#the power levels ARE NOT THE SAME!!!
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mxtxfanatic · 2 years ago
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I said it before and I’ll say it again: the gods are a bitchmade group:
On her side, Ling Wen pondered for a moment before she said, “Your Highness, in regards to this matter, I advise you to not take part.”
Xie Lian had more or less expected being told something like this. Otherwise, it was unlikely for this to have persisted for a hundred fifty years without anyone having inquired about it. In addition, the moment he asked about this, the whole court went silent. Xie Lian said, “Every time a party travels through the Pass, more than half of the people go missing. Is this true?”
After a pause, Ling Wen replied, “It is difficult to speak further on this matter.”
—Chapt. 18: Within Pu Qi Monastery, Strange Tales of Ban Yue Pass (Part Two)
Literally why do y’all exist if you only ignore calamities that your mortal followers suffer under because it “might” endanger you by upsetting another god? There are like a billion and one of you anyways, who tf cares if one doesn’t like you!?
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poorly-drawn-mdzs · 28 days ago
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News spreads fast.
[First] Prev <–-> Next
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ofswordsandpens · 6 months ago
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I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3
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ninjasmudge · 8 months ago
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being picked up doesnt stop him from talking shit though
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writingtot · 8 months ago
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such a badass thing to say before turning him into a literal ghost
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bixels · 3 months ago
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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dezerex · 1 year ago
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keets-writing-corner · 9 months ago
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Love how Lucifer just manhandles Adam during their 'fight' despite everyone else getting their asses kicked. Plus him effortlessly destroying him when Charlie's in danger is really sweet.
gawd me too anon me too
that was everything me to me. like everything. It was built up so well too
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we spent the whole season building up alastor as this massive powerhouse, eldritch, nobody messes with him. Only one who tried picking a fight with him (Vox) got utterly humiliated and everyone else was clearly outclassed. Except for Lucifer where Alastor merely just went with annoying instead of power challenging. Like we got vibes okay yeah makes sense that the King of Hell isn't intimidated by anyone, even if it's alastor, but Alastor got TWO wtf moments in Dad Beat Dad one with Husk and one with defending the hotel
other than that, it was pretty much, nobody messes with him cuz he will mess you up
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and he fights Adam evenly sorta for a bit before Adam pulls out the "I'm an angel which is stronger than any demon" card and alastor gets his ass handed to him.
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Like what a way to set up how strong ADAM is, having him beat Alastor. And then no one else in the hotel is as strong as Alastor was, so everyone's struggling. Charlie at least gets one good hit in but her inexperience kicks her in the ass and then Lucifer just shows up and
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like hot DAMN that was just one hit! He broke Adam's mask, the force was enough to send him FLYING across the roof top, and bounce so hard against the billboard he BROKE THE SKYLIGHT
That was just a "HANDS OFF MY BABY" warning too, like LOOK at that face, that's not a "fight me" face it's a "if you touch my baby again, I will screw you so bad your bones will need therapy and you never recover"
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Lucifer not even .2 seconds later, just upon seeing Charlie
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and then yeah, Lucifer was NOT taking the fight with Adam serious at all, like the dude was taunting him, mocking him, dodging all of his attacks, just shapeshifting like Adam was a joke LIKE LOOK AT THIS
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Lucifer isn't even scared, he's just "oh there's a wall there"
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His FACE IM DYING he's legit like "wowwww you just tried shoving me into a wall? really? didn't have any other ideas? Soooooo original of you. I will mock you now"
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HIS HANDS ARE BEHIND HIS BACK HE FOR REAL SAID HE COULD TAKE ADAM WITH BOTH HANDS BEHIND HIS BACK
rewatching rn for the screenshots, he's legit just shapeshifting for the fun of it. 70% of the time nothing has happened, he's just dodging adam and shapeshifting while doing it, like he doesn't need to be doing that this is 100% mockery.
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And then the iconic
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like omgggg this is soooo satisfying and amazing to watch. Like the set up of Adam being powerful was great, and then we just get this absolute trolling from Lucifer cuz he really doesn't care about Adam
And listen the trolling is great and all, but when Adam makes the mistake of not heeding Lucifer's warning of messing with his baby, and then does it a second time
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RIP Adam just getting one shot-ed like that but hnnnnnggggg we got to see Lucifer fully pissed and it was GREAT
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And somehow my favorite part wasn't even watching Lucifer go absolute ham on Adam, it was that even at his absolute most rage fueled moment, snarling like a beast where he was going to and fully intended on making good on his threat about messing with his baby
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just one shoulder touch from Charlie and he's immediately chill. Like it's instantaneous, like how much do you love someone to be able to be absolutely livid, about to incinerate someone levels of rage only to immediately be "o oki! No more violence!" the second that person touches you???
Ugh I love them so much! Like everything about that fight, but especially how Lucifer can just go from absolutely the most dangerous person in one second and then OWO SOFT the next just by looking at Charlie
oops this post got long... IMSORRYYYYY other than "More than Anything" and the phonecall with charlie this is one of the scenes I replay the most, I love them so much
Characters going absolutely feral over loved ones is just aasdfadffalklkmafdjalsg 👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌there👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit
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silently-standingstill · 2 months ago
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this is outrageous i cant stop drawing them
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aronarchy · 2 years ago
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Why we don’t like it when children hit us back
To all the children who have ever been told to “respect” someone that hated them.
March 21, 2023
Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.
Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.
If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.
It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.
The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.
This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:
Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.
By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.
- Heide, Why Kids Kill Parents, 1992.
Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:
Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.
(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)
But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.
Sources:
“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression
“Filicide,” https://en.wikipedia.org/wiki/Filicide
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red-hoods-left-sock · 1 year ago
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The idea of Danny phantom in the dc universe fighting humans is so interesting because he can’t really trap them or anything like he can with ghosts, he can just full on blast them with lasers and stuff. Like, if you blast a ghost with an echo blast the ghost just gets back up but if you blasted a human with that they would probably die or something. You can’t stuff a human in a thermos (or can you). Danny can’t fight humans because his own powers aren’t built for that.
Basically my idea is him teaming up with the justice league or the bats or something and they think he’s some low level powered being because so many of his powers just aren’t usable in the situations they end up in until the dc characters see him fight a ghost and realise just how powerful he is.
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thegreatyin · 19 days ago
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while on the topic of iron posting. a very small very insignificant thing that i really enjoy is that nobody really harasses it for not speaking. and like. we don't know precisely why it doesn't speak. it could be because it's mute, it could be due to an unseen injury, it could just be a selective choice, it could be that it never bothered to learn human language to begin with, etc etc. but there's never been a scene (at least as far as i can recall) where mr iron is specifically called out or pressured or anything of the sort. not even by its own haters 4 haters coworkers. and yeah this is realistically probably because its an ESPECIALLY deadly space bat that could kill you six ways from sunday if you pissed it off, but also, y'know, sometimes it's really nice just having a mute character that's treated Normally for once
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kazz-brekker · 2 months ago
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i present: my extremely long and highly specific list of book recs for my fellow rings of power fans
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sugarcarnation · 6 months ago
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love love love how similar these two panels are. makes me insane
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mutable-manifestation · 18 days ago
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Ghost Chirps AU Part 5
Part 1 & 2
Part 3
Part 4
***
While “Jason” (i.e. Alfred with an empty jet that Jason will meet up with later in order to “arrive” in Amity) hops a private jet, Red Hood is busy searching the Fenton home from top to bottom.
The local police move slowly, and by the time they arrive Jack and Maddie Fenton are both tied up and disarmed in their living room under heavy guard.
They hadn’t been restrained immediately, Batman talking him into giving them a chance to implicate themselves first.
Hood let him take the lead, but he didn’t even get a chance to ask a question, being cut off at the first indication he might want to talk about their “work.” Less than 60 seconds in, and the pair had outright confessed to violating the meta protection acts - and in tedious detail.
The questioning didn’t suffer any from them being tied up.
Far from the mulish silence or crocodile-tear laden denial of most criminals, they instead doubled down, insisting that nothing they had done was illegal, then jumping to the assumption that they were “possessed” - and boy had it been a nasty surprise when the whole house came alive trying to attack them with a quick verbal command.
Well, trying to attack Hood. And only him, for some reason.
One laser also freed the Fentons, who turned out to have even more weapons built into their suits. 
Somehow. 
Despite them being skintight.
That had been a pain, but Red Robin was able to hack the system using one of the couples’ own devices while Hood dodged - and kept the stray fire away from the others - leaving everyone else to recapture the pair. A blessedly simple task once they found out the lasers would splash harmlessly off of their armor (save for a gross film of green goop left wherever they grazed).
They take turns knocking each unconscious to change them in order to properly disarm them - Batman and Nightwing taking Jack first, followed by Orphan and Spoiler dealing with Maddie. 
The only non-weapon laden clothing they own turns out to be pajamas. 
This is around when the police show up, looking hesitant.
They, too, cite the “Anti-Ecto Acts.”
Oracle had debriefed them on the supposed Acts and “Ghost Investigation Ward” on their short drive over. Both were utterly bogus - the Acts had never even been proposed, let alone been approved as law, and the so-called “GIW” had no ties to the government.
The Fentons had been furious and denied the information intensely when told, but the cops mostly just looked relieved.
Apparently there’d been a lot of property damage by the GIW and Fentons both that had supposedly been dismissed under the Acts as “necessary in the pursuit of ecto-scum.”
For the Fentons, half of this damage was in the form of broken fire hydrants, cracked sidewalks, and totaled cars - they’d never been good drivers, before, the cops disclosed, but they’d become even more negligent since the ghosts began appearing, to the point they had to have a news segment warning when they would be on the road.
The lack of fatalities thus far had been nothing short of a miracle, they claimed.
“Of course there haven’t been any fatalities!” Mrs Fenton defends. “Our work is to protect people from those things, not make more! Officers, listen to reason-” Hood snorts disdainfully -”The Red Hood is clearly a ghost! All our systems targeted him the moment they came online - and they only target ecto-entities. He’s clearly taken these heroes under his sway - why else would they be working with a murderer!? You have to do something before he starts up his killing here in Amity!”
The officers look at him a bit hesitantly, but Batman is unmoved and gives the cover story Hood had outlined back in the alley.
Any concerns the locals have are quickly assuaged.
But for the whole explanation, Jason is trying not to shake even as he falls apart in place.
Their little website called them ghost-hunters, making it pretty clear what “ecto-entities” meant. 
Their system supposedly only targets ecto-entities.
The system had only targeted him.
The system only targets ghosts.
Jason had died.
A lot of his family members had died, too, granted. 
But Jason was the only one who seemed to come back wrong - anger sticking in his throat and never quite fading, an inclination towards violence even when he wasn’t angry well beyond what he’d ever felt before, and a sea of other emotions (that he would never acknowledge aloud) and triggers for those emotions that he always struggled to make heads or tails of.
He doesn’t have the meta gene. He knows that. He knew that.
He just assumed that the test missed it, because he knows he doesn’t know magic - the All Blades being the only exception - and he couldn’t think of another explanation at the time.
But he came back wrong.
And as he stands there, he wonders if he came back at all, mind on Solomon Grundy.
Wonders if he isn’t just some ghost, wandering around possessing his own corpse.
He jolts, as the thought strikes him: what about Danny?
If he’s a ghost and chirping is a ghost thing then what about his KID!?
Absently, he notes that Bruce has started interrogating the cops on what they meant by “ghost attacks.” 
He ignores the discussion, hustling for the door in the kitchen down to the lab.
He slams and locks the door behind him - in Red Robin’s face - as he descends, making a b-line for the computer he’d seen when the Fentons had dragged them all down there to start bragging about their crimes.
The only thing Oracle could get out of the whole building was things that were openly available online; direct connections were impossible.
Opening up the screen, he gets to cracking.
Going for the surface level files first, it turns out he doesn’t even need so much as a password to find what he wants.
One of the video game sub-files has an unrelated file in it: ghost notes.
There are plenty of other notes, of course, but he’d only been skimming to start, looking for anything hidden.
The Fenton parents were too open to bother, of course, with plenty of more obvious files strewn haphazardly across the home screen, but it’s always better to check. That there is a hidden file means it was likely made by either Danny or Jazz.
And it’s a treasure trove.
Sub-files for rogues, allies, conditional allies, and “halfas” were what greeted him.
The last being the only term he didn’t recognize, he clicked.
6 files: Clones, Danny, Dani, Dan, Vlad, and Red Hood.
He clicks his own file.
What greets him is a picture of himself 4 days ago, looking just to the left of the lens in an alley that he distinctly remembers searching for the kid in.
Just below is text.
~~~
??? Name: Red Hood
Species: probably a halfa
Status: Nnnneutral? I think? I know, I know, heads in bags. But Valerie tries to kill me all the time! And we’re allies sometimes! Hood- uh- looked for me? Okay I guess I can’t really judge this yet but please read the first met section before you judge please you guys?
First met: Aug 17, 2005, was in Gotham to bother Batman, stopped to think a bit on some fire escape - decide on the first prank yknow - but then my ghost sense went off. It felt like a halfa so I thought “oh cool, must be Dani” so I chirped, but then Red Hood - who was chasing some guy down an alley at the time - froze and looked around. I dropped visibility and chirped again and yeah, he definitely heard it. Humans can’t so he’s definitely a halfa - no glow so he can’t be a full ghost and it felt nothing like an overshadowing. 
Ended up following Hood around the rest of week - forgot to prank Batman, damn - and playing hide-and-seek with the chirps. It was really funny. But he very obviously doesn’t know he’s a halfa. But the guy is, like, scary levels of smart, so I’m sure he’ll figure it out on his own now that the chirp thing made it clear that something is up. Hopefully.
I figure I can go back in winter break - he should have it figured out and let his emotions process enough by then to at least hear me out when I explain the AEA and GIW and everything, then it won’t matter so much if he can, like, track me by voice or something if I talk since we’ll have MAD by then.
Despite his reputation, the people living in his haunt seem to love the guy. I can see why. On top of the whole smart he’s actually really nice to people he’s not shooting in the knees (which only even happened one time in the week I was there? It was actually pretty relaxing - most quiet week I’ve had since the portal opened THANK YOU TUCKER for hacking the portal hatch to be inoperable for a week). 
Where was I? Oh yeah, he’s actually surprisingly nice to people? So like, I think he’ll probably hear me out if I go back and be polite? I hope. Hate to leave the guy in the dark and him end up on the GIWs dissection table for “lots and lots of painful experiments.”
Not that those guys could even catch the Box Ghost. But uh, Hood doesn’t seem to have powers either? Or if he does he doesn’t know about them I don’t think - he only used the chirp the whole time I was their - not even to cheat with moving around.
Seriously. That guy's acrobatics could make Freakshow’s contortionist green - er, red??? - with envy. Actually wait, aren’t contortionists and acrobats different things?
SAM NOTE: help^?
Powers: 
?
~~~
Jason leans back, breathing deeply.
“Not a full ghost,” “not 'overshadowed'” - a term that sounds likke some kind of cousin to possesision - “definitely a halfa,” “humans can’t hear chirps.”
Halfa. 
Half. 
Ghost. 
Half Ghost.
It should sound absurd - you can’t be half alive and half dead.
But Jason has seen the Lazarus pits, has met Solomon Grundy, has met aliens and bullshit magic and can pull magical swords out of his own damn chest.
Half alive. Half dead.
Hopefully not just a fancy way to say possessing his own corpse.
He doesn’t have time to deal with every file - he’ll “confiscate” one of their USBs with a copy of everything for himself before leaving the rest to Batman & co, of course, minus the halfa files (a small part of him wants to shove his condition in Bruce’s face and demand he kill the clown again even though he knows it’s a futile hope, but the rest - the same part that snapped and denied and refused to say he was a meta less that a day ago now - cannot stomach the thought of even more rejection. Of a Bruce that believes he’s a monster. Of a Bruce that mourns him even while he’s right there. Or at least, more than he already does.) - but while the files copy he take the time to look at Danny’s.
The image has two people, Danny Fenton on one side and a version of the kid in a black hazmat suit with white hair, tanned skin, and painfully familiar green eyes. And floating.
~~~
Human Name: Danny Fenton
Ghost Name: Danny Phantom
Species: Halfa (half-human, half ghost)
~~~
It’s the section after that that makes Jason’s breath catch in his throat.
~~~
Death: The Portal Accident
So like, there was no audio (thank GOD I do not want to hear myself screaming) so. Details: When the portal didn’t work when they plugged it in mom and dad left for fudge, Jazz went to try and talk them into a more realistic career choice than ghosts. Sam and Tucker came over and Sam dared me to climb in and check it out - it was broken anyway so no harm. Except it wasn’t broken, just that my parents put the on button inside. Which I caught myself on when I tripped on a wire.
Anyway, electrocution! 
(T - Danny for the love of god be more serious, the cheerful tone is creepy)
(D - Hey! I’m the one who died! Shouldn’t I at least get to write my own epitaph)
(S - …Danny this is not an epitaph. You don’t even HAVE a grave)
(D - wow way to rub it in Sam)
(T - yeah Sam)
(S - ugh! Whatever, just stop with the chatting in official files)
(T - “official”)
(S - Tucker.)
(T - shutting up now)
Electrocution! I got zapped to death, but the ectoplasm from the portal was also opening up on top of me and a lot got bonded to me I guess (S - probably because of the electricity with how you ended up with some of Vortex' powers for a little while) at the same time said electricity was reviving me? - probably getting my heart beating again or something, I was a little busy screaming to pay attention (T - yeah okay we're going to Nasty Burger after this. And playing Doomed) - not that it would’ve mattered without the ghostification preventing me from melting me all the way to death.
Status: Me!
Powers:
Chirps! (ghost echolocation of some kind! humans can't hear em - halfas can, of course, in either form)
Form Change (really Sam? This barely counts)
Human form
Ghost form (no need to breathe)
Flight (last clock speed 210mph) (T - and climbing. Dang dude)
Invisibility (S - don’t forget shareable.) (Shareable. sigh)
Intangibility (Shareable)
Ecto Rays (eyes & hands) (T - and butt) (D - dude! I’m deleting that. Tucker why can't I delete it. TUCKER) (T - bow down in awe of my ksill) (S - ksill) (D - ksill) (T - yeah okay it’s permanent now) (D - aw man!)
Ghost Sense (S - why do we never test your range?) (D - no need? They always make themselves obvious or are being sneaky specifically to annoy me so *shrug*) (S - I still think we should test it)
Power Absorption (that time with Vortex’s weather powers)
Cryokinesis (Wayyyyy to much ice. NOT testing max output on that) (T - yeah frozen city was enough, let’s not cause an ice age. Tech needs some cool but too much is still bad and I just upgraded Patricia)
Ghostly Wail (cone of destruction, very exhausting - always at max output. Not to be used)
GHOST FORM ONLY (but really just never)
Cartoon Body (D - what???) (S - Freakshow literally turned you into a puddle and you just turned back and were fine. I don’t know what else to call that) (D - okay fair. but:)
GHOST FORM ONLY
Physical Enhancement (better strength, speed, stamina, durability, reflexes, balance, etc much better than human) (T - why does this look like dnd knockoff stats haha)
GHOST FORM ONLY (S - obviously mr last place in PE)
Resistances (pretty solid on the overshadowing, avoided being taken in by Ember until targeted, didn’t get turned to stone during the Medusa thing) (S - which was pure luck! Be careful!)
Ecto Electricity (ghost stinger, but I really don’t think this counts Sam. I mean I just. Make my ecto zappy. But it’s still just ecto) (S - so is your ICE and you don’t just call that "just cold ecto") (D - fine, but it feels overly specific) (S - maybe writing it all down will make you stop. Forgetting. POWERS!) (D - come on Sam that was a lucky hit! I was distracted! And it turned out fine!) (S - Fenton…) (D - oop okay doing fire now)
Ecto Fire (made Dash’s shoes melty that one time by make the ecto hot) (T - really needs more testing)
Tech possession (chasing Technus into computers, not very tested)
Ghost form only, i guess?
Overshadowing (control people, copy their voice, invade dreams - the control one erases the person’s memory so they don’t know they were overshadowed just lost time. I hate Walker. SO much) (T - rip Danny’s reputation, you’ll be missed)
Probably ghost form only
Duplication (T - That’s optimistic) (D - I’M WORKING ON IT OKAY!?) (S - pretty sure it just falls under cartoon body until you can actually separate) (D - :( betrayal)
Probably ghost form only
More? (D - ugh I hope not) (T - hey don’t say that, maybe you’ll get a power to make the JL give a crap about Amity) (D - honestly I’m getting pretty close to letting Boxy loose in Gotham) (S - Danny, don’t stoop to their level!) (D - it's only box ghost!) (T - I mean he has a point)
~~~
Jason changes his mind, seeing the commentary, and deletes the entire hidden file from the computer as soon as his copy is made. He can go over everything and bring any important info to Bruce separately, the bat’s can just chew on the parents’ files for now.
Once the original files are thoroughly and irretrievably removed he pockets his shiny new USB, makes a second one with all the official files, and heads back up and out - carelessly brushing past a thoroughly irate Red Robin with a pair of firemen and broken jaws of life. And not a scratch on the door; impressive - just in time to get Oracle’s text that he’s got 2 hours and 16 minutes to be at the location on his HUD so he can “arrive” to Amity.
And a fresh set of civilian clothes will be waiting in the plane, Alfred as reliable as ever.
“Files,” he says, tossing the safe USB to Batman and interrupting his interrogation of the police officer.
He catches it effortlessly of course, but the officer stops paying attention to him to jolt at Hood’s reappearance - even outside of Gotham his reputation is fierce.
“I sent a copy to myself. I’ll review them and give you an overview, but other than that consider this the end of my involvement in this little shitshow,” he says, continuing smoothly to the door. “I’m heading back to Gotham.”
Now, he has a little over two hours before Jason Todd needs to arrive in Amity Park. He only needs to lay hands on a laptop that he can isolate from Babs’ influence and he should be able to review the Halfa files in full before he "lands" - after he figures out just why the kid has a grudge against the JL.
#The defenses only attacked jason because the others are liminal#But not quite liminal enough for the Fenton House to pick up on#He’s the only one who died and had it really *stick* thus why he’s the only halfa#Sure the others died but they were all revived fully#Death left a stain#Not a chain#Jason has one foot in the grave#The others bat’s just have some graveyard dirt smudged on their pants cuffs#I can keep going with the metaphors#lol#Anyway#Their contamination is. Like. not worse than the average person living on the opposite side of the city as the Fentons#(which is a lot compared to everyone else in the whole world#but not much in terms of “will the house shoot me”#Fenton ghost detecting devices aren’t that precise yet)#The “files” aren’t super professional because like. They’re 14.#It’s organized sure but it’s not gonna be scientific paper levels (& they’d feel uncomfy making it too scientific sounding)#There’s powers missing on purpose (not thinking of thing as a power. All 3 forgot about it. Etc)#So why did the JL ignore Amity you ask?#Info blackout#One does not simply ignore the Meta Protection Acts and pretend to be a gov’t agency without taking precautions#Everything out of Amity Park is sanitized as hell. (ha#and doesn’t that just fit the GIW clean-obsession)#“But Mutable!” I hear you cry “What about Undergrowth & Vortex!”#I don’t remember Undergrowth’s radius of effect but I’m saying my AU he was Amity-only and the GIW set up a blockade to intimidate witnesse#Same deal with Pariah town-knapping the place (GIW base was JUST out of the town-knapping radius. Lucky them)#As for Vortex#the storms themselves made it impossible to track anything through normal means#(ie no cams caught Sam & Tucker’s jet taunting Vortex except some people with cells on the street. But wind killed all the audio)#So as far as the world is concerned there was a freak storm and it went away
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gingermintpepper · 3 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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