#the musical line always gets me

[jackklinemybeloved]

[…]

Percy’s warning to fellow half-bloods in the audience, across different mediums.

The Lightning Thief by Rick Riordan (2005) The Lighting Thief: The Percy Jackson Musical (2017) Percy Jackson and the Olympians Series Teaser (2023)

[xxplastic-cubexx]

filler

[oh-biwan]

"Each day you feel me devour your soul."

[ninadove]

“A mission

To kill someone’s son

A foe who won’t run

Unlike anyone you have faced before”

FUCK YOU ZEUS FUCK YOU ACTUALLY

[larabar]

"so, that was fun"

[backpackingspace]

Okay no idea if tattoo's were a thing in ancient greece but regardless imagine penelope and odysseus having an olive branch tattoo around their hands that connects when they hold hands.

[nathanfrazers]

ted & paul & coffee

the guy who didn't like musicals by matt and nick lang and jeff blim // hey, melissa! by matt and nick lang // in the country of resurrection by ada limón // coffee poem by richard brautigan // still life paintings by rachel petruccillo // tumblr user jacebeleren

[saixria]

Forget Polites haunting the narrative those last 90 seconds of ICHBW are haunting the narrative. Relistening to epic songs with ICHBW in mind gives so many songs a completely new context I swear

[quixoticanarchy]

hey spotify this is not a genre of music?? this is not even a standard topic for music to cover. and if it was, it would not be represented by fucking outlaw country much less line dancing sdfghgf

[faceless-ghostt]

Every time I listen to Ruthlessness I lose my mind once again at Odysseus saying "what have you done" in the same way Polyphemus said "you killed my sheep"

idk why this one thing always gets me, Epic does it so often but this one specifically makes me feral, live photo of me whenever this line comes on

[bananonbinary]

if y’all aren’t listening to re: dracula because “oh its just the same as daily dracula just aloud” you are missing out on some incredibly chilling moments

[tiredgeekgirl]

fellas it has been three months since the beach episode and thinking about neil and eva in any capacity still makes me ILL

[fandomgeeknerd]

MUSIC LORE X WTTT

[clarity2electricboogaloo]

At the end of last night’s party 👀

Did you see Rich? 😟😟

No I was crying— 😃

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[madisoncounty]

RUTH WILSON in The National Theatre’s HEDDA GABLER (2017)