#the suffering I promised)

[redpapercraness]

all four of my sonic 3 movie trailer redraws in one spot 🫡

[arcanegifs]

ARCANE: TIDDIES OF PROGRESS: Caitlyn's 🧁🧁 in Season 2 (2024)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[slumpsnail]

More tears?! Happy tears this time though :')

[fjordline]

Ultra Magnus has to step in to be like 'the right to trial by combat was removed from the constitution 10 million years ago'

[chrliekclly]

——————

it’s been 6 years exactly nd i apologize for everything about this

[tw: implied csa]

[captain-astors]

The Crown Prince

[ambigiousorganfailure]

this is a short in-between post while i gear up for the actual adler/bell and harrow/case comparison, but just an interesting note.

we all know about adler watching you/bell from the red room, right? but did you know he also follows you to the fenced-off area, too?

when i first played cold war, his behavior in this briefing stuck out to me. the way he shifts his weight, changing from foot to foot, looking between his table and the evidence board. it almost seems nervous, fidgety. it feels awkward on him, and it’s awkward to watch. when i was trying to record footage from the safehouse briefings for this miniature post, i thought i’d come out of it making a whole “lightning in a bottle” analogy for adler. but then you run into an issue-there is no other moment like this in cold war. at least, not in the briefings, not in the same way he acts here.

it was strange to me. why does he behave so differently here compared to any other time? his movements are so orchestrated, composed. this is past odd habits, this feels like a moment of weakness. he doesn’t breathe down your neck this severely at any other point in the game. why?

and it clicks in. this is the first briefing of the entire game. this is your first true moment as bell. before this, all he had known of them was a spiteful, frustratingly stubborn soviet and then an empty husk, trapped in a room where he’d have to strong-arm them into psychological submission with drugs and his own personal memories. this is his first time seeing bell out in the wild, moving of their own accord, not separated by restraints or reinforced glass. he’s nervous because of bell.

the reason this is the only time adler appears this way is because he’s reaffirmed of his leash on them after fracture jaw, after the memory exercise. hudson echoes this statement, too, as much as he is untrusting of them, for obvious reasons.

and how interesting is it, that he never shows this apprehension ever again.

[lokh]

(ch 40 spoilers) au where qifrey erases olruggios memories one too many times and he forgets qifrey and ONLY qifrey

sometimes using forbidden magic that no one really knows how to wield anymore comes with unintended consequences!

eventually qifrey comes upon a solution, but it will return ALL his memories to him. will he risk it...?

[strwbrryfire]

— ONCE I GET GOING, I DON'T KNOW HOW TO STOP

figure 8 — paramore + @drivestraight's eat them alive

[ahaura]

something something when the facade of western "democracy" continues to crumble, liberals are faced with the choice of either abandoning the systems that facilitate genocide, theft, exploitation, racism, etc. or resort to old habits that do nothing to seriously challenge or dismantle said systems... inevitably many will fall back on focusing on optics/aesthetics and hyper-individualizing their approach to combat their feelings of helplessness etc. and/or to avoid confronting the systems in place that have led to this moment (which they are most comfortable in, because liberalism never truly changes the systems in place)

the problem is not, never has been, and never will be the *tone* or *conduct* of palestinians (in occupied palestine or the diaspora); the obstacles in the way of peace&liberation are not from palestinians or palestinian resistance but the continuation of colonialism, the maintenance of which is inherently violent and oppressive. the people responsible for the genocide going into its 4th month are not palestinians who liberals want to tone police but the u.s. empire and its glorified military base settler colony, whose existence is founded + depends upon the genocide and ethnic cleansing of palestinians.

[caelustar]

Day 4 - Isolation

does it get better…?

[kenziezie]

VILE piece for today (i do not own a blender i apologize if it looks whack)

also i'm editing this, i did not realize this was whump until i was told it was whump, so be aware you will see more of this!! i'm sorry if this is too intense for some people ;v;

[sforzesco]

oh, you know

Plutarch, Brutus 7 (trans. Ian Scott-Kilvert)

this is an older rough comic from my WIP folder I had been planning on redoing from scratch, however I was re reading Plutarch's Brutus (as one does) and came across this line and decided to hit post because it'll be awhile before I can get around to doing a finished version of it, but I have thoughts about Brutus (derogatory) right now

[antikr1sta]

(tw sh/blood/vent art) "i hate it here, i hate the smell and fluorescent lights, but most of all I hate you", he utters, gazing at his own face in the reflection of a dirty mirror; as both are only hanging on by a thread.

blood/injury tw ↓

..yeah.. i really really hate it here