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someone-will-remember-us · 16 days ago

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There is no collective noun for rapists but spend a week at the Pelicot trial and you wonder why. As the early morning queue of women who’ve come to support Gisèle Pelicot passes through security at the Palais de Justice, Avignon, you spy men with downturned faces scurrying across the lobby past the press. In court they sit on the left, clustered around a glass box containing more men, those in custody for the gravest crimes. Since there are 50 in total, the alleged rapists have been tried in batches and I’m just here for the final seven: Boris, Philippe, Nicolas, Nizair, Joseph, Christian, Charly.

Plus Dominique Pelicot himself, who invited them all into his marital bedroom, where he had his wife waiting, drugged and naked, and who joined in and filmed it all. Pelicot, 71, crumpled and fat now, but with a residual bulky power, sits sullenly alone with his guard in a separate glass box, protected from the other men who blame and detest him. Often after lunch he appears to doze off.

Such nondescript men. Grizzled, middle-aged (the mean is 47 years old), smart-casual in windcheaters or leather jackets and their best trainers, like minicab drivers waiting for fares. Ordinary men in many respects, not vagrants, junkies or career criminals. This week’s seven includes a fireman, an electrician and a journalist; several are fathers, two were keen weightlifters, one bred dogs. French trials helpfully begin with a personality profile formed from interviews with the men, their friends and colleagues. Poverty, domestic violence and mental breakdowns feature, but also that a man is “kind” or “gentle”, had a lovely childhood, adored his grandparents or is devoted to his mum.

Yet each one had sex with an unconscious woman, that is beyond doubt, thanks to Pelicot’s camera mounted on a tripod beside the bed, and by his own admission. “I am a rapist,” he has declared, “like the others in this room.”

From the Pelicot affair have come demands for reform to French rape law, for sexual violence to be treated more seriously, for an investigation into “chemical submission” — the coercive use of sedatives. But one question overshadows all others. How many men would have done the same? If Pelicot could recruit at least 70 willing participants (a number could not be identified) within a 25-mile radius of Mazan, the Provençal town where the couple retired, how many in the whole of France? As I walk through Avignon with Juliette Campion of radio station France Info, who bears the strain of reporting this case since September, she gestures to a bureau de tabac: “You think, ‘Would a guy in there have raped Gisèle? Or men in the boulangerie or those on the street?’ Women are looking at men differently: they’re asking, ‘Could you or you or you?’ ”

On the right of the court, behind her counsel of three serious, dark-haired young men, is Gisèle Pelicot with her female companion from victim support, leaning on the wall, as far from the men as the room allows, but facing her ex-husband. Her composure is remarkable. Although clearly tired and strained, she retains a quiet vivacity reflected in her clothes. Instead of shrinking away in black, she dresses each day as if meeting friends for drinks on a sunny terrace. A chic scarf, a faux fur bag, patent leather boots. Clothes that say, “I still have a life.” Every evening, when women line up to clap her out of court, she speaks to them warmly, neither reticent nor relishing the attention. Every day she walks through the cobbled streets past graffiti saying, “Gisèle, les femmes te remercient” (Gisèle, women thank you) to lunch at the same excellent brasserie, and people turn to gaze at her in awe.

The extraordinary woman who refused to be silenced

The humiliations of Gisèle Pelicot have a mythic quality. This is a woman who discovered the man she married aged 20, with whom she had three children and seven grandchildren, waited until she was deeply asleep before removing her pyjamas, dressing her in “sexy” underwear or writing on her buttocks, “I am a good submissive bitch,” then he let a stranger penetrate her inert body, filmed it, washed her intimately and replaced her pyjamas. This is a woman who thought she was going insane, had Alzheimer’s or a brain tumour, whose children thought she was dying, who stopped driving and going out alone, who slept all day and once woke puzzled why her hair was shorter. “But madame,” said her hairdresser, “you came in yesterday.” This is a woman who had mysterious gynaecological problems, including a swollen cervix (and still lives with four STDs), who thought her husband wonderful for accompanying her to medical tests, including an MRI.

This is a woman who, when her husband was arrested for “upskirting” in a Leclerc supermarket and police found the contents of his phone, discovered her whole 50-year marriage was a travesty, that he’d raped her in a service station car park, on Valentine’s Day and on her 66th birthday, and may have raped their daughter too. This is a woman who has listened to legal arguments about whether a man put his tongue inside or merely kissed her vagina, who heard another man say he’d only returned to rape her a second time because he couldn’t find anyone better, who sits in a courtroom while three giant TV screens show clips of her body being coldly humped by yet another “ordinary” guy.

Yet this is a woman who gathered up every scrap of her humiliation and with it constructed a mirror that she holds up defiantly to the court and to French society itself. “Shame must change sides,” she said, and in insisting the entire trial be conducted openly, that the worst men can do to women is witnessed by the whole world, she has done exactly that.

I ask many women I meet in Avignon how men in their lives regard the accused. They say they call them losers and freaks, that these are men on the margins, with no relation to themselves. But, along with the testimony I hear, the people I talk to believe this case raises many questions about French sexual mores. Whatever the decision later this month by five judges — there is no jury — Gisèle Pelicot will never be forgotten.

The court turns to Christian L, a fireman with a straggly castaway beard, who speaks from the glass box because after he was arrested, police found 4,000 child sex abuse and zoophilic images on his hard drive. We hear from his girlfriend, Sylvie, a small blonde in a grey hoodie, who says he’s a wonderful man, and is suspected of destroying evidence. Christian L recalls the victims he watched die in fires, the coffins of 11 colleagues he carried, the mental breakdowns that ensued. He was married but after his two daughters were born says he went off sex with his wife and turned to libertinisme. Strange, I think, that the French have coined this noble, philosophical concept, with its whiff of the barricades, to describe what we call swinging or dogging.

Like all the men, Christian met Pelicot through coco.fr — the murky, unmoderated site since closed down and now the focus of many major police investigations — on a forum called À son insu (without her knowledge). Christian L had already enjoyed “Sleeping Beauty” encounters with ten other couples. He spells out the rules: that you only dealt with the husband, sending him photos for approval, and during the sexual encounter he ran the show. Sometimes the wife woke up, other times not. How did he know, asked Gisèle’s lawyer, Stéphane Babonneau, that she consented?

“In a libertine encounter,” Christian L explained, “it is the husband’s responsibility to ensure consent.”

But how could you be sure?

“Are we expected to sign a contract?” Christian L spluttered.

“You could ask the woman,” Babonneau suggested.

How the case could change French law

Given the overwhelming video evidence, the defendants can only claim Pelicot deceived or drugged them, or they believed Gisèle was collaborating in a game. If this case were before a British court, rape would be decided by two tests: whether Gisèle had “capacity to consent” (tough to argue given Pelicot admits to drugging her) and whether the men had “reasonable belief” in her consent. Unlike most European countries, French rape law has no concept of consent. Rather, it is defined as penetration “by violence, constraint, threat or surprise”. (The prosecution case rests on a convoluted definition of surprise.)

But rather than demand consent be added to the law, French feminists are divided. Some agree with President Macron, who supports change; many others argue that consent would put the onus on the victim to prove her conduct was not an invitation. This seems an odd objection, especially as the whole purpose of the video evidence is to show no one could believe Gisèle capable of consent, given she was so lifeless one man asked Pelicot, “Is your wife dead?”

Alice Géraud is the author of Sambre, an investigation into how, due to the indifference and cruelty of police, a caretaker called Dino Scala in northern France managed to rape 54 women over a period of 30 years. “The Pelicot case with 50 defendants and one victim feels a strange inverse of Sambre.”

Géraud believes the Pelicot affair could provide the same impetus for change as a famous 1974 case of two Belgian tourists, Anne-Marie Tonglet and Aracelli Castellano, who, camping near Marseilles, were brutally raped by three local men. As was normal practice, the crime was downgraded from felony to misdemeanour on the basis the victims eventually stopped resisting. But the women, a lesbian couple, persisted and thanks to their feminist lawyer, Gisèle Halimi, it became the first rape case to be heard in the higher assizes court. Like Gisèle Pelicot, the women waived their anonymity. “We believe that it’s one thing for a man to rape,” said Halimi, “and another to know it’ll get around his village, his work, the papers.” Shame changed sides: the men were jailed and the French criminal code was rewritten defining rape as a serious offence.

For Géraud, the greatest current injustice is that whether a man has raped one women or 50, the maximum sentence is 20 years (here a serial rapist can be jailed for life). “This is law made by men,” she says, “with a grave lack of knowledge of rape culture.” She is scornful too about libertinisme as a universal excuse for male sexual exploitation. “Libertinisme was why Coco existed for so long,” she says. “It is the justification for prostitution, for the porn industry.”

Charly A is the youngest of all the defendants, just 22 when he first entered the Pelicot house. Small, bearded, now 30, we learn his childhood was chaotic, his father an alcoholic, his mother had many sexual partners; there are hints of abuse. “This is a family of secrets,” concludes the personality profiler. A psychiatrist adds he is immature, struggles to sustain relationships and instead consumes porn, “especially the Milf [Mother I’d like to f***] category with mature women”. In 2016, he made contact with Pelicot via Coco: “He said his wife would be lying there pretending to be asleep, he doesn’t tell me more.”

Over time Pelicot asks Charly if he knows anyone they could drug for sex and he proffers the only woman in his life — his own mother. Pelicot gives him pills (which Charly claims to have thrown away), shows him how to crush them, keeps pressing him to use them. “When can I come and we f*** your mother?” he asks in one video, but Charly keeps stalling, saying his brother is at home. Yet he returns to violate Gisèle, always with Pelicot, once with another man, a total of six times. “Did you feel like you were in a porn film?” asks Babonneau. Charly shakes his head.

Until this point, very late in the trial, the influence of internet pornography has barely been explored. The court only notes paedophiliac images, not “normal” usage. Yet Mathieu Lacambre, a psychiatrist who evaluates Charly A, remarks how porn sites not only push users to more extreme content but to enact porn fantasies in real life. “Until now Charly A was behind the screens,” he says. “Now [in Gisèle] he has an object served up on a platter a few miles from home. The sleeping princess Milf, voilà.”

A rented home in a quiet cul-de-sac

I drive out to Mazan, a lovely honey-stoned French village set in the vineyards below Mont Ventoux, where the Pelicots retired from Villiers-sur-Marne, a Paris commuter town where he was electrician and she was a manager at EDF. I imagine Gisèle browsing the little boutique, dropping into the beauty salon, sipping an aperitif outside the bistro. The home they rented for ten years is five minutes away in a quiet cul-de-sac of four houses behind tall cypress trees. It is lemon yellow with blue shutters, a pool, a very prominent alarm system, and new tenants. Given how many men knew her address, Gisèle fled four years ago for her own safety, with just a suitcase and her dog.

Today an immense cloud of migrating starlings swoops over the house like pixels in a photograph. This was where their grandchildren loved to visit in the summer, but also the centre of Dominique Pelicot’s porn operation. For what else was this grotesque man but a pornographic auteur?

We leave our car, just as Pelicot instructed the men, in the sports ground car park, by the bottle bank. I think of them texting their arrival, then creeping down the lane. (One man made his girlfriend wait in the car.) Pelicot would meet them at the door by the light of his phone, tell them to undress in the dark living room and warm their hands on a radiator. (They’d been instructed to be clean, not smell of cigarettes or wear cologne.) Then they were led into a bedroom with a TV, a chest of drawers, a bed with a naked Gisèle motionless on white sheets, and a mounted camera.

Whatever followed next was carefully orchestrated by Pelicot, a director urging on actors in stage whispers, since the objective was to do what they desired without waking Gisèle. Pelicot would tell them how and when to penetrate her, or hold his wife’s gaping mouth to facilitate oral sex. Given four Temesta (lorazepam), a powerful anti-anxiety drug he’d crushed into her wine or ice cream, his wife was like a patient on an operating table. Even so, if her arm gave an involuntary spasm,the men would scuttle from the room. A friend who has sat through many court videos says it was Pelicot ordering the humping men to go doucement — softly — that upset her, since she knew this was not out of tenderness for Gisèle.

All the while the camera rolled. Why did these men agree to have their crimes recorded? They say it was part of the deal, that Pelicot told them Gisèle was shy and liked to watch the sex later. But perhaps also because, in taking part, these men were promoted from porn consumers to creators. Filming was central to their fantasy. When Christian L finally climaxes he turns to give the camera a cheery thumbs-up.

For Pelicot, each film added to his oeuvre. Police discovered a carefully curated archive of 20,000 images and videos on hard drives and memory sticks showing 200 rapes. He gave each film a title like “Squirt on the ass”, “Cock in mouth” or “Jacques fingering”. This man, once caught by his daughter-in-law masturbating at his computer, was now a porn impresario.

The question at the centre of the case

Why did Pelicot do all this to a wife he professed to love, whom he called “a saint”? Was it to punish Gisèle for an affair early in their marriage (although he was serially unfaithful himself)? Or because when he’d asked her to join him in the libertinisme scene she’d refused — so he devised a way to make her. But Gisèle was not his first victim: Pelicot has admitted to the rape of an estate agent, using ether to drug her, in 1999, and will be tried for the rape/murder of another young estate agent, Sophie Narme, in 1991. The French police cold case bureau is investigating his possible links to many other unsolved crimes.

But as the “Without her knowledge” forum suggests, his was not a unique fantasy. The Pelicot case has illuminated the issue of “chemical submission”, not only drinks being spiked by strangers in bars, but drugs used to control partners within relationships. The French health service is noted for being blasé about prescribing heavy-duty medications, which is how Pelicot stockpiled his vast stash of Temesta.

Documentary-maker Linda Bendali has made a film for French TV about chemical submission, featuring seven cases, including a 13-year-old girl drugged by her father with medicine supposedly for her allergies, put in lingerie and raped over two years, and a 60-year-old woman drugged then raped at home by a man she was mentoring at work. “I’ve looked back at 30 years of press reports of rape,” says Bendali, “which includes dozens of women saying they woke up — mainly with men they know— unable to remember what happened.”

The Sleeping Beauty scenario, she says, is not merely a means for a man to get easy sexual access, but a way to enjoy absolute domination. “You are not even giving her the chance to consent,” says Bendali. “You can do anything you want to a drugged woman, for as long as you want. You can dress her how you want. These men want total power.” Pelicot is typical in filming his crimes: “Pictures are trophies. He was driven by a mix of desires for blackmail and voyeurism.”

Gisèle’s daughter, Caroline Darian, who was also drugged and photographed naked by her father, is heading a campaign on chemical submission, demanding police take samples of hair from rape victims, the only way sedation can be proved.

In court, I hear another psychiatrist tasked with assessing whether each of the final seven defendants has the profile of a sexual abuser. One by one, he exonerates the men, saying they are not dangerous or likely to reoffend, to the growing exasperation of Gisèle’s team. Then he reaches Charly A. “He doesn’t search [for victims] systematically,” says the psychiatrist. “He’s not a predator.” Finally, Babonneau explodes: “Six times with a sleeping woman and he’s not a sexual abuser?” The men do not identify as rapists because, like this psychiatrist, they define rape as frenzied sexual violence, not an opportunistic act performed to whispers in a private home. As one defendant put it, “It’s her husband, his house, his room, his bed, his wife.”

Women unite in the town of Mazan

Both in religious and political terms, Mazan is a conservative town: for 500 years it was part of a papal enclave and in the recent French election voted heavily for Marine Le Pen. Villagers regarded the Pelicot case with horror and sympathy which turned quickly to resentment when press named it l’affaire Mazan. Amid longstanding families who’ve known each other for generations, the Pelicots were outsiders who’d brought disgrace into a rural community. Tired of inquiries, the mayor, Louis Bonnet, 74, told the BBC, “It could have been far more serious. There were no kids involved. No women were killed.”

At the Lucky Horse Ranch outside Mazan, women victims of sexual violence receive equine therapy. I’m sceptical at first about how grooming and riding horses could help rape victims, but somehow these large, placid animals are calming and restorative. Here I meet Latika, 33, who at first was too timid to touch a Shetland pony, but now sits high on a saddle for our photograph.

Latika was separating from her husband, the father of her two children, but still sharing a house. He was violent, hitting her daughters, putting her in hospital with cuts and a broken rib. Two years after they’d last had sex, she woke to find him inside her. She believes the sweet tea he often gave her was laced with sedatives, but that night she hadn’t drunk it all. She realised he’d been drugging her for years — her mother recalls finding her deeply unconscious early in her relationship — and, worse, she was pregnant with a third child. She told the police, who addressed the domestic violence but ignored the rape. Her husband fled to Guadeloupe and she was left traumatised, fearful of leaving the house.

“I didn’t feel people really believed what had happened to me until Gisèle Pelicot spoke out,” says Latika, who has since made the police reopen her case. In October, as women across France holding white flowers protested in support of Gisèle, Latika headed the local march into Mazan and the next day Gisèle herself visited the ranch. “She said it is almost unbearable to return to this place where terrible things happened,” says Latika, “but she wanted to thank us. She told me, ‘I didn’t know the meaning of my life before this happened — but I do now.’ ”

Watching Gisèle take such sustenance from her supporters, you wonder how she will cope when the trial finally ends. She is writing a book and could, if she chose, become a global campaigner. “There is something particularly powerful,” says Linda Bendali, “about her being an older woman — she represents all our mothers. All generations identify with her.” But those close to Gisèle say that, at 72, she may just return to a quiet life of friends, grandchildren and her garden, in the secret location where she now lives.

But she is already an icon of courage for the women who come from across France and beyond just to watch the trial on a screen in an overspill room. Some want to witness history, a few enjoy the sensational evidence like tricoteuses at the guillotine, but many have risen at 5am, taking a day off work, to support a woman they deeply admire. Marion Spiteri and Amélie Planche, both 24 and law graduates, feel the case opened their eyes. “How can it be,” Spiteri says, “that so many men did this without her consent?” “It is terrifying,” Planche adds, “that a woman cannot even trust her own husband.” They tell me, astonishingly, that neither they nor their friends ever go to the toilet in a bar or club alone.

But then the nation of libertinisme lags behind in its attitude to violence against women. Until 2021, France did not even have an age of consent, effectively decriminalising even incestuous relations between children and adults, allowing several high-profile child abusers, including firemen who groomed a 13-year-old girl, to evade rape charges. Each time a prominent Frenchman is accused of rape — whether politician Dominique Strauss-Kahn or, currently, actor Gerard Dépardieu — famous French actresses leap to defend him. This is the nation that convicted child rapist Roman Polanski fled to from America, and is still fêted. The #MeToo movement was regarded by many as a wave of Anglosphere prudishness, contrary to the spirit of French seduction. So what can the Pelicot trial achieve?

I meet feminists from Les Amazones d’Avignon, the creators of graffiti across the city supporting Gisèle. (So as not to spoil the city walls, they write slogans on paper that can be removed.) Their latest reads “20 ans pour chacun” — 20 years for each one. I suggest a drink in a café nearby: “Not in there,” says one Amazone, “that’s where all the rapists go.” Blandine Deverlanges, 56, is part of the Coalition Féministe Loi Intégrale putting 130 proposals about sexual violence before the French parliament, including a ban on lawyers harassing victims in court. They are disgusted the defence asked Gisèle why she swam naked in her own swimming pool.

“This is a trial,” says Deverlanges, “of one extraordinary man, the monster Pelicot, and many ordinary men.” And as we talk I see a group of them emerge nervously from their favoured café and head back to the court. A collective noun for rapists? A violation, a banality, a shame.

(archive)

#radblr #radfem #radical feminism #gender critical #gisele pelicot #terfblr

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dragongirlpoet · 3 months ago

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Corrupt

Sylus x reader (not mc)

I changed the title fyi

Synopsis: Feared, ruthless and agonisingly attractive, Sylus infuriates you like no other. Yet, you work for him. As you immerse yourself in a life of vice with the Onychinus leader, you soon uncover secrets darker than the shadows he wields. Perhaps, just perhaps, you got more than what you bargained for…

Themes: Enemies to lovers, angst, sexual tension, slow burn, violence I Words: 2.1k I Semi made-up lore/cultural facts

“Drinking on the job? Tsk, that’s the third infringement on company policy you’ve made tonight, kitten.”

He took a sip of his whisky — aged in sherry cask, distilled just right with spherical ice. It was how he liked it. I knew, because I was having the exact same drink — his choice of poison at every revel, every meeting, every reclusive night alone.

Sylus threw me a derisive look, cherry eyes surveying me over the glisten of his glass.

“Intentions become more blatant, after a drink or two. Or in your case, five.” I challenged the man who’s kept me hired for the past year.

I was grateful. My work at the Hunters Association had turned trite. Clockwork really, — detect Wanderers, eradicate them, aid the wounded. Righteous, lawful, and so…moral.

My heart had staged a mutiny long before my mind resolved for change. And so I left my woe of comfort and dived into the hellfires of felony. He had found me scavenging for Protocore fragments in the N109, attempting to make my mark with abysmal self-made weapons.

Trinkets — Sylus had called them. Indeed I was a stray cat vagrant in the dominion of vultures.

The leader of Onychinus circled me as I downed my glass, eyebrow cocked at my words. His handsome face gave nothing away — a classic Sylus signature.

“Dance with me?”

A loaded question. One with threat and agency lurking beneath.

I took his outstretched hand and let him whisk me into the centre of the dapper nightclub — exclusive, accessible only to the most premier, and despicable, of criminals.

Sylus was one of them.

With expert grace, he spun me into an embrace, one gloved hand intertwined with mine, the other at my waist. Our steps fell in harmony with each other at once, like missing chords finding solace in a melody.

“So? What have you heard? You seemed thoroughly engaged with that halfwit over there…” his words trailed away as his gaze dipped to my silver dress. Being his right hand had me acquainted with his quirks — sometimes endearing, more so disturbing.

The subtle smirk dissipated as soon as it came.

“They have ties with the Ever Group. Something about a nitrogen spectrum…a capsule…Kenshi and his men have been on the hunt for it for a whi…”

“You look divine in this dress. I had it picked out just for you. Do you not like it?” his impertinence interrupting my mid-sentence.

I huffed a breath. “It works similarly to a Protocore, quite li…”

“Damask rose, isn’t it? With a hint of honeysuckle…out of all my spies…” he lowered his head, “you’re my favourite scent.” A roguish smile accompanied the wanton glint he cast into my eyes.

It had always been like this. Sylus would send me on missions, most times by his side. I was never granted the elucidations of tasks, only that I’d to “act as good bait…suss out whatever information you can…kill if you have to…”

I would probe, and he would reply with a curt, “Not safe. Just do as you’re told.” It was in those moments where I thought I’d witnessed fragility in his demeanour. He would catch on, and he would put on his mask of aloof and asshole, like right now.

I rolled my eyes, vexation apparent on my features. Sylus seemed content that he got under my skin. Not giving me a chance to reply, he twirled me around, the warm velvet of his coat now a flaming singe against my bare back. So that’s why he chose this dress…

“Come on, don’t look so incensed. I heard you. You’re doing a fantastic job, kitten. Always giving me what I need.” The last word came out huskier than intended beside my ear.

The club was cold. Sylus was conceited. It was a perfect match. As much as I abhorred his arrogance, I welcomed the warmth of his body to mine.

I remembered defrosting at my fireplace after I’d been caught in a snowstorm. I had sat there for hours, letting the crackling heat appease my frozen limbs. It felt nice, comforting. And with Sylus’ arms now wrapped around me — he was my fireplace.

“I’m just trying to make this spy business enjoyable for us both. Even if you’re unhappy, at least act it. After all, you’re good at pretending, right?”

There was an edge to his words.

“I saw how you brushed his hand… that spineless leech….unless you were thinking of fucking him tonight?” His hiss was loud enough for the crowd close to us to hear. They turned, throwing us looks of disdain and outrage. I doubted Sylus realised how hard his fingers were digging into my skin.

Cheeks flushed both from the whisky and his risky display of assertion, I shot him a warning glance. “You’re insane, Sylus.”

“So quit then. But do it later, not now, not while everyone’s watching. I don’t want an audience I didn’t ask for.” He was taunting me again, wholly unfazed by the almost furore.

How much did he drink tonight?

Maybe it was the alcohol, but I was in no mood to counter his transgressions. Instead, I snaked my arms back, cradling his neck, fingers threading through his silver head of hair. Sylus stiffened at my touch, likely taken aback by my insolence.

Soulful, sensual beats reveberated through the club, patrons — descendants of the devil themselves, wives, mistresses — all caught up in the fervour of the music. Couples were fondling and kissing on the monochrome floor. And well, I didn’t find a reason why I shouldn’t join the hedonistic heist.

So into his body I pushed mine. Gripping my hips with his right, his left hand slipped down to my abdomen, tracing the lining of my underwear. As I let my head fall back into his chest, his own came lower to nudge my face, burying his nose in my temple. A flutter flushed in my core.

There was a sort of courtliness to the way Sylus moved, a kind of elegance you could find only in Kings and Queens. Yet the way he was guiding my hips to sway in rhythm to his held such lewdity. To the frolicking outlaws here, we looked very much the part of reigning besotted lovers — timeless, transcendent.

Enthralled by the song and how Sylus was spooning me like I was his revered ruby, I ground myself indulgently against his leather pants. He grew hard at once, length prodding at my back.

Our combined excitement was short-lived, though. The silver dress he gifted me caught in the buckle of his belt, hiking the silk up. My black panties were exposed in wondrous glory, earning hungry looks from the men around.

The Onychinus kingpin tugged my dress down immediately, struggling slightly at the fabric fastened to his metal. His reflexes were swift as the time I aimed a loaded gun at him.

A loaded gun, one that was now hoisted towards the crowd. He really was insane.

“Look away, or I won’t hesitate to blow your brains out.” His decree thundered over the booming of the speakers.

Several men smirked, others pretended to ease back into their cavorting. Assault, drugs, murder — it was just another night here at the N109. Being threatened with a revolver? — A mere parlour trick.

But perhaps that was what Sylus wanted to let on. “Never reveal your hand. Remain powerful by appearing meek.” That was the first lesson he had taught me.

“Sylus…careful…you could’ve put us in jeopardy…” I cast a concerned glance his way, only to find him polishing his pistol with his coat, his face a nonchalant calm.

His tone however, was one of annoyance, as if reprimanding a child. “I wasn’t fond of the little show you just put on.”

I put on a show? He was the one who…I sucked in a breath to abstain from an outburst. He was getting on my last nerve.

Pretending the best I could, I instead riposted, “Oh no, it’s not for them. I put these on just for you.”

Two could play at that game.

I watched the silver-haired devil pin me with his gaze, the dark of his pupils rising up to swallow me whole.

“I ought to punish you for violating company rules. Seems you’re breaking many of them tonight.”

“That’s why you hired me in the first place, isn’t it? I don’t play by the rules.”

There was a pause. The music seemed to fade out into a distant void, drowning the chatter along with it. Strobe lights danced around his face, illuminating the reds of his eyes. His right iris appeared to…glow?

A faint disorientation overcame me. In between blinking and regretting what I said, though, I thought I noticed Sylus inch closer — as if a subtle act of want. Only I had the privilege, or burden, to be sentient of his every complexity.

I regarded his stare as they roved over my eyes, my lips, closing the space between us…

“I want to go home.” I muttered.

Sylus straightened himself. If he was peeved, I couldn’t tell.

—

The ride on his motorcycle was spent in silence, save for the roaring of his modified exhausts. I refused to hold him, choosing instead to grab onto the fairing of the tail. So was another night of ambiguous motives and aimless flirtations, one in which I had grown increasingly restless.

“Why is everyone looking for the spectrum?” I asked at a traffic stop.

Silence.

“How is it even related to a Protocore? What’s so danger…”

“You really should hold on to me. I can’t risk my best spy falling off…” once again disregarding my questions, crimson eyes glaring at me through his side mirror.

“What is wrong with you? It’s been a year! And yet you don’t trust me enough with details of your dealings?” I yelled over the muffle of my helmet, my own voice ringing in my ears.

A low rumble sounded in the distance, quite like skyscrapers being blown apart by covert dynamites. The loud whirring of Sylus’ motorcycle remained, the combined knells throwing us into a pit of trepidation.

“Kitten.”

I knew that tone.

Drawing out my gun, I swung myself off the bike and fired. The Protocore-infused bullet buried itself in the recesses of a Wanderer, shredding its power source, erupting shards of alloy projectiles. Some of the pieces lodged themselves into other Wanderers, causing them to convulse violently, teetering on the brink of destruction.

Behind me, Sylus fended off several monsters, his Evol wrapping ominous tendrils around their form. In a mere furl of his hand, they disintegrated into dust, leaving clouds of ash in their wake.

My weapon was formidable enough, having been altered with a Zenith Core — a deviant design forged by Sylus himself. “I made this just for you,” he had surprised me in my first month of training. “It’ll keep you safe. Though you’ll always be so long as I’m around.”

Another shot was fired, this time by Sylus, barrel of his gun aimed over my shoulder. The creature at my back let out a piercing snarl before it crumbled into pieces. Our eyes met at once, the animosity from earlier now a muted thrum.

Hostility, however, chose to emerge in a different form — more Wanderers. Hoards of them. I spotted Foulwings and Magma Knaves, both species not known to spawn here.

I unsheathed my blade, but we were ringed in. Their screeches and grunts enveloped the night, like a fathomless blackhole draining all levity.

“There’s too many of them. We need to leave now.”

In a swift grab of my arm, Sylus tugged me into a whirl of nothingness. Red and black sworls engulfed us, and the last thing I remembered was being thrust in such nauseating force that I blanked out.

—

“Kitten. Kitten, wake up.”

I’d have recognised that voice anywhere.

Sylus was staring at me, hints of distress plain in his electric eyes. I was propped up against his arms in the middle of an empty street. It looked familiar, but not quite. Dim streetlamps cast an unearthly glow to the pavements, their shadows prostrate like spindly entities on a night prowl.

The buildings were far from towering ones in Linkon and the N109, carved instead, out of bricks and stone no more than five stories tall. Rickety signboards flickered on and off, as though a visual alarm to caution that we were not welcomed here.

“Sylus, where are we?”

A deep sense of rue loomed over his face.

“N109 Zone.”

“120 years in the past.”

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racefortheironthrone · 10 months ago

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I was reading your yeomen tag and saw the term knave refering to someone bellow a yeoman. But what is a knave?

As I’ve discussed in the past, a lot of our insulting terms for people started out as class signifiers:

a villain was originally a villein (another term for serf).

a knave was a servant (often the "knave" and the "knight" were opposing pairs) but also a low-status and thus dishonorable person.

likewise, "flunky," "minion," "lickspittle" and similar terms all originally were different (mostly insulting) terms for servants.

"vagrants," "vagabonds," and "sturdy beggars" were all descriptions of homeless people, either who were seen as inherently criminal and dangerous because they were disconnected from the feudal system. There is a strong crossover to anti-Romani/anti-Zigany slurs, as well as the "rootless cosmopolitan" variant of anti-semitism, in this category.

similarly, "bumpkins," "yokels," "rubes," "hicks," "rednecks," etc. were all insulting terms for people from rural areas, usually denoting their lack of education, sophistication, and their working in outdoor manual labor.

for some gendered versions, "sluts" and "slatterns" originally had connotations of being dirty, unkempt, and being a low-ranked servant like a scullery or kitchen maid (i.e, they're dirty because they're doing "the dirty work").

upper-class Brits still use "pleb" (plebian) as an insult today.

#feudalism #knaves #cultural history #cw bigotry

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transmutationisms · 6 months ago

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Hi! Could you talk more about the American road narrative of bones & all invoking cannibalism as loss of civilization and the colonialist discourses that implicates? Thank you

the connection is that, just as bones and all invokes cannibalism as a loss of control and an uncivilised (or pre-civilised) behaviour, the film is also structured around a road trip whereby maren's search for answers about her own cannibalistic nature necessitates an expansion across the us, specifically in the western direction away from the east coast. the midwestern us (and westward expansion generally) thus appears in the film as a site of greater freedom, self-knowledge, and eventually also as a place where maren and lee can settle and try to prove themselves in their new homestead. however, moving west also means danger: maren's initial goal is her mother, who turns out to be insane (both represented and signified by cannibalism), and of course their apartment is also the place where lee eventually surrenders himself entirely to death and maren's hunger. thus, westward expansion and settlement frees the characters from the strictures of the social norms constraining their 'eating' back east, opening into a frontier fantasy in which their more base, bodily desires can run wild yet ultimately end up destroying them.

this combines elements of established colonial discourses on both cannibalism (as a primitive, 'savage' practice of 'uncivilised' and inferior peoples) and usamerican westward expansion (it's for a similar reason that, eg, lots of space colony concept art depicts the transplanted landscapes and biota as generic north american national park-looking scenes). cannibalism in bones and all has a few different specific metaphorical meanings (addiction; 'mental illness' broadly; homosexuality; passion broadly; &c) but what unifies these things thematically is that they are all configured as threats to, and threatened by, social life in the heart of 'civilisation'. eaters are necessarily pushed toward the social margins, living as vagrants or criminals, and the film's main narrative requires maren to move westward in particular in order to shed the restrictive rules imposed on her when she lived 'normally' (within social bounds) with her father. obviously not all usamerican road trip narratives involve cannibalism, but this basic setup of westward expansion + settlement as a journey of self-discovery and escape from (restrictive elements of) society is common to the genre and generally to usamerican 'pioneer' mythology and ideology.

#bones and all

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ladyxskywalker · 4 months ago

Text

In Exile, ii

Anakin Skywalker x F!Reader/OFC

During his morning meditation on the mountain side, Anakin faces a new enemy

part one | part three

a choose your own outcome story !

weekly story polls posted at the end of each chapter !

hope you enjoy ! 💌

Cliffs

Anakin didn’t like very many people.

Not since forming a close bond with Obi Wan, and certainly not since falling in love with Padme.

The idea of love never even crossed his mind in the last few years living out his existence on this planet. Monotony, and isolation compounded all of that for him. It was no longer on his radar.

Wherever he ended up in life, he didn’t feel it necessary to speak to anyone, let alone form a friendship with them if he absolutely didn’t have to.

He kept his head down. Stayed quiet. Tended to his field everyday. Watched as his crops and trees took on shape and beauty. That was something he could relate to - hard work, and discipline. Doing his best, and making sure that he was absolutely ‘better’ than everyone.

they don’t know what I’m capable of…

But when his neighbor moved in on the plot of land next to his, everything started to change. A man who once lost his sense of humanity, started to become whole again.

Her smile did that for him.

And the sound of her voice alone, seemed to have made things the slightest bit better again.

So, when she told him of her troubles the day before involving that lowly fisherman, he got angry. Even more so when he heard more about this from the villagers in town.

It took everything in him just to speak with the modest shopkeepers, and the elders. Going against staying silent in order just to help her.

what do you know about him?

he’s a defector! a scoundrel!

fled fighting in the war?

I don’t know where from, but yes. took off during the clone wars.

how did he end up here?

bar fight, ended badly.

what do you mean?

stole from someone, then killed them. had a bounty on his head but escaped, somehow ended up here.

he won’t be here for long…

we’re good people, lars, none of us asked for thieves and criminals to infiltrate our home…

If only they knew…

As he begins to feel one with all of his thoughts, a light breeze begins to pass through all of the trees behind him. The sweet melodic song birds, delivering their peace to all of the mountainside. Everything is green here. The water, freshest just from falling. All that was once jagged is now made smooth again; the river, freely flowing over all of the stones and rock.

It reminds him of a time when everything made more sense. At least, that is what he settles with during his daily meditation. Breathing like this with his eyes closed makes him feel as though he has some sort of purpose, a reminder that, yes, perhaps I can in fact be whole again.

But, it’s this one fight that’s been holding him back from all of it.

A kind face, that no matter how hard he tries, can never be forgotten.

Frankly, it’s become somewhat of an annoyance…

A beautiful, and persistent, growing sort of distraction…

you’re nice to me.

I try.

“Ha! Would you get a load of this! Tough guy seems to be one with nature! I know what you really are!”

there he is, perfect timing.

“And what’s that? I’m just dying for you to tell me…”

With his eyes closed, Anakin smirks, where instinctually he feels the vagrant in question pacing back and forth behind him.

his steps make the grass fold.

a few twigs have snapped.

“You’re soft! Defending some disgusting woman! What’d you think I wouldn’t hear about where you are?”

“That was my plan all along, not my fault you fell for it.”

there goes a splash into the water.

an echo of a floating basket behind him.

Anakin stands, turning to see what the sound was, only to find broken stems, and dirt, clouding the bottom of a nearby waterfall.

Rose petals. Scattered thorns...

Sunflowers, and broken glass jars.

Stolen garden tools.

Homemade favors, and jam, wrapped in woven cloth of all colors, strewn about the neighboring rocks.

“You’re nothing, Lars, just like the rest of us! Who knows if that’s even who you really are!”

He smirks, all while lifting the palm of his hand, and controlling the air around them. Watching as his newfound enemy begins to choke on his own breath.

“Perhaps it is best that you address me from the floor.”

Anakin circles him, all while tightening his grip around his neck through the force.

“I was…right…you are…”

With a sharp and instant motion, all at once, he slams him toward the ground.

“Enough.”

Then, he continues with his onslaught.

“It seems you know exactly who I am, and what I’ve done. So the rest is only inevitable…”

His enemy’s eyes are ruthless, but there is only silence. A quiet he can not withhold.

“You’ve led a kind woman into great distress. Destroying her livelihood. And for what? Because she denied you?”

Anakin backhands him, a hardened blow to the face that manages to break the force’s hold.

“Coward.”

He then lands a strengthened kick to his stomach, before stepping on his throat.

Through the grit of teeth, the fisherman snarls.

“You’re…no General…”

“How would you know? You never fought in my war.”

he’s been spreading falsehoods about me and my family throughout the village…

“All you’ve done is harass an innocent girl. Do you take pride in that? What makes you so miserable?”

Releasing his boot, Anakin slowly walks toward the wildflowers. For a second he thinks about collecting some of them when he’s done here. And…the possibility of how they would look on her, worn as a pretty crown.

“She’s nothing but a whore!”

With his back turned, so viciously, he smiles.

“So unfortunate…”

As the nameless vagrant begins to rise to his feet, the entire mountain begins to rumble, causing him to stumble and fall.

“...that now you will be no more than a pile of dust.”

With a menacing crack, Anakin’s wrath lays claim to all of the Earth, forcing his enemy over the ridge ahead of him; listening to his screams ring out from the shattered edges of the cliffs.

what have I done?

why should I feel remorse?

I did nothing wrong...

he deserved it...

“He won’t be a problem anymore.”

The words come easily, but they are only above a whisper now.

Everything is strangely quiet, where the trees no longer move.

It reminds him of the calm that happens right before a powerful storm.

Except, the carnage has already happened…

And he feels all the more alone.

… ❤️

thanks so much for reading & sharing this story ! I hope you are enjoying the choose your own outcome polls. it has definitely been a lot of fun getting to write these short scenes. sometimes I don't even know what will happen next until I am actually writing them ! I would love to know what you think. 💌😊 xo A

#anakin skywalker #anakin skywalker x reader #anakin x reader #post rots #choose your own outcome #sky lady story time 💌#sky lady writes #fluff and angst #emotional hurt/comfort #mild language

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mondaymelon · 2 years ago

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— 𝘀𝘁𝗮𝗿𝗿𝘆 𝗲𝘆𝗲𝗱 !? ♥

:feat~ xiao, kazuha, scaramouche x gn!reader:

⤷ fluff. fluff to cure to soul.

ᴛᴀɢʟɪꜱᴛ (open!) : @manager-of-the-pudding-bank, @iamdedinside, @ilyuu, @achlysis

Seems like someone is catching feelings... how do they hide them? (...or try to)

XIAO is impossibly perplexed... both at himself, and you.

Because when it comes down to it, he's an immortal and you're merely a human, two contrasting types of beings that should never strive to coexist... alongside one... another...

...Yet, why does he wish for that possibility, with the few remnants of hope that still remain in his soul?

It's something unnatural, these emotions that are welling up in his body, but he can't bring himself to detest it. The feelings that arise when he's with you, the quickened rate of his heartbeat and the strange heat that's risen to his face... while all of it is unnervingly unfamiliar, somehow, it's comforting.

And he can't begin to explain why... but he's felt this warmth in his being before... albeit on a lesser scale. The way his eyes seem to light up, ever so slightly when you appear before him... yes, he's seen this before.

He recognizes it.

And it's what they call 'love.'

He wants to scoff at the very notion of such an outlandish topic. One that he could never even dream of experiencing... until, of course, now.

He's certainly not the most expressive in his emotions, so at first, it's almost like the atmosphere between the two of you hasn't even changed. But soon enough, it's growing more and more clear, from the way his usually unreadable facade has morphed into one of a flustered expression whenever you get too close, how he sometimes flinches when the two of you make contact... and how sometimes, he refuses to meet your eye, staying silent.

Maybe you don't notice it in the beginning, but as time goes on, it'll only become more and more apparent. More and more obvious, until...

"I think I'm in love with you." ♥

KAZUHA has heard tales of such... emotions from the Crux's drunken sailors.

But to say that prepared him for confronting such feelings himself... that was a different topic entirely. The most he'd felt of such 'love' was when his past friend was still alive... but the affection he had experienced then was nothing compared to how passionate his adoration of you was.

Needless to say, he had found himself knee deep in such a predicament. Running through his mind all of those stories the sailors had spun... tales of a beloved...

Kazuha would be jesting if he claimed that he had never imagined himself in such rose-tinted fantasies. And now that he was in one himself, he's already far too entranced to deny it.

Ah... but working up the courage to confess is much too difficult... so for now, the wanderer will tarry with his time, writing poems of professing his adoration and daydreaming about the moment as the Crux's hull is gently lulled by the waves. Perhaps one day he'll sort himself out, perhaps one day he'll find himself speaking those three words that are spoken between lovers.

Kazuha is used to hiding, being a vagrant and a wanted criminal, however, cloaking his affection is another story. The male know's he's being painfully obvious, even when he's trying to act subtle... but he certainly can't help the way his cheeks flush whenever the two of you accidentally brush hands, or the way his mouth can't help but form a serene smile whenever you laugh. And every time those moments reoccur, time and time again, he gains just a slight more incentive.

In the moonlight, his beauty is striking, but all he can think of is you.

"...I have something important to tell you.

I'm in love with you." ♥

SCARAMOUCHE denies it. His feelings for you, and no matter how easily you're able to fluster him.

Why? To be exact, he's not even sure...

Maybe it has to do with the fact that he's closed off his heart to people long before he even met you. He who killed his emotions, so that they wouldn't hinder him. In order for his past torments to end.

"Killed..." Yet somehow, he still... felt something towards you, and unfamiliar emotion that seemed to bubble up from inside him and developed quicker by the day. An affection... obsession towards you that he couldn't stop.

...Would he want to stop it at all?

Needless to say, he's head over heels... but still persists onwards like nothing has transpired within that head of his. Sure, he feels strangely attracted towards you and everything you do, but that doesn't mean anything. Means nothing at all.

Ah, but even someone as powerful as Scaramouche can't keep such pining bottled up for who knows how long... sooner or later, a confession will arrive... and he knows full well of it.

The very thought of it has him disgusted.

Is he even able to feel such an emotion as 'love'? Perhaps he's just imagining it, a delusion forged by his own mind to satiate his sole self... after all, he doesn't even have a heart. He doesn't have anything to prove that he has a single shred of 'humanity.'

Or perhaps, he did 'have' one, and you were the one who stole it.

Haha, if that's the case, perhaps he won't mind. He'll bide his time, clench the fabric over his chest, smiling to himself as he imagines his absent heart beating alongside yours.

And maybe one day, he'll understand what his love towards you means. ♥

(a/n) once again, scaramouche is the only one who doesn't confess to it. (oops)

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owlwithanapple · 8 months ago

Text

Bird & Fox

Chapter 1

Late at night, you stand alone on a high tower somewhere in Gotham City and look around. It is said the sky in this city always overcast at night, and you can feel the cold wind blowing. If you don't see it with your own eyes, you can’t believe the city is so dark and cold at night.

The environment here is completely opposite to the place you live in. Before you immigrated to Gotham City, you lived in Tokyo, Japan. The city you live in is prosperous because of political management, public security management and economic development.

Compared with Gotham City, dark, scary and complicated. How warm and beautiful the city you used to live in is, and there is always a sense of safety and comfort late at night. But Gotham City is surrounded by weird and Gothic buildings, forming a huge contrast and chaotic atmosphere.

This weird and dark Gotham City is listed as one of the cities with the highest crime rate. On TV, the news channel always reports about the content involved in this city and some dangerous information, such as Joker, Penguin, Harley Quinn, etc.

Because of the experience given by your previous work, you know very well no matter where, there will be similar experiences and commonalities. But there will never be a lack of bright and beautiful images, and countless dirt hidden in the dark alleys.

One day, a righteous man dressed as Batman transformed into the Dark Knight and fight criminals for the city appeared in Gotham City. Because of his existence, the Bat Signal can be seen in the sky every night, as if he is promoting his own ideas.

Since he became a righteous Dark Knight to fight criminals, he has become a spiritual idol in people's hearts and a source of fear in the hearts of criminals, making his desire to stop evil more stronger.

In Gotham City, in addition to Batman fighting criminals, there are other superheroes such as Nightwing, Red Hood, Red Robin, Robin, etc. who are also maintaining the safety of the city.

You sit idly on the edge of the roof, with your hands on your thighs, shaking your legs at the empty space, looking up at the Gotham City that is already full of chaos at night.

Seeing a person sitting on the roof of a high tower building, the first thing think of is someone is going to jump off to commit suicide. But you are definitely not trying to do something stupid. You are different. The fact that you can casually run to the rooftop in the middle of the night shows that you are not an ordinary person.

Because of your previous work and some reasons, you were forced to immigrate to this dark city. In the morning, you finally packed your things. Tonight is your first time to spend the night freely in this city.

Now you should be an unemployed vagrant. Although you have not been removed from the list, you have been exiled here by the "organization" after all. The more you think about it, the angrier you get. You were exiled to a strange city because of different beliefs, but you still have to thank the "organization" for supporting you with funding.

You are leisurely and bored. You hum a sweet song in a low voice and shake your head slightly. You are intoxicated in the song then hear the faint footsteps approaching you step by step. You stop humming the song.

The person approaching you stops, you glance back. A tall black figure and a shorter child standing next to him are standing behind you. You vaguely guess who they are.

You remain calm and composed, your face is covered by the fox mask but you still smile. Although they can't see, you cross your hands in front of chest and say "What a beautiful night, everyone."

The tall black figure keeps a distance from you, but from your observation, he is very wary of you. He is wearing a mask, you can't see his eyes, only his lips. He is silent then blurts out "Who are you? What are you doing here?"

You stamp your feet and think about how to answer his question, but no excuse can cover up the fact that you are suspicious, it doesn't make sense that you trespassed into this high tower and sit on the roof in the middle of the night. "I said I came here for a walk, would you believe it?"

The little guy standing next to him holds a katana, with a smile that seems very confident. Your intuition tells you that can't underestimate him. Even if he is a kid, his sword holding method and posture are not ordinary, but a skilled posture.

You noticed the little guy looking you up and down, perhaps he was waiting for his chance, he tightened the grip of his katana, seemingly ready to strike you "TT, you lie without thinking."

He pulled out his katana and pointed at you. You stayed still, hands still in front of your chest, breathing kept balanced, but stopped stamping your feet, tried not to make any unnecessary movements. This was a lesson taught by the "Organization".

When he was about to pounce on you with the katana, the black figure blocked the little guy with his hands in front of him. The little guy immediately stopped and looked at the black figure. At this time, the little guy was confused why stop him.

The black figure looked at the little guy as if giving some instructions. The little guy seemed to understand his intention and put the katana away walked to the side to look at you, while the black figure looked at you and said, "I am Batman. What about you?"

You finally heard the black figure say his title in person. He is Batman. The real person is right in front of you. It feels so cool. You noticed the little guy beside you frowned and looked impatient. "Hello, Batman. It's a beautiful night. Bring your kids to see the night view?"

When the little guy heard you say he was a "kid", his sharp ears immediately stood up, walked towards you with a red face and anger. His attitude towards you was enough to prove he was a kid with a strong self-esteem. This time, Batman did not stop him.

Realizing that you said the wrong thing, he can fight criminals and work with Batman, he is not an ordinary child. It is embarrassing to apologize at this time. He points his index finger at you and says, "Listen, I am Robin. Not a kid! Bitch!"

You feel bad when you hear him use the word "bitch", but he is just a kid. But not an ordinary child, Robin has rich combat experience and skill training.

Seeing him, recall that you were strictly trained in the "Organization" before. You were still 8 years old. No one showed mercy in the sparring battle. Until now, you have become an independent person at the age of 20, but you have been exiled by the "Organization".

Maybe you are not the person in their idealism. You have opposite beliefs and ideas from them. The result is your value judgment.

Robin noticed that you were in a state of vacant thoughts. He looked at Batman in confusion and tried to ask him what to do. Batman just stared at you expressionlessly, waiting for your reaction.

When you were in a daze, Robin slowly approached you, trying to touch you to wake you up. Subconsciously, you came back to your senses and grabbed his index finger with your hand. "Whoops, sorry. I was just in a daze."

Since the two of them have introduced themselves, you can't be rude. You let go of Robin's hand. With your right hand, you put your middle finger and ring finger together and press them on your thumb, and lift your index finger and pinky finger to form a fox shape. "Hello, my name is Kitsune, you can also call me Fox."

You put your hand into the pocket of your long sleeves and took out a flash bomb. They immediately stepped back and got ready for the fight, but you didn't want to kill people in vain. You just wanted to leave here.

You threw a flash bomb into the air, it flashed a dazzling light. Batman and Robin subconsciously used their cloaks to block their sight. When they put down and opened their eyes, you were gone.

Robin ran to the edge and looked down at the 40-story building. There was no trace of you. Batman stood aside and looked around. There was indeed no trace of you. The two of them confirmed that you were gone, Robin was surprised and swallowed his saliva. "That bitch really disappeared."

Batman listened to Robin's words but didn't respond. He was actually thinking, and confused about how you did it. You disappeared just a few seconds after the flash of light, leaving no trace.

The two of them looked for your trace everywhere, but there was no clue. In desperation, they had to retreat temporarily. In fact, you just used some trick to deceive them.

After you return home, take off your mask, place it on the table, remove all your equipment, put them in the closet, close the closet and see the mirror reflecting your naked body. You gently touch each scar, which are the marks of your becoming a "ninja" and the medal of your success.

You don't hate these scars all over your body. Although the scars are deeply engraved on your body, you are very happy, even grateful to have them. This is proof that you have survived, you have experienced the test of the "organization" to prove yourself.

"Kitsune..." You muttered in front of the mirror, code name, the name you used when you were a ninja. But now you are Y/N L/N, just an ordinary woman with ninja abilities.

The Batcave at this time—

The Batcave is Batman's command center, where he monitors all crisis points in Gotham City and the world. It is usually located beneath Wayne Manor and is part of a large group of underground caves.

Batman is replaying the surveillance video with Robin to see the footage of you and conversation. In order to catch your clues and find out your purpose, no clue can be easily let go.

Alfred came to the Batcave and saw the two of them busy watching the video. He carefully made two cups of hot drinks and placed it in front of them. "Master Bruce, Master Damian, take a rest."

Batman stopped the work, leaned back the chair, gently massaged his eyes with his hands. When he saw the hot drink in front of him, he took it up and took a sip. "Alfred, what do you think of the people in the surveillance video?"

Alfred looked at the screen, put his hand on chin and rubbed it gently. You didn't attack them, nor did you commit a crime. You just sat on the edge and stared blankly. "Hmm, it's harmless at the moment."

Robin finished the hot drink and asked Alfred for a refill. Alfred filled the cup with the hot drink and handed it to him again. Robin took the cup and complained to the big screen, "I will definitely catch her next time."

Alfred looked at Master Bruce who was distressed and Master Damian who was complaining. He thought about what he could do to help. He suddenly suggested, "Why not ask Master Tim?"

Batman looked at Alfred. It was indeed a good suggestion. Perhaps Tim had a way to solve this problem. After all, it was he who deduced that Batman was Bruce Wayne. He had a strong reasoning ability. "I will contact Tim later.

Robin listened to what Batman and Alfred said then left the Batcave with a "TT". Alfred put the cup back on the tray prepared to leave. "Master Bruce, I want to ask you. Why didn't you take her down on the spot?"

Batman thought about it realized he could have taken her down, as Robin was also there at the time. But facing you who showed no hostility and showed no intention to escape or kill, he was confused. "I want to confirm who she is? Is she righteous or evil. That's all."

Before leaving, Alfred bowed to Batman's back. "I understand, Master Bruce. I'll leave first."

After Alfred left, Batman was left alone in the Batcave. He thought about Alfred's suggestion and called Red Robin who was on patrol. "I need your help with something."

Red Robin stayed in the alley talk to Batman and understand the ins and outs of the matter. He vaguely guessed he was distressed and confused. "I understand. See you in the afternoon ."

After saying that, he hung up the call. When Red Robin left the alley and went to a higher place to continue patrolling, he ran into Nightwing who was talking gossip and Red Hood was having snacks.

Nightwing waved to Red Robin and invited him to have supper together. Red Hood took off his helmet started to eat hamburgers, and handed Red Robin two fries, "I'll treat you."

Red Robin looked at the two fries in Red Hood's hand and speechless. As the "older brother", he only shared fries with his "younger brother", but he still took it and put it in his mouth to chew.

"Hey hey hey." Nightwing handed Red Robin a bag with hot coffee, hamburgers and fries. "I didn't forget to buy your share." After saying that, he continued to eat.

Red Hood finished eating, crumpled the wrapping paper into a ball, threw it into the bag, and then found a trash can to throw it away later. He opened the cap of the soda bottle and started to drink. When he was halfway through, he put down and ask "Bruce looking for you?"

Red Robin, who was drinking coffee and addicted to caffeine, put down the cup immediately after hearing it. He looked at the other two, and nodded after a moment of silence, "Yes, meet at the manor in the afternoon ."

After listening to Red Robin, Nightwing nodded to indicate that he could, Red Hood drank up the soda and threw it into the bag, "I can't. My motorcycle needs maintenance tomorrow, don't count me in."

"Are you serious?" Nightwing asked him seriously. After all, he didn't want Bruce and Jason to have a hard time. Although the two did have bad memories in the past, Jason was very defensive against people, and that incident also left a shadow on his life.

Red Hood stood up, wiped his mouth, put on his helmet, took a bag of garbage, and held the door handle to indicate that he was leaving, leaving Red Robin and Nightwing sitting there. He thought about it and said, "Let's see, if I finish my work early." Then he left.

Nightwing knew Bruce and Jason had a rough time. The past experience and feelings led to the current collapse, but sometimes, both sides had mutual trust and cooperation.

Seeing Red Robin's self-blaming expression, Nightwing put his hand on his shoulder to comfort. Tim became Robin after Jason died. During that time, everyone had a hard time, including Tim, of course.

Being Robin is a very proud thing. It is very cool to fight criminals with Batman. Of course, there are always crises, just like Jason's death, which has become one of everyone's shadows.

"Although that guy is bad-mouthed, he is still trustworthy." Nightwing comforted the frustrated Red Robin, hoping he and Jason would not have a quarrel again.

"I know, thank you, Dick." Red Robin smiled again and continued to drink coffee. The caffeine he couldn't quit became a source of energy, making him more motivated and confident.

Do you hope there will be Chapter 2?

Leave a comment to let me know 😁

Other Chapter

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dallasgallant · 7 months ago

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Tough Slang |

I’ve been watching a lot of delinquent movies (I have recs) lately and I’ve started to collect the slang common in them. This is a “dictionary” that’s useful for writing but I’d still recommend looking up period or group specific slang yourself too, consider this a starting guide.

Primarily 50s-60s , mixed with general slang and relevant words.

Baby: Term of endearment [also used in Gay context]

Backseat bingo: Making out

Beat it: Go away

Belted: Beaten; Hurt

Bent car: Stolen car

Bit: Job; Robbery plan

Blade: Knives [typically switchblade]

Blast: Good time

Bop: Kill

Boss: Liked man of authority

Box job: Safe cracking

Break it up: Stop fighting

Broad: Woman

Bug: Bother

Bugging: Freaking out; Tripping

Bulls: Cops

Bum: To get by asking or begging; Vagrant

Bunk: Sleep with ; Share a prison cell

Candy ass: Coward

Can opener: Tools capable of breaking open safe

Can: Prison

Cheese it: Stop what you’re doing; Look out

Cherry: Good looking/condition [typically a car, sometimes a person]

Chicken: Coward

Cool it: Calm down

Cooler: Prison

Con: Convict; Swindle

Copped: Had the cops called on; Ratted out

Cranked: High; Drunk

Crash: Stay/sleep at someone’s place

Crazy: Deranged ; Enthusiastic about something

Cut the gas: Get to the point; shut up

Deck: Box of ciggerettes; To punch

Dibs: Laying claim on something

Dig: to understand; to like something

Dive: Low down place

Flat: Broke

Flip: Panic

Freak out: Wild/irrational reaction or behavior

Fry: Executed by electric chair

Fuzz: Police

Gas: Fun or cool

Get bent: Get lost; Go fuck yourself

Get lost: Go away

Greaser: Young man with greased hair, usually of lower class , gang affiliation or juvenile delinquent

Hang: Gather together with no expressed purpose

Hang loose: Relax; Take it easy

Happenin’: Exciting/Lively/Busy ; With the times

Heat: Police

Heater: Gun

Headshrinker: Shrink; therapist

Hip: With it; Understand; Cool

Hoodlum/hood: Trouble maker; Criminal

Jam: in trouble; Cram something

JD: Juvenile delinquent

Jive: Agree with someone

Jug: Prison

Jumped: Attacked without warning; Beaten

Keen: Eager; Enthusiastic

Lay off: Leave alone

Lifer: Someone serving a life sentence

Loaded: Drunk; Armed [Depending on context]

Lone it: Do something on ones own

Loiter: Stand or wait around without purpose; hang out

Man: Colloquialism for emphasis or familiarity

Neato: Neat; Excellent; Exciting

Nance: Efféminent guy/Gay

Pack: Carry some sort of weapon

Pad: Where someone lives

Pansy: Efféminent guy/Gay

Paper shaker: Cheerleader

Pops: Affectionate term for an older man

Punk: Hoodlum

Rat: to tell on

Reefer: Weed; Marijuana

Rod: Gun

Rumble: Organized fight

Scram: Go away

Scum: Despicable person

Shiner: A black eye

Sock: Punch

Skin: Fight with no weapons

Slug: Bullet ; Hit

Stay cool: Remain calm ; control yourself

“Give some skin”: High five or handshake

Spill: Tell information

Split: Leave ; Get out fast

Square: Uninteresting person; Someone never in trouble with law

Stuck: Stabbed [in context]

Sucker : Gullible person; Someone who was conned

Swingin’ : Exciting ; Hip ; throwing punches [in context]

Tanked: Drunk

“The man”: Figure of authority keeping systems in place [Oppressive] ; One who maintains status quo

Turf: Territory

War council: Meeting between organized gangs to work out issues or plan a fight

Waste: Kill

Weed: Cigarette

Whipped: Beaten

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if-you-fan-a-fire · 1 year ago

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"COURT DECIDES DRINKING NEVER ACTUATED CRIME," Hamilton Spectator. October 26, 1943. Page 7. --- Magistrate Rejects Accused's Contention Intoxication Caused His Trouble --- Herman Opperchuk Sentenced to Reformatory For Stealing Hosiery --- Admission of the theft of six pairs of socks from a store resulted in a sentence of six months definite and six months indefinite at the Ontario reformatory being imposed in magistrate's court this morning on Herman Opperchuk, 48, of 42 Bay street north.

After reading the record of the accused, which included many offences, Magistrate H. A. Burbidge rejected his plea that he only stole when he was intoxicated.

Matthew Leeson, who gave the Ontario Hospital as his address, pleaded guilty to the theft of a pair of trousers from a department store. Acting Crown Attorney Hugh Brown consented to a remand of one week.

Given Dual Sentence Albert Hill, 411 King street east, who pleaded guilty to a vagrancy charge in magistrate's court on Saturday, was sentenced to 30 days in jail by Magistrate James McKay this morning. Hill was picked up by the police in the early hours of Saturday riding over the back roads near Aldershot.

Convicted of a breach of the National Selective Service Mobilization Act, he was sentenced to 21 days in jail, the terms to run concurrently.

#hamilton #police court #stolen socks #petty theft #shoplifters #shoplifting #vagrancy #criminalizing vagrancy #the vagrant as criminal #draft dodgers #sentenced to prison #guelph reformatory #barton jail #canada during world war 2 #crime and punishment in canada #history of crime and punishment in canada

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fatehbaz · 10 months ago

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[A]nti-homeless laws [...] rooted in European anti-vagrancy laws were adapted across parts of the Japanese empire [...] at the turn of the 20th century. [...] [C]riminalising ideas transferred from anti-vagrancy statutes into [contemporary] welfare systems. [...] [W]elfare and border control systems - substantively shaped by imperial aversions to racialised ideas of uncivilised vagrants - mutually served as a transnational legal architecture [...] [leading to] [t]oday's modern divides between homeless persons, migrants, and refugees [...].

---

By the Boer Wars (1880–1902), Euro-American powers and settler-colonial governments professed anxieties about White degeneration and the so-called “Yellow Peril” alongside other existential threats to White supremacy [...]. Japan [...] validated the creation of transnational racial hierarchies as it sought to elevate its own global standing [...]. [O]ne key legal instrument for achieving such racialised orders was the vagrancy concept, rooted in vagrancy laws that originated in Europe and proliferated globally through imperial-colonial conquest [...].

[A]nti-vagrancy regulation [...] shaped public thinking around homelessness [...]. Such laws were applied as a “criminal making device” (Kimber 2013:544) and "catch-all detention rationale" (Agee 2018:1659) targeting persons deemed threats for their supposedly transgressive or "wayward interiority" (Nicolazzo 2014:339) measured against raced, gendered, ableist, and classed norms [...]. Through the mid-20th century, vagrancy laws were aggressively used to control migration [and] encourage labour [...]. As vagrancy laws fell out of favour, [...] a "vagrancy concept" nonetheless thrived in welfare systems that similarly meted out punishment for ostensible vagrant-like qualities [...], [which] helps explain why particular discourses about the mobile poor have persisted to date [...].

---

During high imperialism (1870–1914), European, American, and Japanese empires expanded rapidly, aided by technologies like steam and electricity. The Boer Wars and Japan's ascent to Great Power status each profoundly influenced trans-imperial dynamics, hardening Euro-American concerns regarding a perceived deterioration of the White race. [...] Through the 1870s [...] the [Japanese] government introduced modern police forces and a centralised koseki register to monitor spatial movement. The koseki register, which recorded geographic origins, also served as a tool for marking racialised groups including Ainu, Burakumin, Chinese, [...] and Korean subjects across Japan's empire [...]. The 1880 Penal Code contained Japan's first anti-vagrancy statute, based on French models [...]. Tokyo's Governor Matsuda, known for introducing geographic segregation of the rich and poor, expressed concern around 1882 for kichinyado (daily lodgings), which he identified as “den[s] for people without fixed employment or [koseki] registration” [...].

Attention to “vagrant foreigners” (furō-gaikokujin) emerged in Japanese media and politics in the mid-1890s. It stemmed directly from contemporary British debates over immigration restrictions targeting predominantly Jewish “destitute aliens” [...].

The 1896 Landing Regulation for Qing Nationals barred entry of “people without fixed employment” and “Chinese labourers” [...], justified as essential "for maintaining public peace and morals" in legal documents [...]. Notably, prohibitions against Chinese labourers were repeatedly modified at the British consulate's behest through 1899 to ensure more workers for [the British-affiliated plantation] tea industry. [...]

---

Simultaneously, new welfaristic measures emerged alongside such punitive anti-vagrancy statutes. [...] Such border control regulations were eventually standardised in Japan's first immigration law, the 1918 Foreigners’ Entry Order. [...] This turn towards instituting racialised territorial boundaries should be understood in light of empire's concurrent welfarist turn [...]. Japanese administration established a quasi-carceral workhouse system in 1906 [in colonized territory of East Asia] [...] which sentenced [...] vagrants to years in workhouses. This law still treated vagrancy as illegal, but touted its remedy of compulsory labour as welfaristic. [...] This welfarist tum led to a proliferation of state-run programmes [...] connecting [lower classes] to employment. Therein, the vagrancy concept became operative in sorting between subjects deemed deserving, or undeserving, of aid. Effectively, surveillance practices in welfare systems mobilised the vagrancy concept to, firstly, justify supportive assistance and labour protections centring able-bodied, and especially married, Japanese men deemed “willing to work” and, secondly, withhold protections from racialised persons for their perceived waywardness [...] as contemporaneous Burakumin, Korean, and Ainu movements frequently protested [...]. [D]uring the American occupation (1945–1952), not only were anti-vagrancy statutes reinstituted in Japan's 1948 Minor Offences Act, but [...] the 1946 Livelihood Protection Act (Article 2) excluded “people unwilling to work or lazy” from social insurance coverage [...].

---

Imperial expansion relied on not only claiming new markets and territories, but also using borders as places for negotiating legal powers and personhood [...]. Japan [...] integrated Euro-American ideas and practices attached to extraterritorial governance, like exceptionalism and legal immunity, into its legal systems. [...] (Importantly, because supportive systems [welfare], like punitive ones, were racialised to differentially regulate mobilities according to racial-ethic hierarchies, they were not universally beneficial to all eligible subjects.) [...]

At the turn of the century, imperialism and industrial capitalism had co-produced new transnational mobilities [which induced mass movements of poor and newly displaced people seeking income] [...]. These mobilities - unlike those celebrated in imperial travel writing - conflicted with racist imaginaries of who should possess freedom of movement, thereby triggering racialised concerns over vagrancy [...]. In both Euro-American and Japanese contexts, [...] racialised “lawless” Others (readily associated with vagrancy) were treated as threats to “public order” and “public peace and morals”. [...] Early 20th century discourse about vagrants, undesirable aliens, and “vagrant foreigners” [...] produced [...] "new categories of [illegal] people" [...] that cast particular people outside of systems of state aid and protection. [...] [P]ractices of illegalisation impress upon people, “the constant threat of removal, of being coercively forced out and physically removed [...] … an expulsion from life and living itself”.

---

All text above by: Rayna Rusenko. "The Vagrancy Concept, Border Control, and Legal Architectures of Human In/Security". Antipode [A Radical Journal of Geography] Volume 56, Issue 2, pages 628-650. First published 24 October 2023. [Bold emphasis and some paragraph breaks/contractions added by me. Text within brackets added by me for clarity. Presented here for criticism, teaching, commentary purposes.]

#abolition

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sirdindjarin · 2 years ago

Text

The Savior - Din Djarin x f!Reader

The Mandalorian, side-quest extraordinaire, accidentally frees a slave, kills a Senator's son, ends a criminal conspiracy, and falls in love. Just a month in the life of the galaxy's favorite chaotic space cowboy and his son.

The Savior / The Concession / The Choice (END)

A/N: i fucking love this man. here's the spotify playlist i made while hallucinating being wrecked by him. I accidentally based this fic on Euphoria by Angels & Airwaves.

AO3 Link🤠

TAGS: Fluff, m!falls first, plot with porn, helmet stays on for now, P in V, outdoor activities, protective!Din, soft-ish!Din.

WARNINGS: reader is/was a slave; references to abuse; no curses or slang outside of Star Wars canon (that's a warning if you hate that hahaha)

**************************************************************

"I thought vagrants were barred at the door. How did a Mandalorian get in here?”

The Mandalorian in question does not react to the insult. At the table before him, the taunting Trandoshan guffaws, but his laughter dies when he gets no reaction from the bounty hunter.

"What do you want?" He snaps, his green jaws clicking shut.

Instead of replying, certain the answer is obvious, the beskar-covered man leisurely surveys the colorful, boisterous room, his hands folded in front of him. Having already scouted the upscale casino, he does this for sarcastic effect. He’s also certain that fact is lost on his Trandoshan quarry.

Upon returning his direct attention to the lizard, a small movement in the booth catches his heat sensor. A young woman, likely his quarry’s slave by her frayed appearance, sits with her head bowed behind her master.

“Hey, tin man, you in there?” Your master’s voice sounds more like rocks scraping together than fluid language.

The Mandalorian chucks a bounty puck onto the table, the name and alien visage of Rathos Craaf glowing in a blue cone of projected light.

“Go quietly or don’t - it makes no difference to me.”

“Ahh,” Rathos Craaf hums in his throat and leans back in his seat, making your demure form more visible to the bounty hunter. “What’s the price?”

The Mandalorian again does not dignify a response.

“Can’t be greater than what I’m willing to pay,” Rathos insinuates.

The tense silence eats through your body as the ruthless men stare at each other - the probability of oncoming violence ratcheting up.

“Go prepare my ship,” your master barks suddenly at you, raising his hand.

Flinching, you scoot around the U-shaped booth to obey.

You weren’t always a slave. As a child on Kenari, you had been born into a world of vivid green, rippling blue, and rich, brown soil. Trained in both hunting and fighting from birth, you had been too young to save your village from the brutal relocation program of the Empire.

Dispersed onto harsher worlds, you’d been sold from one slaver to another until finally coming into the collection of one Rathos Craaf. He has been your master for several years by this point, and while not the worst, he was close.

“What will you do about the girl?” A modulated voice asks.

Pausing on the edge of the hard bench, you look between the two antagonists. Me?

“Who cares about the mudscuffing girl? Tell you what, I’ll sell her to you.” The crafty Trandoshan gets an even better idea: “Or - take her in exchange for the bounty. She’s considered top-tier sentient property.”

“Not what I was asking,” a gloved hand thumbs his blaster. “Once you’re in carbonite, wh-”

The Trandoshan lunges up from his seat with a booming yell, launching at the cloaked, beskar-free neck of the Mandalorian. Rathos’ claws reach around the smaller man’s throat, but the Mandalorian is lighter of foot, ducking out of the hold.

Off-balance, Rathos tumbles but rolls back on his feet, his scaly tail acting as a counterweight. Gasps and mutters spill from the crowd as people scramble out of harm’s way.

You remain seated in the booth, frozen and unsure. But then, as the silver bounty hunter aims his blaster, Rathos whips his tail into the Mandalorian’s legs, knocking him with a clang onto his back.

The blaster goes skittering through the crowd, and you’re shocked to find your legs racing after it.

The thunder of a powerful flame roars in the cavernous room as you weave through aliens and humans alike, searching. The blackness of the blaster appears on the gray floor and you dive for it.

Cold steel excites your skin. It’s heavier than you thought it would be, and though you’ve never fired one, your ancient muscle memory remembers the feeling of a bow in your hands; the trajectory, strength, and steadiness necessary.

Sprinting back through the crowd, you find Rathos pinning the Mandalorian’s chest. The solid armor prevents any of Rathos’ blows from truly hurting the bounty hunter, but the weight of the lizard is too awkward and great for him to shove away from this angle.

The fire-throwing vambrace comes up again and, as it billows into the Trandoshan’s face, you fire a blast at the substantial tail that had once been used against you.

Rathos bellows in pain, tumbling to the side, and the Mandalorian takes full advantage. He jumps to his feet, then connects his fist to his quarry's skull, rendering the creature unconscious. Binders clasp around the arms of your master and the successful bounty hunter staggers backward a single step to catch his breath.

You freeze at what you’ve just done, the blaster still pointed at Rathos. People murmur, and the words, “Killed by his slave” can be heard, though he is only unconscious. Your chest heaves, far more out of breath than the Mandalorian walking toward you.

“Thank you,” he says drily, taking his blaster out of your hands.

Unsure what else you should do, you follow your master as he is dragged without dignity along the smooth fogstone floor.

Exiting the casino, snaking down an alley, and traipsing to the outskirts of the city limits, the silhouette of a ship against the orange horizon becomes visible.

Neither you nor the Mandalorian have spoken a single word since he took the blaster from your hands, but as he presses a button on his vambrace to lower the loading ramp, he turns to you now.

“Grab his tail."

An order. That you could do. You immediately grab Rathos’ tail and lift. The Mandalorian half-drags and half-lifts the Trandoshan by his cuffed hands and the lizard is loaded into the ship’s hold.

Standing at the far end of the Mandalorian’s rather busted ship, you’re surprised to see a small, green being. Dressed in what must be a sack, its long ears perk up and its eyes glimmer at the sight of the bounty hunter. A happy coo reverberates in the quiet, metal space.

The child looks at you and makes another, similar noise. It waddles toward you, but before you can react, the Mandalorian scoops the child into his arms and sequesters it behind a thin blast door.

“You are free to go.”

It’s an odd statement. He must be familiar with the underworld. He knows how slaving works.

You’re not sure when you last spoke; you weren’t allowed to speak. But the bounty hunter seems to expect a reply.

“I am not. The law says I am to be returned to the slavers’ coalition for repurchase.” Your voice is scratchy from disuse and the helmeted man tilts his head in curiosity.

“You won't run?”

It seems too monumental a task. Hopes and fears trip over each other in their efforts to be heard. Freedom. Finding a place to call home. Your family was long dead. But… maybe there was hope of a family somewhere.

Where would I even go? No way I could stay ahead of the slavers. They’d send hunters like this Mandalorian after me. I’d be worse off than I am now.

“I do not know if I can,” you whisper honestly.

The Mandalorian looks at you - at least, you think he does - for so long that you begin to squirm under his gaze.

Without warning, the wind is knocked from you. Rathos’ tail slams into the back of your knees, crumpling you to the floor. His claws wrap around your neck, and you yell, plunging two fingers into his lidless eye.

“Traitorous shutta!” Spittle from your master flies onto your cheeks.

As he recoils from your jab, you squirm underneath him, trying to flee, when the weight on your chest vanishes in a rush of air. Coughing and wiping your face, you lie there momentarily until your throbbing pulse abates inside your head. You sit up and widen your eyes to hasten their focus.

The Mandalorian has the Trandoshan by the throat with both hands. Rathos sputters and gags, but you watch as gloved fingers dig harder into the scaly throat. The anonymous man shoves his quarry into the carbon freezing chamber and smashes the button with more force than necessary.

It's over.

When you woke in the dark that morning, never would you have expected to watch your master be frozen in carbonite aboard a bounty hunter's ship.

That bounty hunter turns to you now.

“I have something I need to do. I’ll give you passage if you provide assistance.”

________________________________

Crossing your arms, tucking your legs under your body, and leaning against the hull in your seat, you try to make yourself as small as possible. You wouldn’t have even climbed up here if the Mandalorian hadn’t indicated that you should.

He wanted to keep an eye on you. He did not trust you around the kid - despite (or perhaps because of) its interest in you.

Moments after leaving the planet’s atmosphere, a new emotion bubbles in your chest: elation. The stars flow by in a technicolor kaleidoscope; hues and shapes you have never seen race past your eyes. It’s beyond anything you could have imagined.

“Has it always looked like this?” You wonder to yourself.

You jump when a deep, electronic voice answers, “Yes.”

“Oh,” you murmur, realizing he had been watching you. “I’ve never seen hyperspace. I was kept in the hold,” you state without self-pity.

The Mandalorian lets that terrible fact hang in the air before eventually saying,“I recommend you get some sleep. It will be several hours before we reach Mid Rim.”

He turns away from you and folds his arms. The muffled clang of his helmet tipping back against the headrest tells you that he will be taking his own advice.

Interestingly, you feel safe enough to get some rest. Being constantly attuned to the temperamental wills and whims of others, you've become a great judge of character.

This Mandalorian, though quiet, is clearly capable of kindness to those who deserve it. A rarity for someone in his profession.

___________________________________

The blue cone glows in his hand, projecting the face of one ugly slug. The name at the bottom, written in a language you had been forced to learn, reads: Salaa the Hutt.

Fearful eyes flick up to the veiled Mandalorian, “A Hutt?”

The helmet nods, “You will be my way in.” You make a whimpering noise, but the bounty hunter continues. “You’re a slave on the run. I will be returning you for a small reward.”

Crushing disappointment deflates your body. Believing yourself to have been wavering between freedom and the life you had known, you realize, now that the decision was being made for you, that you’d chosen freedom. Further adding to your pain is your misjudgement of the Mandalorian.

I’d have never made it to freedom - far too naive. Thought a karking bounty hunter was doing something out of the kindness of his heart. Unbelievable.

Still, to your credit, you take several steps back, almost as though you might try to outrun the nimble, strong bounty hunter with a kriffing jetpack, of all things. You’re proud of yourself for even thinking about doing it.

The Mandalorian doesn’t react. He pockets the puck and opens his weapons cache on the hull wall. He lifts a small item from the assortment and shuts the doors. You can’t see what it is, and he doesn’t return to you.

He opens the blast door to the child’s tiny room. The baby snores in his bungalow, and the ever-fascinating Mandalorian rubs the green, fuzzy head before closing the door. He turns and strides toward you.

You take one more step backward, just because you can. Because you should.

He still says nothing. Closer, and closer, the armored man advances on you until you can see your nervous eyes in his breastplate.

“Give me your wrists.”

Is his voice naturally that persuasive or is it the vocoder?

Overriding your fledgling autonomy, you obey him with a preprogrammed respectful nod. He clasps binders around your wrists.

The Mandalorian steps away to retrieve another weapon, then he lifts his chin toward the boarding ramp.

Shouldn't you at least try to gain freedom? Beg him to let you go?

“Please, I can try to pay you,” this is a lie and he knows it. “Or I could work off the debt of transport. Something!”

It’s the loudest your voice has been in living memory, and it both surprises and emboldens you. But the Mandalorian does not seem swayed.

“Walk,” he orders.

You minutely shake your head twice. It means nothing to him, but everything to you.

An electronic sigh, then he takes a single step toward you. Fear switches you back into the subservient girl of the last twenty years. You flinch, your manacled hands blocking your face.

The Mandalorian falters, slightly abashed. “I am not going to hurt you. But you need to start walking.”

Slowly, you lower your hands. His gloved fingers curl around your bicep, and he leads you out into the sunny air.

It’s a hot day on Niamos. The beachside resort that serves as the capital city is teeming with families of all species bathing in the muggy air. The sandstone path that Mando - that’s what everyone calls them, right? - parades you down is packed with beachgoers. Embarrassed by your plight, you try to hide the binders, but it’s impossible with the angle he holds your arm.

Finding another gust of will, you reason, “Surely you could find a way inside without turning me in? You’re good at your job. You could've killed my m-”

“Salaa angered powerful people. There is a bounty on him and it’s higher if he’s dead.

“What does that mean?”

“He's careful. Employs expensive security. Easiest way in is through the front door,” Mando finishes.

Mando’s leathery hold on your arm is soft. Unyielding, of course, but he doesn’t hurt you. It saddens you to realize how different that is from your usual treatment. He had still binded you and planned on turning you in, but hey! At least he wasn’t going to leave a bruise.

Directing you down a narrow alley, the Mandalorian stops in front of a tan-colored, generic shield door. He raps twice on it, standing casually still. If he feels you shaking, he says nothing about it.

A Yaka man is standing behind the door when it opens with a whoosh. His metal implants reflect the sun and you squint. Behind him are another two Yaka and a particularly menacing-looking Zabrak, all armed with pulse rifles.

“We ain't buyin'," he slurs.

“I'm here to claim the slave reward.”

The Yaka stares at the impenetrable, T-shaped slit in the silver helmet, scrutinizing, before stepping aside. Mando guides you ahead of him, then you hear the spur-like sound of his step over the threshold. The close quarters are sweltering, and sweat beads on your temple.

“This way,” the Yaka servant veers to the right and up a steeply inclined hallway. The other members of the security team follow behind you.

The Mandalorian’s thumb slides over your skin. You would give it more thought if a wide, dingy room wasn’t quickly coming into view.

On the second floor, a muted, sparsely furnished area overlooks the residence across the street, and the beach beyond. However, you can’t see the view because the balcony is being taken up by a massive, blob-like shape, and a tall, spiky silhouette.

“Ahh,” the huge shape speaks, and for the first time in your life, you’re thankful you speak Huttese. “What is this?”

Bowing, the Yaka guard explains, “This Mandalorian has returned a loose slave.”

He grabs for your arm, but you lurch when Mando pulls you out of reach, warning, “Careful. She killed her master before fleeing."

The bodyguard recoils as though you personally threatened him. He steps away, waiting for actual instruction from his boss. The green Rodian next to Salaa tuts in his sour voice.

Deciding it was best not to speak, you raise your chin with dignity as Mando drops his hand from your arm.

“Why do you return her here?” Salaa the Hutt inquires. “Surely you know that I have been removed from my associations. Including the slavers.”

“I am here for information,” Mando drops the ruse completely, his voice calm.

“Information,” the Hutt laughs horribly. “I have much of that, pateesa. What do you wish to know?”

“You should ask what I have to trade first.”

“Hmm. You do not wish to trade the girl, I hope. Must be better than that,” the slimy giant slug laughs derisively.

You don’t even bristle. Worse things had been said to you daily.

The green, mohawked Rodian chuckles. Though you do not understand his language, the human bounty hunter does: “She is too sad-looking to be any fun. Pity.” The reptilian-looking male then makes a vile comment about what he can see through your ratty, loose clothing.

The Mandalorian's eyes narrow, and his right hand drifts toward his hip of its own accord.

“Make your offer, Mandalorian.”

“If you provide the information I need, I won’t claim the ten-thousand-credit bounty on your head.”

That horrible, bulging laugh bursts from the ex-crime boss once more, hurting your ears in its pitch and volume.

“Far too aggressive, Mandalorian. I decline.”

Salaa’s stubby arm motions at the armed security who raise their rifles at the two of you.

While you freeze in terror, the Mandalorian stills in focus. Faster than a hyperdrive, he clenches his fist. Miniature rockets whistle through the tense air, eliminating all three bodyguards; the angry Zabrak, the mouthy Rodian, and the blubbery Salaa remain.

The Mandalorian draws his blaster, pushing you behind him, and fires from his hip as the Zabrak guard begins to raise his modified arm. What type of weapon it held, you’ll never know because he falls to the ground, dead, before he can use it.

The Rodian darts away from Salaa, circling the room. To you, it seems as though he is intending to flee, not fight, but the Mandalorian fires a laserblast at his bug-eyed head, dropping him.

Mando calmly swivels his blaster to Salaa.

Resigned, the Hutt slimily states, “Ask what you wish to know, pateesa.”

“I have been told that you have seen another Mandalorian. Where?”

“Ahh, that is all? I have seen one here.”

“On Niamos?” So surprised, Mando forgets to keep the tone from his voice.

“A beskar-covered man does not go unnoticed on a planet filled with water-bathers,” Salaa laughs again. You visibly wince.

“Where?”

“Where else? Water’s Edge.”

Mando twists his head toward the opposite window as if he could see his fellow Mandalorian from here. He holsters his weapon and turns to leave.

“Those Yaka were expensive guards, pateesa,” the Hutt grumbles ominously.

“You paid too much.”

He returns his hold on your arm, pushing you forward. Marching awkwardly down the sloping halfway, you try to make sense of his actions.

Your face screws up in confusion, “You didn’t turn me in or claim the Hutt’s bounty. You're earning no credits.”

That’s the defining feature of a bounty hunter.

The silence lengthens as you reach the ground floor, and hurriedly exit the sandstone building. As you soak in the blistering sunshine, the hand on your arm turns you to face him. The Mandalorian’s quick fingers remove your binders.

“That’s it?” You rub your wrists even though he had left them on the loosest setting.

“Passage for assistance,” he reminds you.

He then nods once and takes his leave. For an interminable length of time, you watch as he calmly walks away, breaking only when he turns down an alley and is lost from sight.

What the hell do I do now?

__________________________________

The new day is growing late. Din Djarin basks in the heat of the single sun. For being one of those odd planets without plural light sources, the strength of the lone sun is incredible. Din much preferred the scorching, arid planets to the ice-covered ones, and Niamos is perfect. The breeze gently carries through his light flight suit, while the sun warms whatever dark material is visible around the beskar.

While Din feels more comfortable in this climate, heat signatures can be a little bit more difficult to read. He had managed to track a faint heat signature around Water’s Edge. The day before, immediately after speaking with Salaa, Din had come to check the place out, but his quarry had left some hours previously and he had lost the trail.

Din enters the establishment for the second time in as many days. Inside is a large, open floor with dining tables set out across the expanse. High society clinks glasses as they wait for the next act to grace the small stage. Din surveys the room, switching between heat sensors and normal vision, before concluding that the Mandalorian he searches for is beyond the far wall.

Heads turn and stare as Din, strutting as if he belongs, makes his way to the unobtrusive doorway next to the stage. A Mandalorian stands out here. This was a place for people who employed bounty hunters, not those whom they hunt. Din slides the door open, and he is greeted by a dark hallway.

Light spills from a room to his right. Din flips on his heat sensor again, and presses his lips together in satisfaction when the heat signature picks up.

Rounding into the room with confidence, Din observes everything at once.

A large mirror, complete with lights, sits above a desk. A rack of clothing stands lonely in the far corner. And on a stool in front of the mirror sits a Mandalorian, their flaky, blue-painted armor having seen better days.

“My name is Din Djarin,” he announces. “I have been tasked with finding other Mandalorians in order t-”

“Oh, my stars!” The Mandalorian squeals. The helmet is removed by purple hands, and a humanoid species stares in awe. “I’ve always wanted to meet a Mandalorian. I- I do this character because I just love your culture so much.”

Blinking behind his helm, Din confirms what he's already becoming sure of, “That armor you wear - it is not real beskar.”

“What? This stuff?” The actor scoffs. “This is expensive paint and cheap wetboard.” He stands up, advancing unwisely on the real Mandalorian. “Can I ask you some questions? I’ve got a real opportunity here to elevate my perfor-”

Din backs out of the room in a single, fluid motion, punching the button for the door.

He sighs.

***

A blaster shot turns the corner of the building Din had just walked past into dust and debris. He spins, drawing his own blaster, expecting to see the Empire itself. Instead, a young human bounty hunter stands there, nervously fumbling with her jammed blaster. The Mandalorian rushes her, pinning her by the collarbone against the alley wall.

"Bounty?”

Terrified, she nods and whispers, “Yes.”

"Who contracted it?"

She wheezes from under Din’s forearm, “Don't know. It's open Rim-wide for now. Just told to kill you and the girl.”

Under his helm, Din’s brow pinches. “The girl?”

The wide-eyed woman shrugs, again in the dark. If this inexperienced bounty hunter managed to track him down already, it's likely another has found you. Din releases the woman roughly and rockets up into the sky.

_______________________________

The sights and sounds of the beach are incredible. The late-daylight is deliciously warm as it touches your skin through the holes in your clothing. You sit on the top step of the tiered beach area, staring out at the water as you try to come up with a plan of action. Having slept on a lounge chair last night, you’re nearly grateful for the decades of poor lodging training your body.

The sky is hazy, but the flash of sunlight glinting off of something tiny flying far above has you twisting your head and squinting. Unable to make out the object, you return your attention to the ocean and ignore it.

From behind you, a voice calls your name and you automatically turn.

As you stare down the barrel of the blaster pointed at you, you remember no one should know your name here.

"Let's go," the bounty hunter tells you.

It's a woman with red skin and long, blue, braided hair. Etches in her cheeks make her bone structure look even sharper.

You frown. What you’d told the Mandalorian had already been proven correct. You weren't able to run.

Resignedly standing to your feet, you take a step, but go stumbling forward as the woman kicks your back.

Your second foreign emotion of the last twenty-four hours sparks in your chest, glowing as hot as the sun above.

"Hey! I was going," you glare.

"Move faster, scum," she orders.

You continue walking, your eyes scanning for something, anything, to get you out of this.

Ahead on the right is a large crowd of vendors and their customers. If you can duck through them, maybe you can lose the blue-haired madwoman behind you.

A cold, circular shape presses between your shoulder blades as you march, and your bravery starts to fail. If you make a single wrong move, you'll be shot before you even get to the crowd.

Just do it - better to die now than live as a slave.

The crowd swells as a school trip pours out from a nearby museum. Your confidence rises at the sight of the increasingly busy, confusing horde.

Closer. So kriffing close.

The female bounty hunter cries out suddenly as a blaster shot scalds her arm. She defensively spins, kicking out powerfully behind her.

A large species you're unfamiliar with, tall and teal, is thrown sideways with the force of the kick. The competing bounty hunter recovers into a crouch and shoots at your captor, hitting her in the chest.

With a violent exhale, she falls. Too busy sprinting into the crowd, you do not hear her final, pathetic breath.

Weaving, keeping ducked and hidden, you whisper a constant stream of 'excuse me.' You don't want to push anyone, knowing a reaction from an offended beach-goer could give away your position.

The unblinking bounty hunter, your newest enemy, stands tall above much of the crowd, and it doesn't take him long to spot your trail.

Thundering forward, happily shoving people you had so politely passed, he roars. Fear ices your stomach.

The sound of a sputtering jetpack drowns out the noise of the people. Never breaking stride, you search for the source of another bounty hunter.

I know I’m a runaway slave who assaulted her master before turning him into a carbonsicle but, banthashit, is the price on my head really that high?

The massive hunter gains on you, and just as you clear the other side of the crowd, you gasp, pained, when he snatches your hair. You whirl, packing all of your strength into your right fist. Your blow lands on the creature’s lower jaw, which seems to be two pink tubes, and it wails grotesquely.

The grip on your hair loosens and you rip away, but the much larger creature lunges for you again. It pulls you upward by your shirt this time, and you scream. Kicking out, your foot knocks a breath from the ugly bounty hunter, but it does not release you.

Staring at you with shallow black eyes, it speaks in a language you don’t understand, but the intonation is clearly a question.

Gasping, you boldly say, “Let go of me and I’ll tell you.”

The creature seems to understand Basic because his three-fingered hand leaves your shirt.

Before you get a chance to make up a lie, the hulking bounty hunter vanishes in a flash of silver. Your head snaps in the direction of travel, and a trail of exhaust follows.

A hundred yards away, the jetpack flares out and the two fall to the ground in a tumble of fighting. A strangled laugh exits your mouth.

From bigger fish to bigger fish. Eventually the biggest fish would win and come after you.

The sound of the ugly creature roaring ends abruptly with a choked grunt. You push your legs hard as you run. The doorway to a cantina catches your eye as an intoxicated human stumbles out, and you rush past him.

Inside the dark, clamorous, smoky business, you slide into the booth furthest from the door, hoping that neither hunter saw you duck in. Panting heavily, you tell the droid waitress you’d like a bit of spotchka. You’ve never had it, but you’ve seen how relaxed and brave it makes people and that sounds wonderful right about now.

The circular cantina door slides open and the silhouette of a tall, broad Mandalorian is outlined by the glaring sun. You can’t tell what color or condition his armor is in, but your stomach clenches all the same. It had been an entire revolution of the planet since your Mandalorian had left, so it can't be him.

Wonder if he found his friend, you think about his ten-thousand-credit question for the Hutt. Must’ve been quite a reunion if it was worth that much.

Shrinking back against the wall of your booth, you shift completely out of sight and pray to whatever Ancient is listening that the stories about their helmets’ capabilities are exaggerations.

The droid waitress sets your pretty blue drink on the table without comment, for which you’re grateful. You don’t think your voice works.

Clinking metal is audible despite the volume of the rowdy bar. The sound gradually grows louder as he approaches your booth.

“What are you doing?” The Mandalorian has his hands on his hips, and though you cannot see his face, you’re certain he looks like a disapproving parent.

“I- what?” You squeak, completely confused by his question. And why he's here.

He moves to sit down across from you, and your nerves flare.

“Why are you still here?” He asks the same question you want to ask him.

“Where was I supposed to go? I have no credits.”

“There is work available on this planet.”

You pause, unhappy to give away just how out of your depth you are, “You mean paid employment? I’m not familiar with the process."

The Mandalorian doesn’t speak, he simply stares at you until you break your stare first.

Looking down at the grimy table, you trace a piece of graffiti with your finger and whisper, “Thank you.”

Mando shifts his head in askance.

“For saving me from the slave hunter.”

“He wasn’t a slave hunter.” Mando’s helmet tips down to where the bright blue liquid sits on the table. “You going to drink that?”

You shake your head, too self-conscious now.

“Good.”

He slides out from the booth and motions for you to walk ahead of him.

________________________________

Standing in the bay of the Mandalorian’s ship once more, you engage in a staring contest with the little green baby as it sits on the floor. Its ears move like he’s listening to Mando speak on his holocall above in the cockpit, but its eyes remain on you.

You’ve always liked children. While they could be blunt, they were kind to you and other slaves because they hadn’t yet learned any differently.

“How old are you?” You ask softly.

In your experience, children prefer to be spoken to as one would an adult, so you refrain from the baby-voice that springs to the surface when you look at the adorable infant.

He tilts his ears toward you.

“You’re pretty cute." The baby coos, then babbles once.

“You really are cute. And you seem highly intelligent. Have you been with the Mandalorian long? He seems to pick up strays easily,” you smile warmly.

The child awkwardly gets to its feet, toddling toward you. Remembering how quickly Mando had taken the child away when it last interacted with you, you slowly move backward toward the ladder. You don’t know if it's dangerous. Maybe the cuteness is a front.

A gurgling noise, as if it’s trying to tell you something, breaks from its little mouth. He raises his hand, pointing, and you whirl.

The Mandalorian is but a few feet away, watching.

How the kark did he get down the ladder so quietly?

“I’m sorry,” you don’t know what you’re apologizing for.

Mando strides around you and crouches to pick up the baby, “We're leaving this planet. I won't have enough fuel to get across the galaxy, but there is a job a few systems over."

He cradles the child so gently that it makes your heart ache.

Who is this guy?

The child in his arms makes grabby hands at his helmet, so he tenderly sets it back down. Mando heads back toward the cockpit, indicating you should follow.

Up the ladder, sitting once again in the same seat, you keep your eyes on the Mandalorian as he begins the lengthy takeoff procedures.

“The bounty hunter you encountered was not after the slave reward.”

“But she knew my name?”

“I am referring to the Aqualish you punched.”

“Oh.”

The Mandalorian does not immediately continue, focusing on his tasks for several minutes.

“There is a reward out for you,” he flips another switch. “And a bounty.”

“Both? Why both?”

“The bounty is secondary. Dependant on you giving them m-”

A panicked, childish cry echoes from below, and you’re only a moment behind the Mandalorian as he leaps down the hatch to the hold.

You gasp in horror as you see the long-eared, big-eyed baby squished in the crook of another kriffing bounty hunter’s arm. The loading ramp closes slowly behind him. He must’ve jumped in at the last moment.

Mando raises his hands, indicating his desire to negotiate.

“Do not hurt him,” he says. Instead of coming out as a plea, his vocoded words come out as a warning that makes your hair stand on end.

“Din Djarin, you are wanted for the murder of Senator Nesota’s son. I know your reputation, and therefore do not wish to fight. I’ll release your… this," he nods at the green baby, "when you’re in carbonite. There,” the human bounty hunter nods his head at Din’s own carbon freezer.

He killed a Senator’s kid?

The child frowns, his ears drooping, and he focuses hard on the bounty hunter. His little hand curls, and the man’s ruddy face turns purple. His eyes grow red and glassy.

Din reacts quickly, drawing his blaster and firing at the hunter’s face. The man falls with a clattering thunk, and the child rolls away, unmoving.

“No," you cry. "Is he alright?” You start toward the kid, fear in your voice.

“He’s fine,” the Mandalorian replies, holding his palm up for you to stay back. He reverently lifts the unconscious kid. “He’s just asleep.”

The Mandalorian - Din Djarin - murdered an important person’s child. And his own kid just choked someone without using its hands? I didn’t inhale spice, did I?

“You killed a kid?”

Din believes you’re still thinking of the baby in his arms. “I said he’s sleeping.”

“A Senator’s son?”

“Oh. Yes, the Rodian with Salaa.” Din hadn’t known he was the son of a powerful person, but it wouldn’t have mattered.

Relief floods you once again as your evaluation of the Mandalorian’s character remains intact. After seeing the way he cared for the little green one, how could you have believed he would harm any child?

“Okay." You return to the wildest topic, "What just happened with your kid?”

Din sighs. This was getting more dangerous than negotiating with a Tusken. He places the kid in his hammock and shuts the door.

Turning on you, he threatens, “Never speak of him outside this ship.”

“I- I wouldn’t,” you promise, surprised by the fierceness in his voice.

Din is satisfied. He’d watched you speak to his ward earlier, and the kid seems to like you immensely. But he doesn't solely rely on the kid's opinion.

The experienced, Mandalorian bounty hunter's own character assessment is top-notch, and he finds that he feels strongly about you. He doesn't categorize or identify the specifics, however.

The Mandalorian does not ask for your help in removing the dead bounty hunter from his ship, so you look on in silence as he does it alone. He lowers the landing ramp, drags the body to the edge, and watches it roll down unceremoniously. He turns and stalks past you.

“So, where's that job?”

“The Outer Rim.”

You sigh. “Of course it is.”

__________________________________

The planet blinds you when the Razor Crest launches out of hyperdrive. Brilliantly green, the single sun reflects the vibrant landscape right into your eyes.

Shielding your face, you venture a question. The Mandalorian had not finished explaining.

"Why is there a bounty on me?"

Even through the modulator, you can hear his dry tone: "You aided a bounty hunter in entering the Hutt's hideout through false pretenses which ended in the blasting of a Senator's son."

"Right," you frown, slumping in your seat.

"Don't worry. The bounty on my head is far larger than yours."

You scoff under your breath. So reassuring.

A deep breath, then you postulate, "Is that what the bounty hunter was asking me? About you?"

Din doesn't respond. He didn't hear the Aqualish's question. He was too busy aiming at its body with his own, but his best guess is yes.

"That's the reason you saved me," you mutter, oddly dejected.

A loose end. That's what you are.

Din often - almost constantly, actually - appreciated his helmet for the freedom it gave him to show any emotion at any time. No need to worry about a convincing poker face when no one could see it.

"You could have told them where my ship was."

"Except I thought you'd flown away the day before," you argue, saddened that he thought you would’ve talked.

Of course, he didn't know you, and he had a child to protect, but it still stings.

"Why not just kill me?" You wonder seriously.

You're a liability. Two separate prices on your head? The Mandalorian's easiest solution is obvious. A slave of no importance, no one would put a bounty on his head for your death.

Din Djarin's armor clanks as he spins the chair a quarter-turn toward you and he cocks his head.

"I don't want to die," you read his body language correctly. "But I don't understand you."

The Mandalorian silently returns to his piloting duties as he nears the lush planet. He does his best to shut his thoughts away, but he stumbles over you again and again.

Din had rescued you because he didn’t want to see you harmed for his actions with the Hutt. The idea of protecting himself from prying questions had been an afterthought.

He had flown above the city, looking for your trail. Since you hadn’t moved much, there wasn’t much of a trail to find. Then he spotted the crowd roiling and parting for the violent Aqualish.

When he watched it yank your hair, he felt angry. An emotion he experienced less frequently than many of his friends would believe. Frustration, irritation, sure. But true fury was rare for him.

Not wanting you dead was basic decency, but the anger had been interesting.

On some level, Din knows his emotional responses to you deserve greater scrutiny. But he doesn't have the time nor the energy.

When the Razor Crest lands in a grassy clearing between forest walls, Din rises from his chair and commands, “Stay here. Watch the child.”

“O-okay,” you agree hesitantly. “What do I do when he wakes up?”

The Mandalorian stares, uncomprehending.

“You… you don’t do anything for his… condition?”

“I told you he’s fine.” Din thinks for a moment, and remembers there is actually something you should know: “When he wakes up, he might be hungry. Do not let him eat the metal ball on the thruster.”

With that, he climbs down the ladder, and out of sight.

_________________________________

As the fist flies at you, you subconsciously register that your assailant must be right-handed, because this left hook is much sloppier than the other. Or maybe it's because his left arm is still human.

Ducking, you escape the jab and slam your palm-sized stick into the quarry's metal shins. He doesn’t react except to kick your thigh. You cry out, knowing it will bruise if you survive this.

The blaster you had taken from the Mandalorian’s cache lies just out of reach. The silver gleam is stark against the rich soil of the forest floor.

Enraged, the cyborg quarry leaps at your hunched form, knocking you flat. Surprised by his speed, you forget to keep hold of the heavy branch you use as a weapon.

The growling man rips the stick from your hands and slams it against your throat like a vise, choking you, “Die, wretch.”

You turn your head to the side, providing yourself with a precious moment of air before the quarry shifts to cut that escape route off, too.

Swinging your leg up, you kick him in the back of the head, pushing him forward. You take the opportunity to headbutt him - thankful that his head is still completely human - and he falls sideways. Right next to your blaster.

You snatch up your wooden weapon, but it's too late.

He laughs mechanically as he grabs the blaster, swinging it at you. “Too late, sweetheart.”

Panting, you don't raise your hands. If he's going to kill you, he'll do it when you charge him.

You take a step and the sound of a laserblast ricochets through the trees.

The creature cries out, dropping the weapon, his arm useless at his side. Wires spark from the elbow joint that had been blown away.

"Found you," the Mandalorian says flatly, his blaster pointed at the machine.

The metal man lunges but Din fires again - hitting the quarry in what should be its gut. It doubles over, groaning, then topples, fighting for labored breath.

He must still have lungs underneath, you shudder.

Still trying to catch your own breath, you gasp, "How-"

"Heard the fight. You were supposed to stay on the ship," his voice turns scolding.

Clenching your jaw, you finally find a steady breath. You had stayed on the ship. This piece of space junk had broken inside through the cockpit window.

As you sat in the hold, dutifully watching the kid, the sound of glass shattering alerted you that it was not Din who was back so soon. You had snatched up the baby, touching him for the first time with no concern about his potential dangers, locked him in the little room, and ripped a small blaster from the Razor Crest’s weapons cache.

You crouched at the far end of the hold, against the closed boarding ramp, waiting, uncomfortably far from the child.

A cyborg, more spidery-droid than man, with a human head and fleshy left arm had come skittering down, bypassing the ladder completely. Unwilling to chance a blaster shot going through the baby’s door, you hit the button on the landing ramp and scrambled out.

The forest. It was your home. Your element. If there was any chance you could kill it, to prove to yourself that you could survive this life - it was then and there.

Of course, you hadn't expected the quarry to get your blaster.

"I tried," you breathe as Din binds the still-groaning quarry.

The helmet turns to face you, understanding. "He entered the ship?”

You nod, and Din stands bolt-upright, his head whipping in the direction of the Razor Crest.

“It’s fine,” you assure him pointedly, walking with your hand outstretched toward the worried Mandalorian. You remember your promise not to speak of the child, “Your ship is fine. Knew you'd hate it if he trashed the thing, so I ran out here.”

The Mandalorian visibly relaxes his broad shoulders, and your heart tugs once again.

"Thank you," Din says with hidden feeling.

His sincerity wedges a lump in your throat.

He really loves that little guy.

Din turns and snatches the connector between the binders, pulling the quarry. Its metal feet dig trenches as it tries to stall, but the Mandalorian is far too strong.

Somehow, it's the first time you've truly noticed. Din is extremely strong. Is it the suit?

Can't be. It's just metal and fabric.

The realization might as well be a thunderbolt to your brain. Your assailant must weigh as much as a land speeder, and here your bounty hunter was carting him along like a sack of starfruit.

An unfamiliar feeling, something like hot, sharp sparks shoot through your stomach. Your eyes follow the Mandalorian as he makes his way back to the Razor Crest.

Is this attraction? You’ve never experienced it. Far too busy surviving, wanting someone in that way is a foreign concept to you. You roll your eyes at yourself. Din Djarin, a kriffing Mandalorian bounty hunter is not going to look twice at a slave, and it's best to kill those feelings before they take root.

***

Across the large clearing, at the ship, the bounty hunter waits patiently while the boarding ramp lowers.

“She yours?” The quarry asks curiously, his voice wheezing. "You orbited me like a karking moon, but as soon as I go after her, you come runnin’.” It laughs.

The cyborg doesn't expect a verbal answer; he wants a reaction.

Din turns his head slowly with a cold warning, “I would advise you to stop speaking.”

“I damaged her pretty good for you. Might wanna che-” his taunting words end in a pained grunt when Din slams his fist into the man’s cruel mouth.

Surprised by the sudden violence, you inhale sharply. Din hadn’t knocked the thing unconscious, so what was the point of that?

The Mandalorian hauls the creature up the ramp and shoves him into the carbon freezer.

“Should’ve killed me,” the cyborg threatens with a laugh as he freezes into a solid mass.

Din turns to face you and asks in a low voice, “Are you injured?”

The rush of adrenaline you had been riding on slowly fades, and you remember the only blow you’d received had been the one to the side of your thigh. Your hand falls to it, feeling the area through your tattered pants.

A small amount of blood comes away on your fingers.

“Oh,” you murmur.

You pull up the ripped, baggy material, exposing your entire leg. The skin had split with the force of the blow, but there’s no serious damage and it would heal on its own.

The cyborg must’ve been trying to unnerve us. Or distract the Mandalorian? Maybe he thought Din would check right away, you almost laugh aloud at the ridiculous idea.

Din, for his part, really wishes you would let your pant leg fall. It’s insane, it makes no sense to him. Millions of people walked around in far, far less clothing than you, and Din never reacted like this.

But here you stand before him, slowly checking out the inch-long cut on your mid-thigh, and the Mandalorian can’t tear his eyes away.

When you look up at the helmet of Din Djarin, he fixes his face as though you could actually see the way his lips had parted. You fleetingly, timidly, smile at him and, miraculously, let go of the flowy pant leg.

Released from the spell, Din exhales and makes his way to the child’s room.

“You can use the refresher to clean that, if you’d like.” He does not look at you as he speaks.

“Is the baby okay?”

Din need not answer as the child himself murmurs in happiness at the sight of the two of you. To Din’s abject shock, the kid lifts his hands toward you.

You laugh once, flattered. “Can I?”

Din simply turns sideways so that you can fit between him and the hull wall. You reach for the child and it snuggles into your arms, touching your chin.

A brilliant smile lights your face.

“Are we friends now?” You whisper to him.

The baby babbles a response you’ll take as an affirmative.

“I’ve not asked. What’s his name?” You turn your still-smiling face up to Din.

Again thanking the Mythosaur for his helmet, he stares, stuck on your glowing expression as you cradle his ward. His brown eyes swim with an emotion he’s never felt.

“I don't know.”

Taken aback, you realize that there is a far deeper story here.

Did he steal this baby?

You move on quickly, “What do you call him?”

Din shrugs. “Kid.”

The child makes a cooing sound, then reaches for the Mandalorian. You hand the baby to his stoic guardian, and your smile changes to a satisfied one.

“He looks like he belongs there,” you laugh. Then your eyebrows pull together as you regret the too-comfortable comment.

He’s a bounty hunter, a killer, and he may or may not have stolen this fuzzy, long-eared infant.

And you’re just a runaway slave.

You back up a step, feeling awkward now. “You said I could use the ‘fresher?”

Din simply nods his head in the direction of the tiny facility.

When you've shut the door, Din's body relaxes.

***

But not for long. He didn't account for the sound of your clothes hitting the floor and the sound of the sonics. You are steps away, unclothed, and some wild instinct inside him awakens. Ashamed, he sets the child back in the hammock and climbs up to the cockpit to relieve himself.

_________________________________

The planet is purple. Dark and cloudy, the yellow, green, and blue street lights cast strange shadows. Neon signs of every shade flash from every corner. You've been to thousands of cities like this one. An underworld.

The Mandalorian landed the Razor Crest on the outskirts despite there being a busy spaceport made for that purpose. He transported the carbonite body of the cyborg to the edge of the city where he was met by some anonymous creature in a cloak. He asked no questions.

Din had entrusted you with the care of the child. He directed you and the kid to go on ahead to one of the less-reputable inns. The worse-looking, the better. People were more likely to mind their business.

You've found the perfect one. Din wanted seedy, he was getting the seediest. After all, most of your tasks as a slave had been spent in this environment since your masters hated to be seen in them.

But seedy didn't always mean crumbling and derelict.

Din, having tracked the child's chain code, returns later that night. His eyebrows rise at the size of the room.

"I said find an inconspicuous place to hide. You got the emperor's suite," he places his hands on his hips.

There are technically three rooms: the main living space, complete with couch, table, and a space to prepare food; and two small bedrooms both on the same side of the building.

"It was their only available room. Trust me, this place is as disreputable as they come. And he didn't upcharge," you rise from the couch. "If that was what you were worried about. I… made a deal with the clerk."

Din advances on you, "A deal?" His voice is tight.

"I didn’t involve you. I promise."

The Mandalorian clenches his teeth. Anything involving you, involves him.

"The kid?"

You tilt your chin across the apartment and laugh, "He wanted the room with all the toys.”

Din disappears into the room, and you chuckle at how long the child had been fascinated by the weird sculptures inside.

A low, rasping voice travels from the open door, "Hey, kid. Missed you, too."

Your smile deepens and your heart swells with emotion toward the two of them. Though they are not your family, it's comforting to watch them be one.

The modulated voice sounds again with a short laugh, "She can't hear you. Do you want her?"

You shake your head fondly, the kid had been babbling and reaching for you every time you set him down.

After a significant pause, Din softly admits, "I agree. I like her, too."

Flushing with shame for eavesdropping, you move to the far side of the apartment, to another large window.

Several minutes later, quiet footsteps get louder as Din leaves the child's room and closes the door.

"He tried to lift one of the sculptures," Din scoffs.

You laugh, picturing the child peacefully sleeping after tiring himself with the effort. It wasn't the first time today. Growing serious, you turn to face the Mandalorian.

"He helped me today. Someone grabbed at me and he… did what he does."

Din takes two huge strides toward you. "Did anyone see? What happened?"

"No one saw. It was in a closed alley. I-" you pause in momentary reluctance, then remember who you're talking to. "I took care of it."

You glance at the blaster on the table that Din had given you earlier that morning.

For the first time in a long time, Din's sigh is one of relief instead of irritation.

"Thank you," he says. "Again."

You wave him off, "It was between a scumsucker and the kid. Wasn't exactly hard," you try to make light of it.

Din shakes his head slightly. "I've seen you use a blaster. I'm glad the kid was there," he deadpans.

You exhale in feigned irritation, pleased by his playfulness.

He comes to stand next to you at the open window, and the peaceful silence is companionable.

As the breeze flutters, you shiver noticeably and his torn, rough cape curls into your ankle. The Mandalorian turns his head to you and reads how low your heat signature is.

Din stalks back to the entryway where he had set down a cloth bag. He snatches it up and brings it over to you.

"I hope they are acceptable."

Hands outstretched, you freeze as you realize you're being given a gift. You blink and look up, desperately trying to read a face you know you can't.

"Um, I've never -" you whisper, needing to tell him why you look like you've been struck. "Never had someone give me something."

Inside his beskar armor, Din grimaces. Had he overstepped? It might get even worse when you see how personal the items are.

He releases his hold on the bag and you open it, pulling out a pair of clothes. They're dark blue, and, while somewhat flowy like your current clothes, these do not have holes, stains, nor bad memories associated.

And they are a gift from Din Djarin.

How do you thank him for these? They certainly weren't cheap. The clothing is sturdy but light, beautiful but practical.

Embarrassingly, tears collect in your eyes.

"Oh, wow," you look up at him, panicking. "I can't take these." It was too much.

Din has an excuse in his arsenal.

"Take it as payment for your help with the kid."

You look back down at the material in your hands, rubbing the soft fabric.

"Thank you, Din. Really. I- I don't know how to thank you. You have been so kind to me."

His cheek pulls upward when you say his name for the first time. How sweet it sounds in your mouth.

"You needed them. These," he waves at the shredded scraps on your frame, "are no longer clothes."

You smile timidly, unused to being treated so well. "I'm going to go take them off and burn them."

The Mandalorian taps his vambrace. "I have the means when you're ready."

"Thank you again," you murmur, escaping to the refresher.

Din steps to the center of the room and places a hologram disk on the low table.

While you're busy, he's going to figure out how to get out of this.

***

After an actual shower, real water loosening the knots in your muscles, you exhale in pleasure at the feeling of the clean, well-made clothing on your skin. You feel like a person.

It's similar to seeing hyperspace for the first time. It scares you with how good it feels, knowing you’ve missed out on so much.

You slide open the refresher door to see Din seated on the couch, facing away from you. He sits reclined, his legs spread wide. The Mandalorian hears the door open, but he does not turn.

Stomach growling, you head to the cold storage near the front door. The box of food you'd bought from a vendor sits on the countertop. You unpack it carefully, still in disbelief you can eat whatever you want.

"Are you hungry?" You call to the Mandalorian as you continue to pull items from the box.

"You are no longer a slave. You do not have to serve me." The deep, rough voice sounds from right behind you, and you jump in surprise.

"Dank farrik, you move quietly."

Din reaches around you for one of the fruits you had purchased with his credits. His nearness has your body tensing, but he backs away almost immediately.

"How do you eat with that on?" You wonder, clearly meaning his helmet.

"I don't," he answers, walking into the other bedroom.

***

A week passes in that calm hotel apartment. The child provided more than enough entertainment for you, attempting to lift different objects of his desire at random.

For Din, so used to the child's antics, you are the object of his attention. You brush it off when he stands near you at the window, when he ensures that you have something to eat, and when he silently takes the couch over the comfortable bed.

But you're unable to ignore his touch.

Just after you wake, the dual suns begin to peek around the tall city buildings. Trying not to wake Din on the couch, you tiptoe to the window in the main room, still enthralled with the city view. You’ve seen cities thousands of times throughout your enslavement, often imagining running away to explore. Now that you have the opportunity, you find that you don’t want to go.

Seated on the bare floor, your arms wrapped around your knees as you watch the suns rise, you're wandering down halls of your own thoughts when a voice drifts into your consciousness.

"I will get your bounty lifted."

Turning your head, Din leans forward on the couch, his forearms on his knees.

"If that's what you are concerned about."

You shake your head, "I'm not concerned. I think I'm happy."

You had just come to that conclusion a moment earlier. It's an emotion you don't remember feeling. It's like your lungs are expanding after twenty years of suffocation.

You look back at the city and smile contentedly, "This is the best my life has been."

The admission is extremely personal, but you can’t keep it to yourself. It’s liberating. You weren't ready to fight for your freedom when the Mandalorian came for your master, but you are now.

Din’s footsteps advance on you until he’s standing off to your right. He says nothing.

After an interminable length of time, wondering what he’s doing, you twist and look up at him. His helmet turns toward the window just as you face him.

His hands are folded behind him, but a sliver of something flesh-toned is visible.

Is that his wrist?

Your stomach drops. His bare skin. It looks warm-toned and soft. You close your eyes and turn away, back toward the window.

“I am glad,” Din says.

“About what?” Since it has been several minutes since either of you have spoken, you’re unsure if he’s responding or making a statement.

He simply looks back down at you as if that answers your question.

“We’ll be leaving today,” Din continues to study you, appreciating the way the orange dawn lights your face. “You’ve almost drained me of credits with this palace of a hotel.”

You deny the accusation with a laugh, “I did not. I told you I made a deal.”

“And you have not told me what that deal was,” he says, a hint of a threat in his tone.

Din is on edge about your ‘deal.’ The night before, he had gone down to the reception desk to intimidate the clerk about it, but the employee you’d dealt with hadn’t been there.

“I promised you already - it has nothing to do with you or him,” you motion toward the child’s room. “It is not worth your attention.”

Din scowls. “You are also under my charge, and if you’ve placed yourself in danger, I need to be aware of it.”

Your face snaps up, uselessly trying to make eye contact with him. His charge? Why does your face feel hot at those words?

Finally taking pity on him, you answer, “He was a gambler. I bet him I could win more rounds of sabacc. And I did.”

The Mandalorian is stock-still. That was all? Din had gotten incredibly worked up over what you could possibly owe this mysterious desk clerk, and all you’d done was a bit of hustling?

“Why would you not tell me that right away?”

“I didn’t want to seem like I was bragging,” you frown. Din had tasked you with something and you had wanted to complete it with as little fanfare as possible.

“What other skills have you been hiding?” Din’s tone is half-mocking, half-serious. He knows next to nothing about you despite the monopoly you’ve had on his thoughts.

You side-eye him, unsure of his intention. “I can do basic ship repairs. I can speak four languages. I know how to fight.”

“I am not convinced of that last one.”

“The cyborg caught me on a bad day,” you protest.

"It was fortunate you were not seriously injured. I wouldn't have the credits for this," he nods his head up at the high ceiling.

For the second time, your head turns to scrutinize him, but he’s as impenetrable as ever.

"Why not?"

Din's silver face snaps down to you. "The quarry would not have made it into the carbon freezer."

And as you open your mouth - to say what, you have no idea - a quiet knock raps on the front door.

Spooked, you whirl so that you face the door, still seated.

“It’s alright,” Din’s deep, rough voice soothes.

When he holds out his hand to help you stand, you take it without second thought.

But it wasn’t just a hint of his wrist that you saw - his gloves are completely off. His rough palm slides into your grasp, and his thick fingers close around your hand.

Eyes widening, you audibly gasp.

Din raises you to your feet with no effort, and you wind up far too close to him. Your breath fogs on his chestplate, and your pulse thrums in your ears.

Too-quickly, his thumb rubs your skin, and then he releases your hand. Do you imagine the sigh he makes as he steps away?

Your eyes are glued to his broad form as he retrieves his gloves from the couch, then heads to answer the door.

“Should I -?” You whisper.

“Stay,” he says simply.

It’s unbelievable how one word could affect you. You swallow hard and clasp your hands together in front of you.

***

“As you are well aware, Mandalorian, my esteemed patron was unhappy to hear about her son’s death. However, you are of concern to us for a different reason. If we are able to reward you for your silence regarding where her son was at the time of his unfortunate, accidental death, this business might be put behind us.”

The slimeball flashes her biggest smile at the bounty hunter.

“What am I being paid to be silent about? The Hutt was banished by the Republic due to his slavery connections. Is the Senator afraid of her choice in friends being known?”

The emissary smiles nastily. “Let us say that the Hutt is also on my list of individuals to speak with.”

“I require explicit terms regarding this agreement. I am a Mandalorian, I can assure you of my discretion.”

“Very well. You will not divulge the conversation regarding slavery you overheard between the Senator’s son and Salaa the Hutt, and we shall reward you with twenty-thousand credits to be paid over the course of three months.”

To your horror, Din rises from the couch and nods his head, saying, “I accept your terms.”

“And what about her?” The emissary wrinkles her nose as she indicates you.

“She is a slave,” the Mandalorian says with harsh finality.

You physically shrink next to him. He had insisted you remain while they spoke, but now you’re regretting agreeing to it.

The distaste with which he had uttered the word ‘slave’ makes you feel unclean, unwanted. Tears threaten to spill over, and you keep your head down in a familiar, submissive posture in case they do.

The bounty hunter escorts the Twi’lek emissary to the door while you sit, head bowed, on the couch.

“Senator Nesota will be most appreciative. If you are ever in Coruscant, she would be delighted to have you visit her apartments. They are most grand.” She disapprovingly glances around the hotel room. “I assume you had your slave pick this one.” The emissary briefly places her hand on the Mandalorian’s forearm, “Remember, we are friends now, Din Djarin.”

The helmet saves his entire operation, for Din cannot stop the disgusted scowl that mars his face. This piece of scum uses his name to both threaten and flirt; the difference in his feelings between her saying it and you saying it are blindingly stark.

“I do not have friends. My name is not for your use,” he says evenly as he punches the button for the front door.

The emissary walks away without another word.

When Din closes the door, he turns back to you with a sense of relief for more than one reason.

But something is wrong.

“Do you not feel well?”

You shake your head, “I misunderstood something. That’s all.” Your head remains bowed.

“You will not look at me.”

“I am… embarrassed,” you mutter honestly.

An emotion Din has never experienced or understood, he is at a loss. Instead, he sits across from you and tosses you the recorder.

The small, comm-looking device lands on your lap, and you pick it up, curiously rolling it in your hands. You press the button.

“Very well. You will not divulge the conversation regarding slav-”

You stop the device and look up at Din with renewed hope, “You were lying.”

Din leans forward in his seat, “I was not lying. I gave her my word as a Mandalorian. But you didn’t.”

“That’s a stretch and you know it,” you laugh.

Din shrugs. The moral reasoning works for him.

“I am to send this recording to the Republic, correct? Get the senator removed from office?”

“She will no longer have the funds to pay our bounties. They will be considered void.”

Your smile falters. He had done what he promised.

Din tilts his head, “You’re unhappy about that?”

“It’s not your problem, of course. But I have to deal with the slaver’s reward. And… and I am not sure what I should do, where I should go.”

Really, you’re saddened because there is no longer any reason for you to stay. You wish there was.

The Mandalorian is silent, weighing his choice of words carefully.

"There is room on the Razor Crest. The kid is fond of you. I can pay you for your services to him. And, occasionally, the ship needs repairs - you can assist me with those.”

“Is this that ‘legal employment’ you told me I needed?” You grin. “I would like that very much.”

“You will need to learn how to fight, though,” he shakes his head, his tone teasing. “The kid can’t save you every time.”

____________________________________

You sit on the hold floor, the child in your arms. Having left the inn rather early, the child is still asleep.

Jostling as Din lands the Razor Crest on a new planet, you slowly stand and place the little lump in his hammock and shut the door.

The Mandalorian drops down into the hold, passing you and hitting the button for the boarding ramp. Deciding to trust him, you don't ask where you're being taken.

The answer isn't far. Din stops right at the treeline and hands you the same silver blaster from the previous week's fight with the cyborg.

"You need to learn to use it."

"I've done well with a blaster before," you protest. "I shot Rathos."

"But you didn't shoot the cyborg," you can hear the frown in his deep voice. "Pick a tree."

Nervous to be evaluated by a master of the craft, you hesitate briefly before aiming at a massive trunk a few speeders lengths away.

The plate of his armor brushes against your back as the Mandalorian gingerly sets his heavy hands on your shoulders, straightening them. With his boot, he taps the inside of your foot, indicating you should widen your stance.

You blink rapidly. Your face flushes with warmth. Why is your heart thundering? Can he hear it?

He can.

His own heart rate increases when his helmet's display shows your heat signature rising. Din pushes it further: his leather-covered hands slide down to your waist where he turns you a fraction - completely unnecessarily.

Close enough that, were he unveiled, you could feel his breath, he murmurs, "Fire."

Utterly distracted, you squeeze the trigger as a matter of following his command. The blaster shot continues on through the treetops, singeing leaves.

Din straightens, his hands leaving your body, and he huffs.

"You distracted me," you explain. "I can hit it."

You realign the weapon and inhale deeply, releasing on the exhale just as you would with an arrow.

The tree sizzles as you hit it dead-center.

Spinning to face him triumphantly, the smile freezes on your lips.

One of the suns on this planet has begun to drop behind him, and his large frame casts you in shadow. He still hasn't moved away from you. The way his mask is angled toward you makes you believe he's lost in thought.

"What is it?" You whisper in the tense silence.

Din feels dizzy. You're a natural with a weapon you'd fired all of three times. Your words cudgel his mind. He had distracted you enough to miss a huge karking tree.

"Do it again."

You nod and return to the target. Throwing your mind back to your childhood, you once again hit the tree dead-on.

Weighing the blaster in your hand, you turn back to him and say, "I still prefer wooden weapons. Or at least something resembling a spear."

"Why is that?" His voice is rough, and his hands find a home on his hips.

"That's how I grew up," you answer.

"Okay. Grab one."

Your mouth drops open in confusion, but he finally leaves your personal space and picks up a slender, twigless branch.

"You can't be serious," you sputter a laugh, certain he had just found a sense of humor. "I'm not fighting you."

"Why not?"

"Um. Because I can't."

"You can." He holds the stick out toward you.

You stare at him, watchful, as you curl your fingers around it. Din removes a small, cylindrical object from his utility belt. He pumps it once and it unfolds into a thin cane-like weapon.

"It's been twenty years," you frown. "You're going to win."

But, when that makeshift spear is in your hand, it all rushes back. The key to winning is in gaining ground. Whatever you do, push your opponent back. So, you launch at him first.

Only partially surprised by the speed of the typically-timid girl now coming for his throat, Din manages to duck out of the way just in time. But you whirl to the opposite side he expects, and swing your weapon into his helmet. It clangs, and you stand upright.

"I'm sorry!" You react, fearful both from years of mistreatment and not wanting to hurt Din.

He ignores you, swishing his weapon toward your middle, and you jump backward. Hating that you conceded even that little ground, you quickly drop to a crouch and sweep at his knees like Rathos did to you.

Din rockets upward a few feet, then drops back down on your other side. He swings at you and you parry.

Dancing for several steps, you eventually land a blow to his ribs where the beskar does not cover. Din's modulated groan makes you feel a rush of two separate emotions.

You don't want to hurt him, but that sound ignites a heat between your legs.

Din retaliates, kicking his tipless spear into your chest and shoving you backward. He knows your move, now. You don't like giving up ground, so you'll throw yourself at him, arms raised to strike.

When you do exactly as he predicts, he drops his weapon completely, grabbing you around the waist and spinning. He throws you to the ground, coming down on top of you.

You laugh, exhilarated, "Almost."

Something is jabbing your hip, and when you shift to identify it, Din grunts again. Your eyes shoot to his hidden face.

Under the helmet, Din's brown eyes are blown, pained at how aroused he is. He can't handle much more of this. Your wide eyes and galloping heart match his, but underneath him you look so vulnerable that he feels downright predatory. His stiff length twitches.

Din’s voice is raw, barely contained, "Tell me to stop and I will." His gloved thumbs push your bottoms down.

Speechless, your core pulsing, you nod.

Din unfastens the material around his middle, pulls his desperate cock from the flight suit, and hastily positions himself against you. Your slick coats him as he drags himself through your folds. He groans through the modulator.

“Oh,” you gasp when he eases the tip past your entrance.

Unable to wait a moment longer, Din sheaths himself inside you with a determined grunt, his patch of dark curls mingling with yours.

Your hands try to fist in his flight suit, eyes wide at the incredible feeling of him filling you. His right hand cradles your jaw as he starts to rock his hips, cursing as he does so.

For the first time in his life, Din resents his helmet; both for the separation from your soft skin, and the heightened senses it gives him. How is he supposed to last when he can see your heart racing, hear your quiet cries as though they’re inside his own head?

In an insufficient compromise, he rips off his gloves. His tan skin is calloused and scarred.

“Yes,” you plead.

Din intertwines his fingers on both hands with yours, hypnotized for a precious second by the intimacy. Reverently, you press a kiss to his knuckles. He makes a wild sound deep in his chest, then plunges your hands above your head.

Pushing your chest to his, you signal that he can do anything he wants to you. He collects both your wrists in one hand.

Din rhythmically arcs into you, the sound of his body - soaked from your arousal - striking yours nearly driving you insane. When you’d imagined it before, you wondered if looking into the blank face of his helmet might be off-putting, but you find that it doesn’t matter. It doesn’t matter because it’s him. If anything, it’s erotic to trust him so blindly.

Din is resolved to know your body better than you do. With his free hand, his fingers nimbly massage your clit until you jerk.

“There?” He confirms.

You nod, unable to speak. His heavy, straining cock dragging through you, and his rough fingers replace the output from all other senses.

When he finds the perfect combination, he doesn’t let up until your eyes screw shut and you shake, incoherent underneath him in ecstasy.

“You can say it,” he hoarsely encourages through the modulator.

It was already on your lips, “Din.”

The hand that acted as a manacle releases you as he places his palm on the ground, giving himself as much leverage to bury himself as deep as possible. The toes of Din’s boots dig up clumps of grass as he thrusts into you, the sound of skin slapping skin lost in the breeze. Your legs curl around his waist, pulling him deeper.

He feels the spark at the base of his spine and knows he doesn’t have much strength left. Your fingers twist into the fabric of his flight suit again, clinging to him for all you’re worth.

Din makes the mistake of looking into your lust-filled eyes as you speak.

“Let go,” you whisper tenderly, feeling his tense body begin to fracture.

Din has no choice but to obey you, pumping himself into you with a long, harsh sigh. He works his release inside you, gradually slowing until his arms shake.

He finally drops to the ground beside you, breathing rapidly.

Suddenly shy, you want nothing more than to reach over and take one of his hands, but you lack the confidence. You also don’t know what to say.

Din doesn’t believe there’s anything to say. He had never been so tempted in all his life, and he had not passed the test. A shred less self-control and his helmet might’ve followed the gloves.

In fact, the temptation is still so strong that he begins to plan for its eventuality.

____________________________________

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