#the wound is fresh

[personwholoveschocolate]

I like how ineffable bureaucracy shippers are also suffering right now despite our unexpected victory because

not every good omens watcher is ineffable bureaucracy shipper but every ineffable bureaucracy shipper is good omens watcher

[a-scary-lack-of-common-sense]

My biggest fear when I was younger was forgiving those who have wronged me, because it meant I moved on.

[beaniebea]

OH

OH WAIT

*checks og post* THIS IS FROM 2019

YOU GAVE ME A HEART ATTACK I THOUGHT IT WAS FROM THIS YEAR AAAUAUUUGHGHHH

DID YOU HEAR THAT OSWALD IS GETTING HIS OWN SHOW IN THE FALL???? I'M SO HAPPY FOR MY BUNNY BOI

yes and i also heard it’s only coming out for disney new exclusive streaming service that we’ll have to pay extra to use

i really REALLY wanna be excited but…….h

[zer0point5ive]

“the worst they could do is kill you” actually the worst they could do is crawl closer to you instead of leaving even though they’re currently bleeding out after cutting their own foot off with a hacksaw in order to escape and the door is open for the first time since you both woke up in this room, just to pull you away from beating the now lifeless body of the man who was about to kill them and proceed to cup your face with the sort of tenderness that wasn’t meant for someone like you, wasn’t meant for either of you not here not now, before saying things that you both so desperately want to believe but know deep down are near impossible all while you feel the searing ache of the bullet wound they put there not moments earlier and then, even as they start to make their way towards the door, even as their shirt slips out of your grasp and your scrabbling fingers can no longer reach their wrist and the chain around your ankle starts to feel like your fate, they still turn back to assure you that they wouldn’t lie to you. if you’re adam saw 2004

[dantesmelancholicshitpost]

I was just now debating who should receive my therapy bills for the kiss scene in ep6...

Ofc there is David Tennant, full of desperation, grasping at straws. We cannot see his eyes, but we know damn well that they are watery and full of fear and awareness that this may be his last chance.

But then there is Michael Sheen whose conflicted attitude already prompted me to write a (not so) short analysis in my notes. Aziraphale whose yearning and longing for Crowley is so palpable, whose hands look for some sort of contact and embrace, whose pain we can see so clearly when he pushes Crowley away and whose entire body language is just filled with dilemmas, with antonyms, whose internal conflict is so tangible.

And then there is Neil, the mastermind. The one who is there pulling the strings. The one who made this scene a parallel of the scene from s1 where Crowley pushes Aziraphale to the wall, saying "I'm not nice", but this time he just wants him to understand, that Aziraphale is nice, more than nice, moreover that Crowley MAY BE nice, but they are just not fit for Heaven, they belong only in eachother. And the hurt after Aziraphale doesn't accept this unspoken but so clearly communicated argument...

In conclusion, they should just split it

[gummi-ships]

Kingdom Hearts 3 - Lich

[era-of-ages]

Being ex-Christian but also not wanting to be against people choosing religion is like: i want you to be happy, i hate the lies you stand for, i know you’re not a bad one, it’s an overwhelmingly awful thing, i want to belong with the people i grew up with, they cannot be comfortable with me anymore, I know you will always love me, but not over your faith, im happy that you are bfaithful, im begging you to run as far away as you can before falling too far in, im glad you’re getting baptized, i cannot trust you anymore, i understand the joke, i know im not like you anymore, this event was fun, its a cult its a cult its a cult its a cult its a cult please im begging you you don’t know how this has hurt me so much im begging you listen to me please, haha singing vegetables, im not the lie that you loved anymore

[menaathena]

Stan can be both the saddest sobbing wet beast and the silliest guy. Truly, he has it all

[dykedvonte]

The second fic idea is a what-if scenerio where Jimmy dies in the crash due to and altercation with Curly and how Curly would navigate being Captain once he has to notice the little things and how he and Anya's relationship develop as he adopts an identical view point to hers rather than just keeping the peace.

And maybe i will write it but only time will tell tbh but it's stuck in my brain dome for the time being.

[darth-kote]

i love all the batch for various reasons but crosshair is the one i can't think about for very long. not only did he view the rest of the batch's decision to leave the Empire as a personal betrayal, but he lost so much time with them. yk that bit where he and omega are meditating on pabu and she says smth along the lines of, "you missed a lot." yeah. shit had me sobbing for a good thirty minutes. cos he comes back and not only does he get to see the squad being brothers to omega, but.. he never gets to see tech with her. he notices that tech is missing in everything he does. sleeping, eating, spitting out one of his sly little comments and not having a pair of eyes to instantly dart to for validation. none of it is the same, and he never had the chance to make amends for his terrible decision. he never talks about it - doesn't even like to think about it. at times it can be unbearable because there's nowhere to run - just the memory of his brother's face and voice looping in his mind. nothing can make it go away.

[teemdark]

No but all jokes aside, I really hope they do keep Maria dead. I've seen suggestions that she could somehow survive the ARK raid and be secretly alive the whole time and I just. I really hope they don't do that.

Because it's such a big part of Shadow's progression as a character. Yes, she's dead. She died at the hands of humans. She's a prime example of the needless cruelty they're capable of. And yet she didn't doubt her love for earth/humanity for a second, not even while she was bleeding out on the ARK's floor in front of her little brother. She was dying and she still asked him to protect humanity, to watch over the ones who took everything from him.

And even though she's dead and gone and he's never getting her back in any way, Shadow makes the conscious decision to protect the earth in the end. He finds it in himself to believe that humanity is worth it, despite having lived through the horrors it has to offer.

Idk, I feel it wouldn't hit as hard if we just found out that whoops, Maria was actually alive all along!

[jerreeeeeee]

*"understanding" meaning they know they disagree but also understand the other can't be stopped/thinks they're doing the right thing, whether that manifests as avoiding the topic altogether when they meet, or just weary acceptance and frank conversation; and "antagonistic" meaning at least one of them is actively trying to interfere/stop the other/convince the other to stop, in the interaction itself

i see a lot of different interpretations of barry & lucretia's relationship after the voidfish and i've gone back and forth over what i think so i wanted to see what the general consensus is

my thoughts under the cut

i can't imagine barry realizes what's happened and doesn't try to 'reason with' lucretia for a little while, before eventually somewhat accepting that she won't listen to him, because after a certain amount of time, it just gets exhausting to hope he can still sway her. like i don't think he gives up, he still tries sometimes, because he has to, that's his whole life at this point, hoping and trying and not giving up in the face of isolation and despair and impossible odds, but he knows he has to pick his battles. and sometimes they catch each other on bad days and he’s just really fucking glad to see her and really fucking disappointed in her and really fucking tired, unable to muster the conviction or energy to fight with her.

and lucretia doesn't do much trying to convince barry, because she knows she couldn't get him on board with her shield beforehand, and he definitely doesn't approve of what she did to taako and himself, not to mention davenport (if he even knows about davenport, cause that’s gotta be really distressing for him, right? do you think barry ever tries to kidnap davenport).

i think after that initial period, and certainly after the BOB is created, they're both afraid of what the other is up to, afraid the other will disrupt their own plans, and try to avoid the other detecting them altogether. but, they're also both incredibly lonely and know the other is the only person in the world who understands what's at stake and the burdens they're both carrying, so even though they don't seek each other out often, they both want to, and maybe sometimes do. a conversation after lucretia gets out of wonderland is especially compelling.

i don't think they interact between here there be gerblins and reunion tour, though, mostly because i think lucretia just doesn't really leave the moonbase now that the bureau has some wins and is getting closer to its goal, and as soon as she knows barry's messing with the boys, she's too paranoid at whatever barry's plans are that are completely unknown to her and wants to avoid him in case he's come up with a way to really stop her. and barry is equally paranoid about her discovering his information gathering and keeping him from his plans to infiltrate the moon base, so he doesn't want to show back up on her radar. i don't think lucretia confronted barry when he possessed pringles, because barry still puts the instructions on his coin for the old puzzle, but if he'd been caught, i think he would've anticipated it changing, so i think she discovered it after the fact.

i don't know if i even think they've spoken since lucretia created the bureau, because that's when they start to become, like, "enemies," officially, as lucretia genuinely starts to villainize barry, however reluctantly. although, depending on how much contact they'd had before that, depending on if she's aware of him out in the world working against her or if from her pov he just sorta disappeared somewhere mysterious, maybe she's not even really thinking of barry as 'the red robe,' and more thinking of herself. because she does tell thb originally that the red robes are all dead and gone, and if she'd truly anticipated them coming into contact with barry, wouldn't she have said, there's still one out there, he's dangerous, don't talk to him, etc, like she does later? maybe the red robes story was originally just an easy way to explain away why the relics existed, and privately, to hate herself for her role in it. maybe she doesn't even realize she's villainized her old friend until that consequence makes itself clear by accident, and then there's nothing for her to do but lean into it and turn the remnants of their family against him for real.

[animentality]

Dark Urge in the House of Hope, post-killing Raphael: ...

Gortash: ...

Gortash: don't fucking say it.

Dark Urge: ...

Gortash: ... Fine. FINE. Say it ONCE and then never utter it ever again.

Dark Urge: that song he was singing was a banger. I'm sorry, babe. I'm so sorry.

[franklinwvixen]

ain't feel guilty in the slightest

oh no, I'm fine. Not at scratch.

Vhagar? She'll be alright. Bad-tempered more than hurt.

Yes, yes very fortunate.

[pmpknsoup]

a guy at work pointed out my nametag, asked me how to pronounce my name. i told him, and he said "oh, is that irish?" i said yes, my dad was irish. he laughs and kind of ? jokingly ? asks "let me guess, raging drunk?" i say "yeah haha. its what killed him". now we're both uncomfortable bitch!!! what a weird question to ask someone

[laurapetrie]

You don’t understand. I have written about you — a dozen times. That funny little curl to your lip I used in a story six years ago; that way your face all changed just when you were going to laugh — I gave that characteristic to one of the first girls I ever wrote about; the way I stayed around trying to say good-night, knowing that you’d rush to the phone as soon as the front door closed behind me — all that was in a book that I wrote once upon a time.

F. Scott Fitzgerald about Ginevra King, "One Hundred False Starts" (1933)