#their attitude was just very

[secretariatess]

Gonna be a little sappy over a YouTube channel I watch called TwoSet Violin.

Tumblr might better recognize them from the video where they did Fur Elise with a rubber chicken and maybe the video where they absolutely roast the guy claiming he could play Flight of the Bumblebee the fastest.

I’ve been subscribed to them for a while now.  Several years, but I can’t remember when exactly I started.  What I know is that they were trying to get to 2 million subscribers around the time I joined.  It was a big deal for them, because they had promised a concert for their viewers if they reached that number.  (More specifically, one of them would perform a piece while the other would play a violin arrangement of the rest of the orchestra.)

Well, they reached two million.  And as promised, they livestreamed their concert with a laptop, and ‘2′ and ‘M’ balloons taped to the curtain behind them.  One of the balloons ended up falling.  After the concert, they jokingly promised more concerts for future milestones on YouTube hit, which their fanbase was absolutely going to hold them to.

They reached three million, and performed another livestreamed concert with their laptop (a different piece, and the two of them switched who was doing what).  The other difference was that they got helium in their balloons this time.

Recently, they hit their four million mark.  And again, performed another concert.  But this time, in front of a live audience, in Singapore, with the Singapore Symphony Orchestra and those cameras that go all about the concert hall and had really good quality.

There’s just something really amazing about watching them get this far.  To hear them talk about how they’d busk to get money for their world tours after they started YouTube because they didn’t actually enough money to set up everything except perhaps plane tickets to get to the next place.  And now they’re here.

It really puts a different understanding to “I remember when they were _____.”  It really does hit different when you follow someone -whether it’s a YouTube channel, or a friend or someone close- and watch them grow to something big.  I wasn’t there at the beginning, but I was there when four million was still a ways away and the idea that they’d get to where they are now was just a dream.

I know I had nothing to do with their success, but it’s still really exciting to watch accomplish all this, especially after hearing their journey and watching the rest.

Also, on a funnier note: Before their concert, they made a dis track (Sorry, correction, Niccolo Paganini made a dis track and put it on their channel) about Blackpink, and their fans were TICKED.  So much so that they attempted to cancel TwoSet, and even tried to get their concert canceled.  But then they found out that the classical world doesn’t actually know who Blackpink is, and TwoSet was just like, “Whatever,” and the fans failed on both fronts.

I didn’t really there was controversy, but it’s hilarious that it went down like that.

[romijuli]

It’s not that I don’t LIKE the Fandom Popular Pairings, it’s that I find the assumption that everyone ships them and the general all-consuming nature of said pairings to be kinda exhausting,

[hinamie]

every so often i have to relearn how to draw yuuji or he starts fighting me

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[inkskinned]

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

[littlewinnow]

Been having werewolf draco brain rot for the past few days 😭

[notherpuppet]

Alastor is a complex character!

Despite being one of the few characters in Hazbin with confirmed identities (his ethnic background and sexual orientation), those identities are in of themselves, complex experiences.

There’s seemingly nothing about the character that is Black or White.

I think that’s why he is such a compelling character! Also, it’s probably one reason why he is such an attractive conduit for folks’ creative expression.

His identities are not necessarily why many people may gravitate towards him, but they do offer a chance for people to investigate him and explore a character—as unique as he is—into avenues they may not have considered before.

I can commiserate with feeling defensive of a character who shares an identity with you—ESPECIALLY an underrepresented one. Discourse is natural and completely fine! (And very educational sometimes in my experience)

But I don’t think it’s fruitful to police a fandom in these matters. Some folks come to my inbox (I delete the really rude ones) or comment sections with a very cop-like attitude to a space that’s supposed to be creative and/or fun *airhorn*

That’s my take as just some guy on the internet 🤓🛜 have a good dayyyyy

[fauvester]

little moshang fan kid <3

spoiled, aloof, a bit of a bitch, terminally 'weak constitution'-ed, lowkey lazy, prefers reading his dailies in the office and pretending to do paperwork to fighting

[arthursfuckinghat]

"I was gonna say you're like a son to me.. but you're more than that."

"It ain't that complicated!"

How quickly that shoulder pat of comfort turned into a condescending one.

[gingermintpepper]

Obsessed with the way Evadne's relationship with Apollo is described. Obsessed with the way Apollo was especially gentle with her because she was sheltered, hidden away and hadn't had any sort of experience with love prior to Apollo (and due to it being described as her 'first learning Aphrodite's joy' through Apollo', it was probably her first time even being attracted to someone). Obsessed with the way when she runs away, she stops in a violet patch to give birth. Y'know, violets, very famously the flower so strongly associated with Aphrodite that they were used in love potions? Those violets. Obsessed with the way that when Apollo realised his lover was going to have to deliver their child alone, he sent BOTH the goddess of childbirth and ALL THREE OF THE FATES to help and support her. Obsessed with the way that Apollo sends snakes to feed his baby honey straight from their fangs because Evadne abandons their son out of straight primal fear when her stepfather finds her and how the description of that honey is 'sweet venom' [ἰός] of the bees and is DEFINITELY a poetic pair/pun with [ἴον] aka violets and that every single thing about this relationship, conception and birth is a complete and utter fairytale down to Evadne's insanely overprotective stepfather having an immediate change of heart when he learned Evadne's child was an actual, legitimate Son of Apollo and the babe, after being cared for by his dad's honey-fanged snake buddies, was found perfectly healthy five days later swaddled in a blanket of violets (y'know the flowers so strongly associated with Aphrodite that they were used for lo-) and they called him Iamus aka Boy of the Violets which is AAAAAARRRR I AM GNAWING AT MY ENCLOSURE

Iamus was made of love. Everything about him was surrounded by deep and profound love and like, let's not even talk about his whole Thing of when he came of age and was like "I need to find out what my purpose is" and he literally had a Disney Protagonist moment where he ran out into the wilds and was like "Father!! Grandfather!! Tell me what I'm supposed to doooo!!" and then APOLLO FUCKING ANSWERED AND LED HIM TO ONE HIS TEMPLES ENTIRELY BY TALKING WITH IAMUS AND LETTING HIM FOLLOW HIS VOICE FOR THE WHOLE JOURNEY LIKE -

What do y'all know about the kind of SSS tier romantic escapades Apollo had fr?

[lazycranberrydoodles]

its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3

all the gifs i made (poses traced off franziska):

hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also

his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.

the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)

a whole lot of AU stuff

the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.

cases include:

Turnabout Revenge (Mo Manor, quick introductory first case)

Turnabout Goddess (Dafan mountain, the good times flashback)

Turnabout Saber (the man-eating castle (omg hiii nhs))

The Blind Turnabout (Yi City arc)

Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)

The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)

Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)

Turnabout Confession (Guanyin temple)

the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao

there's not as much of a problem with the cql timeline but i have not finished it. so.

the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.

for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.

it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.

tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me

Jin Ling's sprites & Nie Huaisang's sprites / masterpost

[a-dumb-sarcastic-bisexual]

I dont have a long funny title for these Nimona headcanons

Nimona will steal the boy's stuff all the time 

she’ll eat food off their plates when they’re not looking or will steal their food from the fridge 

She also steals all of Ambrosius’ rubber bands and claw clips 

And when she thinks the boys aren't wearing their clothes enough she’ll take them and either upcycle them or wear them as pajamas 

They’ve asked her a million times why she does this and her answer every single time is “It's fun”

The trio all have stims that the others view as harmful 

When Bal is stressed he’ll grind his teeth or bite his nails 

Nimona will bite his lips or pick at scabs that he let form

Ambrosius will bite the inside of his mouth or pull his hair 

And they all have little signals for each other to make them mindful that they’re doing it 

They don’t try and stop each other they know it’ll just make it worse but it’s a little reminder that they’re doing it 

Just a little “Hey I know you know yourself best and what you can handle but you’re also starting to bleed so please be careful” 

When they have their mouth stims the other will do things like whistle or hum just small things that you can’t do easily when you’re grinding your teeth or biting your mouth/nails

When Nimona is picking at his scabs the boys will tap their feet or drum on their legs 

And when Ambrosius is pulling his hair Nimona and Bal will offer to tie it up or braid it and sometimes they’ll just slide a rubber band over to him

If he doesn’t want the rubber band or doesn’t want them touching him they don’t force him they consider it a success because they still got through to him 

And if he lets them mess with his hair they consider it a bigger success because they love braiding his hair

When Ambrosius doesn’t have to go to work or doesn’t have to be in early Bal and Nimona take turns styling his hair

It doesn’t matter if it takes 5 minutes or 50 he’ll wait patiently for them to finish

And he leaves the house like that too no matter how crazy or stupid it looks

They have a little collection of pictures that they/civilians took and posted of their “masterpieces” 

Ambrosius has an 8-step skincare routine that he does every single day

Doesn’t matter if he’s witnessed every atrocity the world can throw at him he’s still doing it 

He also has a dedicated hair care routine that he spent hours researching 

Bal doesn’t give a singular solitary fuck what he puts on his face

As long as it’s cruelty-free not expensive and works he doesn’t care 

When Bal and Ambrosius first became friends Bal told him that he didn’t really wash his face even after he joined the institute 

Ambrosius almost passed out while whining about how the world is a cruel and unusual place 

He has worn Bal down over the years and made him use two products face wash and moisturizer 

He also found out that Nimona doesn’t take care of their skin at all

And when they saw how shocked Ambrosius was they continued by saying “In fact I take dirt baths like a chinchilla”

All he could choke out was “My lovely little tornado why?” They started laughing and claimed it’s “good for my immune system” 

Which caused Ambrosius to ask almost hysterically “What immune system?!”

[silusvesuius]

[lunerabo]

Been thinking about making this post for a while and only recently figured out a good way to articulate it but I unironically think Gege’s kind of a genius for using what is most definitely censorship of a gay relationship to his advantage in writing whatever was between Gojo and Geto.

I think what a lot of people get wrong in saying things like how this was a perfect setup for a romance and it’s bullshit that he wrote all that just to label them as best buds is the fact that they’re forgetting that in general homosexuality is nowhere near as accepted over there as it is in the west. BL and GL absolutely exist but read any of them and it becomes very clear to you that the general attitude towards it is that it’s seen as a taboo fetish and not a preference. If you have that in mind, it suddenly makes a lot more sense why they’d want to censor it especially in shonen manga (even though you still get boys falling face first into racks large enough to have their own gravitational fields—something Gege’s also notoriously avoidant of, thank goodness). Not saying it’s right or that it’s not problematic, but when you take into account the differences in attitudes across the board, it’s easier to understand.

Gege’s aware of this. If he wasn’t, and was less careful about putting queer characters in the story, jjk would have never seen the light of day. We know he’s not shy about doing that, as proven by the existence of Megumi and Mai, who are both canonically bi/pan, Kirara, a trans woman, Mahito, who is genderless, and Kenjaku and Uraume, who are loosely implied to be nonbinary or genderfluid. The reason he can get away with this is because none of them are the larger-than-life hero holding the gaze of every fucking pair of eyes on the planet even in death. He’s already toeing the line with the aforementioned characters, for the same reason that other progressive authors only ever seem to make background and side characters queer but never the super important ones. Gojo as a character has a lot of fans and is arguably the thing that attracts readers in the first place, so it goes without saying that a less accepting audience would get turned off by the confirmed queerness of their favorite character. It also goes without saying that this would be very likely to cost Gege his job, so confirming anything is too big of a risk to take. All he can realistically do is tiptoe around it and lay out the signs and hope we read them right.

Gojo and Geto were not in a relationship and couldn’t ever have been simply because Gege wasn’t allowed to write that. So what do you do when something in real life is influencing the story like that? Ultimately, you have to find a way to use a roadblock like that to make it fit in seamlessly, and I think he did a really good job of it. Because the fact is actually that it wasn’t a perfect setup for a romance; the feelings were there but the lives they led were not ones that a relationship develops in, especially not after both of them fell off opposite deep ends in the different ways that they did. What it was a perfect setup for was tragedy. He can’t confirm a relationship but clearly he’s allowed to make them pine for each other, so being barred from bringing them together helped to create a tragic so-close-yet-so-far type of situation that fit everything really well, and made it that much more painful to see them ripped apart.

Idk. I’m tired.

[naffeclipse]

Instead of a raging insomniac, what about Sun and Moon handling a Y/N who is a furious narcoleptic? It would involve Sun coaxing Y/N to stay awake because yikes, even Moon agrees that it's a problem to sit down for one second at the security desk and immediately slump over into a dead sleep.

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.