#them getting their own episode to flesh it out was great

[vaggietheangel]

Edited gif by Miyakuli

The way they lean into eachother when Millie was comforting Blitzo. 🥹 Blitzo puts up walls for the majority of people- he usually only crises on his own. He only felt comfortable doing that in front of his former best friend and current best friend.

Blitzo is the one who inspired Millie to join IMP and brought her up in the world. No one realised how talented she was before they met. She was just some farm girl with a bit of muscle. Which is the average imp in wrath.

Blitzo opening his own business as an imp is unheard of. She realised she could do more with her life than what everyone expected her to do.

He didn't just inspire her he was there for her when she needed reassurance. Both struggle with self worth issues, and only the other can show them they they are way more than they give themselves credit for.

Thier friendship is so shrjwodjnwkdoskskdd ❤️

[lostwords-found]

Oh no. Oh fuck. I am relistening to some of the earlier Protocol episodes, and I have a horrible, terrible, no good very bad suspicion about Gerry.

I could, I want to emphasize, be completely wrong! I could be wildly, hilariously, off the mark. But--hear me out. This is going to take some explaining about what I think is going on in the bigger picture worldbuilding stuff; hopefully it'll be coherent, but fair warning, it may get a bit long.

First: there have been a lot of cases that have boiled down to trying to keep only the "good"/desirable/etc aspects of things or events or people, and discard the "bad"/unwanted, right? We saw this happening very explicitly in episode 23 with Alesis Newman, and way back in episode 2 with Daria the painter, but a number of episodes have presented variations on a similar theme.

Two variations in particular that I've been thinking a lot about are the violinist in episode 4 and the gambler in episode 9. The violinist can play his violin beautifully, but he wants to be rid of the price in flesh and blood that it demands. Similarly, the gambler wants the rewards of rolling high on his magic dice, but wants to be rid of the misfortunes that come with rolling low. Crucially, both episodes make clear that in this type of balance--something unwanted for something wanted--you can't just make the unwanted piece vanish. It has to go somewhere, it has to happen. But you can make it happen to someone else, somewhere else. And when that's how the game works, one of the major questions for players who want to get ahead then becomes: "how do I make the bad stuff stay happening somewhere else, and keep reaping the benefits of the good stuff that balances it out?"

Here's where this gets wildly speculative and from here on I freely acknowledge that I may be talking out my ass:

I think the Magnus Institute was investigating that question. I suspect a great many alchemists before the Institute, probably going back to the times of Albertus Magnus, were investigating it as well. I think the Great Work they were attempting -- the "universal transmutation" alluded to in episode 21 as the Magnus Institute's aim -- was the exact opposite of Jonah Magnus's own "Great Work" in TMA. In other words, I think they were probably trying to make the world an eternal paradise, rather than an eternal hell.

But if you're getting rid of all the "bad" stuff, all the suffering and misfortune, it's got to go somewhere.

I think they were sending it through to other worlds.

I'm not going to get into all the reasons I think that right now, because that's a whole essay in itself, but basically--the Leitners in TMA? The artifacts? All the little bits and pieces of evil given physical form, that never had a clear origin point in the world where they caused so much suffering for so long? We've all been worried about them winding up here, post-Archives... but I think this is where they came from in the first place. I think they were sent away in the hopes that an increase in "bad" in other worlds would lead to an increase in "good" in this one. Remember all those books Albrecht von Closen found in the tomb in the Black Forest in TMA, that Jonah Magnus later stole and let loose on the world? Remember that Albrecht found a mysterious coin along with them dated 1279? Albertus Magnus died in 1280; I strongly suspect he sent those books from the world of Protocol to that of Archives shortly before his death, much as the world of Archives sent the tapes away centuries later. But I think Protocol's world kept sending things away, kept trying to export "bad" and import "good". Remember all those happy, laughing volunteers bringing strange and sinister items to the charity shop on Hill Top Road in episode 7? "All for a good cause."

Okay so. Now. With that bit of hypothetical framework for Protocol's worldbuilding in place, let's next go back to Alesis Newman of episode 23. Her expressed wish is to create a new her. "Someone better. Someone the pain can't touch." Someone who can be everything Alesis wishes she could have been. Someone "free of all (her) mistakes."

But increasingly it sounds like what she actually wants isn't to create someone new. It is to create someone who is only a part of her current self. Someone who, she says in one of her last few posts, will "just be the good parts of me."

And if that's the case, if what she's really trying to do is make someone who holds only the "good" parts of her, someone who can be happy and strong and perfect and loved by everyone forever... what happens to the bad parts of Alesis Newman, as she currently exists? What about the parts of her that feel pain and fear, the parts of her that make mistakes, the parts of her that she rejects?

One might assume, from the experience she narrates, that those pieces of her are simply being destroyed. But that doesn't line up with the suggestion we've seen from earlier episodes that there has to be some kind of balance maintained in these bargains. What she actually says is happening to her--and what the forum members have apparently told her will happen, through this process--is that she and this "new her" are "becoming one... and then two."

I don't think the "bad" parts of Alesis Newman are dying. I think they're also going to become a "new her"--they're just going to go somewhere else, somewhere the new, happy, strong, perfect version of Alesis Newman never has to see them.

Still with me?

Okay.

Now let's talk about Gerry. Let's talk about the smiling, laughing, irrepressibly happy Gerry Keay we meet early in Protocol. Gerry who seems to have everything that the Gerry Keay of Archives was denied.

Gerry who underwent tests at the Magnus Institute as a child, and who, per the static over his and "Gee Gee's" words, holds a few more secrets about what went on there than he let on to Sam and Celia.

Back when I first heard Gerry's appearance in episode 8, it sure felt like a narrative gut punch: This is who he could have been in Archives, if not for the presence of the Fears. This is what Jon and Martin's final decision threatens to destroy--for this safe, happy version of Gerry, and for everyone else in his world.

I'm now suspecting it might be significantly worse than that. I think the Magnus Institute might have done to Gerry Keay something similar to what Alesis Newman later did to herself: made him New. Kept only the good parts--ensured a happy, comfortable, good life for him. In which case, all the bad stuff--all the parts of Gerry Keay that would ever have to suffer from bad luck, to feel pain and fear and misery...

...well. They'd have had to go... somewhere else, wouldn't they.

Which would suggest I had the causality the wrong way around the first time I heard Gerry's appearance in Protocol: maybe it's not "Gerry has a happy life in this world because he didn't have to suffer everything that the Gerry Keay of Archives did."

Maybe it's "Gerry in Archives had to suffer everything he did because Gerry in Protocol was made to always be happy."

[theremustbeabear]

a lot of monster media has a hard time with balancing making their monster incredibly dangerous but also keeping the most important characters alive without it seeming like obvious plot armour

but i think the terror does a really great job--not just because they do allow it to kill a number of important characters, but because of the composition of the two scenes where tuunbaq is beaten

the first, in ep 5, is when tuunbaq chases blanky up the foremast, which, on the surface, seems like a very obvious case of plot armour. tuunbaq kills several other crewmen with incredible ease in that very same scene, but then blanky is spared long enough to escape from it, simply because he's an important character.

but that's not what's going on there. all of the easy deaths, so far, prior to this, have occurred on tuunbaq's territory. on flat ground, on the ice, and now tuunbaq is staking its claim on terror. but terror is still occupied, and blanky, especially, is a man who is more at home on a ship than land. tuunbaq is beaten, here, because blanky is playing with a home turf advantage. blanky does have armour, but it's not because he's an important character--it's because tuunbaq has invaded the space where he's most comfortable, and so he goes up, to where he knows a bear can still follow him, but it'll be exposed, and too heavy to follow him all the way.

and this show has done a great job of setting the stakes, already, by this point--the first time i watched this scene, even though blanky was so far surviving the confrontation, i was incredibly sure that he wasn't going to make it out. i thought for certain that he was going to have to sacrifice himself in order for them to hit tuunbaq with the cannon, and so it was deeply satisfying when he actually survived. i was so fucking happy, because i was already starting to get sad about him being dead, even though he wasn't dead yet, lol. it feels earned, when he makes it out, and fair enough that he loses a leg in the process, too.

the second, in the final episode, is i think a bit more obvious, and considering how many other major characters get torn apart, it doesn't feel quite so much like crozier has plot armour. but tuunbaq is once again beaten by using the things that are not native to its land, that tuunbaq isn't designed to deal with. the sick and poisoned flesh of the seamen it's already consumed, for one, and then the boat chain.

and, for the second time, in order to beat tuunbaq, a limb must be sacrificed--crozier's hand, i think, counts, even though he loses it after the confrontation is long over, because blanky only loses his leg properly after the fact as well. and i think this can be brought around to how tuunbaq's shaman must remove their own tongue to communicate with it--if one wishes to have any sort of dominance over tuunbaq, a part of their body must be given in exchange. silna and her father give their tongues, blanky gives his leg, and crozier gives his hand.

and it is emphasized through hickey's failure that tuunbaq cannot be controlled by the expeditioners. the colonizers. it can be beaten back, and suppressed, and killed, through sacrifice, but it cannot be harnessed. it belongs to silna's people, to the inuit, and cannot truly be taken away. the only way to beat it is by invading its home with foreign powers and losing something of yourself in the process.

tl;dr thomas blanky doesn't need plot armour because he's just that good /silly and also this show is just. awesome.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[talleyuh]

just finished the bear season 3 and there is such a collective cognitive dissonance from everywhere from the writing of the show all the way to the social media marketing.

i know i’m biased because i particularly like syd and carmy together, but this season was strange but in different ways than the last season was strange.

not only does carmy take a backseat as a protagonist about halfway through, he and syd have hardly any scenes together, but i think the show almost suffers for it. this season was certainly funnier than the last, but the neil and ted fak got old and old fast. it certainly doesn’t help that even though carmy has a new arc every season, but he doesn’t take the lessons he should’ve learned into how he should act going forward. it’s stunting his growth and now that we have three seasons to compare to one another, it’s only more apparent.

we’ve already talked about how funny characters are stronger than comic relief characters and that’s essentially what the faks are. i really liked neil’s more vulnerable moments where he got to be taken seriously but it’s hard to take him seriously when all of his screen time is him doing stupid shit. also the hauntings thing? it really was not that funny.

also the show is making such an active attempt to rewrite its own history and i don’t understand why. so many little details that connect moments from the past and present to make up who the characters are and yet it’s kind of being thrown out the window.

claire being described as carmy’s peace threw me for a loop because he felt out of place in his own relationship. i think we all know the clip of carmy’s late s2 panic attack where thinking of claire and him together makes it worse but now we are given so many more scenes of when he was happy? what narrative are they trying to spin here? was carmy genuinely in love with claire or mostly disinterested, because it can’t be both.

even claire doesn’t seem interested in being with carmy at this point, and who can blame her?

her presence was just kind of weird to me, because she didn’t really interact with the rest of the cast until the 9th episode. i think her brief hospital scenes were to flesh her out more, but it’s really just creating vulnerabilities and revealing the seams. and because she’s never really been developed as much as everyone else in the series, we’re left with more questions. who was that in her bed? why was she never fired for insane medical malpractice? what is any of this for?

also a lot of the lighting this season has changed. i saw one user (can’t remember who but their post was super interesting) mention how much warmer and inviting the scenes with syd are as opposed to the coolness and almost detachment the scenes with claire were. except we see carmy in cool lighting a lot more this season.

i also wanted to add where carmy gets overwhelmed in the finale, thoughts of claire coming in with a violin sting like a horror movie doesn’t add to the narrative that they keep telling us. that’s another thing i noticed. they tell us how great claire was even though their time together hindered him being involved with his passions and his coworkers, but they retcon things and add scenes of them happy and have carmy tell us how amazing she is but they barely cared to show us.

a huge theme in this show is family and responsibility. and the scene where neil fak said claire could be the one to take care of carmy and vice versa really rubbed me the wrong way. first of all, i think it kind of supports the idea of codependency which isn’t great but i could be reaching. second, carmy isn’t really equipped to take care of anyone and i think the way he interacts with his coworkers when he’s frustrated is proof of that.

don’t get me wrong, i thought this season was amazing television, christopher storer is a brilliant writer and director, joanna calo really should helm more episodes bc ice chips was actually a perfect episode, and ayo getting the opportunity to direct tina’s episode was so amazing and i really hope i see her name in more directorial projects in the near future. but i think we’re getting a little lost in the plot here and losing sight of what the heart of the show is. the literal restaurant. and logically some of the decisions made don’t exactly hold up and i would hate to see this show fumble.

it can’t be a coincidence that so much of the show’s marketing is tied to carmy and syd and i think efforts to trick the audience are actually making the show suffer. or the increasingly less subtle decisions in the editing in the few scenes of them together? are you really gonna gaslight a whole audience for the sake of a misdirect?

[frostbytemyrik]

Danny Phantom Required* Watching

*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.

Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!

Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.

Pink (P) - Introduction of a side character or minor plot development.

Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.

Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.

Season 1

Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.

Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)

Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.

Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.

Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)

Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)

Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.

Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.

Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.

Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)

Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.

Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.

Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.

Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...

Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.

Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.

Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.

Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...

Season 2

Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)

Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.

Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.

Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.

Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).

Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.

Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)

Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.

Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).

Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.

Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!

Season 3

Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.

Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.

Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.

Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.

Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.

Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...

Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.

Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.

The Comics

Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.

Book 2: To be continued in 2025!

Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!

Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones

[actuallyjustabiscuit]

Ok thoughts 👏thoughts👏Everyone gather around I have thoughts about this!

Episode 2 was clearly the Pomni episode. We got to see her character get a little more fleshed out and we also got a glimpse of what motivates her which is great.

With this tweet we have solid confirmation on who the upcoming episodes will center on (thanks for not making us guess, Goose) and this lineup is really interesting.

First fascinating thing is that Kinger and Zooble share a spotlight in ep 3. Why is that? Everyone else gets their own dedicated episodes so why are they unique in that regard? What connects them?

Well, I have one idea!

So we know since the pilot that Kinger has been the one to have lived in the Circus the longest out of all of them. We’re still not sure if he was in fact the 1st human to be trapped (maybe we’ll find out in the next episode) but he definitely has the most seniority, both in age and in length of entrapment.

We also know that Zooble was the most recent character to get stuck before Pomni (and considering their attitude, it may have even been quite a while beforehand) AND is the youngest character next to Jax (they even share the same age, which could be a coincidence but it feels too deliberate of a choice).

Which means ep 2 will simultaneously focus on the oldest and the youngest of the characters.

I’m actually curious as to what their dynamic will be because they haven’t really interacted much in the pilot (and like not at all in episode 2), if they end up interacting in ep 3 at all. But mostly I’m excited to see them more fleshed out with hopefully Pomni getting the chance to bond with them (either together or separately).

My guess is that the purpose for them to share focus on an episode is to get perspective from someone who’s been there the longest and has seen more people come and go than anyone else vs. someone who was just recently in Pomni’s shoes and had probably a much different first day experience (we know Zooble cared enough about Kaufmo to personally organize his funeral so they may have some…feelings about who’s essentially his replacement).

Ep3 is also supposedly Gooseworx’s most anticipated episode so I’m extra excited.

Next we have Gangle for episode 4. I honestly don’t have a lot to say about her or the significance in her episode placement outside of her being the closest in age to Pomni (being only a year older). The only hint we get about what her episode will possibly consist of will be on how reliant she is on her ComedyMask to feel happy, which will be very interesting and we might even get some confirmation on whether her avatar was programmed with that feature upon entering the Circus or if it was an add on of sorts by Caine to help keep her sane. A pretty shitty feature if it can’t last for very long but it does make for a nice metaphor about how fragile her facade is (girl is literally masking).

Actually I don’t think her and Pomni have actually exchanged words yet in the show. Wouldn’t it be funny if they don’t up until her episode. Like Pomni is so caught up in between whatever mess episode 3 has in store for Kinger and Zooble that the two of them never actually talk and it just keeps getting more awkward. Gangle wants to talk to her but is so self-conscious about her Tragedy self that she’ll only feel safe to have a conversation if she has her mask, but it just keeps breaking before she even gets the chance.

Again this is all just speculation, if they actually end up talking in episode 3 I’ll…make ship art of them.

Yeah

Anyway, episode 5. The one I’m personally waiting for because y’all should know what I’m about by now.

*Warning: Unhinged, borderline psychotic tangent incoming*

I swear to god if Pomni and Ragatha don’t have a fucking conversation before ep 5 I will launch myself into the sun. I’ll take anything, I just need them to get real for a second. I NEED to know the extent of this woman’s damage. It has to be explored, analyzed, and dissected and I will do so with gusto when the day comes. None of these characters will be safe from my scrutiny, but Ragatha oh ho ho, you have been living rent free in my head for too long, madame. You WILL pay your dues and I intend to collect in every episode until there is not corner of your unsound mind that I have not examined in great detail!

Ahem *Straightens tie* Ok back to business

So yeah, Ragatha.

It may be because we’ve only had 2 episodes but I can’t help but feel like we’re supposed to see Ragatha as a sort of deuteragonist since out of all of the supporting characters she’s so far been getting the most focus aside from Jax, and we’ll get to him in a minute (I promise that’s not just me being biased, or maybe it is, I don’t know, you tell me).

In just two episodes we’ve seen more of what makes her tick compared to anyone else. And of the main cast she’s been the ONLY one to make any kind of connection to the main character and have enough of a meaningful interaction with her to leave an impression.

But this is what really clinched her role as a deuteragonist for me, she’s so far been one of the few to have the narrative briefly shift to her perspective to give us significant character moments like these:

The show REALLY wants us to see just how NOT ok she is.

If she’s meant to be the heart of the group, her heart already can’t take much more damage. Her friendship (if you can call it that, it’s so painfully one sided right now) with Pomni clearly means a lot to her, so much so that her entire sense of self worth seems to be tied to it (and if you’ve been paying attention, she doesn’t have a lot of that as it is). It would be nice to see their connection gradually grow before her designated episode, where she might experience actual growth for herself.

And if episode 2 is any indication of how this show preserves friendships well…

Yeah, I don’t think she’s gonna make it.

In fact, I’m willing to bet actual money that she’s either gonna abstract in episode 5 or episode 6.

Which brings us to Jax’s episode! The other deuteragonist…tritagonist? He definitely shares some degree of significant narrative focus along with Pomni and Ragatha. He’s both an active antagonist force and one of the only characters to drive the plot forward every time he’s on screen (then there’s that weird thing where he keeps breaking the fourth wall).

He has so much significance in the story that Gooseworx gave him his own bullet point in her list of content warnings (this could also be a joke, but I mean it would be funny to see just how despicable they can make this character).

Gooseworx also described Jax and Pomni’s relationship in the show as “messy”. After episode 2, I don’t think she considers him as a candidate for any kind friendship like she did for the others, and who could blame her? In just two days the guy abandoned her to deal with an abstraction and chucked her out of a truck. He’s no one’s favorite person, and he relishes that. Bunnyboy definitely has some issues that Pomni would pick up on the more she’s forced to spend time with him. To the point where I can see her trying to eventually form some kind of bridge because, as her previously established character motivation implies, she’s not the kind of person to intentionally leave anyone high and dry. But unlike the rest of the crew, I don’t think Jax would be inclined to change for the better just because someone took pity on him. He seems like the kinda guy to dig his heels in and commit to his bad behavior out of spite.

And for his episode to come after Ragatha’s, why do I get the feeling the reason Gooseworx went so far as to preemptively apologize to bunnydoll shippers specifically is because he’s gonna cause something really really bad to happen to her (could be abstraction, could even be something much worse) that he would come to sorely regret.

And oh boy would that evoke some feelings in everyone!

I feel like if that is indeed the direction this show is going, the rest of the episodes will really be something.

I’m also certain Caine will get his own episode but right now he is very much an antagonist to these characters. I wouldn’t go so far as to call him a villain, but he’s certainly not someone Pomni is keen on sympathizing with, at least not currently.

Thanks again @lilyclawthorne for helpfully providing me with the tweet so I can give some context for my ramblings of the week!

[gffa]

TALES OF THE EMPIRE wound up being a mixed bag for me, there was a lot I enjoyed but there was a lot that just felt really unfulfilled. Morgan's episodes were very pretty to look at but I couldn't help thinking--the entire time I was watching, even--that Filoni's not great at creating new characters that can carry entire episodes like this, none of this felt particularly necessary or like it was fulfilling a void that I wanted to know more about. It doesn't help that I still think her arc in live action was badly handled, that if she was meant to be a Nightsister from the beginning, her first episode should have dealt with that, instead of springing it on us later, so when filling in the background of her on Dathomir in TOTE, it brings all that up for me again.

Morgan's first episode was so pretty and it was interesting to potentially get more Dathomir lore (even if it's incredibly thin and I felt it was too close to the "we see others suffering in the galaxy, but we don't want to get our own hands dirty by fighting for other people or getting involved in helping others, btw we're morally better for that :)" trope for me personally) but everything on Corvus just felt superfluous to me and I spent time trying to figure out why I felt that way. If they had done her story this way or that way, would I have enjoyed it more? If they had included this or that, would I have thought it more necessary?

And ultimately I just kept coming back to that I don't really care about Morgan Elsbeth enough that I wanted three animated shorts dedicated to her, when I could have had so many other characters get fleshed out better. I appreciated that they were showing two characters on opposite journeys, that Morgan was falling into the dark step by step, while Barriss was slowly clawing her way out of it, but that's about all that I appreciated of Morgan's story (other than the beautiful animation).

But I'm not sure I feel like Morgan's motivations were all that well planned out. It's clear that she's looking for revenge and trying to find a new family at the same time, but it's not really clear why she's working with the Empire or how she thinks this leads her to her goals. Grievous is the one who murdered her village, how does working with the Empire (as the Separatists were folded into the Empire, too) achieve that goal? Who or what is her revenge focused on? Is it that she just wants the whole galaxy to burn, because if her village burned, so should everyone else? I feel like that's probably what they were going for, but that it could have been more coherently written.

Barriss' episodes hit a lot harder, where I'm glad that she at least got an arc, but I feel like it just missed so many marks, like why even have Vader there, I'm all for gratuitous Anakin cameos, he's my trash can man and I'm always excited to see him, but absolutely nothing was done with him, despite that he was looking Barriss right in the face there. Not even a moment of showing the audience, "Oh, his soul is so far into the dark of fear, hate, and rage that he doesn't even care about her anymore." Just nothing there, like there was no connection at all. How do you go to the lengths of putting Vader in a scene with Barriss and then treat it like there's no history between her and Anakin??? So completely unsatisfying!

And then it's another series where other guest appearances would have made sense--Barriss has a whole unfinished story with Ahsoka and you don't include her here? I'm as tired of Filoni putting Ahsoka in everything as anyone else, but here it would have made sense and would have brought that relationship full circle on-screen, Barriss' betrayal of her and her clawing her way back to the light after all the trauma and hurt, there's so much she and Ahsoka would have between them. And then nothing.

Or Barriss' relationship with Luminara, TCW never really got into how that must have felt for Luminara, to have her student betray the Jedi so profoundly, for her to fall to the dark, there's such a well of potential there and it's just entirely ignored. She mentions Luminara once and it was a lovely mention, but there's no sense of resolution or completion to that arc.

I did enjoy her story with Lyn and I try not to compare what the show wanted to do with what I wanted the show to do, but I couldn't help it. During all those scenes, all I could think was that this could have been so much more powerful and complete if it had focus on Barriss' established relationships and characters I already care about, because a new random Inquisitor is just not going to hold the same weight for me as my pre-investment in Ahsoka and Luminara. (On the other hand, with the way they butchered Luminara in the last season of TCW, maybe I dodged a bullet!)

For all that negativity, though, I really loved that Barriss found herself in being a healer again, that she found the light again. That's all I've wanted for my girl!!!! (That and put a headdress on her, ffs.) I legitimately took in a hard breath when she said, "Then you have one more Jedi to deal with." because Barriss is still working through too much to fully come back to clarity re: the Jedi at that point , but when it really came down to it, when she really saw what the dark side really was, part of her still was a Jedi. And the way she spoke of her time as a Jedi, once she had a clearer, lighter head again, was sweet, I was so surprised that we got that much from her, but I'm so glad because, if nothing else, Barriss herself deserves to be in the light again.

The way she was settled into her own skin by the time she confronted Lyn on the icy planet, the way she genuinely wanted to help her, but wouldn't let her hurt innocent children, the way she could sidestep Lyn's predictable moves and could stop the blade with just a hand held out, she found her path and what she wanted to do, and oh it was so lovely to see Barriss finding herself again. I loved so much that her unshakable compassion did reach Lyn, it was such a satisfying arc for Barriss to reach that place after all the people she'd hurt. I loved so much that Barriss getting back to this place does a lot to remind us that her foundation is a compassionate one, even if she was lost to the dark for awhile.

I just wish that there had been acknowledgement of those she hurt, the people that died because of her, the betrayal she stabbed people in the back with, rather than just "sees the dark side is bad, walks away, finds the light again", which goes back to that this feels like a generic story that's mostly impactful because I'm filling in the gaps myself because I already know Barriss as a character, rather than that it continues the story that was previously told about her.

At the end of the day, I enjoyed it and I recognize that I'm being a little unfair in how I'm saying I wanted this, this, and this, rather than digesting what the show itself wanted to do, but when you're crafting two stories that are specifically about showing us the journey of two characters that originate elsewhere, you're drawing on the stories from those other origins--except TOTE decided to only halfway do that. There's a lot to love in these shorts, the animation was incredible, the voice work was incredible, Barriss' emotional journey was incredible and I'm so thankful that they even gave her any kind of compassionate resolution. But the specter of how much the shorts ignored hangs over it too heavily for me to say that they were anywhere near what they could have been imo.

[alwaysakin]

The Vampire Diaries Universe Fic Recs

Once again putting my unhealthy amount of fanfic knowledge to good use. Here's my list (non-exhaustive) of the best vampire diaries & originals fanfics. Includes Klaroline, Bamon, Kolvina, and more.

Bamon Fics

Before I Take My Flesh Away by Orig1n - the fic where Bonnie and Damon are comically bonded, and she hops around in his timeline pre (and during) the series. Tragically unfinished, but completely incredible! Kudos for developing Stefan and Damon as brothers and making me not hate Lily Salvatore. Also love the Arthurian lore.

if you love me (don't let go) by sarcastic_fina - this is a heartbreaking deconstruction of Bonnie and her victim mentality, and shows the strength of not only her romantic relationship with Damon, but her friendships with Caroline, Matt, and Tyler. So sad, but so good!

Bloodstone by cactusfinch - Bonnie time travels to 1864 (with all the problems entailed). Her relationship with Damon is done well here, and her friendship (sort of!) with Katherine is fun as hell.

rest for the wicked (hope for the weary) by castelia - Damon and Bonnie go on a road trip together after the prison word. I am a sucker for mutual pining, and this fic does it so well!

Fifty-Five Years by turningofflights - written from Elena's perspective, after she reads Bonnie's diary entries and learns how Bonnie and Damon fell in love. A bittersweet, believable love story for Bonnie and Damon.

Other Bonnie Bennett Ship Fics

The Edge of Night by Szajnie - a crossover between season 3 of the Originals and season 7 of the Vampire Diaries, where Bonnie goes to New Orleans. She's absolutely in her element here as the most powerful New Orleans witch, takes the supernatural world by storm, and everyone has a happier ending because of it (including her!). Absolutely love her friendships with Davina, Vincent, and Freya, and shout-out for being the only fic to make me care about Cami! Truly, this is great. The NOLA gang is the family Bonnie deserves, and the Bonnie/Klaus is so believable.

Kai Parket Screwed Us (Until Bonnie Bennett Screwed Him) by hysteriaww - exactly what it sounds like. Bonnie shows up to help Josie and Lizzie deal with the prison world and her and Kai's insane relationship weirds everyone out. Deals with the Gemini Coven in a really interesting way. Hilarious, and with mild Damon and Alaric bashing. BonKai.

Season One, Epsidoes One-Three by BorgiaBabe - a rewrite of the first three episodes of TVD with Bonnie as a proper main character. Her love interest is a softer Kai, and it's great! Bonnie really deserves better.

the night light hits off, turning kisses to bites by donutworry - an insane, dark, twisted Bonnie and Kai romance, where they're the only ones in the prison world from the start. I absolutely love the Gemini Coven lore in this fic.

Klaroline Fics

Make them bow by for_darkness_shows_the_stars - Klaus appears in season 1 of the vampire diaries. it's Klaroline, but still super gen, and all the characters get their own compelling arcs in it. Especially love the way Elena and Stefan are written.

One of A Kind, Two of a Kind, or the Three Musketeers by Phandancee74 - Caroline is an ancient nymph who was erased from memory by Malivore. She still helps the Mystic Falls gang out (and her relationship with Bonnie is great)! The Klaus/Caroline is angsty and lovely.

Calling on a Friend by Phandancee74 - 5 year old Josie gets Klaus's number. Shenanigans ensue. Short and cute as hell.

Sanctuary in their Hearts by thatsanotherlovestory - Caroline leaves before the season 8 wedding, and heads to New Orleans with Klaus. A fun story, but still so sad Bonnie didn't get her happy ending in it. The twins are so cute in this.

Let's do the Time Loop again! by kcatdino - on the night of the sacrifice, both Klaus and Caroline get stuck in a time loop. It's so funny to watch them get more and more deranged.

sweet present of the present by VintageLilac - it's Caroline, not Rebekah, who raises Hope while New Orleans is at war. I absolutely love Katherine in this fic, and though Hayley gets the short end of the stick it's written quite well.

The Wolf by Yokan - a witch version of Caroline is the one pregnant with Klaus's baby in the originals. And while season 1 doesn't change a lot because of it, the later one's definitely do! I love the Klaus and Caroline relationship, and Caroline & Elijah friendship.

Elena Gilbert-Centric Fic

The stars were brightly shining by adlyb - a fic where Elena is pregnant with Klaus's baby. It's so hard to describe! A little twisted, a little sweet, and a thorough depiction of Elena's mental state.

The Forgotten by MissNMikaelson - Elena time travels and gets dropped in the middle of Klaus and Kol's war in New Orleans, circa 1914. The flashback scenes in the fic are great! Eventual Kol/Elena.

blame it on the stardust by allwritenow - the fic that looks into if Elena's doppelganger nature affected her more. And a truly beautiful Caroline, Bonnie, and Elena friendship.

Off by a Single Degree by Tarroko - when Elena's phone dies, Damon walks her home and never compels away her memories, and her parents never die. This softer, sweeter Elena is so believable, and I love the way canon immediately shifts. Amazing development of her parents, Anna, and Enzo. Delena.

Katherine Pierce Centric Fic

afflictions eclipsed by glory by passionesque - in 1864, right after the fire in Mystic Falls, Elijah finds Katherine. They team up together against Klaus. This deals with Katherine's trauma and cunning so well! A slow build to Elijah/Katherine, involving him acknowledging his faults.

General Mystic Falls Gang Fics

in another life (i would let you go) by sarcastic_fina - Elena wakes up in a world where she isn't the doppelganger and no one knows her. An interesting deconstruction of the affects she's had on her friends.. Manages to be both Elena-bashing and sympathetic at the same time. Minor Steroline and Bamon.

Originals Family Feels

It All Comes Crumbling Down by AlwaysAkin - can I do a self-rec? I'm doing a self-rec. Hope is born a century earlier, and grows up in New Orleans with the Mikaelsons. I'm particularly proud of my Hope-Marcel bond and young!Hope voice in this one.

A Twist Through Time by fandom_lover_101 - Hope is sent back in time to the Vampire Diaries season 3. She messes everything up. Absolutely love the slow Hope & Klaus relationship built here, and her friendship with Elena is cute too. Minor Klaroline, Delena, and Handon.

Always & Tomorrow by Viretta - another tragically unfinished fic. Set after Hope jumps into Malivore in Legacies, it involves the dead Mikaelsons being resurrected, and the kids from the Salvatore School travelling to New Orleans (with a newly activated tribrid Hope). This is a Mikaelson family story in the bloodiest, best way. Has Handon and Klaroline in addition to the canon originals couples.

if no one in the entire world cared about you (did you really exist at all?) by nevermore_evermore - Elijah is erased from the minds of everyone he loves. Kol is (eventually) there to help him through it. An interesting take on Elijah's place in the family.

A Million Mistakes by mon-amour-eternel - a fic where Caroline is also an original, and her and Klaus are Marcel's parents. Sadly unfinished, especially considering the rarity of Marcel-centric fic!

But Stand Brave, Life-Liver by crownjrose - A Hayley-centric fic! Her foster parents come to New Orleans and see the way her life turned out. Interesting closure for Hayley, and a sweet Klaus/Hayley relationship.

Kolvina Fic

(finally) you and me are the lucky ones by yorkes - a long one-shot where Kol and Davina are soulmates. It's cute as hell! And Kol and Davina really grow into each other in this one.

The Vixen and the Fox by BlueBooThalassophile - be warned, this read is long as hell. But it's also great. Davina time travels to the Vampire Diaries season 4, gets involved in the fight against Silas, and everything goes sideways immediately. Love Davina's friendship with Hayley and bond with Marcel in this one. Every character in both shows appears in this one.

[let-us-cultivate-our-garden]

I just remembered the "Please. I don't want to see another human life destroyed by this place” line, and honestly did they have scenes of Luz starting to wonder if Belos' had a point and going into the island did destroy her life? If not, they should have had.

No, they did not have Luz ever wonder how the isles affected Belos--except in the storyboards:

Luz still calls him out for trying to destroy the isles and being a hypocrite but there's still that moment of empathy in which she asks point blank: "What do you think they DID to you?!" She briefly contemplates just why someone would go so far to destroy an entire population and what his mindset might be. Unfortunately, this was not included in the final version and Belos' expression is blank instead of pleading.

Then there's this storyboard from For the Future in which Luz, Eda, and King explain to the Collector how people like Amity and Lilith became their friends:

Luz's line about "people being complicated" is in the episode but the entire exchange between her and the Collector is not even though it opens up a lot of interesting ideas and themes. Without it though, the show becomes straight up hypocritical when it states that people are complicated but reduces its villains to generic archetypes and its hero characters as being simply misguided or victims of the villains.

And no, this doesn't mean that the show should have excused Belos' actions or even forgiven him; but they could have and should have acknowledged the complexity of his character by keeping this nuance in and how the characters react to it. By doing so, the message of "people are complicated" becomes clear and strengthens the other characters as well. Luz gets to self-reflect on how she sees other people and learn that even the worst people among us are incredibly complex and have driving forces that are uncomfortably close to our own, thus making it much harder to demonize them. The Collector--instead of being a Giant Star Baby--keeps both his childlike bluntness and keen observational skills that he had in season 2, thus fleshing out the character instead of devolving him.

Regrettably, that nuance is absent from the show and we have a rather black-and-white narrative about Good vs. Evil; people are only ever really "bad" if someone tricked them or if there was a misunderstanding and all the Real Bad People are just selfish jerks who are power hungry and controlling.

This is not compelling storytelling; this is a tale as old as time. And the worst part is that there was a great story in The Owl House but it was left in the rough drafts.

Storyboards by Yasmin Khudari and King Pecora

[sunflowersteves]

crazy || j.m.

chapter two of ain't no sunshine

pairing || joel miller x f!sunshine!reader

summary || you get injured during a patrol and Joel is too occupied to assist your wound. what happens when someone else has to take over?

author's note || i hope you all enjoy chapter two! since the second to last episode, all i could think about was that smirk joel gave. oop. i promise next chapter will be fluffy. now that it's spring beak, i'm hoping to write much more for this series. can be read as a stand alone but follows a series! 5.8k!

warnings || jealousy, injury, hurt/comfort, canon-typical violence, murder, blood, possessiveness, brad has his own warning (ifkyk), unrealistic recovery time, delirium, joel is self deprecating and self sabotaging, arguments, SMUT, rough sex, fingering, praise kink, taunting, degradation, dom joel, joel is a little mean, but don't worry because soft joel makes an appearance, soft sex, creampie, [18+ only!!]

series masterlist || part one || masterlist

Crazy for thinking that my love could hold you I'm crazy for trying and crazy for crying And I'm crazy for loving you

You weren’t sure when it happened—when the blade twisted into your gut, cutting your flesh and piercing your intestines. You could feel the pain. It was dull and throbbing as wet crimson seeped into your t-shirt. 

You heard a cried-out yell, and turning toward your side, you saw it. You saw the knife that was once in your stomach was now in your hand—lodged into your attacker’s skull. Your body had acted on instinct and perpetrated that familiar gut feeling of violence and revenge. 

You pause, just for a moment. You could feel the adrenaline kick into your system, and a numbing pain flushed out your senses. The blood felt warm and sticky—prompting the sleepiness to feel calming, and it urged you forward into its safe surroundings. 

But then you felt it. Panic. Panic rose in your neck as you looked around for someone. Your hand darted out to try and find them, but your mind was starting to become blank from the fuzzy warmth of pain. 

Joel.

You needed Joel.

But all you knew was that Joel wasn’t by your side. Joel wasn’t here. He wasn’t holding your hand. He wasn’t whispering into your ear about how everything was going to be okay. 

You didn’t know where he was. Then, you collapsed to the snowy ground, white dots fluttering around you. It was almost comforting the way the snow danced around you like soft wet pillows. You opened your mouth. You wanted to say something—you wanted Joel, but nothing could leave your lips.

It all happened too fast—too soon after just leaving the commune for a patrol. You and Joel had spotted someone walking too close to the river, but you and the rest of your party hadn’t seen the tracks behind you. You never noticed four men creeping their way to surround you. 

It almost felt astonishing, really. You, Joel, Tommy, Maria, and Brad were not new to the dangers of survival, especially you and Joel.

The two of you and Ellie have had your fair share of raiders and non-friendly people alike. You and Joel protected Ellie in every way possible, punching your way through cheekbones and splattering scarlet liquid. 

You and Joel weren’t new to picking out tracks and finding the smallest detail of other life. So how could you miss this?

“I’ve got you.”

Your brow crinkles. That doesn’t sound like Joel. You peek open one of your eyes to see a man—what was his name? Oh, yeah. Brad. 

You didn’t want Brad. You wanted Joel. You wanted the scruff of gray hair poking out loudly against the soft brunette ones. You wanted those honeyed brown eyes staring at you in concern and anguish. You wanted Joel to hold your hand as he gently took you into his arms and carried you all the way back. 

Finally, you speak. “Joel. N-Need Jo—”

“I know, but he’s not here.” He placed his hand on your abdomen and applied a great deal of pressure. Your breath hitches, but then your lips fall into a frown. 

“Joel isn’t here?” Tears start to water your lash line, but none of them fall. If you weren’t preoccupied with the open wound on your side, you would have noticed the twitch of a smirk on Brad’s lips. He was purposely attempting to make you feel alone like you've been abandoned by your partner. 

Your eyes start to sting, a fresh tear falling down the side of your face, right below your temple. Something was wrong. Something felt very wrong. You knew Joel would never ever abandon you, so why did Brad say that?

You could feel yourself become dizzy, and the white specs that fluttered around you started to become hazy. You opened your mouth, and your eyes felt so heavy. You could hear someone telling you to stay awake, and it didn’t feel like Brad this time. Maria? Tommy? 

You weren’t sure, but it was no use. You let the sweet lullaby of sleep take over you, and your eyes fluttered closed. 

You whispered Joel's name over and over. 

═ ∘◦❦◦∘ ═

Tommy hadn’t seen Joel act like this in quite some time. Everyone saw their fair share of grumpy glares and pissed off, snarling Joel, but never this—not since the very beginning of the outbreak.

Joel had just been so irate. He was so entirely impassioned with rage—furious and calculating as his fist connected with the raider's face, over and over. But there was something else, too. Fear and hurt swirled and ignited between his brown eyes at the sight of the blood that seeped into your clothing. 

He watched it all happen. He watched the knife lodge into your stomach. He saw your blood that almost became fluorescent in the white snow. He felt his chest seize as his eyes followed your fist that was puncturing the knife into the raider’s skull. 

He saw the way Brad flew to your side, the way that he yelled at you to stay awake. He watched as your eyes fluttered close, and desperation rose in his throat. He tried calling out your name, but he couldn’t get to you.

One of the raiders wrapped his arm around his neck and choked him—no doubt the raider using Joel’s vulnerability of pure agony to his advantage. 

He couldn’t get to you.

He repeated it over and over in his head. He grabbed the raider’s arm and used the weight of his body to fling the guy forward. Joel didn’t waste a single second. He grasped the gun that was flung out of his hands earlier to the raider’s face. 

The clock was ticking. He couldn’t get to you.

“Wait, wait, wait, I can help—”

Joel pulled the trigger, releasing the bullet and popping loudly against the barrel—shoving the nine millimeters of metal into the man’s head. He fell limp to the ground, and the hands that were clenching around Joel’s forearms slowly dropped. 

He looked over in an instant to see that Tommy had knocked out the last of the men that had surrounded all of you. His head snapped back over to you, feet crunching against the snow with each step. 

You weren’t moving—not even your eyes were fluttering—and Joel felt the whole world swallowing him whole. His heart thumped loudly against his chest as his knees hit the ground, no doubt bruising them in the process. 

Brad was on the other side of you, applying pressure to the wound still. “About time, old man.”

Joel ignored him—honestly, he was not even sure he really registered his presence at all. All Joel could do was hold your face, not caring about any of the blood that smeared onto your cheek. “Baby?”

His eyes skated across your face to see a sign—a twitch of your brow, a pull at your lips, anything. He could see the tears that started to gloss over his vision. “Sunshine, please.” 

He paused, desperately searching. “Please.” 

Tommy says Joel’s name softly as if he were going to snap at any moment. He flinched a little when Joel moved. The dark depths of memories from before rushed through his brain. His mind almost became blank—so did Joel’s. Was this going to be the same?

Maria was the one that snapped them out of it, holding her broken wrist to her chest. “We need to leave. We have to get her to the clinic.”

Joel's arm loops itself under your neck, and Tommy pulls your legs up to make it easier to lift you. He scoops you up into his arms, pressing a watery kiss to your forehead. He needed to get you home, and he needed to do it now. 

You murmur just barely under your breath and so quietly that he almost misses it. He wasn’t quite sure if you were even conscious. 

“Joel.”

═ ∘◦❦◦∘ ═

Worry, why do I let myself worry?

Wondering what in the world did I do?

Crazy for thinking that my love could hold you

The crackling, sultry voice of Patsy Cline flooded into your ears. Your eyes blinked open to see familiar plain white walls. You breathed in to smell fresh pine and some reminiscence of Joel’s cooking. 

Home. You were home. 

You could feel yourself groan as a dull pain spread from your abdomen to your chest. Your head felt a little fuzzy, and you tried to get your bearings, pushing yourself up from what felt like fluffy pillows. 

“Easy. Woah, slow down.” You smiled at the high-pitched voice. Ellie. 

She grabbed your hand, the other guiding the small of your back to sit up. While your wound had mostly healed by this point, there was still going to be a lot of internal discomfort. 

“How long was I out?” You rasped out, your vocal cords rubbing like sandpaper against your throat. You coughed out, and Ellie was quick to bring a glass of water to your lips. 

You gulped down heavily, the relief of the cold liquid soothing your aching throat. You cleared your throat and handed the water back to her. “How long?”

Ellie bit her lip, an uneasy expression lifting onto her face. “Six weeks.”

Your mouth gaped open. “Six weeks? Oh my god—”

She tried to quickly play it off as if she, Joel, Tommy, and Maria weren’t shitting their pants every day at the thought of you never waking up. “But Patsy Cline woke you up! I played all your favorites, especially the ones that you and Joel like to sing all the time, and I knew for sure that she was going to do the trick and—”

“Where’s Joel? Is he okay? Did they hurt him?”

Ellie winced at the mention of his name, but her heart also thumped against her chest. You were literally stabbed in the stomach and almost died multiple times, yet you still thought of someone else. You still thought about the safety and well-being of Joel.

His typical sunshine. Her typical mother. 

She gently squeezed your hand. “Joel is fine. He only had a couple of bruises.” She paused before answering your first question. “He’s, um, at Tommy’s.”

You just blinked, feeling the disappointment crash against your chest. “Oh.” 

Oh. That was okay. He didn’t need to be constantly by your side. Maybe he just needed some rest or comfort from his younger brother. That was okay, right?

Right?

“Is he sleeping?” You could tell by the way she avoided your eyes that something was wrong. What that was, you weren’t exactly sure. He wasn’t injured, so what else could it be? You gulped—suddenly feeling parched again. 

“No…He’s awake. I think so, anyway.” She winced again and knew that she wasn’t helping his case at all. “He hasn’t exactly left Tommy’s to come here.”

When Joel carried you all that way to the clinic in Jackson, he collapsed on the hard ground and cradled you in his arms. You felt cold. You felt unmoving. The entire walk back, he felt helpless—breaths of hopelessness crowded his brain, and all he could think about was that he lost you.

When they tried to take you into the operating room, Joel almost wouldn’t let them. He was clouded by fear and burning with uncleansed rage. 

He lost you, and he did nothing about it. He lost you, and he did nothing about it. It repeated through his head until he could no longer think, hear, see—anything at all—but those words. He couldn’t let them take you—he wouldn’t let them take you from him.

Finally, after realizing that he was wasting the precious time of your beating heart, he let them carry you into a back operating room. He never left the clinic that night, even after the ten-hour surgery. 

After that, though, Joel wasn’t the same. At least, he didn’t feel like it. 

While Tommy knew that and Maria knew that, you and Ellie didn’t. Ellie hadn’t seen Joel in six weeks—just Tommy checking in and bringing her the basics of food and water and helping you. Maria would come too, to bathe you and give you medicine. At first, Ellie thought that Joel had just been hurt or he was forced to go on another patrol.

But no. She realized Joel just hadn’t visited you at all. She was angry at first, stomping over to him and giving him a piece of her mind. As she calmed down, though, she knew Joel cared about you. Deeply. 

He was just…Joel. 

He was unemotional and brash. He was jarring and inanely grumpy all the time. He has violent tendencies and a very distant, dark past. He pushed everyone away from him—only gave affection within a ten-foot pole radius. God, he really, really pushes the people he loves away. 

She knew that she could handle that. She was stubborn and hardheaded like him, so it was a bit easier. She just was worried you wouldn’t be able to handle that.

Ellie and Joel were your worlds. You even told the two of them that when star-gazing one night on the roof of your cabin. You were sweet and doting. You were so calculating and headstrong when you needed to be. But if Joel wasn’t careful about this, she knew he could break your heart.

You go to stand, suddenly feeling a burst of anger rush through you. Ellie could tell by the way your eyebrow twitched and the hard thumps of your socked feet sauntered across the floor that you were very mad. 

“Look, please just—”

You hear a crashing noise outside of the guest bedroom door. Both of your heads whipped over to the loud sound. You would have almost let fear take hold of your chest if it weren’t for Joel bursting through the door not a second later.

His chest heaved up and down, rapidly, and eyes wide at the sight of you standing. You were in some sweatpants and one of his flannel button-ups. Your hair was a little damp. He had no doubt it was from Ellie washing it earlier this morning. 

“Joel.”

His eyes don’t even acknowledge Ellie’s presence. They’re just scanning your body over and over. You seem okay. You seem good. You seem alive.

His body carried itself forward before he was even thinking. His arm stretched out, and the pads of his fingers stroked your cheek. He takes a minute to look at the ways your eyes shone from the light of the window. 

He then retraced his hand so fast, as if your skin was a hot stove—sizzling and burning to the touch. He even took a few paces back. He could feel his eyes watering with each deep, dismal thought pulling him under. 

“You’re awake.”

He said it so softly that you weren’t even sure you heard him right. You just stood there, mouth opening in shock at his reaction. You weren’t really sure what to make of any of this. Shit, you weren’t even awake twenty minutes ago. 

Ellie cleared her throat at the awkwardness. “I’m gonna…go do things.” With that, she left the room, and a small ‘yikes’ escaped her lips. 

There was a long beat of silence before either of you spoke. Joel still looked at you, though. He couldn’t help himself. He still couldn’t believe that you were awake. You were the one to break it, your mind was wandering too aimlessly at all of the unknowns. 

“You didn’t visit me.” He opened his mouth, but you didn’t let him talk. “Ellie said I was in a coma for six weeks and you didn’t visit me.”

The cracking of your voice and the tears on your waterline broke his heart into two. It was split wide open and ached against his chest. “I-I couldn’t. I saw you layin’ there, darlin’, and I just couldn’t.”

You lightly scoffed. “Couldn’t or wouldn’t? I mean seriously Joel, who the fuck doesn’t visit their partner after they almost die and—”

“What do you want me to say, huh? That I wasn’t fuckin’ there for you? Is that what you want me to say?”

You purse your lips, your hands flying in the air. “No! I–I wanna know why, Joel. I wanna know why you couldn’t even see me.”

His nostrils flare at your tone—crackled and gloomy as it echoed across the room. “Why would you want to see someone like me? Huh? Brad was all over you, and—”

You couldn’t believe him right now. You almost didn’t, but the swirl of green that rested in between his eyes said otherwise. Joel didn’t visit you in your own shared home after being seriously injured because he was jealous? 

“Oh, my god.” You wanted to laugh, and you did. Laughter, the kind that was dark and fluid, bubbled through you. “You can’t be serious.”

You could tell there was something he wasn’t telling you. His hands were tight around the doorframe, and his eyes were glued to the ground. You wanted to pry a bit more, but as Joel always says, “You’re an absolute sunshine until that fire ignites inside of you.” 

“Maybe I should go to him, then.”

Yeah, that got his attention. His eyes flickered up towards yours, mouth opening slightly. “What?”

You crossed your arms over your chest. “You heard me. Maybe I should go see Brad. I should tell him to take me out to dinner at the bar. He seemed super interested a couple of weeks ago when he—”

“You shut your fuckin’ mouth.” Your mouth snapped closed as Joel towered over you. His nostrils flared, chest pulling up and down at a rate that was too calm—too calm while the red between his eyes burned a hole in your own chest. “You think Brad can please you? hmm?”

His fingers grip your jaw so that you’re forced to maintain eye contact. Not that you would give the satisfaction to Joel from the throb of your core anyway. “Yeah, Joel, I think he can.”

His eyes squinted, his face leaning even closer than before. “So if I shoved my hand down, your pussy wouldn’t be drippin’ for me?”

Yeah, okay. He’s got you there. “Huh? Gonna say anything, darlin’?” You defiantly squint your eyes back up into his. His tone was anything but sweet—it was snarling and patronizing as his brows furrowed even further.

Before you could even open your mouth to give a snarky comment back, Joel aggressively shoves the sweatpants you had on down to your ankles. “You’re a fuckin’ brat, you know that?”

He gets on his knees, fingers pushing between your folds. Sure enough, you’re wet. As if on cue, Joel smirks as his finger swirls to grab your sweet nectar. “F-Fuck you, Joel.”

“Yeah?” He groaned into your ear. His thumb presses deep into your clit, sparking your hips to jolt at the pressure. “I don’t think so, darlin’. I don’t think you deserve my cock.”

You gasped, “J-Joel–”

He slipped his index finger, pushing through your tight walls. His cock twitches at the whimper that left your lips. “All I’m doin' is fuckin’ you good with my fingers.” 

His torrid voice breaks you whole, sweet accent slurring his words together. “Can Brad do that? Could he make you dumb from just his fingers?”

He wants you to answer him, but he knows the pleasure is starting to blossom in your lower abdomen. His fingers always made you cum so fast and so hard. They always stretched your aching pussy so wide and scissored the perfect angle into you.

So, he was going to take his sweet time. 

He chuckled. “C’mon, you weren’t this shy earlier. I want you to answer me, sunshine.” Your head tilts back in a gasp, the nickname rolled off of his tongue, and it was so blissful. “Can Brad do this?”

You shake your head, mouth opening, but nothing comes out. You were sensitive—really sensitive. “You can do it, pretty girl.” God, he was enjoying this a bit too much, it was starting to drive you insane. “Answer me.”

The demanding tone struck through your chest, and you almost didn’t give in. All anger practically washed out of you when he inserted another finger—curling them with each thrust. “No! H-He can’t. B-Brad can’t fuck me like you do.”

A devilish smile sprouts from his lips at your affirmation. “That’s all you had to say, sunshine. I fuck you better, hmm?” The squelch of your juices running down his fingers sounded almost ethereal to his ears. “Look at you,” he coos, and you almost believed that it was sweet. “Fuckin’ dumb from just my hand.”

He pauses, almost taunting like. “Do you want my cock?”

Your fingernails dug deep into his shoulders, his name clouding over your mind, and it was all you seemed to think about. “Yes! Please, Joel! I-I want your cock. N-Need it, please.”

“Well, you can’t fuckin’ have it.” His fingers shove even deeper through your walls—finding that spongy spot that makes you mewl. “You don’t deserve it, sunshine.”

You weren’t sure how much more you could handle as the pressure builds, making your head feel a bit fuzzy. “Joel, please. I’m—” 

Oh.

Oh, you see it now. You almost say it. The apology almost rings through your ears. He wanted you to apologize for what you said to him, and it almost worked. Almost. 

You may be happy and considerate the majority of the time, but you were angry. Irritation still bubbled up between your chest, and you weren’t about to let Joel get away with something so easily. 

As if he knew, his eyes flared in anger. “Fuckin’ cum.” 

“I–I won’t—” You say defiantly, trying to make him more frustrated. He knew you better than that, though. He could feel the clench of your walls and the grip on his shoulders became increasingly tight.

“Fuckin’ cum right now, sunshine, or—” Your mouth hangs open as your orgasm breaks you whole. It flutters through you as he works you through it, thighs shaking and Joel’s name chanting from your lucid tongue. 

“Doing so good for me, yeah?” His hand thrusts into you, thumb still stroking your puffy clit. He groans at the gush of your juices dripping down to his wrist, and he leaned down, tongue swirling to just grab a little taste of you. “Y’taste so good, darlin’.”

Your head rolled over to nod. Your eyelids were heavy from the pure pleasure that rushed through your head and down to your toes. His fingers slip out of you easily, and plops them into his mouth, sucking every drop of your orgasm.

He takes his fingers out of his mouth and pulls himself up from the ground. Something sinks in between his stomach, though. He can feel the dread of confrontation unfolding in his eyes. 

The way you look up at him, Joel knows he doesn’t deserve this. You don’t deserve this. Your hand fluffs through the back of his hair, and he thought that your touch would bring him the comfort he needed. But it doesn’t.

He feels like he is going to be sick. He was mean to you. He degraded you. He acted like he didn’t trust you. You could see that he was pulling himself away from you with the way that his eyes snapped shut and his head shook back and forth. 

You tried to reel him back in, wanting him to know that you were just as angry as he was. You were just as turned on by his rage as he was by yours. But it was no use. Joel Miller had made up his mind already.

“I’m going for a walk.”

Your face fell as he bolted from the room. Pain swirled in your stomach, and a sob escaped your lips. You suddenly felt sick to your stomach, and everything just felt so wrong. There was a sunken feeling in your chest—a feeling of a hole burning through your heart. 

He left you.

Again.

═ ∘◦❦◦∘ ═

Tap, tap. Maria opened the door to your bedroom just a little, peeking her head in. “So the rumors are true. You are awake.”

You turned the pages of your favorite book, not even looking up at her just yet. “Awake as anyone can be.”

She smiled up at you before fully pushing the door open and entering the room. She had a glass of water and a handful of pill bottles—probably expired, but they have been probably keeping you alive. 

“Any pain?” 

You shook your head, but that was far from the truth. You just didn’t have any pain from the area you got stabbed. You just had lots of heart and head pain. 

“Good. Since you were out for quite some time, your body was able to mostly heal.” You noticed the small bag in her arm and figured it was most likely some more medical supplies.

You gave her a faint smile and turned another page—eyes skimming the small words. “Thank god. You know I can’t stay still for long.”

She chuckled, nodding in agreement. She gave you the pills you needed. You swallowed them down, gulping the fresh water. After handing the water back to her, you looked down at your book again.

She looked over at you, and a smile widened on her lips. “He read that to you every night, you know.”

You blinked, confused. “What?” You dog-eared the book and placed it on the bed next to you. You had somewhat of an idea, but the shock was still evident. “Who?”

Maria smiled and set down a couple of more pills on your bedside table. “It’s some pain medication if you need it.” After you nodded in acknowledgment, she sat down next to you on the bed. “Joel.”

Your eyes widened slightly. She continued, “After Ellie would go to sleep, he would sneak into the house. I told him he didn’t have to do that, but well, you know him.” She knocked her elbow with yours. “He just sat there all night reading that book to you, over and over. He’d come back to our place at around seven in the morning before Ellie woke up.”

She paused, looking right at you. “I know how he is. I know you know more than any of us, but that day? I hadn’t ever seen him like that. He was broken. He muttered under his breath the whole way back that you were gone, and it was his fault. I kept trying to tell him that you still had a steady heartbeat, but he was just—just fully convinced.”

She gave you a watery smile, noticing the tears streaming down your cheeks. You wiped them with the back of your palm and sniffled from a runny nose. 

“Oh, Joel.” You sighed, feeling slightly guilty, but you knew he would hate that. You didn’t know. He specifically chose not to tell you or Ellie anything because that was what he does. He pushes you away because he thinks he doesn’t deserve you or this life you have. Your silly, precious Joel. 

“I’ll leave you to it. Get better, okay? I need my movie-watching friend back.” She pats you lightly on the back before standing up from the bed.

You laughed, nodding in agreement. “Oh, I’m sure it was hell trying to watch Little Women with Tommy.”

She huffed, a hand on the doorknob. “You have no idea.” And with that, she left the room. You stayed there on the bed and tried to dry your tears. 

You felt an ache burst through you. You knew Joel wasn’t telling you everything. You knew it.

There was a part of you that still felt guilty, even though you know you shouldn’t. You just didn’t know what those six weeks felt like as he waited for you. He pleaded every night for you to wake up. Every ten hours after finishing the book, he would ask you all the same. 

You finally had enough of this. It was all his decision to wallow in his own darkness and sorrows—and you were going to put an end to it.

You took the duvet off of your lap and sauntered across the room. Your hand twisted the doorknob, and just as you whipped the door open, you were met with a hard chest. Joel’s hand was fisted, hanging in the middle of the air.

Your eyes widened as you looked up into his deep eyes. “Joel.” You whispered. Tears already started to water against your lash line from the sight of his creased brow and worried gleam in his eyes. 

“Darlin’.” He grunted. His hands clasp gently against your cheeks, and it pulls you forward. His eyes flickered across your face, and his thumb moved to wipe your tears. “I’m so sorry. I shouldn’t have said any of that, okay? I-I just didn’t want to tell you the truth, and I just–I used Brad as an excuse—”

“Joel.” You bit your lip, trying to shake your head, but his hands stopped you. His other thumb moved back and forth in adoration on your cheek. 

“I just–I know I failed you. I know I failed Ellie too. I made you a promise that I would never do that again, and I broke it.” His voice cracked, and he let out a huff of air.

“Joel, you didn’t.” Your hand moved up to his chest, stroking back and forth, and he closed his eyes. “You didn’t fail anyone.”

He shook his head. “I did. I did fail you. When I saw the b-blood that—” He paused at the gut-wrenching memory, “I couldn’t get to you. I-I couldn’t help you, darlin’.”

Your breath hitched. Joel was worried about trying to help you. Not saved—like you were some damsel in distress. Not saved, as in pushing you aside and using his ego like others would. Not rescue you. Not recovering you. He wanted to help you. 

“Oh, Joel.” Your hand goes to cup his cheek, “Look at me. Joel—” His eyes snapped open, and he stared at your breath-takingingly beautiful, teary face. “You did help me.”

He opened his mouth to disagree, but you beat him to it. “You carried me all that way, and no one else could do that. Maria had a broken wrist, Tommy has noodle arms,” Joel lets out a snort, “And we can’t rely on a complete stranger to carry me back home. You did. You helped me more than anyone else in this damn world.”

A sob escaped his lips at your sweet affirmation. Tears cascaded down his cheeks, and he surged your cheeks forward to his, lips desperately pressing against your own.

They swallow you—burning a fire inside of you and your hands gripping his chest so tight that you were afraid he would vanish if you hadn’t. He licks into you, moaning.

“Sunshine.” He said, a smile turning up on his lips. He pressed his own back onto yours, so chaste and tender that it makes your knees buckle. “I’m sorry. I love you.”

His lips moved to your neck, and he whispered that against your skin.“I’m sorry. I love you.” His hands flittered down to your hips and gradually started to move you toward the bed. 

You whispered right back at him. “I’m sorry. I love you.” You could feel his lips curl into a smile on your skin, lips still pressing against the base of your neck and your collarbone. “I’m sorry. I love you.”

He gently laid you down on top of the bouncy mattress, hovering over you. He started to take off his jeans, and you do the same with your sweatpants. He gently unbuttoned his shirt, but his eyes never left yours. In fact, they were boring into you. They were glittering under the dimmed light. They were bursting full of love and worship for everything and everything you. 

He leans over on top of you, and one of his hands gently massages your breast. You wantonly sighed, pressing kisses onto his scruffy gray beard. A hand gently rests on your hip, sparking a hot sensation on your skin. His thumb swipes back and forth, and it takes everything in you not to let tears roll down your face once more. 

“I love you, sunshine.” He said it with such adoration and love that your heart seizes in your chest. His cock slipped into you easily, the arousal from earlier and the dripping now mixed and connected. 

“Joel, I love you—I love you.” He moaned at the clench of your walls. His lips lowered to press soft kisses to your chest. He thrust deep, the head of his cock piercing through you. The sweet contrast of Joel was making you feel dizzy.

He pulled back just a little. He wanted to look at you—he wanted to see you. Your mouth hangs wide open for him, whines and whimpers escaping your throat. “J-Joel! Feels so good, Joel.”

He smiled, “Yeah, Darlin’? Love my cock, don’t you?”

You gasped, preening into him. “Yes! Joel—” He thrusted into hard and his deep, hips brushed up against yours. “F-Fuck, baby—”

“Y’Pussy feels so fuckin’ tight, sunshine.” His lips pressed so gently against your skin, tasting the salt that seeped through. He groaned, hips slapping up and puncturing through you. 

“Joel, I love—love you.” You whined. His hand moved to swirl circles on your clit. You could feel the pressure build and burst through you. 

“Gonna cum, sunshine? Yeah, that’s it. Cum for me. Cum all over my cock.” 

You mewled, and he pushed into you a couple of times before you scream his name. “Joel! Joel, I—I love you, I love you.”

“Fuck, my sweet sunshine—” He grunts, coil snapping on his own and clashing against his abdomen. His cock twitched inside your walls, and he spilled inside of you. 

He pumps you full, while muttering under his breath. “I love you, sunshine. I—fuck—oh—I love you.” You whined his name over and again while he did the same. 

You clutched onto one another, desperate to be as close as possible. His lips pressed against your cheeks, leaving soft and gentle kisses in his path. He moaned as he felt your walls clench once more around him. 

You opened your eyes, flickering over his wrinkled lines and strong nose. You wanted to hold him forever, and he no doubt felt the same. 

After six weeks of pure agony, Joel finally felt whole again. He had you by his side, and he felt so loved by your presence. 

You were glad to be finally awake. The toll of being under for so long definitely affected you and your body. But, you couldn’t be happier than to share a little moment with Joel. Your Joel. 

Finally, after quite a while of enjoying each other's company—pressing soft kisses and caressing each other's skin—you break the silence. “We should probably go tell Ellie we’re okay.”

He nods in agreement, but he makes no sudden movements. “Jus’ five more minutes, darlin’?”

You gave him a big smile. “Yeah. Five more minutes, handsome.”

[chaifootsteps]

does the 'we're only halfway through' squad realize that half of a show is more than enough time to expect actual character development to happen? because it hasn't and I suspect it won't, because Viv is terrible at actually making character changes stick

Blitzo - he's fared the best of everyone but it's still not much to look at - he's still an impulsive jerk who's mean to Moxxie. He's decided to stop butting in on M&M not because he respects either of their boundaries more now but because he's pining for Stolas for no adequately explained reason. His relationship with Loona hasn't changed, he's still a bit overbearing and overprotective. He's made up with Fizz but it doesn't really feel like he's changed meaningfully to become a person who wouldn't make the same mistake again because the first mistake was just an accident he couldn't have foreseen. Regressed in some ways because Stolas has totally wrecked his confidence and made him behave out of character by making Loona, his beloved daughter, burn taxidermy owls and neglected to pay his employees i.e. hurt the people who should matter to pine over his abuser.

On his end he's treated rephrensibly by the people who are supposed to love him - Stolas obviously, but also treated poorly by Fizz, M&M and Loona as not one of them think how Stolas treated him is messed up. IMP in particular are actively aware of Stolas being the meal ticket and assume it's fine to pimp out their boss since he's not complaining about it?

Moxxie - learns he needs to be confident in his own skills. Repeatedly. Occasionally calls Blitzo by first name but still uses 'sir' often, so he hasn't really changed there. No relationship to speak of with Loona. Mostly happy together with Millie

Millie - her only plots are helping the men get their shit together. Stopped calling Loona hellhound for no explained reason

Loona - made a friend in Tex, kind of. No change in most of her relationships with the cast because she barely has one

Via - repeating the same 'why does dad keep neglecting me' arc until she cuts him off, at which point he'll probably win her back in five minutes (then go right back to ignoring her)

Stolas - developed to learn the deal was wrong but not really since he's ending it principally because Blitzo wouldn't date him at the same time as Stolas was sexually extorting him. Still treats Blitzo like an object whose feelings inconvenience him. Still neglects his daughter. Learnt to stand up to Stella out of nowhere, so there's that I guess. Regressed harder than anyone else in terms of development since he's incapable of ever admitting when he's done wrong - it's not cheating since he says so, and gives lip service to the idea he's hurt Blitzo before being Shocked and Appalled whenever Blitzo confirms outright 'you hurt me'. Still talks down to imps. Has yet to acknowledge any of the members of IMP by name or show gratitude for them saving his life. A waste of flesh and screentime

Fizz - changed from a chaotic sassy king to a scared abused woobie. Managed to get free of Mammon in the space of one episode. Made up with Blitzo. Feels bad about not being equal to Ozzie but we're going to sweep that under the rug since classism storylines are a problem for making stol1tz happen

Striker - went from a legitimately scary antagonist who had a point, tempted Blitzo with great chemistry to a laughing stock who not only always loses but is called a supremacist despite only having ever pointed out the rich have all the power and mistreat the poor (a thing the show has proven him right about time and again). Goes from smooth seductor to joke with a hygiene problem

like, we can admit this is a tiny amount of development for two whole seasons and 50% of the entire show, right?

You can really tell the people in this fandom who actually watch other forms of media from the ones who don't, and by that I mean "haters expecting everything to be revealed in episode one." Shows don't reveal or even necessarily plan everything from day one, but I can't think of another cartoon that wobbles around as much as HB does.

[battlekidx2]

Hazbin Hotel Episodes 5 and 6 Thoughts

Wow. These two episodes of Hazbin Hotel were easily the best out of the series so far. They’re still working at a breakneck pace, but these episodes were so much more focused than the first 4 that it worked significantly better. The A and B plots of both these episodes were cleanly tied together so that no one part felt insignificant.

One of the biggest problems with the first four episodes was the fact that the split focus pulled the episode in different directions and made it so that reveals didn’t get the build up they needed to really feel impactful and pushed the Hazbin Hotel to the background so it felt insignificant in its own show. 

The second biggest problem in those episodes was that Charlie’s wish for her people, for redemption, and attempt to get into heaven to avoid extermination felt like it wasn’t the driving force it should have been. 

But these two episodes really fix that and expand on the characters really well. I’m just going to go through what I loved the most.

Alastor

I absolutely loved what we got from Alastor in episode 5. He really is the highlight of the show for me. There’s just so many layers to his character that the show isn’t rushing to peel back like it is with everyone else and it makes his character so intriguing.

I liked the fact that this episode hints that he truly does care about the hotel and wants it to succeed. It’s not only entertainment like he initially claimed. That moment where he sends Mimzy away was really telling. There isn’t even a hint of sinister subtext, sarcasm, or a joke in his voice or face when he tells her she can’t stay if she isn’t going to take redemption seriously.

The way his eyes twitch when she says he can’t seriously care about the hotel is such a great little detail.

I really like this point. The main theme of the show is redemption and showing that even someone like Alastor can care about the hotel is a direction I wanted the show to go in from the pilot, but something I wasn’t sure we would actually get. But I liked that it’s getting hinted at this early, especially since we now know there’s a season 2 and it can get fleshed out much more and can probably get to the point where he might grow into an actual mentor for Charlie instead of it being performative to spite Lucifer like it was in this episode.

(side note: I like that Charlie defends his actions against her father. She sees it as protecting the hotel, which we learn is the truth. He did do it for pride, but he also cares about the hotel and does want to protect it. I like to see that Charlie’s ability to see the best in people does pay off at least somewhat.)

That little hint of care to his actions with the hotel isn’t all we get to see of Alastor's layers. He is still the infamous Radio Demon after all, so we also get to see his pride at play.

It’s his pride being hurt by Lucifer that causes him to play up his role in Charlie’s life. It’s his pride being hurt that leads him to taking on the loan sharks alone both to remind everyone of his power and to show what else he brings to the hotel.

It’s also what causes him to go off on Husk. Husk is the only character willing to call Alastor out. He knows Alastor better than anyone else at the hotel because of their past and his ability to see through his facade. And he hurts Alastor's pride when he calls him out with the truth: That he's on a leash just like him.

The reveal that Alastor is also on someone’s leash was expected, but well executed.

This episode let Alastor’s mask slip a bit and we got to see more of his real emotions/feelings about things.

Alastor was the character I thought would have the most layers to them. Characters like Charlie, Angel Dust, and Vaggie wear what they feel a bit more openly than a character like Alastor (or at the very least their true feelings come out more frequently). There are motives and mysteries behind Alastor’s actions that aren’t clear with him like they are with everyone else and his demeanor, words, and actions can conflict with his true feelings and that’s what draws me to him so much. His usual (kinda) goofy and cavalier attitude, cold and ruthless demeanor that can come out at the flick of a switch, and infamous past make it so learning about Alastor's true intentions and introducing the idea of him changing and coming to care is very intriguing to me.

I just think that Alastor is the character that is working the best in the show right now because his plotline and development is not going at a breakneck pace. We’ve only gotten hints about why he was gone for seven years, who he sold his soul to, why he appeared to help with the hotel, etc. His character progression is also taking its time. This is the first real hint we get that he does genuinely care about the hotel in his own way and it’s 5 episodes in. This is the kind of pacing and development that the whole show would benefit from. 

This isn’t meant to be a shot at the show. I think it was put into a complicated situation because it was picked up initially for only 8 episodes (this is the type of show and large cast that needs at least twice as many) and was only renewed about halfway through the production of the first season, which I think explains why these episodes felt more coherent and fleshed out than the first four.

I really can’t wait to see where his character heads. He's still a walking question mark as of right now and every time we get a glimpse at his true intentions it's always fascinating because it's never clear cut where he stands.

Side note: I find it hilarious that Alastor created a rivalry between himself and Lucifer. The literal king of hell. Lucifer hurt Alastor’s pride and he immediately decided he would be as petty as possible towards him.

Charlie

I was always in the boat that Charlie was an interesting protagonist. The pilot set up a character that was very intriguing for the setting she was placed into. I didn’t think the three episodes necessarily handled her the best, but I think that was more a result of the rushed pacing and bloated plot. She���s handled significantly better from episode 4 on.

Episode 6 is where I think Charlie really came into her own as the protagonist of this series. The song where she stood up to heaven really sold me on her character. 

“If hell is forever then heaven must be a lie. If angels can do whatever and remain in the sky. The rules are shades gray when you don’t do as you say. And you make the wretched suffer just to kill them again.”

Up until this point Charlie felt a bit limited in her actions. It really amounted to trust exercises and the hotel residents acting out made up situations. She seemed naive and well meaning, but ill equipped to actually address the mental health issues her people had due to the fact her upbringing was so sheltered. There was the potential for more, but it wasn’t given the time I felt it deserved.

But this is where she really got to step up and call out the inequality and hypocrisy of heaven. This is where we got to see her backbone and the true extent of her care for her people. She won’t back down or accept the flimsy excuses they use to persecute the denizens of hell.

I also really liked her belief in Angel Dust. Yeah, he made some mistakes (at least from heaven’s point of view), but Charlie had complete faith in the fact that he would meet their requirements. It’s this characteristic of her’s that is intrinsic to bringing out the best in the residents of the hotel and before this point it was on the periphery (like with Angel Dust in episode 4) or implied. 

Episode 6 showed how important that characteristic is, especially to people who feel like they’re damned. (I like that Charlie is a good judge of character. It’s easy to take someone that’s privileged and naive and make them too trusting, but these two episodes show her belief in the best in the people at the hotel is founded.)

Another point I liked is that she was getting through to some of the angels. It’s a recurring gag that her presentations aren’t great. They’re written in crayon, flowery, and a little basic, but it’s the passion and critical thinking that she expresses in her presentations that shows that she can be a capable leader. 

She effectively poked holes in their argument that the sinners in hell deserve to be there and had their chance.

Her duet with Emily was really good. The way she brought back “Hell is Forever” to call the angels and exorcists out was the best (as you could probably tell from the fact that I quoted it). It also introduces a theme that the next generation will work to change things. Both Emily and Charlie want things to be different and clash with their parents who are both afraid that their child might end up like Lucifer. It’s a very clear parallel that sets up a lot of plot potential.

Charlie really was great in these episodes.

Angel Dust

I will admit I think aspects of Angel’s arc are rushed. Him standing up to Val is a big moment and I like the fact that it happened while Charlie is trying to show heaven that they are wrong about sinners, but I wish that we had gotten more time to build to Angel Dust being able to “stick it to the man” because of how powerful I think his arc is and the themes it deals with.

Episode 4 was the first time we really got to see beneath Angel’s mask and truly see the potential for change that Charlie does. We only really got hints that Angel wanted to change, but was scared to try in the first 3 episodes. We also know that he doesn’t feel safe even when he’s not around Valentino. 

Episode 4 is the turning point for him. When Val was abusing him he asked him not to hurt Charlie. His concern was solely for her in that moment despite the fact he was in the more tenuous position. He even forgives Charlie at the end because he knows her intentions are good. Plus his connection with Husk helped him find understanding so that he could come to feel like he could change. 

It was the real start of his growth and it was well done in my opinion. 

I just wish it had gotten a little more breathing room because while I do really like the plot points that occur in this episode I feel like they happened a bit too soon. (I know that it's been a few months in canon, but we didn't get to see that, so that slow progression doesn't have the impact it should)

I also liked that it called back to the pilot where she told the news that he was their patron and he ended up making them look bad because he was indulging in all his bad habits from before, but now it’s almost the opposite. Yeah, he drinks and does some drugs, but he shows his growth and proves Charlie’s point about sinners and it makes the angels argue among themselves.

Vaggie

The reveal that Vaggie was an ex-exorcist was something a lot of people made theories about. It was one that I wanted to be true because of what it would mean for Charlie and the dynamic of the hotel. I liked how it was revealed to Charlie.

This is another plot point that I think is rushed, but I think the execution is better than a lot of the other reveals that happened earlier in the series.

I feel like this reveal was a bit necessary for Vaggie’s character and the episode’s focus wasn’t split and I think that’s why I’m not as hard on it being rushed as I am on earlier plot points. Vaggie was the member of the hotel I thought suffered the most from the limited time/episode count.

The only focus she got was episode 3 and her arc in that episode was a bit clunky, which wasn’t helped by the fact that the other half of the episode with the overlords of hell was more interesting because it set up what looks like it will be a long term conflict and revealed a major plot point. 

The rest of the hotel residents got slower paced, less cluttered focus. Alastor has been subject to quite a few plot lines and is a slow burn mystery with a lot of potential for growth. Angel Dust is the hotel’s first patron and the character positioned to be the poster boy for redemption, so of course his development is given the spotlight. Husk has a unique dynamic with everyone (Alastor and Angel in particular) and is a foil to Angel Dust which makes him a central figure/mentor in Angel getting himself together. Etc.

I think this creates a lot of potential for her character leading into the last two episodes and gives her depth that I really want to see explored. I don’t really know what to say about the reveal beyond the fact that I’m really excited to see how this shakes Charlie and the hotel. How will this effect the other residents? Will Vaggie take a stand against the angels when they come for the hotel? Will we see her grief/conflict over her past actions now that they’ve been revealed?

There’s so many directions they can take this that I can’t wait for episode 7.

One smaller note is that I wish that the threat of Adam telling Charlie about Vaggie's secret had played more of a part in the episode and Vaggie actually had to choose between standing beside her girlfriend or stopping her. She just excuses herself to the restroom instead of making that choice and it felt like a missed opportunity.

Lucifer

Lucifer is a very interesting character in the limited screen time he’s had so far. The direction they took him is different from most of the other dads in Hazbin Hotel/Helluva Boss. The fact that he does care and was the person that was the original motivation for Charlie to open the Hazbin Hotel is a refreshing direction to take after all the bad dads this series has. 

He’s so afraid that Charlie will end up like him. That she’s putting her faith in the wrong people. That hell’s denizens aren’t capable of redemption. All these fears stem from his own crushed dreams from his fall at the hands of heaven. 

It’s a nice change of pace.

I also love how he’s just as petty as Alastor, taking any shot he can at the Radio Demon to one up him when it comes to their respective relationships to Charlie.

Extra Thoughts

Sir Pentious having a crush on Cherry Bomb, but being absolutely horrible at acting on it was really funny. Sir Pentious is such a fun character.

I love that the theory that Alastor made a deal with Lilith seems more and more plausible with every episode. It certainly would explain the fact that they were both gone for seven years and how Alastor was such a dominant force in hell from the start. I want Alastor’s backstory asap.

I like that Alastor’s overwhelming power among sinners is re-established here. He’s someone that you don’t mess with. And I like that the way that people don’t react to him as much as before is because of his 7 year absence. I did think it was strange that he’s so infamous for brutally toppling powerful overlords, but people don’t go running like you’d expect in the first few episodes.

Alastor and Husk have such a complicated dynamic. I really want to learn more about their history. Alastor has no problems tearing overlords that come across him apart, but Husk ended up with a deal to keep his power. Why is that? And while Alastor does own his soul Husk will call him out on things and can read him so much better than anyone else. Alastor lets these slide until he points out that Alastor is also on a leash like him. And Alastor had to have told Husk that he sold his soul because how else would Husk know that. All these things make for one of the most interesting and complicated dynamics of the show.

I do want to make clear that I think Alastor is a character of duality and contradiction. There's a hint that he does care about the hotel and the possibility of him growing to care for the residents, but he's still the sadistic and cruel Radio Demon. There's just a glimpse of change there now.

I really like the parallels between Emily and Charlie. I really like the idea that this seems to set up that the next generation is going to step up and take a stand against the mistakes of the previous generation. This one episode set the groundwork for a really interesting arc for Emily and her potential dynamic with Charlie.

I love Angel Dust. That's it. I just wanted to say that.

[doccywhomst]

okay so i understand that daleks are one of the main brand icons of doctor who, and that they represent a certain breed of fascist thought that can never be fully stamped out, but. :/

i think im ready for the daleks to die.

daleks have been central to doctor who from the very beginning (the second ever episode, the daleks, and season 2’s the dalek invasion of earth), embodying fear, hate, imperialism, and the darker sides of our own nature - but it seems that, for a while now, their continued existence has been maintained solely by the doctor’s mercy and/or ineptitude ??? which sucks as a theme imo

a great example is remembrance of the daleks, a seventh doctor story from 1988 - yes, the one where the doctor blows up skaro. or, davros fires a device the doctor boobytrapped at skaro’s sun, which goes supernova and destroys every dalek in that region of space. it’s pretty baller. anyway! davros and a few daleks hop in an escape pod and fuck off, and the doctor just lets them. k.

(skaro’s destruction was later ‘corrected’ by widely-detested EDA author john peel in war of the daleks, which is unhyperbolically the worst book i’ve ever read, and thus disregarded! but this heretical text explains that the planet was a decoy named antalin. it’s awful yeah. i tried to warn you)

exhibit b: evolution of the daleks (2007). ten confronts dalek caan, the sole survivor of the cult of skaro, at the top of the empire state building. the daleks have just created and annihilated a slave race of pig people, and it’s horrible to watch. you get the feeling that they’ve done this millions of times all across the universe, because they canonically have. they are inherently imperialist, racist, and genocidal. the doctor knows this.

and the doctor’s response is basically “killing you would mean that I commit genocide, so let’s just hang out and have a conversation.”

dalek caan gets away.

and you’ll never guess where he goes. that’s right! he hops the time lock and grabs davros, who escaped in remembrance of the daleks!!! and they make a bunch of new dalek babies together, out of davros’ gross old flesh. it’s a tentacle fest.

so he was right. killing dalek caan would’ve been a genocide- but because he didn’t, now there are ten thousand genocides. a clear improvement!

exhibit d: victory of the daleks (2010).

after a couple of false starts, the daleks manage to make more daleks after tricking the doctor into confirming their species to open their own device (??? okay sure)- but then they trick him again with a robot scientist bomb that he failed to detect even after talking to the guy, and it’s just like…. fool the doctor once, shame on you, fool them twice? damn, you must be on the merch.

exhibit e: the witch’s familiar (2015).

the iconic ‘only other chair on skaro’ scene where twelve and davros chat on the rebuilt dalek home world - super fun, so fun i forgot how the doctor folded like a house of cards. davros, the genocidal maniac, wants to live another day to see a pretty sunrise, so the doctor *checks notes* gives him some artron energy? that can’t be right, wh- oh- oh, but it’s fine because it affects all daleks, and through some contrived science magic, they all ‘learn the concept of mercy.’ on accident.

and it changed nothing. later stories retcon this. i’m too tired to even think about resolution, revolution, or eve of the daleks right now, but those episodes only further cemented my malaise regarding the doctor’s apparent complacency.

again and again, the daleks depend on the doctor’s mercy, and they get it, and they WIN- and it feels like the moral is that they should be eliminated like an unthinking, unfeeling virus, but the doctor is just too compassionate or inept for the job. certainly not the first doctor to lose to a virus, but perhaps the first to do so willingly.

beyond a loss in revenue, i can’t imagine why the doctor couldn’t destroy the daleks, or why they wouldn’t want to - there was a point when, allegedly, “the time lord’s continuity could not survive without the daleks” (“neverland” audio), but i think the weight and relevance of that harry potter type threat has long since passed.

so… it might be time to put the daleks away, for now. sure, they can come back as a concession to the persistence of fascist ideology, but watching the doctor lose or win to fascism for seemingly arbitrary (always sentimental) reasons isn’t really satisfying. the show addresses that daleks cause untold suffering, but again and again the only obstacle to no suffering is the doctor, who can’t get their shit together! it’s killing me.

[picnokinesis]

flux adjacent fic recs

in media res by wreckageofstars (3k, 1 chapter, gen) summary: “Well,” she said. “Now you know what the mattress is for.” Dan shifted. “And the trampoline?” “Best not ask about the trampoline.” //I think this is probably the first Dan pov fic I ever read, and it’s absolutely brilliant. This author gets the character voices down so perfectly it’s unreal, and the whole thing is just so wonderful to see from Dan’s outsider perspective. It’s set in the immediate aftermath of Once, Upon Time, and it does a fantastic job of exploring the impact of what happened in that episode – both from a whump perspective and an emotional one. Angsty, but also funny in the worst kind of way – someone please go give Yaz a break, she REALLY needs one. Anyway, it’s great, everyone go read it right now.

Hearts of Stone by weirdpug (previously xhonia) (1k, 1 chapter, thoschei) summary: The Doctor loses herself. The Master finds her. //Ohhh this one this one, it’s SO awesome – it’s one of those fics that does really cool things with the formatting? Which works great here, because it’s a weeping angel!13 fic and wow, wow! Extremely awesome indeed, and just beautifully written – the prose is just so full of character, even when the Doctor is losing herself and it’s so well done.

Divination by WalkerLister (6k, 1 chapter, gen) summary: “There was a name for someone similar to me once. They called them the Valeyard. You can call me that, if you like. I quite like it, it’s suitably eerie. Little bit of drama never hurt anyone.” //Right, so we all remember what happened when War of the Sontarans aired…we got that ‘next time’ trailer of Once Upon Time…and all collectively lost our minds over the inverted dark coat. Since then, I feel like everyone has been finding really creative ways to get it into fanfics, and this is a wonderful example. And, well, if the promise of dark coat!13 wasn’t enough, this fic is just an absolutely fascinating look at the concept of the Valeyard in the context of the fobwatch from Flux, but focused on Yaz and her relationship with/perception of the Doctor. It’s such a good concept and so so wonderfully done! (also, if you’re a fan of thasmin, this author has a ton of stuff, so definitely go check it all out! For the less thasmin-inclined folks, I highly recommend Ipesity, which is one of my favourite post-TTC fics)

three points where two lines meet by Ymae (4k, 1 chapter, gen) summary: The Doctor tries to get those memories back, and breaks herself, bit by bit. //Oh man. This fic. I still remember when this one first posted and hoooooo boy, it is a hell of a gut-punch and absolutely wrenched my heart right out of my chest but HHHHHHHHH wow!! WOW. Genuinely, I think this fic rewrote my brain a little bit. It's set in the immediate aftermath of Once, Upon Time where the Doctor makes some very unwise decisions about trying to tug at her timeline and it's absolutely incredible. Very angsty, very whumpy, and full of a HUGE amount of the Doctor messing with timelines and very visceral, tangible descriptions of her timesense. It is such a treat, guys. And if you like this one and want something with similar vibes, I also highly recommend this post-flux fic by the same author!

Sheer Poetry! by Papapaldi (57k, 5 chapters, gen) summary: Trapped within her own mind, the Doctor travels through an impossible house, with everyone she has ever been locked inside. Her body is an unresponsive, useless bag of flesh somewhere far and away in reality. The part of her brain that she knows, where her past resides, sits somewhere else entirely within the old machine. The Ravagers eat, buried memories beckon, and the Doctor's faith is shaken to its core. She will never be the same – but that's what she's all about, right? Incredible change. //oh my days. THIS FIC, guys - look, I see the word count, I know, I know. This fic is a serious undertaking, but like so many things in life it is soooooo so worth it. Bucket loads of absolutely ASTOUNDING imagery, more references to Lungbarrow and Timewyrm Revelation than you can shake a stick at, BUT you don't need to have read those stories at all to enjoy this absolutely fantastic saga (put it like this - I've not read those books, and I had a whale of a time). Incredibly poetic, a little nonsensical in the best kind of way (it IS a mindscape fic) but startlingly funny and so beautifully in character. I laughed, I cried. This fic is just a love letter to everything Doctor Who, weaving all of canon into this beautiful, cohesive tapestry. I highly recommend. (and, if you're hungry for more and want tpotd content, there's an excellent sequel as well)

every step i choose to take (begins to set the world aflame) by SleepyMaddy (12k, 1 chapter, thoschei) summary: In a spaceport lost in a remote quadrant of interstellar space, a Doctor who doesn’t know herself anymore runs into a Master who doesn’t know himself yet // Ok so the sheer concept of this one ALONE is absolutely brilliant – the Doctor, escaping from the Division and half out of her head, bumps into the Master, who’s not long regenerated from Missy. And, guys. It’s fascinating. Seeing the Master right at the start, before he finds out everything that comes to define him in this era, and then having him meet a version of the Doctor who is quite a lot further along than him and just completely out of it? It’s like catnip to me, guys. And, of course, it’s all helped by the fact that the writing is absolutely brilliant – the characters are just absolutely spot on, which is quite an incredible feat seeing as they are both in very different places to where we see them in the show, yet they still manage to ring true throughout the whole thing. And also the mindscape imagery? The psychic whump? The emotional gut-punch that is the entire fic? Absolutely unparalleled. (also, if you’re a spydoc fan? Just help yourself out and read this author’s entire set of works, because it’s all fantastic)

see me bare my teeth for you��by picnokinesis (16k, 1 chapter, gen) summary: “Do you know your mission?” //This is a bit of a cheeky self-rec, but, in my defence, if you're looking for flux fics, then I think you'll enjoy this one. I wrote it in the week after Village of the Angels aired, and it's basically all my thoughts and theories about what was going to happen in Survivors of the Flux thrown into a 16k oneshot. I was...mostly wrong HAHA but I’m still really proud of it. If you like division!doctor, then this one is for you

we're only dreaming (tell me who i am) by SpaceBetweenGalaxies (2k, 1 chapter, gen) summary: more the-memory-house-is-Lungbarrow clowning //ok, so if you were like me when flux was airing and absolutely lost your MIND over the illogical house which was a bit too on the nose regarding Lungbarrow related things, then THIS FIC IS FOR YOU. Absolutely brilliantly done, with some gorgeous imagery that I'm still thinking about to this day, and just a wonderfully unsettling exploration of the Doctor and how she picks at those cut off memories in the aftermath of the Flux

the stars are bound to change by emptypockets (9k, 1 chapter, gen) summary: Being trisected across the universe has unexpected consequences for the Doctor, and Yaz is tasked with the responsibility of keeping her awake. //ohhhhhh this fic is so wonderful!! It's that weird sweet spot of 'soft angst', where it hits where it hurts but at the same time the whole thing feels like it's wrapping you in a warm blanket. Augh!! Such a lovely portrayal of the Doctor and Yaz's dynamic - I adore how this author writes these two so much. An absolutely lovely (but angsty!) character exploration, with a healthy dose of whump and sleepiness on the side. What more could you want?

Everything by rowanthestrange (24k, 13 chapters, thasmin) summary: In which Yaz wants to know everything, and the Doctor finally wants that too. //Ok, so full disclosure, I don't read that much thasmin, but this fic, guys. It's just gorgeous. A beautifully written exploration of Yaz and her relationship with the Doctor in the aftermath of Flux, which explores the years Yaz spent in the past and how that changed her; the Doctor grappling with her identity issues and how that's changed her; as well as all sorts of other wonderful things besides. Another fic that had tears streaming down my face (the TARDIS chapter got me...). It's such a poignant, emotional fic, and it's very focused on character in a way that I really adore. If you like thasmin, this is an absolute must-read. If you're not a fan of thasmin, I recommend it anyway (- signed: a thoschei shipper) because it's just such a brilliant portrayal of these two.

[piesafterdark]

Predictions for Arcane as a franchise + my thoughts! Season 2, Act 3 spoilers ahead.

jayce, viktor, and jinx can't be dead. Let me tell you why.

no. 1, Arcane's been pretty explicit with deaths. Silco, Vi and Cait's moms, Benzo, the sergeant from season 1 act 1 etc etc we've all seen dead bodies, time pass without them coming back, or character arcs shifting to accommodate deaths (lsha's and Silco's death shaping Jinx). In season 2, Maddie's, Ambessa's, and random extra's deaths were all shown on screen. Therefore, if we don't see a body, the body's still moving.

no. 2, while this is Arcane's last season, there's going to be more Runeterra shows. Of course we don't know what's going to happen over there, but I don't think Riot and Fortische are just going to throw Arcane's characters away unless they do. "the arcane is waking up" and all that jazz. Seems to me like the arcane isn't back to sleep, and who has experience with the arcane. Oh, right, all these cool guys. Leading to points 3 and 4.

no. 3, Jayce's crystal, given to him by the mage (Viktor) in season 1, was used for teleportation, if I remember correctly. Rather than dying/getting sucked into the crystal, they've been teleported somewhere else and will be used to shift the focus onto that location. This fits. Moving to a completely different location would disrupt the glorious evolution. Plus we didn't see their bodies so.

EDIT: apparently it was the rune of insight or smth. my bad. Still, theres a chance? Please Riot, pleaaseee

from arcanegifs

no. 4, Jinx my beloved. There was a line of shimmer leaving the explosion at the bottom of the pit, and the epilogue of Cait looking at the pit and seeing air ducts hints that Jinx/Powder escaped. I'm pretty sure the Zepplin shown at the end was to imply she left Piltover and Zaun, finally becoming her own person. Throughout the show, her identity was determined by her relationships (hair mirroring Silco's, smoke tattoos for Vi, mental illness from causing her brothers' deaths), and with hallucination Silco suggesting the best way to change the Cycle of Killing is leaving, that's what she chose to do. Additionally, her handwriting for the "the end" at the finale suggests that she was there to write it. She's alive guys trust me. Her change of scenery can be used to shift the focus to a different location.

My personal Thoughts:

on no. 4, I would hate it if they decided to kill Jinx after she found herself. It's overused. Seeing Jinx/Powder finally become herself without Silco's, Zaun's, and her sister's baggage in a new place would be super interesting. As someone who doesn't play League, I've heard there's some blond character she's shipped with from a different country/city? Foreshadowing perhaps? Plus it'd be so in character for her to start a new series with a chaotic "I bet you're wondering what I did after I faked my death."

Cait and Vi will probably remain in Piltover/Zaun doing reform (the show's whole point). The reason why Vi didn't look super duper sad is probably because she's going through shock or because Cait reassured her that Jinx/Powder isn't dead (air ducts). Ekko's probably going to do reform w/ the power couple because that's his motivation.

The sex scene's context is a bit odd, but Jinx literally gave Vi permission to be with Cait so... ? When life gives you lemons, give your gf head i guess. Wish Cait did apology head though, she really hurt Vi... But then again, Vi probably wanted to get lost in the sauce and forget about everything around her, hence the "I don't fucking care" comment.

Jayce was right, Viktor was blinded. Love that they're in love.

It's so interesting to see Sevika going from backing revolutionaries (Silco and Vander) to becoming a revolutionary herself and actually getting a seat on the council!! She went from kingmaker to king.

Thought season 2 was kinda rushed? Idk wished we had hour long episodes just to flesh things out.... still a great season.

It's not over. With the success this show's been giving Netflix, there's at least twenty more on the horizon. God bless Riot and Fortische.

going to go cry now.