#the shows over like hello

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[thatjeanjacket]

guys not to be a bitch but colorblind casting isnt as good as white people think it is

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.

[camellcat]

"cordelia could you please drive me home?" "of course" OF COURSE she replies to buffy, softly, without hesitation. even if she goes right back to harping on about the world ending, of course she'll help buffy. head in my fucking hands

[buckingham-ashtray]

john and sherlock bickering over the head of a very dead corpse might just be the most ridiculous thing in the entire show

[utilitycaster]

I do want to plug The Re-Slayer's take again if you're not listening: it's short and goes very fast (it's edited to have no real table-talk, so it plays like a scripted podcast even though it's actual play) and despite being all ages...think AT:LA or Doctor Who and how fucked up things can get. Also the core cast is great (I was already a fan of Jasmine Bhullar and William Jasper Cartwright but Jasmine Chiong has won me over as Farah, a cranky older blood hunter woman), they've had some great guests (those listening on the main feed - Christian Navarro is about to show up!), and some of the main cast of CR has shown up as very fun NPCs!

[cloysterbell]

Pete, I need you to stay here.

[lgbtlunaverse]

While I think the moment in cql where Meng Yao– still bleeding from a stab wound in his chest btw– realizes Lan Xichen is in danger and decides to save the man who was so kind to him in cloud recesses is cute and all, nothing will ever beat the book for me. Little bookkeeper civilian Meng Yao, who has not had a serious chance to make his dreams of being a cultivator come true in fucking years, out of nowhere gets the fucking sect leader of Gusu Lan dropped right in his lap?

It's such a great example of Meng Yao's multilayered motivations to me. Because is civilian Meng Yao thinking of all the ways he can use this? Of the fact that having a great sect leader in his debt is the best thing that could happen to him? Duh. Obviously.

Is he very purposeful about appearing to Lan Xichen as a kind young man full of untapped potential, brave and willing to put his life on the line even though he really doesn't know so much about about cultivators, no sir, except a little he picked up here and there, because you see his father– 👉👈 Of course he is!

But the way through which he does that is... by actually saving Lan Xichen's life, at no doubt significant personal risk. The way he makes Lan Xichen believe he's kind and selfless is by... being kind and selfless. Just because he's doing it on purpose doesn't mean he's not doing it.

Is it lying if you want people to think you're nice and so you're nice to them? Isn't that just called being nice? Yes, he is very purposeful about how he appears to people, and very carefully crafts an image based on what he wants them to think of him, but most of the time he does that simply by... actually being the kind of person he wants to appear as. He still did the kind things he did, regardless of his motivations for doing them.

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[crystal-verse]

god i want. an au where it dosn't work. where it's just arr g'raha who's woken up, and he doesn't have all these memories and all these people keep looking at him like they're mourning someone. the world has changed and time has changed and all the people he knows have changed, but he hasn't changed, he was just sleeping, just sleeping, and the world nearly ended several times and apparently he helped prevent yet another end but he has no memory of this. they want him to join the scions. he does not know these people. (he barely knows the warrior of light, now, but did he ever truly know them in the first place?) his little sister is alive and well. she looks at him like a ghost. she's changed, and she's older than him now. he acts bratty and loud and brash to cover up the fact that he does not know anything it seems, and he is tired but he was sleeping for so long, so how could he be tired?

he doesn't know these people. they seem to know him. he wonders if he'd killed someone, when it was him and not that exarch who woke up. he wonders if it should have been him who was "killed" in that way, if it is him that lives and not that man who had known and become friends with all these figures from legend. he wonders if he'll always be fated to be a historian one step back from everything, because he simply cannot be a hero.

[gunsatthaphan]

✩₊˚.⋆☾⋆⁺₊

[maalidoesart]

something about these two…

[graciereadshannigram]

Will enduring, sometimes even almost enjoying, touch from Molly because he knows it's what he's supposed to want – sweet, safe, hands and lips touching him at night in the pitch dark of their bedroom, her touch trying to make him the sweet man she believes him to be.

post-fall Will craving Hannibal's hands and mouth on his body, struggling to overcome the instinctive flinches, the sense memory of Hannibal's tender touch often preceding exquisite pain. Will confused about how his wires for pleasure and pain got crossed but needing that danger, that excitement – even if it's what he shouldn't want – all the same

Hannibal, knowing Will better than he knows himself, taking it slow and helping Will create new sense memories where any touches of violence or pain are desperately begged for and dovetailed with pleasure. his touch allowing Will to be his whole self, violent and wicked, tender and righteous.

both of them touch starved, remembering and relearning who they are to one another and creating a new emotional context for the start of the rest of their lives together.

[camellcat]

hii idk why but the thought of fresh-faced professional scully being so scared she burst into her new extremely flirty but otherwise dismissive partner's motel room in nothing but a bathrobe and undergarments asking him to check her for strange markings before collapsing into him when he laughed at her and said they're just mosquito bites. do you think it killed her? just a bit? just enough that he was It that she realized she could never ever do this again with anyone else and now that she'd done this with him that was it? and lord help her if she ever did it again with him, nevermind anyone else. mortifying introduction. what a way to start out her new career with the fbi

anyways. just thinking about how scully wishes to be perceived and who she really is

[averlym]

"now, doesn't that look nice?" [insp]