#the villain is also lackluster

[cantsayidont]

December 1987. After years of fending off Talia, Bruce finally tumbles, in a scene from the BATMAN: SON OF THE DEMON graphic novel.

[wonder-worker]

"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."

-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty

[scribblingface]

I went into bg3 fully ready to have a good time and have done so despite many ways in which the game is not good and have not worried too much over various dramas about patch changes but my chill streak has finally ended and I am wailing gnashing my teeth etc. about patch 7 (the supposedly final one with story/content changes) not adding companion reactivity for any of the durge content in act 2

[miraculouslbcnreactions]

If you were to write Lila would you keep her being a con artist criminal with multiple identities but hinted at/revealed it earlier than S5 or would you cut that part down of her character entirely ?

It would really depend on how much space I had to fill. Gabriel is not the kind of villain that you can draw out forever. His story needs to have a clearly planned ending right from the start. In fact, I think they drew him out at least a season too long. So, if I also had to fill eight seasons, I could see myself going the Lila route. I'd just make a few changes. Off the top off my head, here's how I'd handle serious villain Lila as opposed to what canon wrote, which is petty school bully Lila who is entirely unbelievable as a serious villain.

First of all, Lila wouldn't be introduced at the end of season one. While her and Gabriel probably need to have some overlap, that's way too soon. In my version, she shows up at the start of season four and she'd be heavily toned down. We'd know that something was off about her, we may even keep the liar thing, but it would be a lot more subtle. Lies like, "Ladybug rescued me" and "I got to go backstage at a Jagged Stone concert" instead of "Ladybug is my bff" and "Jagged Stone wrote a song about me." Her goal would no longer be gaining peons, but instead gaining true close friends who like and trust her. The reason for this is that Lila is replacing Optigami as Mayura's last sentimonster.

See, season three ended with all those identity reveals and most of the revealed identities are in the same class. That's curious, so it makes perfect sense for Nathalie and Gabriel to want someone undercover in Adrien's class, but they can't do it. So Nathalie makes a sentikid of her own, gives her the power of manipulation, and sends her off to try to find Ladybug and/or Chat Noir by whatever means necessary.

This would give a clear reason for Gabriel to trust Lila, a clear reason for Lila to know all about the miraculous, and a clear reason for Lila to hate Ladybug. In this version, I wouldn't do Nathalie's lackluster redemption. Instead, Nathalie stays bad right up to her death. Perhaps her last act is getting the butterfly to her daughter and ordering her to get revenge on Ladybug and Chat Noir should Gabriel fail. After all, Gabriel can't wield more than six miraculous at once, so it makes sense for him to send Nathalie off with at least one of them while he enacts his master plan just in case it fails.

That's just one potential path to take. I also like the idea of having Lila be someone who came to Paris in order to find the miraculous, but who has no ties to the Agrestes. That would require some pretty big changes to her character, though, as I can't see that type of character caring about things like dating Adrien or being a model or all the other crap that has nothing to do with gaining a miraculous and everything to do with popularity and social clout. Lila canonically doesn't know that Gabriel even has a miraculous until the final of season four, so she basically just lucked into finding one instead of doing anything logical to find it because this show has no clue how to actually write smart, clever characters.

In summary, I'm totally fine with complex, master-manipulator Lila, it's just hard to figure out the best way to make her work when we don't know anything about her backstory or motivation. The version proposed above is just the best I can do to fit her into the role canon placed her in. A role I could easily see later seasons flat out ignoring.

[acid-ixx]

Hi hi I made more fan art hehe

Neglected y/n and non neglected y/n

(They're both born male but they go by any pronouns , they both got their lashes from their mom lol)

— masterlist ! ; brutus fic

I'M CRYING this was buried in my askbox, i feel so bad 😭 I ABSOLUTELY LOVE EVERYTHING ABOUT THIS! thank you so much for creating a masterpiece of an illustration.

love the opposing sides where the other one is spoiled to death with fancy clothes whilst the other prefers a more reserved style, bleak colors with only the white streaks as the brightest part about them. the white highlights in the villain mc's hair is so reminiscent of jason todd (and a symbolism of death and rebirth, stunning, 10/10, give me more!)

the softer curls on the right side, whilst spikier, more shaggy hair on the left. the details are insane i'm absolutely crying 😭 also! i love to hc the villain reader as a mentee of gotham's famous sirens (poison ivy, catwoman, and harley quinn), or was once a sidekick to at least two or more of batman's villain gallery. the possibilities are endless.

and the curve of the eyes, the lackluster shine on the other, alongside even the sheer difference between preference of jewelry, piercings on the other whilst the non-neglected side retains expensive earrings... something i know you have put so much thought and love into!

you don't know it, but you pretty much got an almost accurate presentation of how i see the reader's mother on the non-neglected side!

also, the perfect representation of both sides of gotham... the rich, glorified side that speaks of poise, spoiled upper-classes and the well-known underside of it which tells stories of a history criminal activity, hell on earth. everything fits so well, i swear.

thank you so much for sending this in, i love this fanart and i appreciate all the effort you have done for drawing this 😭 you guys are just so creative with your portrayals of your own readers and i'm glad you found inspiration through my fanfics.

[danswideslit]

slime video analysed thru horror with a queer pov

kay it gets its own post because im stil aaa bout it

This is just what I remember/was able to brush up on, since I studied this in 2019, so if anything is outdated I apologise, feel free to correct me, I love to learn!!

also I realized it has all become a lil rambly as I couldn’t contain my excitement soz

So this is my essay on the parallels of queerness in the horror genre and how DanAndPhilCRAFTS - Slime (2024) could be analysed in this light, especially given the creators’ personal history with the topic.

Among the classic tropes of the horror genre, is the topic of losing ones innocence.

Most emphasised is the loss of ones virginity, as a synonym for the innocence, although the innocence as such has many forms. As mentioned in Scream (1996), you may not survive if you have sex, if you drink/do drugs, or if you claim to “be right back” or in other ways investigate to satisfy your own curiosity.

The parallels to the christian church and societal norms are already obvious. If you deviate from the path of purity, it will lead to death and suffering. The only way to survive the night, is to stay pure. Do not be tempted by mere curiosities, for they will be the death of you, essentially.

In the same light, Baphomet is most often portrayed with characteristics from both the male and female human anatomy, and can be used as a metaphor for the inherent evil of gender expressions beyond the societal norm.

In the same light, monsters in various movies are often shown with a deviance in gender and/or sexuality. This role of ‘sexual outsider’ has, for years, been a symbolism that queer people have connected with. The has only further skewed the ‘stay pure’ narrative, as it brings on an ambience of kill or be killed. An either/or of sorts. But it has also made monsters and villains walk the line between sexy and terrifying, which naturally leads people to be enticed. We are sexual creatures afterall.

Often the monsters have an aura of masculine energy, as they make people cower, and the stereotypical jocks abandon their hardcore exterior. This, on one hand birthed the “the boyfriend is the killer” trope, but it also gave way for diving into morality, how many crimes can a villain get away with, as long as the character resonates with the audience.

This is demonstrated in Jennifers Body (2009) which was, at first, marketed to the male audience, making the monster Jennifer an attractive young woman, essentially getting the film marked as “Twilight for boys” by film critic Robert Ebert.

The ratings, however, were lackluster and claimed the movie was neither funny nor scary and thus was unsuccessful. Jennifer wasn’t “as hot as you’d hope she’d be” and essentially the “lesbians-for-the-male-gaze” marketing to boys 17+ failed. 

However, many women and young girls between 17-25 saw the character of Jennifer as empowering and resonated with the film. My theory is that the men did not like being the victim, being killed my something that they are supposed to be worse than. But the women saw a strength in the conflict between what is essentially two sides of the same existence - on one hand the rage of the injustice and gender inequality, and on the other hand Needy, who follows every character trope connected to the “last girl standing.” Except even she is tainted in the end, killing Jennifer and losing her innocence. (more talk about innocence, murder/virginity bla bla bla, okay but this essay aint about that)

All this plays a role in how the queerness of DanAndPhilCRAFTS - slime (2024) can be interpreted. Throughout all four installments of the narrative, Dan is seen being guided by Phil and scolded when he doesn’t do it right. Phil seems not at all surprised when Dans glitter face turns satanic, and by the third video, Phil hands the control over as he gives himself away.

Essentially, the indoctrination of Dans role in Phils devotion is cult-like. Cults are often hidden behind a facade of “found family” before the true behind-the-scenes terror is revealed. Dan is evidently comfortable in letting a more experienced person guide the way, despite his own hesitance. He knows that he cant do this halfway.

also the idea of Phil rising from the dead, during Easter… Jesus Christ, where would we even begin (lol)

But beyond that symbolism, It is the hesitance in Dans nature that seems to point to the “purity being tainted” horror trope. Phils devotion to Him is evident, but Dan seems more so to be devoted to Phil. A follower. Believing whatever Phil believes to be true. A Billy and Stu, Scream situation, if you will. The subtext of two lovers and the blurred lines of love and death, which has been analysed and discussed a whole while by smarter people than me. 

Dans hesitance to follow Phil guiding him to the other (queer) side. The penetrative stab and the menacing disarray of emotions on Dans face afterwards. This was anything but a selfish act, but he gave into the curiosity, he is not the last survivor, he has joined Him. This ritual was giving into love, without trying to contain, rationalise, or diminish any part of it. 

(Kind of how like dan, selfproclaimidly, would still be a ‘Daniel in denial’ if Phil hadn’t come into his life, because Phil ‘led him astray’ but he’s very okay with it and he has embraced it, and he’s happier giving in instead of fighting it?? Too far??)

[puc-puggy]

really fascinated with deadpool & wolverine less as a movie and more as a corporate response to the growing insecurity in relating to and creating meaningful art. like, never have we been more aware of the impact that the relationship between art and artist is oppressively mediated by Corporation than right now with marvel, whose movies grow continually worse and more forgettable under growing corporate control, and this movie bears the weight of a particularly complicated and contentious merger. what they decided to do about it is just. fascinating. disturbing, but fascinating.

the movie is incredibly aware that it is a Product and seems to have completely sidestepped any attempt at meaningful storyline in lieu of packing as much Content into 2.5 hours as possible. and I mean Content. they broke him up with his girl & separated him from all his meaningful character connections, then sent him through a very funny but disjointed and lackluster plot, putting all the meat in nostalgic character interactions or gratuitous fan-pleaser match-ups that can work as tiktok clips. don't get me wrong, i'm a basic x-men bitch. wolverine is one of my all time favorites, especially early angry fucked up alcoholic logan. i gasped at elektra and straight up screamed when wesley snipes came into frame. I laughed out loud at the list of cocaine slang terms disney apparently has. it was fun! it succeeded in making me not mind that it was barely a movie.

and that's the rub, isn't it? it was barely a movie, and it knows it’s barely a movie. but it still has to connect with its audience somehow. and that, i think, is what's really fascinating. it forges its connection with the audience not by building characters or stakes and giving any of them genuinely grounded emotional arcs but by using a fourth-wall breaking character to commiserate with the audience about the impact of corporate ownership & profit on their relationship and access to the stories we love. while being the impact of corporate consolidation on stories you love.

deadpool makes jokes about his stupid villain and mcguffin machine, but the plot is still motivated by a stupid villain and a mcguffin machine. he jokes about being banned from doing cocaine on screen & does not do cocaine on screen because he can't. the corporation that now owns his IP has deemed it against their values. he jokes about what things "have to happen" in the movie because there is actually a list that they were given. as a friend pointed out, “the climax was exactly as contrived as it needed to be to make it a statement: ‘you see how this barely-fleshed-out villain character is just gonna kinda stand there in front of the macguffin machine for as long as we need her to so that we can have the conversations and tropes and results we want? yeah we're just gonna do that. we're gonna keep cutting back to her just standing there going Mmmmm mwah haha to specifically highlight how dumb it is. On purpose.’”

by embedding it in the plot with a character that breaks the fourth wall, the movie stops being “about” the plot on screen and starts being “about” the collective relationship to the characters, embodied by ryan reynolds, whose personal desire for a good deadpool & wolverine movie motivated by his pure love for deadpool is the mythological origin of the movie, and who was allowed to break character and say as himself to hugh jackman as wolverine “you have no idea how long i’ve been waiting for this.” he’s turned into a sort of avatar of the pure fan, who’s there to love the character and have fun and isn’t too bothered by logistics and legalities. it wants you to feel like deadpool also hates it when stories get shuffled because of corporate stockowners, like this extremely expensive bullshit is his personal protest and he's going to give them a proper sendoff & ryan reynolds was around to hold everyone up to standard. the corporation soothing the audience and fan that people who love the stories are ‘in charge’ enough to create a good time, lowering your standards and expectations of a story to what’s profitable for them to create.

kind of genius.

[dilatorywriting]

Heroes vs. Villains : Pomefiore [Part 2]

Gender Neutral Reader x Pomefiore vs. Neige Leblanche Word Count: 2.3k

Summary: Woe to the Ramshackle Prefect, being caught up in the drama between the Disney Villains and their respective heroes. Pomefiore Version (Part 2)

ie. The scarf is an issue, because of course it's an issue. And Vil's sudden addiction to his phone is not going well for any of you.

[PART 1] [PART 2] [PART 3]

“What did you do?” Epel hissed from behind an entire department store’s worth of facial products.

“What?! I didn’t do anything!” you argued. Trying to sound stern when you were also putting a concerted effort into not moving your mouth was apparently very hard. A lip mask, Vil had called it. ‘Pretentious goop’ was a far better description. But the Pomefiore House Warden had been particularly dour lately, so you’d been letting him slather you will all kinds of atrocities in the name of keeping the peace. You’d smelled like a walking Bath & Body Works for the past week at least. And worst of all, if you ever made that comparison out loud he’d probably hemorrhage. Or something. Because each of these products was ‘special ordered’ or ‘hand crafted’ and blablabla.

“Well pardon me for not takin’ your word for it,” the purple-haired boy snapped, spiteful. “He only gets like this when someone’s hurt his stupid ego. Or worse—his feelings.”

“And why does that ‘someone’ have to be me?” you complained.

Epel shot you a look and you sighed into the misty air. The aroma diffuser gave another lackluster puff, as if in agreement.

.

.

Ever since your shopping trip, Vil had been acting… not quite right.  

Oh, he was still icy and composed. He still tutted at your untucked uniform shirts and irritably plucked stray bits of fuzz from your jacket. But it was almost like he was too much of himself. You’d liked to think that your laid back ‘you’re lovely no matter what and I live in a literal condemned building so who am I to judge anyone’ approach had softened the House Warden at one point—even if only a smidgen. A singular hair out of place was artful, not lazy. The barely-there wrinkle in his vest was not the end of civilized times, but functional fashion. But now? It was back to the strictest of regiments, the most unforgiving of rules.

Jack had told you that Vil was even waking before him now—that by the time the wolf-beastman arrived for their early morning jogs, the blonde had clearly already been up and training for hours.

And you were worried.

Sometimes Vil would look at his phone and get this twisted up, venomous, expression on his face that sent little pangs of concern eating through your gut. Sometimes Rook was there to reach forward and gently ease the device out of Vil’s death grip. Sometimes he was not, and you were far too afraid of losing your fingers to even try.

It was a vicious cycle. The phone would make Vil angry and subsequently be abandoned in the opposite corner of the room. So then Vil would bury himself in new makeups, and outfits, and skin care. He would fret over new projects, or old projects—ranting about the incompetence of whoever he would ‘never work with again, believe me.’ Sometimes he dragged you along to his Film Club (you’d watched so many classic movies with him at this point that you were actually starting to become culturally literate). And then—slowly but inevitably—his brilliant, purple, gaze would drift to the expensive rectangle sitting all alone off to the side, wherever he’d carefully and strategically placed it to be just out of reach. Gradually his fingers would start to twitch, and then his jaw. He’d drum his nails against his knee, or irritably tap the pointed heel of his shoe against the floor. And then the phone would be back in his hands and he’d be looking at something that sent him spiraling all the way back to the beginning again.

“I don’t know what to do,” you confided in Rook one afternoon. You hadn’t seen him yet, but a bush off to your left had jiggled suspiciously at one point, so you assumed that he was probably somewhere in the vicinity.

After a moment, the hunter came and perched himself at your side.

“Do you know what’s bothering him?” you asked. Rook seemed to know everything about everyone, and Vil was his muse, his Roi de Poison. He had to have noticed something by now.

The blonde nodded, the feather in his hat bobbing as he did.

“...You’re not going to tell me what it is, are you?” you huffed, not even attempting to bite back your irritation.  

Rook patted your shoulder sympathetically. “It is not my tale to tell, Mon Coeur. There are some things that I am told in confidence, and I cannot break that trust. Though I am sure he would greatly appreciate your concern.”

“Or you could just tell me,” you tried. “And then I wouldn’t have to be concerned at all.”

He tilted his hat at you, and then danced back easily when you tried to snatch it off his head.

.

.

“So, what’s the dealio,” Ace drawled, and he’d better thank his lucky stars that you didn’t startle quite as easily as you used to, because there was entire, opened, jar of Werecat urine in your hands that was just dying to wind up upended all down his white lab coat.

“What deal?” you snipped, carefully recapping the stinky ingredient and setting it off to the side. Tempting as the idea of dousing the redhead in supernatural piss was, Crewel would skin you for wasting components.  

“You spend a lot of time at Pomefiore,” Deuce added, much politer in his approach than Ace had been. “And lately their House Warden has been a bit…”

“Why has Captain Pissy-And-Perfect been so pissy?” Ace interrupted, leaning far too close over your cauldron to be any kind of safe. “Normally the only thing that twists him up that bad is Neige.”

Your mind whirled back to the incident at the mall. And as controlled as you liked to think you were about these sorts of things, your face must have done something because Ace pounced on you like Ruggie after a donut.

“What do you know?” he demanded, nearly spilling a whole bottle of Newt Eyes across the floor as he crowded into your personal space. “Tell me, tell me, tell me—"

“All I did was give Neige a scarf!” you snapped. “It’s not like it’s a big deal!”

“What scarf?” Deuce blinked back, confused.

“It was just some scarf that Vil put on me!”

The two of them made long, pointed, eye contact, and you immediately felt horribly out of the loop.

“Whelp. That tracks,” Ace sighed, just as Crewel popped up behind him to whip him across the back of his head with his pointer.

.

.

Your group of mangy idiots had gathered in the cafeteria for lunch—as was the ancient tradition of all starving students. The four of you had clustered around your usual table. Ace was busy squirting ketchup packets all over what would inevitably become Deuce’s seat when he finally got of the line. Jack was busy swishing said ketchup away with an irritated scowl. Epel sat across from you, as miserable and lemon scented as ever.

A lunch tray smacked the tabletop with an echoing bang and Deuce appeared behind it, frantically waved his cellphone in your faces.

“You guys have to watch this,” he said, deathly serious, before propping his phone up against your glass of water. It flopped forward with a resounding crack three times before he managed to get it to stay upright.

The five of you crouched around the teeny screen as the poppy chords of some Talk Show intro or other filtered through the tinny speakers.

“You know,” the interviewer beamed, all manicured sugar and over-bleached smiles. “With some of the things you’ve been posting lately, some people are saying that you’ve just got to be in love!”

The audience ooohed and aaaahed.

Neige Leblanche was sitting on the little leather sofa beside her, and he smiled in a way lit his entire face in a brilliant shade of pink. He was still wearing that goddamn purple scarf and immediately you could feel your temples pulsing with a migraine. This was going to be bad.

“Well,” he mumbled, bashful. “I can’t say you’re entirely wrong about that.”

Cue hordes of nearly rabid screaming. Ace winced and reached forward to tick down the volume.

“Why are we watching this?” Jack scowled, but he didn’t move his sharp glare from the illuminated screen.

“The Prefect gave Neige a scarf, and—”

“Shh,” Deuce hushed. “This is the bad part.”

“It’s a little bit silly,” Neige continued, glancing up at the host from beneath his dark lashes. “I don’t actually know their name. But we met a few weeks ago now and they were just—well they were amazing. They actually helped pull me out of a pretty sticky situation, and they were so composed through all of it! And then they didn’t even care about me being famous at all!” he rambled, getting brighter and brighter the longer he monologued. “They just helped me because I was a person, and, well, I think that’s very sweet.”

There was another wave of darling ‘awwws’ that could only have been scripted. Or, at least you hoped so. This level of saccharine infatuation should have been enough to turn anyone’s stomach. It had certainly twisted yours into all sorts of unpleasant knots. The secondhand embarrassment alone was on the verge of taking you out entirely.

“A little birdy’s been telling us that the scarf you’ve been modelling in all your latest Magicam posts was actually a gift from this secret lover of yours,” the interviewer whispered conspiratorially, and you wanted nothing more than to snatch that stupid purple cashmere back through the screen solely so that you could strangle her with it.

“Well, yes, actually,” Neige chirped, fingers reaching up to toy with the soft fabric.

“No it wasn’t!” you howled, indignant. “I just put it on him to distract him because I accidentally rambled to his face about how much more fuckable Vil was than him, and—”

“WHAT?!” Epel screeched. Screeched. At the top of his lungs. It felt like you could feel the glares of every single set of eyes in the cafeteria drilling into your spine. Out of the corner of your eye, you swore you saw a feather bob as it disappeared through the door, and you didn’t even want to think of the implications of that.

“No fucking way,” Ace gaped, looking for all the world like you’d just handed him a million Thaumarks, or an entire notebook’s worth of nuclear codes. Deuce and Jack both just looked like they were trying not to choke to death.

“Oh my God,” you wailed. “I did it again.”

.

.

When you next ran into the King of Poisons, you were so distracted by the impossible task of wrangling Ace into silence that you couldn’t have noticed the subtle changes in him even if you’d wanted to. The increased length in his stride, the gentler tuck of his hair, the less severe line of his shoulders—if you weren’t so caught up in trying to commit homicide, you would have been ecstatic.

Rook was chattering along at his side, his lips quirked into a merry grin. The tack-tack-tack of Vil’s crimson heels against the stone floors was familiar, confident, and loud enough to swim through your head despite Ace’s manic cackling.

“Potato.” Vil’s red lips quirked upwards into the smallest smile before twitching back down into a sneer. “And other potato. What exactly do you think you’re doing?”

Thankfully, at the end of the day, Ace was still nothing if not a no-good coward. He turned on the Pomefiore House Warden, ready to spill your deepest, darkest, secrets, and immediately withered under the third year’s spiteful glower.

“H-House Warden!” he squeaked. “I was just—Ahem. The Prefect was just—just saying that—”

“Go on,” Vil prompted, tongue dripping with all kinds of venom. “It must be riveting if it’s managed to stun you so thoroughly. Or maybe that’s just the extent of your comprehensive abilities as it is.”

Ace gulped. Audibly.

“Perhaps I should report your dallying to Riddle,” Vil continued, and that was when Ace really started to look panicked. “Remind me—your House Warden is known for his lenient stance on punishing rule breakers, is he not?”

The redhead darted off with one final squeak, practically wheeling around a corner in his haste to escape.

“Well?” Vil barked, and it took you a second to realize that he was addressing you now, and not that he was just going to continually roast Ace into an early grave. “Are you coming?”

“Where?” you asked, confused.

Vil rolled his eyes and reached out to grab your hand. “To Film Club. You promised to help pick out the new backdrop color schemes. Or is the forgetfulness of that horrible, spudling, friend of yours wearing off on you now too?”

You had promised Vil so many things in the last few weeks that you honestly probably wouldn’t even have remembered if you’d offered to sell him your soul, so looking through page after page of tone combinations that all looked absolutely identical to you but whatever was probably the best you could hope for.

More importantly, he seemed… better. Less stiff, certainly. You wondered idly what could have happened in the span of a few hours to mend his mood so thoroughly. If it had been Neige related all along, then probably some slight against the dude, right? Maybe something had popped up online? Industry drama, or whatever. Or maybe—

‘Because I accidentally rambled to his face about how much more fuckable Vil was than him, and—'

You froze, like a deer about to mowed down by a semi. Vil’s grip on your hand was the only thing that kept you from immediately faceplanting into the ground.

But, no. No one aside from your immediate entourage could have heard you say that! It wasn’t possible! It—It wasn’t—

Amidst your sudden wave of mortification, you caught Rook’s mischievous green, gaze, with your own. The feather on his hat bobbed playfully, mockingly, and he winked.

.

TAG LIST (CLOSED AS OF 12/10)

21.3.76

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[buffyfan145]

In Charlie's Empire Magazine interview, the ROP directors said they chose him for Sauron because he is so warm and witty. They wanted to show that Sauron was a charismatic antihero/villain that made you want to root for him, and watch him, even when you were also horrified by his cruelty. Honestly, they just confirmed what we always said: Sauron was never meant to be an uncomplicated baddie. He's way too multifaceted for that kind of lackluster, unfeeling, pure evil. Rather, Sauron has the kind of bad qualities that could have been turned to good if he had stuck with repentance and opened himself up to compromise. If he had been bland and superficial, I do not believe he would have ever tempted Galadriel. She saw part of herself in him (and he saw himself in her), and that is very telling.

I saw that part too and that Charlie originally auditioned to be Elrond but they saw what they wanted for Sauron and offered the part to him, though Charlie only knew the character as Halbrand at first and they later revealed it to him during filming. That makes sense to do that and make him likable since Sauron originally as Mairon was good and part of the Maiar so it's showing how he was and why he was called "The Admirable". There always had been that side to him that he sadly slowly loses which we'll see play out, and that he did almost repent. So Charlie's such a great choice too going by not just how he's played Halbrand/Sauron but his other past roles too in his other movies and shows. He played likable/good characters in "Medici" and "Palm Beach", and then an even scarier real world human villain that could also easily deceive in "The Lost Flowers of Alice Hart". They chose the right after for how they wanted Sauron to be, and to show that he and Galadriel are more alike than either realized.

[lizzybeeee]

The Lucanis vs Illario story would have had greater emotional depth/intrigue if the writers didn't water down how fucked up the Crows are as an organization.

Just some thoughts about how, out of all the side villains, Illario had some great potential to be a really interesting/tragic character in my opinion.

TL;DR: Zevran Aranai has a knife with Caterina's name on it for good reason and Lucanis/Illario need therapy...or whatever the Thedas equivalent is called...talking to Rook, I dunno

Going into DATV as a new player, or even as a returning one, the whitewashing of the Crows has a lot of the potential complexities of that life simply ignored or barely touched upon. The entire 'Illario vs Lucanis' boils down to: Illario seething in the shadows about Lucanis being the 'best boy'™ of the family while Illario is an after thought - which he is.

Let's be real, Illario is not subtle and immediately comes across as the Scar to Lucanis' 'Mufasa'. It's a questline with a very straightforward villain who has pretty lackluster motivations from what info we're provided - being 'I want power and to be the First Talon'. The game does very little explore what motivations he may have beyond being jealous of Lucanis/wanting more power.

However, if you play the quest line knowing what previous games have set up about the Crows - about how cutthroat and brutal the life is behind the glamour - then you can see that the entire Lucanis vs Illario conflict has amazing potential to be a dramatic tragedy.

We've seen how the life of Crow can affect Zevran - someone who was sold into the life through child-slavery. How interesting would it be to see how the life of a Crow can affect someone who was born into it? It's pretty clear in-game that Caterina intends for her grandchildren to carry on the family tradition - despite the fact that this 'family tradition' has likely led to the deaths of most of her grandchildren and however many children she had.

If there's banter about how Illario's/Lucanis' parents/cousins died specifically I haven't heard it, but the impression I got in-game was that it was likely linked to the Crows/politics in some way? Feel free to correct me! Still majorly fucked up that she pushes her grandsons into this life regardless!

Lucanis/Illario's situation was not like Zevran's - who was sold into the Crow's through slavery, with no one to speak up for him. Caterina was a woman who had power, who knew what the life of a Crow meant, and who still pushed those she 'loved' into it because is consolidated her place in the system. For all the Crows talk of 'family' Caterina doesn't seem to give a shit about them unless if they're contributing to the family business in some way - not to mention the whole 'you fail and we kill you' clause of being a Crow in the first place.

In the 'Wigmaker Job' from Tevinter Nights Lucanis talks about how Caterina hit him [also Illario] with her cane for mistakes and had him spend days without food/water. How he used to hate her but now 'realizes' that it was her way of ensuring he survived the life of being an Antivan Crow. Did it end up protecting them? It likely pushed them both to refine their skills out of fear. It's likely that simply by association with her they would be targets and thus needed to know how to take care of themselves and fight.

But why have him as a Crow in the first place? Why not simply train them well to defend themselves? You can't deny that she doesn't benefit from having her grandchildren in the family business - intentionally wanting Lucanis to take over her position as First Talon. The Antivan Crows are a force to be reckoned with and being one brings a whole lot of power in Antiva - being part of the elite of that group even more so.

If the game showed us the ugly reality of the Crows - the brutality of the lifestyle and how cutthroat the organization is, it could have really added some depth to Illario's betrayal - having it be more than "I want more power/respect" to "this is the result of what you taught me was valuable in life."

Warden: "Do you actually enjoy being an assassin?" Zevran: "And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at."

Illario, bitter about Caterina favoring Lucanis - resentful of the fact that she has already decided that Lucanis will be her successor, being offered power by the Venatori (at the expense of the Crows) and accepting because why not? How different is it from what the Crows do? Isn't power and status the whole point of working yourself up in the Crows? Getting into a relationship with Zara because why not? Isn't sex part of the allure of being a Crow? Why can't he have this? Why shouldn't he have this?

Rook: "When we met, it didn't seem like Illario and Caterina were close." Lucanis: "It was hard to be close to her. Even for me. And...I was her favorite."

Why would he have connections to his family? Why should he? Caterina certainly never seemed to value 'family' beyond what they could do for her and their family legacy. Most of his family is already dead, and of those that remain the only parental figure he has obviously favors Lucanis. We don't have a lot of evidence in-game to show that Illario ever really cared for Lucanis, but the prequel story 'The Wake' and Lucanis' own banter imply that they were practically brothers, best friends. Perhaps he did care and then ceased to at some point, perhaps he didn't at all, or perhaps he accepted that an early death for them both was inevitable like everyone else in their family. Dead now or later - what was the difference? At least if Illario sells him out now to the Venatori then he'll get something from it instead of another dead family member to bury.

It's the tragic result of raising a child in an environment where he was taught and experienced the need for self-preservation at all costs. Constantly threatened, punished, and made well aware of that fact that his life was an expendable commodity. Then, when things in the world went to shit he picked the only option that made sense to him. To save himself.

The irony of the potential fall of the Crows, the fall of House Dellamorte, coming at the hands of one of their own - not because he had a change of heart but because he was taught too well by them. The Crows view those that fail them as disposable, someone to be discarded - if the Crows fail Illario, what is to stop him from applying that mindset to them?

But this would require the writers to acknowledge how messed up the Crows are and we can't do that to our 'Noble Freedom Fighters'™. They'll also need to address Zevran's existence and what lore was established in past games...and we can't have that either lmao.

[crescynnt]

Some thoughts about the Influencer Arc

Green hurt each of his friends on a personal level during the Influencer Arc.

The most obvious example is the lava prank for Blue. After climbing out of the lava, Blue cooled down his leg with a bucket of water, likely a reference to the Piglin War episode where he was burned on the same spot while saving the little piglin.

Although it was never confirmed, the two most likely sticks to suggest making the blooper video were Blue or Red (I'm going with Blue for the sake of argument). This means Green actively rejected his idea for it not being "quality content".

Yellow was also an obvious punching bag for Green. His jump in Green's Minecraft vlog was deleted after a commenter said he was "pretty useless".

Arguably, the cut superhero video (where Yellow was making a robot) was Yellow's idea to prove that he wasn't useless. His role in the previous two superhero videos was just the cop/officer, which was likely what prompted the commenter to say he was useless. By creating a video where the main villain was something he created, he was trying to prove that he, too, could do something "useful" for the videos.

As for Red, the hyperactive one, he was the first one to feel Green's neglect towards his friends. He was the first to be seen walking away at the end of the Minecraft vlog and had his arms crossed multiple times in the behind-the-scenes.

Later in the TikTok videos, Green also redded out the background of a video due to his friend's lackluster dancing.

For Second, it was a little more complicated than just deleting his dancing videos. The thing Second values the most is his friends. When he saw Green pushing each of them away, to the point of hurting them for content, he tried to take the phone away and get his friend to stop.

But Green didn't see a problem with it and acted as if everything was normal. That was the breaking point. Second was protecting his friends against someone who'd turned on them.

It wasn't just about losing Green to social media. Green was a friend that was actively pushing each of them away, both intentionally and unintentionally. Even though they wanted to support him and help him create content (they weren't exactly enthused to make TikTok dances but did it anyway), all Green had been doing was actively rejecting their help.

[super-paper]

Like I feel like 90% of my problems with 423 (Izuku) could have easily been fixed if Hori had actually stayed true to Izuku's character as someone driven by his empathy for others. Naturally I would have still been extremely upset with Tenko's death, yeah, but I think I would have at least been able to gradually process it and eventually accept it if Hori had actually depicted Izuku as like... actually reacting to the fact that he's killing Tenko and actually attempting to grapple with the weight of taking his life. Any reaction that might come after this chapter is simply too late to undo the damage.

Blood+ is an excellent example of a well done "I had no choice but to kill you" villain death: In this series, The hero (Saya) is ultimately forced to fight and kill her villain (Diva), but the core of her character-- her kindness-- is never sacrificed. It's enhanced by the tragedy of it all, of her being forced to end a life when she sincerely didn't want to. Even though Diva did terrible and unforgivable things, the first thing Saya does when she sees her crumbling is to rush forward and comfort her despite her own injuries, and to express intense anguish over not being able to help her. This cements why Saya is the hero of this story. I haven't watched Blood+ in over ten years, but the final moment between these two is something that has stuck with me all this time-- this is how you write a powerful ending between your kind/empathetic MC and the villain they were ultimately forced to kill.

Comparatively, everything about Izuku and Tenko's resolution feels completely numb. Izuku's lackluster nonreaction to everything he learned about Tenko in the vestige world. His complete lack of distress when Tenko's abuser swallowed him up and took over his body again. Him not expressing any concern for Tenko's safety once AFO resurfaced. Him continuing to beat on Tenko's body as it crumbled without any internal conflict or hesitation.

All of it sacrifices the very foundation of Izuku's character-- him being moved to act out of EMPATHY for others, not out of a desire to simply "beat the villain". The climax of Izuku's long awaited "rising" chapter is ultimately about him punching someone rather than saving someone, which also betrays the core of his character (yes, it's also about how he inspires others by doing his best but can you honestly say him rushing forward to punch TomurAFO to death was "doing his best as a hero". What was supposed to be the cumulation of Izuku's arc ends up being completely surface level/lacking sincerity and instead reads like Hori is just going through the motions).

The boy from chapter 1 whose body moved on its own after seeing someone in pain was ultimately more heroic than the boy from chapter 423, and that's one of the many reasons why people should be upset with this chapter and what it's done to Izuku's character/arc.

[bloodreddemons]

All Hazbin Hotel Fashion Ranked w/Roasting | (imo)

(Pilot to Present)

#20 Valentino | He literally looks like he smells of alcohol, smoke, and piss. How tf has Velvette not fixed him yet?!?! This gawdy wannabe gimp getup is NOT OK... He just strolls around naked under that Santa Claus/Zebra printed Nightmare....🤡 (I like his glasses tho imma rob him)

#19 Adam | Dude be fucking having that moo moo dress ON. I find it hilarious that his army is dripped out more than he is. I mean his final battle moo moo dress was a bit better than the original but he really just walks around like a certain Ice King from one of my fav Cartoon Network shows lmfaooooo. ✝️

#18 Carmilla Carmine | Lackluster. I wasn't really wowed by either two of her looks all that much I guess. There's just absolutely no color I kinda wish they incorporated maybe more purple or something in her. Carmilla also got some BIG ass hands. Idk her design just kinda throws me off. It reminds me of something abstract.

#17 Vox | I really like his coat and just the overall palette of that electric blue situation but his shirt low-key is giving me Freddy Krueger tease lol. As well as Pyrocynical and that dude from the show "Villainous". I hope in Season 2 Vox serves us more looks and variety. He's not bad, he just obviously doesn't compare to others.

#16 Katie Killjoy | She got only like one outfit but man does it EAT. A bit cliche for a reporter but it's just still too cunty to turn down. The pearls, the cut, the makeup, fucking slay I guess. Miss Bryce Tankthrust still serving in hell is a MUST. 📣

#15 Lute | Ngl I was just shocked how pretty Lute was. That fucking face card and you hide it under a MASK?!?! Her eyelashes/eyes and that bob is just chef's *kiss* honestly and I actually really do think the angel uniforms are pretty hot as well. You just can't go wrong with a thigh high BOOT. Girls really get it done. 💯 (Keep the mask OFF!!!)

#14 Mimzy | I hate Mimzy with a passion but I can't deny flapper dresses are beautiful. Mimzy you absolutely devoured and the body is bodying Cheers, you're timeless lol. 🥂

#13 Husk | Please don't hate me guys. I love Husk and all, but ever since Alastor stole his soul he also stole his swag. Man's hasn't worn a fucking shirt since that day lmao. 🤣🤣 Like where DID his suit go??? I would be depressed and wasted too if I was him. I don't hate his design or outfit, I just think it's a bit too simple compared to the other main characters. His personality and Keith David 100% make up for it tho. ♠️

#12 Rosie | Just like Mimzy but like, tripled lmao. Just timeless beauty that never dies. Mary Poppins WHO???? My favorite is honestly probably her hat, that thing is like the crown jewel. Color palette is also kinda satisfying, I stan the pink and mauve. 🌷

#11 Emily | She's like a breath of fresh air from all the red and pink tones. The baby and periwinkle blue is so beautiful and so are her features. Them big ass eyes, the freckles, & whimsical hair. I liked her dress too. Big W's for Em. 💙

#10 Niffty | Cutieeeee. I really like her redesign compared to the old one. 1950's style of fashion is also still very appealing to me as well. The pink dress she was wearing was so fucking adorable I almost had a stroke just to see it in person. She's also weirdly gorgeous covered in angel blood. 💄

#9 Charlie Morningstar | Ngl...a lil disappointed in our girl. As the main character....to have so many just similar looking outfits with not much variety is kinda the most unsatisfying thing ever. It often feels like her fanart and photos that we rarely ever see contain better outfits than the ones that repeatedly appear in the show. However there's nothing really wrong with her final design I just sometimes really miss the old one from the pilot. I think her rounder features and the lighter pink suited her better. Final battle outfit was her best look so far tho in my opinion. 💋

#8 Sir Pentious | Sir Pentious style sorta never changed, he's still rocking that snake do-rag and that suit top that's striped just like everybody else's. 😮��💨 I really wish they would've made Pentious' suit a floral pattern. I know stripes might have been popular in the 1800s but floral was very popular too and it'd be something different that'd still completely match his Era. I love his steam punk style and his other creative looks but his HEAVEN outfit was just the best. Saint Pentious > Sinner Pentious!! 🤍

#7 Velvette | Thank LUCI they changed and upgraded this girl bro. She was lowkey a hot fucking mess in my opinion before. Man did she come out SWINGING. Not just with looks but also personality I was floored. She's literally the Queen of hairdos and assembling, not many people can pull off that many patterns. Unique and trendy with the energy to back it up. Velvette you'll always be famous!! ❤

#6 Lucifer Morningstar | 6.6.6!!! Very few outfits but I never seen a moment where this man did not serve!! He's always got that fire ass coat on and he gives you the hatsssss. They're stylish while also telling you exactly who he is. It's like regal as fuck while also kinda simple. You don't have to think too much while ogling to just know that he's a dapper ass cHaD. ❤️‍🔥🍎

#5 Cherri Bomb | Loved all of Cherri's outfits. She fucking devoured and blown away over half the competition. She is Kesha vibes. Mama is Avril Lavigne vibesss. She just gives it to you with her punk rock, y2k, fashion. (I know she's supposed to 80s Era but still lol..) Always loved her base look but the final battle outfit and the one from the addict music video were amazing. 🍒

#4 Vaggie | Vaggie the fucking queen you areeee. Talk about versatility. She can really pull off a lot. I noticed that she experiments with her hair a lot like Velvette and I LOVE THAT. The fucking bob?!? High ponytail?!?! Great bangs and great length?!?! Vaggie teach me your wayssss. I always liked her bow and a lot of her outfits. Most of them are sexy without trying too hard. I don't think I can even pick a favorite but I'd probably go with final battle outfit and also her angel gown because that is just too cute lol. 💅🏼

#3 Alastor | As soon as Alastor popped up on scene he was fucking slaying. Literally definition of "pink is cute but red is sexy". He got those sharp ass acrylics ON and his coat is fabulousy spooky lmfao. He also went from being bed bug red to....even more red and sharper (because that was some how possible) lol. Red and black is always an amazing combo and his deer-like appearance is kinda appealing even tho it's a demon lol. I'd venture to even say he's probably one of the most fashionable Overlord's. He's just eye catching and has that AURA. Maybe it's because he's an ancient relic with very peculiar cLaSs but it's really working for him. Keep going you psycho I will see you in hell lmao. (Johnny Depp's Willy Wonka called 🍓💀)

#2 Angel Dust | FUCKING KING SHIT. He just serves every time without fail. He has a whole wardrobe and they all fucking bang. The clothes are sexy, the makeup is sexy, the AURA is sexy. AND IT SHOULDN'T BE TRIFLED WITH!!! It's really sad because he spends so much time to "get pretty" for pieces of shit, but it doesn't take away Angel's talent to pull off so many gorgeous and hot things. Angel will always be a standout icon and I bet Heaven will look SO good on him. 💗

#1 Lilith (Probably lol) | We barely seen her, but I just KNOW she'd devour. Point. Blank. Period. lmfao. 👑♀️

[miraculouslbcnreactions]

The Many Failures of Lila's Writing

There are three main issues with Lila Rossi (or whatever her name is): she was introduced too early, she doesn't fill a unique role in the story, and her lies are too over the top for her to feel like a good villain. Let's go through that list in order because the issues build to create the show's most annoying character even though her setup could have led to a legitimately great character who we would have all loved to hate.

Issue 1: Lila Shows Up Three Seasons Too Early

Lila is introduced in the final episode of season one and then essentially disappears from the show for a full season. The only time we see her in season two is her brief appearance in season two's finale where she takes on the role of Volpina again in order to help Gabriel fake Ladybug's death. That's also the episode where we learn that Lila has been "in Achu" for some unknown amount of time.

[image: a list of Lila's season two appearances (source)]

Season three sees Lila show up with reasonable regularity (8 episodes, none of which are two-parters) and we get a real conflict with her, truly establishing her as a villain who lies like crazy and who wants to destroy Marinette.

Then season four comes and Lila is once again forgotten about. She shows up more than she did in season two, but only as a background character and most episodes don't see her at all. She doesn't have a single line until the final three episodes of the season and her role in these episodes is exceedingly minor. She does a few petty things to remind you that she's awful, but she's not the focus of the plot. She's just there to remind you that she exists and to establish her and Chloe as coconspirators of some sort.

[image: a list of Lila's season four appearances (source)]

Then season five comes and Lila is back to being an active antagonist. She shows up in almost every episode and we even get her very lackluster defeat.

This is some of the worst pacing that I have ever seen. It's honestly impressively bad. I hope the issue speaks for itself, but in case it doesn't, you don't chop a story up like this without a good reason and, frankly, there isn't one. Lila's introduction, villain setup, and defeat should have all take place over the course of a season or two, forming a mini arc.

Just in case you don't know what that is, most stories have a main conflict that drives the whole narrative (ex: getting the butterfly miraculous back) but within that story you have lots of mini stories. Things that get resolved so that it feels like things are moving forward and so that the audience stays engaged. If you don't get any satisfying resolutions until five seasons in (or more), then the audience will start to get annoyed or just stop watching. It's also a good way to keep expectations from getting built up too high. If every season or every other season has a satisfying conclusion to some big conflict, then you don't leave everything riding on the big finale.

By chopping Lila's story up, you made the audience spend four seasons dreaming of her defeat. Expectations were sky high. She's more hated than Gabe! If she's been introduced mid season 4 and had the exact same story arc, then her lackluster take down would be a mild disappointment and not a major issue for most of the fandom.

Issue 2: Lila and Chloe Should Never have Coexisted

When it comes to story telling, characters fill roles. Ladybug is the lead. Alya is the plucky best friend. Gabriel is the big bad. Etc. Etc.

Generally speaking, you only want one character in a given role. Having two or more characters in the same role leads to character bloat where characters are fighting for screen time because they don't have a clear place in the story. This is especially true for key antagonistic roles. It's a lot easier to balance two best friends than it is to balance two big bads.

Enter Chloe and Lila.

I've mentioned before that I thought that Chloe was going to be redeemed. The reason I thought this was not because of anything to do with Chloe. It was because the show introduced Lila and, narratively speaking, Lila and Chloe are the same character. They're both petty school bullies whose main job is to cause trouble for Marinette while she's at school and to give setups for akumas.

However, in terms of perceived threat, Lila is the bigger badder Chloe. No one but Sabrina likes Chloe. Everyone but Marinette likes Lila. Chloe doesn't make plans. Lila lives to manipulate and plot. If you're going to get rid of Chloe, Lila is who you'd replace her with. That's just how this works.

One of the most well known examples of this type of setup is Zuko and Azula from Avatar the Last Airbender. Zuko is the main antagonist of season one, but season two sees him step out of that role as he starts his journey of self-discovery and redemption. And who is introduced at the end of seasons one? Azula, Zuko's evil, more powerful sister. In season two, Azula fills Zuko's former role, but also makes things feel more serious because she's a bigger badder Zuko.

This brings us back to a big part of issue one. Namely, Lila's ongoing disappearing act. She only does that because of Chloe.

Chloe is a much easier villain to write. She doesn't have to hide anything. She is openly petty and evil. So if you're going to pick a character for a petty conflict, you're going to pick Chloe. The only time Lila gets pulled in is when the drama revolves around lies because Chloe is actually a strikingly honest character. She rarely lied prior to her "friendship" with Lila because, for the most part, Chloe doesn't care if everyone hates her. She only cares about the opinions of a chosen few. (Or, at least, she acts like she does.)

For Lila to work, Chloe needed to be redeemed or written off the show. The best proof of this is season five, where Chloe straight up becomes Lila's minion because the writers had to force that relationship if they wanted to have both characters involved in the plot. It's also why season four saw Chloe suddenly obsessed with Marinette when, prior to that, Chloe bullied everyone. The only way to team Chloe and Lila up was to give them a common goal and that didn't exist in the first three seasons.

So, building off of point one, Lila should have been introduced much later and she should have stepped into Chloe's shoes after Chloe either switched roles or completely left the show.

Issue 3: The Lies

I think that we can all agree that Lila is a terrible liar. Even a toddler could see through the BS that spews from her mouth. There are multiple satisfying Lila takedown fics that don't involve clever plots to beat her. They involve Alya or someone else doing a google search because - even with the declining quality of that tool - that's still all that it would take to prove what Lila is.

This is a really bad way to write a character who is supposed to be a master manipulator. Especially when she's going to be the next big bad. They desperately needed to tone her down.

For example, DON'T have her claim to be Ladybug's best friend. Have her claim that Ladybug saved her. That would still go up on the Ladyblog and, more importantly, it would be a lot harder to disprove. I doubt that Ladybug remembers everyone she saves so no one would fault Alya for just taking that at face-value, but Marinette could still instantly peg Lila as a liar.

Tinnitus from saving Jagged Stone's cat? How about tinnitus from being too close to the speakers at Jagged Stone's latest concert? The concert where Lila even got to meet him because she had back stage passes. Once again, hard to disprove. Jagged meets a lot of fans. I doubt he'd be able to tell you that she was lying.

And definitely don't have her openly state that she's a liar. The fact that she did that and was STILL able to manipulate the adult characters is abysmal writing. Especially because it comes right before Lila disappears for a season, giving the impression that her confession essentially defeated her, only for the show to go PSYCH! No one cares about her confession, it meant nothing for the Lila conflict.

I've had someone tell me that they think that Lila's lies were suppose to be a joke and, to be fair, that's plausible. The show relies on a lot of ridiculous humor. If Lila had shown up later, then this might have worked. But because Lila has been around for so long, we've all had time to think about her lies and build up the expectation of how they'd be handled.

I don't just mean Lila being exposed. I mean the fallout of all of her "fans" having to deal with the truth of who Lila really is, an issue that I won't go into here because this is already super long and I think that the issue of how her lies effect characters like Nino and Alya is pretty well understood.

There's also the Chloe thing. Chloe is very over the top, so replacing her with a character who is over the top in a different, more terrifying way would have made some sense. But Chloe's still here and she's more ridiculous than ever, so Lila matching that ridiculous just makes them an annoying duo that we all have to suffer through. Their team up was one of the most forced elements of seasons five. I just do not buy that Chloe would ever subject herself to being someone's minion. When it comes to that team up, the hand of the author is glaring.

Conclusion/Final Thoughts

Manipulative characters are fun. They make for fantastic villains and Lila could have been one of these fantastic villain, especially if Gabriel was played as more sympathetic. If there were lines that Gabriel wouldn't cross, then Lila getting the butterfly would be terrifying. As-is, I don't see how she's any worse than the dude who created Chat Blanc. Plus I'm not even sure why she needs the butterfly. She could already get anything she wanted with minimal effort because her lying powers are so OP. Like, why should I care about that twist? What has changed with the passing of the butterfly? The stakes have not been raised. If anything, they've been lowered.

Lila is just your generic evil villain who is evil for evil's sake. The heroes already hate her. Finding out that she's the big bad is not emotionally devastating. If anything, Marinette should be thrilled that she finally has an excuse to punch Lila.

It's possible that the writers will give Lila an interesting back story, but because she's been around for five seasons, I don't have any faith that they will. I mean, what was the point of introducing her all the way back in season one if you weren't going to use that to set her up in a satisfying way? I've seen people say to just wait and see and wait for what? They couldn't manage to pull off Gabriel's defeat or Chloe's defeat/redemption or Lila's first takedown in a way that was narratively satisfying. Why should I give them a chance to disappoint me with Lila's next take down? Three strikes and you're out!

@tallwriter as requested, there are my thoughts on Lila. As with every character in this show, I think she deserved better. She could have been great. She's one of the worst examples of squandered potential because everything about her was done wrong.

[arumidden]

Agatha All Along Finale Thoughts (A Lot of Them)

Honestly, found the finale kind of a let down. It felt so lackluster and wobbly compared to how insanely strong and awesome Lilia’s episode had been last week. I have a LOT of thoughts and here’s what I felt about each part (spoilers below cut):

About Rio/Death:

I feel like a lot about Rio/Death kinda of fell flat because of a) how they fought her, and b) Agatha turning into a ghost.

The fight felt weirdly lackluster to me. Partly because it somewhat devolved into CGI effects when this whole show has relied on more practical stuff, but also because of the way Agatha flip flopped between (seemingly) legitimately trying to offer Billy to Rio and trying to defend him by sacrificing herself. Clearly, Agatha is projecting Nicholas onto Billy, so why even bother with her still offering him up in the final battle? Why not have Agatha say that she’s not gonna let Rio take another boy she cares about before his prime and give her a heroic sacrifice and redemption?

Since we know that Rio said Billy would have to kill himself, since Rio can’t kill him herself, so why not instead have Rio try and egg Billy into offing himself by feeding his fears that by trying to find/save Tommy, Billy has killed an innocent boy. Rio hands Billy her knife and Billy tries to kill himself but Agatha stops him, takes the knife and stabs herself instead.

Plus, Agatha turning into a ghost so quickly really cheapens Rio as a villain. The whole point of her is that she is inescapable, and this is Agatha finally reaching the end of the road, both the Witches’ Road and her own life. For her to come back as a ghost immediately shows that this ending has no real importance or weight, and that Rio/Death is a kinda pathetic villain. All that build up just for Agatha to essentially escape immediately? Why not have Agatha reach the afterlife, see Nicholas, and feel like she needs to help at least one other boy achieve his live goals before she can stand to face Nicolas? So she begs Rio to let her right this wrong and Rio maybe reluctantly agrees? Or maybe even Rio says that Agatha got a long time before Rio lets her go again, and have Agatha return as a ghost only after Billy has reached some other hardship in the future and he summons her for help, letting her serve as a surprise return?

About Nicholas:

How does Nicholas’ story make any continuity sense? Doesn’t this episode contradict the hallucination Agatha had in episode 3? Why would she hallucinate seeing Nicholas’ cradle with the darkhold inside of that never even happened? Everyone else had hallucinations that were accurate and reflected their real traumas. Why does Agatha have one that is based on rumors? Is it meant to be that Agatha’s worst fear/trauma is what the others think of her? Cause that seems incredibly out of character.

Also, was Agatha killing witches to keep Nicholas alive longer, or just because she was greedy and wanted their power? I really wasn’t sure; it wasn’t super clear.

Why not have Agatha be tempted by the darkhold and sacrifice Nicholas for it, only for her to regret it and try to bring him back, so she kills witches/makes human sacrifices to Rio in an attempt to balance it out? This way, the line about the truth being worse than what actually happened is still correct? Cause honestly I don’t know how the truth is somehow worse than the rumor that she sold Nicholas for the darkhold. The kid just died randomly in his sleep.

About The Road/The Ballad:

I’m also not a huge fan of the Ballad being something Agatha and Nicholas just made up. It feels like it cheapens both the experiences of the coven as a whole and especially Lorna and Alice’s deaths. Their whole lives circled around the song, so for it to all turn out to be one of Agatha’s cons feels dirty.

Plus, if the ballad was a real song (whether the Road itself was real or not doesn’t even matter), I think it could have been a better push for Agatha to become a better mentor for Billy. The idea being that Agatha had tried to reach it in the past but failed because she just wasn’t Scarlet Witch levels of powerful would’ve given her a reason to steal other witches’ powers, thinking that she could maybe get around Rio and bring Nicholas back to life by defeating the Road. At some point, she’s become so powerful but still can’t reach the Road, so she figures it must be a myth and concedes to using it as a con to trick witches, only for Billy to finally open/create the Road himself. This shows Billy as being on a whole other level of power from Agatha, setting him up to be even more powerful than her or Wanda.

About Jen:

Hell yeah Jen survived the road. But what did she do that was so important in the last trial? Didn’t Lilia say Jen was going to be important? All she did was figure out how to unbind herself, and then Billy and Agatha figured out the rest in their own. Also, her leaving without tying up the loose ends or even saying goodbye to Billy afterwards felt wrong. Her arc was coming to care about the others. So why did she disappear as soon as she left the road? I think Billy being shocked to see her all covered in dirt in his room would’ve been a better ending, especially since I think she would be more empathetic towards Billy and understanding of his fear that he killed the others on the road. Plus, she could’ve then asked him if he got what he wanted out of the Road, which he could use as his segue into Finding Tommy.

[mettywiththenotes]

Thinking about how this shot in the opening reminds me of the panel in 340 and I'm fairly certain it's meant to be the same scene (except obviously a little exaggerated but it's the same situation - window, chair, tied up in a room)

When I watched this part in the opening, the word "judgement" came to mind. It sort of feels like that with how the light is cast over him, his head low in that dark room alone

And when you pair the dialogue in the panel with it, it feels like "situation vs emotion", and what I mean by that is the reality of the situation is Aoyama is tied up spilling his fears to Aizawa on the other side listening to him. He's literally not alone. The window is also much smaller in comparison to what the opening depicts. That is the reality of the scene

Emotionally though, this is a low point in Aoyama's character. He betrayed his classmates, his friends. He was arrested. He hurt the people he cares about. Even before he was caught, it was clear he thought of himself as a scumbag, a "villain", for having ties with AFO. In the scene in 340, he goes on to say he wants to crawl into a hole and die, to leave it all behind, which shows just how much he detests himself for what he did. It shows his mental state at the time

So I think the feeling of judgement fits so well with the visual Bones chose for the opening. This is Aoyama confessing his feelings of despair to his teacher, his fear not just of AFO but not being able to sparkle as his friends do. And the judgement paired with the way Aizawa tells him his sins will be with him forever, how Aoyama later goes on about "atoning for his sins" in the story, that matches the atmosphere here too

I'd like to also add that while there's the symbolism of the light outside the cell being associated with good and freedom while the dark inside of it could be associated with feeling trapped and that despair I mentioned earlier, it also reminds me of what Aoyama said about his friends sparkling

"I'm also scared that I can never sparkle and shine as they do."

Aoyama fearing being, say, dull and lackluster in comparison to his friends is also depicted in the shot in the opening. Aoyama in the dark, no longer twinkling like he usually would before this, while the window shows bright light shining through the bars, almost as if his friends are on the other side, casting his shadow

"The more they express their faith in me, the more I lose faith in myself."

You could also say the idea of the light being his friends on the other side of the bars is also those same friends waiting for him to come out, to join them and fight with them again (which he later gets to do in the war). But then, even as they are waiting for him, he loses confidence, which I think you can see in the way that his head hangs away from the window, so as his friends are waiting for him, putting faith in his return, he is losing faith in himself

I don't really have much left to say on this but I think it is just so interesting how you can tell so much from something that only lasts, what, a second? Which just goes to show how amazingly well this opening was put together. Of course, manga readers already know what happens with Aoyama's plot line, but to be given a shot that shows a symbolic angle on the scene AND Aoyama's feelings is so great