#the woman I was not born to be

[androgynealienfemme]

"San Francisco opened a dramatic new life chapter. I was still stuck with someone else's concept of gender-appropriate behavior, but the conventional path I'd been folllowing had suddenly made a sharp turn to the left. I was a drag queen. Correction! I was a celebrated, union-carded, female impersonating entertainer. I didn't like thinking of myself as a drag queen.

Drag queens have always gotten a bum rap. Always. Men in women's clothing create a sensation, and their detractors live on both sides of society's sexual barbed wire. Nowadays, possibly the most damning rap against drag comes from inside the gay and lesbian neighborhood- the very community that Stonewall helped create.

On Friday, June 27, 1969, Greenwich Village drag queens ignited the Gay Liberation movement when they united at the Stonewall Inn, stood their ground against New York City's police, and kicked law-enforcement ass with sequined pumps. Shortly after those first angry steps toward homosexual liberation, drag became the gay stigma. Many male homosexuals, terrified that mainstream society would believe all gay men wore dresses, began to shun the more outrageous drag members of the community. Many lesbians were equally repulsed by drag, feeling that what had once been considered chic now made a travesty of womankind. Acceptance in the homosexual community was soon measured by the degree to which its citizens met a heterosexual standard. I didn't realize it then, but I was as prejudiced as those against whom I railed. I used beauty as my yardstick. It was inconceivable to me that nonbeauties of ambiguous gender might also be "real women." I blushingly admit to having been so shallow. It is unfortunate that marginalized members of society often fight one another for any available crumb of acceptance. No one wants to live at the bottom of the social barrel."

“The Woman I Was Not Born To Be” by Aleshia Brevard (2001)

[tunemyart]

But regarding the way Rio revealed herself to Lilia

She didn't choose just any old guise, she chose tarot imagery. She chose something specific to Lilia and Lilia's own language as a witch. She didn't appear as Death - Rio is always Death. She appeared as the Death card. Something so soul-deep for Lilia that the recognition would be instantaneous and unquestionable.

I don't think this is Rio's usual garb. I think she has a lot of control over how she chooses to present, and I think most of the time she probably looks like Aubrey Plaza. She's just Rio. She's a woman. She's the oldest, original green witch. That just also happens to mean that she's Death.

[uncanny-tranny]

I don't care if somebody was "born a man" or "born a woman"

We were fucking born as babies, I frankly don't care what you were "born to be," so long as you are happy in the here and now. That's what matters more, not this bioessentialist "you're born this way, and nothing you do or say matters more than how you were born"

[petalsofthoughts]

nothing more attractive than a man who teaches you things without making you feel like you're dumb for not knowing it already

[thecatsaesthetics]

The thing is, being a fan of House Targaryen is way more fun once you allow them to be the tyrannical villain/anti hero dynasty. Trying to justify everything these inbred silver hair purple eyed weridos did is so boring. Like nah those are my villains and I love that about them.

[womendeservehumanity]

When will women wake up? When will they stop with the incessant coping? That it’s just a few bad apples that hate women. The vast majority of men vehemently hate women. They show it both on and offline. More overtly online though. And the amount of likes for all of these posts (all of which are from gimmick accounts with 10-100k+ followers dedicated to hating women) shows that. Men do not see us as human beings. Straight men’s interest and attraction to women starts and end with sexual gratification. And there’s no reason to even explain this to other women as if it’s some hidden truth. They will literally tell you. They will get online and tell you they aren’t emotionally and romantically interested in women. That the concept of actually caring for and loving a woman is foreign to them. That you’re a sex doll and a set of holes to them.

Like who needs feminist theory to dissect all the ways in which misogyny manifests when it seems men are doing everything in their power to show women how much they fucking collectively hate us. Even blatantly regarding us as holes and sex dolls.

Also find it so interesting that these are tweets with millions of views but so called progressive twitter NEVER sees them or condemns them and instead opt to give attention to some random radfem with 300 followers saying men bad. THATS what’s a pressing issue to them. THATS proof that misandry is as prevalent and troublesome as misogyny meanwhile this is what women are subjected to.

[thesmokinpossum]

If My Body Could Speak, Blythe Baird | The Godfather, Mario Puzo | My Father's House, Sylvia Fraser | To The Daughter Who Secretly Longs For Her Mother’s Affection, Lynne Shako | Storms from Jupiter, Wanda Deglane | DO NOT REPLY, @filmnoirsbian

[pearlsdiamondsandvodka]

the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!

[savorycannoli]

Can I talk about sugar for a second? Like all of the berzatto children are tragic and doomed by the narrative in their own right, but nat’s story means so such to me idk if I can even fully talk about it all. We see her relationship with her mom is strained at best, it seems like she’s the least favorite child, maybe BECAUSE of her existence as a woman.

And then we find out that her lifelong nickname is based off of a childhood mistake, her being overeager to help her family literally turned into a lifelong reminder of her fuck up. Is there anything more tragic?? A child wanting love but getting scorn?? And then it makes the flashback scene where she tries to add raisins in season 1 all the more upsetting because why did she add them?

“That’s how mom makes it.” she’s the only one that still follows their mom’s recipe. The reason? Could be anything. But I have no doubt in my mind if she DIDN’T add the raisins if Donna had been around she would’ve been ridiculed even more.

I have such a soft spot in my heart for girls and their complex relationships with their moms and motherhood, and it makes her scene with cicero in the car that much more impactful. When cicero says he would let his kids make more mistakes and not been as careful, i almost started crying. Nat has a nickname from her mistakes and it seems like in her mom’s eyes she’s nothing but mistakes. And then her uncle tells her that she’ll be a good mother and that it’s okay for kids to make mistakes, great, even.

I’m so happy nat is in a place where she’s happy and supported. She has a husband who deeply understands her family and doesn’t judge her for it, even making an effort to try and include Donna. I was kind of meh about pete before season 2, but it solidified for me that he’s so so good for nat and a great character. He is so excited to be a dad, he’s patient and kind with her and her family, and he doesn’t call her sugar.

She’s nat. And she’s allowed to make mistakes.

[the-owl-tree]

out of all the hollyleaf chapters, this one from outcast has always really stuck with me in the way it resonated in constantly being taught that finding a husband and settling down to have kids was an expectation or even a path to happiness. squirrelflight's response isn't to tell her that she doesn't have to have children, that she doesn't need to become a mother if she doesn't want to - instead it's to assure her that her "path is marked out" and "she can have kits and still return to the warrior's den". hollypaw's pov chapter comes after lionpaw's and jaypaw's, neither of which have to deal with these questions and struggles. i'd be curious to hear the author's intentions behind the scene- it's interesting characterization - one that resonated with me obviously - but it's so strange to see in a children's book, one by authors who at the very least hold milquetoast liberal politics, be unable to outright have their authority figure in the scene, the one whom the child readers are meant to look to as guidance, say "you don't need to have children if you don't want to, you're not any less for not wanting them" and instead don't acknowledge the idea of not having kits and instead try and say, albeit in a less blunt way, "you can still have babies and a career! you can find a way to have children and still pursue your goals!" which isn't the Good Message shit approach they think it is.

this isn't really meant to be an organized piece of analysis, i just wanted to revisit a scene that really stuck with me as a young kid struggling with my identity. surprisingly out of everything in po3, this is really what made me resonate with the idea of hollyleaf being a lesbian.

[androgynealienfemme]

"Legally, at that time, one was required to wear at least three-gender appropriate articles of clothing. Otherwise you were subject to arrest. Few heterosexuals were aware of the law. The archaic ruling was of major consequence only for the queens of the queer community. For my late-night forays, I generally wore two socks and a silky, if male, tank top under my very feminine slacks and top.

My outer garments had for years been very non-gender specific: velvet tops over stovepipe-cut slacks; oversized shirts over tight, tight jeans. I did not, however, hit the streets in cute little skirts and cashmere sweaters. I was conscious of the dress code and the fact that I was known to every cop on our block.

The city's finest were often found kibitzing with the owners at the club. In the years leading up to San Francisco's "gay-ola" scandal of the early 1960s, it was common practice for the owners of gay clubs to "grease" the legal system. Financial consideration in the right blue pockets allowed talented "fairies" to work and play without constant police harassment. The cops on Broadway knew who I was, and I knew them for what they were. Like everyone familiar with gay life, I carried a healthy fear of our law-enforcement officials. I played by the rules and only slightly bent the dictate that you arrive and exit the club... male.

"I know you think you're real, Girl," Stormy would fret, "But you're still almost six feet tall and bear a striking resemblance to that popular drag queen Lee Shaw. Don't think you're invisible to the police."

My friend was concerned for my safety, but her primary fear was not of the men with whom I danced at the Street of Paris. She knew how badly I would be treated if picked up by the police. I would be unceremoniously tossed into jail, if not worse."

“The Woman I Was Not Born To Be” by Aleshia Brevard (2001)

[thelaurenshippen]

okay, but, like, THAT'S how you do a villain story. in the FIRST scene, you watch him shoot a man in cold blood. the show tells you right away "this man is not a good man".

but then it gets you to sympathize - look at how much the world has stepped on him. look at how terrible the whole of gotham is. and even when he kills more people, does more terrible things, you still root for him. because it's fun to watch someone be terrible to terrible people. you root for sofia too, because if anyone deserves revenge its her, but you're rooting for both of them somehow.

and then the show tells you "when he was a boy he killed his brothers". but even still, you want to see what he'll do. the show is called the penguin, you want to see the penguin rise. when he lets his mother's finger almost get cut off, you pity him. he's a sad, broken thing. how could he be anything but bad? but he loves, so there must be something else there.

but then. but THEN

the show always told you: "this is the devil". but you thought, maybe the devil can make hell a little more bearable for some people. the devil is so often nuanced, sympathetic, complex. maybe he's like that.

you're wrong. there's nothing good within him and YOU rooted for him to succeed. you wanted to watch the destruction. and now you have to live with the consequences of thinking, even for a second, that he could be redeemed.

[idontmindifuforgetme]

Just a girl who wants to be her mother’s daughter in the ways that matter

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[petalsofthoughts]

l identify with tinkerbell a lot because she needs attention or she dies, and that's pretty much me

[lazycranberrydoodles]

diversity win! your doomed greek tragedy ship is genderfluid!