#then nothing is safe

[flakey-von-wembstein]

rant

i just blocked someone on pinterest

PINTEREST

because they was talkin about some bullshit all like "hamas is not a terrorist group, that's just what western media wants you to think" WHATTTTTT i need you to kill yourself rq

[astraystayyh]

They have since left four premature babies to decompose on their beds. They have since kidnapped, stripped, tortured civilians and tried to frame them as Hamas fighters for their propaganda. They have since shot people at refugee camps execution style. They have since targeted academics and poets and directors. They have since killed 86 journalists. Still no ceasefire.

psa: i know that many of us did NOT doubt this for a second, neither did i. this is targeted at the people who educated themselves for the first time about this genocide and discovered the absolute horrific things that Israel is capable of doing to Palestinians, with the unwavering support of its allies.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[crazycatmilo]

We don’t talk enough about how Martin was likely mostly running the institute by himself (cuz Peter probably wasn’t all that helpful, Martin for sure never wants to see a spreadsheet again) while in a depressive episode AND manipulating Peter to make him think he’s on his side. Like holy fuck bro. It pisses me off when people act like he’s dumb because did we listen to the same show??

[misterpseudonym]

[idontmindifuforgetme]

As if to reinforce how few fucks it gives, Israel carpet bombed Rafah yesterday (on the same day there was an ICJ hearing about its ongoing genocide). Today it broke that its relentless bombardments have demolished a mosque in Rafah—not a new move for Israel, as it has already destroyed several mosques in Gaza. And this isn’t even part of the ground offensive Israel intends to embark on in Rafah, fully unstopped because anyone who has the power to stop them doesn’t give a fuck for Arab lives. We are watching the erasure of Palestine in real time, from its sacred sites to its people themselves.

[roseworth]

best part about comic tumblr is that it is the only fandom i’ve been a part of where no one says “i just love the fandom so much we’ve created such a safe space here 🥺” like i have never seen even one post about how much someone loves the dc fandom. this is not a happy family this is a cold war and im just glad we all know that

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 57 (Masterlist)

Part 58 Coming At Some Point

@bruciemilf

Hey so uhh it's been a while. (If you look closely, squint a little, I literally made some of these photos over a year ago. I feel SICK. This AU is ancient.)

Here’s the SNL episode once again for the uninitiated.

Okay so hear me out. I know a lot of people were excited to see Caleb discover the batcave yada yada but the #1 rule is No One Figures It Out. Otherwise, the entire point of the series is obsolete and it ends. (Tim does find out ofc but not Caleb. None of the main cast. No OCs.) So he gets let go from babysitting Dick and Jason, mostly because Bruce and Alfred realize their mistake, and he never sees the batcave. RIP. ANYWAYS hope y’all forgive me. Didn’t realize I was implying that until everyone started screaming about it in the comments. Caleb is still blissfully unaware :)

No idea when the next part is coming out. I am currently in an airport banging this out before I convince myself not to post it AGAIN but you guys deserve better. It’s the holidays. So Merry December 19th-ish. Peace :)

[enden-k]

serving dinner

[whirlpool-blogs]

“little brother goes in the middle” is my favorite Hughes Bros permutation

[serendippertyy]

posts this and runs away so fast I trip and fall on my face

[enii]

We can do nothing at all, and I will still love every second of it.💕

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[flwrkid14]

The Immortal Weight of Tim Drake

There’s a part of Tim that he keeps buried deep inside, locked away so no one can see it—will ever see it. He can’t let them know. Not Dick, not Jason, not Bruce. Hell, not even Steph or Cass. It’s better this way. Because the truth is, Tim Drake isn’t like them. He can’t stay dead.

No matter how many times it happens—how many times a blade finds its way into his gut, a bullet catches him in the chest, or a fall from a skyscraper crushes every bone in his body—Tim comes back. Not right away. No, it takes minutes, sometimes agonizing minutes, where he lies broken, breathless, and unmoving, with nothing but the darkness pressing in. He feels it each time. The quiet nothingness of death that should be final but never is.

He’s not like Jason.

Jason died. Really, truly died. He was buried, mourned, and remembered as the second Robin. His grave sat cold, a monument to a boy too good for the world, too bright to last. And Jason, when he clawed his way out, became a zombie in every sense of the word—not quite living but not quite dead either.

Jason knows what it’s like to rise from death, to feel like he doesn’t belong, like a walking corpse.

But Tim doesn’t know that part.

Tim knows what it’s like to die. He knows the brief moments of oblivion that come with it, the aching cold, the stillness. But he’ll never stay dead. His revival is a guaranteed, while Jason's was a miracle. He’ll never have a grave. Never be mourned, because he’ll always come back.

And that’s what hurts the most.

No one sees him die. He’s careful. So damn careful. On the rare occasions when he can’t hide the fact that he’s dead for a few minutes—those close calls where he doesn’t get up fast enough—he brushes it off, masking the pain with a smile and a joke. If anyone noticed the blood pooling in his suit or the sickening sound of his heart stopping for too long, they never questioned it. The danger passes, and life goes on.

For them, anyway.

For Tim, it never really stops. Every death, every time he’s pushed past the edge, it weighs on him. He knows he’s playing with something dangerous—something unnatural. But what choice does he have? The truth is, it’s not just that he can’t stay dead—it’s that he should be dead. So many times over, in fact.

There are days when Tim wonders if he’s meant to be this way. Maybe, in some twisted, cosmic joke, the universe decided that Tim Drake would be the one who can’t die. Maybe it’s because Gotham needs someone like him. Someone to shoulder the risks no one else can take. After all, if Tim can’t die, what’s one more mission where death is a near certainty? What’s one more gamble with his life? It doesn’t matter anymore, right?

And he doesn’t want them to know, because the moment they know, everything changes. If Dick saw Tim’s body cold and unmoving for just a little too long—if Bruce knew Tim had been gone, even for a heartbeat—what would they do? Tim knows exactly what they’d do. They’d stop sending him on the dangerous missions. They’d protect him, smother him with concern, lock him away to preserve him like some fragile thing that can’t be touched.

But the truth is, Tim’s more dangerous now than he’s ever been. Because he can go where no one else can. He can risk everything, go into every deadly mission, every impossible scenario where the chance of survival is zero. Because he’s already proven that, for him, death is temporary.

That doesn’t mean it doesn’t hurt. It doesn’t mean he isn’t scared every single time it happens—when he feels life slipping away, the weight of his body going limp, his heart stopping, his breath gone. There’s that brief moment, that flicker of panic in his chest as he wonders, Is this the time I don’t come back? Is this the one that sticks?

But then the pain rushes back, and so does his heartbeat.

He’s alive again, and no one’s the wiser.

Tim can die a thousand times over, but he’ll always get back up. And that’s his curse. To always come back. Even if it means he’ll always be alone in the moments that matter most.

He’ll never have a grave. Never be mourned. But maybe that’s the point.

Jason can have the grave, the tragedy, the return from death that breaks the world apart. Tim just… dies. And he’ll keep dying. Keep coming back. Because that’s what he’s meant for.

It’s better if no one knows. If they don’t know, they won’t hesitate to send him on the missions no one else could survive. They’ll trust him to do what they can’t. And Tim will keep shouldering that weight, carrying death with him like a shadow, never far from his heels.

Because for Tim, death isn’t an ending. It’s just another step in the fight.

[puppetmaster13u]

Prompt 169

Danny is from a world where everyone has wings, even if most have long since lost the ability to fly. Something about loading and aspect ratio, wings being too small, body too heavy, now mostly used as display, whatever. 

It doesn’t matter even if he had blueprints from when he was like six of a jetpack to help fly. It won’t work anyway and hey, he has his ghost form! Which uh, might be perhaps, affecting his wings which were maybe sort of scorched black and practically down to the bone thanks to the accident. 

It doesn’t matter, he swears. Though he’s admittedly relieved to see the new feathers growing in are different from Dan’s angry sunset. Even if they’re not even supposed to be able to grow back. Alright, this is fine, no one is going to notice! It’s not like everyone knows about the poor Fenton kid whose wings were absolutely destroyed thanks to an accident! It’s fine. 

He’s not flying in a half-panic towards the Far Frozen while crying because his wings are coming back and he’s so scared. He didn’t panic and instantly fled the moment Jazz pointed them out while changing the bandages. 

He definitely didn’t trip over something while wiping away said tears and blacking out from all the stress and all of his problems that he definitely mentioned to someone and isn’t keeping a secret. Definitely. 

Hawkwoman and Hawkman would like everyone to know that neither of them were expecting a very small child to be spat out of the villain of that week’s machine that should definitely not be a portal. A very small child, maybe nine or ten, with a multitude of concerning wounds both old and fresh. Which isn’t even beginning to touch on the wings. 

Feathered, like baby down despite the gnarled scars, unlike their own metallic, with the beginning of tiny specklings like stars amidst the darker fuzz peeking from the wounded flesh. 

Who?! Who dared?! It’s (at least to the forever reincarnating duo) a literal baby! They still have down! Tiny baby fuzz! Was it the portal?! Oh this villain is going to taste their maces for causing this if that’s the case! 

The rest of the Justice League would honestly like to know what just happened and are honestly unsure on if they should stop the two…