#in the remake though it’s so much more significant

[we-are-not-afraid-92]

the primary reason that we have nosferatu (1922) is because bram stoker’s widow told murneau “no” to a dracula adaptation

with that in mind, we only have nosferatu (2024) because upon the discovery that the ORIGINAL nosferatu was basically dracula with the serial numbers scratched off, and the judge declared that all copies and negatives, too, had to be destroyed, some people caught wind of this and preserved copies in secret (all hail media piracy??)

had those copies not been preserved, nosferatu would likely have been a completely or almost completely forgotten horror film of the silent era

and for that matter, we only have nosferatu (2024) because robert eggers was so obsessed with the original to the point of writing a script and putting on a high school production of the original and still holding fast to adapting/reimagining it when he started film making

half the time I get simultaneously all emotional over this movie, over orlok, over everything that it all means to me in all its complexities, it’s due to some combination of these facts

I’m just so, so happy he exists. 🥲🥲

[tossawary]

Recent "Star Trek" reboot universes have really tried to sell me on three different romances for Spock with other TOS characters whom he did not have romantic relationships (at least not positive ones) with in TOS, which makes it particularly annoying when some fans try to squirm away from the idea of ST ever doing a future reboot or remake in which Spock/Kirk are explicitly queer.

Like, "But it's not in the original! They want to be faithful to the original!" really, REALLY does not pass the "I think you might just be discomforted by queerness and you should work on that, rather than making appeals to the authority of textual accuracy to avoid being called a homophobe or transphobe" check here. Because it's not as though these reboots care about perfect faithfulness on pretty much any other front. We'll accept that the costumes and special effects get updated to move with the times, we'll accept wildly different characterization choices that essentially give these characters new personalities, we'll accept new timelines that change the entire political map of the galaxy, but you as a fan draw the line at "What if this character was bisexual this time?" Really???

To be clear, I am not trying to dunk on Spock/Uhura, Spock/Chapel, or Spock/T'Pring here, I am merely trying to illustrate a frustrating double-standard. TOS Uhura does notably flirt with Spock several times! I see it! I remember TOS Chapel's feelings for Spock being one-sided, but I also don't think it's a bad thing to try to update TOS's more misogynistic writing choices regarding female characters. TOS T'Pring did... kind of try to kill Spock because she didn't want to marry him, but again, I don't necessarily think it's immediately a bad thing to try to explore her as a character and her betrothal to Spock. It's fine! It's fine by me to explore new takes in new AUs.

It's just that none of that evidence from TOS for those relationships holds much of a candle to whatever the fuck Kirk and Spock had going on to inspire The Premise. "Amok Time" is an Experience. There's only so many times that Kirk can say something like, "The cost [of abandoning Spock] would have been my soul," before you want to put your face in your hands. They are taking shiny pebbles from TOS and trying their very best to sell them to me as the basis for romantic relationships in reboots, sure, while they are standing in the shadow of Spirk Evidence Mountain (TOS).

(Yes, I have seen the recent "Unification" short film. Yes, I enjoyed it. No, I will not consider Spirk "officially canon" until all plausible deniability for the squirmy folks has been completely, explicitly destroyed by a HUMAN kiss onscreen.)

And okay, I must admit, at the moment, I don't actually want Spirk to eventually happen in "Strange New Worlds" now that they've finally met. I'm mostly indifferent to their Spock and Kirk actors, personally, and the writing for every canonical romantic relationship in both SNW and "Discovery" so far has gotten a solid "well, they certainly are standing next to each other" from me. (Yes, even the gay marriage in "Discovery". I just haven't been into it so far.) I think the writers would fumble Spirk if they tried it in this specific show and then annoying fans would use the fumble as "evidence" never to try to do Spirk or queer retakes on other TOS characters ever again, or as "proof" against other queer ST in other shows characters generally.

I'm mostly just mildly annoyed that I have to keep watching Spock specifically, famously read by many people as a queer man, be straight and messy about it, especially when there has not really been a significant queer relationship onscreen in SNW yet, unless you count M'Benga's daughter Rukiya and her glow cloud friend named Debra, which I personally don't, honestly. I'd like an onscreen relationship with a main character with zero plausible deniability. There's definitely nothing yet that comes remotely close to the screentime that Spock/Chapel, Spock/T'Pring, and Kirk/La'an have all been given so far, unfortunately. (Sulu is not here yet. Scotty has just shown up. If Scotty gets to make out with a guy next season, or Uhura or Ortegas gets to make out with a lady, without it being part of some god-like-being's fantasy world, then I may be satisfied.) (Also, yes, I am aware of queer characters and relationships in other "Star Trek" shows, thanks. I very much enjoyed Mariner having her incredibly silly breakup with her girlfriend in "Lower Decks".)

"Star Trek" is one of those properties where some people's double-standards regarding romantic interpretations of the original series really jump out. "They can't do Kirk/Spock because they want to be faithful to the original!" Get real.

[tswhiisftteedr]

Good Pup ☆ One Shot

☆Mean!Sciences Proffesor!Divus Crewel x College Freshman!Fem!Reader:

After seeing you excel in his class, Professor Crewel interest had peeked. You were not from this world, and your academic knowledge was far too different from what was taught here, too different for it to be considered fair for you to study such material at the college level, a lost cause, he thought at first. And yet, he couldn't help but feel proud as you quickly rose to become one of the top students in his class. One day after potionology you had forgotten your textbook behind, and being the great teacher that Divus Crewel is, he ought to give back to you. After looking around for a bit, then spotting in a hallway talking with your friends, he happens to overhear about your secret thoughts on him…

Based on this ask and poll.

Warnings: Mature Content, Swearing/Explicit Language, Spanking(of ass, thigh, and pussy, by hand and pointer), Choking(on dick lol), degrading names, pet play ig?(just names like pup, dog and mutt but not anything else in that area). READER IS A COLLEGE FRESHMAN AS NCR IS ONE IN THIS FIC SO THEY ARE AT LEAST 18, CREWEL IS CANONICALLY 32 SO KEEP THAT IN MIND BEFORE ENGAGING.

Note: This is sort of a remake of ‘Personal Training’ but instead of Professor Vargas, it’s our dear sadistic Divus Crewel. Like a different Au, so the encounter between reader and professor Vargas didn’t happen here. Also why are all the proffesror mean you may ask, well the answer is quite simple… I like to bullied by authority figures/people in charge and those fics self indulgence 🤪✌️. Also for future request, if not precise what type of behaviour you want for the love interest, i will default to writing mean!dom!character or pervy!dom!character cuz that’s i like lol.

☆ more under the cut. ☆

Ever since starting classes at NCR Wonderland, you felt off about begin your academic journey as a college Freshman. Sure you were the right age for it, but wasn’t it a bit to much of an ask to start with college courses, especially with most of the mediums being different from your world? But at last you had no choice but sucking it up, working harder than any other student in your year to keep up. Though you did enjoy some of the classes, just because they had familiar concept. Magic analysis was like any other analysis class you had taken before the topic was just different, you also had music which was the same as back home, and of course there was Potionology…

That class was your beacon of hope each week. You genuinely enjoyed it, not only because it resembled chemistry, making the 'laboratory process' easier to grasp, but it was also the only class where you could actually use magic! The mixtures you created could do things you could only dream of in your world. Moreover, making such complex and potent elixirs made you feel useful. You felt competent with this world's materials because of it, even if Crowley didn't find a way for you to return home, you possibly could get around. Of course, there was another tiny reason why you loved the class so much, actually it was a pretty significant one. Even in your own thoughts, you couldn't deny that you were practically drooling at your professor each time you entered his classroom.

But how could you resist? That man was incredibly hot, smoking even. And his voice, god! It was undeniably sexy. Plus, the way he addressed you was so appealing: Generally, he would call you a 'pup', 'good girl' or 'good dog' when you did something right or answered a question correctly. He'd say 'bad dog' or 'bad girl' if you made a mistake.

He would also refer to himself as your trainer, at some point asking of you and Grim to address him as "O Great Crewel" or "Master/Master Crewel" instead of "Professor Crewel", as a form of discipline.

And fuck was that hot, honestly that was the primary reason you worked so diligently in his class. Hearing his praise and being able to call him "Master" only served to fuel your fantasies.

You wondered how he could discipline you in a more 'physical' way. Would he use his pointer or his hands on your thighs and ass when spanking you? Would he continue to use the usual nicknames, or would he resort to degrading names like 'slut', 'whore', ‘needy bitch in heady’ or perhaps 'greedy pup'? The curiosity from it was driving you mad, to the point where you even considered pulling your panties to the side and touch yourself at the sound of his voice, as taught class unbeknownst to it all.

Naturally, you wouldn't actually do it. After all, even if your noises didn't give you away, the smell certainly would. (You were certain the beastman in your class would detect something like that.) However, there was a certain allure in to the scenario.

Perhaps a classmate would inform your professor, leading to a public reprimand. You picture your professor criticizing your behavior while you stand in an embarrassing position for all to see. Your skirt would lifted and he would be abusing your behind, probably edge you during the spend of the whole lesson. Then right before the bell rang, he would touch your sweet spot one last time, and right around his fingers you would squir-

Oh, right, the bell. Class had just ended. You snapped back to reality and turn to your friends. From their expressions, it's clear they've been trying to get your attention for a while.

Hastily gathering your things, stuff them into your backpack, and follow your friends out of the classroom. Unbeknownst to you, the potionology textbook you need for tonight's homework is left behind on your desk.

You soon reach the hallway where you and your friends usually sat at a break. It's lunchtime, and as per your routine, you start your daily rant about your professor to Ace, Deuce, Jack, Epel, and Sebek. Grim is also there, but as always, he is so focused on his food that he isn't paying attention.

Meanwhile, Divus was getting ready to head to the teachers' lounge to enjoy his lunch when he noticed the Potionology textbook on your desk.

Even if he didn't know where you sat during class time, he could tell that it belonged to you by the fact that it had small pawprint stickers surrounding your name on the book’s bridge. The memory of you telling him that customizing the book that way was the best resurfaced. After all you were a "good pup, so why not add the paw prints to match the statement.”, you had told him when he inquired about the decorations.

That comment made him chuckle, which brought a bright grin to your face. While it's true that he would refer to his students by such names, at no point in his career did a student use the term to address themselves. To be honest, he finds it cute that you adore the name that most of your peers detested. You simply smile and giggle anytime he uses it to compliment you, and you pout like a real puppy when he corrects you. ‘Truly adorable.’

He actually liked you. Regardless of how your entourage behaved, you were an excellent student who did not cause any problems. You paid attention in class and worked really hard to achieve the highest grades not only in his class but in others, but it appeared to him that you were more interested in the course that he taught compared to the rest. In non-magical courses, you received an average of 70-80, and your sciences marks were in the 90s, slightly higher grades.

Divus also liked how, despite the restricted male uniform, you had altered the uniform to be more fashionable with the consent of the headmaster. Instead of the dull pants that came with it, you wore a skirt that was little longer than mid-thigh but did not reach the knee. It was elegantly embroidered with a swirly thorn pattern, and you wore stockings to match it. A work of art in the man's eyes, which made you even more favourable to him; he adored when someone had a true sense of fashion.

Despite your puppy-like demeanour when he spoke to you, there was a gleam in your eyes, a lustful one at that. You looked at him as if you wanted him to bend you over your desk that very instant, practically eye fucking him throughout the lecture. You may not realize that he noticed, but as a desirable man, he was highly aware of such things. He observed as you unconsciously rub your thighs together, while he chewed you up for a small error; he 'was expecting better from such a bright girl like yourself, this was extremely disappointing'.

Even though he kept it to himself, attempting to maintain professionalism, him still being your teacher and all. Maybe you weren't as horny as he believed, just slightly flustered by the charming way he addressed you, especially coming from a handsome man like himself. However, no matter how sweet you were, you couldn't fulfill his desires. He craved someone he could dominate and control, someone who to basically bully into submission. You were far too innocent and gentle for that. He assumed that if you did have any sexual thoughts about him, your fantasies would be quite vanilla in nature.

‘And oh, boy, was he wrong!’ That was his thoughts when he overheard the conversation between you and your friends, having finally reach the hallway you usually frequented, your potionology textbook book in hand.

A bit earlier,

You and your friends had started eating and you were babbling;

“Okay, lisent, like hear me out-“ you begin,

“I am not hearing, YOU out. You’ve already said enough.” Sebek quickly retorts.

“Valid point, but, but think about it. Hot mean teacher disciplines you with a spanking while degrading you.” You suggest,

“NO!” Sebek tells you horrified.

"Come on, Sebek, don't be so ip tight. I may not be into that kinda of stuff, but Y/N has a point. I don't get the appeal, but Professor Crewel does fit her type.” Ace tells the distress crocodile.

“But he's a teacher, OUR teacher. I don't understand how people can have crushes on their teachers, but openly lusting for them should be prohibited! Also, not discussed like any other normal subject!” Sebek tells the card soldier.

“I agree with Sebek, you should keep such intimate thoughts to yourself.” Jack adds on,

“Ya say that but chur tail be waggin' like an exited puppy. It’s obvious ya like hearin' bout the naughty stuff from missy over there!” Epel comments.

“That’s not-“ Jack begins, but cuts himself off, like Epel said his tail was wagging crazy so he couldn’t deny anything. So “whatever!” was all he said, followed by a huff and a frustrated growl.

"Look, I'm not saying people should go out of their way to fuck their teachers; it's just that the man who potentially would fulfills all of my desires and fantasies happens to be my teacher. And, honestly, he must be aware that his nicknames and actions would turn some students.” You say to the group,

“What? How’s that?” Deuce questions.

“Come on, it's not like you can't go to NCR if you're into things like pet play or bdsm. He must have known that each year would have some students who fit that description. Don't tell me you thought he was completely clueless towards that?” You explain,

“Well when you put it like that, I guess Professor Crewel probably knows about it.” Deuce sorta agrees.

“He’s probably just ignoring it, pushing it to the back of his mind and pretending that it’s not real.” Ace comments,

“Yeah, that’s what I was thinking too. But at the end of day, the fact that he’s aware doesn’t change much, I still won’t get him to bend me over his desk” you say with a dramatic sigh, making both Epel and Ace laugh.

“Honestly even if there was some stellar chance that he could be into me, he’s probably in a relationship already. If he isn't married, he is most likely casually dating someone.” You add on.

“Yeah, too bad for ya!” Epel says with a snicker.

Unknown to you and your friend group, the same professor you were discussing was right around the corner, listening in on you thirsting over him.

And truthfully this was a shock to him. Sure he might have found you attractive, but also he had convinced himself that you couldn’t fulfill his desires. Now turns out both of your fantasies aligned, and he was going to make good use of that knowledge.

Now heading towards your group the clacking sounds of Divus’s heels made all of you turn around. Some of their expression where terror, some confusion but Ace and Epel looked like they were holding in a laugh.

Clearing his voice, “Miss.L/n, just the person I was looking for. You had forgotten your potionology textbook in my class, so I went looking for youu in to hand it back, you wouldn’t want to miss tonight’s homework, now would you?” He told, as passed you the book.

“Oh, um, thanks professor Crewel!” You exclaimed a bit distraught, ‘did he hear what I’ve been saying or what?’

“Try again. You know that’s not the appropriate way to address me, now is it.” He states making you rethink your words,

“Right, sorry, Master Crewel...” You spoke out.

“That’s much better. Now come along pup.” He said as he turn around and started walking,

“What- why?” you ask confused. And he turns his head to gaze at you.

“Well isn’t it obvious, you and I got much to discuss. Do not question me anymore today, or any day for that matter. Stand up and follow me right now, otherwise you will suffer greater repercussions than I originally planned to make you endure.”

“Oh, okay.” You squeak out and grab your belongs, now trailing right behind your dear professor Crewel, ‘oh, right, O Great Crewel.’

You returned to your classroom, Divus locked the doors behind you. He had been sitting at his laptop for the past 10 minutes. You were sitting on a chair, on the opposite side of your desk.

"I have magi-mailed your other professors, they have cleared your itinerary for the afternoon. Lucky for us, today was the one I had spares in the afternoon as well." He informs you.

"But if this talk was going to take a while, I could have just come back after class," you say.

"No, I must have a chat with you right this instant.” Divus replies.

You only nod, turning to gaze out of the window to ease your nerves. Of course he noticed, so he turned his lamp desk on, it was bright, then magically closed all the blinds. He moved from his seat to your side of the desk, resting on it as he looked down at you.

“Now, let’s start this talk. Do you know why I brought you here?” He inquires.

“I’m sorry sir I don’t know.” Honestly you weren’t sure maybe he overheard you or maybe this was about something else.

“Not don’t play coy pup.” He told you sternly,

“Perhaps my grades sir…” you croak out, barely above a whisper.

“I guess you decide to persevere in your bad dog act, stand up.” He tells you, sounding exasperated.

“Wh-What?”

“Don’t make me repeat myself mutt!”

Without a word you did as you were, the suddenly felt a had push on your back, not protesting anymore you just expect your fate as you were now folded upon the wooden desk.

“Looks like your not completely hopeless, but that one time show of obedience won’t exempt you from your punishment.” He said, you felt a somewhat thin metallic object glide up your right leg, you guessed it was his pointer. “Spread” was all you heard before the words were followed by a swift whip of the pointer.

You were dazed by the feeling, not completely registering the given order. This seem to irritate Divus, as another strike came down, but this time you react right on impact, now having your legs nicely spread out. ‘Your head was slightly dizzy, was this going the way you thought it was?’

But before you could linger on that thought, you felt Divus's hands remove your panties from your hips, letting them drop to your ankles. Your ass and cunt were now exposed to him. You heard a little shuffling, then his soft breath was in your ear. "Listen, since I'm not going to say it twice. I overheard you being a little slut, talking to your friends about how much you want me to hurt you. So that's exactly what I'm going to do, I'm going to discipline you to never forget how to address me, to never talk so lewdly in front of another man, and to make you incapable of living a functional life without me in it. Now, if you understand, say, ‘Yes, sir.’”

“Yes!..sir—!”

"Good. Now I'm going to spank you, and you must count after each hit and thank me for it, you may only address me as Sir or Master, if anything other than what I've instructed comes out of your mouth or you mess up the count, we'll start over and add 10 more strikes for you to go over. Also, you aren’t to touch me unless instructed otherwise.”

By the time he reached strike 29, your bottom was a of deeper color than your regular skin tone, covered in marks and bruises. Your thighs were quivering from the constant impact of his hand on your sensitive areas. "Twenty-eight... Thank you, sir..." You panted heavily, biting down on your lower lip to suppress any further sounds of discomfort.

Crewel stopped suddenly, taking a moment to admire his work. He ran his fingers gently over your bruised ass cheeks, leaving trails of coolness where they brushed against your heated skin. "That’s wrong," he spoke out, a spank from his hand came down your ass this time. "You already said 28, this means we have to start over. But this time, we’re going up to 40."

You whimpered softly, your eyes widening in terror as you realized what this meant for your already sore ass. "N-No! Please, I apologize, sir! I'll count better!" Your pleas fell on deaf ears as Crewel resumed his merciless assault on your sensitive flesh. Each strike landed harder than before, leaving deep marks that would surely become bruises soon.

"One... Two... Three... Four..." Eventually, you reached number 40. The last blow sent waves of agony coursing through your entire body, and you let out a strangled cry. Tears trickled down your cheeks, streaming down your face as you struggled to catch your breath. "Thank you, sir..." You managed to choke out between heavy breaths.

After giving you a moment to recover, Crewel noticed the wetness between your legs and smirked cruelly. "You enjoyed that didn't you, filthy slut?" he growled, his voice lower than usual, almost seductive.

Grabbing hold of your waist and lifting you slightly before slapping your sensitive folds forcefully. The sudden contact caused a sharp gasp to escape your lips, followed by a moan of mixed pain and pleasure.

"What did you just say, mutt?" he demanded, his voice dripping with malice. "No, don't answer," he continued before continuing his barrage on your sensitive areas, alternating between your lips and clit, ensuring that you wouldn't forget this lesson anytime soon.

After several minutes of relentless punishment, he finally stop the smacking of your privates. Following it by cupping your dripping folds in his hand, rubbing them roughly, spreading your juices over your sensitive flesh.

Than bringing his fingers in view for you to see, sticky liquids all over them."You see how much you enjoy this, don't you?" he growled, his voice low and menacing.

Your body had shook after every blow, your moans had turned into sobs as you struggled to maintain composure. Through tears and gasps for air, you managed to choke out between breaths, "Y-Yes, sir... I love it!" your tone was desperate, pleading for more even though your body ached in pain. You couldn't deny the intense pleasure mixed with the agony.

“That’s it," he praised, his voice dripping with false approval. Reaching between your spread legs once more, he inserted one finger into your tight entrance, stretching you further than you could with your own. Despite the pain, a soft moan escaped your lips involuntarily.

"Now, beg me to cum, you needy bitch in heat," he commanded gruffly, his tone harsh yet somehow erotic. Your mind was a mess of conflicting emotions; part of you begged for release, while another part of you wanted to defy him and deny him what he sought.

You forced yourself to focus on the burning sensation of his finger probing deeper into your sensitive core, trying hard not to move or squirm too Your your body ached everywhere from the brutal punishment you had endured thus far. "P-Please... sir... I need you to..." your voice trailed off as he thrust another finger inside you, stretching your even further.

"More, please!" you managed to croak out between gasps for air. Your hips involuntarily bucked against him, seeking more contact, more stimulation. Despite the pain, the combination of humiliation and arousal was becoming too much for you to handle.

Crewel chuckled darkly, enjoying the sight of you squirming and begging for more. Slowly, he began to move his fingers in and out of your tight entrance, teasing your sensitive spots with precise strokes. "Good," he praised again, his voice laced with malice. "Now, beg me for your orgasm properly."

Ultimately, survival instinct kicked in, and you forced out a broken plea, "Please, sir... I need to cum... Please..." your voice cracked on the last word, betraying both your desperation and submission.

His pace picked up slightly, thrusting faster and harder into your tight passageway. Your moans turned into high-pitched cries of pleasure as you neared the edge of ecstasy. Just when you thought you couldn't take any more, he stopped abruptly, leaving you hanging on the brink of orgasm.

"Not yet, don’t tell me you thought you would get what you want that easily, did you?" he growled, his voice cold and commanding. "You haven't earned it yet." With a final taunt, he pulled out both fingers, leaving your dripping. "Clean yourself up, mutt," he ordered harshly, before turning away from your exposed body.

You were a mess, your body trembling in pre-orgasmic bliss and frustration. Tears streamed down your cheeks as you begged him through sobs, "P-Please, sir... I'll do anything... Just let me cum!"

Finally, after what felt like an eternity, Divus turned back to you, grabbing you by your hair and making you drop to your knees in front of him. Reaching down, he unfastened his pants and slid them down, revealing his massive cock, hard and throbbing with desire through his boxer. It flapped against his stomach as pulled his garment down, it was veined and pulsing with need. "Much better," he said coldly. "Now, show me how much you want it."

Swallowing thickly, you raised your head and tentatively wrapped your lips around the tip of his member, taking as much of it into your mouth as you could without gagging. Your tongue flicked out, tracing the head of his cock, seeking more sensation. You began to suck greedily, your throat stretching around his thickness.

Divus groaned, his hands grasping your hair tightly as he began to thrust his hips forward, forcing more of his cock into your willing mouth. Your gagging and choking sounds only fueled his desire further. "That's a good mutt," he praised between heavy breaths. "You take my cock so well, you filthy dog."

You struggled to breathe as he continued his brutal assault on your throat, your eyes watering from the burn in your nose and throat. Despite the pain, you relish the feeling of being completely owned by him, your body becoming nothing more than a vessel for his pleasure. You moaned around his cock, hardly able to form coherent words between the constant thrusts.

As he continued to pound into your throat, your body shook with each powerful thrust. your hands reached up, grasping at his thighs for support as you struggled to keep him in your mouth. The combination of pain and pleasure was overwhelming, causing your mind to spiral into a hazy fog of desire.

Eventually, Divus slowed down, pulling out just enough for you to catch a brief moment of air before plunging back in deeper than before. "Are you ready for your reward, whore?" he growled, his voice low and menacing yet laced with promise.

Without waiting for a response, he unloaded his seed into your waiting mouth, filling it to the brim with hot, sticky semen. You gagged violently, struggling to swallow every drop, your eyes watering from the intensity of the sensation.

He held your head in place until his orgasm subsided, then pulled out, leaving your filled with his essence.

Your vision spun as you coughed and gagged, your body still trembling from the intense asphyxiation. Slowly, you felt your body being raised, finding yourself laying on Divus's desk, your legs folded and spread wide open, exposing your wet and swollen folds to his hungry mouth. Before you good connect 1 and 2 together, he was already between your legs, his tongue darting out to trace along your dripping entrance.

"Oh sevens..." you whimpered, arching your hips upwards, begging for more contact. Pulling away slightly, he teased your sensitive flesh with light touches before finally plunging his tongue deep inside your core, sucking and lapping at your juices voraciously. His fingers found your clit, pinching and rubbing it harshly, eliciting another moan of pleasure mixed with pain.

Your body trembled on the verge of orgasm once more, as he continued to torture your sensitive spots. Your nails scratched at the desk to avoid grabbing his head, you were sure you would get reprimanded for it, the wood was left with white lines shaky lines on it. "P-Please, sir... I need you to—!" you managed to choke out between gasps for air before you was cut off by a powerful moan.

Divus pulled away from your dripping folds, his face covered in your juices. "Mhm is that so," he growled, his voice dark and menacing. "Sadly for you, I don’t feel like letting you climax quite yet, you greedy pup." He teased.

Your body shook with frustration and need, your entire being aching for release. "P-Please... sir..." you begged pathetically, your voice barely more than a whimper. Hips bucking upwards, seeking more contact, more stimulation.

For what felt like a millennium, he continued to tease your sensitive spots, pushing you closer to the edge of ecstasy only to pull away just when you thought you could bear no more. Sweat trickled down your back, staining the cool surface of his desk beneath you.

Finally, feeling that it was enough, Divus thrust two fingers back inside your dripping entrance, simultaneously rubbing your swollen clit with his thumb. “Now cum.”

The combination of sensations was too much for you to handle, and you cried out in pure bliss as wave after wave of orgasmic pleasure washed over your. Your pussy contracted tightly around his fingers, cumming so hard to be able to see stars.

Smiling down at you, he gave your cunt a small peck. Crewel smirked cruelly yet something sweet behind his eyes. "Seems like you’re beginning to learn your place well, pup," he said before moving closer again, his lips brushing against yours roughly. His tongue forced its way into her mouth, claiming ownership over your mouth once more, as well as your mind. He tongues wrestled violently, your saliva mixing together in a sickening dance, tasting each other on the other’s tongue.

After breaking the kiss, he stood up straight, looking down at you battered form with satisfaction. "Now, go home and get yourself cleaned up. We're finished for today." With that command, he help her up and walk her out of the school building, trying to avoid anything prying eyes. At her professor was kind enough to accompany her out, but she was on her when it came to walking home.

“See you on Saturday in my classroom, Miss. Y/n” was all he said as he turned and left for school once more. Leaving you alone to recover from the brutal punishment she had endured.

You only replied by a weak “See you sir”, but only when arrive at your door front did it click ‘Wait we don’t have class on the weekends, does that mean—‘

Thanks anon for requesting!

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Reblogs help!!! (Request Are Open)

[6lostgirl6]

Miss.coffin sorry I’m new here and sorry about my bad text. I’ve been made fun of in the past because of it I’m mentally disabled to an extent and I have a shy personality. I’ll get straight to the point, my favorite horror film is my bloody valentine 3d next to it is the 2009 f13 movie. There’s a huge debate I seen when it comes to the movie is it a split personality? Is Harry possessing Tom Hanniger? Personally I believe he’s possessed, but that’s just my belief. believe whatever you wanna believe. I always had the unpopular opinion the remake is better than the original. Anyway, I’ll get to my request. Can you do a 2009 Harry warden sfw or sfw Alphabet relating to my favorite character/miner? Thank you so much for your time miss.coffin.  I’m just glad some people are doing 2009 Harry warden because he’s better than his 1981 counterpart. Sorry I didn’t saying anything sooner. I didn’t know if you were open at the time like I know you are now and my shy personality sometimes gets in the way of things. just thank you miss.coffin.

SFW Alphabet - Harry Warden

TW: Slight Yandere Behavior, DID Terms, Mentions of killing, Possessive Behavior, My Bloody Valentine 2009 Spoilers,

A/N: Hello, my dear! You were just in time to send in a request! Personally, I believe it was a split personality, but that is a very good theory that Tom is actually possessed by Harry, I can see that! I went ahead and did SFW and I hope that's okay! I agree, I like the remake a lot better than the original! Thank you for this lovely request! I hope you enjoy! ❤️ Reblogs are appreciated!!

Affection: [How affectionate are they? How do they show affection? Do they enjoy PDA?]

Harry is more reserved than his counterpart, Tom, and it would take a while before he would show affection towards you. Once he knows you don't mean harm towards Tom, he'll be more open towards you. Silent and gentle strokes against your cheek with his gloved knuckles, ruffling your hair, and firm grips on your hand. He's more possessive than Tom, so he isn't against PDA.

Beauty: [What is their favorite part of their partner. Body part, trait, anything?]

His favorite part about his partner, is their personality. He tends to like people that are kind and understanding and his partner being sweet like Valentine's candy is perfect. His favorite body part of his partner is their eyes.

Comfort: [How do they comfort their partner? Ex. after a panic attack or bad dream?]

Harry is a very protective alter and your needs and safety are very important to him. He's not great with words but he will hold you close if you allow him, soothing you in some capacity. If someone would hurt you though, they would meet an ultimate demise.

Devoted: [How devoted are they in a relationship?]

Harry would be very devoted in a relationship, he's not a people person and very withdrawn. He only fronts when he is comfortable with the person or killing. You would literally be the only one for him.

Ending: [If they had to break up with their partner, how would they do it?]

The only reason he would break up with you would be if it were to protect you in some way and only for a short term until the problem was resolved or if you upset Tom extremely. At that rate, he would just kill you.

Future: [What is their ideal future with an s/o? Marriage? How would they be domesticly?]

He's inexperienced with domestic affairs, but he would try with you. He could see himself marrying his significant other, and he would be a very devoted partner. Tom would have to teach him a few things of course, since Tom was in a relationship before.

Gentle: [How gentle are they, both physically and emotionally?]

Harry is not a gentle person and he had to learn how to be careful with you. In the beginning, he was rougher, grabbing your hand tightly or pulling you around when he wanted you close. However, he would eventually learn that he's stronger and needs to mind his strength. He's emotions are very strong and he feels strongly.

Hugs: [Do they like hugs? How often do they do it? What are their hugs like?]

In the beginning, Harry wasn't too interested in hugging. Again, he needed to feel more comfortable with his partner first. Once he is, he loves receiving affection from his partner. He rarely initiates it, but he would never deny a hug from you.

Intune: [How intune are they with their s/o's emotions? Can they read their s/o well?]

Again, he's inexperienced with relationships and previously only had to worry about Tom's feelings before meeting you. At the same time, Harry is very observant and he will learn in no time. Soon, he'll practically be able to read your mind on a few occasions.

Jealous: [How jealous do they get? What do they do when they’re jealous?]

As mentioned previously, he feels strongly and at times, they're not healthy. He can be very jealous and pissed off when someone openly flirts with his partner in front of him. He's reserved, not speaking when you two arrive home and you think it's over. Until you see the same person on the news after he was supposedly hanged on a flag pole in front of the whole town.

Kisses: [Good kisser? Where do they like to kiss you? Where do they like to be kissed?]

He is a very good kisser, but can be very sloppy. His kisses are deep and passionate, stealing your breath easily. He likes kissing your forehead and neck, he's a very possessive man. He secretly likes being kissed on his temple or cheekbone, it causes his heart to melt a little.

Love Language: [What is their love language? Gift giving? Quality time?]

His love language is gift giving and physical touch. He's not very expressive with words so he likes to make it up with affectionate touches and bringing you chocolates. Don't ask why the case was bloody, he won't answer.

Memories: [What are their favorite memories with their s/o or family?]

His favorite memory with his significant other is their first kiss together.

Nicknames: [What do they call their partner?]

His voice is more gruff compared to Tom's and his nicknames sound so sweet when they slip from his lips. He likes calling you sweetheart, and darling.

Open: [When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?]

Patience: [How easily angered are they?]

He can be easily angered and has less patience than Tom. He doesn't tolerate bullshit or things not going the way they are supposed to be.

Quality Time: [How would they spend time with a partner? What are dates like?]

Harry enjoys dates that don't involve being around other people. For example, he would feel more comfortable stargazing, or spend time with you at home. However, if you insist on going into town, he co-fronts with Tom to feel more at ease. Dates are very attentive, Harry enjoys alone time with you and learning more things about you.

Random Headcanon:

Harry enjoys the sound of your voice and would enjoy you reading to him when he needs to unwind. He finds comfort with your voice and eyes and feel the tension wash away.

Security: [How protective are they?]

Oh, he's very protective and will go to extreme lengths to secure your safety. Even if it's through the means of killing. For example, not only did Harry kill the people involved with the mines, but he also killed people that upset/harmed Tom. Both Tom and you are very important to him and he would do the same with you. Your life matters more than the idiotic people in town.

Tiny Ones: [How do they feel about kids? How would they act with kids?]

He doesn't exactly have an opinion on children, very indifferent towards them. Tom is more into having a family than he is, however if you wanted children, he wouldn't be opposed. Anything for you after all.

Upset: [How do they act after a fight? Would they be the first to apologize?]

He's a very stubborn man and would take a while before he can apologize, especially when it was his fault. He'll avoid you for a while, not really talking during this phase. Sometimes, Tom has to tell him to reel it in. Soon, Harry would feel guilty about what happened and seek you out.

Value: [How important is the relationship to them? What is it’s worth in comparison to other things in their life?]

He may be inexperienced, but his relationship would be incredibly important to him. Nothing else could compare to how much you mean to him.

Whole: [Would they feel incomplete without you? What is their worst fear, what causes a hole in their heart?]

Absolutely, if something were to happen, Harry would be more reserved and withdrawn, unable to communicate with even Tom. The killings would get worse, much worse. He would be relentless since he's releasing his inner turmoil and anger towards his victims. His worst fear would be losing you, someone taking you away from him.

Xenos: [What is something about them that is strange? Something that most wouldn't like]

His killing habits lol!

Yank: [What do they do that makes their partner mad? That makes one wanna yank they ass?]

He would leave blood trails and footprints around the house after killing, setting his bloody pickaxe against the wall and staining the wallpaper. You've scolded him plenty of times but he always forgets.

ZzZ: [What are their sleeping habits? Do they snore? Is the schedule fucked up?]

When he fronts, his sleeping habits are different compared to Tom. He sleeps on his back and his snores are light. His face tends to scrunch like he's scowling and you've taken a picture of it before. He's not a deep sleeper and will feel you trying to move or get out of bed. He likes having you cuddling against his side with his arm wrapped around you. He tends to sleep later than Tom, since he walks out in the middle of the night for his killings.

Spam Liking W/O Reblogging = Blocked

Taglist: Comment to be added!!

@prettywhenibleed @britany1997 @ghoulgeousimmaculate @rottent33th @slaasherslut @strrvnge @repostingmyfavs @azzy-ozborn

[telomeke]

4 MINUTES – COUNTING DOWN

We're now just shy of the mid-point in 4 Minutes (three eps down with five more to go) and I've been avidly watching, but getting quite confused at the same time by all the twists and turns.

Part of that confusion stems from not being able to watch the "Sultrier" version at first, despite getting Viu Premium. (How do they come up with these euphemisms though? Remembering that KinnPorsche also had a "La Forte" incarnation. 🤣) The sanitized 4 Minutes was annoying, not just because the sexy bits were cut out, but also because we missed important, informative parts of the narrative.

For example, Korn and Ton Kla's Ep.1 sex scene was actually an in-your-face illumination of their relationship dynamics, and also a parallel with Win and Ton Kla's own Ep.3 turn in the sheets later, that revealed so much about their characters in the vein of show-don't-tell.

Ep.2's tryst between Korn and Fasai was also missing, as was (inexplicably) the conversation between Korn and a smoking Great in Ep.1. I can only presume it was Great's cigarettes that caused that scene to be snipped, because other scenes also had alcohol and ciggies all blurred out. Highly annoying, but anyway – I finally found out what was going on with Viu Premium, so if anyone else is having trouble finding Sultrier, I will share some tips in a different post.

And with that out of the way, I finally got to watching the unbutchered 4 Minutes – and I'm finding it smart, sexy and oh-so stylish in the mold that we've come to expect from Be On Cloud. Sumptuous cinematography and visuals are now quite a BoC hallmark, that started with KinnPorsche and continued in Man Suang – and 4 Minutes so far has been a delight to take in, a cinematic and super-twisty supernatural thriller overflowing with signs, symbols and scenes (possibly) pregnant with hidden meaning, so much so that the fandom is all a-flutter, me included.

Directing (and editing) has been taut, and I think Director Ning Bhanbhassa Dhubthien does much better when given free rein (unsaddled by screenwriting duties, and P'Pond maybe! 🤣) My take is colored by Man Suang – its huge potential for intellectual engagement (all that historical drama and political intrigue!) was unfortunately not developed to a satisfying extent; its most potent elements were given insufficient screentime, watering down what could have been a truly juicy experience for the viewer. Perhaps it might have done better as a mini-series with a longer timeframe for the developments to unfold, but that's a remake for another day perhaps.

Anyway, back to 4 Minutes. They've been really stoking the furnace with clues to the truth underlying the narrative, and fan theories abound as to what it all might mean while we breathlessly await revelation.

So I can only guess at some of the stuff, and nod at some of the visuals. But here's some of what I've picked up on.

The title 4 Minutes (especially with so many references in Ep.1 to cardiac arrest) is quite likely a nod at the widespread belief that when the heart stops beating, you only have four minutes to start resuscitation before the process of brain death begins to set in. (I'm seeing a lot of different opinions about this online, with some sources insisting the window of time is much longer. But there are enough mentions of the four-minute deadline in more than a few Thai sources that I think this is probably the intended significance, especially since screenwriter Sammon is also a medical doctor who would know of this notion's currency in popular culture. Here's an example in Thai media: CPR กู้ชีวิต ก่อนสมองตายใน 4 นาที/CPR saves life before brain death in 4 minutes.)

After the four minutes are up, it is too late to save the stricken patient – so there is a sense of urgency underlying the notion. (For another work that plays on this, see Madonna's song 4 Minutes where the urgency being messaged is about saving the planet instead.)

But with cardiac arrest, the premise is that even when corporeal death is signaled (cessation of the heartbeat being the traditional marker of this), a person's life-force still has that small window of time for human intervention to make a difference, a sort of ultimate last chance beyond the final frontier, if you will.

This aligns somewhat with what we're seeing of Great's do-overs, each time he is thrust back four minutes into the past. But I think there's also a bit more to it, based on what we're seeing in Episode 3.

Among all the fan theories online, this one by @myezblog caught my eye: Theory - plot is pretty much revealed.

Now, whenever Great is alone, we see that his clocks reset (and Great is aware of this too, by Ep.3). In Ep.1, his clock showed 11:00am (at timestamp 05:00, after his call with Title). And in Episode 2 we were shown Great's clock turning to 11:01 at timestamp 35:06, and in Episode 3 it went to 11:02 (timestamp 41:37).

But the ominous 11 o'clock actually put in an appearance even before these instances. Looking back, at the start of Episode 1 we were shown that the patient in the Emergency Department Resus bay basically flatlined at 11:00 – that was their time of death.

If it's really Great whose heart stopped on that Resus trolley in Ep.1, what we appear to be seeing is a flashback of events playing in his head, leading up to the time of his cardiac arrest (11:00).

And what his clocks are showing him (and us) whenever he's alone during that flashback is basically a countdown of the four minutes that he has, before he is brought back (hopefully) or is gone forever (I hope not – it wouldn't be much of a series then!).

So in the coming episodes, we should be watching for Great's clocks to tick up to the 11:04 mark – that is likely the time horizon when Great is jolted back to the present, hopefully having learnt some lessons reviewing his past that will be key to solving his conundrums in the present and the future.

[firestorm09890]

FUCK what I said about the majority of significant changes to dialogue in Re:CoM being to adjust Axel's characterization, the most egregious change is actually this

(GBA CoM)

(Re:CoM)

if I had to guess, the reason for this change was because in GBA CoM, The Superior was a spooky, unknown being at the head of this Organization we had very little knowledge on, and for Vexen, the guy who runs his mouth constantly about how much better he is than the others, to be terrified of him, he must be some pretty scary dude. But then after kh2 we know him, it's Xemnas, he's very dramatic, he likes to talk to the moon, and the effect of your mind filling in the gaps about what "The Superior" must be like is gone. So it wasn't really necessary anymore, right?

(rest under cut because it's long)

Except... the way they changed it is so weird. In the GBA version, what's happening is pretty clear:

Marluxia tells Vexen that his project is a failure

Vexen demonstrates that he does not give a shit about Marluxia's opinion

he does care very much about The Superior's opinion, though, and Marluxia uses this to blackmail him into eliminating Sora- an action which is nonsensical, as the entire point of what they're doing needs Sora alive, making it clear to everyone in the room that he is deliberately sending Vexen to die

and then after that, when Vexen shows up to fight Sora, he goes "if you want to fight me for real you've gotta do it in the memories from the other side of your heart lol bye" and Sora goes "huh? other side?" and then it cuts to a scene on the top floor:

and then this gets more into subtext but here, Vexen has realized he's totally fucked and his only hope is to mess directly with Marluxia's plans (well, they were the Organization's plans, but it's pretty obvious by now Marluxia's abusing his power for his own purposes) by giving Sora more information than he should know. This does get the traitor gang worried enough to send Axel to go kill him (as opposed to just letting Sora take care of him, which was presumably the original plan)- he very specifically cuts Vexen off to keep him from saying too much (this is retained between the original and the remake)

Anyway, what happens in Re:CoM sort of follows the same order of events, but everything is changed slightly in a way that just makes things more confusing.

Marluxia tells Vexen his project is a failure and Vexen demonstrates that he doesn't give a shit about Marluxia's opinion, as before

Marluxia threatens Vexen with a weapon, rather than threatening to tell the Superior

this, notably, does not seem to faze Vexen very much. he continues to run his mouth while having the scythe pointed at him.

Xemnas is still leveraged- Marluxia points out it was the Superior who entrusted him with the castle

...even though reasonably Vexen would already be aware of this, and has still demonstrated that he has zero respect for Marluxia despite it

the lines about betraying the Organization being a capital crime are retained, probably because it's super relevant later, but then that line of thinking is abandoned in favor of Marluxia and Larxene just taunting Vexen instead

The part where Marluxia says "do it. you won't" could be seen as a sort of threat... if not for Axel's line: "You give a challenge like that to Vexen and he'll seriously want to eliminate Sora." It frames it all as though Vexen went to fight Sora out of some sort of pride.

And look, Vexen may have a temper and a superiority complex, but he's not stupid. They're obviously baiting him. Plus, what happened to him seeing himself as above the others and countering things he doesn't like with "well actually I'm higher ranked than you and also you're an idiot"? Is he that insecure in his fighting capabilities? I could deal with characterization changes doing him dirty if it didn't also make no sense in the context of the plot.

So now we have Vexen going to try to kill Sora, something that really makes no sense to do, out of pride. What was the purpose of sending Sora to Twilight Town? Also pride, over the fact that he managed to get that information? Giving the writing the benefit of the doubt, I could say that these nonsensical actions can be explained as evidence that Nobodies can have hearts and people with hearts do strange and rash things, but that just feels like a reach, which is bad because what they had in GBA CoM worked perfectly fine and made sense without any reaching for the "idk emotions make you do strange things" explanation.

It continues. After Vexen gives Sora the Twilight Town card in Re:CoM and Sora wonders about what the "other side" means, this is that version of the conversation the top floor members have:

...what? "If Sora disappears, that would mess up the Organization's plans"? what are you worried about? the only reason Sora would disappear is if Vexen killed him. there's no way they think Vexen being in Twilight Town would give him an advantage, right? they know he's a pathetic fighter. "Vexen has clearly committed a treasonous act against the Organization" HOW? HOW IS IT CLEAR? they don't express any worry about Sora learning too much, up until Axel says "I came to stop you from talking too much" when killing Vexen- and that being there makes it seem like they were worried about Sora learning to much, but if that's the case, why would they replace the perfectly serviceable lines in the above scene? it's just... baffling that they would want to lean into the narrative that Vexen going to kill Sora (which he'd been goaded into doing) is the problem here, because it just makes so little sense compared to what it was originally.

once again giving them the benefit of the doubt: Marluxia's real plan was to take over the Organization, and he saw an easy way to pick off one of the members, so he took it. the motive for stopping Vexen doesn't actually matter.

buuuuut it's the same as with Vexen earlier. Marluxia may be too self-absorbed and power-hungry to notice Axel is scheming against him, but he, too, is an intelligent man. he's plotted for a while, getting into Xemnas's good graces in order to be put in charge of the Castle. this is incredibly sloppy for him. I guess it could be said that getting so close to his goal would make him sloppy, but again, if they'd just left things the way they were in GBA CoM, I wouldn't even have to be saying this

in conclusion: GBA Chain of Memories' intra-Organization strife subplot is so tightly woven with calculated moves on all sides that Re:CoM changing certain things without taking into consideration the consequences makes certain parts of the plot fall flat and become far more confusing than in the original story

[synergysilhouette]

Making Netflix's ATLA an AU instead of a strict remake: some changes I'd make to Book 1

It's my personal opinion that since ATLA was great as-is, it didn't need a remake (even if it is underrated). But if Netflix was gonna make one anyway, I'd prefer they made it an AU and make significant changes without marketing this as "this is exactly like the show you enjoyed as kids/teens." (Note: Possibly controversial changes below)

Sexism against male waterbenders because of Kuruk--Due to what is viewed as a "failure" on Kuruk's part to properly manage his duties as avatar and his spiritual corruption, male waterbenders are believed to lack the necessarily gentleness and spirituality in order to bend properly, with combat or healing. Given how Harun was removed (at least from season 1), he could've been rewritten as a waterbender here, with Pakku as his uncle, who still holds onto tradition, even if it holds him back. Due to being male AND the Avatar, Aang isn't taught waterbending at the North Pole while Katarra is, and she teaches Aang in secret with Pakku's help, which inspires Harun to learn as well. Eventually when he's found out, he and Harun are banished from the tribe (because beliefs can't be changed in a day or two). The sexism also fuels Sokka's inferiority complex; while male waterbenders are seen as lacking control, Sokka's lack of bending at all is seen as a loss of water tribe culture in the south and since the north has much more waterbenders, his role as a non-bending warrior is kind of reduced.

More focus on the Water Tribe--The idea is supposed to be that waterbenders were wiped out, but I do like the idea that we still explore aspects of Water Tribe culture, as well as making the territory larger. Given the fact that most of book 1 takes place in different regions and the Netflix remake kinda condensed things, I do want more episodes to take place in WT territory. Kyoshi Island for example is an EK territory, but is also close to the Southern Air Temple and the Southern Water Tribe, so their culture could be shown as more mixed, maybe even with some hidden waterbenders there. Another (albeit controversial) idea could be introducing Bumi in book 2 before introducing Toph, given that Omashu and Gaoling aren't super far from Each other. We could also introduce Hama here to share more of the SWT culture and introduce the concept of bloodbending much earlier so it's a conflict for Katara throughout the whole series. Perhaps maybe even adapt "The Swamp" episode in this season, since I'm not entirely sure it'll be made in the next season.

Ozai's psychology is explored more--In both the OG show and the remake, he's presented as the pinnacle of evil at a first glance, but that's not completely true. Just like everyone else, he's complex, with his evil being brought about by his upbringing. He isn't trying to rule just because; he truly sees it as his divine right, which makes his persuasiveness that much more powerful. He isn't quite as aggressive as other fire nation antagonists and relies more on his manipulation and charisma. As such, he's good and making people fear him, love him, and second-guess themselves. The remake had Zhao and Azula take him for a joke, tbh, so that would need to be fixed. I'd also make him more acrobatic and agile like Azula rather than just a hard-hitter, and he essentially tells Zuko the half-truth of Ursa's banishment, making it seemed like she killed Azulon and was planning on killing Ozai and Iroh next so that she could have the throne. In reality, Azulon died of natural causes, but Ozai made it appear as though he was murdered in order to frame Ursa. When she confronted him, he banished her and told her to stay gone in order to stop influencing their children. In fact, keeping with her storyline in the comics, Ursa does change her appearance, and Zuko meets with her several times throughout the series (removing the amnesia stuff here).

Lu Ten is alive (for a while)--Something I'd enjoy seeing for a minute would be evil Iroh. Let's say Ozai managed to best him in an agni kai for the throne (inspiring Zuko to do this with Azula later on), and Iroh volunteers to go with Zuko on his journey with the hopes of turning him against his father. With time, he develops affection for his nephew and becomes a better father than Ozai was. He believes Lu Ten won't be a threat to Ozai since he now has the throne, but Ozai sends him to help with the Siege of Ba Sing Se, where he ultimately loses his life. This puts Iroh at the crossroads of destiny like Zuko, but he chooses to defend Team Avatar instead. During his imprisonment in the Fire Nation, Iroh tries to calm the turmoil in Zuko's heart, which confuses Zuko due to Iroh's previous speeches and proverbs about power and triumph over his enemies. And I'd also make a rather odd change: both Lu Ten and Iroh are skilled in chi blocking. I definitely feel like Iroh would be well-versed in the art and teach it to his son.

More emphasis on Avatar Roku and Sozin's friendship. Seeing how Roku is Aang's past life and his friendship with Sozin was part of what led to the Hundred Year War, it should definitely take more precedence outside of book 3.

Iroh is Aang's first firebending teacher--This is super weird, I know, but if we're not gonna have Jeong Jeong, I like the idea that while evil (at first), Iroh is still super wise, and does give Aang a few tips on firebending, which he tries on his own, but lacking guidance he burns Katara (or Sokka; it'd feed into his insecurities as a non-bender if he gets hurt and Katara heals him).

Sokka/Zuko and Katara/Azula rivalry--I remember a video once explaining how Sokka and Katara are parallels of Zuko and Azula, given that their mom was gone at an early age and their father influenced them greatly. The big brother wants his father's love and is insecure, while the little sister seems more powerful and has issues regarding her mom. The big difference is that Ozai was a manipulative father while Hakoda was compassionate. In my revision, Zuko wouldn't take Sokka seriously at first since he's a non-bender, highlighting Sokka's concern of being useless, and his growth would make Zuko feel more insecure in turn. Eventually when Zuko joins the team, they often work together. Azula is rational and a prodigy while Katara is emotional and still learning, but Katara gains confidence while Azula loses it. Just like Zuko, Katara sees it as her mission to stop Azula and sees the pain she goes through. I would also gives Azula a bit more frustrated moments to highlight her youth; a lot of people say she's beyond redemption despite only being 14 and the victim of growing up in an emotionally abusive environment.

[natlacentral]

'I've got to pinch myself': Paul Sun-Hyung Lee on playing Iroh in 'Avatar: The Last Airbender'

Presumably the people outside a local car dealership a couple of years ago who heard Paul Sun-Hyung Lee let out a “huge whoop” during a phone call with his agent didn't fully grasp the significance of that celebratory sound.

The Toronto actor beloved as the internet’s “Appa” thanks to “Kim’s Convenience” and a popular part of the “Star Wars” universe, too, was about to become the internet’s favourite uncle.

Lee had landed the role of Uncle Iroh in “Avatar: the Last Airbender,” Netflix’s much anticipated live-action reimagining of a well loved animated series (not to be confused with James Cameron’s “Avatar” films).

“Honestly, I have moments where I think I’ve got to pinch myself because, even as a youngster, I never would have believed that I could be a part of these things, because I never saw anybody who looked like me reflected in any of these shows,” the Korean Canadian actor said, reflecting on his roles in “Airbender” and the “Star Wars” spinoffs “The Mandalorian” and “Ahsoka,” in which he plays the popular Captain Carson Teva.

As Iroh in “Airbender,” Lee has stepped into the robes of another fan favourite character.

First, a bit of a primer: “Avatar: The Last Airbender,” which debuts Thursday, is about a 12-year-old boy, the “Avatar” of the title, on a quest to save the world from the rapacious Fire Nation, which has gone to war with the Earth, Water and Air peoples. Despite his youth, Avatar Aang (played by Vancouver actor Gordon Cormier) is a powerful “bender,” honing his ability to manipulate air, water, earth and fire.

Aang and his friends — Katara, a water bender (played by Indigenous Canadian Kiawentiio), and her brother, Sokka (American actor Ian Ousley) — are being hunted by fire bender Prince Zuko (American Dallas Liu), who’s accompanied by his wise and compassionate Uncle Iroh, himself a fire bender and a former Fire Nation general.

If that all sounds kind of geeky, well, that’s right up Lee’s alley.

The 51-year-old has well-established nerd bona fides as a fan of “Star Wars” and other science fiction (he shares his love of the genre on his Bitterasiandude Inc. YouTube channel). He caught up with the original “Avatar: The Last Airbender” (which aired on Nickelodeon from 2005 to 2008, then moved to Netflix) while he was still working on the CBC comedy “Kim’s Convenience” (2016-21), in which he played a South Korean immigrant who runs a convenience store in Toronto. 

In 2018, as new fans were discovering “Kim’s” worldwide after the series moved to Netflix, the streaming giant announced its remake of “Airbender,” setting in motion Lee's ascent into another dream role. 

“Almost immediately I got fan casted (as Iroh) by all these people on the internet,” Lee said in a Zoom interview. “I was very, very flattered, but I was doing ‘Kim’s.’”

A few years later, though, “Kim’s” had ended and Lee got an audition for what was billed as a basketball movie called “Blue Dawn,” as a coach who had come out of retirement to guide his nephew.

Although he’s “more of a baseball, hockey guy,” Lee taped the audition and then forgot about it, until a callback a couple of months later. Except now, the retired basketball coach Howard was named Iroh.

“There’s only one Iroh that I know of,” said Lee. “And so I remember thinking, ‘Oh my God, this is for “Avatar”’ … right away I got super nervous. The stakes went up and I really wanted this part.”

But, after doing a chemistry read with Liu and not hearing anything for a couple of weeks, Lee assumed he had missed out on the role, which is part of the lot of an actor … until his agent called just as Lee and his wife were about to sign a lease on a new vehicle.

“So I excused myself, leaving the salesman completely befuddled. I went outside and that’s when I learned that I landed the role. And immediately let out this huge whoop. I had forgotten that I was in a public area and there were lots of people outside, and they all suddenly looked at me and I said, ‘It’s OK. It’s good news. It’s great news.’”

There was one more hurdle to overcome, though. 

“Airbender,” which shoots in Vancouver, overlapped Lee’s schedule for “The Mandalorian,” which films in Los Angeles. And playing Iroh meant shaving off the middle part of the moustache that Lee sports as Captain Teva.

“Luckily I was able to have my cake and eat it at the same time,” said Lee. “Lucasfilm was like, ‘Oh, we’ll just build him a little fake moustache to put on while he’s shooting (“The Mandalorian”).’”

Lee isn’t certain how familiar the producers of “Airbender” were with his work on “Kim’s Convenience” — it's an established fact that “Mandalorian” producer and director Dave Filoni was a “Kim’s” fan before he cast Lee — but he considers his latest job to be another of the many blessings accruing from the CBC series.

“‘Kim’s Convenience’ was such a wonderful launching pad for my career,” Lee said. “I mean, that show was kind of my coming out party in terms of the film and TV world.”

Lee, who was born in South Korea but immigrated to Canada with his parents when still an infant, struggled to find good film and TV roles as a young actor in the 1990s and early aughts. 

After graduating from drama school at the University of Toronto, he did a lot of theatre work, but onscreen “I played a lot of doctors, a lot of store clerks, a lot of window dressing-type caricatures, not characters.”

And yet, he persisted. 

Despite not seeing himself reflected in the television he devoured as a kid and from which he developed his love of storytelling, “I thought, well, heck, if there’s nobody (else Asian) out there, maybe there’s a shot for me to get in … that was kind of foolish thinking because maybe you’re the only one because a lot of people have tried and haven’t been able to get through. But I was just too stupid and too stubborn to quit, so just kept at it.”

Now Lee hopes to provide inspiration for the young Asian actors coming up behind him.

On the set of “Airbender,” which has many Asian actors in its cast, Lee became particularly close with Liu, the 22-year-old Chinese-Indonesian-American actor playing his beloved nephew. Just as Iroh is protective of Zuko, for whom he becomes a surrogate father, Lee said he wanted to nurture Liu.

“Every chance that I got to just sort of give him little pearls of wisdom based on my experiences … I couldn’t help but want to see him succeed,” Lee said. “This kid is a superstar,” he added.

Now that Lee himself is part of two much-loved pop culture franchises, “my cup runneth over,” but he still has entries on his acting bucket list.

“Not to sound greedy, but I’d love to do ‘Star Trek’ because that's filming right in our backyard. I’d love to do a ‘Ghostbusters.’ All those geeky playgrounds I never got a chance to play in. I want to be in a rom-com. I want to be in a Western, the genres that I grew up watching …

“But I’ll take it as it comes and I’m grateful for what I have. And if this is the only thing I ever do again I will be thankful for it because a lot of people don’t get these opportunities.”

[androgynealienfemme]

"The main justification for invalidating butch-femme is that its an imitation of heterosexual roles and, therefore, not a genuine lesbian model. One is tempted to react by saying "So what?" but the charge encompasses more than betrayal of an assumed fixed and "true" lesbian culture. Implicit in the accusation is the denial of cultural agency to lesbians, of the ability to shape and reshape symbols into new meanings of identification. Plagiarism, as the adage goes, is basic to all culture.

In the real of cultural identity, that some of the markers of a minority culture's boundaries originate in an oppressing culture is neither unusual nor particularly significant. For instance, in the United States certain kind of bead- and ribbon work are immediately recogniziable as specific to Native American cultures, wherein they serve artistic and ceremonial functions. Yet beads, trinkets, ribbons, and even certain "indian" blanket patterns were brought by Europeans, who traded them as cheap goods for land. No one argues that Indians out to give up beadwork or blanket weaving, thus ridding themselves of the oppressors symbols, because those things took on a radically different cultural meaning in the hands of Native Americans. Or consider Yiddish, one of the jewish languages. Although Yiddish is written in Hebrew characters and has its own idioms and nuances, its vocabulary is predominantly German. Those who speak German can understand Yiddish. Genocidal Germanic anti-Semitism dates back to at least the eleventh century. Yet East European Jews spoke "the oppressors language," developing in it a distinctive literary and theatrical tradition. Why is it so inconceivable that lesbians could take elements of heterosexual sex roles and remake them?

*

It is June 1987, and I am sitting in a workshop on "Lesbians and Gender Roles" at the annual National Women's Studies Conference. It is one of surprisingly few workshops on lesbian issues, particularly since, at a plenary session two mornings later, two thirds of the conference attendees will stand up as lesbians. Meanwhile, in this workshop the first speaker is spending half an hour on what she calls "Feminism 101," a description of heterosexual sex roles. Her point in doing this, she says, is to remind us of the origin of roles, "which are called butch and femme when lesbians engage in them." She tells us the purpose of her talk will be to prove, from her own experience, that "these roles are not fulfilling" for lesbians. She tells us that the second speaker will use lesbian novels from the 1950s to demonstrate the same thesis. And, indeed, the second speaker has a small stack of 1950s "pulp paperbacks" with her, many of them the titles that, when I discovered them in the mind-1970s, resonated for me in a way that the feminist books published by Daughters and Diana Press did not.

I consider for several minutes. I'm well versed in lesbian literature, particularly in the fifties novels, and don't doubt my ability to adequately argue an opposing view with the second presenter. I am curious to see if she will use the publisher-imposed "unhappy ending" to prove that roles make for misery. I also decide I'm willing to offer my own experience to challenge the first presenters conclusions- though I'd much rather sit with her over coffee and talk. She is in her midforties and, although she claims to have renounced it, still looks butch. Even if she speaks of roles negatively, she has been there and I want to hear her story. Then I look around me. Everyone is under thirty. There are a few vaguely butch-looking women present who'd very likely consider themselves to be as androgynous as everyone else, and not a single, even remotely femme-looking women besides myself. I recall Alice Walker's advice to "never be the only one in the room." Quietly, I get up and walk out. I go to no other lesbian presentations at the conference."

“Recollecting History, Renaming Lives: Femme Stigma and the feminist seventies and eighties" by Lyndall MacCowan, The Persistent Desire, (edited by Joan Nestle) (1992)

[whattraintracks]

Hi it's me again 🤗

I noticed that you're the only (afaik) blog posting about HPI and its US remake High Potential, so I was very curious to hear your thoughts on comparing both versions? Have you noticed impactful differences (could be either plot, characterization, dynamics...) or is the second one a copycat of the first? Is there one more enjoyable to watch than the other? Also is the US version good? I'm considering watching it, mostly because I miss HPI's early seasons' spirit SO BAD, but also to me Daniel Sunjata = Paul Briggs, which would make an, um... interesting Karadec young!era but wait that's not the point! 😂

Anyway, thoughts? 👀👀

Hello!!

Not me aggressively hunting down HPI and High Potential posts to feed my new obsession 🤣

Yessssss, I would love to share my thoughts on this, let's go!

Let me first say, I only recently watched both of these shows. I first saw the pilot and second episode of High Potential, then I binged S1-3 of HPI, and I've now rewatched High Potential and am keeping up with the new episodes.

Obviously, the setting is one of the most significant differences, but as far as I understand, Major Crimes is a fair equivalent to the DIPJ. It's nice to watch a US crime procedural not set in New York lol. I'll be interested to see how High Potential plays with the geographical aspects of some of the HPI cases.

The pilots are almost exact copies, with one significant difference. The second episode is an entirely different case! Then, the third episode is a remake of HPI 1.02. It sounds like High Potential S1 will have somewhere around 13 episodes, so I'm hopeful it'll continue this back-and-forth of new and copied cases.

I'm thrilled that they've already used this extra episode to expand the plot and characters, and I hope that continues. Minor points that were glossed over in HPI, like Morgane getting her car back, are given a little more time, and we're getting to see more of the footwork done to investigate Roman's disappearance. High Potential is also taking more time to explore Morgan's dynamic with her family, and I love the little ways Roman's absence haunts her.

HPI does a decent job of not presenting the rest of the team as stupid to emphasise Morgane's intelligence, and High Potential is leaning into that. There are some great scenes of Daphne, Oz (Gilles), and Karadec picking up on tiny details, especially ones Morgan misses! Morgan is undoubtedly an asset to the team, but these are seasoned career detectives who're never more than a couple of steps behind her.

I do have a few complaints about the characterisations. First, the show seems to have already lost track of Karadec's cleanliness/hand sanitiser compulsion. Second, Olson's Morgan is not quite as silly goofy as Fleurot's Morgane. I miss my over-the-top ridiculous, no-respect-for-social-conventions lady. Third, Sunjata's portrayal of Karadec comes across as much bolder and—idk how to say it—larger than Nebbou's. He takes up more space, and I miss my dorky, unassuming guy. These are pretty nitpicky, though. Naturally, all of the US actors play their characters a little differently than the original actors. I don't hate it, but I'm still deciding which interpretations I do or don't love. Even so, I'm very much enjoying Morgan's dynamic with Karadec and the other detectives/cops.

I miss the spirit of the early seasons, too 😭 So far, I think it's balancing copycat and reinvention/expansion very well. I'm excited for the rest of it!

At the end of the day, this is a genre I love, and I enjoy watching adaptations simply for the fun of comparing and contrasting them with the original media. But even before I watched HPI, I got drawn into High Potential, so I do recommend checking it out.

Thanks for sticking around for this whole thing! Of course, all of this is based on my reading of HPI and High Potential. If you get around to watching the remake, I'd love to hear your thoughts!

[burst-of-iridescent]

atla live action thoughts: episode 6

SPOILERS AHEAD

tw: opinions

things i liked:

love the moment where roku tells aang friends can be a liability and you can see in his face that he's thinking of sozin

koh lore is interesting. funnily enough i've also written koh being the son of the mother of faces in a fic before so i see netflix has been hitting up ao3

(for legal reasons, that was a joke)

i like zhao forcing zuko to turn aang over more than him capturing aang with the yuyan archers himself like in the original. this 100% feels like something animated zhao would do and it really drives home how much of a disadvantage zuko's at. this is the dynamic i wanted to see between the two of them

lmao @ zhao wanting to get every detail of his capture of the avatar in writing, and aang blowing air at him to send him falling over himself. they pulled that right from the original and it's great

BLUE SPIRIT TIME BABY

this fight (well the parts of it that i can see) is SO GOOD. pretty sure it's almost a shot for shot remake of the original and zuko and aang are working together seamlessly

oh i fucking LOVE that zuko and aang are trapped together and get to talk. zuko smiling despite himself... aang trying so earnestly to get through to him... the way zuko actually seems to be listening to him before he hears the word compassion... chef's kiss this was an INSPIRED change

"do you think we could've been friends too?"

the transitions from younger, happier zuko to older, traumatized zuko are fucking painful. the one where he looks into the mirror to see his unscarred, smiling self for just a moment before it flashes to his present reality... next time just shoot me netflix

"he will recover" "but he will never heal"

young zuko lying in bed sobbing as he's banished by his own father what if i killed myself

HIS CREW BEING THE 41st DIVISION HE LOST EVERYTHING TO PROTECT whichever writer suggested that needs a raise posthaste

"our prince" who is cutting all of these fucking onions

things i disliked/am conflicted about:

this is where the show suffers as an adaptation, because if the animation didn't exist, the agni kai would've been fine. zuko trying to dodge, having the chance to hurt ozai yet actively choosing not to out of love, being beaten up, pinned down and brutally burned as he whimpers in fear - all of that works on its own. it conveys zuko's compassion and ozai's brutality just fine, but not to the level that the cartoon does. the scene is brutal in both versions but animated zuko not even trying to fight, sobbing and begging on his knees, and being maimed anyway just hits harder than the netflix version

not sure if i saw it right but it seemed as though there were tears in ozai and azula's eyes??? i can maybe see it for this version of azula but in no world would ozai be crying over burning zuko. it feels like they're trying to make this version of ozai more complex but he was FINE as a classic villain

that being said, i do like ozai holding zuko's hand to his heart as he burns him. the symbolism of zuko trying to reach for his father's love while ozai permanently brands his cruelty on his son... ate

i don't even like roku in the animation all that much but his presence has been weirdly reduced in the show, even though he's the avatar aang is closest to. aang having to take on the burden of redeeming roku's failure is a significant part of their dynamic and i want more of that

hollywood i'm begging you to shoot night scenes that people can see because parts of the blue spirit and aang fight sequence were so dark i looked like the squinting lady meme

i really wish we'd still gotten the moment in the storm where zuko saved the helmsman. i know they kinda replaced it with the crew realizing they were only alive because of zuko's sacrifice, but they could've done both to show how much zuko still cares, even if he can't show it

how are we 3/4th of the way into the season and aang is STILL ONLY BENDING AIR

overall rating: 9/10. definitely the best of the series so far and i love how they expanded on zuko's backstory and his relationship to aang

[heinousactszx]

the oracle games are kind of incredible in retrospect. 2 fully fledged zelda games releasing on the exact same day, and despite many people's belief (myself included) that it was a pokemon type deal with minor differences, the truth is that they're two similar but entirely distinct adventures. they honestly feel ahead of their time in some ways, especially with the concept of a linked game. it's an idea that exists in more modern systems, but for the game boy to pull off that level of inter-connectivity is pretty incredible, even if it's also a bit overwhelming. if i was a kid i'm sure i would have dug into every last secret the game has to offer, and it has many for sure.

the stories are fairly good, for what they are, you're rescuing the damsel as always, which is definitely tired, but the towns and other locations you visit have a lot of charm to them, and the trade side quests encourage you to visit everywhere you can. the story of a linked game is also cool because of twinrova's shenanigans, and i love that the resurrection is botched for ganon, but also that twinrova was clearly doing it for love of their son and not for power, because they would not have sacrificed themselves otherwise. it's cool that they borrowed so much from ocarina to recreate in 8-bit

the differences between the two games are pretty significant when you actually play them, even though they share the same graphics, many items, movement, enemies, etc. the puzzles in ages really force you to think out of the box. my ages playtime is almost 5 hours longer than seasons because of the puzzles. meanwhile seasons is more straightforward in that it lets you have moe free reign over the world while giving you some more involved fights instead. that said, seasons has plenty of great puzzles, and ages has fun battles and a good amount to discover. both games are equally good, although if i have to pick, i think i'd go with seasons (sorry solarsyrup!). it's just because of the seasons gimmick and because i love the magnetic gloves so much. those things need to be in every single zelda game. fours swords doesn't count

that said, the games aren't without faults. the combat can really frustrated you, both because link has almost no invincibility and because movement can be too sensitive at times. a few of the bosses (onox especially) can feel straight up unfair, as do some of the puzzles where one screwup can cost you a significant amount of time in backtracking. playing without savestates seems like it'd be much more of a chore. the games do feel held back by being on the game boy, both because of the screen size and because there's just not enough buttons for some of the complexity the game wants you to do. if grezzo were to remake these games in the link's awakening remake engine like it's been rumored, i think it would be very welcome

still, it's all minor complaints at the end of the day. it's hard to call any zelda game "slept on", but the oracle games do feel somewhat overlooked in the grand scheme of the series. both of them are absolutely worth your time

up next, none other than my favorite, the one and only, the best zelda game ever made. a link between worlds

(after a break, because i've played so much 2d zelda in the past two weeks)

[starryalpacasstuff]

A Gay Korean Musical? My youtube fyp knows me so well

Today, my youtube fyp popped up with something interesting

A gay korean musical? Naturally, I had to know more.

I did some digging (most of which was simply letting the youtube algorithm do it's thing—it's usually annoying but rather useful for these purposes) and it's called Bare the Musical, and it actually appears to be a remake of an American musical of the same name (although there's apparently two version, Bare: a pop opera and Bare the musical. I do not know what the difference is, but tumblr is telling me it is significant).

Though there's no subtitles for the performances, I could gather that the story seems to be about two boys in high school who are secretly dating, one of whom is popular while the other is a loner, the latter feeling pushed away and insecure at times. It also seemed to me that religion plays a role in the whole story. And according to the internet, it seems I'm mostly right. Article about it is here and the original american musical does have a fandom on tumblr, which I surfed briefly.

However. HOWEVER. The play ends sadly, with one of the main leads dying. The bury your gays trope continues to haunt us. I honestly cannot concisely explain my disappointment when I found out, although I wasn't particularly surprised. So there's that. I don't know the plot of the musical so I'm not able to judge whether the ending was appropriate, but it was a bit of a let down regardless.

Something interesting is that the musical premiered back in 2015 (I think?), and it seems to be still going, like there's clips of it from a couple of months ago, having changed casts multiple times, which is pretty standard for musicals from what I know. While I don't know much about musical lifespans and stuff, this does imply that the play has enough traction in Korea for it to be revived multiple times over, which is intriguing, I suppose.

Anyways, I don't know much about anything surrounding this topic at all, but I thought I'd share, and if you have any insights, please do add on! More clips below (they're all fairly wholesome, I didn't find any of the darker ones and I'm not particularly inclined to go looking). They are rather delightful, so I do recommend checking a few out.

Practice clip from the official channel of the company

Performance clip of the song in the practice

Another song

One more for fun! It's the longest one I found

[dr-spencer-reids-queen]

Cold Comfort: Part Two

Pairing: Spencer Reid x Female!Reader

Word Count: ~2.2k

Summary: You meet another psychic on a case that doesn’t want to work with you, and everyone’s faith is tested on exactly what you can do.

Warnings: canon violence, canon language, canon talk of death, methods of kill

Author’s Note: I do not own anything from Criminal Minds. All credit goes to their respective owners. If there are any warnings that exceed the normal death/kills from the show, I will list them. If you’ve seen the show, then it’s the same level of angst unless otherwise stated

x

The three victims found are Annette Hagen, the first, Erin Bonham, the second, and Melissa Claire, the recent one. The only one who is still out there is Brooke, but you know she is still alive. All three victims were embalmed, but they all died of blood loss.

That means they were alive when they were embalmed.

Tox screens show significant levels of Barbiturate which is a heavy sedative to the point where someone can become unconscious. All three women were found with the same haircut even though they were taken with much longer hair, which means the unsub cut it. Another thing the unsub has done to them was pierce their ear so that they all have double piercings.

None of them were sexually abused since there has been no tearing or bruising, but the ME did find trace amounts of semen.

The unsub had sex with their bodies after they died.

You don't want to pressure Sandra into making a decision on who she wants to work on the case, so you head back to the station where you're needed.

"Hotch," you say and he excuses himself from talking to someone, "I just talked to Stanely and he refuses to work with me."

"Don't bring him in, Aaron," Rossi backs you up. "Y/N is here. She's proven she can take care of things."

"We won't bring him in," Hotch shrugs.

"I just spoke to the families," JJ walks into the room. "None of the victims had double-pierced ears at the time of their abduction."

"He's changing them."

"Into what?" Derek asks.

"Not what," you say, "it's who. The burial suggests an affection for his victims, which says he might be remaking them into the image of a loved one."

"The ME found high traces of Barbiturate, right?" JJ asks.

"Yeah, why?"

"It's something the psychic said. Brooke felt tired and heavy."

"Why are we talking about the psychic? It's a scam. These guys talk without saying anything and you fall for it."

"Is it so wrong to want to believe?" JJ argues.

"JJ, you know the profile. A necrophiliac has no use for a live victim."

"Can I talk to you?" you ask Rossi. You pull Rossi off to the side away from everyone else. "If there is a small part of you that believes what I can do, doesn't that mean you should believe in what other people can do? Not all psychics are frauds."

"You've proven to me you know what you're doing."

"I understand that, but you're limiting yourself by not giving people the benefit of the doubt. You did it with me."

"You kind of forced it on me."

"Yeah, I did," you chuckle, "but that doesn't mean it's not true."

"What did you read about him?"

"Stanley is mostly right with his ability. There are things that are so obvious that he can pick up, but he's not as strong as me. I read between the lines, he sees what's right in front of him. He puts the puzzle together and guesses, and because of that, he was named a fraud. He thought he could get away with it."

"That's exactly what I wanted to hear."

"I'm just theorizing. I make mistakes too, Rossi."

Rossi is already walking away and calling Penelope. He won't listen to reason, but you have more important things to do like give the profile. Detective Ron Fullwood gathers his men and women to hear what your team has to say.

"By now we know the DNA found on the victims did not match anyone in the system, so we're gonna have to look beyond physical evidence to identify the killer," Hotch begins. "Our unsub is a white male in his mid to late twenties with a lot of money. He lives alone in a large residence. There's enough space and ventilation to accommodate an embalming suite. He's awkward with people, especially with women. An inability to relate socially is common in homicidal necrophiles."

"Because of the alterations to the bodies, we believe the unsub is attempting to recreate a woman he once loved. Like a girlfriend, wife, or mother. Someone who left or died suddenly."

"This projection of the loved one coupled with his need to preserve the victims through embalming is similar to the psychopathology of serial murderer Ed Gein," Spencer explains. "Gein had an oedipal complex which developed in the years he nursed his paralyzed mother back from a stroke. After she died, his obsession compelled him to dig up the corpses of women who resembled his mother. He was so persistent to resurrect his dead mother, he actually dressed in female suits fashioned from human skin. Eventually, Gein grew unhappy with the flesh of dead bodies, which had a tendency to dry and crack. So, he shifted his focus to live victims whose bodies he could better preserve."

"The evolution from dead to live victims will also be mirrored in our unsub's maturation. We've put together a list of incident reports prior to 2006. You're gonna want to follow up on these. They are inappropriate postmortem conduct, cadaver theft, and graveyard disturbances," Emily says.

"Sixty percent of necrophiles work in the death business, so be sure to canvass local cemeteries, mortuaries, and morgues. Since we have the killer's DNA, we're gonna be sending you out with kits to swab potential suspects."

"The odds of finding Brooke Lombardini alive are slim, but the quicker we identify the killer, the better her chances are. For her sake, let's work fast."

Everyone broke into teams of two to go around the area and talk to different suspects, different MEs, and anyone else who might have information on the case. You're paired with Hotch and you walk into the third ME office that afternoon. You didn't get anything with the other MEs but hopefully, this one has information. When you explained the situation to her, about someone defiling corpses, she wasn't that surprised.

"I won't lie. It happens in the industry, and we put a stop to it when it does."

"You don't report it to the police?"

"We like to keep that kind of thing quiet."

"A killer is dressing up his dead victims and violating them. Maybe quiet isn't the best way to go," you say.

"He dresses them up?"

"Does that mean something to you?"

"We hired an apprentice a while back. He's an odd guy even for this business. I didn't like the attention he paid the female cadavers. I came to find out he liked to do their makeup and put a wig on them and such."

"Can you describe the wig to me?"

"I can do you one better. I have the wig he used on the females." The ME brings you over to the box they have with the wig. "We cleaned out his locker after his termination. He never came back for it. Imagine that."

"I need this man's name."

Ivan Bakunas lives close to where he used to work, so you and Hotch head over there immediately. Detective Fullwood wants to come along to catch this guy since he promised Sandra that he'd find her daughter alive. If this man truly killed the three victims, then you will be able to feel them on him. This either could go very well or not well at all. You knock on the door and Ivan answers. He keeps the door cracked open slightly as if he's nervous or scared for someone to see what's inside his house.

Just from one look at him, you know he didn't kill those women. You've seen the bodies, and his energy doesn't match up to the energy left on them.

"Ivan Bakunas?"

"Yes. Can I help you?" he stutters.

"You could invite us inside. It's a little cold out here."

"I can't. Mother's sleeping."

"We're investigating a series of murders in the area. We believe the killer works in your field."

"You're kidding. Do I know him?"

"You might. His victims are just your type with blond hair and blue skin," Hotch accuses.

"You're suggesting I'm some kind of murderer? You are way out of line."

"So, you wouldn't object to giving us a sample of your DNA?"

"No."

"We can get a warrant."

"I think I've said all I'm gonna say."

He shuts the door in your face since he refuses to talk to you further.

"He didn't do it, Hotch. He's an icky person, yes, but he's not our killer. His energy doesn't match up to the ones I found on the bodies."

"Are you a psychic?" Ron asks.

"Yes, a better one than Stanley is." You look at Hotch. "It'll hurt a little bit if you don't believe me at this point in our relationship."

Hotch believes you one hundred percent, but he still has Penelope look into him. If he's a killer for other women you haven't found, then you can kill two birds with one stone. By the time you get to the police station, Penelope has some dirt on Ivan.

"Did you find anything on Ivan?" Emily asks.

"Nothing in juvie, but he was expelled from Evergreen State for sexually assaulting his girlfriend. He was slipping her tranquilizers and having sex with her while she slept."

"That qualifies."

"Between that and the wig, we should be able to persuade a judge," Ron says.

"Listen, Ivan is icky, and he's done stuff he should definitely be arrested for, but he didn't kill these women."

"How do you know?"

"You won't understand."

You look at Hotch for backup, and this time, he stands up for you.

"Detective, Y/N has been with us for years. She's helped catch killers and save victims plenty of times by using her abilities. I'm not gonna stand in your way if you want to serve a warrant on Bakunas, but I think you're wasting your time."

"You're kidding, right?"

"Alongside Y/N, we profiled a man of means. According to his tax records, Bakunas hasn't held down a job since he graduated college. He lives with his mother and doesn't have a car. The embalming equipment and the drugs aren't cheap."

"Look, this guy likes to get it on with dead people. If that's not probable cause, I don't know what is."

"Hotch," JJ interrupts, "a 911 operator just got a distress call from someone claiming to be Brooke."

You follow JJ into a conference room where she has a recording of the 911 call Penelope sent in. Brooke's mom is also in the room so she can identify her daughter's voice.

"911, what's your emergency?"

"Hello?" Brooke whispers.

"Can you speak up, ma'am?"

"No. He'll hear me. This is Brooke Lombardini. Please, I need help."

"Where are you calling from, ma'am?"

"I'm being held prisoner."

"Okay, ma'am. Can you look outside? Can you see a street name or an address?"

"Please... I think he's gonna kill me. Please help me."

The call ends there like Brooke hung up abruptly since the unsub came to check on her.

"That's her. That's Brooke," Sandra says.

"You're certain? She's barely audible. Any surveillance expert will tell you it's almost impossible to positively identify a whisper."

"You think I don't know my own daughter's voice?"

"Why would someone who was not Brooke call 911 and say they were?" Ron asks.

"Sometimes people get off injecting themselves into the story. You've been on TV now and that could bring out a lot of sick individuals."

"Stanley said she was alive. This proves it."

"Ma'am, Stanley isn't reliable. He has a vested interest in telling you that your daughter is alive," you say.

"Do you have a vested interest in telling me that she's not?"

"He has a record, ma'am," Rossi says. "I had a colleague look into it. Usher was charged with fraud in Oregon before he moved here."

"I need my baby to be alive."

"Listen to me, Sandra," you interject. "I'm not Stanley, but I am more than happy to help you out. I don't have a record, I am not a fraud, and I am the real deal. I want to help you find your daughter just as much as you want her to be alive. Let me give you hope."

She looks around the room at everyone before moving closer to you.

"You better find her alive. I'm placing my faith in you now."

She leaves the room and everyone inside is speechless. They all stare at you as if you promised to move mountains.

"I'll find her alive," you promise.

"The only reason I have so much faith in you is because you've proven yourself that this is real," Hotch says. "You can do things others think are impossible. What is your true and honest opinion about Brooke?"

"I believe she's alive. Her mother is her anchor, and I can feel her through Sandra. I feel her alive."

"Alright," Emily gets back on track, "the 911 call came from a disposable cell. There's no ID but they traced it to the nearest tower. That narrows it down to a twenty-mile radius just southeast of Seattle."

"That's a densely populated area. Were they able to triangulate?"

"Garcia tried to ping the phone, but it was already dead. The unsub probably turned it off when he found her with it."

"What do we think?" Hotch asks. "Why is the unsub keeping Brooke alive? How long do we think she has until he kills her?"

"Maybe he needs them alive to effect their transformation."

"I don't think so. The change in the hair, makeup, and pierced ears would only take a few hours. He's had her for almost five days."

"Maybe it's about something more than just appearance. Maybe it's something deeper. On the phone, she made it sound like she was being locked up, and she sounded drugged. These are control mechanisms used in cases of sexual slavery and mind control. It's brainwashing."

"So, he's trying to break her down and make her surrender her identity. That's what he's waiting for. That's the version of them he wants to hold onto. The longer she holds out, the longer she stays alive, and as soon as she accepts her new role, her fate is sealed."

x

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[expirisims]

Old Builds!!!

I decided to plop all the old builds I found down in Adventureland so I could make a list of changes I'm planning to make and which lots I will scrap from the project. Needless to say, there will be roof work, LOL! I had forgotten how much work I'd put into a lot of these! And how large all of the houses I used to make were! Even though there will be some terrain finagling to do once I place them in my custom world it is still going to be a LOT quicker process! All I'm missing from my original builds is a super awesome aquarium I'm still pretty bummed to be missing and an okay poolside beach bar.

This is the resort lot I built it is situated on a lake that will actually extend beyond the lot and become a significant element in the nature reserve area of the world. Inspired by a couple of real world resorts here in the US. The pool area is Art Deco style and always makes me think of "The Shining" for some reason, LOL!

The Copa Club, an exclusive lounge with functioning restaurant and performance area! Yes, those ARE palm trees inside the building. Yes, that IS a glass tiled area of the floor. And yes, those ARE shark spawners inside the tank in the middle of the bars :)

More pictures from around the club, as you can see I never put stools at the bubble blower...facepalm.

The main transit station with buried subway rabbit hole, java hut and laundromat. In the old world I had about a million subway objects littered all over the place. It was a total mess, I also thought I needed multiple of every rabbit hole to make it seem like an actual city. No wonder it broke before I could finish it! I've learned a LOT over the years! I was originally going to take the laundromat out of this lot, but I think I'll just leave it and not have a separate designated lot. It'll save me some space and a lot for possibly another house if I feel the need for it. I've gotten to be more about function and streamlining world layout/size over the years than I used to be.

Random screenshots from a couple of the old houses. They seem so huge to me now!

The crowning glory! This house is by far the most elaborate and there was a backstory which I think I will include in Pickerling Cove. Seems only right as I'm using all the old builds from my unfinished world. Ugh! I'd forgotten that this house was 1 tile off on one side! OMG it was such a pain to create, I dread fixing it, but it will drive me crazy! Anyway, I'll definitely have to offset terrain when I place it in Pickerling and hey, I don't have to remake it totally from scratch, so I should stop complaining!

[runefactorynonsense]

what changes would you like to see in a rf1 remake?

rf2?

Hello, hello!��

I want to preface a question like this with how I view video game mechanics and criticism; I don't like talking about things I dislike. I don't like comparing things that aren't as good. I dislike being negative. So as I answer, I answer with musing thoughts and hope! These are positive remarks about things that could be so helpful!

This is a hard question because of just how old those games are. RF3 got off easy as it already had a significant number of "quality of life" changes that had carried into 4.... Though 2 does have the advantage of already having the request system and the start of interactions between villagers. As much as I love it, 1 is lacking and archaic. It still has a world, plot, tone and art syle charm that I adore, but. I have to be honest. Both games will basically need to be entirely redone, but I think if they do 2, they HAVE to do 1- 1 will have so many tie-ins to 4 that people will be curious. Or, so I hope.

Aside from things like the modern stacking, inventory organizing, etc;

2 -- More villagers referencing/interacting with one another, more emphasis on the rival relationships, more consequences from the earthquakes, and I hope they would leave the temple as difficult as it was.

Don't shorten it's time or change the rarity of items to get in there. Don't remove the 2 gen system. I would also love to see a scene where Kyle confronts Fiersome and maybe a battle the player is scripted to lose before the generation switch! Why do we only get to talk to Venti and Aquaticus? (I don't mind not knowing who Kyle is, despite being told he got his memories back, as I have loudly said my personal headcanons, but. That'd be a cool tidbit and I love lore!)

1 -- A request system, my gosh. I could see it playing into the LP of characters like Melody, Tabatha and Felicity, along with being something else to do in a day. As always, addition of villager interactions, who actually knows who?? We never see anyone together. More of a hint that Kardia is supposed to be this important trade crossroads? Some lore hints at this, while the game makes Kardia feel like a lost, isolated little place, a paradigm I struggle to get out of my head at times.

They should NOT shorten the game, keep its number of dungeons, keep Misty Bloom unable to be gotten to until the 1st winter. (Maybe after that, magic or a bridge could get there during a non-winter season. But. Keep that early limit.) More use of characters like Sharron and Ivan?? Please? Explain (at least to the viewer) who they are, what they know. And, for the love of every dragon, don't lighten the tone; that would mess up the story. I said very recently to people that 1 has a gravity to it that gets lost in later games-- the way it uses the Empire/Norad struggle, and makes the amnesia not just a convenient plot device but a defining moment for those involved... Don't take that away. Especially when the game can now hint to things to come in 4! (And yes, I want to talk to Terrable after we calm him down, too. Ivan can talk to him, why not Raguna?)

And. Postgame. Actual family interactions. Why have 2 candidates that the story must be finished to wed, with no other reward? And if they wish to be so clever, cement that Frontier is supposed to happen after this game with some cute hint or something.

And lasty- I still beg and plead for a world map.