limb and reputation to make my position known, it is a battle which lies dead in the water - it is impossible to halt the wheels of progress without irreparably damaging the future which relies on their turning.

And so I fight. I fight for those who have forgotten their humanity, both willingly and unwillingly, that they might find something of their own - identity, purpose, desires, connection, life - that reminds them of what they were and are and always have been: human.

-- Angel

[parkitaco]

if i wrote a practice kissing fic would you guys promise to be normal about it

[turnippencil]

Writing is fun, but this scene is gnawing at my brain

Have crumbs of the constant mental drumming of my narilamb infatuation

♡ More underneath ♡

For a fic I want to write so bad. At this point, I have parts I want to get to, but I need to

connect the dangly bits with an actual plot. Gotta churn out words faster to write this part pleaseeee

No time to design cool clothes just go with the basics

[henry-or-something]

Nu-Who doctors ranked on how much of a boy-kisser they are: Updated!

9th) His kiss with Jack was such a moving moment. It was life or death, right before battle. Jack knew this was going to be the last time he saw either of them. He needed to show 9 and Rose that he loved them. It felt so natural as well. Like, those two would have kissed more if 9 got more seasons.

15th) This man is gay AF and I love him for that. So far he's kissed one (1) man, so it's looking good. However, despite how cool Rouge is, he's Walmart Jack and can't compare to the real thing. Sorry not sorry.

11th) He and Rory kissed twice-ish. The one at the beginning of season seven was kinda a heat of the moment thing and not a grand gesture. The second one where Rory kissed him on the cheek is really emotional, but not to the extent as 9 and Jack and it was a cheek kiss, so the bonus points from the face grab are negated. Also Rory initiated it.

10th) He never kissed a man lip to lip on the show, but whatever the fuck he and the master had going on counts ig.

14th) Three episodes should not be enough to put him above 12 in any circumstance, but he called Issac Newton hot. So… whatever.

12th) I love this man, but he unfortunately did not kiss a man during his time on screen. He is this low just because of him and Missy. No weird homoerotic tension between these two. Just the average weird tension. Bonus points for calling the Master his man-crush tho.

13th) Lesbian. Need I say more?

[reluctanttrabbit]

fnaf movie 2 save me.......toy animatronics save me..... jeremiah save me....... gregory save me......

[tvlandofficiall]

going back over my thoughts once more and i'm so interested in how queen seems to know almost every other major darkner in the game — not just swatch and spamton from her cyber world past and the folks she meets during ch2 like ralsei (for all he slips into the background) and rouxls and lancer, but the old card kingdom court as well. the "how" of how she knows them at all is oft-theorized-on, but what i've been thinking about again is the "who" — what were her relationships like with the old court? how did they feel about one another? how did those relationships play out? how will they continue into the future now that the queen has indeed returned?

[aloonaram]

Here’s an edited wip of my Birdflash oneshot.

Fair warning, this will probably change in the final product as I try to figure out at what point in the timeline I want this fic to take place.

“You look like shit, Dickie.”

“Gee, thanks, Walls. You’re such a loving boyfriend,” Dick retorted. He tried for a smile, but Wally watched sadly as it twitched and fell before it could become what it once was–what Dick’s smile used to be.

Dick opened his door wider in invitation and Wally rushed in and examined the place. Gotham wasn’t ever known for its beauty, but even with that in mind, Dick’s apartment looked pretty rough. Empty containers of takeout and miscellaneous trash littered the floor and countertops. His couch was sprinkled with brown spots that he almost assumed were polka dots before he realized they were most definitely patches of dried blood. Clothes were strewn across every surface, their musk permeating his senses. Dick brushed past his side and made his way to the kitchen, opening his rickety fridge to expose the meager amount of food he had. Wally would bet his life savings that each of the five items had gone bad too, based on the state of the place.

Dick turned to toss Wally a water, “So…what, uh, brings you here?” Dick’s awkward tone hangs heavy between the two. Now that Wally could get a good look, his lover was in rough shape. Even worse than his apartment; which was a feat, his mind whispered. His hair laid limp and greasy along his neck and his bags seemed to have bags of their own. A couple of dark bruises peeked through the collar of his shirt, some leading down to his left arm if the strange way he seemed to carry it was anything to go by. Dick clutched his own water bottle, doing his best to look anywhere but at him.

“You haven’t been responding to my messages,” Wally started, “I texted the other Robin, uh Tim, I think? But he never got back to me either, so I got worried, you know? Figured I’d take matters into my own hands. I don’t have super speed for nothing.” He waved his hands around, doing his best to lighten the mood. “It’s been a long time since we’ve gotten to talk, let alone seen each other in person, but, you know, if this isn’t the best time, I can totally leave. I know this is kinda spur of the moment.” Wally wished he could slap himself the moment his lips stopped moving. Some of the younger heroes had started calling him a professional yapper and he wished it didn’t fit so damn well.

Wally watched as Dick took a breath and rubbed his temple as if he had a headache. He winced. Yeah, this probably wasn’t the best time to show up out of the blue.

“No, I…You don’t need to leave, “ Dick sighed. “I’m sorry I haven’t been responding, Walls. Everything’s just been… a lot, to put it simply. I’ve been so busy trying to balance my day job, Bludhaven, and…and being Batman. I just haven’t had much time to myself lately, if you can’t tell by the state of my apartment.” Dick laughed pitifully and winced when it shook his aching arm.

He couldn’t help moving forward into the kitchen and enveloping Dick in a hug, something he definitely should’ve done the moment he’d arrived. His partner sighed shakily and moved to wrap his arms around Wally’s middle. He felt Dick’s face pressed against his chest and hooked his chin to the top of his greasy head. Dick had always been one for physical comfort, a miracle considering who he’d grown up with and the environment he’d been forced into at the ripe age of nine. Wally would be lying if he didn’t say Dick’s need for physical affection didn’t bring him relief and make him feel needed. Sometimes, he felt powerless amidst his lover's strife–Batman’s rule against metas in Gotham limiting his ability to help. Providing Dick a simple hug; feeling the tense muscles in his shoulders loosen and his breath hit Wally’s neck as he sighed in relief, was Wally’s respite from his perpetual guilt.

Wally knew about Batman’s…death. He’d been there when Dick hosted Bruce’s funeral, letting Dick squeeze the life from his hand as he listened to the speech from Alfred. With Bruce gone, the natural order of Dick’s family had seemed to fall apart. Dick had taken the mantle of Batman, a title Wally knew he had never wanted–never felt right for him. He’d be lying if he said he fully understood the magnitude of such a change–that he knew how large the chasms carved by trauma had grown to separate Dick and his siblings. And yet despite that, he knew one thing for a fact. Dick, his lover and the man he’s known for well over a decade now was not the type of person to let others shoulder pain on their own. He took and took and took until he knew only he carried the weight of the sky on his shoulders, letting his muscles feel relief only when his family no longer felt pain. And he’d continue to carry that weight with a smile as long as he knew his family would smile back, unaware of the sky creeping in on Dick’s tense shoulders.

Wally squeezed his arms tighter around Dick’s back, supporting him as his breaths became ragged in their silent embrace. As Wally did so, a sick thought entered his mind, fueled by the anger and pain he felt for his partner; a small part of him–microscopic even–was glad Bruce wasn’t here. Not because he reveled in the effects his passing had on Dick, nor because he wanted Dick to be forced into the role of Batman, but because despite his struggles, Bruce had never been good for Dick. Yes, he played the parental figure Dick needed when he was younger and yes, he provided the necessities for Dick to survive, but he never provided what Wally knew Dick needed most.

“Do you wanna move to the couch, babe?” Wally whispered, cheek pressed against Dick’s head. He feels Dick nod silently and Wally zipped them to the couch in less than half a second. Wally sat and patted the spot next to him, watching as Dick laid his head on his lap, pressing his cheek to Wally’s stomach while letting his legs hang off the side of the couch.

Never one comfortable with silence, Wally broke it first. “If you don’t wanna talk, I won’t push. We can chill, watch the Office, eat popcorn–whatever you want. I just worry…you know? Not being able to be here to help and hearing on the news, Batman and Robin this and Joker and Two-Face that…I just wish I could do more for you.”

Wally looks down to meet Dick’s pained stare and internally winces as Dick opens and closes his mouth, struggling to respond.

“Me and the bats have it handled over here, okay?” Dick starts quietly, aimlessly running his hand over Wally’s knuckles. “You don’t need to worry about me, honey. I know you have more than enough to deal with back at Central and I don’t want to stress you out with problems I have handled.”

Wally lets his free hand run through Dick’s hair, quickly relishing in the way Dick warms to his touch. “I can’t lie and say I wouldn’t be stressed, you know me too well for that, but I’m here to support you, Dick. To be your listener when you’re stressed.” He paused for only a moment before speaking again, “I know you, Dick. I’ve known you for almost every era of your life as you have, mine. I knew you when you were my scrawny, baby leader-”

“Hey-” Dick tried to interject, but Wally kept going.

“I knew you when you wore that god awful blue and yellow disco Nightwing suit-”

“It really wasn’t that bad-”

“And I know what it looks like when you don’t have things handled. You don’t need to soften the blow for me Dickie and you don’t need to play the perfect soldier.” Wally paused. Let it be known even the Flash is out of breath from time to time. “You were always there for me during rough times, so please let me be there for you.”

[nekrosmos]

Sat down to eat my lunch during A Difficult Day, saw your tags and omg. 🥺

:3c When I tell you I'm fighting for my life against the tumblr tag system because I have so many thoughts about your fics and I can only leave 30 tags CNZPFNZPX. Let me yap tumblr >:(

Hope your day gets better bud <3 I'm gonna fistfight the entire british educational system to give you a break, watch me.

Have a little angry looking Nik, he also will fistfight someone for you.

[derangedace]

I am not sure if this is just me but I always thought Hori has always wanted BKDK to end up together, and I am not just saying this from a romantic perspective. I think he wanted them to be together, 'forever', as a duo and for that reason neither of them ended up in some other romantic relationship or marriage (aka the reason why izch didn't happen and narratively cannot happen because it stands in the ending Hori intended to give to BKDK).

Oh absolutely,,I do believe part of the reason izch wasn’t endgame was because mha is a shounen and its entire plot is focused around super powered kids, so any of its romance is going to be in the background, unless it's important to a specific character/or the plot. The other reason I believe izch wasn’t endgame was because–now hear me out, Ochako’s crush on Izuku was only for development and to lead her up to her fight with toga. That might sound extreme, and I’m not meaning to offend any izch shippers, I'm a multishipper myself and I love them too! But specifically from a writing standpoint, Ochako’s crush on Izuku wasn’t meant to go any farther than it did. Ochako’s crush came from a place of admiration for Izuku’s heroicness, and his willingness to risk everything for the sake of others. Her crush was meant to drive her forward in that aspect, allowing her to evolve as a hero, to become better–just like Izuku. It also gave her something in common with Himiko. As their first encounter back in chapter 80 Himiko tells Ochako that she knows she’s crushing on somebody, and tries to relate to her by saying, “Of course you wanna be just like the one you love. It’s natural” And their encounter after that she continues to try to reach out to Ochako, to convince her that she’s normal, that her desire to become like one ones she loves isn’t weird, and that she doesn’t understand why society ostracized her for her craving for blood if it was just a desire to be like other people. Ochako admittedly doesn’t recognize Himiko’s attempt at reaching out to be saved until it's too late. The end of her second fight with Himiko helps her realize this, after seeing her tears and finding the desire to help her welling up inside her, eventually leading up to their last fight where Ochako confronts these feelings and finally reaches out to Himiko. Just like Izuku she reached out to save someone when she saw their pain, no matter if they were a regular person or a villain. Her drive to become like Izuku helped her character grow into a proper hero, one who recognizes villains as people too, ones who also need saving. This is also why it was only really one-sided, because if Izuku had reciprocated Ochako’s feelings it would’ve been completely unnecessary to the plot. Ochako’s crush on Izuku was used as a catalyst for her similarities with Himiko. One that Himiko used to try and connect with her earlier on in the series. Izuku’s development stems from his relationship with Katsuki (and vice versa) . They have so many parallels it's insane. Katsuki needed to confront his complicated feelings about Izuku head on(bk the fakest idgaf-er on the planet). He needed to apologize and work at being a better friend to him. And Izuku, who constantly imitates Katsuki in battle, needed to learn not to carry everyone’s burdens on himself, he needed to realize when it's okay to ask for help and that it’s necessary to reach out to others when you can’t handle it all on your own. Izuku strived to save others but who would save him when he needed it? That’s why Katsukis apology is so so soo important and in the future when Izuku gets his suit, Hori specifically mentioning Bakugo being at the ‘heart of it’ was there for a reason! They were always meant to be together at the end even if it's not in a romantic way. They are literally soulmates. I cannot express this enough !!! (sorry if this is so long, I had to think about how exactly I wanted to respond to this. definitely got the gears moving!)

[darrys-laundry]

trying to find outsiders blogs to follow bc i don’t really have any fandom friends

[casukaga]

i am so normal abt my dnd character…i’ve never understood liking ur oc so much and hyperfixating on them, but. this year………i have done it fellas

[rainbowsandwhumperflies]

The Winged Servant - 11

content warnings: vague medical care, narrator who does not realize he was a victim of violence, unreliable narrator who believes in the divine right of a monarchy, fantasy discrimination against angels, I swear this is actually much less political than these warnings make it seem

prev chapter | masterlist

The thing about angel wings was that humans didn't know much about them. Prince Ryan had done some research, early on, just in case, he'd said. From the look on this doctor's face, though, I didn't think she had done the same.

The other thing about angel wings was that I didn't know much about them either.

I wasn't an angel angel, of course. Not like the ones from the bible with eyes all over themselves, begging people not to be afraid of them. I was the type of angel that hadn’t been too different from humans, way back in the early days. Back when people paid egregious amounts of money for the ability to fly. Humans and angels were only separated by a surgery worth hundreds of thousands of dollars, still all called humans, until the scientists had learned to change the genetic code of children before they were born.

Wings got a lot less valuable once kids could be born with them. It didn’t help once people couldn’t control if a kid was born with them or not.

“Angels” was a nickname first, and it spread, although I never was sure if it was just the wings or if it was the idea that angels would come to the earth while the world was ending. It didn’t matter. Everyone thought that the world was ending, and maybe it had. But people still ate and slept and laughed and cried, and the world went on.

And once the angels started to show differences from humans, humans stopped caring to know about them.

I knew very little about my wings besides the fact that they weren’t the wings of a bird. Prince Ryan, while in one of his better moods, had explained some of it to me once. Bats were mammals, like humans—easier to attach, easier to maintain. Of course, the prince was human, and I was not, and I would never be able to have his level of understanding with matters like these.

There were humans in this castle, though, that also didn’t seem to have his level of understanding.

The doctor that Kieran had brought me to had taken one look at me, smiled politely, and left me alone to talk to Kieran outside the door. “Just stay put for a minute, sugar,” she’d said, voice strained, a southern accent bleeding through her words as she left me to avoid eye contact with the guard who’d had to help me walk down the hall.

Her voice was less strained when she’d returned, but she still didn’t seem pleased that I was there. I shrunk back onto the cot I’d been left on.

“Onyx, Ma’am.”

“Alright, Onyx, that’s good. Do you mind telling me what happened to your arm?”

“It got hit by a sword, I think, Ma’am.” My memories of the night before were hazy, but it was a sword, right? My arm had been�� it’d gotten hurt when we were in a hallway, in an endeavor to get us out of that hallway. And Prince Cardan had pushed me in the way. Maybe.

“Mkay. Looks like you got lucky and it just nicked you, hun. Won’t even need stitches. I’ve just gotta disinfect it and bandage it. Would that be alright?”

I nodded jerkily, not expecting the question. Prince Ryan had told me what he was doing to me, sometimes, but not like this. Dr. Charlotte had been smiling the whole time, soft and kind. Prince Cardan smiled at me sometimes, but it was always due to amusement on his part. Of course, that was his right, because I was a servant, but Dr. Charlotte had been smiling as if it were for my benefit. She’d asked before touching my arm. That wasn’t… how people were supposed to act about angels and servants.

“I’m afraid I can’t do much about your wing, sweetheart,” she said once my arm was bandaged, and I nodded. I’d expected that much. “I haven’t ever worked with angel wings before, and I wouldn’t want to make anything worse because of my lack of experience. But I can find someone who knows more about it, alright?”

I nodded. Dr. Charlotte seemed like the type to tolerate questions, probably. “May I ask a question, ma’am?”

“Sure, hun.”

“Why do you want to fix my wing?”

She blinked, and then laughed lightly. “Well, I’m not quite sure what you mean. I mean, I think everyone should get medical assistance that caters to them. You don’t mean to give up on that wing just because I wouldn’t know where to start with it, right? We’ll find someone else. Do you not want it fixed?”

I frowned. “Good servants don’t have wants, ma’am, other than serving the royal family. Her Majesty has always had my best interests in mind, including when my wing was broken to prevent me from flying. And I don’t have a preference, of course, but I don’t know if she wants it fixed.”

“Her Majes- Are you talking about Lucia?”

“Yes, ma’am.” Dr. Charlotte’s willingness to refer to the queen with her first name was dangerous, to say the least, and I tried not to let my heart rate spike.

“Okay, well, I’m not sure if she mentioned this to you, but she hasn’t ruled a country for the better part of the last decade. Last night was a pitiful attempt to get the country back under her control. Bless her heart, she might have actually believed it would work.”

I stared at Dr. Charlotte. I wasn’t supposed to contradict the things said by people who ranked higher than me, which included everyone, but holy shit. Holy shit. Talking about the queen that way was treason of some kind, without a doubt, and also flat out wrong. Sixteen generations—the monarchy had been theirs for sixteen generations. “Are you sure you aren’t misinformed, Ma’am?” I settled on eventually.

“Quite sure. Have you ever actually seen Lucia with any of her subjects?”

No, but I wasn’t a traitor and I knew that I was supposed to take the royal family’s word on things. I was a good servant and I would act accordingly. Except-

Except I had just left a room of the entire royal family, tied up together. Except we had murdered three guards to get into this castle, and we’d lived in a house with three bedrooms. Except that the royal family had a total of two servants working for them, and neither of us had been allowed to leave the house.

“Her Majesty’s family has been ruling the country for sixteen generations,” I said weakly.

“Yeah, well, no one wanted Lucia to rule because she’s a dick and hates everyone. So we did something about it. I can’t get you to start hating her—that’s up to you—but you should probably know the facts, and the facts are that she’s not a queen and she never will be again.”

And that was- not my decision to make. Nothing was ever my decision to make. Of course political affairs like this wouldn’t make sense to me; I was an angel and a servant, and my only job was to do what I was told.

That was what Prince Ryan had said, even. Do what they tell you. Don’t get hurt. Even if this Dr. Charlotte was wrong about things, I was supposed to do what I was told.

“Hey,” Dr. Charlotte said softly, and I glanced back up at her. “I’m sorry for overwhelming you, dear. Now that your arm’s all fixed up, Kieran’s got some questions for you, if that’s okay.”

Do what they tell you. Don’t get hurt.

“Yes, Ma’am.”

~

Taglist: @kaleidoscope-of-thoughts @toyybox @rainydaywhump @risk606

[zeeposting]

guess who wrote a 798 word story on how scroll and quill met 🔥🔥

its very long so

Scroll sighed. He didn’t want to go to whoever's party this was. 

“Chin up, sweetie.” His mother didn’t turn around, yet could tell he was sulking.

“Can’t I stay home?” He pleaded, once again.

“You need to make some friends, Scroll. This is a good opportunity!” 

He sighs again as the car pulls into the venue. He wishes he had denied his mothers wishes and taken Fuzzy, his beloved cat plush, with him.

“It’ll be fun!” She promises. Scroll doesn’t believe her. He just wants to go home.

As they walk in, he sees a lot of people. Too many people. He grabs onto his moms leg, not wanting to stray far from the one person he knows. She walks over to various people, having short conversations, but Scroll doesn’t say anything.

He clings tighter to his moms leg the more people notice him. He doesn’t know any of these people, so he doesn’t see why he should talk to them.

He glances over, across most of the parents, spotting a few kids running around. Around his age, it seems. Some of the kids are a pencil, an ink pad and a scruffy looking feather. A quill, maybe? Feeling his mother begin to move, he reverts his attention back to his mom, moving onto a container of fish food and exchanging a few words.

The fish food leans down towards him. “Hello there, little guy!”

Scroll leans away. Even though the fish food chuckles at this, he thinks it makes it clear he wants to go home. He thinks. 

“Sorry about him, he’s not… social.” His mother apologizes. Why does she need to say sorry..?

Then his mother walks up to a pen. Scroll, being 5, struggles to read the label. He doesn’t bother to listen to the conversation, and looks back at those kids he saw. The feather seems… intimidating, honestly. He watches as they run around, one or two fall, but his attention snaps back to his mom and the pen when he hears his name.

“Scroll’s not the most social, but I’m hoping at some point he’ll talk to some other kids.” His mother sighs.

“My son’s pretty friendly, but ends up scaring off his friends. He’s… chaotic.” The pen glances over at the kids that are running around. 

Scroll looks back to see the quill biting someone. The pencil was trying to drag them off, a packet seeming to yell, and an ink pad… also biting them. Any of those kids could belong to the pen, they all seemed chaotic.

The pen and his mother converse for a bit, but he doesn’t pay much attention. The group of kids running around seemed… interesting. His focus wavered between the conversation and the kids, but he didn’t say anything.

“We’ll just have to see if they get along, I guess. I’ll bring him over if you want?” The pen proposed, pointing over at the group of kids. 

“Sounds like a good idea, thank you!” His mother smiled, glancing down at Scroll. “Try to make some friends, okay?” 

“...where’s she going?” He ignored what she asked, and instead countered with a question about the pen.

“Well, Gel Pen wants to see if her son and you can be friends!” She smiles awkwardly, glancing back up.

Scroll sees the pen— Gel Pen— walking back with the feather. Him? He thinks, worried about how the feather will act. I don't want to talk to… that! 

       As they approach, he begins to hear their voices fade in. 

       “...so no biting.”

       “Awwh, okay… but can I-”

       “No, Quill.”

       “You didn't even let me speak!”

       “I know you well enough to know what you were going to say.” Gel Pen smiles, looking up to wave at his mother. Scroll kept holding onto his moms leg tightly.

      Gel Pen introduced Quill to his mother and they started to talk, but Scroll didn't quite pay attention. He silently analyzes Quill, seeing how he seems confident with himself. 

       “...and paired with how much he bites, he tends to scare off his friends.” Gel Pen sighs.

       “No I don't!! My friends are my friends because they like me!!” Quill interrupts. With his expression and slightly whiny voice, Scroll can't help but laugh.

       This catches Quill's attention, who looks over at Scroll. “Oh, hey, do you want to play tag with us?” Quill smiles, gesturing to the other kids he saw.

      Scroll glances back up at his mom, who's avoiding eye contact with him. “Uhm, sure…?”

      He can hear his mother sigh with relief. Quill grabs Scroll's wrist and pulls him over to the other kids, dodging all the parents standing around. 

      Scroll stumbles over his own feet, but he can't help but feel excited to meet those other kids.

[dolokhoded]

all ads piss me off but spotify premium fucking drives me insane i'll be listening to my music and then the stupid spotify premium lady will pop up and be like "what if you listened to your music without someone interrupting you every 5 minutes ! " and im like YEAH......IMAGINE THAT........