#the stories never told

[blindtaleteller]

Rather, I think that's under-stated in that yes they are people; with that potential in fanfiction and the imaginations that produce them to explore the possible potentials the writer(s) see, that canon alone either fails to put forward, represent properly, or define for varied reasons.

It isn't that characters aren't people; it's that instead, writers often limit themselves and those characters in that realm by forgetting that they are supposed to be people: and people do have potential, under the right influences rather than the wrong ones (and sometimes the other way around;) with reason, and especially with the passage of time to get them there.

That's what any story with characters is, at it's core: a sort of travel log of their lives from point A all the way through to point Z if wanted or needed.

The best fanfictions I've read, or written; have been the stories canon either never saw to even try to tell them: or left to the wayside in favor of something else.

want to be clear that if i ever talk about a headcanon and then later discuss a headcanon that is directly contradictory to the first one, that’s because headcanons exist in a quantum state where they are all simultaneously true and not true up until the point where i discuss it in detail, in which case that is the one that is true in that instance. schroedinger’s headcanons

[silentsockfeet]

the fact that the vi vs jinx fight was foretold from the beginning. the fact that the opening credits ends with their fight immortalized in stone, so that every episode you watch is a reminder of the immutable truth of it. the fact that every moment is building to this, that the show will culminate in this. this was always going to happen, they told us this from the beginning, and nothing anyone could do will ever change that.

[mobius-m-mobius]

#there are two types of actors 😂💖

[stil-lindigo]

the fox god.

a comic about a trickster.

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creative notes:

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all my other comics

store

[arcanegifs]

All endings of Vi and Jinx's Stories from Legends of Runeterra's Arcane S1 Event ↳ "Heh. Sure. With family like you... who needs enemies?."

[inkskinned]

yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."

i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.

the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.

mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.

later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.

sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.

but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.

i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.

every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.

wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?

the first time i went viral, it was for a poem i wrote about you:

he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.

every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.

mahler's fifth still makes me sick.

give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.

give me back what you took from me.

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[thedreadvampy]

Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.

"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."

translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"

It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!

very this

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[the-meme-monarch]

what if i Entirely made up another relationship but with the express intent that they Don’t get together actually. this started out as a lol an lmao even but honestly i think i needed this. cathartically

based on the tags of my post here

👍if you ship scc go away

[jamiepridejester]

ive done it before but its a classic <3

[heckitall]

Same As It Never Will Be

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Page 11 - (Page 11.5) - Page 12

:3c

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[shushmal]

cw: canon minor character deaths, alcohol, drugs, and imprisonment

Okay but non-paranormal au where barb is killed in a drunk driving accident. Steve is arrested and tried as an adult, and doesn’t fight his charges at all. He goes to prison for the full 15. The only reason he doesn’t go to a more high security prison is because the chief of police pulls stings for him.

The entirety of Hawkins vilifies him through the whole trial. His name is practically a curse word in the high school. A lot of people say he did it in purpose. Never showed any remorse, never tried to get himself out of trouble. Never denied anything said about him.

Few years pass and Eddie finds himself arrested and behind bars, and extremely lucky he’s only being charged with drug trafficking and not homocide. Wayne is constantly at his side through the whole thing, and when he’s sent off to prison, Wayne says he’ll visit him as often as he can. Eddie has no idea Wayne’s gone to Hopper to beg him to help his nephew.

So it’s pretty big surprise when Eddie’s led to meet his cell mate and finds Steve Harrington, Hawkins’s own boogeyman: that is until Eddie just dethroned him.

Eddie kinda freaks out because a LOT of wild rumors about Steve has gone around since the accident, a lot of really unsavory claims about him. But Steve is looking at him with a weary but kind smile and says, “hey man, don’t worry, it’s not as bad here as you think.”

And Steve really keeps Eddie out of trouble, even though Eddie is super wary around him. But eventually they bond. Steve’s only on year 2 of his sentence, will still be behind bars when Eddie finishes up his ten. They become in separable over the years, and Eddie still doesn’t find out until they’re both long out of the system, living together now in California, that Steve wasn’t even the one driving the car that night.

[introspectivememories]

sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.

[oifaaa]

I really like that old trope that's like adopted child realises they're adopted bc both their parents have blue eyes and they learn in science class that 2 blue eyed parents can't have a child without blue eyes mostly bc I used to read it and go "what an idiot how did you not notice you were adopted I mean both your parents have blue eyes haha couldnt be me" then last year I noticed both my parents have blue eyes and mine are Hazel