#the worlds greatest superfriends
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Fun & Adventure (1979)
ABC 1979 cartoons
#70s#saturday morning cartoons#abc#the worlds greatest superfriends#scooby doo and scrappy doo#scooby doo#scrappy doo#super friends#justice league#hanna barbera#The Plastic Man Comedy Adventure Show#plastic man#mighty man and yukk#rickety rocket#fangface#fangpuss#Ruby Spears Productions#spider woman#marvel comics#depatie freleng#advertisement
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ABC Saturday morning cartoons in 1979
#saturday morning cartoons#a bygone age#back in the before times#the late nineteen hundreds#comic ad#abc saturday morning#superfriends#world's greatest superfriends#plastic man#mightyman and yukk#rickety rocket#fangface#scooby and scrappy doo#spider woman
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Batman: The Animated Series - Paper Cut-Out Portraits and Profiles
Happy Birthday Batman
An official DC Comics calendar published for 1976 identified February 19th as Bruce Wayne’s birthday. Other dates have been mentioned in the comics as possibly being the Batman’s birthday yet the nineteenth of February still seems the most canonically recognized. Really, a Pisces?
In any case, to celebrate the Dark Knight’s birthday here are paper cut-outs of Batman in all his various animated forms. Who knew there were so many?
The Adventures Of Batman was the first Batman cartoon series and ran from 1968 to 1969. It stared Olan Soule in the role of Batman with a young Casey Kasem in the role of Robin.
The SuperFriends brought Batman together with the world’s greatest heroes and ran from 1973 all the way to 1986. Soul and Kasem both reprised their roles as Batman and Robin in the series.
The New Adventures of Batman ran for a single season in 1977 featuring Adam West as Batman and Burt Ward as Robin. This was a particularly silly show and featured a great deal of a magical imp known as Bat-Mite.
1992 saw the advent of the greatest cartoon of all time as Batman: The Animated Series debuted and ran through to 1995. The great Kevin Conroy provided the voice for Batman.
The New Batman Adventures was a continuation of Batman: The Animated Series with some updated stylistic changes. It ran from 1997 to 1999, featuring Conroy as Batman.
Batman Beyond entailed a Gotham City of the future where an aged Bruce Wayne trains a young man on his path to filling the mantle of The Batman. It ran from 1999 to 2001 and stared Kevin Conroy as Bruce Wayne and Will Friedle as his protégé, Terry McGinnis.
Justice League brought the Superfriends back together this time under the banner of The Justice League (and later Justice League Unlimited). It ran from 2001 to 2006 and once more featured Kevin Conroy in the role of Batman.
The Batman, which ran from 2004 to 2008, departed from the continuity established in Batman: The Animated Series and presented a new version of the Caped Crusader and his various allies and adversaries. It starred Rino Romano in the role of Batman with Evan Sabara and Danielle Judovits as Robin and Batgirl.
Echoing the campiness of 1966, Batman: The Brave and The Bold was a fun, light-hearted anthology series that ran from 2004 to 2008. Each episode saw Batman teaming up with different heroes of the DC Universe for madcap adventures. Diedrich Bader stared as Batman.
The series Young Justice, which ran non-concurrently from 2010 to 2022, focused primarily on Robin and the other younger heroes as they made their way from being sidekicks to a team in the own right. Batman featured in many of the episodes where he was voiced by Bruce Greenwood.
Beware the Batman from for a single season in 2013. Anthony Ruivivar voiced Batman in this dark, largely computer animated series.
Batman Unlimited ran from 2015 to 2016. This was primarily a commercial in animated form featuring short, action-packed stories in tandem with the release of action figures and toy vehicles. Roger Craig Smith provided the voice for Batman.
Justice League Action brought back the League for more light-hearted adventures with a star-studded cast. It ran from 2016 to 2018 with Kevin Conroy returning to once again voice Batman.
Batman appeared as a periodic guest star in the DC Super Hero Girls series, which ran from 2019 to 2022. Herein Batman spoke in a barely audible growl that only the other characters could comprehend. Whereas actor Keith Ferguson provided the voice for Bruce Wayne, who further hid his secret identity as the the Caped Crusader by featuring in the ridiculous reality TV show, ‘Making it Wayne.’
A lampooned version of the Dark Knight sporadically features in the zany Harley Quinn animated series, premiering in 2019. Diedrich Bader reprises his role from Batman: The Brave and The Bold, voicing this decidedly goofier version of the Dark Knight.
And finally, hopefully debuting some time soon, Batman: The Caped Crusader acts as a spiritual successor to Batman: The Animated Series and features the final acting role of the late, great Kevin Conroy, reprising Batman one last time.
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The Superfriends Meet Frankenstein (Monstrously bad)
[All images owned by DC Comics and Hannah-Barbara. Please don’t sue me]
World’s Greatest Superfriends was pretty much scraping the bottom of the barrel in terms of creativity. The majority of the plots ripped off classic literature and myths (such as Space Arabian Nights, Space Camelot, and Myxlplyx recreating The Wizard of Oz.
However, this review (just in time for Halloween) covers an episode that was ridiculous even by World’s Greatest standards. If you would like to watch it, it’s available on Max or behind your favorite paywall.
We open on a stormy night at a gloomy castle where a mad scientist and his deformed assistant appear to be trying to recreate an infamous experiment.
This is the great, great, grandson of Victor Frankenstein (The writers are using Mel Brooks’s pronunciation of the name)
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(Thanks to Gorash)
Dr. Frankenstein (along with his malformed minion Gork (not Igor? I mean, come on! It’s tradition!)) prepares to give life to a monster he intends on turning loose on Transylvania for killing his ancestor 100 years ago. Talk about a slow burning revenge plot!
The experiment is a success, and the monster comes to life. Dr. Frankenstein orders it to destroy Transylvania!
Meanwhile at the Hall of Justice, it’s a quiet day. Batman and Robin are taking advantage of the calm to tune up the Batplane (shouldn’t they do that in the Batcave and not in the Hall of Justice? Especially since…
…some idiot will want to monkey around with the spare parts)
Why is Gleek rummaging around in the Bat-junk?
To make his own Gleek-plane, of course.
It goes about as well as you’d expect.
[SIDE NOTE: it’s mentioned that the Wonder Twins went with Aquaman to Atlantis, leaving the rest of the Superfriends to Gleek-sit]
The comic relief segment ends as the Trouble Alert blares.
With that, the Batplane speeds to Eastern Europe.
Later, in a village in Transylvania (of course, I think the writers thought the village IS Transylvania), the monster continues its rampage, causing a ton of property damage but not hurting anyone (it IS kids’ TV, after all) as the Dynamic Duo arrive.
The monster isn’t impressed and throws Batman into a nearby bush and Robin into an awning. However, they bounce back and engage the monster, gaining the upper hand for the moment as Dr. Frankenstein looks on.
On Dr. Frankenstein’s orders, the monster retreats to the castle with the Caped Crusaders in hot pursuit. Batman and Robin enter the castle looking for the monster and find a platform covering a sheet. Robin pulls the sheet aside to discover…
Oh, come on! You HAD to know the monster was under there!
Batman pushes the monster into a Jacobs ladder…
…which powers down the monster. The day is saved, right?
Hmm, good point. Sure enough, Dr. Frankenstein shows up, vowing revenge. However, Batman tells Dr. Frankenstein that the Superfriends will stop him.
With that, Gork captures the Dynamic Duo.
(So Dr. Frankenstein just happened to have a giant claw handy?)
Dr. Frankenstein tells Batman he’s planning on using the Superfriends to create his newest monster, starting with Batman!
Dr. Frankenstein’s plan is to transfer Batman’s (and presumably the others’) strength and abilities into the monster.
[OK, hitting pause here. In Superfriends, the only ones with actual powers out of the main cast are Superman and Aquaman. What would Batman and Wonder Woman add? The ability to throw a lasso and use a bunch of monster-themed gadgets? At least the monster could talk to fish if Aquaman was in this episode!]
As Batman’s…bat-ness is undergoing the transfer, Robin is stewing in the dungeon. However…
Let that be a lesson, kids! Always spring the extra few bucks for steel cuffs!
With his ropes chewed off, Robin grabs his utility belt from the nearby table while Gork is sleeping (wait, wasn’t he just upstairs with Dr. Frankenstein?)
Robin rushes off to alert the rest of the Superfriends. Gork then suddenly rushes off to inform Dr. Frankenstein of Robin’s escape.
…all according to plan!
Meanwhile at the Hall of Justice…
Superman and Wonder Woman spring into action and head for Transylvania.
Unfortunately, so does the comic relief.
As the rest of the Superfriends arrive, Superman hears screams from the village, so he and Wonder Woman rush to help
(leaving Batman to rot in Castle Frankenstein, I guess)
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(Thanks to Slime Golem's Slimepedia)
Looks like the Superfriends fell right into Dr. Frankenstein’s trap! The tar monster drags Superman and Wonder Woman to the castle and prepped for the procedure.
With that hollow threat, the Superfriends are raised for the transfer, producing…
…yeeeeeaaaah
Dr. Frankenstein then sends his new monster to conquer Europe! The monster leaves the castle, passing a hidden Robin along the way. As Robin tries to figure out what sort of deus ex Supershit he can pull out of his ass to Save The Day…
…the Comic Relief crashes into a nearby bog, then finds Robin. Robin has at least the beginnings of a plan, using Gleek to distract Gork long enough to…
Wow! For once Gleek did something useful! Robin frees the others and prepares to stop the monster, but…
The Superfriends limp to an energy research station and explain the situation to the scientists. They have a machine that can transfer the Superfriends’ remaining energy to Robin, but it’s untested on humans (or Kryptonians)
The scientists perform the procedure and we now have an 10 foot tall Super-Robin.
The scientists explain that the Superfriends could die in an hour if the energy isn’t returned (so no pressure or anything) With that, Robin flies off.
Meanwhile, the monster has grabbed a monorail and throws it into the distance when…
One would think catching it like that would make it split in half. Robin gently returns it to the ground (oblivious to any injuries to passengers and crew caused by the sudden stop when he caught it)
Dr. Frankenstein isn’t pleased upon realizing that his monster isn’t the only one with Superman’s abilities, ordering his monster to kill Robin.
The pair square off, but…
Robin then flies off, returning moments later with…
This weakens the monster (Robin is wearing a lead-lined suit) and flies him away.
Meanwhile, the Superfriends have staggered their way to Frankenstein’s castle (in their weakened state, it likely would’ve taken them a hell of a lot longer than an hour!)
The trio somehow overpower Dr. Frankenstein…
…while Gleek deals with Gork (Gleek useful twice in an episode? Are the writers feeling all right? I mean, even Batman looks shocked!)
Robin sets the controls as the others strap themselves on the tables, then straps the monster and himself in as the process is reversed and everyone is back to normal.
All that’s left is the wrap-up at the Hall of Justice, where Robin kinda misses being able to fly.
Speaking of flying…whatever happened to the comic relief and the Gleek-plane?
Don’t worry. He’ll find his way home by the next episode.
…maybe.
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Through a Mirror Darkly/Batmarch: Brave and the Bold: Deep Cover for Batman!/Game Over for Owlman! (Patreon Review for WeirdKev27)
Hello all you happy people. Welcome back to Batmarch after a long unintended break from it and welcome one and all to Through a Mirror Darkly, a new mini retrospective that goes through the looking glass and sees what dark reflections of our heroes could be. Or in less pretty words: We're taking a look at a bunch of mirror universe episodes in animation using kev's patreon slots while we wait for Sam and Max: The Devil's Playhouse.
It's a familiar concept: a parallel universe where for one reason or another, either they were just born worse or something happened that pivoted them in the other direction, our heroes are evil, our villians are good and usually the universe is a hell hole. I also can't say we won't ever return to this idea as there's plenty of mirror universe stories out there. For now though we're focusing on the four best we found in the genre.
Starting off we have a unique spin on one of the more iconic mirror universes with Dc Comics Earth 3. DC started exploring the multiverse to simply clear up an issue: there were two flashes, Golden Age Hero Jay Garrick and Silver Age Hero Barry Allen. Since Allen was seen reading a flash comic, they used that springboard to make a parallel earth Barry acciidently went through while tying nots for a class of school children.
Fan Reception was great so DC went to the next logical step, bringing back the rest of the golden age heroes for earth 2 and having a proper crossover, one so big, bold and fun that DC made it an annual thing: every year the JLA would unite wtih the JSA and every year another earth would be involved. So for the second the next course was obvious: a bad guy earth where up was down, black was white, John Wilkes booth was shot by Abe Lincoln, and instead of a variety of heroes protecting it, a group of the worst of the worst had conquered it.
Earth 3 has been revisited a lot and it's something I'll likely be going back to again as there's a lot to dig into: Grant MOrrison brought it back, infnite crisis brought the origianl back, ther'es been a few rebooted versions since, there's a lot of takes on this, and that naturally spreads to animation with superfriends, justice league and the film justice league: Crisis on two worlds, all taking a swing at it.
And the swing we're looking at today is Batman Brave and the BOld's take. This was Brave and the Bold's mid season finale, taking the crime syndicate and swapping out it's members for the various heroes batman had teamed up with, ironicallys howing up BEFORE the justice league itself ever did. Also for some reason their earth 3 is earth 23.
This two parter was the first in Brave and the Bold, one of only two in the series history, the other finishing off the starro saga. It's also one of those two parters where part one and part two are basically their own episodes rather than one big episode split up into multiple parts. It's something I notice more after binging X-Men the animated series recently, as most of thier two parters are of the "one big episode" variety, with exceptions like the brilliant time fugitives.
SO under the cut we have two distinct connected stories at Batman staves off an attack from Owlman, takes his identity to go undercover and figure out his world.. then is forced on the lmab and to team up with his greatest foe when Owlman returns the favor. It's a fun, furious two parter and it's under the cut.
Deep Cover for Batman!
We begin on Earth... 23.
I get putting your own spin on things but when it's earth 3 in all but name.. just do what i'm doing and call it earth 3.
ON this blighted earth, it's last hero makes a last ditch Gamble: use a device called the Phase Oscelator and escape this earth to find help. This last hero is the Red Hood and most people familiar with this identity either know where this going or are confused why it's not jason tod but the joker in a dope suit and an expresionless mask.
The Red Hood was the Joker's first identity, revealed in a silver age story as what he did before falling in that vat and made canon again post crisis with the killing joke. How much of the story leading UP to joker becoming red hood in this version is vague if it's true or just one of Joker's many backstories, but the fact he was the hood and fell in acid isn't. Jason later took the identity for his own post ressurection, his own ironic sick joke on his murderer.
Given it's silver age stylings, it's a perfect fit here and a neat way to introduce JOker: not through the clown prince himself.. but through the hero he could've been as he makes his last stand. The series does obscure the cast in shadows.. though their shadier behavior tips that something's off. that and the whole "wreathed in shadow thing". It looks utterly neat and is staged beautifully, it just makes it painfully obvious their building up to so mething. That something is the reveal of the Injustice Syndicate. Why not crime syndicate, I dunno. The change in lineup is more fair as most leaguers hadn't been introduced yet so while Owlman, batman's evil counterpart stays, this version focuses on Owls and three brand new evil counterparts: Silver Cyclone, Blue Bowman and Crimson Scarab. The designs.. are really just recolors of their heroic counterparts, which I accept for the ones we see for like a scene later, but question hwy they put no real effort into these.
This sadly extends to the villians themselves as outside of Cyclone, most of them.. are just the character but EVIL. Even Owlman, despite getting two episodes is just "batman but evil" and mostly coasts on the fact that batman but evil is a chilling concept.
Part of the problem is, while I do LIKE these episodes... I feel they pulled the trigger way too early to do a parallel universe story. The other ones we'll be tackling are a decent ways into the shows run pulling from seasons 4 and 5 of two of them, and the middle of a truly MASSIVE season one for one of them. It's far enough in to know who these people are and thus get used to the opposiite. While we know Batman well enoguh at this point to get that, we really don't know most of the other heroes here well enougH: Green Arrow.. never really grows beyond "douchebag rival". Beetle however had a whole episode fleshing him out and is one of the only heroes with two so far so they have no excuse there. Red Tornado at least had a deep enough first episode to give them just enogu hto make a chilling evil versoin: Red badly wants to be part of humanity.. while Silver's cast his aside, being cold, emotionless and pure evil as he later tortures the Red Hood. IT's the lazy way to do a mirror universe: just that character but on the wrong side and it feels disapointing the show never went back and corrected this with a followup once we got to know the cast better. I really woudl've loved an evil aquaman once we got to know ours better.
Thankfully though while the evil dopplegangers are one note, the episode itself isn't as it's a fun tense ride starting with Owlman invading the bat cave. ANd as I said Owlman may bea bit thin as a villian.. but he works simply because "evil batman" itself is intriguing. It can be done poorly
And sometimes won't go th efuck away, but the idea of someone as capable as batman using that power against us is chilling and the episodes use it well, this one having a cool parallel fight between the two, with the two evenly match, the animation flowign gorgeously and Batman winning simply because his counterpart has something he dosen't: arrogance. He pulls up night vision goggles after Batman takes out the lights... and Bats uses a MAGNEISUM FLAIR. He knows himself well enough to know his counterpart would have night vision and used that against him , locking Owlman up.
Having been left Red Hood's version of the batterang, a test run before he got captured and a calling card, Batman decides to investigate hence the deep cover and what makes this episode really work despite the thin characterization of most of the bad guys: Batman has to pretend to be his evil self, and it's clear from their actions both Silver Cyclone and Blue Bowman are suspcious from the get go, so it's a tense well done game of "how long can he keep this up"
Batman tries to spare his world by lying and saying everyone had powers there.. but this just gets Cyclone to go with option B: use a bomb to empty the world out. So not only does bats have tos tay under cover and try to minimize damage, he also has to save Earth 1 from annhilation without blowing said cover.
THankfully he has help as he gives an escaping red hood a mike and while hood is captured, Batman now has an ally. The Injustice Synidcate takes flight in a really cool scene, not just for the visuals.. but for how it's unsettling. Unlike most mirror universes at worst Earth 23 just has a bit more orange in the sky. Orange and Red skies: your sign we're all fucked!
What makes it actually unsettling is the civilians reactions.. they all run in terror and Batman's internal monologue makes it clear this is a world without heroes.. without hope. Instead of looking up at the sky in a we and at what they could be... they run in terror and pray their cruel gods don't see them.
The theft goes well though Bowman is getting more and more suspcious and has batman tailed by someone we can't see. GEE I WONDER WHAT HERO WE'VE MET IN SEASON 1 IS OUT OF SIGHT. SURELY IT MUST BE SOME NEW TAKE ON A HERO AND NOT THE ATOM. Meanwhile Cyclone tortures the red hood, saying he'll break him and showing a cruelty and lack of care that's just.. chilling coming from someone whose counterpart is noble and badly wants to be emapthetic. We also get a chilling recitation of Hood's history.. and just how determined this poor guy is: they knocked him into the chemicals, he presses on. They take out his allies after he finally gets some he continues. he won't break even in the face of this torture and it's WHY Cyclone wants to break him so bad.
Oh look it's the atom, who catches Batman just as he's about to free the prisoners sending him on the run. This sequences is the best of the episode, as Red Hood claims to be willing to finally talk.. while giving batman directions. Cyclone eventually figures this out and sends Bowman and Scarab to go finish this imposter. Unfortunately for them.... he's batman. He even says the line after he finishes them and finally can drop the disguise.
Unforutnately while the syndicate APPEARED to be just those 4 guys, it's actually a larger group and Cyclone called backup. Maybe they were in the INjustice Pool having an Injustice Mojito while playing INjustice.
They aren't named so we'll go with The Molocule, Stretch Man, Aquamenace and Flare. I REALLY wish we got to hear evil Aquaman speak and my primary reason for being dispaointed we never got a followup is that Aquaman became so integral to the show it's weird to see his evil counterpart as one of the extras.
Thankfully Batman dosen't have to fight this alone and frees the other heroes, leading to a fun fight between the Injustice Synidcate and the Justice Society... wait no that dosen't work.. the Freedom Pals? Super Friends? Super Duper Justice Parade. Yeah that's the ticket.
So the Super Duper Justice Parade and the INjustice Synidcate have a scrap and since having a master stratgeist, or batigest if you will, on your side can tip the scales and the Synidcate lack theres, they loose.. all except Cyclone who triggers the bomb.
We then get an excellent twist: Cyclone.. is the DC version of Ultron in this reality, wanting to wipe out all humans and only having worked with them for his own gain, a truly sad contrast to his counterpart who simply wants to be accepted by humanity and tries his best to understand them. The bomb was ALWAYS intended to just kill the squishes and he dosen't care which earth he gets to rebuild in his image. Thankfully Red Hood shows up and... blows up his head. Jesus. I mean he deserved it, but it's a reminder this IS the joker, down to ending with a pun.. he's just a hero. He has his evil alternate reality counter part's style, skill and determination.. but not the madness that drives him. Simply a desire to do good
So with that earth 23 minus 20 is saved, Batman goes home.. and finds that he's now the most wanted man alive.
Deep Cover for Batman is a decent episode. Like I said it's hampered by the fact only ONE of the syndicate is fleshed out.. but that one is just enoguh to help this and the well done sequences it does have along with the gorgeous animatoin make up for the lak of worldbuilding and character building for the baddies as does Jeff Bennet, Johnny Bravo himself, as Red Hood, proding an operating yet utterly heroic and loveable performance. And it'd be his best in the series... if he didn't get to top himself right after
Game Over For Owlman!
So yeah while it's only been like.. a day for batman, it's been three weeks. Owlman broke out and using Batman's first outfit, such a cool little mythology gag complete with the purple gloves he really did have.
They even made an action figure of it multiple times. It's great. I need me one of those at some point.
For now though this means all of Batman's friends are against him and it's the one part of this episode that I REALLY don't like as it feels REALLY sloppy, not to mention most of them don't seem torn up about this. It makes sense for Green Arrow: his greatest rival turning out to be evil? It's his goddamn birthday. But only Plastic Man seems REALLY hurt, which works well as Batman rode him so hard about being a reformed criminal so seeing him bein ga hypocrite clearly breaks the poor guy a bit. But everyone else just accepts this. And I get it's been 4 weeks but like.. not only is he wearing an older costume now.. but NONE OF you in a world with, up to this point in the series: Aliens, Ghosts, Super Intelligent Gorillas, Sorcerers, Atlantis, Atlanteans, Time Travel, Power Rings, my boy Mogo the living planet, Deadman, martial arts magic and fucking Bwana Beast, who I love but is objectively weird as shit which is why I love him, same for Mogo. And the bulk of this these guys were THERE FOR.. and not one of you thinks the obvious: that Batman's being mind controlled or has been replaced by a double. It's fucking agrivating. Again Ollie gets a pass as his reactoin to getting to fight batman and have a valid excuse is clear and true
But the fact Beetle, who idolizes batman or Red Tornado, whose logical as fuck don't spot the obvious bothers me, it bothers me a lot
Thankfully after this less than great start, we get to the meat of the episode and what makes this ep so damn memorable: Batman is dropped into a warehouse where he meets his unlikely savior: The Joker. And for added pizaz to this reveal this was the clown prince's first apperance all season and the first time we've seen ANY of batman's foes all series. Every previous show is a b or c list villian attached to someone else, usually not the guest hero of the episode for added points. It's part of the series charm: instead of focusing on Batman's iconic but well used foes, it uses the wide scope of the dc plucking out every other villian great and small to get some spotlight.
Not only did this allow some villians even I didn't know existed like Babyface or Fun Haus to get spotlighted.. but it also meant when one of Batman's usual rogues DID show up it felt like a big event. Here especailly as after all this time we finally get to see one of Batman's own foes.. and it is glorious.
Jeff Bennet plays the Joker.. and he is utterly delightful. This Joker, while still vile and villanous fully leans into the silver age astetic of the show: he's still implied to kill people, still does over the top schemes, but it's in that classic golden and silver age way of more IMPLYING the death than showing the carnage he does. While other jokers can be funny this one, at least for this ep is almost entirley played for comedy, more an overgrown kid at play than the dangerous monster he usually is that's also an overgrown child just one who'd burn ants, whlie never really letting up on his competence, best shown subtly when Batman handcuffs him.. only fo rhim to have used the false wrists gag. Bennet plays it perfectly, using a posh accent to both seperate the joker from previous versoins and play into the old timey astetics the series loves.
Turns out Joker isn't happy with the new status quo as he loved the game as was and wants to partner with Batman instead.. the real batman. Unlike Batman's friends, Joker can actually TELL the other one's an imposter and can you know, tell that Batman suddenly doing crimes is weird and probably isn't him. It's not helped by the fact Owlman is horning in on his own crimes, ruining his fun.
So Joker offers batman his help: they team up and take out a mututal headache. Batman's first response is
Joker makes a valid point that sways him though: Batman is fighting someone as obessive, well thought out and type A as himself. Neither he nor Owlman really have the advantage, something backed up by their fight earlier and Owlman easily escaping the second Batman was gone: Their SO much alike that the odds of Batman actually beating him are low, as is the opposite. It's a clever way to use the mirorr gimmick.. and the joker: As Joker points out not only is he pure chaos, something harder to predict, he's also come the closest out of anyone to actually beating Batman.
Batman is forced to Acknolwdge he's right and they Take joker's car. It's a brilliant concept too: Batman and the Joker are usually so diffrent they CAN'T work together, but the stakes here are perfect to force the issue. it's also a delightful dynamic as Batman is a perfect straight man to his arch enemy's goofy antics, with joker soaking up every minute of this teamup, from saving a child then milking it for all ti's worth when the kid turns out to be afraid of batman, to , when they have to call in a batmobile after thier car gets wrecked (Batman naturally keeps a spare and in another nice nod it's the one he used in the 50s), tries to press all the buttons like a deranged 7 year old. It's fucknig great.
They had back to the bat cave after a chase form team dumbass, and Batman finds out something horrifying: Owlman found all his contenginces and is using them. This is something taken from the comics: Batman has a bunch of diffrent plans in case his justice pals are brainwashed or mind controlled. It lead to the brilliant story tower of Babel as Ras Ah Ghul got a hold of them and turned them up to lethal. It's something they SHOULD know he has and should have more consequences here like that comic, but it dosen't. It is however resonable: unlike his friends Batman again is well aware brainwashing happens and we now know there's evil dopplegangers in at least one other universe. It's smart to have a plan, some of them should just bea ware of that and for all we know they might be. They don't , and shoudln't, know what that backup IS, but they should be trusted to know he has a plan if something happens.
Ethics aside this gives Owlman everything he needs to take out all of batman's major allies thus far, and gather his own injustice league of all the various vilians, who apparently completely trust a guy pretending to be batman meaning the villians are the only ones in this episdoe who actually get that multiverse theroies a bitch and don't just go "oh this paragon of justice is evil now. Cool. That happened".
Batman and the Joker bust in to save the day.. but Owlman's already prepared for this , and after batman looses the numbers game.. offers Joker something he can't reisist.. his own trap. Batman dunked in wax. The spiral effects as he looks at the button and his eulogy after are hilarous.
Thankfully Batman , like Owlman, saw this coming and thus had the phase oscelatior repared. I also love that in hindsight, the time diffrences in dimensions.. was a chekovs gun: Batman spents some time in the multiverse finding himself.. and himself.. and himself.. and also himself, and himself once again, and oh look him as a cowboy.
It's a great reveal and one i'd forgotten: Batman found the joker was right, he can't beat himself alone.. but himselfves can.
It also speaks to the Brave and the Bold staff's love of the comics and heavy penchant for research as ALL of these batmen with exactly one exception are based on existing stories. That's the armored batman who even then still SOMEWHAT resembles Jean Paul's armor during his time of batman, but isn't close enough for me to fully think that's what they were going for
Thanks to the dc wiki though I know where the rest come from so settle in:
Going from left to right, we have the cowboy batman. Because everythings better when you make it a cowboy. It's just science.
Cowboy Batman is based on Nighthawk, a western hero I hadn't heard of before Kev showed me this wiki page. This is neat as the next year we COULD get a full cowboy look for batman during the return of bruce wayne after Darkseid seemingly killed him but thanks to a time gun he actually got sent through time and space, recarnating each time and each time becoming a new batman
Next we have Bat Creature, a giant hulking batman that came out of batman getting hit by an evolution ray meant fo rmonkeys that somehow turned him into the hulk
We then have vampire batman, the one variant I recognized as the dc 60 years of history book I read as a kid, and now have thanks to the kindnes of my mom's friend LIsa, had a section on it. It was a trilogy of elseworlds stories where Batman fought dracula and became a vampire as a result then lord of vampires. I.. really need to cover that one sometime.
Easing down past regular batman and ?????? Batman we have Captain Leatherwing, an alternate timeline bruce who became a pirate captin in a one off annual done by Chuck Dixon.
Finally we have hyper evolved batman, based off another wacky silver age transformatoin. During an issue of WOrld's Finest batman and superman found a satilite that crashed ot earth that evolves of devolves creatures. Unforutnately Hyper Evolved Batman, what was seen as 800,000 years of evolution hitting him at once, apparently ended up cold and evil and devolved superman as a result. And why yes Cave Superman versus Big Head Batman is something I should look at sometime. This version is heroic instead thankfully.
So a big ole bat-brawl insues and it's the highlight of the two parter... mostly because Joker spends the bulk of it running around with a round bomb with the biggest giggly smile on his face. The fighting though is great, with each batman getting to show off and freeing a hero. My faviorites are Aquaman's rescue, which has Black manta trying to turn up the giant sunlamp he's trapped under like he's turning up the volume on a tv before one of the batmen breaks a sprinkler allowing Aquaman to kick some ass, and Brain Batman Vs my boy THE Brain, which is won by Plastic man stretching his free arm to distract the brain. It's a well crafted wonderful fight scene that really leans into the craziness of the situation and has a lot of fun with tiself, which really sums up the show as a whole.
As for our big bad and his new best buddy, their defeated by their ego: both think they should finish off batman.. and thus bats is able to drop the wax thing on them.
One de waxing and a lot of handcuffs later
The villians are all arested, none of the heroes bother to apologize, and Batman geninely wonders if Red Hood means Joker has good in him. As for Owlman the other batmen take him back with him giving an omnious vow to return.. which let me check what episode that happens in.
..... you maybe see why I think this needed a followup.
At any rate while it has a bumpy start, Game Over for Owlman is pure fun once the joker gets involved and a good romp as Batman's forced to babysit his arch enemy to beat himself, and the finale encapuslates the shows "anything goes" style. You want a pirate, cowboy, hyper evolved, devolved, and armored batman beating up a bunch of foes while Joker runs around with a bomb? Yes let's do that. The show's love of just how fucking weird comics are will never not be endearing and this episode encapsulates that. These two eps aren't brave and the bold's best, but their still a LOT of fun and a decent enough story. NOt the best mirror universe story
Next in Bat Month: We have some more goofy classic goodness as we go to the golden age to find out where some of batman's most famous trophies come from as Bats must deal with gambling themed death traps, a man screwed over by pennies, and being hunted my mechanical dinosaurs on a billionares island. So a standard week fo rbatman, a good review for you
Next time Through a Mirror Darkly: We see just exactly where Darkwing Duck's arch enemy comes from as Darkwing tries to bring hope to a hopleless world. Get used to that it's goign to be a running theme.
Thanks for reading
#batman#the joker#batman the brave and the bold#earth 3#green arrow#blue beetle#batman red rain#vampi#plastic man#red tornado#owlman#comics#animation
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Hanna–Barbera's World of Super Adventure (1982?)
Hanna–Barbera's World of Super Adventure featuring the most fantastic collection of spectacular super heroic stars ever assembled! They will take you on adventures in space, meeting strange creatures, to exotic lands and fantastic flights of fancy, to jungle planets and mysterious invaders, to prehistoric times and super forces, to honored and winged avengers, to giant, terrifying creatures against primitive power. In space, land, sea and air, it's a variety of stars – mighty, musical, athletic, extraordinary – from funtastic to the fantastic where amazing weapons, men and robots meet in combat in the far-out reaches of the universe. Dedicated to protecting the peace, these fantastic heroes defend the weak, right the wrong and battle against the forces of evil everywhere. And now it's take-off time for the gathering of the greatest…Hanna–Barbera's World of Super Adventure! Source: Wikipedia
This image was painted by Bob Singer in 1973. The heroes shown here are Birdman, Shazzan, Frankenstein, Jr., Human Torch, Coil-Man, Fluid-Man, Young Samson, Goliath, Space Ghost, Superman, Mighty Mightor, Wonder Woman, Batman, Thing, Zok, Tundro, Zandor, Gloop and Gleep. Source: SuperFriends Wiki
#cartoons#Shazzan#Birdman and the Galaxy Trio#The Impossibles#Frankenstein Jr.#Fantastic Four#The Herculoids#Young Samson#Space Ghost#Superman#Mighty Mightor#Wonder Woman#Batman
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Dawn of Justice: A pointless comic to a rather pointless movie
I really don’t have much of an idea for an introduction here, so let me just hand you the comic and then explain why it is rather dumb.
The comic in question came out sometime in late 2015 or early 2016, certainly BEFORE the movie “Batman vs Superman: Dawn of Justice” had come out in March of 2016.
Now let me just say this: I am not a fan of that movie really. Frankly, Warner’s approach of creating a cinematic universe/franchise for DC akin to the MCU, has in my opinion always been a bit of a tonal trainwreck, starting with Man of Steel itself. Mind you, I have nothing against the actors involved in it, but I thought for a first “outing” for Superman it was a bit too heavy on the last act level of destruction and trying to emulate overall a tone more akin to “Batman Begins”. As for “Dawn of Justice”, I hated the way Lex Luthor was portrayed in it more like a knock off ginger version of Joker and it was silly in my opinion, how they already, in their second major outing for the DCEU, made a vs crossover movie with Batman and Superman, even though not really anything was much established of the cinematic world it was set in. To me it was already just in concept the equivalent of jumping from “Iron Man” in 2008, to “Age of Ultron” without the movies inbetween narratively.
That said, I do not hate the movie and if you find enjoyment in it, fine with me. I am at best indifferent, at worst I think we should look at it, see what worked and what didn’t, and learn from it for a future take on the idea, once the superhero boom and fatigue has ceased.
Somehow, that makes me however already more stable in mind than others, who hate the movie with a passion that’s ridiculous. At least moviebob should reevaluate his life, when he thinks his greatest achievement (or one of them) is to talk for over 4 hours how much the movie sucks, believing by doing so he has shown Warner Bros how much of a smarty pants he is. Even though by doing so, he spend more time talking about it than the movie runs, even in the director's cut.
As for this comic… it is to me just reactional garbage like a lot of stuff Dobson did once he heard something “awful” in regard of entertainment he didn’t even care much for. Like how he thought the Mario movie will be a disaster, cause Illumination was animating it
Now to be fair, he wasn’t entirely wrong to react worried, as the movie was not that good. However, his very first reaction to the trailer alone (which he posted on twitter) is telling you already more about how he really feels and is just utterly dismissive of it, without outright saying it.
Yeah Dobson, Dark Knight Returns is not necessarily my favorite Batman comic of all time either, but even with Miller turning out not quite right in the last 15+ years, you have no right to really treat it like it has no value at all in the field of comics, as even your beloved Batman: The Animated Series took in part inspiration from it.
It is however his second tweet I could find about it, that kinda makes me chuckle
After all, it is essentially the very same thing/opinion he lets say the older man in the picture state about Superman and Batman, and how preposterous the idea of them fighting against each other would be, seeing how they are SUPERFRIENDS.
Which brings me back to the comic in itself and me actually wanting to explain, why it is kinda dumb in proper detail.
First, as stated before, it came out way before the movie even got released. So aside of some poster design that he could copy paste into it and some trailer material he had seen to make up his mind, Dobson had nothing to judge the product by. And I genuinely doubt he ever even bothered to look into it and judge it then based on the actual merit of quality or lack thereof. As long as he could rage about Zack Snyder and Snyderbros being neo nazis or whatever years later, why bother as a cartoonist and critic of nerd culture, to actually talk about a superhero movie. After all, he also never played a Metal Gear game, and that makes him still an expert on Kojima.
Second, the “generational gap” Dobson tries to show here is ridiculous. The “young” comic book fan -likely to be in his twenties, even though he looks older- actually being hyped for it, seemingly because he craves the violence of such a movie. As indicated by making a claw with his hand, having a facial expression that indicates less geek out and more “bloodthirst” as well as how he emphasizes the “Dawn of Justice” in a format that is normally saved for slasher movie titles like “Friday the 13: The Bloodbath at Menarche Lake”.
For fucks sake, Dobson comes off like some old geezer shouting at the clouds how the “younger” generation is craving for blood instead of a decent plot, even though many people younger than him at the time (quick reminder: Dobson was only around 33 to 34 years old when that comic came out) also had a problem with how that movie looked as well as its tone.
Also, the second person who is actually opposed of the idea of them fighting/ is confused about it, trying to portray the other age group, supposedly opposed to the concept of the movie? That character looks like he is in his late 50s. And I can tell you of actual experience, not many people in that age group would even care for superhero movies anyway. They have other things to worry about, like actually being responsible adults and getting their kids through college.
Okay, I apologize if that was rather insulting to some, but let us be real here: Most people at that age are not necessarily into comics anymore as an age group of 20-30 somethings in the 2010s would be And those that still are, would likely not act this confused at the idea, because with all the stuff that has been going on in DC comics within the last 30-40 years, this would likely just make them roll their eyes and think “aww shit, we go the vs route first” or be slightly intrigued if they can pull it off or not. After all, Superman and Batman/ Clark and Bruce may be friends, but that hasn't stopped people from writing stories where the two had to fight against each other. Just ask the people familiar with Injustice.
Really, the only reason we have that early retirement citizen look at the poster in confusion, is because Dobson needed someone to represent him and his opinion. And to be honest, the fact that Dobson, someone in his late 30s at this point identifies more with someone 15+ years his senior, is kinda weird. Like, is Dobson that old fashioned? Or did the years already have a bad effect at his looks and in real life he looked more to that, then he would ever admit?
Anyway, it just stinks of creating some sort of schism between generations, by insinuating that the younger generation is essentially bloodthirsty, while an older one would love something more positive. Which frankly, is dumb to assume, as age does not necessarily account for taste in some cases.
Honestly though, the funniest aspect of the comic for me however, is the way it is structured. Cause it reminds me of that pile of trash
And yeah, I know that Stan Kelly is meant to be a joke by the Onion about political comic artists in newspapers, but I honestly think those joke comics are to a degree so accurate to the mindset of some people on either side of the political spectrum, it hurts. And in regard of Dobson… well, Kelly is a joke. Dobson is the real deal.
Finally, like with many of his comics, Dobson likes to complain, but he does not really “offer” an alternative. Neither did he in comments or on twitter. And what alternative am I talking about?
Well, simple: If he thinks Dawn of Justice will suck cause he wants something more child friendly and comic like…
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Why doesn’t he just recommend for others the animated movie “The Batman/Superman Movie: Worlds Finest” from 1997, based on the Superman and the Batman Animated Series of the 90s, on which later the JLA cartoon based its design and style?
Oh right! Because a Dobson only wants to complain but never help improve the status quo
#adobsonartwork#superman#batman#syac#so you are a cartoonist#tom preston#andrew dobson#review#dawn of justice#dceu#Youtube
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Fictional Throwdown Friday: Team Battle!
This Week's Teams...
I.M.P. vs The Seven!
Teams:
I.M.P
Blitzo
Moxxie
Millie
The Seven
Homelander
Queen Maeve
Black Noir
A-Train
Starlight
The Deep
Rules:
No Restrictions
Scenario:
After one of the victim's of the Flight 37 crash goes to hell, I.M.P gets hired to assassinate the Seven in retribution.
Analysis: The Seven
What if the Justice League were evil? It's one of the oldest questions in comic history. Injustice, the Justice Lords, the Dark Multiverse, countless comics have dedicated themselves to answering this question. What kind of hellish dystopia would they turn the world into if they sought to only use powers for themselves?
As it turns out, a dystopia that looks quite a bit like our own.
Introducing the Seven. The world's greatest superheroes, brought to you by Vought International. This all star team has inspired countless amount of merchandise, ranging from comics, movies, video games, and more. But, of course, as with all celebrities, there is something much darker lurking beneath the waves.
In truth, all of these heroes are nothing more than walking, talking products home grown by their corporate owners. Experimented on with the super soldier serum known as Compound V when they were children, each of the Seven were groomed from a young age to be perfect products, with no actual regard given to their status as people. As such, The Seven each perfectly represent the ultimate corrupt celebrity.
A-Train, the team speedster, is in truth a massive junkie always looking to get his fix, often at the cost of everyone around him. His addiction to V got so bad that not only was he willing to kill his own girlfriend to keep it under wraps, but it wound up causing him a near fatal heart attack that permanently crippled his running speed, stopping him from ever being the world's fastest man ever again.
Black Noir, the team's brooding assassin, is in truth a traumatized schizophrenic who was so badly beaten by his old leader Soldier Boy that he lost the ability to speak and now he sheepishly does whatever his corporate masters command.
The Deep, local Aquaman rip off, is behind the scenes, a monsterous rapist who uses his position to sexually harass and assault his fellow heroes, including newbie superhero Starlight, which resulted in her working with The Boys behind the scenes to bring down her more corrupt co-workers.
The most monsterous of them all, however, would be Homelander, current Vought CEO, who has a perchant for sexual assaulting his managers, killing his co-stars, and leaving thousands of innocent civilians to die fir the sake of his own PR.
What's more horrifying is that these people are easily the most powerful people on the planet.
The Deep is the weakest among them, with his best showing being surviving two miles under the ocean, which would require him to endure a force equivalent to 498004.1896 joules across his entire body. Fitting, seeing how he's only of any practical use in the water, as his powers revolve entirely around breathing underwater and talking to sea creatures. With no superhuman speed feats of note, The Deep is an even lamer version of Superfriends Aquaman. Take that for what it's worth.
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Next up is A-Train, whose overall power was heavily nerfed after his heart attack. Where he was once fast enough to liquify on contact just by running into them, A-Train is now only able to run a measly 119 m/s... which is still obscenely fast to be fair. Just nowhere near where he once was. It's so fast that the kinetic energy alone would be 602696.443 joules, enough to break through a solid stone wall.
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Black Noir is where the Seven start getting truly impressive. While he has little more going for him than superhuman strength, he is one of few members of the team to actually be properly trained in martial arts, as he fought in Nicaragua alongside the US army with his old hero team Payback... before team leader Soldier Boy brutalized and crippled him that is. This experience edge has allowed him to defeat fellow Supes such as Starlight and Kimiko, as well gave him enough sense for him to carry around sleeping gas grenades, smoke bombs, and daggers. He's also tough enough to tank an explosion from the Supe terrorist Naqib, whose blasts should be worth roughly 70 kilojoules of energy and he's been stated to be able to outrun cars.
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Comparable to him is Starlight, whose light based blasts are strong enough to knock Black Noir back, while the above explosion didn't even stagger him. She possesses the extraordinary ability to absorb electricity and shoot it out as massive beams of light, bright enough to potentially blind those who look at it. With an extraordinary amount of electricity in her system, she can even manage to hurt Soldier Boy, one of the few Supes on the planet capable of hurting Homelander. Though, do keep in mind, this far above her normal levels and only something she could achieve while her powers were completely overcharged.
Queen Maeve is up next and, as stated by Homelander himself in a deleted scene, she is the second strongest superhuman on Earth. After extensive training, she was even able to draw blood from Homelander in a straight up fight, reliably holding her own, even if she was eventually overwhelmed. Her armored bracelets, are just as tough, capable of withstanding Homelander's heat vision.
And finally, there's Homelander. The man who won the superpower lottery. He has heat vision that can melt solid steel, flight that can keep up with airplanes, super senses that can hear your heartbeat, and x-ray vision that can see through several stories. He's easily the most powerful and dangerous man on the planet. It took a massive chemical plant explosion to so much as scratch him, with a blast comparable to 43 tons of tnt barely even making him bleed.
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He's also capable of outrunning c4 explosions at point blank range, moving 18x faster than sound to do so.
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Now, if you're wondering where Supersonic is on this list, he is not only entirely featless, but he's also dead on account of Homelander. That's the first big problem with this team in a fight. They don't work together, they just try to appease Homelander to avoid getting slaughtered. They're not a superhero group, they're a bunch of superpowered celebrities being reigned over by one big bully.
As such, very few of them have any actual applicable skill or combat experience. While Queen Maeve, Black Noir, and Starlight have actual martial arts training and have been in a handful of series fights, the same cannot be said for The Deep, A-Train, or even Homelander. In fact, Homelander has only been in two fights where his opponent could actually threaten him. One of which was Maeve and one of which he ran away from after getting outnumbered. Everyone else, he just mows right through on the spot with eye lazers.
Despite that, however, The Seven are still easily the mightiest and deadliest heroes on planet earth. May god help us all.
Analysis: The Immediate Murder Professionals
It is remarkably easy to go to hell.
Cheat on your wife? Hell. Kill your husband for cheating on you? Hell. Build miraculous futuristic technologies by experimenting on the poor? Straight to hell! It's hardly fair! No wonder hell is suffering from an overpopulation crisis, it's so easy to get stuck there! And the worst part is, you don't get to enact brutal revenge on those who wronged you in life! What's a forsaken soul to do?
Call the Immediate Murder Professionals!
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Some of the finest... well... deadliest... no... some of the luckiest imps in hell have gained special access to the human world, and they're using that incredible power to kill whatever puny earthlings you get around to in life. Thanks to their... "business arrangement" with the demon prince Stolas Goetia, these professional killers have special access to the grimoire of the Ars Goetia, permitting them to create portals anywhere in the human world.
They're lead by Blitzo. The O is silent. Once a simple circus performer whose life was destroyed in a fire that killed his family, scarred him for life, and destroyed his relationship with his best friend, he now runs one of hell's most unique up and coming businesses. Despite being a loud, vulgar, abrasive wind bag, he's a deadly proficient killer and assassin. A master acrobat with a flair for the dramatic, he's never caught without a flintlock, a semiautomatic, and a sniper rifle. And he's the one who arranged the business deal with his.... partner Stolas.
It's a transactional fucking, he swears.
But despite his numerous flaws, he's a loving father to his beloved hellhound daughter Loona.
Moxie Knolastname was once an enforcer for his abusive father's mafia family, joining up with Blitzo in prison after a job gone wrong and... begrudgingly... respecting him for being a truly loving father and, on occasion, a good friend. The greatest marksman on the team, this well read thespian and historian is just as deadly an assassin as any of his teammates.
With him, he brings his loving wife Millie, arguably the single most bloodthirsty imp this side of the ring of wrath. Armed with a short temper and a massive battle axe, she can cleave targets in half by the hundreds and will happily slaughter an army to reunite with her dear husband.
Together, this scrappy rag tag team is capable of taking down any target you hire them for, from a family of cannibalistic serial killers to an entire building of demon hunters. Despite their lack of magical glamours, they're still masters of practical disguises, able to easily blend in to the human world and take any identity they might need, even disguising as world famous celebrities. They carry every kind of weapon they might need, from pistols to sniper rifles, battle axes to swords, crossbows, grenades, and even a big, fuck off rocket launcher nearly the size of a building.
But their deadliest weapon of all would have to be their holy tipped gun. As an ordinary gun enhanced with the melted down weapons of angels, these fire arms are powerful and deadly enough to even kill demon royalty, nullifying their powers and destroying their souls completely.
As demons from hell, they're far more resilient than any ordinary human. They've regularly shrugged off being shot, stabbed, blown up, and crushed. They can drink demonic alcohol with no ill effects, which can transform earth animals into monsterous sea beasts, and Blitzo in particular can even beat out Queen Beelzebub, Queen of Gluttony herself, in a drinking contest. They're completely immune to Earth fire and can even tank an explosion that destroyed all of Loo Loo Land. An explosion that big would generate an energy equivalent to 6.7 tons of TNT.
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Millie was singlehandedly capable of slaughtering the Knolastname mob family, they've massacred their way through the demon hunting D.H.O.R.K.S., defeated Striker, one of the deadliest assassins in the entirety of the wrath ring, and even managed to kill a target who was protected by the angels of heaven. The team can consistently dodge arrows, bullets, and even automatic fire, and can keep up with the Robotic Fizzarolli in combat, who can dodge Blitzo's guns at close, moving at 4796 meters per second! That's nearly Mach 14!
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But despite all of their on paper impressive feats, they are still held back by some massive glaring flaws. As imps, they're some of the lowest ranking demons in hell's hierarchy, having none of the special powers of royal or sinner demons. They're just as mortal as regular humans. But Blitzo in particular can sometimes by the tean's biggest liability. He blames himself for the fire that destroyed his life, and has developed a repugnant personality that pushes away the people closest to him because that's what he believes he deserves. He refuses to acknowledge his deeper feelings for Stolas because he can't comprehend someone genuinely loving him back and his inappropriate behavior can at times put strain on his team's coordination.
Despite that, I.M.P can simultaneously be some of the luckiest demons in hell. So lucky that Blitzo was once able to trick an entire room full of gangsters into killing each other by tipping over a box. They've even recently gained an ally in Asmodeus, the King of Lust himself, via Blitzo repairing his old relationship with his long lost childhood friend Fizzarolli.
Life in hell might shit all over them, but they'll never be down for long. So if you're a sinner with a score to settle, hire the Immediate Murder Professionals! Kids die for freeeeee~
Throwdown Theme:
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Throwdown Breakdown:
I'm going to be honest, I think the Imps have got this.
The imps, individually, aren't that far behind Homelander himself in stats. They're just barely slower than him, at Mach 14 against Mach 18, and just 6x weaker than him.
That might sound like a massive gap, but think about it this way. The average human being can punch with an energy equivalent to 100 joules. Professional boxers punch with an energy equivalent to 1000 joules. Meaning the actual strength gap isn't so big as to be impossible in real life. The gap between Blitzo and Homelander is roughly equivalent to the gap between your average karate master and Mike Tyson. Homelander is stronger than them, but not to the extent he's ripping them apart like he does everyone else.
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This is multipled by the fact that IMP's guns are capable of hurting those comparable to themselves. While Homelander may be bullet proof in his own world, a gun that can kill you will just as easily kill Mike Tyson. Because... that's how guns work. Piercing damage.
I think I've lost the thread of this metaphor.
Okay, try again. IMP comparable to Homelander. IMP guns can pierce people comparable to themselves. Therefore, IMP guns can pierce Homelander.
On the flipside, Homelander's heat vision might not effect IMP at all. They've only been harmed by hellfire and fire from the human world does nothing. But, Homelander's heat vision is clearly much hotter than just ordinary fire, as it can split airplanes clean in half, so... up to you, but at the very least, the IMPs would be able to take it better than most people would.
So, A-Train, Black Noir, The Deep, and Translucent are non-factors due to being unable to hurt three near-Homelander level opponents. This leaves Homelander, Maeve, and an amped Starlight.
I could honestly see Homelander getting taken out early if he tries to tank the IMP's gunfire. Even if he assumes they're some kind of Supe from their appearance, he's never encountered a gun that can hurt him. He could dodge it easily, sure. But nine times out of ten, he won't. He might try and shoot first with heat vision, but he's never bothered actually avoiding gun fire because he's never needed to. And against a gun that can erase his soul like the one Moxxie took from Striker, that's not gonna cut it.
There's always the chance that Blitzo's shit talk would provoke Homelander into shooting first, which is pretty in character for both of them, but given the IMPs already established resistance to heat and fairly comparable stats, I don't see him wiping them out in one go before getting shot himself.
That leaves Starlight and Maeve. Starlight can amp herself up to IMP's level, but she doesn't start there. She's going to need time to charge, which is going to be very difficult to do in a three on two (if Homelander doesn't die immediately, he's not gonna give a shit about protecting her). So it's a question of if Maeve can do that. Because the rest of the Seven both can't and won't likely do anything to help once Homelander goes down.
Maeve's bracelets give her a way of blocking IMP's gunfire, but she's going to have to do that while contending with an unrelenting onslaught from Millie against both Moxxie and Blitz simultaneously. I don't see her fairing well. Not when Millie is fairly easily her superior in terms of skill. As in, Millie is so deadly that the Ring of Wrath will not let her participate in their bloodsports any more because she kills too many of the participants. That's a good deal above Maeve's combat experience.
But all this is assuming Homelander underestimates IMP and gets dropped instantly because of it. For the sake of argument, lets say he does realize he's looking at actual demons and takes them seriously because of it. (Demons aren't real jn The Boys universe and Homelander isn't actually Christian. He just pretends to be for PR's sake. But for the sake of argument) I could genuinely see him giving IMP a lot of trouble.
Homelander is fast enough to dodge their gunfire, so hitting him while he's flying around shooting lasers is going to be very difficult. However, he's going to be equally hardpressed to hit them in turn, due to comparable speeds and IMP's skill advantage. With Maeve's assistance and an amped Starlight, the Seven could turn the tide.
However, IMP's supernatural degree of luck is a factor that could turn the Seven against each other. This is the same luck that made a flying piano change trajectory mid flight to kill their target and the same luck that made Crimson's mob all kill each other. With a group that already hates each other as much as the Seven does, with Blitzo and Moxxie likely actively goading them on, the Seven could very well turn against each other. IMP has an established knack for annoying enemies into fucking up with both their wild inappropriate antics, Blitzo's big mouth, and their general absurb amount of luck. Take CHERUB and Stricker for instance.
If IMP provokes an argument or fight between the Seven, that frees Homelander up to get shot. And if Moxxie says "Harder daddy!~" while Homelander's crushing his skull, that'd throw him off a good bit. That'd be.... very on brand for both shows honestly.
Once Homelander is down, I'm actually kinda up in the air on whether IMP wpuld kill Maeve and Starlight. Sure, Maeve was complicit with the Flight 37 disaster, but she tried her damndest not to be. Black Noir I could see getting blitzed and killed before he could get any sympathy, but the girls here are honestly among the most innocent of the Seven. I could see Moxxie sympathizing with them at least, and while Millie and Blitzo are more on board with killing innocent people, they both respect him enough to hear him out on these things.
Moxxie's conditions would probably just be going to the authorities about the Seven's atrocities, something both Maeve and Starlight would be happy to do with Homelander dead. Hell, the government could probably get DHORKS off of IMP's back in exchange for saving the world from a potentially genocidal threat in Homelander. This works out well for everyone.
Well, except Vought, but fuck them.
This Throwdown's Winner is...
The Immediate Murder Professionals!
#fictional throwdown fridays#helluva boss#the boys#immediate murder professionals#the seven#moxxie knolastname#millie knolastname#blitzo#homelander#queen maeve#starlight#black noir#the deep#a train
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Today in 1973, Hanna-Barbera’s television show “Super Friends” premiered on ABC. The popular animated series that adapted DC’s ‘Justice League of America’ aired a total of 16 episodes and ended in August 1974. The series had a total of seven incarnations, running from 1973 to 1985: “Super Friends” (1973), “The All-New Super Friends Hour” (1977-1978), “Challenge of the Superfriends” (1978), “The World's Greatest SuperFriends” (1979-1980), “Super Friends” (1980-1983), “Super Friends: The Legendary Super Powers Show” (1984-1985), and “The Super Powers Team: Galactic Guardians” (1985). Happy 50th anniversary to the iconic ‘Super Friends’ franchise. #OTD 📺🙏🏽🎂
🖼️: ‘Super Friends’ television series (1973-1985) | Hanna-Barbera, DC.
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Warner Bros. Home Entertainment will release on Blu-ray Super Friends
Super Friends: The Complete Collection” is coming to Blu-ray this September. Don’t miss the chance to own all seasons remastered in high definition! Super Friends: The Complete Collection features all 93 episodes of the ABC-aired series, including the original Super Friends (1973), The All-New Super Friends Hour (1977), Challenge of the Superfriends(1978), The World's Greatest SuperFriends (1979), Super Friends (1980), Super Friends: The Legendary Super Powers Show (1984), and The Super Powers Team: Galactic Guardians (1985). The 16-disc set
Super Friends starred an ever-changing lineup of DC superheroes, including The Flash, Green Lantern, Hawkgirl, and Hawkman, and such TV-made creations as Black Vulcan, Apache Chief, Samurai, and El Dorado. Most famously, the series introduced the Junior Super Friends — the teen trio of sidekicks Wendy, Marvin, and Wonder Dog — and Zan and Jayna, a.k.a. the Wonder Twins, along with their alien pet monkey Gleek. The Hall of Justice-based Super Friends would eventually encounter Darkseid and the Legion of Doom, a maniacal menagerie of such supervillains as Lex Luthor, Bizarro, Brainiac, Scarecrow, the Riddler, Cheetah, Sinestro, and Gorilla Grodd. Among the actors to voice the show's various iterations: Danny Dark (Superman), Olan Soule (Batman), Casey Kasem (Robin), Shannon Farnon (Wonder Woman), Norman Alden (Aquaman), Frank Welker (Marvin and Wonder Dog), Sherry Alberoni (Wendy), John Stephenson (Colonel Wilcox), Ted Knight (the Narrator), Jack Angel (Samurai), Michael Rye (Apache Chief), Buster Jones (Black Vulcan), Ernie Hudson (Cyborg), and Adam West (Batman, 1984-1985). Read the full article
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there is a lot that can be said about the cw’s insistence that no one can remain a “regular person” across all their shows but the most egregious instance really is with lena
to spend so much time establishing her world outside the superfriends only to erase it once she’s one of them (and before that with erasing l-corp when lex is back after crisis) tells me they never truly knew what to do with her other than having her be the stand in for lex
(which ultimately wasn’t surprising given that kara always seemed to be the stand in for the superman they actually wanted to have but couldn’t)
it tells me she only existed with her company to fill the repetitive (and lazy) will she be evil will she be good role every season until they got lex and then she wasn’t needed and it didn’t matter that there was a different story they could’ve/should’ve been telling because they finally almost had what they actually wanted (superman)
and then to push it even further they use her for magic because she already did it as morgana and doesn’t have a “purpose” within the show because they took it away so she’s an empty vessel for it even though she’s one of the greatest scientific minds in the universe which THEY WROTE two seasons prior
I know this is an unpopular opinion but I miss Lena being a CEO. L-Corp Lena, Season 2 and 4 Lena. I mean, I love Lena at all times and I love all she can do and is great to see her finally being part of the superfriends and I'm loving the more casual looks but there was something about her energy when she was in charge of things that I kinda miss. And as much as I enjoy Katie and magic, I prefered her science-tech side and I think deep inside Lena does too.
Come sit by me, friend! We can be a party of two. :)
I was just thinking that I miss the days of Lena having an independent storyline and her own orbit of characters; back when she wasn't a magical plot device who sat around the Tower all day and night. Remember when we had that moment of excitement about what her leaving L-Corp and her family's fortune might mean for her? Joke's on us, I guess. :)
Isn't there a happy medium in which she and Kara can still have reconciled but Lena has a life outside the SuperFriends and a story that considers her own legacy outside of what they need her to do for them? It would be one thing if there was some attention paid to Lena adjusting to the huge changes in her life, and what being part of a team - and not its captain - feels like for her. But there isn't any of that - she doesn't even talk to Andrea! - instead all the time is spent on elaborating the totems nonsense. And now, Lex is back.
Since he's from the future maybe he already knows this, but can you imagine his reaction to Lena now being a witch. "Don't tell me you believe in all that hocus-pocus, Lena. I knew you weren’t a real Luthor. Where's your cauldron? Should I contribute an eye of newt?"
Or maybe the other main reason he's back - aside from saving Nyxly - is because he wants to stop Lena. Sad that the remainder of her storyline is likely going to be centered on him, once again.
#i was gonna leave this in the tags but this caught me at a moment needed to vent#these were bad showrunners and bad producers and they shouldn’t find easy work#god i wish i could see the version of sg we could have had if ali had been the one who got to stay and not that monster
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Review: Superman '78 #5
Review: Superman ’78 #5
Review: Superman ’78 #5[Editor’s Note: This review may contain spoilers] Writer: Robert VendittiArt: Wilfredo TorresColors: Jordie BellaireLetters: Dave Lanphear of A Larger World Reviewed by: Matthew B. Lloyd Summary Superman ’78 #5: Superman escapes from the Bottled City of Kandor to face down Brainiac one on one. Positives For many readers, Superman ’78 will conjure up feelings of nostalgia…
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#Barney Miller#Brainiac#Dave Lanphear of A Larger World#DC Comics#DC comics news#Jordie Bellaire#Lex Luthor#mego#Mego Superman#Mego World&039;s Greatest Super-Heroes#Richard Pryor#Robert Venditti#Superfriends#superman#Superman &039;78#Wilfredo Torres
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So...rough couple of days at DC Comics for a lot of employees there and a very uncertain future ahead for the company as a whole. I think it's too early to really predict what's going to happen one way or another, but my positive thoughts go out to those who suddenly found themselves unemployed and to those still employed that now face an unclear path ahead. I have immense fondness for DC, perhaps more than one should have for any corporate entity, but there it is. Above is my first DC comic, my first DC toy, my first DC movie, my first DC live action tv show, my first DC video game, and my first DC animated series. These are pieces of culture that are vastly important to me, and I hope DC continues to produce such for a long while still to come.
#dc comics#dclove#brave and the bold#superman the movie#the new original wonder woman#the world's greatest superfriends#mego pocket heroes
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[RERUN] Holy nostalgia!
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(Thanks to Dark Detective)
[All images are owned by DC Comics and 20th Century Fox Disney. Please don’t sue me]
Ah, Batman...campy, goofy, 1966 Batman...
A confession: I am not old enough to have seen Batman in its original run, but I grew up watching it in reruns. I fondly remember it feeling like a comic book with all the BAMs, POWs, CRASHes, and of course ZOWIEs during the fight scenes. Then I hit my teens and early 20s and realized how stupid it was.
Maybe it’s due to hitting my X0s that I can start seeing what they writers and actors were going for. Series creator William Dozier (who also was the narrator for the series) said he never read the comic before being assigned by 20th Century Fox to make a Batman series (something that a lot of the creative staff for DC movies have in common. I’m looking at you Burton, you Donner, and especially YOU, Schumacher!), but he realized that if he wanted to make a series that would appeal to kids as well as parents, he needed to go completely over-the-top!
And over-the-top it was! The problem was that within a few years the comic started steering away from the goofy tone and toward a tone that was more...if not grim then at least more serious. Unfortunately, the series set the tone for what Batman would look like on screen until 1989 (including Casey Casem’s Robin parroting Burt Ward’s “holy” addiction in Superfriends), and the characters were what people thought of when thinking of Batman, the Joker, and the rest until Bruce Timm and Paul Dini redefined Batman’s entire feel in 1992 (only to have Joel Schumacher nearly kill it in 1997)
(Thanks to tenor)
But this isn’t about what Batman became, but what Batman was.
For all the jokes about Adam West’s “square Batman”, the fact that West was the only Batman with a beer-gut, the endless “Holy” exclamations...
...the fact that Cesar Romero would do anything to be the Joker except shave, I do still enjoy the charm of the show, although there are a few glaring issues I have (and most involve the women of the show)
Let’s start with “Aunt” Harriet Cooper. First off, both Bruce Wayne and Dick Grayson are orphans. Neither have any family that could have taken them in (hence why Alfred raised Bruce and Bruce raised Dick after their respective parents’ deaths), so whose aunt is she supposed to be? Plus, she has free reign of the manor (though apparently she doesn’t enter Bruce’s study) Do you mean to tell me she has never heard the Bat-phone going off and wondered why Bruce had a special phone that beeps?
Then we have Barbara Gordon.
AKA Batgirl.
Now, I get that Commissioner Gordon doesn’t know his daughter wears purple tights and fights crime, but Bruce Wayne is supposed to be the “World’s Greatest Detective” and even he doesn’t know who Batgirl is?!
Finally we have Catwoman, who (if you count the movie) was played by three different actresses and no explanation was given.
And now we have the biggest issue I have (that doesn’t involve the women in the show). Batman, Commissioner Gordon, and Chief O’Hara all refer to the GCPD as “the finest police force in the world” (yes, they may be a bit biased) However, Batman repeatedly tells Gordon and O’Hara to keep the cops out of his way. Moreover, when the police are involved, they come off as incompetent.
This level of idiocy wouldn’t be seen again until 2012 when Gordon leads the entire goddamn GCPD into the sewers in The Dark Knight! If the GCPD is the finest in the world, the rest of the world must be Keystone!
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(Thanks to laughland)
...no offense to the hometown of the Golden Age Flash...
Once again, if anyone has a favorite episode, let me know!
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I don't remember Mxy getting a Super Powers figure, but Mego did one that was only slightly shorter than their Superman figure. Also, he was on Super Friends, where the very Frank Welker Himself gave him the same voice as Glomer, Scooter and Slimer.
(superman: the animated series - mxyzpixilated)
i want a live action movie that’s just two hours of this
#mr. mxyzptlk#superman#the impossible man#gilbert gottfried#frank welker#super powers#superfriends#the world's greatest super heroes
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