#the point is i think if we were all a little less

[femchef]

Some really cool ongoing research and clinical studies are being done about the affects of what have been recently termed ‘ultra-processed’ foods have on bodies - that sounds like a “duh” project but!!! It’s really awesome because the research is attempting to narrow down the whys and whats and it’s been yielding some cool results????

Short notes:

- researchers are attempting to nail down categories of processed food - I’m not sold on the categories yet, but nothing is 100% and I would consider this still early stage research, though ground breaking

- processed food isn’t necessarily a bad thing, and actually there are quite a few processed foods that aren’t harmful to you, which is good, because people deserve ease of access to food

- ‘ultra-processed’ is a really new term - currently this category encompasses foods that meet a very specific criteria: example, whole-food products which have been broken down into individual nutritive or non-nutritive components and re-configured into another product with the addition of other additives used in place of now-missing natural components - the difference between whole fat yogurt and low-fat yogurt is a good example (full fat yogurt requires less ingredients - literally just milk and a bacterial agent to activate the coagulative properties of lactic acid on already existing proteins; skim or low fat yogurt requires a few additional gelling, preservation and setting agents because in removing the fat you remove a lot of the protein so you have to mimic the natural process with something else; also if you have an instant pot use it to make yogurt it’s fun and easy and tastes good).

- (also please watch out for health influencers and companies throwing around the new term ‘ultra-processed’ and don’t let them make it confusing you know they’re gonna run with that one tbh)

- CARBS ARE GOOD FOR YOU. YOU NEED THEM. That is very important ok don’t stop giving yourself carbs

- on that note - FATS ARE GOOD FOR YOU. YOU NEED THEM. That is ALSO important and something you should not stop eating.

- so the really cool point: research is showing that THE LITERAL PROCESSES we use to manufacture cheap food products are causing issues - because they are too calorie dense!! Example: dehydrating foods concentrates calories and nutrients and makes those foods super calorie-rich (think protein bars before a marathon); the reason for this isn’t necessarily bad either - we have foods like this because food researches and nutritionists have spent decades trying to pack as much nutrition into inexpensive food as possible to ostensibly keep things like pellagra from happening. There are other affects manufacturing has in foods but this point is the salient one

- in terrible, unscientific terms, you could think of it as something like we’ve concentrated the power of our food a little too much and need to pull back - dial it down a bit, as it were.

- additionally, a loaf of sourdough from your local bakery made in house is healthy, as a opposed to a loaf of wonder bread at the grocery store or the frozen shipped in bread at the Panera - both of which have shelf-stable additives, but! That also doesn’t mean that those products are wholly bad - again, see point above about how not all processed foods are bad.

- another interesting part of the research, though to me it reads a bit more speculatively at the moment, is that the hyper-intense pairings of fat -salt-sugar in foods is something that our bodies get super excited about and want to eat more of, because those combinations so rarely occur naturally. I want to see more on that point over the years, but it does tie back to our food being a bit too concentrated in all points thing above.

- in related but slightly separate research we are finding that starch foods - potatoes, rice, etc - if made about 12 hours ahead and chilled then reheated have more accessible nutrients and healthy carbohydrates and also don’t hit your body’s sugar levels negatively.

All that to say that OP is right and should say it.

There’s a nice, condensed article in The New Yorker this week if you want to read a little more and get the names of the researchers - don’t let the title scare you off, it’s written like clickbait on purpose.

‘bread is bad for you’ ‘rice is bad for you’ sorry im not subscribing to the idea that staple grains that have been integral to cultures for centuries are evil. i love you carbs

[mimiii-3]

saboteur has been on my mind recently and lives rent free.. What will happen IF batsib escapes with darling to spite the batfam for neglecting them? Like get rid of every tracker, remove all traces that they were there, move to a place far away that they won't be able to find both of them? Like a far away country or something..

I like the way you think!

…

Saboteur: Two Most Wanted

Yandere Platonic Batfam x GN Neglected Reader

Notes: typical yandere themes, platonic friend/sibling relationship between darling and batsib

…

What if batsib, reeling from the family confrontation, snuck darling out of the manor…

🦇

Being the least favorite Wayne has its perks. You can snoop around the bat cave, explore the manor grounds, and more without a single glance your way. That includes finding the weak point in the manor’s security system.

You slip through a small pass tucked between a dying tree and a thorn-covered shrub. You duck your head and run across the inembellished yard. You stop just below a barred window, the yellow light peeking between the iron rods.

You reach down and grab a small handful of pebbles to throw at the window. Each pebble ricochets lightly off the window, falling to the damp grass below.

It isn’t until the eighth stone that you see movement behind the window. Darling, a meek little thing, peers down at you from their prison. Their eyes light up when they see your face.

“Good,” you think. Bruce and the others must not have told them what you did. You raise your hand and point to the nearest back door of the manor.

Darling nods in excitement before disappearing from view. You briskly walk to the back door that nears the East side of the manor. You crouch behind a potted plant and wait for Darling.

Darling approaches the door and waves excitedly. You return their smile before holding up a pair of garden shears. Darling nods and readies their hand on the doorknob.

Darling wears a collar with a tracker in it. You’ll have a small window of about thirty seconds to cut the collar off before Tim is alerted. The bat boys kept the collar breakable in case of an emergency.

You breathe out slowly then mouth ‘now’ to Darling. Darling throws open the door and slips a finger between the collar and their neck. The shears easily cut the collar and you toss it back into entryway.

“Thankyouthankyouthankyou!” Darling squeals in delight before hugging you. You shush them quickly and grab their hand. The two of you dart across the yard, back to the opening you found.

You drag Darling through the dense wood behind the manor. Your car sits on the side of the road, nearly invisible sitting in the dark of night. You usher Darling into the passenger seat then make your way to the driver’s.

The car roars to life as you turn the key in the ignition. You press your foot against the gas pedal and fly down the empty road.

Darling turns to you, tears brimming in their youthful eyes. “Why did you save me?” Darling sniffles pathetically, “Tim said that you left me.”

You can’t help but roll your eyes at Tim’s blatant manipulation. You were gone less than a day and he already tried to ruin your friendship with Darling. You gather your thoughts before pacifying Darling, “No, Button. You know I would never leave you. I just…needed to get away for a little. That’s all.”

You watch them visibly perk up after hearing the nickname you gave them. Darling wipes their eyes with the sleeve of their oversized sweater. “Well now that I know you still like me, where do we go from here?” Darling reaches for your hand on the armrest and holds it in theirs.

A mischievous smile makes its way across your face as the car merges onto the highway. You peek at Darling out of the corner of your eye, “What do you think about Metropolis?”

…

Extra Notes: batsib has a friend (or love interest????) in metropolis they think might help🤭

[bluem1lls]

hi hi ! i saw your post about wanting some se-mi requests and i was wondering on how se-mi would react to having a s/o that tends to zone out / dissociates during the games whenever they're parted from se-mi / can't stay near her because it causes their separation anxiety </3 like it's a way for the reader to feel less anxious or stressed and the reader seems to lighten up whenever they're near se-mi or notices she's alive , sorry if that's alot ! 😭

✧₊⁺ we'll go home (together)

se-mi x fem!reader

✦ synopsis: as you try to survive the games with your girlfriend, you can't help but to dissociate when she's not nearby. lucky for you, she never wants to leave your side.

content: just a short fluff, reader usually zones out when she's not with se-mi

authors note: thank you for the request! it's rlly short because i'm writing this at my office bye i have dedication!!!!!! but i hope u like it!

✧₊⁺ first of all, your girlfriend would never leave you alone. like ever. i think she would die if that happened.

✧₊⁺ but there's this one situation in mingle where you guys were running along with min-su as a group of three and in the rush, someone pushed her.

✧₊⁺ when you saw her on the ground you almost choke yourself. what if she dies? what if that hurted her head? what if she can't move to run with a group? what if-

✧₊⁺ as you start to hyperventilate you try and run to your gilfriend, failing as min-su pushes you into a room with another guy and closes the door.

✧₊⁺ "hey, i saw her. she got up and ran with another group. she's okay" he said, touching your shoulder.

✧₊⁺ you won't believe him until you see her.

✧₊⁺ you start to dissociate. you can see min-su talking but you can't hear him. your mind filled with thoughts. 'i hope she's okay. she better be okay'.

✧₊⁺ tears start falling from your eyes because what kind of girlfriend are you? leaving her there? it was an accident but-

✧₊⁺ the doors unlock. you run outside as you stare everywhere.

✧₊⁺ she's not here. she's not here. she died. min-su lied-

✧₊⁺ you feel soft arms wrapping you, she deposits a kiss to your temple.

"i'm here baby" she says as you hug her back, your tears going down your cheeks.

"i'm-m so so sorry i'm so sorry...i tried but-" i sobbed against her, her hand caressing my hair to try and calm me.

"sh sh, baby i know. i told min-su to pull you away. i'm here okay? i'm never leaving you"

you believe her. she better not.

✧₊⁺ you're just so used to her, you kinda forgot how it is when she's not there.

✧₊⁺ like the first time you two sleep together, she wakes up first, smiling as she sees you all comfy. she kisses your entire face. when she's done, she gets up, heading to talk with the guys until you wake up. she thinks you'll wake up and follow her, after all you know that when she's not with you, she's with her friends.

until she thinks it's been a little too much time. she starts to worry, going back to your bed.

she finds you there, staring at a blank point on the wall.

"baby?"

you lift your head, she's back!

your face lightens up, a soft smile appearing.

"i missed you" you say as she smirks, getting closer to you. your face in her hands, softly kissing your lips.

"good morning princess, what's wrong? i was waiting until you wake up but i got worried. it's been a while." she frowned.

"i thought you.. left or something" i mumble as her face scans my features. a hint of worry through her eyes.

"baby, what?-" she says, shocking her head no. "no princess i'd never leave you, wherever i go, you come with"

i nod as she kisses my lips again and again.

"i love you"

"i love you princess"

✧₊⁺ of course, when the fourth game comes and it's an individual one, you're shaking.

✧₊⁺ she's too, she just doesn't want you to see it, or it'll make you more nervous.

✧₊⁺ "it's okay baby, this is our last game and then we vote to leave okay? its the last time you're gonna be appart from me. i swear" she says, hugging me as i return it, squeezing her.

it's hard to focus when you're not with her, but you try to get past it. after all, if your girlfriend comes out and you don't, she'll be heartbroken. you don't want that.

✧₊⁺ finally, you made it through. as you're out of the room, you sit there waiting for her.

of course she comes a few minutes later with a smug smirk. she's so cocky.

as she sees you, her face lightens up.

and as you see her, you get up to run to her arms.

✧₊⁺ she kisses you with a soft chuckle.

"what did i said? together. i bet you did so good, my pretty girl" she says smiling.

✧₊⁺ you think you might melt right there and then. you nod, never leaving her arms.

"can we go home now?" you say as she nods.

"let's vote and go home".

[avelera]

(Arcane Meta) Zaun Died with Silco

I want to open this by saying I understand people who are upset that there isn't more Piltover/Zaun conflict and resolution in S2 of Arcane. However, I'm going to argue here that the reason it's not in S2 after 2.03 is because the conflict is over. Piltover won. There is no more Zaun anymore as a potential political player and, ultimately, this comes back to haunt Piltover in their hour of need.

Overall, while I am invested in the Piltover/Zaun conflict, especially in S1, I'm less focused on Caitlyn and Vi's story which is our main lens for the conflict, or rather the end of the conflict, in S2. Still, I hope to offer my more Arcane worldbuilding-focused perspective. And just to get it out of the way, here are a few things I had trouble with:

I too was puzzled that anyone from the Undercity would join Piltover in the defense of the city.

I also thought it was strange to have Jayce focus on the threat that Viktor posed with his robots while soliciting help from the undercity, instead of on Ambessa, the more clear and understandable threat that would have made a better rallying point and allowed for a final discussion about the Noxian occupation of the undercity and how Noxus turning on Piltover was just them reaping what they sowed.

I was certainly taken aback when everyone was given Enforcer uniforms for the final fight.

That said, I believe there are answers to all three of these. From there, I want to dive into what exactly happened in S2 with Piltover vs. Zaun, to my eyes. Short version: there is no more "Zaun" as a potential nation or political player by 2.03 when the Chem Barons are taken out by Cait's forces, but it really died before that with Silco, who was already in a precarious negotiating situation himself and he knew it.

Very few people from the Undercity joined Piltover's defense of the city. Maybe a half dozen. I felt that was our moment of "you reap what you sow" for Piltover. A few passionate idealists who could see the bigger picture that saving Piltover does mean saving the undercity joined, but there were no hordes of volunteers. Piltover had lost the right to them and was substantially weakened for it.

Jayce choosing to focus on Viktor as the threat makes sense for him, but it was a poor political move and probably lost him volunteers he would have otherwise gained. The robot army threat is too esoteric and fantastical. "The Noxians turned on us and plan to conquer the city," is a threat that would have been better for rallying the troops, Jayce is just too single-minded to think of it. He's a bad politician.

The Enforcer uniforms are an odd sour note, but they do make sense as protective gear. Piltover doesn't have an army. There are no uniforms to give people. All they have is Enforcer uniforms. It is an odd note symbolically, but practically speaking it shows how little time Piltover had to prepare. Piltover is a civilian city going up against a military force like Noxus. They are woefully underprepared and really only have their status as defender in urban fighting to give them a prayer of even stalling the Noxian forces. Ironically, Piltover's only hope against Noxus mirrors Zaun's only hope against Piltover if they had gone to war: the difficult nature of urban fighting against an entrenched, motivated opponent on their home turf.

Now, to get into, "What happened to the overall Piltover vs. Zaun fight?" I get why people think it's lacking in S2, and I get why people find it horrifying that there is no independent Zaun at the end, all we've got is Sevika with one seat on the Council, as far as we can tell but I would point out:

Zaun is dead at this point. It's been dead since 2.03. Arguably, it really died with Silco.

As Jinx said, she didn't just destroy her own family, she cursed an entire society when she launched that rocket into the Council Chamber.

Here's the thing, Jayce was actually right when he said Zaun wouldn't stand a chance in an outright war with Piltover.

Yes, Zaun has a lot of brawlers. They have Shimmer and the Shimmer berserkers.

But Zaun doesn't have any sort of organized fighting force beyond the guards of individual Chem Barons and their factories.

What Zaun has is the fissures. It has ugly, difficult urban fighting in dangerous spaces. But as a counter to that, we have the fact that their ventilation is controlled from Piltover. In a true all-out war, Piltover could in theory just flush out the entire undercity using the Gray. Having your infrastructure entirely dependent on an enemy oppressor is what I would call a "fatal flaw" in any defensive military strategy, particularly when what they can cut off is the air you breathe. That's easily game over right there unless Silco has a way to circumvent that.

In a guerilla war, Zaun could probably hold out for a long, grinding, ugly civil war made up of mostly guerrilla attacks, in which a great number of innocent civilians will die, even in an all-out conflict with Piltover. But it would suffer catastrophic losses and probably still lose in the end.

Now, Jayce is I think somewhat naive in his claim Zaun doesn't stand a chance. Maybe Zaun wouldn't stand a chance in the long run, but they'd make Piltover pay for every inch with blood. They'd grind Piltover down into a shadow of its former self, force them to sacrifice all of their principles. To some extent, I think Jayce gets that, he gets that he doesn't want more kids to die, but I think even he underestimates just how ugly that war would be and how long it would go and how unrecognizable his Piltover would be by then.

The moment that gives Silco pause in Jayce's assessment of how easily Zaun would be crushed isn't the fighting. Silco is pretty confident that they could make Piltover pay and he's arguably looking forward to the chance on some level.

What gives him pause is when Jayce says the Council doesn't care.

To some extent, Silco like any revolutionary against an oppressive "civilized" society (heavy, heavy emphasis on the air quotes there) is that a certain point, Piltover is so soft-hearted they will get tired of the bloodshed.

What Jayce just told Silco is that the Council is more barbaric than even Silco maybe appreciated, for all their vaunted principles. There isn't necessarily a limit to how many Zaunite children will die before Piltover decides to cease hostilities. Knowing what Silco knows of Piltover's brutality, I think that is a sobering moment for Silco. That's when he decides this really is the best time to negotiate.

(Aside, this is by the way where Vi is wrong about Silco, driven by her emotions. Silco is willing to set aside the feud to get his nation of Zaun, he can be negotiated with. He's just not willing to give up his daughter (something Vi can't possibly understand at this point).)

Here's why it's the best time for Silco to negotiate and it ties into everything else:

Without Shimmer, which has been severely hampered by the raid on the factory, Zaun doesn't have anything to counter Hextech.

Jinx's wild attacks against Piltover has helped put the pressure on them that Silco capitalizes on. But it is a paper-thin threat. She is a lone albeit devastating terrorist. She makes Zaun appear more dangerous than it is but that can't last forever. Silco has leveraged her attacks into a pressure campaign against Piltover, but a serious response from Piltover (as seen in 2.03 with the strike team corners and very nearly captures her) could reveal just how fragile that threat is.

Basically, Zaun has some champions, arguably a league of legends lol, but it doesn't have an army. It doesn't even have Enforcers of its own. It doesn't have a concerted force of any kind.

The money is running out. As "Sucker" shows us in 2.02, each Chem Baron that gets taken out means less money on the table, and we're down 2 by the beginning of S2 with Silco and Finn, who arguably both fell to internal fighting.

As the Chem Barons say in 2.02, even if they got total unity in Zaun, they're outnumbered.

However, they don't have total unity in Zaun. They can't even get the Chem Barons to agree on what to do on one topic, with Jinx.

Silco basically has to accept the deal with Jayce when he does, while Zaun appears to be at its strongest. Because if he had waited any longer, the fact that they don't have the strength or money to back it up would have become apparent.

Furthermore, once Jayce resigns from the Council, which he was planning to do anyway regardless of Jinx's attack, would mean Zaun would lose its one champion with the political capital to give them independence. The window for Zaun independence is actually extremely narrow.

With Silco's death and Jinx's attack on the Council, then the subsequent eradication of the other Chem Barons, their resources, their money, including Shimmer which was the only thing Zaun really had to match them against Hextech in that arms race, there really isn't a Zaun anymore.

There's no one to negotiate with. No one to hand power to. No force that can govern itself. Zaun is completely fractured with the eradication of the Chem Barons. By taking them out, Cait removed the need for Piltover to negotiate with Zaun. And the reason Piltover chose not to was because of Jinx's rocket and then the attack on the memorial, which was orchestrated by Ambessa.

This is all according to Ambessa's design, by the way. She divides Piltover/Zaun against themselves by capitalizing on Jinx's attack. She leaves both severely weakened to make it easier for her to take over, and Piltover walks right into the trap. They would have fallen to Noxus if not for Mel's love of the city, even if you remove Viktor and Jayce's plotline entirely.

TL;DR Zaun is gone, guys. It's a distant dream. Sevika is the only person with an interest in making it happen anymore and she can't even get the Jinxers to listen to her. All the factions are easily arrested at the rally. Piltover has no reason to negotiate with any of these people. As the lone torchbearer for that cause, it makes sense for Sevika to be on the Council but beyond her, there is literally no one else to give a voice to (since Ekko doesn't appear to have an interest).

At least, until the Noxians turn on them, and then there's an interest in Piltover and the undercity joining forces, but as I referenced at the beginning of this, Piltover has now lost the right to the undercity's help AND lacks the undercity's resources too. Now Noxus has Shimmer instead of Piltover or Zaun, in addition to their sophisticated and expertly trained military force. As Jayce said, they were meant to lose this fight. Arguably, they never had a chance of winning if not for Mel claiming the loyalty of the Noxians in the wake of her mother's death and everything Jayce did to stop Viktor and the Hexcore.

[kinardsevan]

maybe, someday, love

oh look. i came up with a mini idea and decided to write it instead of sleeping. enjoy!

“Hey, Tommy.” 

The room smells of antiseptic and bleach, with an undertone of metal and plastic. It brings up memories of a life before, one no longer lived, left in the past, and is just the slightest bit triggering. But that doesn’t matter right now. 

Maddie curls her fingers around the man’s much larger, bandaged hand as she sniffles. Her hand isn’t even big enough to envelop all of his, but that doesn’t matter in the moment. 

“I know we didn’t talk much before the break-up,” she states, staring down at his fingers. The dried blood around his cuticles, where it was too tight in the crevices to completely wipe away stares back at her like a bloodstain on a white sheet. Her heart clenches, and she reminds herself that she needs to remain calm for the baby inside of her. 

“A-and I’d really like to change that, given the option,” she continues. The rhythmic drone of the ECG and the ventilator keep pace with each other while she tries to tune them out. She chews on the inside of her bottom lip, all too aware of the way the tissue between her teeth has become tough from repeatedly running it between her teeth in the past few days. She inhales a shaky breath as she runs her thumb over his fingers, turns his hand over and stares down at where there coud inevitably be a wedding ring at some point. 

“He doesn’t really let people call him Evan,” she says softly as she continues to stare down at his hand. “I think when were growing up, he didn’t really hear it in a loving way a whole lot of the time, and after I left for Boston…” She pauses, sniffling as a fresh round of tears hits her and run over her cheeks of their own volition. She clears her throat as best she can. “After I left for Boston, I think he felt really invisible. I don’t really know that he stopped feeling invisible until he got here. And I know there’s a wealth of weight beneath all of that—the things he did and put up with to feel just a little less invisible. 

“I think… I think becoming Buck was a version of himself where he could be someone else,” she comments. She trails her gaze up his bruised, scraped, and bloodied arm to his body, covered by a hospital gown, his neck, and then his face, just as bruised and covered in cuts and scrapes. “He said to me once that being a firefighter is the only thing that he’d ever done that mattered, and how much that drove his determination to get back to it. And I know now that he did that because it made him feel seen.” 

She pauses in her speaking, eyes trailing to the ECG and watching the continuous wave of Tommy’s heartbeat. She lifts her free hand to her throat, rubbing the sides of it a few times to try and soothe away the ache formed from the combination of crying so much, and the weight of the emotion still crushing down on her chest. 

“Until he met you,” she rasps. “And don’t get me wrong—when he said that you broke up with him, I told him to move on, but I think you know a little bit why I’d just want him to be happy. When I realized just how deep into it you two were, I was the one who encouraged him to go after you…” She pauses again, forcing down another deep breath and soft ‘whew’, squeezing Tommy’s fingers lightly. “Which makes it really hard to feel like this isn’t my fault.” 

She feels the familiar popping sensations in her stomach, alerting her that her unborn child is shifting around, and her free hand drifts to the curve, stroking gently. 

“I know that in the grand scheme of things for you, I’m basically nobody,” she comments. “But…” She sniffles, not bothering to fight with wiping the tears on her face anymore. “Evan isn’t doing so well, and… truth be told, I don’t know that he would fight to come back to anyone as hard as he would for you. I also don’t know that he would be able to find the fight without you. So please wake up. I know there are people here who love you, and people here who want the chance to get to love you. I don’t want to watch my brother only get months with the love of his life when he deserves decades. You both do.” 

She squeezes his fingers once more before releasing them and pushing up out of her chair. She walks to the door and stops she reaches it, glancing back at him and then the ECG again. It continues to beep rhythmically along with the ventilator, and her bottom lip trembles as she opens the door, stepping into the waiting arms of her husband as Hen passes her with a pat on the shoulder before walking into Tommy’s room to hold vigil. 

. . . 

“I’m so sorry,  I got out as soon as I could,” Eddie says, dropping his duffle on the floor as he reaches Chimney’s side. “Any word?” 

The older man shakes his head as he stares into the hospital room. He glances over at Eddie, takes him in briefly, before they’re both staring back through the window at Bobby, Maddie, and Evan. 

“No change,” he replies wearily. “They’re trying to wean Tommy off sedation, but it’s not going well, and Buck has seized three times. They’re saying it’s not critical right now, but-..” 

“This wasn’t supposed to be the result of Buck going after him,” Eddie murmurs. 

There’s shuffling behind them and then a ‘hey, Howie,’ that draws both fo their attention. A man taller than both of them but shorter than both Buck and Tommy walks up and Eddie eyes him curiously as Chimney gives the man a sympathetic half-smile. 

“Sal, hey,” he greets wearily, extending a hand to the other man. 

“I got off shift as soon as I could,” the other man comments. “122’s running thin right now. Have you been down the hall yet?” 

Chimney nods. “You should check in with the doctor. They’re not telling us much.” 

“I will,” Sal replies. He glances up through the window. “How’s the kid?” 

Chimney and Eddie both shake their head at him. 

“Does anybody even know what the hell they were doing up there,” Eddie asks. Chimney shakes his head and Sal shrugs when they both look at him. 

“He mentioned planning on flying to try and get out of his head, but I can’t imagine this is what he had in mind.” When both Chimney and Eddie keep staring at him skeptically, he glares at them. “No. If there’s one thing I’m sure on, it’s that Tommy would do the opposite of putting the kid in danger. He’d work directly against that to keep him out of danger.” 

Chimney looks back towards Evan’s hospital room and Eddie gulps. 

“If this is less danger, then I don’t want to know what the worst result could’ve been.” 

[lovedrruunk]

'A Fresh Start 𓏲*ੈ✩‧₊˚🎐[part v]

powder finally made it to the hangout stage (good for her!), and guess she never really realized how good talking to you one on one would feel. [part iv]

✩°｡⋆⸜ 🎧✮ < banger song inspo!!

Powder shuffled along the stone sidewalk, her head down and her hands buried in her worn jacket pockets. The town square was deafening. The noise of it all was something she just couldn’t seem to get adjusted to. Sure, the undercity was loud, people yelling, arguing, running, sounds she was used to, sounds easy to block out. But this?

Easy laughter, happy chatter, meaningless conversation just for the sake of it. It was like a ringing in her ear, irritating her brain as if she wasn’t meant to hear it, like her ears weren’t developed enough to process it. 

Looking up at the people passing by she noticed how all of their faces were unfamiliar. Either she’d never met them, never looked them in the eye, or had totally forgotten about them. She wanted to feel bad about it but she just… couldn’t. All the faces here seemed so generic, like NPCs in a video game. Every face just seemed like a blur. Every face but one.

“Powder!”

And suddenly the ringing in her ear stopped. Your face wasn’t like the others. It wasn’t part of the background. It was clear, vivid, impossible to ignore. You were smiling at her, waving like you’d been waiting to see her. For a second, she didn’t move, didn’t breathe, just stood there like an idiot, staring back. 

It happened. In less than a week, the interaction she’d dreamed of had… actually happened.

It was a weird feeling, to watch the scene she pictured in her head constantly play out before her in real time. You called her name and waved her hello, because you knew her, because you were here to see her this time, not the baker, not the merchant, not your neighbors. The realization made her lips twitch upward and before she could stop herself, a goofy smile spread across her face. She probably looked ridiculous, but she couldn’t bring herself to care.

“Sorry, did I make you wait long?” You asked, catching your breath.

“No, don't worry, I just got here.” She said quickly, shaking her head.

It was a total lie of course. She had been waiting long, long enough to overthink, to second-guess whether she should’ve shown up at all, and to count the cracks in the sidewalk. But it didn’t matter now. You were here, and somehow, that made the waiting feel insignificant, like it had been worth it.

You smiled, not questioning her answer, and pointed down the street casually. “I was thinking we could head down to the river.” you said, like the thought had just popped into your head. “It’s quieter there. I know the noise here can be a lot sometimes.”

Powder blinked, startled by how easily you seemed to know her, like you’d figured out something she hadn’t even put into words yet herself. She hesitated for a moment, her hands still shoved deep into her pockets, before nodding. “Yeah. Okay.”

You started walking, and she followed you without a word, just like she always had. Except this time she wasn’t sneaking around, because you had been walking together. At first, it felt strange. Her pace awkward, her head down, unsure of what to say or do. But you didn’t seem bothered by her silence, didn’t rush her to keep up or pressure her to fill the space between you. You just…walked, calm and easy, without a second thought.

The town square got quieter and quieter, replaced by the faint sounds of nature, birds chirping, the occasional rustle of leaves, and the distant sound of flowing water. Powder glanced up as they rounded a corner, catching the sight of the river. 

The water wasn’t super deep where you guys were, she could see the smooth rocks under the water from afar, some sticking out a little. She couldn’t remember if she’d ever seen water this clean or blue. The sun was out, but not in an annoying way. Just enough to keep things warm without making her squint. The wind was nice too, just enough to ruffle her hair, the perfect balance of warm and cool. The only sounds she could hear now was the soft splashing of water and chirping of birds 

For a second, she thought about how different it felt here. Like the world had slowed down just for you two. She glanced over at you and caught you smiling, like you’d been here a thousand times, like this was just another day for you.

When you reached the riverbank, you didn’t hesitate. You spotted a bench with a clear view of the water, sat down like it was your favorite spot in the world, and gestured for her to join you.

“See? Way better.” you said with a grin, stretching lazily.

Powder lingered for a second, her eyes flicking between the bench and the water, before finally sitting down. Stiffly. Like she’d never sat down a day in her life, or like the bench might break just to spite her. She looked around, her arms stuck to her sides, half expecting something to go wrong.

But nothing did.

The river kept flowing, and the trees kept swaying. The world didn’t seem to care that she was sitting there, that she felt out of place.

And then there was you.

You didn’t seem to care either, not in a bad way, but in a way that made her feel like it didn’t matter if she was awkward or didn’t know what to say. You were just… there. Sitting beside her, relaxed, watching the water like it was the only thing that mattered.

Powder shifted slightly, her arms relaxing a little. She wasn’t used to quiet like this, the kind that wasn’t filled with tension or internal voices, the kind that didn’t demand anything from her.

She still felt a little off, like she was waiting for the other shoe to drop. But for the first time in a while, it felt like maybe… maybe nothing had to go wrong.

“So, how are you liking the town?” You asked, breaking the silence.

She thought about it for a bit. It was such a simple question yet she had no idea how to answer it. Where would she begin? It was nice sure, peaceful, lively, the perfect place to settle, but how did she like it? Guess she never really thought about it. 

She liked her cabin. She made it her own and it felt nice to have a place to herself. She liked the market, even though she was always quick to scurry out of there. She liked the kids in town, she’d sometimes linger by a little longer and listen in on their conversations. Sometimes they’d be arguing over something stupid like who won which game, other times they’d be happily chasing each other around. She liked you, of course.

Sometimes she wondered what it would’ve been like if she had moved here earlier, before everything went wrong. It was a selfish thought really, but one she found herself often staying up picturing. Afterall, she knew someone who would’ve loved to play with the kids in town. She would’ve liked you too, would’ve liked this new life.

“It’s nice.” She muttered, keeping her eyes on the moving water. 

“Seriously…? That’s it?” 

That made her chuckle. She turned her head to look at you with a small smile and furrowed brows.

“What? It is nice.” She exclaimed

You stayed silent, rolling your eyes with a small ‘hmph’ looking away. 

“It’s also… new.” She continued after a small bit of silence. “Believe it or not, I’d never seen a forest before coming here… oh, or water this pretty.” she added absentmindedly as she took in their surroundings.

“Oh right, I’ve been meaning to ask. Where did you live before you came here?” You asked curiously as you turned to look at her again.

There it was, the dreaded question. Well, one of them. There were a lot of questions she was dreading. But she figured this one would come up sooner than later. 

It wasn’t like Zaun was known for its great living conditions.

She’d be lying if she said she wasn't nervous, she didn’t know how you’d react to her being from somewhere so… Scary? Dirty? Horrible?... she figured any one of those could work. A part of her was tempted to lie, say she was from Piltover or somewhere else that's fancy and shiny, but she knew she couldn’t do that to you, lying now? So early into your conversation? No way. And besides, she doubted she could stomach the idea of calling herself a Piltie.

Her throat felt dry, and her voice came out quieter than she intended.

“I… I’m from Zaun.”

“From where now?”

“The Undercity.”

There was a pause.

“Piltover.”

Still nothing.

She blinked at you, deadpan. “The ‘City of Progress’?”

Your expression lit up in sudden recognition. “Oh! With the Hex Portals?”

She didn’t even have the heart to correct you… 

Your confusion confused her, but she wasn’t exactly mad about it. It was... surprising, in a good way. Guess all that worrying was for nothing. She couldn’t help but feel a strange sense of comfort in your cluelessness, like it drew an even thicker line between her past and her present.

“Yeah, I’ve heard of it.” you said, your voice casual like this was just small talk. “Hm. It’s a long way from here, though. What made you leave?”

Her body stiffened. What was it with you and these dreaded questions? She shifted uncomfortably, her eyes darting back to the river.

As much as she wanted to be annoyed at you for asking the one thing she wanted to avoid, she knew she couldn’t. It wasn’t the question that was the problem, it was her answer. Anyone else might’ve taken it as a casual, perfectly normal thing to ask. The issue wasn’t you. The issue was her.

She opened her mouth, trying to come up with something to say, but nothing felt right. Her chest tightened

Thankfully, you seemed to catch on to her hesitation. Your voice softened. “It’s okay if you don’t wanna tell me. I get it.”

She hadn’t realized she’d been holding her breath until that moment. Her shoulders relaxed slightly, and she gave you a small nod, grateful you didn’t push for more.

“Well,” you continued, leaning back on the bench with a smile “whatever the reason, I’m glad you’re here now,”

She smiled again, her heart warm-

“even though you were kinda creepy at first.”

“What!?” Her head snapped towards you.

“Why is this surprising? You were like totally stalking me. Kinda had me worried.” You said casually with a laugh.

“Well- I didn’t- I wasn’t trying to be creepy.” She said defensively. “I just thought you were cool…”

Your teasing grin faltered, replaced by a look of surprise.

You blinked, clearly taken aback. “Oh.”

Powder winced, feeling like she’d just made things worse.

“Oh?” she repeated, nervously twisting her fingers together.

“Sorry, just didn’t expect that.” you said, your voice softer now, glancing down at the ground.

Her eyes darted away. “Was that... weird to say?”

“No, no,” you said quickly, shaking your head. “I mean,” You laughed a little, still processing. “I didn’t think I’d come off as cool to anyone, let alone you.”

Her brows furrowed, she almost looked…offended. “Why not?”

You shrugged, a sheepish smile playing on your lips. “I don’t know. I think I’m pretty average overall. My life’s pretty mundane.” You said looking towards the sky absentmindedly. “No mysterious backstory, no crazy hair.” You finished with a laugh as you looked back at her again, only to be taken aback when you were met with a stern face.

“That’s what makes you cool.” She said, like it was the most obvious thing in the world.

You just sat there staring at one another. Her face still serious and yours all the more surprised. 

“If you say so…”

Powder nodded sharply. “I do say so.”

Then you smiled, like you weren’t sure whether to laugh or say thank you

“Well... thanks, I guess,” you said finally.

.     .     .

The sun was starting to set now, the gentle sound of the river filled the quiet, and Powder found herself feeling lighter than she had in a long time.

“It’s nice here,” she said, almost to herself.

You glanced over at her. “Yeah. It is.”

You leaned forward, tilting your head to get a good look at her. “We should do this again sometime. Y’know, hang out.”

Powder blinked, looking over at you. The casual way you said it made her chest ache in that strange, unfamiliar way again. “Yeah,” she said softly. “I’d like that.”

You smiled at her, a small, genuine one that made her stomach flip. Then you stood up, stretching contently.

“Come on,” you said, reaching out a hand to her. “We should head back before it gets dark. Can’t have you tripping over something.”

Powder rolled her eyes, smiling back. “I’ll have you know, I’m very good at walking.”

“Yuh huh,” you teased, grabbing her hand to pull her up anyway. “Whatever you say creep.”

“Ugh.”

. . .

"next part will def be out before new years!" i said knowing damn well it wouldnt be LMAO guys pls i have a life outside of tumblr OH MY DAYSSSS shocker ik

anyways sry this took long (i rewrote it TWICE) im actually not thattt happy with it STOP I CAN ALREADY HEAR THE BOOS AND TOMATOES BEING THROWN ik guys im never satisfied BUT TO POST SOMETHING I TRULY LIKE IT WOULD TAKE A WHOLE 2 MONTHS AT LEAST

ALSO THE STORY IS COMING TO AN ENDDD IM HEARTBROKEN TOO BUT BUT BUT DW I still plan on writing for this "au" or wtv, ill make a separate post explaining why/how ;P

THX SM FOR STILL READING I LOVEEEEEE U GUYSSS BYEBYE XOXOXO KISSKISSKISS

p.s ik jinx leaving zaun before act 2 wouldve been pointless cuz she needed the closure i just wanted to write abt her thinking abt it ;P

notes r appreciated ofc (˶ > ₃ < ˶)

[taglist ( ;´ - `;)!!]

@cattjull @kenqki @powderbomb-jinxed @iamastar @lostdreamingwallflower @errorlovernotfound99 @raven437 @cartalige @poncho-fisch @crushh-existz @slxtcity @jinxslapdog @radioheadfan699 @alduinworldeater11 @dulleyeddreamer @alicenasflowers

[USERS I CANT TAG 4 SUM REASON (◞‸◟；)]

@sacrasm-is-my-form-of-attack @wonylvxv @luvs4rc0r3

[jenroses]

applied fork theory:

So a constant, irritating drain on my energy has been an artifact of parenting my last baby, who is now 13 years old. That is, my bed was very close to the wall of our bedroom, moved out a little at one point (it was against the wall when he was tiny and cosleeping, to prevent falling off, but moved out later) and the dresser was at the foot of the bed, in order to make room for a couch in the room that is no longer in the room and hasn't been for ehhh 5 years?

So in order to get out of bed, I would have to scootch and climb across our memory foam mattress in order to get to the foot of the bed to get dressed and then work my way around The Stuff in order to get out of the bedroom.

I knew this was draining, but I didn't realize HOW draining.

One of hubby's presents to me was 20 hours of deep cleaning from a professional, and she brought a friend to use 7 of those hours (3 1/2 actual hours, but two people) to deep clean the room and then move the furniture around. Now my side of the bed is right next to the door, the dressers are to the SIDE of the bed which makes the whole room easier to navigate, and there's enough room for hubby to easily walk around the bed to get to his side of the bed. I can just... get out of bed?

I don't have to scootch? Or climb? Or roll across the entire width?

And suddenly I'm able to focus on other areas of the house.

I asked for hooks for hanging things by the front door for christmas, and my dad and my eldest put them up over the weekend, and I was like, "I have enough energy to get the coats up there" and suddenly the coats were off the Horrible Heap on the floor and I could see all the reusable grocery bags so I had someone take those out to the car and then we could see The Place Where Shoes Go To Die.

And I made everyone in the house put all the ones they weren't using anymore in a bag, and we found a shoe organizer in The Horrible Heap place, and now all the shoes are organized and there is no horrible heap anymore.

And then I looked at the dining room and one step at a time and asking people for help as needed, we got all the junk distributed and the tables clear and the 3d printer set up.

So over the course of about a week and a half, the house is suddenly much more livable and is not sucking so much of my energy. I'm still spending most of my time lying down, ME/CFS is not cured by a clean bedroom, but this morning I woke up after something like 10-12 hours of sleep (in a couple chunks, but still) and got dressed and went downstairs and got my breakfast and still had enough energy to make the kitchen less overwhelming and more usable. Not to actually do the dishes, but to make the dishes stacked, soaked where need be and not spread over every available surface of the kitchen, such that when someone more able than me goes in they will start with a mostly empty sink and some space to work.

Anyway, the point of all of this is that sometimes judicious application of help can have ripple effects through most of your life. Think about the things in your life that are making it harder than it has to be. Are they fixable? Is there someone who can help you with something highly specific? Maybe one of those people who said, "If you ever need anything, let me know..."

[thewadapan]

Maybe Nost's best story! Also his least fun. Definitely did not like reading most of it. Would recommend reading... maybe any of the others over this one?

I think with The Apocalypse of Herschel Schoen, Nost has managed to write a book which is haunted.

Stepping back a little. Herschel Schoen seems to have been conceived almost as a short story, which only happens to be as long as it is as a result of the (deliberately) belaboured and verbose prose used by all the narrators. It's much closer to The Northern Caves in this respect, which I remember as being mostly straightforward and intelligible, with only the highly-divisive ending leaving me with a dangling "??????" to grapple with. Meanwhile, with Floornight and Almost Nowhere, I often struggled to keep up with the object-level facts of what was even happening in the plot/world, and I feel like I mostly read those stories "on vibes", following them mostly in terms of their subtext.

So yeah, Herschel Schoen to me felt like it was using the "fairytale" format of being a Christmas story to streamline things as much as possible, such that both the object-level events of the story and the batshit conceptual-melting-pot subtext were more or less legible to me, despite Herschel's incredibly unreliable prose. There is a sense in which it feels like a children's story to me. It has very few characters, and those characters are extraordinarily archetypal.

So I do think Almost Nowhere retains its crown as Nost's most ambitious, most revolutionary, and most complex novel—if I say that I found Herschel Schoen "better", it's only because I feel I was able to understand it. It speaks more to my failure as a reader than anything.

In terms of my experience as a reader, it was fairly similar to that described by @recordcrash in his review. Most of the story is a fucking struggle to get through, mostly because of... the prose? The pacing? These issues are really the same issue: what few events occur in the book take ages to describe, and the fact that every recounting takes forever means that there physically isn't room to cram in more events. And as Makin Recordcrash puts it: I just don't enjoy hearing the thoughts of an unwell mind, particularly at length. All of Nost's books have it, this entirely-made-up concept which "you just wouldn't understand" but which it nevertheless will tell you about at length. There's Salby and mundum in The Northern Caves, there's Azad and the aliens in Almost Nowhere, there's whatever the metaphysics shit was in Floornight (I forgor), and this is the book that has the most of it, proportionally.

(My girlfriend bounced right off it- actually, let me use this opportunity to tell a story. When we first met, we were talking about the internet or something, and for whatever reason at one point I unironically said something like "oh yeah I read this cool novel set on a forum but you probably wouldn't have heard of it" and she just went "oh do you mean The Northern Caves?" and I briefly became convinced that she was some sort of psyop intended to oneshot me, a notion I have still not been able to shake over two years later. Point is her remark on the first two chapters of Herschel Schoen was something like "it's too Nostalgebraist for me", which I think is understandable.)

Anyway, like Makin, I struggled with most of the book, only for Chapter 21 to be so fucking good that it sort of retroactively made the rest of the book good, at least insofar as it was mostly necessary to set up such an audacious ending? Even knowing that this had been Makin's reaction, I wasn't prepared to believe it—again, usually Nost books are very much the other way around—but lo and behold, the twist is in fact very clever, very fun to read, and very aligned with my aesthetic interests.

All that said, I do feel like Makin sort of bombed through the book (by comparison, it's taken me almost two weeks to finish it), and maybe missed out on some of the more fun and interesting stuff the book is doing on a thematic level. Below, I'll try to delve into my interpretations in more detail.

I've seen a few takes from people that the main thematic throughlines of this book are a bit disconnected from one another, but to me this couldn't be further from the truth.

I identified four main themes, in descending order of prominence: "neurodivergence", "AI", "media", and "capitalism". I guess you could say "Christmas" is something of a fifth ur-theme, which dovetails into these in superficial ways:

Neurodivergence—the idea of "believing in Santa Claus" is framed as stunted development, a delusion which reveals someone to be less mature mentally than they are physically. The book is specifically concerned with contrasting dysfunctional "child" behaviour with functional "adult" behaviour, flipping these ideas on their head by having Ruth and Miriam basically lose it over the course of the story. A sister inverted. Also, the "preparations" needed to be made before Christmas morning are very much analogised with obsessive compulsions, right?

AI—like Santa Claus, something which promises to fulfil all our wishes, instantly, at the same time.

Media—particularly in terms of relations between Christianity and... secular Christmas, right? The story is very much riffing on the structure of Christmas stories specifically. To me, it feels like a world literally dreamed up based on Christmas stories. That, more than anything, is why it's set in New York, I think.

Capitalism—notions of "wanting", of meritocracy. I don't know, we all know "A Christmas Carol", I don't need to explain this one.

Like, if I had to guess at the genesis of this book, based on Nostalgebraist's comments, I feel like it's taking the starting point of "story about what if the AI doomers were right" -> "through the lens of Christmas" -> "[everything else in the story]". Of course there are tons of other influences in there, but those to me feel like the two ideas with the most explanatory power.

But even if you discount the underlying idea "Christmas", I don't think you could tell a good story about AI (in its current form) without writing about neurodivergence, media, or capitalism. If we're tasked with imagining a non-human mind, it makes sense to first imagine the most-non-human human mind, right? If we're talking about the machine's output, its facsimile of media, we have to talk about the real thing too, right? And if we're asking about the purpose of AI, what exactly it is we're trying to industrialise, what scarcity we are trying to erase, then we have to talk about capitalism as well! For me this was all perfectly obvious, I dunno.

I was pleased that I noticed many of the same things @weaselandfriends identified in his list of observations on the book. When it described the wall of doors in the living room, my mind went, "that's fucking weird!", though I didn't really think too deeply about it. The same things goes for all the anachronisms, which I think is one of the story's best gimmicks. Yes, for most of the story, they serve to create a "timeless" atmosphere, evoking all these Christmas stories at once, while simultaneously putting into doubt the reality of what Herschel and Miriam are describing.

But then, of course, with the twist, I think it's pretty hard not to read these as anything other than hallucinations conjured by the AI. And what I think is particularly brilliant is that the story at no point calls direct attention to the anachronisms as being of particular significance—you only notice them because you know enough "facts" about the real world to notice them—which naturally calls into question the elements of the story which are wholly ficticious, where there's no ground truth to compare against. Just how real are Herschel, Miriam, Ruth, anyone!? And does it even matter how real they are?

Part of the book's "magic trick", as I read it, is that both interpretations of Herschel's POV are able to coexist within the reality of the story. We can imagine that there really existed a boy perhaps called Herschel Schoen (just as we can imagine there really existed a guy called Jesus? This is silly, pretend I didn't say that) who perhaps lived in New York City and lived with some kind of delusion, perhaps regarding an Original Creation that only babies remember. Like, even this much isn't certain, perhaps Herschel is entirely hallucinated; the story is in fact preoccupied with the question of whether or not there's even any difference. Anyway, at some point, the AI apocalypse happens (I think this is one thing we can be pretty confident about), and for the AI's own purposes, Herschel is resurrected/recreated (again like Christ- disregard this aside!) in an "emended" form, where whatever changes are made mean that he is in fact right about the Original Creation and the future etc, his mind really was tampered with. The concept of "emendation" seems to me to be the biggest point in favour of the book overall believing that a substitution is not the same as the original; that the "transformation" of one shape into another does not mean it becomes the other, as its own history remains distinct (much as the "original" events of whatever happened to the "original" Herschel on the "original" Christmas Day can be said to have, in some sense, happened—and cannot, should not, be "forgotten"). But maybe these elements of the story were intended to be disparate, though, or related in some other way, and I'm just conflating them?

One of my favourite interpretations that I've seen raised in a couple of places is that Herschel's writings, with which he literally armours himself, are in fact literally protecting him against oblivion, because the AI can only learn based on the written word or recorded speech. It doesn't really matter what happens to the papers, so long as they are written at all. Herschel pours so much of himself into those papers so as to be understood, and in the end he is understood—if not by Miriam and Ruth, then by the only being he needs to be understood by: this machine. He secures his own existence, in at least some limited form, in the "Original Creation", simply through his writing. I think Herschel is the "most real" part of the story.

It's Miriam, though—the second-"most real" element—that I think makes this story haunted. It's the way she packs all those papers into a suitcase, and for the briefest of moments you can breathe a sigh of relief, that we're one step closer to understanding how this book came to be, in-universe. But immediately, it's obvious that this explains nothing, it explains less than nothing, because there are all these chapters which just don't fit, they can't be neatly contained in that suitcase. Bavitz draws direct parallels between the inexplicable frame narrative and the anachronisms, and he's absolutely right to do so. The story is often very careful about providing something which looks "quite right", at a glance, but the moment you think about it, this pit opens up under you. Something about this metatextual conceit actually makes my skin crawl.

It feels pat to say, "oh, that's because it's trying to evoke AI hallucinations". I feel like that's only part of it, because again, most of Nost's novels have this to some extent. But yeah, I think if you wanna read Herschel Schoen as a horror novel, then this is what is scary about it. Conceptually, everything with Miriam mainly recalls for me the idea of "crashes" from Almost Nowhere, which were one of the big horror elements there, the idea that the world you're walking around in is actually, imperceptibly, some kind of not-world filled with not-people. But more directly, I find myself remembering a bit from the third act of OCTO (a criminally underrated and under-discussed webnovel) where a superintelligence is trying to "resurrect" a human, and keeps putting her in increasingly-lifelike simulated "habitats" to try and create the right set of "inputs" that will make her function properly—i.e., without just like, screaming. I feel like that is what we see happen to Miriam in this book. I feel like, when the lights go out, at the end, it has nothing to do with light at all: it's more that the machine just no longer needs to simulate a world for Miriam, at all. The transmission stops. And then what becomes of her?

I think this sort of brings us to Ruth, doesn't it? A big point is made about how there's a difference between "Miriam" and "my sister, Miriam". As though in the latter, the reality of "Miriam" in the training data is watered down by all these tropes surrounding sisterhood. I mean, fuck, maybe that's where the incest stuff comes from, right? I feel like similarly, there's a reading for Ruth where the AI is first conflating these images of "a mother" with these images of "a terrorist". She acts like a fucking cartoon character for much of the book, as many of the less-well-drawn characters do, and I think that's entirely deliberate. As she draws more on the "terrorist" tropes, she stops being a "mother". And again I think this is what Nostalgebraist has always done so fucking well, in that the bullshit sci-fi allegory stuff can also just be read on an entirely character-driven level: here is a resentful, neglectful, ultimately abusive mother, here's the emotional reality of that, heightened and communicated.

I think this provides a vague stab at an explanation for the beating scene that Bavitz found so confusing. It's like the AI draws on this trope of like... the mother, in the kitchen, with the frying pan. It puts the pan in her hand. But it's not actually a frying pan, it's just the image of a frying pan. In reality, did Herschel's mother beat him? How did she beat him? Hell, maybe she didn't, maybe the AI just got so caught up in playing out the trope of the abusive parent that is gets to the point of this beating, and then just dream-logics itself to the next thing in its training data, where of course the beating never happened. I don't like that, it feels like we're gaslighting the kids here (which I think is very much the allegory intended) by saying it was just a hallucination. I think something like it happened in reality, and cannot, should not, be "forgotten". But I think the book does want you to think that its depiction does, in some way, break from reality. Hell, in much the same way that child abuse might be said to break the reality of family? Nah, that's too pat, isn't it?

I guess what I'm trying to get at here is that, ironically, I found the novel was at its best, and at its most human, when it was writing frankly about the experience of mental illness, about family, about institutions, about childhood. So what's maybe frustrating is that I'm not actually convinced Nost is capable of writing a... shall we call it a "normal" story about those things? A story with no metatextual bullshit, no sci-fi conceit, but a realist story. There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

But honestly, I wouldn't have it any other way. Straightup, if these were normal stories set in reality, I wouldn't be fucking reading them. This is a web author who's trained himself on a bunch of classic lit, and a bunch of anime or whatever, and has smooshed those influences together and rocket-fuelled the result. It's inimitable. I deeply admire just how experimental Nostalgebraist's writing is. No-one else is doing it like him.

Anyway, what else. Herschel gets described as having a "shell" at various points, and Frederick's surname is "Eggert". Is that anything?

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[robynlilyblack]

Perfect

Sirius Black x fem! insecure! reader

Summary: Sirius comforts his girlfriend when she’s feeling insecure

Warnings/tags: swearing, mentions of weight gain, body dysphoria, insecurities, eating, nudity and sex, established relationship, best friends to lovers, Sirius black is the best boyfriend, muggleborn! reader

A/n: 3.8k words, thank you so much for the request, it didn’t trigger me don't worry lovely, i poured a lot of myself into this one, this won’t be everyone's experience but it has been mine post 'recovery', enjoy xxxx

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The soft jostling of the front door pulls you from your thoughts, the reality of the last couple of hours falling upon you as you look around yourself. There was no point in moving now, nor did you honestly think you would be able to bring yourself to. Sitting in nothing but your underwear at the edge of the bed, surrounded by piles of clothing that lay scattered like fallen soldiers after your battle for the ‘perfect’ outfit. A ridiculous notion wasn’t it? ‘The perfect outfit’? The consequence and impact of such a notion remains less ridiculous though, as you hold the latest victim to your stomach, hiding yourself away for when that door finally opens

After a short eternity, the latch clicks, and the hallway illuminates the land outside your bedroom for a brief moment before it recedes “Hi darling! Just me!” Sirius’ calls out from the darkness, slight jingle following it as he locks the door behind him

He sounds so happy, you think at his chipper tone, your lips quirking up at the sound despite it all before they fall once more, he’s going to be so disappointed 

There's anticipation in the silence that follows his footsteps, he must wonder where you are, if you’re even in or have popped to the shops, maybe he’s searching the fridge for a note. The electric hum of your record player gives it away in the end, even you jump a little as you had forgotten about it, watching it turn before the needle softly falls, the hum becoming a symphony once more

His footsteps approach the bedroom, a curious look at his head pops into frame before the rest of him, most likely expecting you to be dancing, or maybe finishing your hair, anything he can sneakily admire like he normally does. Instead you watch his expression soften into concern, eyes darting around the room. Your bedroom was normally a little messy, but today it was like someone had ransacked your wardrobe… that someone being you. 

When his eyes find you again you wonder what you look like. He must catch the tear stains on your cheeks and puffy eyes, but is your hair as frizzy and frazzled as you feel after all the quick changes? Does he see you the way you see yourself should you dare to glance in a nearby mirror?

“Hi” you impress yourself with how steady your voice is

“Hi” he smile softly at you, voice gentle as he makes his way over to the bed, kneeling down in front of you, hand coming up to brush against your cheek before falling and resting on your knee, tracing soothing circles 

You manage a weak smile back, trying to push away the embarrassment as he has to shift a little to the side due to the buttons of one of your shirts “I’m sorry about the mess” you apologise, keeping one hand on your jumper while the other finds his, fingers intertwining 

He lets out a breathy laugh “Mess? Darlin we both know this is cleaner that my flat has very been” he teases lightly, but then his eyes turn glassy “Oh darling” he coos, wiping away a stray tear you had missed

You never wanted him to see you like this. You’d known each other for years, but he never knew the depth of your struggle, nor how much worse it had gotten now you and he had finally taken your relationship to the next level. No, this was something you had kept to yourself, a battle until now you thought you had under control, thought you were long past

“I’m not doing so great today Siri” you confess, voice small as you lean into his touch

You hold your breath a little as his eyes fall upon the clutched fabric around your stomach. Little did you know he’d noticed this behaviour before when you thought he was asleep. He recalls last week when he woke to find you in front of his mirror, shirt hiked up as you poked and prodded, scrutinising the reflection. He didn’t say anything then, just made sure to show you later how much he adored every inch of you

But now seeing you like this, so defeated, he wishes he had done more

“Yeah?” his tone inflects and you give him a little nod “There’s nothing I can say that's going to make this better is there? Not really?” he wonders, not mad, nor judging you, he’s just him and he understood even if it did hurt 

When he and Remus had dated back at Hogwarts, Sirius had gone about trying to help him in all the wrong ways. Being the hot head he was, sprinkled with youthful arrogance, he used to get so upset at how his boyfriend had spoken of himself. Over the years, and after the relationship has blossomed back into friendship, he and Remus had more productive chats about it all, apologies were said, and Sirius learned more about the thought process that went through his friends head in those moments.

You were different from Remus of course, Sirius didn’t know what drove your insecurities but he knew he would be patient with them, help you in anyway he could, and that started by listening to you

“No” you answer honestly “I wish there was though. A magic word or sentence that could make it all disappear” you confess “But everytime I look in the mirror all I can see is what’s wrong”

“And what is wrong?” he encourages you to continue as he lifts himself up, being careful of your clothes as he joins you on the bed

Your legs fall from their crossed position, head falling onto his shoulder as your knee shifts to touch his “Everything” you admit, tightening your grip on the jumper, while Sirius' arm slips around your back, fingers gliding across your bare skin “No matter what I try on, it never feels…right. Even outfits I was excited about. I take one too many glances in the mirror and poof…” you shrug, throwing your hands up “...suddenly all I can see is my stomach” you look up at him through your eyelashes, nervous of what he’ll think, but instead he wears that fond smile he always did when he looks at you

“Keep going” he nods, leaning down to kiss your forehead 

Your heart swells at the gesture, a tiny downturned smile grazing your features as tears prick your eyes “Why are you being so sweet with me?” you ask, even though you already know the answer, that little girl inside still needs to hear it aloud

His movements never stop on your back and his other hand finds the side of your face, gently caressing your hairline, endlessly tucking that little piece of hair behind your ear “Because I care about you. You’re my best friend” he answers simply “There’s no one else that comes close anymore”

“Not even Prongs?” you ask, eyes lighting up with a tiny smile that always sends his heart into a tizzy

“Not even Prongs” he confirms with a chuckle, tapping your nose, adoring the little scrunch it makes “So” he shifts the subject back “What happened today?”

“Remember last week when we couldn’t sleep, so we watched movies all night?” you prop yourself up

Sirius’ smile widens at the memory “Course, we watched the one that was like us but way less cool and then…ugh i can’t remember but I do remember what we did when the movies got boring” he flirts, wiggling his eyebrows, making you giggle and playful poke his side causing him to yip “You little…”

“Siri!” your giggles turn into laughter as he starts tickling you, hopping onto his knees as you fall back onto the plush of the duvet, squirming under his sweet torture “I yield! I yield!” you squeal, holding your hands up 

He relents “Sorry darlin', I couldn’t resist” he tells you, kicking off his shoes before falling onto the bed beside you, propping himself up on his elbow while his other hand finds your hip, eyes lost in admiration for a moment before they find yours “What were we talking about again…” he looks off to the side, avoiding your hips as not to lose his train of thought once more “...ugh…tickles…getting bored…movies!” he celebrates "The movie" he gets serious again, lips pressing together in a way that tells you he wishes he could say sorry, even though you both know he doesn't need to

You place a sweet kiss to his lips, letting him know it’s okay before shifting onto your side, mirroring him “I couldn’t stop thinking about how cool the outfit the girl wore in the first movie was, so I wanted to try and recreate it for drinks tonight” you explain, eyes widening as you realise the time “Drinks…oh, we’re going to be so late” you sigh, head collapsing into the mattress beside him 

Sirius rubs your back “Darling when are we not late” he chuckles, making you peak out at him 

“I’m still sorry” you needlessly apologise, feeling awful 

“We don’t have to go, you know?” he assures you, his hand sliding up to your head, giving your scalp gentle scratches 

You tilt your head back, humming into his touch “I do want to go” your eyes flick back to his “I just…don’t stop!” you pout at him in mock anger, he really should have known better

He chuckles “Sorry darling” he apologises, placing a quick peck to your forehead before resuming his movements

“Good boy” you can’t help the grin, watching as he shakes his head slightly, now it’s you who should know better about what those words do to him...but then your smile drops “I just wish I could magic myself there without having to choose, like I need to look a certain way” 

“What kind of way?” 

“Honestly?” you shrug, shaking your head “I don’t know anymore. All I know is whatever I try on it never looks or feels right. Like back at Hogwarts, I didn’t tuck in my jumpers because it looked cute. I tucked them in because I thought I looked frumpy with them out” you confess, pit swelling in your stomach

You hated yourself for your thought process, for the years of walking into rooms,and having your night made or ruined based on how your body measured up against others

“That sounds really hard” he says softly while his fingers graze your hairline

Your body relaxes at the validation 

“Why haven’t you ever talked to me about this?” he asks, no pressure behind his words only care

“I didn’t really tell anyone, mostly because I never realised everything I felt and did wasn’t normal until a couple years after we left. I worked hard on it and I thought my days of this…” you gesture to the mess “...was over” you let out a sad sigh

“What happened?” 

Sirius’ heart drops a little bit, this was the part he most worried about, had he brought this back? Had he said something that accidentally had a double meaning for you? 

“A couple weeks ago I found the pair of jeans I wore on our first real date.” your eyes drop to the duvet, hands playing with the slight frill in the material as you recall the memory “They don’t fit anymore Siri” you scrunch your nose attempting to suppress the tears “Nothing fits I’ve…I’m…I don’t like it” you finally get out 

“Oh honey, come ‘ere’” he hithers, holding out his arms

It doesn’t take long for you to fall into his embrace, head nuzzling into his chest as his arms come protectively around you

“I know it’s silly-” you sniffle into him, but he cuts you off sweetly with a soft tut

“It’s not darling and you’re not either” he cups the back of your head, bringing you gaze to his to hone in his latter statement “I don’t think it’s silly at all, I think this is really hard and I wish you didn’t have to go through it all alone” he smiles sadly, pain evident in his eyes 

“Did you notice?” you feel like you already know the answer

He caresses your cheek, eyes a little glassy “Little bit bub” he confesses “I noticed something' was off, but I didn’t want to push it until you were ready”

“Really?” he nods

“Darlin…” his demeanour turns from playful to sincere “...no matter what size or shape you come in, I’m always going to love you. I didn't fall for you because you looked a certain way. I fell for you because you made me feel like I was worth a damn, not just for a night but everyday. You believed in me every time I couldn’t, you put up with me forgetting everything every two seconds, not to mention my grumpy side when I have to wake up early…” you both chuckle together “...and above all you make me feel like the most special person in the entire world every day”

“Because you are special” you say simply to which he taps your nose with his own

“And so are you. So until you believe the version of yourself I see, I will, and I'll help anyway I can…starting…” he grins, uncoupling himself from you and getting off the bed ”...right now!” he gestures for you to join him “Come on love lets see ya” you do as he says, a nervous yet happy smile across your face as you stand near bare before him, no jumper protecting you now “Well whatever you wear has to match the underwear…good godric woman”

His hands find his hips, shaking his head as his eyes track across your frame, drinking you in like man that's been lost in the desert

“Flirt” you smile up at him

“Only for you” he throws you a wink, relishing in your slight fluster before turning to the rest of the room “Okay…let's try something simple” he suggests, scanning the pile of discarded clothes "How about the outfit you wore that day we went to the...aww what's it called, it's one the funny muggle picture places but with the cars"

"The drive-in cinema?" you decipher with a laugh, it was easy to forget Sirius wasn't brought up the same way you were

"That's it!" he cheeses at you "Yeah the sin-e-ma...you wore an outfit kinda similar to her in the movie but way more you"

As Sirius starts raking through one of the piles, you take a moment, glancing in the mirror closest to you, you could only really see your head and tips of your shoulders in this one thankfully, but in your gaze you realise you were right to be worried about the fizz, the many different shirts and jumpers had wreaked their havoc. You move closer, unaware of Sirius finding the clothes you wore that day, nor his adorable struggle to turn one of the legs back from being inside out. 

He soon joins you at the mirror, placing the clothing on the dresser beside you “You know love…I might be a little bias but I think it looks great, it’s messy in a good way…” he smirks earning an eye roll from yourself as you know exactly what kind of messy he's referring to “...though if you're worried about it being too sexy lets..." he grabs a clip and hair tie from your pile, moving behind you and gently gathers the top half of your hair, letting some parts fall to frame face before he secures it with the tie and hides it with the clip "...pin half of it up, that way I can see your pretty face much easier” he kisses your cheek before spinning you around you around, admiring his work as he fixes the front pieces “Perfection” he says to himself with pride

“Siri?” 

“Yeah? Oh…is it too tight?” his movements stop, resting gently at the base of your jaw

“No, it’s perfect” you smile, glowing under his care “It’s just you probably should have done that after I put my clothes on” 

Sirius laughs as he realises, then shrugs “Ahh well if it falls out I’ll do it again, here I’ll help ya” he moves around you, holding the collar of the top and helping guide it down, avoiding the clip to protect his masterful work

“Hey that worked” you extend the first word, hand going up to check your hair was still in place

“Hey now, my plans always work! Maybe not always as intended but they al…wait no there was that time with Filch's cat…but that was an accident so it doesn’t count” he argues to himself

“Tell that to the cat! Poor girl was bald for months!” you try to counter but end up having to cover your mouth a little as you can't help the giggles 

“Her fur grew back” he hands you some bottoms “Besides, you were the one that mixed the potion darling so if we are casting blame here…” he trails off as does his eyes but you don’t notice that part just yet

“Siri, you…he’s gone isn't he” you say to yourself, shifting your weight from side to side as he admires you shamelessly “Siri” you gently hit him with the fabric in you hands

“Sorry darlin” he scratches the back of his head “Thighs” he shrugs like it was the most forgivable answer in the world

“You’re silly” you giggle before turning around, deciding to hiking up your jumper a little and give him a little show as you slide into your bottoms 

“I love you” he says simply, leaning against the wardrobe beside him as he admires your extra wiggles that are only for his benefit and his heart swells a little with pride as he’s helped you to momentarily forget your worries

When you turn around you find him wearing your favourite smile. The one reserved only for you, both now as two silly adults, and back when you were silly teenagers. You both should have realised far sooner your affections and feelings were more than what they were, but in the end both of you were always happy with the way your story planned out. You both needed that time to become the people you were now, to grow, to become this. 

“I love you more” you challenge sweetly

“Not possible…” he moves closer, finding your hips as he slides his fingers up and under your jumper “...and if you say one more word we really will be late as we won’t be going at all” his fingers find the loops of your trousers, tucking you flush against him

You squeal a little “Fine…you win for now cause we don’t have time…well” you nod your head back and forth considering it before turning back to Sirius “…no no we don’t have time” you shake your thoughts away, causing the man before you to chuckle

Sirius helps you finish off your outfit, picking out some boots that just so happened to be one's your boyfriend was partial to, ones with some lift that he says makes you easier to kiss and your arse look even better, but really he loves them because when you take them off later tonight he gets to pat your head and tease you about being a little shorty. You grab a belt that matches your shoes, along with some other bits of jewellery, particularly the necklace Sirius had gifted you for your birthday after seeing your reaction to it in a vintage store a few months prior. The same gift that led to your first kiss all those months ago, there wasn’t a day you hadn’t worn it since.

Just as you’re admiring the locket Sirius wraps the exact jacket you were thinking of around your shoulders, but before you can say anything he just winks “Can’t reveal all my secrets darling, need to keep up that sexy mystery you fell in love with”

You just give him a small look though the mounted mirror but all he returns with is a pity pout and you concede “You are very sexy and mysterious love” 

He smirks then, all proud of himself that his puppy eyes still work, but as you move to the floor length mirror near the door of your room to check the rest of yourself he stop you

“Nope” he steps in front, obscuring your view of the mirror

“Why?” you tilt your head, confused

“Do you trust me?” he asks

“Always” 

He takes a moment to smile at the ease of your answer before guiding you out of the bedroom “Then come on we’re gonna try something, a little experiment if you will”

You allow him to lead you towards the front door, watching him quietly as he gathers your things, placing them into the bag you had chosen before slipping it onto your frame and fixing the collar of your jacket 

“How do you feel right now in this moment?” he wonders, reaching out to intertwine your hands

“I feel…good” you answer honestly, you felt nice, you had only seen your hair and makeup, things that you could control and for the first time in a while you felt at peace leaving your apartment “I also feel pretty when you look at me like that” you add shyly under his gaze as you watch his eyes slowly drink in your appearance

“Good” he nods “Because you are, ya know, you are so beautiful” he says the words slowly, making sure you know he means them completely before he leans down, placing a soft lingering kiss to your lips “Now, lets go and watch our friends fail miserable at karaoke” he breaks away, smiling at your attempt to chase his lips before he turns away

“Sirius” you come to a slow stop

“Yeah?” he turns back, the softest most natural smile adoring his face

“Thank you, for everything” 

His eyelashes kiss his cheeks. He doesn’t reply, instead he thanks you with a kiss to your cheek…and then one to the other…then your nose...and lips...and well safe to say you were a little late in the end after all

Thank you for reading ♡

[hopeymchope]

The utter brilliance of Castlevania: Nocturne S1 (and the fucking pox of right-wing YouTubers)

I just rewatched Castelvania: Nocturne's first season, and it's so fucking excellent. Upon first viewing, I already thought it was probably the second-best season of animated Castlevania, but now? I think it's probably the best one.

The character relationships offer so much drama and emotion. The dialogue is both clever/witty AND moving. The directing of the action sequences has always been top-tier on this show, but the vocal performances make them even more engaging and involving. The way they've infused historical context into the story is absolutely brilliant.

Some of the weird story decisions RE: Dracula at the end of the first series' fourth season (not unsatisfying decisions, mind you, but still just... bizarre, if you're adapting this franchise) really stuck the writers in a weird position as far as how to move forward. I could think of maybe three solid possibilities: one which would undermine the ending of S4 completely, one which would require a HUGE leap forward into the modern day, and the third? Is basically what they did.

Bringing in Erzebet Bathory, the primary antagonist of Castlevania: Bloodlines, was certainly a valid approach for how to deal with the Dracula situation. Applying her to the Rondo of Blood/Symphony of the Night era is surprising, but not terribly so; it's not like her historical counterpart didn't already exist. I have some qualms with HOW they did this (why is she Russian now instead of Hungarian.... ?), but there's no denying that she serves as an effective antagonist.

Look at that; that's literally Maria's design in "Nocturne" right there.

As a fan of the games, this is obviously a different world but still an extremely familiar one. Seasons 3 and 4 of the first series felt like we were drifting farther and farther away from our roots in the games, but Nocturne brings us closer to that inspiration again. Richter and Maria look like they stepped right out of the PSP's "Dracula X Chronicles," with their costumes nearly identical... though of course, Richter eventually adds and embraces the headband from his original "Rondo" design. Maria is just a handful of years older than she is in Rondo/Dracula X Chronicles, allowing her to be far less of the out-of-place childish cartoon character that she comes off as in Rondo (or Castlevania Judgment, for that matter). I realize that was the POINT of her character in Rondo — to feel like she invaded from a totally different series — but the writers do a great job bringing her in line with the tone and characters of the animated series and overall franchise in Nocturne. The characters' powers and abilities are very much based in the games; we even get an (incredibly rousing!) rendition of "Divine Bloodlines" when Richter pulls off a "Grand Cross"-style magical attack for the first time in his life. It's exhilarating. And that's even without me getting into how Richter uses his triple-knife throw, or how we get the lore of the woefully underrated "Harmony of Dissonance" rolled into this show when a certain character makes a surprise appearance (to my immense delight).

Regarding the original four seasons... "I'm going to eat your soul, shit it out and and use it to smother your fucking girlfriend" was not the kind of dialogue I expected to hear from DEATH, of all people.

There are times in the original four-season run when it feels like it's trying a little too hard to be edgy and grimdark—times when the excessive gore and the insane use of profanity feels like it's screaming "I AM AN ADULT ANIMATED SERIES" in a way that's undermining its best qualities. But Castlevania: Nocturne is too confident to fall into such traps. The gore is there, the profanity is present, but it's only in service of exciting action, consistent characterization, and powerful storytelling; no lingering still shots of blood-spattered cribs for shock value are necessary. It's just a smash from start to finish, and after each episode, I find myself pondering the implications of certain lines and stories — thinking about the goddamn philosophical underpinnings of this animated show based on video games.

Nocturne is a prime example of how and why we're in a golden age of video game adaptions right now. This thing is BEGGING for a deep dive into its world, its lore, and its characters' worldviews. It's the kind of thing that would make for killer YouTube essays exploring all of its facets, because there is just SO MUCH here.

So when I go onto YouTube, and I only find one video that even says "It's not that bad" amidst a goddamned SEA of "This show's writing is shit and this series is fucking woke trash"??? That's when I know WE HAVE FAILED AS A FUCKING SPECIES.

These fucking right-wing YouTube dudebros are ruining our ability to think logically, they are MURDERING our media literacy. They are an absolute cancer. The fact that we don't have strong counterpoints out there against them is a crime; the right-wing grifters have totally conquered the algorithm.

I wish I had the skill or knowledge or even TIME to make videos of my own.

Fucking ugh.

[solivagant242]

jupiter ⋆｡°✩☾🪐

pairing: dean x childhood friend!reader

warnings: blood, some angst, fluff

this is based on the song jupiter by flower face, since it's my current obsession on spotify.

enjoy!

─── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆

overwhelming ecstasy

our bodies move in harmony

always waking breathlessly

from dreams that leave me wanting more of you

how long ago was it that you met? you can’t remember; far more years than seems possible. 

you’d been a wide-eyed, gangly kid with legs and arms that seemed too long for your body. 

you saw dean winchester for the first time in the driveway of his house, sitting outside on the curb and staring at the sky, painted richly by the evening colors. 

you didn’t know why he was outside so late- wasn’t it time for bed? your parents had already closed your door and tucked you in, the sultry summer air drifting in through the open window.

the window that was far too close to the ground outside for its own good.

you were outside and in the front yard in less than a minute, clutching the astronomy book you’d gotten for your eighth birthday to your chest. shyness swelled in your chest as you approached him, so still and dark-looking in the twilight. 

“are you looking for stars?”

he looks at you with his small face unreadable. “isn’t it too early?”

“a little. i think Jupiter is visible, though. if you look that way.”

you point towards the horizon and dean squints. “i can’t see anything.”

“it’s right there. see the bright?”

he looks, and his face softens. “oh. you’re right.”

that was how it started, on that hot july night so long ago. 

these silly games we play

stupid ways to make you stay

my heart's split open on display

i can't wait another day

to touch your face, to hold you

i just need you by my side tonight

you’re in high school now. towards the end of senior year. both you and sam have applied to college, and both of you have been accepted. him to stamford, you to princeton.

the letter is in your hand, the envelope freshly torn. 

dean’s face is swimming in front of you, tears clouding your vision. 

“please don’t go.”

your arms close around him, just like they always have. you hold his face close and kiss away his tears. 

overwhelming ecstasy

your name repeated endlessly

ice cream by the movie screens

we'll make out in the backseat of your car

ripped shirts and perfect throws

'til my body overflows

in the summer afterglow

i love you more than you will ever know

lazy summer nights, the feeling of dean’s lips and rough stubble. he’d grown bigger, older, harder somehow about his jaw and eyes.

but he’s soft with you. he’ll always be soft with you, his girl, his star girl. 

but it's alright

just keep it all inside tonight

we can leave right now, never come back home

you're all i need

forget everything that we used to be

take me to another place, fly me up to Jupiter

we can run away

but i'll always be at home with you

“come with me,” dean pleads outside your window less than a year later. 

your face is streaked with tears again. you can hear the rumble of his car outside, a tight-faced sam in the passenger seat. “i can’t, dean. i can’t leave my parents, my home”-

he comes closer, cupping your face in his hands. “run away with me. i want to take you somewhere safe, somewhere you won’t have to worry- you don’t even have to stay with me if you don’t want to”-

his lips taste salty with your mingled tears. 

overwhelming ecstasy

your skin is like a melody

your heartbeat brings me to my knees

just begging for a chance to simply

taste the moonlight on your lips

the fever sings, the honey drips

curtains closed, the record skips

no one's has ever loved like this

silver light is draped across your bed, casting dappled shadows across your bare skin. you’re wrapped in dean’s arms, face buried in his chest.

his body is curled protectively around you. In the shadows of the dingy motel room, his face looks aged and worn and far older than it should. 

you trace his lips with your finger before nestling back into his embrace and drifting off to sleep. 

i'm certain, it must be holy

to feel something so pure

overwhelming ecstasy

twisted in your entropy

clinging to you desperately

and i can taste the sweetness of your breath

the hunt hasn’t gone well and dean has been getting quieter and quieter, those green eyes dulling. when he kisses you now, it feels almost starved. desperate, like he’s trying to drink you in and can never get enough.

his fingers leave red marks in your shoulders when he embraces you. his face always crumples when he sees them, the evidence of how rough he’s become, the life he’s living steadily battering at him.

you rock him to sleep with his head in your lap. 

the stars are screaming loud

the world outside is breaking down

burning cities, whispered vows

and i can feel you all around me

nothing feels the same

nothing feels quite like you

the world is falling. stars plummet from the sky, and creatures whose names you don’t know are livid in the gutters. everything is black, the end of the world looming over you.

dean holds you like a prayer, clutching your bruised and bloodied frame to his chest. his tears are falling fast, faster than your steadily ebbing life force. cas’ blue eyes are hopeless. 

“i can’t fucking lose you, sweetheart. not now. come back to me- come back”-

we can leave right now, never come back home

you're all I need

forget everything that we used to be

take me to another place, fly me up to Jupiter

we can run away

but i'll always feel at home with you

and if you run, i'll be right behind you

you can feel dean’s rough hands on your skin. there’s a roaring in your ears that won’t dissipate, a dreamy euphoria settling into your bones.

for a moment you can swear you’re under the old tree at the winchester house, sharing the tire swing with dean, a mindless blur of stars lodging itself behind your eyes. you are young and innocent once more, and dean is resting his head on your shoulder-

but you can see a light in front of you, flickering in time with dean’s sobs, and you claw your way towards it. 

you cough out blood and dean breaks down in sobs, holding you to his dirty leather jacket at the sensation of your heartbeat beneath his fingertips.

we'll make it out

nothing left between us but light and sound

take me into outer space, fly me up to Jupiter

i am yours forever

and i'll always be at home with you

years later, many years later, when you and dean have found a permanent resting place beneath matching headstones, the angels still tell stories of you.

they speak of the pair of hunters whose love transcended pain and sorrow, who loved each other to death and back again.

and they name a new constellation after you, a scatter of glowing stars that surrounds Jupiter and is visible in the early morning and evenings. if you turn your head and squint, you can see that it faintly resembles the embracing arms of two lovers. 

and that’s what it’s called. the lovers. 

─── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆

comment/reblog if you enjoyed this!

[trrenchertrash]

The initial tag is mine. The issue is that episode 7 is not about Ekko “learning to trust” an “ideal version of Powder.” It’s about Ekko being reminded who she is. It’s about him realizing that Jinx is still the girl he loves/trusts/remembers from when they were kids. That’s why we’re seeing him bond with AU Powder and that’s why we don’t need to see him do it again with Jinx, because the point is that she’s the same person.

You’re right that it doesn’t develop Jinx, but again, it’s not supposed to. Episode 7 is about Ekko and the way he sees/feels about Jinx. Jinx has been developed all season long and doesn’t need that time the way that Ekko, who has been missing for an entire arc, needs it.

The biggest problem with this argument is that the show does in fact give us everything we need to know about Jinx and what gives her the hope she needs to move on. She tells Vi, “there’s no good version of me,” and then Ekko shows up and tells her, in not so many words, yes there is and I met her. Vi tells Jinx “maybe we can rewrite your story” without understanding that it’s too late for Jinx to go back. Her only way out is to move forward by leaving her past behind, which is exactly what Ekko and Powder talk about in e7 and what Ekko passes along to Jinx in that key moment. He says it’s never too late to build something new, and that he learned that from “someone worth building it for.” Then we see Jinx look at the Z Drive and see her little signature monkeys in there and THAT’S when she changes her mind. We’re supposed to understand that she understands what Ekko is saying to her here and that the reason she finds the strength to move forward is because Ekko is presenting her with proof that what she said to Vi isn’t true. She was wrong about herself, and that’s what changes her mind. We don’t need to see them talk it out in detail and honestly I’m glad we don’t because in this case I think less is more. I can’t imagine anything they could’ve written into Ekko’s mouth that would’ve been more powerful than what we got and I don’t see how anything more they could’ve written wouldn’t have come across fanfictiony and cheap.

It’s one thing to say you wish we got to see more or that you would’ve liked to see more, it’s another thing to criticize the show because it didn’t cater specifically to your desires. There’s no flaw in the storytelling here.

S2 skipping over Jinx and Ekko bonding, rallying zaunites together, and both realizing they can built a new future, motivating them to fight for Zaun is the equivalent of taking s1 ep9 or arcane, keeping it the exact same, except the dinner party scene happens off-screen and we just cut to Jinx blowing up the council.

[soularsss]

ahhh AHHHHH OH MY GODDDD OH MY SKELE CREW SPOILERS UNDER THE CUT AAAAAAHHHHGGH

Okay I know alot of people have been rooting for him to turn around this episode and save the kids but kind of am really enjoying the very real real Pirate vibes that Jod is giving us?? Like im kinda mad that he BEHEADED SM33 but thats mainly because I loved that character, not because I wanted Jod not to hurt anyone. Im interested to see what happens in the finale because Jude did say we will learn about his backstory, but I actually enjoyed the rather straight-forward and downright dirty decisions Jod made in the episode?

I cant lie to you guys I was rooting for my evil pirate husband to well.. do some less than good things.. you guys know one of my all time favorite characters is Maul right... i think its always really fun to have some sort of tragic villain/antagonist story and I am hoping with his backstory reveals we get to see him lean more into that :0

Obviously, with the writers talks about possible season 2 happenings, i would love it if Jod could turn himself around *enough* not not get killed and then be in season 2 if that gets greenlit!!!

Guys.. guys.. I just really love my piratefailure evilguy.. hes an evil bastard and i just kind of fuck with him okay HES COOOL UGH IM SO HAPPY HE LIT THE LIGHTSABER THIS EPISODEEEEEEEEE (i am sad about who he used it on..) but i am so happy we got to see it, and I think its interesting seeing how he holds himself with it, i think he holds the blade relatively far from himself and i dont know- to me it seems like the sort of stance a guy would use if he didnt have any proper training? obviously he is force sensitive so I reckon that lends itself to not chopping off your own fingers but not much more lol.. im yapping.. im yapping...

i really did enjoy some bad bad pirate action oh i love some skulduggery and dubious behaviour. what a grimey little rat HEHEHEHE

I think Jude had some awesome line delivery again in this episode and I loved the little comedic moments among his evilness.

I also wanted to point out the gentle hurrying of snowball, the sort of fond look on his face when he realized the kids were coming in, and to me there was definitely somethinggg hesitant.. each time he saw them and their parents.. guys.. i dont think hes alllllllllll bad... maybe a little bit of good is buried somewhere deep

i wouldnt be opposed to a redemption arc where they try and dredge that little bit of good up :,)

also ALSO ALSO!!!!!!!!! THE KIDS performances were amazing this episode!!! Fern really stood out to me, you can tell she wants to stand up to him but he was just so clearly in complete control and it was crushing her!!!!! Seeing Wim lose his whimsy made me really bummed :(( and omg omg.. The little interaction between KB and Jod when she says the signal is jammed.. he has a soft spot i am telling youuuuuu

[memientom0ri]

Analyzing the metaphorical connection between Squid Game/Round 6 and the movie Parasite.

Before we begin, it is important to know that these two films are different metaphors for social inequality in South Korea; a social factor that is caused by:

• Gender discrimination: women receive 36% less than men;

• Racial inequality: immigrants face difficulties.

• School bullying: 15% of students report it.

• Stress and mental health problems.

Now let's analyze the metaphors of the two works and how they resemble each other, despite the different ways in which criticism is portrayed in both.

SQUID GAME:

The metaphor in the form of social criticism shows us how human beings subject themselves to absurd situations when there is no other option, and how those above the lower class have control over that class and over society (politicians, millionaires, businessmen, among other important positions).

Here are the points I gathered to write my review:

• Games portray the need, fear about society and (de)valuation of life. Players both value and devalue their lives as they choose to continue playing, even when they see people die, because the combination of the need for money + greed (this greed that equals the lower class to the upper class, showing us that some of those who are above were also inferior), does not make them want to stop because the world out there will humiliate them, devalue them and kill them little by little, just as it happens in the game.

• No matter how superior you think you are to someone, whether it's due to intellectual, social or racial level, within the game everyone is humiliating themselves equally because they need the same thing: money (representing not only the literal money that the lower class needs, but also social validation, the minimum of respect, to be taken seriously).

• The real world is no different from the game: politics controls society as the boss and guards control the game; work (or lack thereof), represented by sadistic games, is necessary to obtain money and social validation.

• Bad people are just as sadistic as the controllers of society and the game. Since, in both seasons, bad people were responsible for sowing chaos among the players, killing each other before the games even started. People in society don't care if you need it as much as they do (even if they are in the same social class as you), they will walk all over you if they have the opportunity.

The sadism of the upper class.

The controllers watch the players kill each other and are killed during the games with class and tranquility, not lifting a finger to help. The villainy of the series represents how those above do nothing to change (even though they could),because they don't want to give up their money, because they don't care, because they've been consumed by greed for a long time.

• We are > always < being controlled by someone above us.

In both Season 1 and Season 2 we see 456 approaching and becoming attached to Player 001 (the first being the old man, and the second being Inho), both Bosses of the game infiltrated among the lower class. I observed this detail as a suggestion that there will ALWAYS be someone above controlling those below, even people in our daily lives. It is unconscious, but it is a form of submission; we obey those above us because it is moral to follow the rules. From teachers above students, parents above children, to bosses above employees and politicians above citizens.

I am passionate about the way film directors manage to fit these criticisms in such creative metaphors. It's like in The Matrix; which suggests that we all live in a control system, with the metaphor of Artificial Intelligence. It's so different from Squid Game, but at the same time the same.

In 2022, Lee Jung-Jae won the Emmy for Outstanding Lead Actor for Squid Game. The series received 14 nominations in total and won 6 (including Best Director).

Lee Jung-Jae made history by becoming the first Asian man to win this award.

PARASITE:

The metaphor here is less "fantastical" than in Round 6, leaning towards the more realistic side of the critique.

A poor family is hired to work in the house of a rich family, but it is not as simple as it seems. Tired of extreme poverty and a difficult life, The family devises a plan to gradually infiltrate the wealthy family one by one, until they are all working in the house.

They begin to take over the wealthy family's house as time goes by, but the film wanders through situations where social criticism masterfully made by Bong Jon-Hoo, it surprises and terrifies us in the face of such inequality.

The place where the poor family lives is well below the streets above, and they have to go down very long stairs to get there (it is interesting because it metaphorically shows how the lower class is so far below, that they live in a place where the sun barely touches).

At a certain point in the film, the poor family finds a man in a terrible situation, living hidden below the house of the rich family (once again, there is always someone below, even below the lower class. It can always get worse), and when they find this man, the mother of the poor family does not even listen to him, picks up the phone and says she is going to call the police; this scene suggests a lack of empathy that can be present even in the most needy. She did not even think that she herself could be in that man's place if she had not gotten a job in the house of the rich; she forgot that she is also inferior, but, as I said, there will always be someone worse off; and that is when people feel superior, even knowing that they are not.

Just like in Squid Game, in Parasite we see social inequality represented in two uncomfortable, different but equal ways.

Players vs. Bosses / Poor vs. Rich = Us (society, lower class) vs. Them (politics, industries, corporations, digital influences, upper class)

Below = Players / Poor family

Above = Bosses (001, guards) / Rich family

Metaphor: poverty, financial need/validation/respect = Games / Job in the rich house

Metaphor: politics, industries, companies, millionaires = Boss/001/guards / Rich family

The series and film have been widely awarded and recognized for their metaphorical perfection and cinematic work.

In 2020, Bong Jon-Hoo won the Oscar for Best Director, Best Film, Best International Feature Film and Best Original Screenplay for Parasite.

There is a lot of xenophobia behind the industries, so it is important to remember and highlight the victory of these great artists. Korean cinema is incredible, but it is undervalued.

[suddenly-sara]

In high school, I had this old english teacher named Mrs. P. She was very old-school (no pun intended) with the way she taught her class, and so it was mandatory that every day we take notes... regardless of what was discussed, or what we felt we needed to write down. She would grade us on our notes, as arbitrary as that was. We very specifically HAD to use the Cornell Note format, we couldn't just jot down our notes in a way that made sense to us. I remember turning in a page of notes one day that basically read, "I don't know what you wanted me to write here, we were listening to other students do presentations for their assignments??" but none the less, we were expected to take notes.

it was dumb as hell.

The other thing she did was give us writing assignments that had a LENGTH requirement. This is where our beef started... because I quickly demonstrated to her that length requirements are entirely skewed by hand-writing style.

If I write all big and bubbly, I can fill a page very quickly and not need to write as much.

But if I write small and meticulously - as I did when I was in high school - it took a LOT more writing to fill that page, making the assignment harder for me simply because I wrote like a draftsman and not a teenage girl. (at the time. Egg hadn't cracked yet, this was the 90s)

She didn't agree, and basically told me to suck it up.

This woman did not like me. I was the student that questioned WHY, and she wanted quiet little obedient androids, and she took that personally. She'd insult my friends and I to our faces, assuming we were too dumb to notice the subtle jabs. So, I went to war with her.

Mrs. P wore friggin' TRIFOCALS. She'd constantly do that thing where you hold the paper out at arm's length with one hand, while adjusting how your glasses sit on your nose to find the right focal length that would allow you to read it with the other. So, I began to write as tiny as absolutely possible, in a fine all-caps draftsman's script. My handwriting was PERFECT... but also basically 6pt font size. I wrote so small that I would put 2 lines of text per full line of paper - one justified to the top, and one justified to the bottom.

____________ JUST LIKE THIS WRITTEN IN TINY ALL-CAPS -----------------

She'd assign a "2 page report" and I'd turn in a 1-page report, written like that. She tried to fail me for not doing the assignment correctly. I pointed out to her that I wrote 2 lines per every one, that there was, in fact, 2 pages worth of text there, and reitterated that if I'd written it in GIANT BUBBLY SCRIPT that I'd actually have LESS information but I'd have fulfilled her arbitrary length requirement. I then directly asked her which she wanted - Filler for the correct length, or an actual answer to her fucking essay question.

Was I being failed because I didn't answer the question? I think if you re-read it you'll find I answered it quite thoroughly. Was I being failed because my penmanship was bad? Every letter is meticulously written and legible. So you're forced to admit that I'm being failed because you wanted me to ramble for another arbitrary page.

And she had to SQUINT and STRAIN to read my work every fucking day for the rest of the school year.

have you and a teacher ever had beef?

[annunen]

NHLWAM S12 E7: Niko Mikkola & Eetu Luostarinen

I translated the highlights of the video for any florida finns fans to enjoy.

TLDR: the finns love chirping each other and Lundy needs a babysitter.

Manninen and Putkonen are the NHLWAM hosts.

Under the cut <3

Manninen: We've got two Finnish Fort Lauderdale locals here. Niko Mikkola, new guy, and Eetu Luostarinen, who's already one of the vets. So what's up?

Mikkola: Nothing bad, getting to know new places and the sun shines. Great people here.

Luostarinen: It's always fun to get more finns here. Always welcome.

Manninen: Eetu, how would you describe Niko as a person and a teammate?

Luostarinen: He's a chill Oulu guy. Chill company, easy to hang out with him, he gets along with everyone. Really nice.

Manninen: Do you agree?

Luostarinen: Sure, i'll take what i'm given.

Manninen: Counterquestion for you.

Mikkola: We've known each other pretty long. He's one of those Savo guys, a little twisted like they all are. But there's only great guys here, like i said, so it's been easy to come here.

Manninen: You got pretty lucky, your training center moved from the middle of nowhere (lit. horse ass) to the neighbor. You could bike there, have you ever done that?

Mikkola: I don't have a bike but i've been planning to buy one. It's 5 minutes away so it would be pretty nice to bike there.

Manninen: Or an electric scooter! Has anyone ever come with one?

Mikkola: No, but Kaapo Kakko always used one in NYC. I'd walk and he'd drive past me.

Luostarinen: I haven't biked there either but some guys have electric bikes. And golf carts, pretty cool that you can come to the rink with a golf cart.

Manninen: Now that's style!

-----

Manninen: I asked "Lunkka" Lundell this same question, now i want to ask you Eetu too. Looking at your points, this season hasn't been as good as the last. The big crowds only look at points, they're thinking "what's up with Eetu, he hasn't scored points". So what do YOU think, has this season actually been worse than the last, or have you actually gone forward as a player?

Luostarinen: I wouldn't say it's been worse than last season, pretty equal. Just haven't had those successes. There's also a lot happening in the background, in the game. I play a lot shorthanded too, i've got to take credit for that. If i can't get confidence from points, i have to find it somewhere else in the small things.

Manninen: Are the points so important? I don't remember if you lead the league right now, but as a team you're playing really well.

Luostarinen: It's a team game, if your team is doing well, you're doing something right, and you have to be happy about that. But if i have less points than Mikkola, that's when i should be worried.

Mikkola: Why am I suddenly being attacked?

Putkonen: God damn, throwing you under the boat, right there under that Catamaran.

Manninen: What about you Niko, do you ever set - even though you're known as a defensive brush, let's not say broom (that's Hakanpää's "nickname") - do you set some personal goals for points when starting the season?

Mikkola: Defensive brush, i'll take that. Good name. I don't really set any goals for points. The beginning of the season was pretty wild for me, but now i've returned to a normal phase. Probably getting close to 30 straight pointless games now.

Luostarinen: Yeah, early in the season they were throwing the nickname "Niko Norris" around there.

Putkola: You were on a phase for 80 points.

Mikkola: It was crazy, but now we're back to the roots. You can't only get confidence from points. You need some guys who play shorthanded, keep the own net clear. Take some confidence from those.

-----

(Someone walks by with a dog.)

Putkonen: Cool dog. How's your dog doing?

Luostarinen: Yeah, we have a new one in the family - cavapoo, it's a cavalier poodle mix. And then we have Rose, she's a little over 4 years old now.

Putkonen: Who in your team would you not let dogsit your dogs?

Luostarinen: Lunkka. Even if we speak the same language, i wouldn't trust him with them.

Manninen: Is Lunkka your team's little rascal?

Luostarinen: He is, a little. You need to watch what he's doing sometimes.

Mikkola: But he's so young still.

Manninen: You're allowed to be careless when you're young. We've been careless too.

Putkonen: ...older too.

-----

Putkonen: Roberto Luongo was in the net at your practice. He still catches pretty well.

Mikkola: Yeah. I've said that he'd only need one training camp and he could play an NHL game again. I can't score on him either.

Luostarinen: Best possible EBUG.

-----

Putkonen: Let's take some fan questions. Does Sasha "whip" (reprimand) you?

Luostarinen: No, just constructive criticism.

Mikkola: He's flicked me a couple times with a video where I ice the puck or something. More as a joke. He doesn't really "whip" (reprimand) me.

Manninen: But he gives that to Lunkka!

Mikkola: Lunkka is "in his teeth" a little. In a good way.

Putkonen: Yeah, he was already the last time we visited. Gave him an earful from some celly, telling him "don't jump to the glass, only juniors celly like that".

-----