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pedrospatch · 1 month

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Raider! Joel Miller x Female Reader

*moodboard is for aesthetic purposes only. no mention of reader’s race or skin tone.

summary: When you’re given the chance to run from your captor, you don’t take it.

warnings/tags: 18+ ONLY, MINORS DNI. RAIDER ERA. DARK!JOEL. DUBCON. MENTIONS PREVIOUS NONCON. UNSPECIFIED AGE GAP (reader is in her 20’s and Joel is 50). reader is described washing her hair (the exact length is not specified) and she wears a dress. she is also shorter than Joel. violence, kidnapping, reader has major stockholm syndrome, Joel is fairly soft for her but HE IS STILL NOT A GOOD MAN, brief mention of Tess and Joel being involved with each other, Tess seems like the villain but she might actually be the only one of these three who is not totally fucked up in the head. SMUT. daddy kink. size difference (no description of reader’s body type, Joel is just a big guy with a big dick, enjoy it). oral sex (female receiving), super risky unprotected p in v sex (mention of reader ovulating, Joel pulls out, don’t be be like these two, practice safe sex), creampie (yeah he doesn’t give a fuck the second time around). many, many pet names (baby, baby girl, honey, angel, sweetheart, little girl). um i think that’s it. oh, and they fuck in the dirt.

PLEASE HEED ALL WARNINGS.

word count: 8.6k

a/n: one thing about me is i WILL soften up EVERY version of Joel Miller to my little heart’s content. HUGE HUGE thank you to @endlessthxxghts and @joelsdagger for lending me their eyes and beta-ing this fic for me last night. <33 i love and appreciate you guys SO MUCH. i loved seeing you both in the doc at the same exact time lmao. this can be read as a standalone, but it is considered part of the captive universe.

Everyone in the group has a job. Except for you.

Or at least, that’s what you hear them say.

That bitch doesn’t do shit.

She never has to lift a fucking finger.

She should work for her meal—just like the rest of us.

Bitterness laces their tones when they talk about you.

Insults grow a little bolder when he’s not around.

Useless.

Freeloader.

Leech.

You might not be out there with a rifle in hand hunting game or invading camps and spilling blood for supplies—but you do in fact have a job, and that job is to make Joel Miller happy. It is your responsibility, your duty, to please him, and to keep him satisfied. Because keeping him satisfied keeps him in a good mood, and one thing you’ve come to learn about your captor is, where there is a good mood, often there is mercy.

Hell, you’re doing them a favor by keeping their violent, fearsome leader in a good mood. Because you’ve seen what he does to them when he’s not. He can be just as brutal towards his own people as he is to strangers.

It doesn’t make a difference, though. They still see you as nothing more than his coddled little whore.

“Fuck, that’s it.”

He groans, his thick, callused fingers digging harshly into the softness of your flesh as he holds you firmly in place underneath him. “Oh fuck, baby girl,” Joel curses through gritted teeth, his hands gripping your hips as he uses his own weight against you, pressing you down into the old mattress until you feel every uncomfortable lump, each creaking spring.

While he isn’t fucking you as roughly as he has on other occasions, he’s hardly being gentle. It’s hard, fast.

Loud.

Joel couldn’t care less about the rest of the group, the men and women on the other side of the wall, forced to listen to the sounds coming from the single bedroom of the cabin he decided they would hunker down in for the remainder of the summer season. Strings of curses and brutish grunts that came rumbling from deep within his chest, pleading gasps and whimpers that fell from your swollen, bitten lips. If anything, knowing they were listening only spurred him on—it didn’t hurt to remind them, especially the men with wandering eyes, that you were his special girl.

His good girl.

You certainly did your job, and you did it so, so well.

“Christ, sweetheart. M’so fuckin’ close—” Joel picks up speed, his hips snapping even harder, faster, the front of his thighs slapping against the backs of yours. Each thrust causes the bed’s rusted, iron headboard to slam violently against the wood panel wall.

You clutch fistfuls of the single, stale, yellowing sheet beneath you, each stroke he delivers knocking the wind out of your lungs, making it harder to breathe. He is so heavy on top of you, this big, broad, bulk of a man who makes you feel swallowed, smothered, and small. Joel takes up so much room inside of you, and it’s a wonder how you could possibly have any space left to spare.

It’s a fullness you can’t seem to get enough of.

It’s a craving, a need.

Worst of all, it’s slowly becoming a want.

“Daddy,” you choke out, fisting the sheet tighter, your skin stretching taut over your knuckles. Can the others also hear the squelch of your drenched cunt around his cock as it begs him for more?

“Fuck. You’re doin’ so fuckin’ good for me, baby,” Joel croons his praise. His hands abandon your hips and he hunches over you, his thrusts momentarily ceasing. He crushes his chest against your sweaty, quivering back and leans forward even further, bracing his large hands on either side of you. Then, his lips move to the shell of your ear and he speaks, his breath blazing hot on your skin. “Y’take me so well, honey. Y’take Daddy’s cock so fuckin’ well. This pretty little pussy was fuckin’ made for me. She was made jus’ for me—ain’t that right, angel?”

He’s right.

Oh, how you fucking hated that he was right.

It was made for him. Your cunt. Your body. You.

Every part of you was made for him, and only for him.

All you can do is nod dumbly in agreement.

“Say it,” Joel whispers his firm command. “Wanna hear you say it. Be a good girl and use your words. Say it, say this pussy is made for me.”

“Yes, Daddy,” you moan obediently, prompting him to grin against your ear. “My pussy is made for you, just—just for you. No one—no one else. Only you.” Could this really be the same voice that would break, grow hoarse from screaming for him to stop? The same voice that would beg and plead for him to set you free?

Jutting his hips forward, Joel buries himself to the hilt, eliciting a noise from you, something caught between a pained whimper and a contented sigh. His balls, heavy and full for you, rest on your clit, which is still sensitive to the touch after he’d spent a majority of the morning with his head buried in between your legs. Desiring yet another release, you try wriggling around beneath him in a silent plea for more. More, more, more.

Please, Daddy. More.

Joel’s grin widens. He places one of his hands on your soft lower belly, fingers dragging down the slope of it until he finds the slick swell of your seam between your legs where his girth splits you open. “Ready, baby?”

Nodding, you open your mouth to answer him, but the sound of your own groan cuts you off when his fingers firmly circle around your throbbing, swollen bud. “Oh,” you breathe, instantly sinking right into his touch. Your eyes screw shut tightly in pleasure, and you throw your head back onto his shoulder. The scruff of his beard is rough on your cheek, and it burns, the same way it had burned the tender flesh of your inner thighs.

His hips find their rhythm as you rub against his hand—you’re almost there. He knows this, you can tell by the chuckle that thunders in his chest and against your back. But you’re too busy chasing your pleasure to be embarrassed.

He’s made you a needy, greedy girl.

“Daddy,” you mewl, trying your hardest to move under him, to work your cunt up and down on his cock. “I’m gonna come—” You gasp, back arching as Joel strokes in and out, his fingers rubbing your clit with urgency.

Joel plants a sloppy, wet kiss on your cheek. “Give it to me, baby,” he grunts. “C’mon. Lemme feel her squeeze me.”

Feeling how close he is too, you try to hold on for just a little bit longer, at least long enough to finish with him, but Joel’s relentless, and you’re forced off of the ledge you’re both standing on first.

Crying out, your walls spasm around him, asking to be filled until he’s made a complete mess out of you, until white leaks, and it slowly dribbles down the insides of your trembling thighs.

“Fuckin’ Christ,” Joel rasps. He lifts himself off you and he pulls out, taking his throbbing cock in his hand. His chest heaves as he fists himself, the wet sound of your slick in his palm filling the room. “Down,” he grits, and you obey him, lowering down yourself on the mattress until you’re lying almost completely flat before him. He gives himself one final stroke just as you look over your shoulder at him, the gentle flutter of your eyelashes the last push he needs. “Fuck! Fuck, fuck—” Joel spills his load, shooting thick ropes of warm cum along the soft curve of your spine.

You rest your cheek on your folded arms, biting back a small sigh.

He’s left behind an ache—you feel painfully empty.

But it was Tess, who had been given the task of helping you track your menstrual cycle, that had given him the warning earlier that morning. “She’s ovulating. Don’t be a fucking idiot, Joel. Last thing we need is for her to—”

“Relax,” he’d gruffed in response. “I fuckin’ know.”

Spent, Joel hunches over you once more and he lightly kisses the top of your head before burying his nose into your hair. “Good girl,” he murmurs. Affection that once was unwelcome and unwanted, that once made you feel sick to your fucking stomach, now makes you feel something else entirely. You’re not quite sure what it is, only that it’s warm. Comforting. “Y’did so well for me, sweetheart. Always do.”

Your lips curl into a faint, tired smile he doesn’t see.

A while later, you find yourself perched on the bed with the sheet wrapped around you, quietly watching as he gets dressed. “Daddy?” you say tentatively as he drops into a nearby chair to pull on his boots.

“What is it, baby girl?”

“Do you—do you think we can go to the creek today?”

Joel finishes lacing his boots and looks up at you.

“I’d really like to wash up,” you admit, softly. That, and you would like to see the light of day. He’d boarded up the windows with slabs of wood—sometimes, if you’re lucky, you get some decent light seeping through the teeny gaps.

“Not today, honey. I’ve got some things to take care of. Supplies are low, we gotta do a run. Don’t have the time to take you.” He stands and picks up his rifle, slinging the strap of it over his shoulder. Noticing the crestfallen expression on your face, Joel’s eyes soften. He walks over and gingerly cups the side of your face in his palm. His thumb strokes your cheek. “Promise I’ll take you to the creek tomorrow, sweetheart. First thing. Alright?”

Nodding, your eyes fall to your hands in your lap.

“Okay.”

Joel kisses your forehead, then leaves the room.

He makes sure to lock the door from the outside, and you can’t help but wonder if he knows locking you in is no longer necessary.

“I can take her.”

Joel’s dark eyes remain focused on the state map laid out on the table in front of him. “What the fuck are you talkin’ about, Tess?” He sees her in his periphery, but is too busy figuring out the group’s best route to look her way.

“I heard her asking you to take her to the creek so she can bathe,” she tells him. “I can take her.”

Finally, his head snaps up and he turns to her. “What?”

Tess leans her hip against the table, crossing her arms over her chest. “You and Tommy can take the group, go and take care of what you have to take care of. I’ll stay behind and take her down to the creek,” she suggests casually, as if she’s not asking him to trust her with his most prized possession—the only damn thing on what was left of this fucking earth Joel Miller actually gives a shit about. “Once she’s washed up, I’ll bring her back to the cabin and put her back into the room. Easy.”

Joel stares at her, bewildered. “What makes you think I’d fuckin’ allow somethin’ like that?”

“Oh, come on.” She huffs and rolls her eyes. “Anytime I bitch about having to do something for that girl, you’re on my fucking case about it, and now that I’m offering to do something for her, you don’t wanna let me?”

He shakes his head and lowers his voice. “You’re talkin’ about takin’ her outside, Tess. Without me.”

“The creek’s just a mile away,” Tess reminds him. “I’m pretty sure I can handle getting her there and back with no trouble, Joel.” When he says nothing, she cocks her head to the side and scoffs. “What? You don’t trust me enough to take her under my wing for a couple hours?”

Joel’s lips pull into a tight line.

Of course he does. Tess was his right hand woman, his second in command.

He trusted her more than his own fucking brother. She had never given him any reason not to, had never given him a reason to doubt her loyalty to him. No, his lack of trust has nothing to do with Tess—but everything to do with you. He doesn’t trust you. He will never trust you.

“What if she tries to—?” He can’t even say it.

“Tries to what?” She pauses. “Run?”

His throat goes dry and he gives her a subtle nod.

Joel Miller was a bad man who did bad things, but you were his good. You’ve brought back some meaning into this wretched life of his, gave him something that felt a lot like a sense of purpose. You were something for him to take care of, to keep safe and protect.

Tess raises an eyebrow at him. “You think I’d even give her the chance? Besides, the girl’s not that stupid, Joel. She knows better than to try anything. She knows she wouldn’t get very fucking far.”

“Tess—”

“I’m just trying to do something nice for her. Besides, I think it might do her some good to be in the company of someone else for once—the company of a woman.”

Joel peers at her, taking a minute to think it over in his mind before asking, “You’ll have her back in the room before I get back to the cabin?”

“Long before then,” she swears. “All in one piece.”

He hesitates. He’s still not sure.

It’s then that he remembers that disappointed look on your sweet, pretty little face. “Alright,” he relents with a deep sigh. “I trust you, Tess.”

It always feels a bit strange to be outside.

But being outside without Joel?

It feels even stranger.

When he’d walked back into the room and told you Tess was willing to take you to the creek, the news had taken you by complete surprise. When he said he was willing to let her take you, that you almost couldn’t believe. It hadn’t even sunk in until the three of you stood outside the cabin and he was kissing your forehead sweetly in a temporary goodbye before turning to Tess.

“Never take your eyes off her,” he’d instructed her.

“She’ll behave.” She had smiled at you as she pulled her pistol from the waistband of her jeans, the gleam of the silver barrel catching your eye. “Isn’t that right?”

Swallowing dryly, you had answered with a strained, “Of course.”

She’s the last fucking person you wanted to cross. She was almost as terrifying as Joel, if not more.

“Tess? W-Where are we going?” you ask as you trudge along behind her, hoping you don’t sound as winded as you feel. Although you had no way to keep track of the time, it felt like you’d been trekking for at least an hour. Your feet are starting to hurt in your shoes—old, worn, yellow canvas sneakers that certainly weren’t made for hiking. “I don’t remember the creek being this far from the cabin.”

Tess snorts. “Don’t tell me you’re tired already.”

“It’s just—we’ve been walking for a really long time.”

She glances over her shoulder at you. “Here I thought you would be a little fucking grateful to be out getting some fresh air,” she chuckles, shaking her head before turning her attention back to the path ahead.

“I am,” you squeak, stumbling over a fallen branch.

Silence falls over the both of you.

“We’re not going to the creek,” Tess finally speaks after a minute. “I’m taking you somewhere else. Somewhere even better. Just trust me, kid. Now hurry up.”

It takes another hour before you reach your destination, and you hear it before you can even see it, a humming sound that turns into buzzing the closer you get. Then, you feel it, a vibration in the rocks beneath your feet. “Is that a—?” Stepping around her, your mouth falls open in absolute awe at the sight before you.

The waterfall is nestled right in between the trees and surges over the rocky mountain, throwing up bubbles of spray as it plunges into the lake at the bottom, and from there, it foams into a thick, white lather at the base. On the bank, where you stand, you spot different types of vegetation you couldn’t identify even if you tried—all you know is that it’s green, and it’s beautiful.

“This is incredible,” you gasp.

“Way better than some little creek, huh?” Tess tucks her pistol into the waistband of her jeans and shrugs off her pack. She digs around in the front pocket and pulls out something wrapped in a piece of crumpled brown tissue paper. She hands it to you. “Here.”

“What’s this?”

“Well, if you’d fucking open it, you would know,” Tess rolls her eyes. “It’s my last piece of soap. It’s all yours.”

Her kind generosity comes as a surprise—usually, Tess wanted nothing to do with you. But you don’t question it, and you certainly don’t turn the rare luxury down.

“Thanks,” you say, shooting her a grateful look.

Tess nods towards the body of water. “Alright, then. Go on and get to it.”

You take the piece of soap out the tissue. The scent of lavender is faint, but still very much there. Joel will like the smell of it on your skin tonight, you think.

As you start to pull the strap of your cotton blue dress down your shoulder, you feel her gaze fixed intently on you. Heat rushes to your cheeks. “Uh, aren’t you going to turn around?”

“For fuck’s sake,” she scoffs. “I’ve got what you’ve got. Now hurry up, we don’t have all fucking day.”

Nodding, you peel off your dress and underwear, your face on fire as the older woman’s eyes slowly drag over your naked body. Carefully, you step off the bank and wade into the water. It’s so clear that you can count the pebbles underneath your feet.

Leaning against a nearby tree, Tess calls out, “You have ten minutes! And stay out of the waterfall! Last thing I need is for you to fucking drown.”

As she lights a cigarette, you can’t help but stare at her. Her features, though worn down after the hell she had been through trying to survive the post outbreak world, are beautiful. Big, dark green eyes, a perfect nose, and full, pouty lips. There’s never been a doubt in your mind that she and Joel have been involved with one another, and lately, the mere thought of anything between them made you uncomfortable.

It’s an odd sensation deep in your gut—jealousy?

But what were you jealous of? Her having had him first?

It shouldn’t matter to you, but it does. Insecurities you have never in your life felt before seep into your bones.

“Anyone ever tell you it’s fucking rude to stare?” Tess quips, raising an eyebrow at you. She shoves her lighter into the back pocket of her jeans.

Nervously, you sink lower into the water, nibbling the inside of your cheek. “Tess? Can I ask you something?”

“What could you possibly fucking want to ask me?”

You hesitate.

“How—how long have you known each other?”

“Who?” Tess plucks the cigarette from between her lips and flicks the ashes. “Me and Joel?”

You nod. “Yeah.”

She shrugs. “Don’t know. Six, seven years?”

“How did you two meet?”

“Long story that’s none of your fucking business.”

You ask your next question before you lose your nerve. “Have you two ever—?” Unsure of how to phrase it, you stop and clamp your mouth shut in instant regret.

“Have we ever what?” Tess studies your face, and she quickly realizes what you’re trying to ask her. “You’re seriously asking me if me and Joel have ever fucked?”

Biting your bottom lip, you glance down into the water at your feet. You honestly don’t expect her to answer, so when she does, you look back up at her in surprise.

“Yeah.” She takes a long drag from her cigarette, then adds, “Few times.”

Something unpleasant claws at your insides. “You two were together? Like a couple?”

“Something like that,” Tess mutters, flicking her ashes once more.

“What happened?”

She looks at you, pausing before answering, “You.”

Oh.

Before you can utter another word, Tess snaps, “Quit asking so many goddamn fucking questions and finish up washing. You’ve got eight minutes left.”

Not wanting to push your luck further than you already have, you do as she tells you in complete silence.

You lather up the soap in your hands, washing your hair first, and then your face and body, using your hands to scrub yourself as best as you can. Between the calming scent of the soap, the soothing sound of the waterfall, and the warm afternoon sun, you find yourself relaxing. You try to clear your mind, live in this peaceful moment which you very well may never get again, but your mind begins to wander.

And it wanders straight to Joel.

Closing your eyes, you can’t help but picture him here, standing behind you in the lake. You can almost feel his hands on you, long, thick fingers lathered with lavender soap, sliding down your body. His lips at your neck, he cups your breasts in his hands, rolling his thumbs over your hardened nipples until your head lulls, falling back onto his shoulder. Joel drags his hands further down, over your stomach, going lower and lower towards the place where you need them the most. “Yeah, baby?” he murmurs into your neck, dipping one of them between your legs until you are, quite literally, in the palm of his hand. “This where y’need me?”

Breathless, you respond, “It’s where I want you.”

Suddenly, your eyes snap open.

There is a wetness between your thighs, one that has nothing to do with the fact that you’re standing waist-deep in the middle of a lake. You shake those thoughts away and finish washing yourself.

“Time’s up,” Tess calls. She meets you on the bank with a dry rag. “Here.”

The rag doesn’t exactly cover much surface area, but you dry yourself off as best you can before tugging on your underwear and slipping on your dress. Just as you crouch down to slip your shoes on, she tosses her pack and it lands in front of you with a soft thud.

Confused, you glance up at her.

“There’s about a week’s worth of jerky in there. Longer, if you know how to ration,” Tess explains, calmly. “And a canteen for water. I also packed you a flashlight and a pocket knife. It’s not much, but—”

Frowning, you rise to your feet. “What are you talking about, Tess? What’s going on? Why are you giving me your pack?”

“Because I’m giving you a chance, kid.”

A feeling of dread pools in the pit of your stomach.

“A chance to what?”

“Run.”

Your heart stutters a beat. “Run?”

“He’ll come looking for you. You need to get as far away from here as possible. Run away, as far as you can, and don’t fucking look back.”

All you can do is stare at her in shocked silence.

“I can help you get a head start,” Tess offers, quietly. “I can show you which direction to go in and put you on a path leading to the closest state highway—”

“But what if I don’t want to run?”

Tess places her hands on her hips, and she exhales an incredulous laugh. “Jesus,” she breathes, shaking her head in pity. “He’s really got you fucking brainwashed, doesn’t he?”

You glare at her. “I am not brainwashed, Tess.”

“You’ve gotta be if you’re telling me you wanna go back to him.”

“Tess—”

She cuts you off. “He gave the order to raid your camp and kill your people,” she reminds you. “He fucking slit your father’s throat right in front of you, then took you as his prisoner. He made you his fucking sex slave.”

“He takes care of me! He feeds me, makes sure I have a bed to sleep in no matter where we are. He keeps me safe. He—he cares about me.” You will your voice not to tremble as you stand your ground. “No. I’m not running away, Tess. I want to go back.”

Tess sighs. “You’re really not gonna make this easy, are you?”

“Take me back,” you all but demand, your hands curled into the least menacing little fists she had ever seen in her life at your sides. “Take me back to the cabin—take me back to him, Tess. I mean it.”

Amused, she huffs through her nose. “Or else what?”

“You can’t make me run away, Tess.” As you take a step towards her, she reaches behind her and swiftly whips out her pistol from the waistband of her jeans. You halt, freezing in fear when she aims the barrel of the gun at your chest.

“Actually, I can,” she says, her finger hovering over the trigger. “So here’s how this is gonna go. I’m gonna walk away now. And if you even think about following me, or trying to find your way back to the group, you will die.” She tosses you a tiny, wry smile. “Believe it or not, I’m doing you a real big favor, kid. Problem is, he’s got you so fucked in the head that you can’t see it.”

“Tess, please,” you plead. “Don’t do this to me!”

She begins to back away. “Remember when you’d say that to him? How you’d beg him not to do those things to you every night? Beg him to let you go?”

“Please, just take me back to him!”

You start to follow her.

“You take one more fucking step and I’ll shoot you,” she threatens, her eyes darkening. “Don’t think I won’t.”

Tess keeps her pistol pointed at you until she slips into the trees and disappears, abandoning you in the middle of the forest.

He’s furious. Livid.

Joel paces back and forth on the porch.

“Where the fuck are they?”

The old, rotting wood that wraps all the way around the cabin creaks, and certain softer spots bend and buckle, threatening to give way beneath his heavy boots. Joel’s younger brother leans against the railing, which is just as fragile, an unlit cigarette dangling from the corner of his mouth.

“Christ, Joel. Can you fuckin’ relax?” Tommy grumbles, fishing around in his back pocket for his lighter. “You’re gonna bring the whole damn cabin down if ya don’t cut that shit out.” He sparks a flame and lights the filtered end of the cigarette. He takes a long drag, and exhales the smoke through his nose. “You’re gettin’ worked up over nothin’, brother.”

“S’almost sundown, and they’re still not fuckin’ back.” Joel shakes his head. “Fuckin’ knew I shouldn’t have let Tess take her. Somethin’ happened, Tommy. I just know it.” He lifts his shirt and reaches for his pistol, pulling it from the waistband of his jeans. “M’gonna head to the creek myself to find ‘em. Ain’t gonna sit around on my goddamn hands and wait for it to get fuckin’ dark.”

“She’s with Tess. M’sure the girl’s fine—” Tommy stops, his eyes widening slightly. “Well, hell.”

“What?”

Tommy jerks his chin over Joel’s shoulder before taking another slow, casual drag of his cigarette. He savors the last few seconds of peace before shit inevitably hits the fan and his brother unleashes his wrath on anything, or anyone, in his path.

Joel whips around and his stomach sinks, his blood ice in his veins when he sees Tess approaching the cabin. Alone.

Both his mind and body go numb. It’s a jarring shock to his nervous system, and it takes him a minute or two to fully process the fact that you’re not with her.

“Joel,” Tess says his name carefully as he descends the porch steps and walks towards her. “I need you to take a breath, alright?”

“Where—where is she?” His voice breaks, his weakness momentarily slipping through the cracks.

Not that Tess didn’t already know you were Joel Miller’s weakness, his soft white underbelly, the only vulnerable part of his hardened self that could be penetrated—you would have been his downfall. As much as she’d like to say she did what she did solely for your own good, she also did it for his, and for the sake of the group as a whole.

It needed to be done.

He stands in front of her, a ticking time bomb about to go off.

Prepared to face whatever consequences of the choice she had made, Tess tucks her gun away and sighs. “You need to take a breath—”

Joel snatches her arm, his fingers digging into the flesh above her elbow. His emotions hit him all at once.

Fear, worry, anger. It’s the third that takes precedence, and before Tess can utter another word, Joel yanks her forward. She crashes against his chest so hard that it knocks the wind out of her. “Where the fuck is she?” He leans down, his nostrils flaring as he brings their faces the closest they have been in almost a year.

“Joel, take a fucking breath—”

“Where. Is. She.” His grip on her arm tightens with each word he bites out through his teeth. He’s vaguely aware the others have piled out of the cabin, gathering on the porch to watch the altercation.

“She ran,” Tess explains, calmly. She doesn’t falter, not even as his fingers sink deeper into her skin, promising her painful bruises which will take days to fade away. If he decided to let her live. “She ran away, Joel. I turned my back for one fucking second and she was gone. She even took my fucking pack. I tried going after her, but it was no use. She was too fast.”

Behind him, Tommy snorts. “She outran you?”

Her eyes momentarily flicker to him. “Her knees are a lot younger than mine,” she replies, flatly.

“Which direction did she go in?” Joel demands. When Tess doesn’t immediately respond, he shouts, “Which fucking direction!”

Tess manages to snatch her arm out of his grasp. She glowers at him, hissing, “What the hell does it matter which direction she went? You won’t fucking find her.”

His eyes meet hers, and he sees it. Feels it.

She’s lying to him.

“Tess.” Joel’s voice drops dangerously low. He studies her face, his brows creasing with suspicion. “What did you do?”

“I didn’t do shit, Joel. She fucking ran away.”

Without warning, Joel takes her by her throat. His other hand brings his pistol to her head, shoving the barrel of it against her temple. His nose touches hers. “Now, tell me why I have the feelin’ you’re not tellin’ me the whole truth?”

Tess lifts her chin. She searches his eyes, a sharp ache shooting through her. After everything, all the hell they had been through together—he would end her life, put a bullet in her because of you? Did she mean that little to him?

Or maybe she’d never meant anything to him at all?

She’s not sure which stings more.

“Because you’ve fucking deluded yourself into thinking that she willingly wants anything to do with you,” Tess finally answers. “That’s why.”

He ignores the burn of her scorching words.

“Where the fuck is she, Tess?”

“If she’s smart, she’s far away from here by now,” she hisses. “I did everyone a fucking favor, Joel. That girl is just another fucking mouth to feed. And what if you get her pregnant? That’ll be another one. Not to mention, a crying baby could draw unwanted attention and get us all killed. Ever thought about that? She’s not an asset to the group, she’s a fucking liability. Besides, I think I can speak for everyone when I say we’re all fucking tired of hearing you ra—”

Joel digs the barrel harder into her temple, his finger hovering over the trigger. “Listen to me. You’ve got ten seconds to tell me where she is, y’understand me?”

“Or what? You’ll blow my brains out?” Foolishly, Tess chooses to call his bluff despite not knowing for certain whether or not he’ll actually pull the trigger. “Go ahead, then. Kill me, Joel.”

His finger twitches over the trigger, but he doesn’t pull it. He can’t fucking pull it. Not on her. Not on Tess.

Still in his hands, she sags slightly in relief.

Swallowing harshly, Joel Miller lowers his gun and does something she’s never seen him do before. He begs.

“Tess, tell me where she is,” he whispers. His pleading is subtle, and only she can hear it. “Please—just fuckin’ tell me where my girl is.”

Tess stands her ground and says nothing.

Releasing her, Joel shoves her aside and with nothing but his gun in his hand, he sets off to find you.

“Ow, fuck!”

You gasp, quickly lifting your bare foot off the ground.

You’d stepped on something sharp—a stick, or maybe a rock?

In a desperate attempt to try and keep up with Tess’ tracks, you had stupidly left behind your shoes back at the waterfall. But the mere seconds you had spared by not stopping to put your shoes on hadn’t given you the advantage you thought it would. She had moved much too fast, and within minutes, you’d become helplessly, hopelessly lost. Every tree and every bush, they all look exactly the same, and for all you know, you’ve probably been going around in fucking circles for the past couple of hours in your search for her footprints in the dirt.

Sagging against the trunk of a nearby tree, you take a minute to try and catch your breath, to give your poor little feet a break from hiking over fallen branches and jagged stones.

Your head falls back, eyes gazing through the canopy of trees. Dusk has settled in, and nightfall is on its heels. It was foolish of you to leave behind your shoes, but even more so to leave behind the pack she had given you—in the pack were all the things meant to help you survive. Knife, flashlight, food.

Sure, you can survive a night out here in the wilderness without any of those things—but then what? Come dawn, what do you do? Where do you go? Do you just stumble around in the woods and hope for the best? Pray you’ll make it onto a highway with signs that will point you to a quarantine zone?

Hell, maybe you’re overestimating yourself. Maybe you wouldn’t survive long enough to worry about your next move. Howls in the distance remind you there’s wildlife out here, dangerous predators that come out after dark in search of their next meal. Or what about infected? It wasn’t unheard of for them to veer off the highway and lose themselves in the trees.

You recall your first few weeks in Joel Miller’s hands.

Escaping them was all you could ever think about, even though the chances of you surviving alone were slim to none, just like they are now. Never having been on your own, death would have been inevitable—but back then, in your darkest moments in captivity, you wished for it. You’d welcomed the idea of starving, freezing, or being torn apart limb from limb by an entire hoard of clickers. At least then, you’d die with your freedom.

Almost a year later, that wish has been granted.

You’re free.

You may very well die, but you would die free.

Closing your eyes, you think about Joel. His arms, that once held you down—held you still—as he did all those things to you without your consent, are arms your heart yearns to have wrapped around you, holding you close.

“Jesus,” you grit, a tear rolling down your cheek.

Maybe Tess had been right. Maybe he really does have you fucked in the head.

Joel was a monster. He had taken everything from you, including your innocence. He’d defiled you in ways you hadn’t known were possible. He was a terrible, terrible man.

A terrible, terrible man who kept you fed.

A terrible, terrible man who kept you warm.

A terrible, terrible man who kept you safe.

Another tear slides down the side of your face. What is fucking wrong with you?

You don’t know. But what you do know is, the thought of never seeing Joel again is somehow more terrifying to you than the thought of dying even the most brutal of deaths.

A loud rustling sound brings your train of thought to an immediate, sudden halt, and your eyes wrench open.

It’s darker now, but you manage to catch a movement in the shrubs, only mere feet in front of you. Panic flares in your chest, it rattles you to your very core, and even though every nerve in your body is urging you to move, you freeze, your back flush against the tree trunk. Your fingernails dig painfully into the bark as you watch the shrubs part down the middle, and a tall, hulking figure emerges with a heavy grunt.

At first, you think it’s just a figment of your imagination showing you what you wanted to see—a hallucination. Blinking furiously, you lightly shake your head, and then take another look at him. Your breath hitches when you realize it’s Joel.

He stares at you in the same manner, as if he’s trying to figure out if you’re real, or if his mind is playing a cruel, cruel trick on him. Feet cemented to the forest floor, he watches you take a small, tentative step towards him.

Once adamant that you’d never look him in the eye, you find your gaze locking directly with his as you carefully take another step closer. Then another, and another.

“Joel?” It’s the first time you’ve ever uttered his name.

He seems as taken aback hearing it as you are saying it.

“Joel.” It rolls off your tongue smoother, and with more ease the second time around.

It sparks a flame somewhere deep, deep inside of him, a fire that burns differently than those ignited by carnal desires.

No, this is something else entirely, and you feel it too.

“Baby?” he whispers hoarsely. “S’that really you?”

“Joel!” you cry, hurling yourself into his arms.

Joel’s gun falls from his hand and he curls them around you. Burying his nose into your hair, he inhales deeply. The scent of you, the feel of you—you’re fucking real.

Shuddering with sobs of relief, your arms wrap around his waist, and you cling to him as if you’re clinging onto dear, precious life itself.

“Hush now, s’alright,” Joel soothes, cradling the back of your head in one hand, while the rubs soft, calming circles into your back. “I’ve got you, honey. M’here.”

“I swear I didn’t want to run away,” you explain through your tears. “I begged her to take me back to you, Joel, I really did! But she left me out here—she said she would shoot me if I tried following her back. Please, you have to believe me, you just have to believe me!”

He squeezes you harder against his chest. “I do, baby. I do believe you,” he assures you. Pulling away, he takes a step backward and takes your face between his palms, peering at you in concern. “Y’hurt, sweetheart?”

“No,” you hiccup, curling your hands around his wrists. Your lower lip trembles. “I—I thought I’d never see you again. I was scared I wouldn’t,” you admit, softly.

Joel’s thumb wipes away a fresh tear. “M’here now,” he murmurs. “You’re with me, baby. You’re safe, alright?” As a late evening breeze passes through, he lets you go and shrugs out of his brown jacket. He goes to drape it around your shoulders, but you snatch it right out of his hands, then toss it aside.

Something in you snaps. You take fistfuls of his flannel, pulling him down towards you to do yet something else that takes you both by surprise—you initiate a kiss. You lean forward and press your lips to his, a little swipe of your tongue across his bottom lip as you clutch tighter at his shirt, holding him in place. Groaning, Joel opens his mouth more, his tongue brushing yours.

Liquid heat pools in your belly, and before you realize it, you’ve grown frantic, kissing him with fervor. Releasing his shirt, you slide your hands down his chest, over his stomach, lower and lower until you find his belt buckle. Desperate, you clumsily fumble with it, and that’s when Joel tears away from you, his breath hitching.

You’re begging before he can even say a word. “Please. I need you—I want you. Right now.”

You cup him through his jeans, and he exhales sharply.

“Fuck.” Without giving it a second thought, his hands reach for the straps of your dress, pushing them off of your shoulders. He roughly tugs at the material, letting it slip down your body until it falls around your feet. In a tangle of limbs and tongues, you both sink to the forest floor. Your hands brush his buckle, and he catches your wrists. “Not yet, baby girl. M’still in charge, alright?”

Sheepishly, you nod.

“Say it.” His command is firm, but somehow still gentle.

“You’re—you’re in charge.”

“Good girl.” Joel guides you onto your back. He’s over you in a second, swelling your lips with a hard, hungry kiss that leaves you dizzy and breathless. He moves his mouth, teeth scraping over your cheek and jaw, down to your neck where he nips at the tender, delicate flesh over your pulse point. Then, he bites his way over your collarbone and to your shoulder. “Bet she’s already wet for me,” he mumbles into your skin. “Ain’t she, baby?”

Pushing himself back onto his knees, he slides a finger over your clothed cunt, eliciting a small gasp from you. Hooking his fingers under the elastic waistband of your cotton underwear, he yanks the fabric down your legs. It catches on your foot, your wetness smearing against the inside of your ankle.

You’re drenched.

“C’mere,” Joel grunts, sliding his hands under your ass and pulling your hips over his thighs. He leans over you once more, your bare, throbbing cunt rubbing against the crotch of his jeans. He tuts lightly into your neck as you buck against him. “Such a fuckin’ needy little girl.”

Desperate, you try rolling your hips into his. “Joel.”

“Kinda like it when y’say my name.” He starts making his way down the length of your body. “Think I’ll like it even better when you’re screamin’ it. Won’t I, baby?”

Your stomach tightens as he nibbles his way down your neck again, teeth scraping over your clavicle and down your chest to your heaving tits. Taking one in his hand, the other goes into his mouth—his tongue is scorching hot over your nipple. He licks the pebbled flesh, sucks it and bites it while he rolls the other peak in between his thumb and index finger. “Oh fuck,” you gasp.

Releasing your breast with a wet pop, Joel sinks further down your body. He plants hot, open-mouthed kisses along the curve of your tummy, leaving behind a trail of fire in their wake. He stops over your mound and hovers for a fraction of a second before pressing his nose into the silky soft curls there. Inhaling deeply, Joel picks up the subtle, herbal scent of the lavender soap you had washed yourself with. “Fuck, y’smell so fuckin’ good.”

He pushes your thighs open, pinning one to the ground with his hand while the other goes over his shoulder. Your foot slides down his back, toes curling despite the fact that he hasn’t even reached the spot where you’re aching to have him most. Heart thundering, your blood rushes, roaring in your ears.

Joel turns his head, his lips brushing your inner thigh in another kiss. “S’this where y’want me, honey?” he asks you. Goosebumps erupt over every inch of your skin as he draws closer, his breath like steam on your core. He glances up at you, his cock twitching against his zipper at the sight of you laying naked before him on the floor of the forest. Willing. Wanting. “Hm? Right here?”

“Yes,” you breathe. “Please, Joel.”

Thankfully, you only have to ask him once, and then his face is buried between your legs, and he is giving you what you want.

“Fuck!” you cry out. Back arching, your head tilts back until the crown of it meets the ground, leaves and twigs finding their way into your clean hair.

Joel’s tongue flattens over your cunt in a broad stroke, then dips between your folds, collecting your slick with a harsh groan, one that sends a bone-rattling vibration throughout your entire body, from head to curled toes. His mouth opens wider—a starving, greedy man trying to eat you whole. Sliding his tongue over your clit, Joel seals his lips around it, sucking the sensitive bundle of nerves until it swells in his mouth.

High-pitched little cries and whines spill from your lips. Your hands shoot down, fingers tangling themselves in his dark, graying curls, eliciting a grunt from him when you tug at his roots. “Joel, fuck,” you choke, your nails scraping against his scalp. He slurps and swallows your wetness, the sounds drowning out those of the night—the chirping of crickets, the croaking of frogs, the soft hooting of owls are washed away until all you can hear is him devouring your pussy.

Your body starts to tremble, and you know you’re close. Joel does, too. He feels your thighs twitch, threatening to close around his head, but he wrenches them further apart with a muffled but firm, “No.” He drapes his arm over your pelvis, his large hand splayed on your belly.

Relentless, he sucks your clit, gliding his tongue over it, again and again until the muscles in your lower tummy tighten and you burst at the seams, unraveling into his mouth. Warm slick gushes out of you, a sweet mess he licks clean. You choke back sobs of pleasure, your body tensing, vision blurring with every stroke of his tongue, each scrape of his teeth over your clit.

Joel lifts himself onto his knees with a grunt and gazes down at you—his good girl, sweet and pliant and ready to be fucked full of his cock. His hands slide his belt out of its brass buckle, eyes still trained on you as he pops the button of his jeans and yanks down his zipper.

Your mind is fuzzy, still syrupy and dripping—it doesn’t fully register what he’s doing, not until he climbs back over you and you his hard cock brushes your thigh, hot velvet that sears the inside of your leg. Precum smears your flesh.

“Y’feel that? Feel what you fuckin’ do to me?”

“Joel.” Hands shaking, you reach for the buttons of his shirt, desperate to feel more of his skin on yours. You whine when he catches both of your wrists in one hand, pinning them above your head. “Your clothes—”

“Stay on.” Ducking his head, he nips at your pulse point and mumbles, “Tell me what y’want, pretty girl.”

Joel shifts over you, his cock now resting on your lower belly, thick and heavy and leaking.

You squirm under him, hips coming off the ground, that hollow thing inside of you begging to be filled.

“Use your words, sweetheart. Tell me what y’want.”

“You, Joel—I want you. Please, please, please—”

He hushes you.

“I’ve you, baby. I’ve got you,” Joel promises. He wraps his other hand around himself, dragging the head of his cock along the seam of your puffy folds, up and down—he elicits a ragged little gasp from you when he grazes your clit and his fingers tighten around your wrists. He coats himself in your slippery slick until he’s glistening with it, and then he gives a slow roll of his hips, working himself into you.

Your mouth falls open. No words come out, no pleas for more—only jerky breaths, pathetic little pants for air as you take it.

Joel’s cock throbs, pulses like a heartbeat as your cunt welcomes him home. He presses his forehead to yours. “She’s always so fuckin’ sweet to me.” His voice is low, rough gravel. His eyes meet yours in the dark blue glow of the forest, and he savors the last moments of seeing your pretty face before the last traces of dusk are gone. Brushing his lips to the corner of your mouth, he feeds you his cock inch by inch, murmuring, “That’s it, honey. Good fuckin’ girl.”

You melt around him at his praise.

Releasing your wrists, he moves his hand, placing it on the crown of your head. “Ain’t ever lettin’ you out of my sight again,” he swears. “Alright? Never gonna be apart from me again, baby girl. Never. Y’understand me?” He curls his other hand firmly around your jaw, his fingers sticky with you and him. “Do you understand me?”

“Never,” you repeat, softly.

Joel kisses you, deep and slow, almost sweet. Tender. He breaks away, his lips hovering right over yours as he pushes his hips forward, bottoming out inside you.

Moaning, your hands grasp at his shoulders. Your legs widen further to accommodate the breadth of his hips.

“There y’go.” Joel presses deep within, until your belly feels hot and full. “That’s it, baby. Good girl,” he coos, drawing his hips back, then rolling them right back into you. He takes one of your ankles and tosses it over his shoulder, giving himself a better angle to fuck into you.

A loud cry tears from the back of your throat. “Joel!”

He grins in the darkness. He knew he’d like hearing you scream his name.

Joel’s hand settles on your leg that’s over his shoulder, your thigh already shaking. “Y’gonna be a real good girl n’ give me another one?”

You try to answer him, you really do, but your mind falls further and further away.

His fingertips sink into your thigh. He strokes in and out of you, never retreating more than inches at a time so he keeps you full. Stuffed. “Christ. Takin’ it so fuckin’ well,” he croons, moving your leg off of his shoulder so they are both wrapped around his waist. Hunching over you, he bears down hard, using most of his weight. He almost chuckles at the little oof that puffs out of you.

Rocks and twigs dig painfully into your back, but all you can do is feel him. How close he is.

You’re right there with him.

“Joel—fuck, I’m gonna co—”

You’re cut off by your own sharp gasp.

“That’s it. C’mon, honey.” Joel slips his hand between your thighs, his fingers firmly rubbing your clit. “C’mon, baby. Be a good girl and come on my cock—”

It rips through you like an electric current, a shockwave that has you clawing at the dirt. You come crying Joel’s name, crumbling into a whimpering, quivering mess.

Within seconds, he’s swept away by the same tide.

“Baby,” he groans, dropping his head into the hollow of your neck. He goes still and lets your tight cunt clench at him, gripping his cock as it throbs, pulses, empties into you. After a minute, he brushes a kiss to your neck before mumbling, “My sweet girl.”

Joel makes no move to pull out of you. Wrapping your arms around his shoulders, your soiled fingers toy with the soft curls at the nape of his neck, shattered breaths slowing and piecing back together.

You gaze up through the trees at the night sky, feeling the safest you’ve ever been with the earth at your back and your whole world on top of you, his cock buried in your cunt.

Tess is right. Joel Miller really does have you fucked in the head.

You’re certain of it when you make the realization with a smile.

divider credit to @/saradika 🖤

for fic notifications please follow @joelsgreysupdates!

#why yes #i AM going to queue this to post when i am dead asleep #captive!joel #dark joel miller #dark! joel miller #tw dubcon #tw dubious consent #tw noncon #tw dark fic #joel miller smut #joel miller x reader #joel miller x f!reader #joel miller x female reader #joel miller x you #joel miller one shot #fic: run

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nocturnowlette · 5 months

Note

do you have any hypnosis audio files youd recommend?

Honestly, the answer is a "maybe".

In my opinion, in my 8 years of listening to files, not even 1% qualify as something I'd consider well made. The vast majority are nsfw, and the vast majority of those just throw any actual hypnosis away for a sake of roleplay. That being said, here are some files that, in my estimation, are at a minimum decent.

And always, read the description of every file before listening, even after reading my descriptions.

There's puppy ones at the bottom, by the way.

First, not an audio file, but an itch.io game.

brainwasher_program by sleepingirl (18+)

This is the most competently made thing I will be showing. Sleepingirl is someone I would consider a good hypnotist skillwise.

There is also test hypnosis game1 and ithinktherefore, also itch.io text hypnosis games/sessions.

Next, to my knowledge, the best file I've personally stumbled on (though it still didn't quite wow me),

Failing to Resist by Jack Drago (18+)

This file is a trance trainer, as in a file meant to use the ideas of resistance and turn that idea against you. It does a passable job, and you might find it quite powerful and helpful if you have some stubborn tendencies as a subject.

Next is another passable trance trainer,

Mind Melt by LilithUnleashed (18+)

This file uses arousal to bring about a specific philosophy of trance, one you might find more conducive to effectiveness: enjoying trance for the sake of trance itself, not just using it as a means to an end. There is no wakener at the end.

Next, a twin pair of files,

The Call of the Void and Hypnotic Acceptance by LilithUnleashed

The Call of the Void is a sort of run of the mill hypnosis file meant to be looped, and designed to condition you to trance and specifically to Lilith to some extent. Hypnotic Acceptance is a conditioning file meant to be played out of trance and doesn't bring you in to it. It's a nice idea that can have some small potential benefits, it's also relaxing.

Lilith, in general, is a competent hypnotist, if not a bit... much... at times. That's more of a taste thing, though. She does a good job, and these files are good.

There is also this conditioning loop file by her which is also nice, as well as this one.

Next is one for the pups,

Collared Obedience by LilithUnleashed (18+)

This one is, at a minimum, a very enjoyable time. It creates a mental collar and links it with actual collars if you wish and have the means. It forms one made out of various concepts relating to obedience. The suggestions didn't stick for me, but I'm a tad stubborn.

Obedience 101 - Welcome to Class! by FlowLikeTea

If you haven't noticed, I like trance training files. It's primarily because they're some of the only ones that aren't trying to just do erotic roleplay with the facile idea of hypnosis and hypnotic aesthetics. It reminds me of the ASMR sphere in that way.

Anyways, this file is just nice. Not much else to mention.

Slow and Gentle Hypnotic Induction by GoddessSoft (NotSoftForWork)

Thank you, Ms. Soft, for making an actually competent SFW hypnosis file. Soft is quite the competent hypnotist, and we'll be showing a few of her files coming up, but this one remains my favorite. It's simply a very well done relaxation file by someone who knows her stuff and has a good understanding of most aspects of audio trances.

Good Puppy Clicker Training by GoddessSoft (18+)

This is a beginner-centric clicker training file by Ms. Soft. It's thorough, long, and pleasurable. If you haven't noticed, I have not recommended files intended to make you finish in any way. I don't like them. They do not work for me. You'll have to ask someone else. That being said, GoddessSoft's page on the link has many different puppy files to listen to. Most deal with that.

Puppydog Fractionation by GoddessSoft (18+)

Another not-specifically-nsfw-focused puppy file from Ms. Soft. If I recall right, the sound balancing might be a little iffy on this one, though. Fair warning.

That's all I remember for now, but I might have more recommendations in the future. I hope you enjoy, and be sure to tell me how you respond to some of them. Enjoy!

#owlette #hypnosis #puppy space #puppy sub #puppyposting #dogposting #puppy brain #dog brain #dumb puppy #mind control #mind conditioning #mind break #hypnok1nk #brainwashing #hypnoposting #hypno pet #hypnosis advice #hypnosis files #brain drain

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damienkarras73 · 4 months

Text

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

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determunition · 11 months

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i took the switcheroo week as an excuse to finally try my hand at some scrybeswap designs! got a bit carried away as you can see, i love doing character design so much

decided to keep their species/major design elements fairly consistent (e.g. grimora's makeup, mag being vague and indistinct, leshy having nonhuman legs, p03 only having one arm) while still switching up their aesthetics as needed; super happy with all of these as a result!

design notes for each scrybe under the cut! def open to any further questions or curiosities, i always think way too hard about characters while designing them lmao

P03:

scrybe of the dead: i went for a possessed tv vibe; he's still mechanical but those bones do have a living soul trapped in them...also shoutout to @squid-hug for suggesting the x-ray machine, i was very tickled by that lmao

scrybe of beasts: overgrown old bot was kind of a given for this one, but i was also thinking that the plants are part of what's keeping him running somehow

scrybe of magicks: the magic eye is the core powering that top monitor, and the two side monitors display what he's seeing with that eye at any given time

grimora:

scrybe of beasts: she's a witch! like a chill terry pratchett kind of witch, she works with a lot of herbs and such; also her makeup is meant to mimic blood drops

scrybe of magicks: magick grimora is more of a warlock type, her magic is a lot more sinister and she almost never opens her eyes (whereas her third eye is basically always open)

scrybe of tech: tech grimora is kind of a wacky machinist-flavored dr. frankenstein; she inscribes by writing on circuitboards!

leshy:

scrybe of the dead: this leshy is a gargoyle/vampire hybrid! i thought a mirror would be fun for him bc you can get two different cultural refs; medusa (bc stone gargoyle), and the idea that vampires don't appear in mirrors!

scrybe of magicks: i decided to make him a bird guy (kinda harpy-esque) bc he's basically a more whimsical baba yaga hermit; the baba yaga thing carries over from slavic folklore obvs. also he has polycoria!

scrybe of tech: tech leshy was super fun, bc he's steampunk! rather than animal legs i gave him digitigrade robot legs, but other than that he's the most like, normal human guy here probably lmao; despite his well-adjusted appearance though i still think he's got a bit of freaky wonk in him

magnificus:

scrybe of the dead: this one was very ring-inspired lol, got those clump of hair you found in the shower drain vibes

scrybe of beasts: bush magnificus real! i think he'd be a bit more quirky trickster fae in this form

scrybe of tech: one of my favorites; tech mag is an emaciated cyborg draped in so many loose cords and wires that you can't tell what he looks like anymore. a lot of those cords are connected to him, and he plugs them in wherever as needed! he also has a drawing stylus, making him just an average art student tbh lmao

#inscryption #inscryptober #p03 inscryption #grimora inscryption #leshy inscryption #magnificus inscryption #scrybeswap #trying so hard not to develop 18 million ideas for these guys lmao #i love a design exercise

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crystalliumdaisy · 6 months

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redesigning star dresses part 1!

part 2 and part 3

notes and individual pieces below <3

keep this in mind i love the og stardresses! i just wanted to challenge myself and i’m an inspiring fashion designer!!! my goal was to create dresses that reflect the spirits and u could easily match them up.

these were my initial sketches, i wanted every dress/outfit to have a different colour and silhouette to make them more recognisable.

aries ~

- pink was the obvious choice for a colour. I didn’t want to use any major black like in the og design because aries design is so light and bright!

- i really think the og stardress hair is lacking. A fun fluffy 80s hair adds to the whole sheep aesthetic and creates a different silhouette to other designs.

- the 80s hair also inspired a more 80s look with fluffy legwarmers and big hoop earrings.

- i also wanted to bring in those pink pompoms on the side of aries dress so i made them star shaped and put them in lucy’s hair

taurus ~

- why put her in a bikini if she’s a cowboy??? this haunts me everyday.

- I couldn’t put her in mainly black and white cos that’s virgo i comprised and landed on a brown.

- for inspiration it was pretty obvious to go with a cowboys and the wild west! i always disliked the one leg pants her og design has so i modified it to a cut out.

- her og design was a mix of the aquarius and scorpio one and it always didn’t stand out to me, so i think by exaggerating the cowboy aesthetic it stands out much more.

gemini ~

- her og design is actually one my favs. so i really only made minor changes

- the colours stood out against other dresses and were easily identified as gemini. the dual colour symmetrical dress is a great way to reflect the double spirit.

- Gemini is a pretty symbol spirit so to reflect them i used circular shapes and organic lines. i changed the head piece mainly because i struggled drawing it but i realised it made the design too top heavy anyways.

- i extended the dress width and length mainly for silhouette reasons (she wears so many skin tight dresses) as well as to give a nod to the dresses the alternate geminis wear.

cancer ~

- my issue with cancer star dress isn’t the dress itself. I actually love the dress in the manga. it’s the colour. WHY IS GREEN?!?

- if it weren’t for the symbol i wouldn’t be able to match this dress with cancers design, so it had to change.

- other than that there’s no major differences, the ribbon tie is meant to resemble scissors, i love the claw shape hair ties in the og design so i brought them back and i brought the stripes in cancers top to her bow.

leo ~

- i was inspired by beauty and the beast, in the movie the beast kinda looks like lion.

- i swapped the yellow and black in the og design since it has a pretty similar colour story to virgos dress. The og kinda gets lost next to leo since the black doesn’t have variation and leo is in a deep black too.

- i wanted to make her hair bigger like a lions mane and curled around her face.

#fairy tail lucy #lucy fairy tail #fairy tail fanart #fairytail redesign #redesign #fairytail #fairy tail #lucy star dress #lucy heartfilia #i did this for funsies and i actually love the results #fashion and fairytail two of my fav things #part 2 will come soon i have so many thoughts about the sag design #don’t take this seriously i love the og designs lols #daisy art

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cripplecharacters · 6 months

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The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it.

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia.

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred.

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic.

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up.

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are?

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask?

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns.

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it.

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

#mod sasza #disfiguremisia #face difference #mask trope #writing trope #writing resource #writing reference #writing resources #writing advice #writeblr #writing tips #long post #burn survivor representation

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themuse-if · 8 months

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DEMO (TBA) | Cast Profiles | Cast Interviews-Round 1 | Cast Interviews-Round 2 | The Muse: Spotify

The Muse is a 18+ slice of life interactive fiction novel set at NYU focusing mostly on the art departments in the Steinhardt and Tisch schools. Inspired by my love for shows and movies like Felicity, Fame (the show), Skins UK, and Center Stage. This will not be an accurate depiction of school life at NYU, I'll be taking lots of creative liberties.

Content Warnings: explicit language, sexual themes, substance use, violence, mention of SA

You come from a family of artists and art lovers. Your mother is a passionate curator for a small gallery in the city and your father is a sculptor and painter with a very dedicated cult following. They met when they were just starting out and have built a lovely life for themselves and their two children, you and your older brother Cameron.

Your parents have always been super supportive of you and your brother’s dreams and ambitions. They were a great source of encouragement and guidance for your brother on his path to discovering his goal to become a game designer and you on your path to become whatever you choose.

Growing up surrounded by such creativity just so happened to inspired you to want to create something of your own.

Now that you’ve graduated high school it’s time for you to head off to university! You’ve decided to leave the mid sized city that you call your hometown, and go to the big city NYC! You’ll be attending NYU more specifically, but you won’t be making this move alone you’ll be attending with your best friend Maxine!

What will you discover in your university life?

Will you solely focus on schoolwork or wind up in the raging party scene?

Will you explore new creative endeavors or solely focus on honing your craft?

With so much going on will you even have the time to possibly find your muse, or maybe even become someone else’s?

Design your mc from clothing style to physical appearance to pronouns, gender identity, name, looks, and more.

Choose 1 of 6 majors that grant you different classes with new students and professors: (Studio Arts, Dance, Drama, Photography and Imaging, Songwriting, Recorded Music)

Curate your MCs personality and how they react to all the drama and excitement university life has to offer. Style your MC’s dorm room and their aesthetic style.

Navigate the cliques and scenes to figure out where your MC fits in. Maybe you're a social butterfly and you just float from one social group to another!

Engage in a romance with 1 of 10 characters. 5 female/male gender selectable and 5 gender set characters. And 2 poly routes one with The Rebel Rejects and one with The Exes (Faye and Karla).

Choose one of three part time jobs to give you a little extra spending money for things like spring break and birthday gifts for your new friends.

Follow The Muse through your MC’s freshman and sophomore years. Junior and senior year will come much later in Book Two of The Muse. The third and final book in The Muse series will cover the start of MC's new life after graduation.

Roxanne/Robbie Sawyer: (f/m) The lead singer and guitarist of The Rebel Rejects. Ro is everything you would want in a lead singer cool, charismatic, and super talented. Don’t let their dazzling aura intimidate you though because though they may have a raging wild side they can also be extremely down to earth.

Joleen/Johnny Nielsen: (f/m) The drummer of The Rebel Rejects. Jo is the oddball of the band with a sunny exterior and twisted flower child past. They may be a sweet boho bimbo with a heart of gold, but there’s a lot more that lies behind those blue green eyes.

Delphine/Desmond Hartley: (f/m) The bassist for The Rebel Rejects. De is the super glue propelling the group forward. With high expectations from their parents, and dreams that soar even higher, success is the only option.

Rina/Ren Fukushi: (f/m) R is the best ballet dancer in this incoming freshman class, and no one would ever think to say otherwise. They’re cold and closed off, if it isn’t about ballet then they don’t want to hear it.

Everly/Everett Thompson: (f/m) Eve is a triple threat. Singing, dancing, acting they can do it all. They hope to complete their EGOT before they turn 40.

Karla Reyes: (she/her) Karla is a sophomore at NYU studying Studio Arts. Her favorite medium is watercolor on canvas. She dabbled with sculpting and ceramics...until she broke up with her ex, Faye, and can’t stand to be in the same studio with them.

Faye Winters: (she/they) Faye is every bit the ethereal being they seem to be, and just as flighty. She is a sophomore majoring in dance with a minor in studio arts. She has this effortless charm and beauty that extends to her art whether its her dancing or her sculptures.

Sebastien Auclair: (he/him) Sebastien is in his third year of university, he’s an exchange student from the Paris College of Art. He is studying photography and imaging. Sebastian loves Paris, but he is excited for this change of scenery.

Maxine Matthews: (she/her)Max is your best friend in the world! Your parents are friends so you were destined to best pals since birth, thank god you actually like each other or all those shared family functions would have been really awkward. Max is funny and always has great commentary for every show or movie that you watch together. Which is why you weren’t surprised when they decided to major in dramatic writing. Some people think that you’re too close. They wonder how is it possible that you could be just friends.

Silas Walker: (he/him) Silas is your RA. As your Resident Advisor he's super helpful and friendly. You have a question about the best study spots, bad professors, how to use the subway, well he's got answers. He keeps all his advisees at arms length because everyone knows RAs can't canoodle with their advisees. And that just makes it all the more enticing.

#interactive fiction #dashingdon #twine if #twine interactive fiction #interactive novel #interactive if #choice of games #choice script #choose your own adventure #choose your own story #twine game #twine story #if: intro #if: themuse #interact if #interact-if #if wip

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chaos0pikachu · 2 months

Text

4 Minutes and the Cinematography of Nipples

I said before that I thought 4 Minutes was pretty instantaneously the best looking BL on the market for 2024 after one episode. Which, not gonna lie, is a pretty big fucking claim. There’s been a lot of BL that’s come out that’s looked good, and I do think there’s been a steady improvement overall in the market in the last few years. Personally I think Japanese and Korean BL have a stronger production quality over a majority of Thai BL but like, if that’s a hot take I guess I prefer my food spicy.

The point being~ if I’m gonna make such a hyperbolic statement, well I better back it up right?

So I’m gonna break down a few scenes from the first episode, what I liked about them, why they worked for me, and why on a technical level I think 4 Minutes has just got it going on.

For better readability you can also check out this essay here.

Sidenote: my google docs kept trying to autocorrect “Bible” to “the Bible” and idk how to teach google I mean the hot Thai actor and not the book of Jesus.

To start, I’m going to break down this scene featuring Great and his nepo baby cat:

I thought starting with this scene would be good because it’s such a low-key scene and honestly making these simplistic scenes visually interesting is very difficult! But if you have the basics down, the foundations of cinematography and film making, these simpler scenes can be really memorable.

Like yeah we’re all gonna remember this scene because shirtless Bible and oh my god Akira!? - I have only recently learned who Akira is; why is this cat getting a bigger bag than me? - but beyond that, what makes it cool to watch? What makes it interesting? What information does it showcase to the audience?

One thing I added to the video was a grid for the rule of thirds.

Rule of thirds is a shot composition technique applied to both film and photography. It’s the grid you see if you film a homevideo and helps a Director and Cinematographer figure out where to place the subject or subjects of the shot. The idea is the gridlines show you where you “should” place the subject(s) of said shot.

Like everything, the rule of thirds is a guideline in filmmaking, not a hard and fast unbreakable rule. Filmmakers like Wes Anderson like to play more with central composition shots, rather than ROT.

Anyway on to the opening shot, right after our credits and we’re moving into the shot.

To start, the first thing I notice is the scene’s color grading. Color grading in film is the manipulation of raw film footage to create specific color tones throughout a project. Sometimes this grading is more pointed and obvious, think The Matrix, while in other films it’s not as obvious but still very prominent, think Killers of the Flower Moon.

It’s not that the before credits scene looks entirely, jarringly different from the opening scene, but the hospital scene is surrounded by whites and blue tones, it’s darker, and only a single source of light exists. It gives the entire scene a much more frantic, uneasy aesthetic but it’s not so far off from the darker muted tones of the next scene that it feels jarring or out of place.

The second big thing I noticed in the episode is the use of aspect ratio. I’m not 100% sure what aspect ratio the production used exactly, but the use of widescreen as opposed to full screen in my opinion, gives the episode a more cinematic feel to it in comparison to other Thai BLs.

Example, if you look at Century of Love (2024) it appears to be filmed in the standard full screen - which I believe is 16:9? - while 4 Minutes is widescreen (thus the black bars at the top and bottom). Widescreen can give a show a more “movie like” quality to it which is part of the vibes I get from 4 Minutes.

(source)

Onto Great’s actual introduction scene.

We’re not starting the shot with static movement, but with a camera panning right. I’ve talked about camera panning and such in BL before and it’s something I’ve found doesn’t happen as often as it should. Which is a shame! It’s such a simple technique but it adds so much.

Imagine if we entered the frame with a static center shot, and then a cut to Great sleeping and turning off his alarm clock, and then another cut to above the bed. Think about how much more boring that could be visually.

Instead, we enter the scene with movement, panning over and creating some interesting visual framing.

So here’s our opening shot, do you notice anything interesting? To start, what I like about this shot other than the panning movement in, is that we don’t see Great’s face yet. In fact we don’t see his face in full until about 30 seconds into the scene. This builds anticipation, yeah we all know what Bible looks like, but for the audience who doesn’t this helps build anticipation.

Who is this character? What does he look like? What’s his deal?

It also engages the audience more, if you notice part of the composition of the shot has Great in the mid-ground slightly blurred out, while the foreground emphasizes the things on his desk. He’s distant from us, the audience, sleeping off his hangover not yet ready to “join” the world yet.

Here’s another two more things I like about this shot:

Lines.

Using lines and shapes can make a scene more visually interesting and invoke different feelings to the viewer. In this shot, I get a sense of symmetry, the camera panning right, lightly drags across the screen alongside the lines below and above Great, almost creating a frame within a frame effect. As if Great is boxed into a clock in and of itself.

You can also see the use of balance in the scene as well, connecting back to that visual theme of symmetry as well as blocking our view of Great’s face. The lava lamb and champagne bottle are almost the same height, which helps create balance in the shot. The champagne bottle informs us Great has been drinking or does drink since it’s positioned so close to his bed, whilst also continuing to hide his face away from the viewer.

I also like that the lava lamp is a bright spot of color. The tone of the scene is mostly muted greens, and gray, but the bright orange lava lamp and even the pink champagne bottle draw our attention but don’t overwhelm us either. It provides the scene with some warmth but doesn’t offset the overall tone of the color grading.

And then, the last bit of this shot:

We have Great knocking over the champagne bottom, and turning off his alarm clock. Notice that the alarm clock and the champagne bottle hit those ROT dots almost exactly. There’s also the use of lines by the length of Great’s arm - I just forgot to add a line I’m a failure, a fake, fml - we see him knock over the bottle, and then we follow the line of his arm directly to the alarm clock which is also a shape, a circle.

I like that they used a clock with a specific notable shape, since by the end of this scene the clock is relevant to the story as a whole. Using a shape makes the clock more visually noticeable and memorable to the audience.

So in the next cut we’re above Great - just like Great’s gonna be above Tyme, fuckin hell I’m corny - in a medium-full shot and there’s a couple things I really like here.

I really like the use of lines here with the bed going in one direction but Great’s body going another. It’s disconcerting, and off kilter a bit.

The use of patterns plus the opposing symmetry, whereas in the previous shot the lava lamp and champagne bottle were providing balance, here one side of the bed is patterned, while the other isn’t. This creates a sense of imbalance and makes the shot more visually interesting.

This medium-full shot at a high angle makes Great smaller, and continues to showcase his dishevelment, keeping him distant from the world itself. Also notice the lack of color here as well.

What could this say about Great as a character? Or his story?

So this next cut is the one that actually inspired me to write this essay to begin with and know what I’ma eat some crow here. I originally said it was a great ROT shot but I was wrooooooong. It’s definitely a center composition shot.

Notice as well, the bed itself is its own shape - rectangle - center in the frame, and yet the shot almost looks unbalanced again because of that singular patterned rug. It’s the only pattern in the entire shot, not even Great’s pillows have noticeable patterns on them.

The above view camera angle in a full shot creates almost an omnipresent feel, as if the audience - or something else? - were looking down upon Great. Whose face we still haven’t seen! It makes him smaller, less powerful, and almost vulnerable. Shots like this are often used in horror films like James Wan’s Malignant (2021) where the horror spector will be looking down above the would-be victim.

Another thing I like about this scene though is we have Great moving. It would be simpler and easier to have his phone just by his alarm clock, or under his pillow, but think about how much more visually interesting it is that he has to move down the bed and reach for his phone. It creates action in an actionless low stakes scene.

And now, 30 whole seconds in and we’ve finally seen Great’s face!

Fun fact, with the ROT grid the gridlines fall right across Bible’s nipples. That’s not a film analysis, just something I noticed entirely intentionally. Thanks Madam Director Ning Bhanbhassa Dhubthien.

The actual shot is in center composition again, as Great rolls over and reveals his face the camera begins to zoom in.

This creates movement in the scene instead of leaving the camera to statically observe it’s now, finally, inviting the audience to meet Great. Pulling us in towards him whereas before we were kept at a distance. Great’s awake and, well as ready to meet the world as somebody with a raging hangover can be.

I also like how Bible is moving constantly in this scene; he rubs his eyes and nose, he twitches his fingers, titles his head back and forth, etc it’s nothing revolutionary but it’s appreciated.

When the scene cuts, we get this shot:

I didn’t put the red dot on his nipple, it just landed there. This is all Madam Director Ning chepie.

But you can see how Great’s body is landing on all those gridlines pretty solidly. Also in the background we see his alarm clock again, a bright blurred circle in the distance. I also like the angle of this shot, as it creates depth in the frame, with Great’s head being in the foreground his lower body in the mid-ground and the background blurred out.

What follows is Akira appearing in frame. Which was really difficult to capture so I don’t have a screenshot. But what I really like is Akira entering the frame out of focus. They could have just cut to Akira, but instead they opted for Akira to enter the frame which is more interesting.

When we do cut, Akira is firmly on one of those dots so we don’t miss them in the frame. I think it’s also interesting that we’ve pulled out again, into a mid-full shot, hanging above Great, and we see that clear symmetry line again between the patterned rug and the regular carpet.

I also really love that when we got to Great sweet-talking Akira and feeding them we’re not just doing a cut, we’re panning downwards which continues to add movement to the scene. And we get that moneyed sponsor shot!

Durex can’t pay for everything okay?

So in the final bit of this scene we get focus on Great, who’s in focus, before he gets up and leaves the frame where the camera then focuses on the clock behind him.

See how in the first frame the background is all blurred out, but once Great walks out of the frame - again, great that he walks out, movement!! Y’all don’t understand how boring 1000 Stars was for me to watch because of the lack of this stuff okay? - and then the focus shifts to the clock. Which is round.

God I know that sounds so dumb, but imagine the clock without that ring light bit on it, it’s just a tiny little rectangle. Not as fun or interesting to look at right? Or as noticeable especially from a distance?

This shift in focus also tells us “this is important” whatever “this” is. The subject of the shot goes from Great to the alarm clock but they are positioned as equally important. We’re meant to pay attention to this seemingly innocuous item, which we learn later in the episode is time. We’re meant to remember and note that time will be important to the story - I know with a title like 4 Minutes you’d fucking hope time would be important but have y’all ever read Youtube comments? It’s rough out there for visual comprehension okay?

So all in all this scene is only 1 minute and 40 seconds give or take. It’s very short, but I don’t think it was boring at all. I think it’s a really solid introduction to a main character. Think, Korn didn’t get this much time to showcase his introduction, his scene is shorter - though also well done - which showcases which character is more of a story priority.

This scene eases the audience into the story, inviting us to wake up into the world like Great is. It uses techniques like lines, shapes, symmetry, color and focus to make what could be a very boring scene into an interesting one.

There’s so so much I probably and certainly missed, I’m far from an expert, but I hope I was able to articulate what I liked about this scene, and why I think it looks good.

Stay tuned for more if I can manage to focus long enough to breakdown more scenes lol

Also red dots on Bible’s nipples are just funny to me it be what it be.

Further Reading:

Composition in Cinematography / THE LAST OF US

Center-Framing vs Chaos-Cinema: Mad Max vs Transformers

Camera Framing: Shot Composition & Cinematography Techniques Explained [The Shot List, Ep 2]

The Ultimate Guide to Camera Shots (50+ Types of Shots and Angles in Film)

Color Grading 101 - Everything You Need to Know

Mixing Film And Digital Footage: Killers Of The Flower Moon

In Praise of Subtle Cinematography

#4 minutes #4 minutes the series #bible sumettikul #4minutes #jesbib #chaos pikachu speaks #pikachu's bl film series

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scoobydoodean · 3 months

Note

I have 2 spn accounts, a Deancentric blog that ships Destiel and another account that unintentionally follows a lot of Samgirl blogs. So one blog follows majority Deangirl blogs and the other incidentally follows a lot of Samgirl blogs. And here's the major difference I've noticed on the different dashboards.

Deangirl dashboard: Great meta analysis. Beautiful art. Level 1 and 2 headcanons (largely based in canon). Pro-Dean. Stumble across reblogs of Deancrit. Bitter Deangirl blogging. Generally fair portrayal and discussion of the positive and negative traits and actions of Dean, Sam and Cas. Deanhater anons.

Samgirl dashboard: An entirely different pool of beautiful art. Whole lotta woobie!Sam art where Dean is his abuser. Deancrit about Dean being an abuser. Bitter Samgirl blogging about how people will find any excuse to hate Sam. "How can anyone be Samcrit he has done nothing wrong ever." Level 5 headcanons (you literally ignored canon to make that up). More about how Dean is Sam's abuser. So many posts about how awful Samcrit is. "Do Deangirls really think that Dean cries himself to sleep at night thinking that ppl thinks he doesn't know how to read." I have yet to see any actual Samcrit posts (not even links or reblogs from Sam defenders), not even after literally searching the Samcrit tag for it. The Samcrit tag is full of Samgirls crying about Samcrit and no actual Samcrit. "Samgirls are feral, but we need to be bc of the hate ppl throw Sam's way."

I literally have to block so many people on the incidentally Samgirl dashboard bc I'm not on Tumblr to randomly stumble across a post on how Dean is a toxic stalker who abused Sam by changing Amelia's number in his cellphone. Do you have any idea on why Samgirls seem to feel so attacked all the time even though I literally only ever see *them* attacking Dean?

If you dig deep enough into any fandom, you will encounter people who fetishize "helpless victimhood". Some fandoms attract more people with those particular proclivities than others. Supernatural and Sam in particular attracts people who hold those sorts of aesthetic interests because of his relationship toward accountability versus Dean's.

Dean is a character with an overactive sense of responsibility. He blames himself for the Lindbergh baby and unemployment and every child murdered by a shrtiga from 1990 to 2005 because he went to play an arcade game when he was 10. He also blames himself for things like Jessica dying and Sam not being in school. Other characters pile on this blame frequently. John blames Dean for Sam getting hurt (1.18). Ruby tells him (and Sam) that Sam is a weak baby who won't psychologically survive without Dean there to protect him (3.11). Meg alleges that Dean is "dragging Sam everywhere" (1.16). Sam rewrites reality from 1.05 to 1.21 to make Dean responsible for his burning desire for revenge. Cas and Zachariah and Gabriel blame Dean when Sam breaks the last seal because he didn't stop Sam in time. Sam blames Dean for him drinking demon blood first because Dean wasn't there to protect him and then—in a complete 180—because Dean is smothering (4.04, 5.05). Dean generally absorbs blame when it is piled at his feet because he has been blamed for things he couldn't control for most of his life and thus he feels guilty and responsible for things even when him being responsible makes no logical sense. He's never a victim of anything—everything is always on him.

Sam, on the other hand, tends to eventually deflect blame because he can't handle the gnawing bite of it for long. It reminds him too deeply of being left isolated and alone as a child and the feelings of otherness and wrongness he developed through that neglect. When his actions ultimately have consequences he didn't foresee and/or that he finds undesirable, it makes him feel ugly and unaccepted and he can't face it so he eventually finds a way to make what happened someone else's fault—usually Dean's fault. Nothing is ever on him. He's always at least a little bit of a victim and Dean always carries at least partial responsibility for his decisions (1.21, 1.08, 4.04, 5.05, 8.23, 11.01)

In other words, Sam has an under-active sense of responsibility and Dean has an overactive responsibility and that dynamic—driven by their childhood experiences—places them into a vicious cycle of blame being cast onto Dean for Sam's decisions and Dean absorbing it. Dean absorbing it reinforcing the narrative for samgirls with a victimhood fetish that Dean deserves blame and that Sam truly is a helpless baby. They never watch what actually happens on the show to see whether this narrative that Dean is responsible for everything and Sam is a helpless baby lines up with the actual events that occurred onscreen because why would they? That would ruin their enjoyment. Sam isn't interesting to them outside of his capacity to be mourned as some sort of helpless martyr. And yes—they will cry and moan about how horrible and unfair Sam's suffering is, but it isn't because they're having a bad time. They're having a great time. They love thinking about Sam that way. They wouldn't be here blogging about it day in and day out for the last 20 years if they didn't actually want to see exactly what they're seeing.

Related tags of note:

#sams motivations

#taurus sam in the flesh

#In which Sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea

#sam the hunter

#sams follower/leader false dichotomy

#parentification

#I have seen samgirls screenshot “samcrit” posts and pass them around FYI.#It's usually something so unbelievably mild I wouldn't even bother making a one sentence vague about it if it were about Dean.#There was also the christ figure bracket incident.#dont feed the stans after midnight #mail

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bitdemonic · 1 year

Text

date. may 29th, 2023

time. 3:16pm

—❝𝐜𝐚𝐩𝐭𝐮𝐫𝐞 𝐦𝐞.❞

𝐬𝐲𝐩𝐧𝐨𝐬𝐢𝐬. future spouse pac ✞ pics with them

𝐚𝐢𝐝. if the images above are too hard to differentiate between your intuition, use ‘pile 1, 2, 3, or 4’ for the choice selection instead. this reading has five piles and each pile is different in terms of context.

𝐝𝐢𝐬𝐜𝐥𝐚𝐢𝐦𝐞𝐫. 18+ content—no minors. please remember, this post is just for shits and giggles. pinch a grain of salt and use the best of your discernment. i tend to write under the impression that majority of this content’s viewers are women however i read for both feminine and masculine energies. if needed to, please flip the roles as reversed for an accurate message. hope this reading is useful, but not for plagiarism bitch. enjoy.❦

𝐩𝐢𝐥𝐞 𝐨𝐧𝐞 ✞

🃏lovers. 5oc. magician↺. queen of pentacles↺. tower↺. strength↺ and peace.

let it be mentioned that the lovers card amplifies all of the energy that follows; def intense because i could feel it within the deck itself. pictures here are raw, they’re always unfiltered and passionate at w.e moment they’re taken. to me, y’all are the literal definition of ownership lmao so it’s hard not to notice the obsession with each another. y’all’s chemistry is def eye-catching, tantalizing to say the least. “mine.” there are resemblances between y’all, matching tattoos or even being mistaken for brother and sister. to put it in a nutshell, this is tongue kissing on the main and taunting old exes—it’s obvious there’s bomb ass sex with each other lmao, but more importantly there is devotion.

apart from posting on social media, there’s internet presence around y’all—could be popular influencers or just outright celebrities. possible youtube couple? very de’arra and ken vibes. either way, someone in the connection (if not both) went or will go viral. the tower in retrograde, this is a specific picture at a specific point in time; it even has the potential to be life changing. “break the internet.” attention that brings problems ngl. sure someone’s jealous ex, but apart from them there is so much outside negativity towards the feminine. people are pissed when she comes across their feed, but only because they secretly want to be her. queen of coins in retrograde; envy that simmers from deep within until it becomes hatred or outer turmoil. seeing pics sent in groupchats, hate comments from spam accounts, posting on close friends—her presence triggers insecurities and people hurt under pressure. black moon lilith. as delusional as it sounds, this is an eerie situation to be in fr so be mindful.

the masculine doesn’t stand a chance omg, the feminine is deadass the star of the show. represented as the queen of wands, she’s outshining tf out of him without even trying lmao. glamorization of what the masses can see, which undeniably is her beauty. this is “off guard” pretty, bad pictures just simply don’t exist. if y’all wear makeup, it’s very complimented—the blending and baking, or contour and highlighter are a ten. this even pertains to the first paragraph, how someone here is in the public eye, because pictures of her are taken unbeknownst due to her appearance. the magician in retrograde signifies fan cams, video edits, and pinterest boards—there’s also editorials and photoshop? mentions of an aesthetic came in, or “neptune.”

all in all, this couple has magnetism and attracts opportunities due to their pictures. def some gorgeous people, it was noted that y’all’s face cards elite lmao. however, y’all have to be cautious because taboo-ism is prone to happen as well. such as scamming or catfishing, things that could cause detriment to future occasions. outsiders are the issue here, they’ll def try to bank off on y’all’s identities. something could or could’ve already happened with a certain picture? “controversy.” the response to it is fifty-fifty; half who are defending and half who are criticizing. “stans” and a “fandom” are involved.

📸 𝐭𝐫𝐚𝐢𝐭𝐬

❦— from behind. the masculine will tower behind the feminine (no matter the height), engulfing her in a bear hug or whatever else to imply their presence. head buried in her neck, hands wrapped around her waist—this also denotes their possessiveness as partners together.

❦— pretty teeth. big big smiles here, the goofy grins and shut eyes. y’all countdown before taking a picture but numerous times because y’all can never be serious lmao. fingers in mouth type smiley faces.

❦— beauty queen. this is more-so on the feminine’s behalf, she’s the one that’s always ready for a picture and the one always asking someone to take one of her. being photogenic is one of her best features to date. no matter if y’all agree, but i’m def seeing the face of a model.

❦— cancer. this made me think of ariana grande and her husband dalton, their pic outside with the moon behind them. this is pictures in that same setting, or at least taking them during the nighttime. 8pm thru 5am. stargazing together is here too.

❦— taurus. this actually alludes to more than one thing. the masculine is a gift giver, i pulled the “sugar daddy” card for them in particular. they def have big bucks, or at least enough to gift you the finer things in life. they’ll spoil you for fun and in turn you’ll show off what they bought you—new toys lol. pics of the “next big thing” (vacation views, receipts or tickets, cars, etc). smell goods are specific, perfumes or colognes.

“glutton” corresponds with taurus as well—someone in this connection loves to chow down, meaning tons of food cameos in their (own) pictures. they’ll pose funnily; mid-chew or with a bunch of food stuffed in their mouth to be annoying lol. little dorky things like putting an orange peel in their mouth before they smile.

❦— do not disturb. pretty self-explanatory, but for y’all this seems to be alone time from the world. this reminded me of travel, but i channeled that this is to each others hometowns. this could be an interracial connection, mentions of cultural traditions and differences.

❦— naked bodies. the feminine’s chest is significant, something about that area in particular that the masculine loves. there’s pics of them fondling or sucking on her nipples, playing with them even. someone’s v-line is here, plus a hand going up their abdomen. the masculine’s bare ass is source material too, those pics are for funsies.

❦— topping. this could obviously mean they’re a daddy dom in general lmao, but if not it just means the masculine will be hunched over or “taller” than the feminine. she’ll be lower than him, as in he’s standing and she’s sitting or she’s laying down beneath him. sex-wise this is them doing it from behind or being on top quite literally.

❦— foreplay. tbh this one is vague, but i still wanted to put it in bc why tf not. this is while y’all are in the moment, or while someone is teasing the other before actual intercourse. pictures of them while they’re giving you hickies, or while they’re pulling at your underwear to give you oral. somebody’s an ass muncher too so expect pics of that lmaooo.

❦— sloppy. no but yes iykyk😂 this is more on the pic itself, how it won’t be organized or captured clearly during sexual moments. like if you’re pleasuring them and have them take a picture, it’ll just come out fucked and unfocused because they’re fucked and unfocused. kinda what would’ve been the perfect shot if y’all weren’t so “distracted”.

brooklyn and nicola peltz-beckham (hot ass names) are the perfect couple example for this pile. their expressiveness together is subtle, yet loud enough that we know they’re each other’s one and only. regardless of how long the relationship lasts, we’ll remember the fact that they were ultimately made for each other.

end.❤️‍🔥 previous reading

𝐩𝐢𝐥𝐞 𝐭𝐰𝐨 ✞

🃏king of cups. princess of cups. 2oc. 5op↺. 8oc↺. rest and comfort.

this spread screams emotional depth, it’s haunting as hell but not in a bad way—in a way that’ll pull your soul into its deep abyss. hypnotic almost. this is “grow old together” love, i can literally feel the years in my bones. these are moments that you can’t help but reminisce on, pictures that are saved or bookmarked because they’re so very special. their essence is felt and appreciated, enough that there’ll be tears of happiness. lmao this is going to sound corny, but this connection’s energy reminds me of a warm blanket. like milk and cookies on the sofa, or a kiss goodbye from grandma. it’s just so snug, i can’t even put into words how safe i feel right now. how libras are sweet and tender, fragile enough to shatter if you aren’t gentle—this is softness at its finest.

[TW] substance abuse could’ve been an reoccurring issue in this relationship, or at least a bad problem. the five of pentacles being in retrograde was an indication of sobriety to me, along with the image of somebody holding their own sobriety chip with a smile—not for everyone, but pictures under this circumstance are meant to remember the past without having to revisit the pain. “encouragement.” it’s apparent at this point lmao, but the sweetest captions known to man are found here. paragraph after paragraph, an everflowing stream of appreciation for your partner. endearing birthday posts are significant, along with sweet nothings in the comments omg y’all are sapsss. if i had to put it in words, “smol” or “wubs” come to mind before anything else omg y’all are sapssssss.

there are before and after pictures with each other (childhood friends, neighbors, friend of a friend, etc.) because again “growing old iem together”, there’s a sense of watching each other through the years. feeling the vibe of them being around as kids, transitioning into adulthood then getting closer as grownups. if not tho, this is someone that you’ll literally feel at home with; they are home to be real. this is a person that’s familiar, regardless of if they’re new or not. y’all are going to be glued to each other’s side until death. similarities are here, but in the sense of same environment or same social circle. i’m also getting similar taste in hobbies, music, and clothing. meditation or gym pics are common, promoting balance and wellbeing is a shared interest. personalities in general, ya’ll coordinate so very well. no wonder people linger longer than they need to—they’re wanting to see what’s next with the world’s cutest couple. also because y’all are walking enigmas and it threatens them lmao.

the attributes of venus sums up y’all’s pictures together. they’re beautiful, and are the literal definition of a thousand words. i channeled date night, but this came to being in the kitchen most of the time. y’all love to cook together, or to be in the kitchen at the same time to goof off and be annoying. dinner at home happens frequently, i’m seeing someone set the table while the other chops vegetables and stirs the pot. there’s pictures of handwritten love letters or random bouquets of flowers, things that tend to sweeten life with them a little more than before. this is def “fell in love with my best friend”, even as a photo caption lol. friends in general are around y’all—drunk nights at the bar, group poses in front of an amusement park, eating edibles and doing vlogs, etc. a lot of moments with your future spouse include people y’all are close with as a couple (siblings, co-workers, group of friends). nostalgia is the overall vibe here. pictures together feel good and “homey”.

extra mentions because i can’t even get over this pile, this is my favorite one out of all of them. it just feels how a polaroid looks, but in the sense of being in love? i just keep seeing the little things🥹 walking alongside the beach, kissing in the photo booth, building a gingerbread house, picking their nose even lmao. wow ya’ll have custom fridge magnets too. i didn’t get that pics of them were frequent on social media, more so because they’re too special to share. this pile values their privacy so pictures aren’t taken with the thought of anyone else in mind, they’re very cherished. i did channel emotional milestones being posted (pregnancy, marriage, moving in, etc.) and i do see their own certified spot on your page (photo dumps, page highlights, name in bio). kinda like a virtual museum of their love to you and your love to them.

📸 𝐭𝐫𝐚𝐢𝐭𝐬

❦— them. a potent photo trait is literally your fs lmao, they’re lowkey walking art. something about their facial features or structure are resemblant to a god’s—very pretty people, and we photograph them as such. capturing them from their good angles with the best lighting, it’s flattering. people stop breathing when they see these pictures.

❦— b&w. these are heartwarming pictures, ones that are wholesome enough to frame and hang on the walls. i’m seeing pinkies being intertwined and eskimo kisses, innocence personified. closeups of someone covering their face and hiding their smile, but peeking through their fingers to see the camera cuteee.

❦— work. big thing here, it was mentioned three times. y’all could have an online business together, one that encourages or promotes positivity (self affirmations, fundraisers, products, etc.) it could be popular, there’s succession (passed down thru generations) and a sense of being stable despite y’all being new owners.

there’s also “goodbye” and “big city”, working creates long distance travel which means the time y’all usually spend together gets split in half. someone has to leave frequently and for long periods of time, this in turn creates photo dumps (which are so common here lol) and extra long captions.

❦— hermit mode. take a shot for each time i’ve said something’s cute lmao but this is so cute. so these are pics at home or in comfortable environments, in matching onesies or facial masks. just very big kid vibes, y’all even build pillow forts to sleep in them awww. this is peace and quiet with each other.

❦— phone. i channeled facetime and audio messages, “listen to me.” ya’ll spend hours upon hours on the phone. no matter if it’s meaningful convo or a simple check in, y’all will talk all day until your mouths go dry. taking screenshots of their goofy messages (hilarious btw) while falling asleep on the phone, y’all can’t get enough of each other. this is someone that will listen to and send songs that remind them of you, creating playlists that y’all will listen to together.

❦— landscapes. beautiful views with them, emphasis on beautiful. orange sunsets, mossy green hills, glittered night skies. blooming gardens or snowcapped peaks, nature as a whole is prominent but def within photos. a “secret” code is here; if someone isn’t in the picture entirely, their stuff will be so that we know they’re around. (car keys or a phone, initials in the sand, half-eaten food etc.)

❦— guess what? “we just fucked.” lame i know lmaoooo but this is what y’all do, leave writing on foggy windows or wet handprints against shower glass. it could be wet stains on the bed, bite marks on the thighs—anything goes to snitch on y’all selves tbh. even seeing red scratches across someone’s back, yet they grin with a thumbs up.

❦— nudes. if your person is a male, pictures of their wand are reoccurring. very reoccurring lmao, whether it’s sent from them or taken by you. specifically pictures of your hand wrapped around their wand after they’ve🥛 but there’s videos too, more of the oral part before the finish lmao. this is on the feminine’s phone in particular, she has a hidden folder in her camera roll just for these.

❦— home videos. y’all have beautiful sex together, as in pleasure that’s meant to be on film fr. emotions and passion at an all time high, it’s as if the walls were painted in y’all’s intimacy. “aesthetes.” so much thought and effort are put into the final product—props and low lighting, burning candles, background music. it’s a movie scene, even down to the settings that resemble paintings.

❦— the fool. it’s normal for nsfw pics to happen outside; in nature or in public spaces. wild cards fr, you’ll end up doing it anywhere and everywhere (oral included). no regard for the law or peeping toms either, y’all get too wrapped up in each other care. this is in restrooms, at parking lots, on beaches, etc. just don’t get caught lmao.

end.❤️‍🔥 previous reading

𝐩𝐢𝐥𝐞 𝐭𝐡𝐫𝐞𝐞 ✞

🃏queen of cups↺. 6os↺. 5op. 10op↺. 9oc. cleanse and ideation↺.

i want to mention that i noticed a dime while shuffling—this made me think “a dime a dozen” or “diamond in the rough.” this is on the fs’s part, they put you on a pedestal. you’re a trophy to them, the winning prize, someone that they’re so proud to experience and witness in their everyday glory. no one in the world reminds them of you, you’re indifferent and cherishable. your own person. channeled that this is evident in their eyes—in pictures you’ll notice a glimmer or glint, even the admiration on their face. in awe of all that is you.

these are photos that can’t be shared, ones that are kept secret and stowed under passwords. “your eyes only.” this energy is very secretive, very “shhhh” and it seems to be a double edged sword situation. this pile’s future spouse has an outside relationship, someone they’re involved with despite their attachment to you. it’s shitty because y’all truly have a bomb ass connection but the secrecy behind it overshadows the love. the emperor in retrograde, their control over the situation is a nuance to the issue. the problem lies in their dismissal of reality, life outside of the fantasy they’ve created. pertaining to them leaving their current partner, it’s no negotiation on how or when to do it. they want to leave on their own time, but you’re not a fan of that sentiment because it’s tiring. this person is so matter of fact tho lmao, they say “deal with it or don’t.”

ngl i do see this as possessiveness, but it’s not as terrible as it seems. the circumstance could obviously be better, but as far as their intentions go it’s never out of spite. it sounds confusing because yes this is a love triangle, but truthfully they’re more invested in what y’all have. there’s just no forward action after the fact which screams lack of accountability due to their pride and ego. despite their leo placements (trust me), this person emulates the cowardly lion and his fear of courage, particularly their refusal to come clean and cut ties. with cleanse and ideation being contrasting colors (red and blue i.e. hot and cold), moments of passion turn into missed calls and ghosting. long periods on their end, on and off or up and down, because they don’t want to accept defeat—being in love.

these photos remind me of a mask, one that hides the truth behind wide smiles and kissy faces. it’s a lot going on within this connection and tbh that aspect is more evident than anything in the camera. despite their emotional response to you, i did channel that they have the tendency to forget you’re human lmao. not in a weird disrespectful sense, but that you’re an item they want to keep “all alone and only needing me.” it seems unhinged but again this isn’t with ill intent, it’s a claim for them. “competition” and i’m channeling flavor flav’s dating show—this is an ego (leo) thing for sure because of course this person has insecurities revolving your other options. this is such a situationship lmao but i don’t think it’s all bad, just some major inner reflection is needed. i will say that pile three’s energy was quiet, this seems to be withdrawal from dealing with old patterns and that’s valid.

📸 𝐭𝐫𝐚𝐢𝐭𝐬

❦— photobomb. this person is alwaysssss interrupting personal pictures lmao and with no shame too. i’m getting so many random instances of them, nine times out of ten they’ll be in the background of whatever is taken. channeling live photos specifically; you’re posing in the mirror as they walk in to bother you lmao. they start to grab at your waist to give you a kiss, but you’re laughing and squealing instead. they’ll have moments as such, but their gestures are significant (middle fingers, expressive faces, waving at the camera etc.)

❦— scorpio. very sexy, secluded energy is significant. for obvious reasons it’s borderline sneaking around, so the air of enticement is always there. “risqué.” there’s something about the lighting that adds to this dynamic, either lowering brightness or dimming the contrast (me coded) to “seduce” or add mystique. also it just looks better lmao.

❦— three of wands. specific so it’s not for all, but someone in this connection is either bisexual or bi-curious. this could even point to a polygamous or open relationship because i’m seeing threesomes or kissing people of the same sexual orientation. maybe even doing things with this person’s outside connection(s), it was mentioned. this didn’t come off as a photo trait but i still put it in lmao take what resonates.

❦— thin ice. one or the other are using their partner’s state of vulnerability as a quote unquote mindfuck😭 this is when they’re upset (yelling, crying, silent treatment etc). i even see someone sticking up their middle finger as their person spams a bunch of pictures. “aw you mad?” this seems to be the fs’s game of choice and it’s irritating bc sometimes they can’t read the room lmao.

❦— honey. this lands since together y’all seem to be hot and sticky, but turn out sweet at the same time. your person’s teasing and childish antics tie into this too (sticky), they’ll send pictures of things they ordered for you or send money to make up for upsetting you.

❦— hot. honey hot lmaoo don’t unfollow me yet. “turn me on” and “sexy sexy” came out, pretty self explanatory. i could see the energy if anything, y’alls energies are intense af. it’s like looking at porn in the form of a couple, very cunt tbh (i hate myself). sexual innuendos come from this too—grabbing crotches but it’s not in view, peeking at them from under the sheets, biting fingers or being choked.

❦— aquarius. very unserious couple lmaooo (take a shot for each lmao lmao), ya’ll are so silly together. this is milk mustaches, cheek biting, sniffing armpits, clenching butts—literally anything dumb. fun environments or dates that require being active, ones that are out the box or outside comfort zones. rock climbing, bungee jumping, parasailing, rooftop golf, riding atvs etc. veryyy fun pics.

❦— evidence. i didn’t want to include this because i don’t encourage it but we move. whatever pics come out of this specific part, they’re going to be vile. just outright nasty lmao and it’s for a reason. this is def ammunition for the feminine, this is her weapon for those that try to sabotage this relationship out of spite or competition. saved for “rainy days.” this is one leo ass pile😭

❦— aphrodite. because you’re breathtaking, they’ll catch you in the moments of being “free” or at ease. like when you’re getting undressed for a shower or when you’re glowing after great sex. capturing minuscule details that only a lover would notice, they see true beauty even when you aren’t attempting to be.

❦— nudes. the feminine is naughty oooo. “invisible ink.” she’s sending nudes like invitations lmao, but on the occasion that y’all have been separated for too long. wants to show her partner what they’ve been missing, or at least what they can’t have. “look since you can’t touch.” it’ll be torture too lmao, she’s def dolled up and posing in whatever’s sheer to flaunt her goods.

when it comes to sexual media in general, y’all are always on the same page. whenever, wherever, however—it’s always reciprocated because it’s always wanted lmao, it’s exciting and keeps things fun. sexting at work, whispering dirty talk into the phone, masturbation videos before noon etc. admiration of each other’s bodies is here; heart emojis and words of affirmation.

❦— queen of coins. this is value during pleasure, goddess treatment when it comes to bedroom activities. tbh if y’all stared at them long enough it’d just get y’all hot and bothered for more. i’m channeling that your person will dead send money in return for being blessed omg. roleplay and cosplay were mentioned, y’all go shopping for new costumes or items together.

had to mention because it kept reoccurring whenever i edited this specific pile—i kept repeating lmao after certain sentences or wanted to put in dumb shit for comedic presence, and i wanted to be blunt with this pile so bad because y’all felt so bestie. this was so y’all’s fs lmao idk who they are but they’re nothing but jokes, a pure clown at heart. i thought it was cute because i interpreted it as y’all being so connected that even when y’all are far apart y’all are still so close.

end.❤️‍🔥 previous reading

𝐩𝐢𝐥𝐞 𝐟𝐨𝐮𝐫 ✞

🃏5os↺. 2ow↺. 3oc. the hermit. the magician↺. flow↺ and growth.

off bat it seems that pictures didn’t come into fruition for a while, at least three-five months tops. “no sudden movements.” resistance and ghosting are here, someone is running from the connection out of fear. the hermit card means that they’re scared of stepping outside their comfort zone to take a risk. not even in a negative way it’s just that they’re terrified lmao. this is def bestfriends to lovers but there’s turtle movement around the union coming together—that same someone doesn’t want to ruin the friendship. they don’t know this obviously, but y’all are actually a divine union. “ancient” so this could be souls from a past life coming together again. “grounded as human beings.” this is so slow burn tho lmao i can deadass see a tree starting to grow but in slowww motion.

this person fantasizes heavyyy about taking passionate photos with you, but again y’all are nowhere near that level of commitment yet. pretty sure this reading’s timeline is during the beginning or middle of y’all’s friendship since there’s so many downloads about comfortability and not wanting to mess up. they’re fighting temptation so bad it’s wild lmao, they’ve never felt this strongly about someone—let alone a friend. red hearts are in their eyes whenever you’re near, but they’ll still turn away to avoid facing the truth of their feelings. it’s annoying to them too lmao, queen of cups represents the emotional pull your presence has on them. to be caught up in the depths of inner reflection is so outside themselves and yet here they are.

someone else is involved with the pacing of this connection. the three of cups being pulled is representative as a person or situation outside of y’all, one that they’re incapable of leaving though they’re desperate to. “can’t.” something about being bound (marriage, children, parents, religion etc.) is the reason why. whichever or whatever it is, unfortunately it’s not an easy fix. their energy is obviously the most prominent and that’s because they’re yearning for this idea of becoming more, they just hate that blockages exist and are effective. you’re a literal pleasure to be around, they wish to easily accept and embrace all that you should offer. channeled tupac’s love letter to jada and how he wrote, “you bring me 2 climax without sex.” beautiful ass words from him btw, but in correspondence to your person this is what they’d say about you too. it’s a lot to relish in and it’s prob not obvious, but they do worship the very ground you walk on. admiration, adoration, appreciation in every way possible. honorable mention, your future spouse loves talking to you. general conversation is nice, but y’all peel off the layers of topics that are taboo or undiscussed. the conversation will reach the very ends of the earth just to double back again for more.

didn’t realize until now that pics together weren’t mentioned that much because this person had some things to say instead lmao. it’ll start off discreet, sneaking photos of you from behind or getting them walking past your table. this is cute considering the reading was mainly from fs’s perspective, but you’re the one that’s taking “accidental” pictures of them first. and when this person happens to take “accidental” pictures too, they won’t ever delete them. keepsakes. those accidents soothe the big fat secret crushes y’all have on each other. y’all are literally 🩷 in human form, or puppy love as a couple. very cute like i’m squealing for y’all.

📸 𝐭𝐫𝐚𝐢𝐭𝐬

❦— spam. “123” was pulled twice, but instead of countdowns i channeled multiple pictures at once. getting in each other’s faces for the fun of it, catching them off guard or at their “worst” to be silly lol. i see y’all picking out the most embarrassing ones and saving them to y’all’s favorites.

❦— beyoncè. “middle fingers up, put them hands high.” boy do y’all love this gesture lmaooo this is def in almost every pic if not all. i did hear until it’s used with direct intent then the rest of the song came in😭 this is a jab at their on and off behavior, y’all have periods of being beefed out bc of it.

❦— hair. someone’s hair is prominent, could be curly? if not it’s still apart of photos together, it’s even a prop sometimes. very nice hair, bold or beautiful. this is using strands of hair for mustaches or pretending to eat it with wide eyes lmao.

❦— taurus. could be food pics as well, but i channeled netflix and chill vibes. lounging around with y’all’s legs on the other or using chests as pillows. y’all send screenshots of movie favorites (actors and directors, behind the scenes, monologues etc.) or of movie knickknacks. seeing pics at comic-con and animals in character costumes. movie funko pops or figurines too.

❦— venusian. this is someone that will always always always compliment you before, after, or during a picture. if you ask them to take one of you, you’ll notice how fucking long it takes them to do it. i’m seeing them look back and forth, from you to the camera, because “wow you’re real.” gorgeous too. taken aback for sure but they’ll hide it behind witty little remarks. “wow you actually look nice today” but instead it’s the shittiest attempt at hiding what they really want to say.

❦— old friend. waving hello or goodbye, someone is doing this to the other as they come closer or farther away. pictures while they’re walking, seeing small smiles and timid hands. sweet gestures are significant, followed by blushing cheeks or shy eye contact.

❦— baby. this🥹 this is literally y’all’s aesthetic in most pictures. it’s like looking at puppies and kittens, how your whole demeanor goes soft and you can’t stop saying “awww.” tenderness is always there and it’s shown—forehead kisses, tracing noses, wearing each other’s shirts or hoodies, hugs from behind etc.

❦— boobies and more boobies. boobies.

❦— fluids. horrendous ass word but these are pics of 🥛 or 🧃 on each other’s faces. releasing on your lower body, or you’ll get them drenched in yours. if this person has a wand, i’m seeing it lodged in your mouth or being tapped across your cheek. this includes (loud and expressive🤭) self-masturbation on their end as well.

❦— condiments. yessss this is them putting whip cream on your neck to suck it off or pouring syrup into your belly button and licking it out. not food but ice cubes were mentioned too, dragging it along your body or kissing it into your mouth. plus they’re delicate with it. these are vids more than pics, but nonetheless y’all hot af lmao.

❦— lingerie. high quality, as in lace corsets and beaded garters that give off haute couture. getting the vibe of something expensive, and it doesn’t have to be but y’all not wearing nothing cheap lmao. doe or siren eyes in the camera, along with lewd poses and provocative faces.

❦— hotttt. vids of them taking control or dirtying you up real good since they’re on camera🥵 rough and nasty, crying and begging type shit. i’m hearing taunting or a tone of condescendence while they pound harder and deeper wow. very raw and disgusting i love it. choking and spitting even, they’re extremely intense when they want to be and you’re going to love it lmao.

❦— aftercare. capturing each other’s naked bodies, either rubbing against one another or winding down after a round. this is when it’s all said and done, when y’all are out of breath and exhausted from banging each other’s brains out lmao. but it could also be the slower part of intercourse, where y’all still “attached” but it’s coming to an end. bro y’all are hot af😭

end.❤️‍🔥 previous reading

𝐩𝐢𝐥𝐞 𝐟𝐢𝐯𝐞 ✞

🃏5ow. 10ow↺. death↺. 4os↺. 9ow. 2os↺. space and passion.

starting with the cards space and passion, this pile def has to tiptoe around the concept of taking photos with their fs. whoever they are, there’s disapproval around them being romantically involved with you. channeled “good girl gone bad” and it reminds me of the preacher’s daughter who turned out to be someone different than expected. with death in retrograde, that’s literally what i just said lmao—fated transformation will occur during this person and after. matter of fact, all of the cards in reverse represent the people whom are trying to lure you back into who you “used to be.” these people fear your transformation because they think it’s happening under the circumstance of pleasing your future spouse and not for personal gain. something tells me this is family talking opposed to public influence or nosey exes, and i also feel like you’re without a voice here. people don’t hear you out even when you try to speak up? with the nine of wands, you’re incessantly being put in positions where your beliefs are challenged as an adult, but this could stem from childhood as well. chiron in the 3rd, lillith in the 4th, and mercury in the 12th could be significant.

going back to this person, they give me first vibes. not in the sense of losing virginities or love and heartbreak, but your first sexual awakening. the aura around pictures with them are intense enough to be sexy but the dark and brooding type that’s why i made the assumption of this being the opened door to devotion. this feels like sex magick lmao, you’ll feel bonded to them whether it was before or after the first time. you’ve never been this infatuated before and if you think you have, no you haven’t. this is going to sound lame lmao but y’all’s energy feels like my persona on here, the profile pic and username. kourtney kardash and travis barker are a better example since they’re an actual couple. y’all are like them, not their entire relationship but the aesthetic they share and how in lust they are. don’t hate me either but i’m picking up on how kourtney pretty much changed her whole look to match travis’s vibe, this is that too (don’t do that tho, be yourself baby).

lmao let me again mention that people are pissed at this union like real bad. of course they don’t necessarily matter considering this is your life, but funnily enough they want the best for you. don’t get me wrong, however way they go about expressing this could def be better but the intention isn’t to be assholes. four of swords in retrograde, their thoughts revolve around emotional stability and maturity—you’re too young for them (fs) in terms of naivety. “ticking time bomb.” there’s truth to this tho and ofc you’ll discover why that is once it’s time to. bringing up the nine of wands again, as a whole it turned out be an age gap—your person could be older and it doesn’t have to be a huge ass difference but it’s not subtle lmao. channeled the trope dbf!character x daughter!reader😭 ngl that sums up why there’s so much tsking around y’all being together. y’all better be of legal age, and please careful when old creeps come around because no.

ngl this seems to be a karmic relationship that comes with a profound lesson; don’t get discouraged either, this is going to bring in so much growth as a physical and spiritual being. this is meant to help you transition through life seamlessly, or at least without the mindset of giving up. this lesson seems to be made up of spiritual guidance bordering past wounds (relationship, childhood, generational etc.), a universal test that’ll heal the old and assist the new. you’re kicking people from the past back where they were left at, very intent on standing where your foot lands. beautiful baby, congrats to your future self!

extra notes because i had no space to fit them in with the other paragraphs. as i said earlier, people are against y’all’s connection but it’s not just your family members that try to intercept. “tabloids.” i think your future spouse may be in the public eye? i didn’t pick up on fame in particular, but there’s some type of attention on them that gets put on you. regardless, the situation brings a shitload of haters. it’s weird tbh because people don’t not like you but at the same time they do?😭 “bittersweet” came to mind and that’s replicant of this energy in a way? “you deserve better.” people want to save you from something they don’t think is worth your time, but then want to rub it in your face that they told you so? bro idk who this person is but they are notttt popular, people not fw them at all lmao. it’s negativity around them if anything but i just heard “bad publicity is still publicity”, maybe that image works for them.

📸 𝐭𝐫𝐚𝐢𝐭𝐬

y’all must be special irl this pile is so different from the others lol—i didn’t pick up on photo traits but personality traits instead so i went with it. there’s no nsfw section for y’all because i didn’t pick up on that either, however there are four more piles for y’all to choose from!

❦— green eyes. this could be literal green eyes, but i felt more of an envious energy instead. surprise surprise the same people that hate on y’all’s relationship wish it could be theirs. people are jealous of what you’re getting with them, or “earning.” gifts and pretty things for being their spouse, it’s one of those dreams that everyone wants but only few have.

❦— king of wands. daddy warbucks himself, this person is for sure rich af. they’re someone with lots of power, lots of control, lots of fucking money lmao within their career. i don’t get that they’re ceo of wherever they work, but they have enough pull to take trips around the sun and bring you along too. “penthouse views” are included (obvi).

❦— honey. this person def has some seasoning to them, heavy dilf and silverfox vibes around their appearance. seeing a beard, low eyes, maybe even flannel shirts lmao. some of y’all have the twd cast (andrew lincoln, norman reedus, jeffrey dean morgan) and pedro pascal for face references. a rugged daddy basically😂

❦— cherries. maybe this is someone’s favorite fruit? this made me think of the tropics or places similar to the virgin islands. frequent flyer miles, traveling to visit warm beaches and clear coastal waters.

❦— hunter x chaser. this is such forty-year old energy lol it’s charming and that’s what they typically know best. your future spouse def got on your nerves with how much they kept hitting on you😂 not in a weird way, but in a way where they were intent on getting your name. i’m seeing phone number offers and warm smiles, crow’s feet around their eyes too. there is a sense of rejection here, but eventually you cave to their advances.

❦— 22. could be significant to y’all’s age gap, or maybe you’re this age at the time y’all meet. this number made me channel birthdays or special celebrations (anniversary, party, holiday etc). we’re aware of this person’s bank account lmao so it’s no surprise that they’re fond of spending whatever to throw the best whatever. “cover it all.” they’re the type to make things extra special and absolutely perfect for you, no matter the cost.

❦— awakening. this is in regards to you, how being with this person brought a rebirth that ultimately forced you to shed old skin. “Jesus.” major spiritual transitions, regardless of if you believe in higher power or not. this person is the catalyst to writing a new chapter of your life and thriving in it, you’ll be so powerful without the burden of dragging dead weight and opinions. ngl i don’t think your future spouse is meant to be longterm based on how important this transformation is for your story, i think you’ll realize that in the end. “it was fun while it lasted.” you’ll grow and reap your blessings.

end.❤️‍🔥 previous reading

#future spouse #fs tarot #future spouse pac #free tarot #pick a card #new pac #tarotblr #pick a pile #bitdemonic

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