#the movie gave me so much and so little

[sapphic-terror]

headcannon - Tyler totally kisses Kate’s scar.

Okay, so this is a few years down the line, they’re an established couple and marriage is this distant but not far thing, the important thing is they’re happy and content and okay and that’s a rare thing for people like them. Over the years everyone’s slowly healed, Kate got therapy, Javi got therapy, they actually talked and slowly dealt with everything. So, she eventually starts wearing shorts more and more often. The scar is still this big reminder of everything that happened, but she’s slowly learning to accept it. Then, Tyler starts doing this thing where when the two of them are together, (Kate’s watching the news or reading and his head is in her lap, just cuddling her because that man’s love language is gifts and touch) he presses a kiss to her scar. At first she doesn’t even notice because it’s a quick barely there thing, like it’s a subconscious movement almost.

And then Kate notices, and she notices it happens so damn often. Like Tyler’s barely aware and at the same time it’s almost worshiping, like it’s second hand nature to love the thing that for years she hated with a passion. And he just keeps don’t it, and brushing his fingers against the scar, and staring at it with this barely concealed awe and she doesn’t not get it.

So Kate finally snaps and asks him why? And she’s really asking, why do you love the worst part of me, because the scar to her represents her failure and how it lead to her friend’s deaths. Tyler just stares at her, because to him it is so simple and easy he stopped questioning it years ago, because it means you survived. And he’s really saying, because it means you’re here and alive and I got to love you, I got to be loved by you.

And he’s really saying, your survival is beautiful and I love you for it.

(Somebody steal my computer and phone, I have so many thoughts about these idiots.)

[washisart]

A bit of brainrot for this GinHelios AU? Ship? yes. This time is the Golden boy himself.

Gingka's image in me has worn down and changed over time, but I've always had strong impression with his character development in Fusion. Almost literal embodiment of the wind (in my tween/teen's vision). So I imagine his transition from secluded famous mountain guy in Fusion to (almost) be a permanently known icon of the sport in Japan is rough. From country pumpkin to city boy-

Anyway have some low-res GinHelios for now~

[okcoolthanks]

I really liked “I Saw The TV Glow” for a lot of reasons like the lighting and sound design and stuff

But I also really liked it because how similar I felt to it. Like you watch a show you love so much you want to Be In It and all you do is interact with That Show to the point where you start talking like it and you make everything you see like it because you don’t Know anything else

I really liked owens character because of how Stuck he is in his life. He says he doesn’t think about “that stuff” because it makes him feel gross so he doesnt. He takes a job at a place he doesn’t like and when it gets shut down he goes with the manager to the next place also doing a job he hates. When his parents die he lives in the same house he grew up in because he doesn’t want to leave. He had one friend and when she disappeared presumed dead he didn’t do anything but reminiscenced on his time with her and watching the show she helped him watch. You can also see how he starts taking care of himself less after his father died, in the last scenes of the movie he looks like he barely eats or drinks water, he doesn’t do anything but his job. “Years feel like seconds” because he isn’t doing anything of importance he lost everything that he looked forward too

He doesn’t talk above a normal speaking volume until he’s literally DYING and even after he apologizes still out of breath. He’s still dying then. No one responds to his apologies or responded to him when he was screaming

He gets a chance to leave and go with Maddie to The Pink Opaque and he gets scared, he gets a chance to leave with her when he was younger and he gets scared. He’s so unhappy with his life but he doesn’t want to change it because he doesn’t know what else to do

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[kacievvbbbb]

Can't believe this show just said that yeah these broken children that have finally managed to claw some semblance of family out of the train wreck their psychotic father made of them, these children now adults, don't get peace, they don't deserve it. actually the world is so much better without them in it. They are the direct reason why so many people they have met are not living happier lives and the universe would be a much happier safer place with them gone. They were pawns in their father's game and now they are victims of their "mother's" scheme. And this is all they get, there was never any happy ending for them in the cards the universe rebukes their very existence and it is constantly trying to write them out of it.

They doomed the world from the start, the blame is all at their feet and they must pay for the crime of being born "special".

The fucking implications of that my god!

That's the message you ended your show on. That is what you are leaving us with. Why?

[rintinningvt]

Started watching the Bayverse movies with my besties and... Are we just too gay for these movies??? Admittedly we only finished the first two and got through a quarter of the third, but the second one was such a drag to sit through at times and it probably doesn't help that we do NOT care about Sam that much. I hope that there is a character arc for him in the rest of the third movie. Because so far he has not been fun to watch in that one. He just comes off as a slight manchild to me, like... I can see why he would be frustrated with where he is in life but the way he acts with others and lashes out does not help him in the slightest. I do have to admit though that seeing him go to Cybertronian Heaven in the second movie was the funniest part for me and my besties lol.

I'll just hope that the other guy in the next movies will be at least a bit more interesting. Doesn't even have to be a good guy, just an interesting guy for me lol

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[334iwatchshit]

hello

i'm like 99% sure when stone flips through outfits for robotnik one of them is called the redmamba-nik with leather and a super high collar

is this a niche reference to megamind ? please say yes

[we-are-not-afraid-92]

the primary reason that we have nosferatu (1922) is because bram stoker’s widow told murneau “no” to a dracula adaptation

with that in mind, we only have nosferatu (2024) because upon the discovery that the ORIGINAL nosferatu was basically dracula with the serial numbers scratched off, and the judge declared that all copies and negatives, too, had to be destroyed, some people caught wind of this and preserved copies in secret (all hail media piracy??)

had those copies not been preserved, nosferatu would likely have been a completely or almost completely forgotten horror film of the silent era

and for that matter, we only have nosferatu (2024) because robert eggers was so obsessed with the original to the point of writing a script and putting on a high school production of the original and still holding fast to adapting/reimagining it when he started film making

half the time I get simultaneously all emotional over this movie, over orlok, over everything that it all means to me in all its complexities, it’s due to some combination of these facts

I’m just so, so happy he exists. 🥲🥲

[hana-bobo-finch]

There’s an awful lot of smut on here involving snow or finnick and like, do whatever you want, but I can’t lie and say it doesn’t make me immensely uncomfortable. Finnick was a victim of forced prostitution as a MINOR. his conventional attractiveness was exploited, he was seen by everyone as nothing but a hot body and a womanizer when he in actuality was a fucking VICTIM. HE’S NOT A PLAYBOY HE WAS FORCED INTO SEXUAL SLAVERY OR HIS FAMILY WOULD BE KILLED. sexualizing him so much is doing exactly what the Capitol wanted, making him nothing but a plaything.

And you guys realize snow killed children. the point of tbosas was not that he was once an uwu soft boy, the fact that he was conventionally attractive isn’t supposed to be a reason to like him or excuse his actions. you do realize he was using his charm to manipulate people right? right??? his internal monologue throughout the entire book showed how prejudiced and hateful he was even when he held no power. he wasn’t suddenly “changed” to become hateful by Gaul, she manipulated him yes, but the seeds were already there. She just nurtured them. He was like that the entire time, but you don’t notice until he’s outright trying to kill Lucy gray in a selfish panic because you spend the entire book trying to root for him, even though you knew what he would become due to the simple nature of it being a prequel. the book wasn’t trying to make him into a sympathetic little hot boy

anyway mini rant over goodbye

[destructive-delight]

How would you rank the bsd light novels?

i haven’t read the most recent ones (in part because i’m fighting with amazon to actually ship them to me since i made the questionable choice to collect all bsd media in english while living in a country that does not have english as an official language and importing shit was already annoying before all of the bullshit and that’s yet another mistake i have to live with) it’s also been a while since i read them and unfortunately my opinion on at least one character has taken a nosedive since then, which might change things after a reread, but as of right now my raking goes as follows:

1.dark era

2.beast

3.55 minutes

4.dazai’s entrance exam

5.fifteen

6.untold origins

7.dead apple

8.stormbringer

4 and 5 are pretty much interchangeable (but i think entrance exam was done dirtier by the anime, so it gets the higher spot).

2 and 3 are very close too. i love the beast universe, i love the angst of it all, i love characters who destroy themselves to achieve their goals (usually it’s dig-two-graves type revenge stories, but destroying oneself for another person is a close second; that’s also why i love higurashi no naku koro ni gou), so beast just ticks all the boxes for me, but i do enjoy 55 minutes as a story more. it’s more exciting! dramatic! the oh shit moment before time travel enters the building!! trashcan dazai is there!! also lore! LORE!!!

in the end beast ekes it out because odazai was my first bsd otp and is still in my top 3 and this ranking is negative percent objective. i’m not ranking with my brain, in fact i’m not ranking at all, i’m just transcribing the whispers coming from deep within the abyss that resides where my heart was supposed to be. and the abyss loves to see. dazai. suffer.

[firemama]

If I had the power to become a Disney bitch that can just remake one of their classics because that's what Disney does these days, id remake Aladdin.

It'd still be animated and the goal would be a consistent style trilogy (without the sudden and sharp drop in animation quality preferably please god).

Completely scrapping the 'return of Jafar' plot line, I'd make the second movie in the trilogy about exploring the ramifications of aladdin's wish. He did not wish to *look* like a prince, he wished to BE a prince. Somewhere out there aladdin is the prince of some country or city or something and I would love to explore that as a technicality to aladdin and jasmine trying to get married. Especially if perhaps that kingdom is NOT on good terms with agrabah. They're trying to get all the arrangements done and theres a big joke about paperwork and getting the prince-requirment law squared away and then bam, the "well actually-" comes from genie and the rest of the movie is about exploring this new territory of aladdin. Who is marrying into Royalty and Politics, actually having to deal with some of that.

And then at the end of the movie, when all of that is sorted out, genie drops the second "well actually-" that aladdin was always sort of a prince anyway. Just not the inherited of any kind of land. You see, al, buddy, your dad's a king of thieves.

Movie three is that the wedding is once, again, delayed. Because now we have to deal with the fuckin ramifications of "what the fuck do you mean I'm the son of a famous criminal?" And the revelation that genie actually knows aladdin's parents. Movie three includes returning to the Magic Treasure Hoard where aladdin initially gets the lamp- "only One May Enter Here" being that aladdins father (deceased) left the cave as a sort of will of his treasure trove, a bounty worthy of a King Of Thieves. Including the most valuable artifact of the trove, the Genie In The Lamp, the most valuable treasure that was responsible for aladdin's fathers success as the king of thieves in the first place. We see some stories of Genie and Aladdins father- from rags to riches via crime, maybe the love story of aladdin's parents, (maybe some hints to why genie says "i dont like doing it" as to being able to bring back the dead rather than outright "i cant do it") and plausibly that the genie and aladdins father made the same deal, I'll use my two wishes and then free you, but (possibly following that failed attempt to bring back the dead as in trying to bring back aladdin's dead mother shortly after aladdin is born?) In the grief of that failure aladdin's father decides to use his last wish (possibly to arrange the Cave of Wonders for his sons inheritance or something) and ultimately betrays genies trust.

We get a little heart to heart with aladdin and genie- "I don't think your dad was a bad guy, per se, but-" and the classic Disney "what matters is that you kept your promise, and that's why I've stuck with you even after freedom, it's the magic of friendship"

and then once we work out reparations of the cave of wonders - using all of that stolen fortune inheritance to better aladdin's accidentally aquisitioned kingdom, and provide agrabah a stable fucking childcare system for orphans, and a whole other musical mintage of do-gooding, they FINALLY get their royal wedding- a unity wedding between these two lands and isn't it glamorous.

ON A COMPLETELY UNRELATED NOTE.

The whole big damb deal where Aladdin and Jasmines partnership is weighted against the genies freedom is so stupid when you consider. Aladdin could have just fucking handed the lamp to Jasmine? 3 more wishes. They solve the whole thing in movie one. Jasmine gets the lamp, makes a wish that Jafar will never escape the cave of wonders, wishes that there were bo laws restricting her personal freedoms any more than anyone else (marry who she wants AND go to the market) and then a third wish that argrbah under her rule will know ages of peace and tranquility. Then she hands that damb lamp back to Aladdin, Aladdin wishes the genie free, big happy celebration fireworks scene. (They do the heart to heart thing where they say they'll miss eachother after genie cuts himself off from talking about seeing the world. Obviously. That still needs to happen. They're friends, you honor.)

[kayvsworld]

i want to do a rewatch of some mcu movies but i worry that i am at risk of remembering how fundamentally aggressively incurious those movies were abt everything & anything that happened in them and it will make me temporarily insane

[doodleodds]

LADIES AND GENTLEMEN..... WE GOTTEM!!!!!!!!!!!!

Thank you so SO much to everyone who commissioned (read: enabled) me!!

Now that I've reached my goal of +10ing my boy, and since my time is (unfortunately) still quite limited due to work, I'm going to be closing comms tomorrow! So, if you have an idea and haven't decided if you want to commit or not yet, now's your last chance for the time being! ;) And to all those who have already paid, I know I do still have quite a few to get through- I was a FOOL to think I could just bang these out in 24 hours, lol, but please rest assured they will be coming within the next few days!! I'll get through them slowly but surely. Admittedly I did take a break to draw this guy because I was so pleased to get him, but I'll get right back on the horse tomorrow lol. Thank you so much again everyone!! ^O^

Ferdinand went to a tea party and came back Different

[lithariel]

I made the gravest of errors of showing my dear roomie Nosferatu (1922) before we went to see Nosferatu (2024) today, for as the opening jump scare showed, he was so caught up on Ellen moaning that the sudden noise and cut to Nosferatu scared him so

The theatric, if not melodramatic, nature of the original had not primed him for the horrors to come