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dilfartist · 5 months ago

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Just obsessed or love obsessed?

Tw; Kidnapping, sensitive topics, Yandere behavior, Obsessive behavior, marriage mentions, abuse, physical abuse, mentions of Suicide on Yoosung’s part, mentions of death, NSFW on the end of Asmodeus’s part,

Which yanderes are actually in love with their darlings? Which yanderes simply obsess over their darlings?

Fandoms: Naruto, JJK, Demon Slayer, Death Note, JJBA, Chainsaw Man, Baruto, Obey Me, and Mystic Messenger.

Characters; Naruto, Sasuke, Sakura, Mahito, Toji, Geto, Sukuna, Douma, Tengen, Mitsuri, Akaza, Gyutaro, Muzan, Light Yagami, Chilchuck, Laios, Ascended Astarion, Dio, Kira Yoshikage, Jotaro, Josuke, Yoosung, Mammon, Asmodeus, and Denji.

Notes: {Most of these are just ramblings, sorry if they mirror each other in similarity. Not all characters from each show/movie will be on this list, just a few that came to mind.}

Reblogs and Comments are greatly appreciated!

Somewhat proofread

Reader's description; Female/GN

Obsessed

These yanderes have no love for their obsession. Although they want you for romantic purposes, they could never love you. Most of these yanderes treat you like a pet rather than an actual lover.

Mahito

Mahito sees humans as toys. Humans are there for his entertainment. Their tears, their fear, their panic, and their crys are all for his pleasure. Mahito has only managed to love the suffering of human beings.

Mahito harbors no love for his darling. Sure, Mahito favors you compared to other humans and he doesn't outright kill you or torture you, but your relationship is more like a farmer favoring one of the farm animals he’s leading to the slaughter, so he allows it to live a little longer than the others.

If you were to ask him if he loved you since he’s gone out of his way to keep you to himself and demands romantic actions out of you; he’ll respond with a laugh, finding it laughable you’d assume so.

“Love you?” Mahito giggles, “You know, I was manifested by the strong emotions of humans, but love isn’t one of them. But hey, if it makes you feel any better, you're my favorite human!”

Sukuna

Sukuna was born evil, not giving two shits about the human race he once belonged to. Love, in the eyes of Sukuna, is a feeble emotion that only exists to continue giving humans a reason for their pitiful existence and to keep their kin cared for. Those who sing songs of romance irk Sukuna. As if the human race couldn't get more irritating. Though he will admit he enjoys a good lovers quarrel. The negative emotions that cause the birth of curses and the scenes of women and men plucking out the eyeballs of their lover's hidden sweetheart in an act of rage; never fails to give him a wicked laugh.

Lust. Lust is what Sukuna feels for you. Love is nowhere in sight. Any act of love you find yourself partaking in with Sukuna isn't because Sukuna desires loving contact, but because you loathe the thought of acting this way with him. He relishes in the resentment you feel towards him. Kisses, hugs, cute nicknames, and lingering touches in favor of disturbing you. Sukuna is obsessed with you due to your enjoyable reactions. Such a scared little thing, he thinks. In a world of humans Sukuna views as insects, you are Sukuna's shivering prized chihuahua.

If you were convinced Sukuna was in love with you and asked about it, he'd laugh in your face.

"Maggots, such as the human race, invented love to maintain relevancy and keep their young alive. What else are they good for if they can only birth a few babes before their bodies break. They might as well drop dead once production is no longer available. Unfortunately for all living creatures, they continue their life spans." Sukana speaks with distaste. He leans his cheek against his fist, gazing down at you from his throne. "I find the emotion despicable. Although.." Sukana begins, lips curling into a cruel smirk, "I could think differently if it came to you, my dear pet." You don't miss the flash of amusement in his ruby eyes at the sight of your grimace.

Douma

Douma will never love anyone. Douma is stated to have no emotions but that isn’t necessarily true. Douma can feel emotions for himself, it’s others he cannot feel emotions for. Douma may have claimed to feel love towards Shinobu but Douma wanted to feel something, or at least convince himself he felt something before the end of his life. Truly Douma could never love his darling even if he tried.

Contrary to popular belief Douma does treat his darling like he loves them...50% of the time. The other half of the time he acts on his sadistic nature.

He is one of the yanderes that will kill his darling with no hesitation if he needs to. Douma will hesitate if his obsession is strong enough to dissuade him. If his darling ever dies or somehow escapes then he’ll forget about them. In his eyes, you’re replaceable since you never were loved in the first place.

“You know, (Name), I think I’m actually in love with you!” Douma would smile down at you as you sat in his lap. “Can’t you hear it! My heart flutters at the sight of you!” he’d pushed your head to his chest, “Such an exquisite feeling.” he cooed at you, hugging you closer. You scowl knowing every word from his lips is a lie. You wonder which one of you he’s trying to convince.

Ascended Astarion

Astarion before the ascension would genuinely love his Darling. And if he didn’t he wouldn’t even be with his Darling. However, if his darling allowed him to go through his accession, all his love would vanish from his body. Once a vampire spawn becomes a true vampire, they become a shell of the person they used to be.

Astarion is no longer the person you once knew. In fact, he resembles his former master in ways. His spawns, his mean attitude, his view of other people as less. It’s a sicking sight, truly. He no longer treats you as an equal. You’re a pet to him, even if he says you are his consort.

You both know Astarion doesn’t love you anymore. Yet neither of you have said a thing about it. Astarion finds it rather amusing you think he could love someone as pathic as you. His old weaker self did and he won’t repeat any actions from the past. And still, he refuses to allow you to leave his side. His darling will be reassured but they know the love of their life is no longer around.

“I love you, my dear pet. That’s what you want to hear, isn’t it?” he’d chuckle darkly at you, his tone full of mockery. You wish his words were the truth, but they’re not.

Dio Brando

Even in normal circumstances, Dio wouldn’t be able to love. During his normal life, Dio only loved the pleasure he sought in hurting others. He forced himself to act like he loved Jonathan and George Joestar, but in reality, he was only using them for his advantage. Once he turned into a creature of the night, the was no way he’d be able to love. All of his humanity, including his human emotions had been erased.

Dio’s darling is merely for his entertainment; he does not yearn for a real connection. You’re simply a pet. He’ll care for your health so you won’t die, he’ll feed you well so you won’t starve, and he’ll even buy you nice things to keep you in line. Other than those few things, he could care less about you. He enjoys keeping you around because of your reactions. You’re just so human! It disgusts him and excites him at the same time.

“Poor dear,” Dio sang cruelly as he held you in his lap. “Shivering in my lap like a lamb awaiting for the slaughter.” he’d chuckle darkly after.

Kira Yoshikage

Yoshikage never loves any of his darlings. He takes without a second thought, caring not for the person that fuels his obsession. Yoshikage may take the time to learn about his victim but after some time your fate will be the same as any other darling. Depending on which stage of Yoshikage you get that is.

You could encounter a quick death if you met Yoshikage at the start of Dimond is unbreakable. He’d be interested then when he finds the right time to kill his darling and take their hand. If you come across Kira in the middle of Dimond is unbreakable then your death will come after a while. It depends if he likes your personality since during this stage he begins to prefer knowing a woman’s personality when taking their hand. If he meets you by the end of Dimond is unbreakable then you have the most probability of living. He’d be so concerned about keeping his identity a secret he might keep you around longer and settle with befriending you instead of outright killing you.

Kira really has no love for his darling. The only care he has for his darling is keeping their hands beautiful to fuel his obsession. Kira is less obsessed with his darling and more obsessed with their hands.

“Darling you must keep yourself clean,” he’d chid, pulling out a pack of wipes to desperately clean the dirt from underneath your beautiful fingernails.

Love-Obsessed

Both their feelings and obsession grow together as they come to know you. They love and are obsessed with you. These yanderes see their darling as actual partners and do love them, unlike the obsessed yanderes.

Naruto Uzumaki

Naruto loves you with all of his being. Growing up as a boy with no family and for a short while in his childhood no friends, he yearns for a real connection. He wants to love and be loved. So when you come into the picture, he swears no harm will come to you. Even if the leaf village is at stake.

Naruto does everything he can to please you because he believes you deserve everything good that comes to you. His generosity isn’t meant to be taken as a way to manipulate you, unlike some characters. Naruto strives to keep you happy. He’ll do everything he thinks will do right by you.

Naruto sees his darling as his partner in crime. His one and only. He refuses to look at anyone else. He’ll keep you safe even if it means keeping you locked away.

“I love you more than anything, you know,” Naruto whispers to you as he snuggles up to you. “I’ll never let anything happen to you, believe it.”

Denji

Denji’s been through a lot. No one has been there to love Denji for who he really is. Everyone loves Chainsaw Man...then there's him. All of a sudden you come into his life. Dissimilar Makima or any woman in his life, you care for him. You’re genuinely kind without expecting him to do something for you. His feelings grow for you due to your kind nature.

Being Chainsaw man comes with its cons. He’s always in danger and his loved ones are always in harm's way because of him. He grows paranoid. What would become of you once it was revealed he cares for you?! He manages to pull some strings and finds a place for the both of you to live together. Sure you can’t leave but at least your are safe! Plus, Denji is a great guy who gives you everything you want.

Denji doesn’t force you to care or love him, he implies wanting your tenderness but never forces you. He loves you. He goes as far as fighting every demon in your name.

“I like you...like a lot.” Denji starts off slowly. He’s at your side, crouching to your level. His eyes show vulnerability, “...you don’t have to like me back but I won’t allow anyone to hurt you. I wish things could be different...I really do.”

Yoosung Kim

Yoosung falls in love with his darling very quickly. Originally, Yoosung fell in love with the Mc in eleven days. Instead of his obsession and love growing together, Yoosung falls in love first then his obsession begins to grow. Though Yoosung is in love with his darling he still compares them to Rika despite his darling and Rika not sharing many qualities. He loves his darling for their kindness but also because they share the comfort Rika gave him.

Yoosung doesn't care if he puts his darling in harm's way despite claiming the opposite. Yoosung loves his darling enough to be in harms way along with him. In a way it’s like a romantic double suicide

“You’ll only talk to me, right?” he’d ask. Despite this question being sent through text you could hear the question asked in Yoosung’s voice. “I love you so much, do you really think some guy like Zen could compare?”

Mitsuri kanroji

Mitsuri is heavily encouraged by love in her daily life, so of course she’d be in love with her darling. Her darling completely takes over her mind, invading every thought she has. She doesn’t see her behavior as weird or obsessive. After all, isn’t it ideal for a lover to be utterly in love and devoted to their special someone?

Her obsession and love for you grow at the same pace. She’s so in love with her darling, every action she takes is in the name of her darling. She constantly reminds her darling of her love and devotion, not caring if her darling doesn’t reciprocate.

Her obsession is fueled by the constant rejection she’s faced in her life. She’s clingy, clingy to the point you feel suffocated. She needs her darling's reassurance and will be unsettled by her darling giving anyone else praise she deems too much.

“You’re so amazing!” she’d coo at you, latched onto your right arm, batting her lashes. “I’m so glad you’re mine, (Name).” she’d hum, pushing her face into your sleeve.

Sakura Haruno

She is a very dedicated person. Despite the lack of love she received from Sasuke, she stood by his side the entire time no matter what. When she loves, she loves hard. This also applies when she begins to obsess over her darling. Even if you don’t share her feelings she will never move on. Sakura is a very persistent person, and if she truly desires something then she’ll achieve it.

Her obsessiveness comes later on when she really gets to know you. Once the obsession starts, there’s no way of getting rid of her. Her love overpowers her obsession, which is worse.

If you thought Sakura being at your hip most of the time was annoying, then your hell is with Yandere Sakura. Sakura will never leave you alone. However, you have a savor named Tsunade. Sakura listens to Tsunade with out a doubt. However, Tsunade doesn’t really care for your situation. Sakura can be annoying but she doesn’t bring harm to you. So...not her circus, not her monkeys.

“Gosh,” she’d sigh dreamily as she lay against your chest, “I’m the luckiest girl in the village, aren’t I?”

Josuke Higashikata

The king of romance himself! Josuke loves his darling dearly. Even going as far as to think twice before hurting his darling if they dare insult his hairstyle. Unlike all the others on this list, Josuke would be in love with you first before the obsession would even begin.

Josuke never lets his darling forget his love and dedication towards them. He reminds them he loves them every chance he gets.

Josuke is more normal thanks to his genuine love for his darling. However, that won’t stop him from acting on his obsession. If his darling ever found out about his obsession and attempted to leave, he’d hesitate to

“Oh, these?” Josuke would look down at the bouquet in his hands. He’d rub the back of his neck with a grin, “Just wanted to get something for the lovely girl I call my girlfriend!”

Laois Touden

You are as important as Falin is to him. His mind is full of thoughts of you. Although Laois is obsessed with you, he treats you right. He never oversteps boundaries, always makes sure not to hurt or overwhelm you, and always listens to you and your needs. If it weren’t for his unhealthy obsession, Laios would be the best boyfriend.

Laios obsesses over his darling the same way he obsesses over monsters. Laios carries a notebook full of facts about you. What monster food do you prefer? Easy! You love boiled mimics! After all, Laious put it down in his note book and Laious is dedicated to being correct about his darling.

His love goes as far as locking away his darling; If necessary that is. He’d rather explore the word with his darling. He won’t repeat allowing someone so dear to him to be hurt again. Laios nearly lost his sister and he’ll be damned if you were ever harmed.

“I don’t think I say it enough,” Laios comments completely out of the blue. You and him sit at the breakfast table, still in your midnight clothes. Laios looks at you sweetly, his chin against his palm. “I love you.”

Obsessed to Love- obsessed

These yanderes start just obsessed with their darlings with either no feelings or ignoring their growing feelings. As time goes on, they begin to fall in love with their darling.

Toji Fushiguro

Toji finds it hard to love after his late wife’s passing. So when you come into his life he’s as distant as he can be. Toji’s rude and nasty to you. Not because he dislikes you- well, not fully anyway- but because Toji can sense his attraction towards you. It scares him; it Angers him even. Toji’s had his fair share of one-night stands, feeling nothing after them besides passing sentiments of guilt because of his late wife. However, you’re different. For some reason, the fuzzy feelings he felt with his late wife have come back when he’s around you. He loathes these feelings. In a way, Toji finds this as a betrayal, and he blames you.

However, as time progresses, Toji learns to allow you in. He can’t obsess over his late wife forever. At first, he’s simply obsessed with you. Always around you, you’re constantly on his mind, keeping a tracking device on you, the usual. Then it happens. You show him genuine kindness and show you care for his well-being and it’s like a switch flipped. Toji realizes he’s in love. And instead of getting angry or distancing himself, he accepts it. Unfortunately for you, Toji’s left broken by his ex-wife’s death and you’re the new love of his life.

You’re immediately kidnapped and taken away to live with him. The one person he loved died, he will not have that happen again. Toji knows he needs a stable life to keep you around and he refuses to use another woman for her money since he finds it disrespectful to you. Toji’s gambling habits cease nearly quickly. He works for the both of you to have a stable life because he love you enough to try. Toji never outright tells you he loves you, but you can tell in the ways he acts around you.

“I’ve gotta say, you’re the biggest pain in my ass.” Toji would grumble. You both lay on the couch together, him on the bottom while you lay ontop of him with a blanket wrapped around you. His hands fiddled with your hair, one of his quiet ways to show his love.

Akaza

At first, he felt like he was betraying his first love, Koyuki. Akaza distances himself because of the guilt that consumes him. He feels so weak, which pisses him off. And he can’t help but find himself getting angry at his darling as well since you caused this weak feeling to initiate. If it weren’t for his guilt at the onset Akaza would be categorized in the love-obsessed category. Once he learns to move on and realize his feelings will not be leaving any time, then he’d be loving towards his darling.

Immediately, His darling is kidnapped. Akaza has learned from his past to always be near his loved ones; his darling wouldn’t suffer the same fate because of his carelessness. He’d keep them in a nice house deep in the forest. Akaza remembers every part of the forest just in case you attempted to run away. The house would be nice and furnished and his darling could request items to be placed into the house. It’s more of a house for his darling than a shared house.

Very loving towards his darling. If it weren’t for the circumstances, Akaza and his darling's relationship would be seen as the ideal romantic relationship. Akaza didn’t want his darling to be taken away, he’d much rather have his darling willingly. However, his trauma and immortality dissuade him.

“You’re so beautiful...” Akaza would murmur to you. You watched in the mirror as the demon brought your hairbrush back to your hair, gently going through the strands. “So beautiful, my love.” he’d press a small kiss on your shoulder blade.

Jotaro Kujo

Jotaro already has too many problems to worry about romance. Jotaro’s obsession disturbed him. He has other priorities such as saving the world from enemy stand users, yet he often finds himself thinking about you rather than the problem at hand. It becomes a problem for him. There’s even a point where he becomes annoyed by your name alone. However, as time goes on he learns to accept his feelings of obsession. Then he’ll have to accept the romantic feelings that soon follow after he accepts his obsession.

A while back, I wrote Jotaro as a yandere that would hold you captive and overall be very intimidating towards his darling. Now that I look at his character, he’s more likely to act regularly with his darling. Jotaro will come off the same as any man who has a healthy relationship with their significant other. The only reason he’d become intimidating towards his darling is because they’re trying to leave him. No matter how obsessed jotaro finds himself, he ultimately won’t force his darling by his side. Jotaro recognizes the danger he puts his darling in when they date, he realizes how selfish he is just being near you. Jotaro genuinely loves his darling, so although he does try to intimidate his darling into staying with him, he would allow you to leave if that’s what you truly wanted.

Jotaro is the type of Yandere to allow you to leave but have you on his mind ever since. There are memorabilia of yours around his house. Pictures hang upon his walls that he hasn’t bothered to take down. There’s even a framed picture of you right next to his bed.

Tengen Uzui + Wives

The Uzuis would be off put by their darling at first. Despite it traditionally being on the man’s part to decide if he wants to marry another wife, Tengen puts his wife's decisions above his. Tengen isn’t the type to simply marry someone because of a little crush or obsession. One, he needs to feel strong feelings towards someone before he considers putting a ring on it. Two, Tengen respects his wives too much to decide marriage on his own. Tengen would introduce the topic and his darling to his wives slowly, giving them a little time to decide whether to feed his obsession or not. Ultimately, Tengen gets their blessings.

Their obsessions don’t blossom until marriage. Ideally, their darling is not as strong as them. They become very protective of them, especially Tengen if this is after he retires. Time passes and they all grow to love their darling, they’re obsession turns into a love obsession. Each one of them won’t keep their hands off their darling. They are in general very touchy with each other, but with their darling, it’s times 100.

At least one of them has to accompany you. Not only to keep you safe but to make sure you never think of leaving them. They don’t mind kidnapping their darling if they need to.

“Don’t splash around so much,” Tengen complained to his other wives. They all sat in the bathtub, cleaning each other. You sat firmly in Tengen’s lap. “Stop hogging cleaning them, Suma!” Makio barks at Suma. “I am not! Lord Tengen! Makio is trying to say I’m hogging the sponge, but I’m not!” Suma whines. They were taking turns washing your body, whilst Hinatsuru washed your hair. Tengen presses a small kiss on the back of your head.

Asmodeus

When Asmodeus first met his darling he only saw them as someone he could seduce for a moment of pleasure. It isn’t until he makes a pact with his darling that his obsession begins. Sure, Solomon also has a pact with Asmodeus and he’s not obsessed with him. You’re different. You help him with problems and spend time with him. And such a cutie you are you do it no questions asked. The obsession sets in when he manages to sleep with you. It was like your body was crafted for him. It’s addicting really. Your taste, your touch, your sweet voice! He’s even considered never touching another again.

He’ll stick around you more which leads to a connection between you...or maybe just in Asmodeus’s eyes. Love, an emotion he’s only been able to share with his brothers, will develop in the time shared with you. You’ve surprised him again! Asmodueus will grow into a possessive person. Not even his brothers will have the fortune of spending time with you. Asmodeus becomes harsh with his brothers, like a cat hissing at other cats for being too close to their owner. Lucifer has to step in ever so often because Asmodeus is close to ripping out one of another demon’s eyes with his claws because they got too friendly with you.

Don’t think you can just leave him either; That isn’t an option whether it be due to your exchange coming to an end or you not wanting a relationship anymore. It just won’t happen. If you have to go back to the human world, that just won’t slide with Asmodeus. He’ll find a way to be with you. If Lucifer doesn't appeal to any of Asmodeus’s requests to keep you in Devil Dom, then he has no problem going with you. Nor does he have a problem possessing random people to see you every day. Now, ending the relationship with Asmodeus will lead to a moment of pain. A moment of pain because there is no way you’d be apart for more than a couple of months. His brothers won’t force you to be in Asmodeus’s arms nor will they stop talking to you until you give in to dating Amsodeus again, they care for you as much as they care for their brother. Nonetheless, you will have earfuls of them trying to convince you to be with Asmodeus again. Not to mention every demon in Devil Dom has been in your DMs on Devilgram. All of his adoring fans call you every name under the sun. No matter how tough your skin is their words will get to you. They even began to spread hate against humans which got the attention of both Lucifer and Diavalo. Now you’re having a conference with them, where you simply decide to go back to him. It’s better for everyone.

“Don’t you feel so much better~” Asmodeus coos to you, his fingers deep inside your cunt. “No one can make you feel as good as I can!” Asmodeus presses a trail of kisses down your neck, “No one could love you as much as i do.”

Mammon

When you first met, Mammon only saw you as an annoying human. Another task on his list that his brother put on him. Then he began to get to know you and that view quickly faded. Unlike other yanderes, Mammon fell in love quickly compared to the others. Suddenly, Mammon was proud to be your first man. So proud in fact that many reconsider his sin being greed.

Though greed is definitely his sin. He’s so greedy he won’t allow his family to take your time away from him. Mammon nearly snarls like a rabid dog at the thought of anyone stealing you away from him. If it’s his brothers then he won't have as much of a problem, he’ll complain but won’t harm them. Let another demon try the same and he won’t care if he breaks a few bones. Not even caring for Lucifer’s chiding.

His love is apparent. It’s overwhelmingly sweet, overshadowing his tough-guy act. You won’t even mind his obsession because his love delays any concerns that arise because of his actions.

“I’m your first man, so I should be your most important priority,” Mammon huffs clinging to your waist tightly. You scheduled a lunch with his brothers due to Mammon taking up your time, now you think you should cancel it. Mammon shows no sign of letting go any time soon and it’s getting harder to breath.

Chilchuck Tims

There would be no way in hell Chilchuck would allow himself to fall in love or even think of any romantic thoughts of his darling, at first. After his wife left him and took away his children, leaving him alone, he couldn’t bear the thought of another romantic relationship. His obsession starts slowly because he distances himself since he can tell he feels attracted to you.

He hates the fact he often has dreams of you or the fact he remembers your favorite foods. He especially hates it when he gets a foreign fuzzy feeling in his chest when it comes to you. He’s often rude and closed off to his darling. He comes off meaner to his darling than anyone else. It has gotten to the point the others often call him out on his behavior to which he scoffs and turns away.

It isn’t till he learns that not everyone will leave him and he can learn to be a better partner Chilchuck opens himself to being romantic with his darling. He grows to love his darling so dearly. He writes to his daughters about his darling. Even goes as far as mentioning them every chance he has to his companions.

And although he’s finally going through the process of learning to forgive himself for his divorce, he’s still paranoid. If you show any signs of leaving him, he won’t immediately lock you away but he’ll become uncharacteristically clingy. Every hour he’s snuggling closer to you, asking about your day. He even begins to stop complaining about small things you do that annoy him at times. If you are attempting to leave him, good luck. That isn’t happening. Besides Chilchuck’s small size, he’s incredibly smart when it comes to dire situations. Such as you leaving.

“I...I love you.” Chilchuck admits, his face has an expression of the first taste of sour candy. It’s almost as if the words stung the tip of his tongue each time he spoke.

Gyutaro

You’re interesting to him. Whether you’re ugly or pretty, Gyutaro envies you. Those who are attractive get to live happily without the misery of being ugly. It makes him sick. You are treated better than he was that’s for sure. But as he comes to know how kind you are to others, especially the less fortunate, he begins to obsess over you. You’re so beautiful, much more attractive than him anyway. How could he not think of you.

Gyutaro learns more about you by stalking you. He’s always around, going as far as to hide in the dark of your room in the mornings just to get more of you. Gyutaro never thought about marriage as a mortal, he was too caught up in caring for his sister and many girls never even glanced his way when it came to romance. You change his mind. He can imagine you in a beautiful wedding dress as you profess your love to him not even cringing at his ugliness.

He genuinely loves his darling. Gyutaro wishes he could have met his darling when he was a mortal, his life wouldn’t have been so depressing, and he could have even tried to find a better occupation and live a normal life with you. He’s selfish, after all, he’s faced so many hardships, why can’t he take the few things that bring him joy? No one else deserves you. Once you’ve lost your beauty, you’re better off dead than in the hands of others.

“So beautiful...gahahaha!” Gyutaro laughed manically to himself. He sat in the corner watching you closely, his hand covering his wide smile. “No one else could compare!”

Possibly love-obsessed (unsure)

These yanderes could either love their darling and never admit it or not love them at all. It depends on the situation or stage of the relationship.

Suguru Geto

(Only Non-Sorcerer Darling)

Geto believes that he could never love a Non-Sorcerer yet has an obsession with his darling. Geto felt the need to dehumanize the Human race since his change in ideology to cease any doubts he may have about his decisions. There may be a part of him deep down that isn’t fond of the idea of hurting Non-sorcerers but is too far gone to even think about ending what he started. Geto strives to protect the weak. When he was in high school he believed that the weak were Non-Sorcerers until his perspective changed to Sorcerers being the weak ones due to the Non-Sorcerers being in charge and harming the ones keeping them safe from curses. He found the acts of Non-Sorcerers to be unforgivable which is why he went to the extreme of choosing to start a genocide.

There is a part of him that despises his darling. How could some random monkey make him feel this way? It’s perplexing. Sometimes he wants to gouge out your throat and watch as the light fades from your eyes to give him the pleasure of his original ideology: All Non-Sorcerers should be terminated. Yet he cannot bring himself to put the plan into action. Especially when you’ve been such a good pet and listen to his every command. He won’t admit that he craves to be around you. He loves holding you tight as you both drift to sleep, he loves the sweet kisses that he forces out of you, and he loves the way you moan out his name. A filthy monkey shouldn’t have the pleasures of indulging in his greatness, yet he refuses to kill his darling.

Even Geto doesn’t know if he loves his darling. He’s adamant he only sees his darling as his pet, but deep down he might love his darling. Though that would never come to light.

“You’re a good pet. Always listening and obeying my commands.” Geto comments as he reads his daily newspapers. You brush his hair quietly, focusing on the raven strands gently pulled by the bristles of the brush. “Good. Just as all monkeys should.”

Sasuke Uchiha

It isn’t that Sasuke is incapable of loving because he definitely loves the people in his life. However, he is too emotionally immature to truly love his darling. He yearns for their touch and love but he can’t for the life of him reciprocate the affection.

Sasuke has forgotten the feeling of love since It had been ripped away from him at such a young age. He assumes his love for things in his life is just extreme liking them. Sasuke extremely likes tomatoes and Sasuke extremely likes talking walks but the word love never seems to come to mind. If anything he just won't admit it to himself. He can love.

It won’t be until when Baruto begins that Sasuke is finally classified as Love-obsessed. He’s more truthful to others and himself. He can finally admit he’s in love with his darling...to himself. In Baruto, Sasuke is more open to being vulnerable around his loved ones and even tries his best to repair relationships with advice from Kakashi.

“I care about you...” Sasuke would say, not daring to look you in the eyes. “...a lot,” he adds in awkwardly.

Light yagami

Many believe Light to have no love for anyone, for whatever reason. However, this is not the case. Light's love for his family is one of the main reasons he decides to become Kira. Or what he believes to be justice. Light started out wanting to be a cop because his father was a cop and Light wanted to bring justice to the world. Light wants the world filled with good and his family surrounded by good instead of unjustified evil. The reason he’s so cruel to Misa and even uses her to his advantage is that he never shared these feelings in the first place. Misa forced him into a relationship with her and didn’t seem to mind him not wanting it. He’s very different with his darling.

I put him on this list because there are two ways Kira could feel about his darling. One, he’d be obsessed with them but wouldn’t love them. This would happen if they were involved in the Kira case and Light would obsess over them because of it. Two, his darling is a random citizen who shares his feelings and judgment, and Light loves his darling dearly.

Even if Light truly cares for you, he won't admit it because of his focus on the Kira case.

Muzan kibutsuji

For Muzan to care about his Darling, they would have to have certain qualifications. One, they knew of Muzan before he transitioned into the first demon. Two they either could relate to Muzan’s past as a human or they didn’t have any judgment towards Muzan because of his sickly appearance. These are a few situations that would lead to Muzan's obsession. Once Muzan turned he had past wives who killed themselves because of his cruelness. Muzan had no feelings toward them which is why Muzan would be more likely to love or care about his darling if he had known them before his change.

If Muzan’s darling had none of these traits then Muzan would be purely obsessed with his darling. Muzan would need a connection with his darling. There is a slim chance his darling could win over his true affection, but the chance of it happening is nearly impossible.

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goodqueenaly · 1 year ago

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Absolutely here for the way Sansa turns from using the story of Prince Aemon and Queen Naerys to idealize Joffrey (and, so she believes in that moment, her love for him) to using the story of Aemon and Queen Naerys to defend someone against Joffrey's abuse

Sansa first cites the romanticized history in AGOT, as the royal party travels near the ruby ford back to the capital:

The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.

If Sansa's history is generally right here (at least regarding the verifiably historical figures she references), her allusion fails to accurately reflect her own situation. Far from Prince Aemon defying his royal brother's clumsy attempt to invent an almost certainly untrue accusation against their queen-sister by offering to stand as her champion in a trial by combat, Prince Joffrey had only followed the directions of the queen herself to go to Sansa, and later spend the day with her. Nor does either Ilyn Payne or Sandor Clegane really fit the role of Morgil Hastwyck, who had openly denounced the queen as a traitor and participant in an extramarital affair with Aemon himself: Joffrey in fact brags to Sansa that Sandor is his "dog" (or, as he allows, his mother's dog), obedient and "ever faithful" to the prince's command, and if Sandor had made a dry joke about the Stark direwolves, neither he nor the unwillingly mute Ilyn had actually falsely accused Sansa of anything, much less a crime for which the penalty was death (as Naerys had been accused). Indeed, though Sansa could not have known it in this moment, it would not be Joffrey who, Aemon-like, would intervene to save the life and honor of Sansa by confronting an antagonist knight in single combat, but Joffrey who would himself direct Ser Ilyn to crush and traumatize Sansa via the order for her father's head; likewise, it would be Sandor Clegane, very pointedly not a knight, who would intervene to help Sansa, as Joffrey gloried in the killing of Ned Stark and directed another one of his knights to abuse Sansa.

Later in AGOT, as Sansa still believes she loves Joffrey, she again uses Naerys and Aemon’s (supposed) romance:

"I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."

Here, however, Sansa's allusion to Aemon and Naerys even less resembles the real-world history, much less her own situation. If Aemon and Naerys really did love one another (and I think they did, putting aside the very obvious criticisms of Aemon's position in the Kingsguard relative to Naerys' woeful position as queen), I definitely do not believe they ever engaged in a sexual affair, much less that the future Daeron II was the product of such an affair. (In fact, it was Naerys who had approached her father to prevent the marriage and her brother to end it after the birth of Daeron - hardly an auspicious example for Sansa.) To be clear, Sansa is I think only repeating the romanticized tale passed down by singers and storytellers for the better part of 150 years - yet even without a true sense of historical accuracy, Sansa's citation to Aemon and Naerys little supports her actual relationship with Joffrey. Indeed, far from the beau ideal of chivalry which Aemon the Dragonknight has come to represent in Westerosi culture, Joffrey instead more closely resembles Aegon IV - abusive, cruel, and hateful, eager for any humiliation great or petty (and especially sexual) which he could inflict upon his betrothed, much as Aegon had done toward Naerys. The story of Aemon and Naerys persists in Westerosi culture, moreover, in no small part because it is a doomed and tragic romance - an impossible love which neither queen nor prince could satisfy in their respective positions, clouded by a suspicious, malicious king. If Sansa had wished to cast herself and Joffrey as perfect lovers destined by their love to be together, her choice of story accomplishes precisely the opposite; to the extent that she and Joffrey will resemble this story, it will be with Sansa as the miserable princess doomed to marry the king and Joffrey as the king who causes her such misery.

So in ACOK, well aware of Joffrey's sadism and patterns of abuse, Sansa again reaches for the example of Aemon and Naerys - not, though, to laud Joffrey, but to support another against him:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry." "Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound."

Whatever the historical accuracy of her statement - Yandel reporting that "[t]he singers say that Aemon and Naerys both wept during the ceremony, though the histories tell us Aemon quarreled with Aegon at the wedding feast, and that Naerys wept during the bedding rather than the wedding" - Sansa seizes here on a pointedly apt moment from the story of Aemon and Naerys, as a direct counter to Joffrey's sneering criticism of his brother. Just as the occasion of his sister's marriage had (again, so the singers relate) been the cause of brother Aemon's tears, so now Tommen weeps to see his own only sister depart for her marriage. Nor does the parallel end there: here again, as in the days of Aemon and Naerys, are there three royal siblings, two brothers and a sister - and if neither Myrcella nor Tommen are exact duplicates of Naerys and Aemon, both live in shadow of an abusive and cruel eldest brother. Sansa takes the opportunity of Joffrey's attempt to hurt and demean Tommen by providing so admired an example of Tommen's very conduct. If even Prince Aemon the Dragonknight, popularly beloved for his (apparent) chivalry, bravery, and nobility, could have been seen to weep at his sister's nuptial parting without losing any of his celebrated standing, then how could Joffrey, so Sansa argues through this allusion, criticize Tommen in nearly the exact same circumstance? Just as Sansa had used (invented) singer mythology to defend Dontos Hollard from Joffrey's brutality, so now she cites the legend of Prince Aemon, preserved in song, to stand up for Tommen against the same.

#asoiaf meta #sansa stark #aemon the dragonknight #naerys targaryen #joffrey baratheon #aegon iv targaryen

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niofo · 2 months ago

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archdemons lore spoilers under the cut

i really don't like how they connected the archdemons to the evanuris, it makes very little sense to me and it feels like an invention pretty late in the franchise development. like it doesn't require a lot of digging through the lore to notice that there are 7 old gods and 7 evanuris after they killed mythal, but i immediately discarded that connection, bcos it seemed like there isn't much there besides numbers matching. veilguard makes some attempt at connecting the two groups in a way that makes sense in the game (after they established razikale and lusacan's evanuris) but nothing in it matches, like they are making super far reaches with it, none of the examples made me go, yeah, it makes sense now, rather than, huh?

like why are 6 out of 7 dragons male when we know that high dragons are only female? i saw some interesting interpretations that it was less about gender and more about razikale and lusacan being mirror images of each other, and since the constellation tenebrium was associated with both lusacan and falon'din, that would make razikale dirthamen's dragon. like that would be the type logic/explanation i could get behind. but they had to connect lusacan and razikale to ghilan'nain and elgar'nan, so they just handwaved it all away.

i just don't like it, what can i say. i don't hate all the new lore we got, like i don't mind connecting the blight to titans, and as far as i know it's not contradicting any titan lore we had before (we knew since dai that evanuris were at war with them at some point), but the whole archdemon thing is really disappointing to me.

even before release i was mentioning that i don't like how the game is shaping up to be about the 6th blight as an addition to the evanuris, bcos it won't give the blight itself as much of a weight as the 5th blight got in dao, and even more 4th blight in the novel. and i stand by this, dav is more about blighted gods than it is about the blight, and to be entirely honest, i just find blight itself a way more interesting narrative as a natural disaster/plague than fighting some evil gods. i feel like dao gave us way better commentary about how ppl are reacting to a natural disaster (some trying to profit from it, other denying it's actually that bad), which we could use again in the post-covid world. instead we got quite a generic commentary how power hungry people will flock to people/gods granting them power, which we see in half of action/fantasy media already, and which ignores specific nuances of the antagonist factions (venatori following an elf? antaam following a mage? come on)

#dragon age #dragon age the veilguard #dragon age critical #the evanuris #6th blight #lusacan #razikale #my meta

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jeffgerstmann · 10 months ago

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So apparently AEW pays well and that's bad?

I know a couple of current WWE folks who definitely got better contracts simply because AEW existed and, thus, created a world where people might jump ship and go somewhere else.

But yeah, I don't know, people are fuckin' crazy. That said, with all of the recent free agent talk going around and that article that is all "WWE needs to look in the mirror about why they keep losing free agents to AEW," I think that's a little off the mark.

Like, yes, in a theoretical, big-picture kind of way the WWE should probably ask themselves why people would want to work anywhere else. And they can chalk it up to "well, we've had some negative press lately" or "this person just didn't want to work as many dates" or whatever. Each case will be different. But I think in the three recent cases cited, there are very real life reasons why none of those three would go with WWE. It's great that the offer from AEW was better and, honestly, I think those signees will easily find more success in AEW than they would in WWE.

Like let's not kid ourselves here: WWE could have offered Okada a fuckton of money, but would he actually make a meaningful mark in the WWE? He'd come in, the announcers would have to spend a ton of time educating the audience on why he matters because most of their audience doesn't watch anything else, and he'd probably just end up being the next foreign heel. The types of great matches he had in NJPW aren't really the kinds of things that WWE is looking for or especially needs more of. They'd probably rush him into a main event program for three months or so and then do something embarrassing with him. He'd be tagging with Nakamura in a team with a vaguely racist-sounding name or something shitty like that. He'd be another amazing performer in search of a meaningful storyline and the WWE's midcard is fucking stuffed full of guys like that right now. He'd be losing to Karrion Kross by Survivor Series.

Tack on the notion that WWE's business is doing really well and they're selling tickets everywhere they go and inventing new, more evil forms of revenue all the time and it's easy to see that WWE doesn't need Okada. They need to be making sure that they have a fresh crop of young talent ready to take over when the current headliners fall off or move on. At 36, Okada isn't quite that guy.

However, Okada is a great fit for AEW and its audience. Too good, actually. I mean I don't think he'll be a "needle mover" on the ratings because anyone in this country who knows who Okada even is already watches AEW. They're super-serving their audience. They're "building golden toilets" for their fanbase. As someone who really likes that shit, I'm stoked. But the weirdo ratings nuts online who live and die by television ratings are melting down over "is Okada a draw or not" or something. And I think it'd probably be obvious to anyone who really sat down and thought about it that Okada wasn't ever going to drag in a whole new American audience.

I'd say mostly the same thing about Ospreay. He'd become the leader of the Catch Wrestling Crew or whatever the fuck they're called now.

The other thing I'd say is that, over time, a better program will probably attract a larger audience. So AEW's programming is better by way of these new signings. They're great performers and I think they both have the ability to be super big in the US for years to come, provided they're working somewhere that plays to their strengths.

Bringing Sasha Banks over to AEW has a chance to bring in new audience since she had a level of fame here in the States already and, hey, maybe fans of hers weren't already watching AEW. It's possible! Punk did it, right? We'll see. That might immediately make her more valuable than Ospreay and Okada. That said, there are already a ton of women that I'd love to see more of on AEW TV, so inserting another star at the top of that division kinda rubs me the wrong way.

Either way, I think these three specific cases are, well, specific enough that trying to use this to claim that WWE is "losing out" on this free agency stuff is probably wrong. They know how much they're willing to spend on an individual talent, they've been at this long enough to have a pretty good idea how some of these people are likely to monetize once they get there, and they're simply not going to overspend on any talent anymore because they're really focused on trying to bring in new talent and raise them up through their system. For all we know, AEW overspent on all three.

But they aren't spending my money, so fuck it! It's awesome! I only get mad when the people I want to see are locked behind the ROH paywall. Like Athena! Put her on real TV, she's fantastic! What the fuck!

#wrestling

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mdhwrites · 1 year ago

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Is Hunter a Good Foil?

Short Version: Not really. Even in the case of Amity, the foiling there isn't actually very deep and a lot of the foiling is what makes the character feel as inconsistent as he does. An inconsistent character can't properly foil or say anything but instead just act as a mirror to the other character. A mirror is not a foil though.

And let's piggy back off of the short version to talk about what a foil is. They are meant to reflect and CONTRAST another character in some way. They share a similarity that hits to their core but the two have in some way reacted to it differently, or had their circumstances altered, in a way that caused their characters to diverge. Most foils are effectively the question of "In a different timeline, could this character have ended up this way?" And by asking this question, they challenge the other character in some way.

One of the great movies in animation that you all had better have seen that can showcase this is, of course, Megamind. BUT it actually is useful both to talk about shallow foiling and deeper foiling. I'm sticking to just the beginning of the movie so while I can't talk about every way in which the foiling happens, I won't spoil it either: At the beginning of the movie you actually get what feels like the core foil. Both Megamind and his enemy Metroman came from doomed planets that were being sucked into a black hole but while Megamind's ship crashed into a prison and he was raised by inmates, Metroman is sent into a rich family's house where he can have everything he wants. Pretty classic but fun where one grows up in poverty and turns evil while the other grows up in luxury and becomes good.

But that's kind of shallow, isn't it? These weren't based on choices the characters made but simply the opportunities given to them. For a movie about choosing your own path, about how being good and bad isn't something you are born to be, your destiny, but your choice, this isn't actually very interesting. It sets up the conflict... But if this were all of Megamind's backstory, it'd be a little lackluster.

No, instead... We get the evil of the kids. Not like pure evil but Megamind genuinely wanted to fit in. To be accepted. He makes really cool inventions to impress the other kids but, well, they don't always work, he looks weird and he's just not as impressive as Metroman. He CHOOSES to engage... And is rejected. Meanwhile, Metroman chooses to engage and is accepted. Because of this, Metroman went on to be their hero while Megamind decided to lean in and become the villain that others treated him like. This is their true foil. This divergent moment where humanity appeared to choose one lost kid from a doomed planet over the other, despite both having genuine good in their hearts. One never had to make a choice about being the good guy while the other HAD TO. And he chose to be cold to a world that was cold to him which is important for later in the story for what makes him start re-evaluating why he is evil and how he views the world.

Megamind is REALLY FUCKING GOOD. I know we're all burnt out on superheroes, let alone things that think they're being clever with superheroes, but the movie is still absolutely worth your time.

So of course... What the hell does this have to do with Hunter? Well, you can thank my Discord like so often for it. Someone brought up the concept of Hunter foiling most of the other main characters and my brain rejected that almost immediately. I then had to ask... Why?

After all, pretty much every episode Hunter has being introduced to another character (And Hunter, not the Golden Guard so Stranger Tides doesn't count) makes some sort of really pointed connection between him and the other lead of the episode in some way. It's almost impossible to not call him a foil of some sort. So... Why did it upset my brain?

Well... Because only Amity even SLIGHTLY has something to say and, well... None of these matter. How Hunter foils other characters is very superficial.

With Luz, it's just that they're both into wild magic. That's really it. It's not that they both have deeply held, strong ideals shaped by how they view how the world should be but one thinks that is effectively through anarchy and self expression while the other is authoritarian and through conformity. We know that's not the case because Hunting Palisman literally starts with Hunter talking treason. To doing wild magic. So... Yeah, it's only that they're both interested in wild magic and both for somewhat selfish reasons, though Luz's are actually worse because she's into it to be cool and powerful while Hunter is into it to help his uncle not DIE. It's shallow, it doesn't say anything good and it hardly matters for either character because all it's supposed to do is reveal a weakness to be exploited to make Hunter a good guy but they never do anything with it nor does it really tie into the themes.

Skipping Amity for now just because she is the most complicated and obvious to talk about. We will get back to it, I promise.

Willow is by FAR the weakest. The foiling is meant to be that both suffer prejudice of a sort for their lack of magic but while one is good, the other is evil. As I said before, that's actually a really shallow way to do it because it says little about the character. Worse yet, Hunter barely cares about his lack of magic. In the show's eyes/narrative, it's just a character quirk that Willow cares about more than he does. And mind you... Willow always had magic and is now mostly defined by being SUPER strong with that magic. She actually leaned harder into the identity, though this episode is starting to get away from it, and yet is the one on the side of good? If TOH is about embracing yourself regardless of society, shouldn't the one who cares less about those weaknesses that society ascribes upon them and they overcome by things they chose to focus on instead be the one lauded more than the one who felt the need to lean into society's prejudice and have to meet them in the field they forced the character to be judged by? Worse yet, even as a one off foil, it doesn't do anything. Hunter still tells Willow to piss off and has to be abducted in order to listen to the lesson of "Don't judge a book by it's cover" (which this episode does... Not great.) So yeah, again, not really foiling anything, how it does highlights the weaknesses of the show and what is there is exceptionally shallow and actually says little about the characters.

Is Amity any different? Well, it's interesting because Amity is doing with a main supporting character something that usually happens with a one off side character for an episode. They are getting to demonstrate their growth as a character by facing a shadow of who they are and imparting the lessons they've learned. That's... Actually good. It can be really satisfying to watch a character who has come into their own put their own twist on the lessons they've gained so as to be able to pass them on anew but also potentially also more effectively. There's a risk though of feeling like that's the whole point. Just a victory lap.

And Amity is running in circles around herself. See, when all the foil is is a mirror to your past self, it can feel blunt to put it mildly. Worse yet is when you could probably replace the character who is at the end of their arc with whoever taught them the lesson in the first place. TOH literally calls out that Luz would have done this too... and probably in the same way. Not literally the same words but the same points. There's no new insight into Amity, how she looks at her redemption, how she looks at the lessons she learned, besides "Isn't it nice to be a good person?" But like... That's why Amity rejected her arc at first, weak as it was. This isn't going to jump ahead a few steps... It's just her arc.

And that also minimizes Hunter's character. Suddenly, he looks like he's just an Amity clone, not helped that the pacing is dead on the SAME as Amity's. Not even just in feel but quite literally in episode count. One episode of being being a complete asshole, one of still being antagonistic but seeing the humanity in the other side now, and then by the third we're already supposed to be sympathizing with him and see him as effectively a good guy who just needs his sweet center exposed. It is one for one how Amity went, just that the one episode not mentioned that both show up in, Amity gets a bit larger than a cameo in and gets backstory exposition while Hunter is just an end of episode stinger.

This doesn't make the story deeper, it just highlights how S2 of TOH introduced a new character... Just to redo Amity. That's not interesting for anyone in the cast because they've all done this before. Of course he can't challenge any of them because any challenge that was had, should have been with Amity. So instead of a foil, we get a really ugly mirror with tin foil around it.

And like a mirror... It doesn't show anything that isn't in it. This need for foiling each of these characters inherently changes not just Hunter's character but even his relationship with the world. In episode 1, he's some hotshot, big name in the Emperor's Coven who's youth is known and he's a die hard loyalist, to the point where he is very clearly happy and comfortable with killing people who disobey. Then at the start of his second appearance, he is talking treason and is clearly much more motivated by care for his uncle than anything else. He also appears to have a good enough relationship with Belos to feel comfortable voicing treason around him. Then in his third appearance, he's suddenly paranoid about being kicked out of the coven and being seen as useless and so explicitly goes AGAINST his uncle's orders in order to prove himself, despite the fact that he should know better than anyone that doing so will piss his uncle off. But without the theoretical pressure of being kicked out of the coven and abandoned, he can't foil Amity. Then of course, for the sake of being rejected by society, all of Hexside suddenly hates the Emperor's Coven and it is a blessing that this rockstar figure of the Golden Guard can't come down and suddenly be the highlight of the entire club fair. Just so, you know, Willow won't reject him for being part of the EC.

(Quick note: Kikimora and Hunter are dumbasses in S2 when it comes to Belos' standards. Lilith fails like a half a dozen times in S1 alone before being given an ultimatum that is honestly pretty fair at that point with how pathetic she's been. Even S2 isn't consistent though. We get two different people (Cute cat coven lady and Steve) who ditch the EC and act like there are literally ZERO consequences for it. Both of these paint Belos as a weirdly reasonable boss for a tyrant and makes the world building worse.)

All the while... We've spent no time establishing a base for Hunter. There is nothing for these characters to challenge about him besides the fact that nepotism is why he's in the EC because there is nothing else to challenge about him. The Golden Guard we saw for a single episode is only there for one episode and isn't indicative of him outside of that episode except MAYBE for half of Hunting Palisman depending on how you see that. Otherwise, his personality is... Madlibs. Just choose whatever you want because it will make about as much sense as what he actually got in the show.

And something that warped and malleable is going to be a pretty shit mirror, let alone a foil.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

#the owl house criticism #toh critical #toh #hunter toh

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lumonafox · 2 years ago

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Watching Van Helsing for the first time and I have thoughts and feelings

Disclamers first: My previous experience with the movie was clip of the masquarade on youtube and some Leather-Jackman encounters on my dash every once in a while. I only know Dracula and Van Helsing by name and at this point I can’t be bothered to memorize the rest. My taste in men is questionable and unapologetic, if fancy vampire Count kissed my neck and said he wants me to be his spouse, I would simply fold. Not entirely into the idea of laying clutches of cocoabean-like-gremlin-eggs for him, but we’ll cross that bridge when we get to it I guess. With that out of the way, let’s begin. Quick notes during the watch: 1 they gave Jackman machinegun-crossbow and he still can't hit shit with it 2 if Dracula got pegged every once in a while he might be a little less edgy and murdery which would make the world a better place overall 3 Catherine Zeta Jones got even more faisty, corsetty and not-catherine-zeta-jones-y, I guess the budget only had place for one big name 4-derpy little monk with his derpy little sunshine invention and derpy little forshadowing 5-Zeta Jones is surprisingly tan for a Transylvania native. 6-why does everyone seem to want to fuck everyone? To be fair... I too want to fuck most of them. Point taken. 7-if thes had stopped dropping their weapons for one second the plot would have been over in first 30 mins...you mean to tell me that trained killers can't keep a hold on their gun? 8-ofc the bro is the new werewolf but also does his transformation NEED to be such artistic spin-aroundy balerina style? (Also naming the werewolf brother Velkan is about as clever as naming him Remus, Lupin, Remus Lupin, Barker, Wolfer Mc Wolfenstein etc...) 9-nobody in this movie takes fall damage and Dracula has literal gravityhacks. It should be threatening but it is hilarious 10-young Jackman during night rainstorm looks like Orlando Bloom in Pirates of carribean (I refuse to elaborate, just trust me) 11-Vampire kids look like cocoa beans before they hatch. After getting tazed they turn into bat gremlins. Then they feed (?) and turn into hot-wife-in-grayscale material (?) Having larval and mid stage would imply that vampires are some sort of insect which makes them considerably more yucky 12-Gabriel? Is he also a vampire? Serving the church? Is he anti-vampire? 13- *little evil man voice* we have SUCH history Gabriel (we broke up during the crusades and I have gotten three wives to compensate) 14- funky little monk, sorry, a friar, and funky little loopholes 15- not to ruin your happy moment but the roof is still very much on fire and there is still mr Wolfenstein trying to kill you 16- can't turn into a werewolf it you already are one my dear Helsing, yknow. friar found the knight fighting gif... 17- Did she just MOAN? (lowkey same sis) 18- the whole masquarade thing is slightly disturbing but mostly hot 19- he just proposed to her 20- monsterhunter with few levels in rogue, undersood 21- sorry to break it to you love but you will not kill all of them vampires with one flail and rage 22- so he IS werewolferized? Shouldn't that be fixed by rubbing some wolfsbane on him? 23- the group shares one braincell, which is mostly with the friar, sometimes borrowed by van Helsing to keep them alive in the more pragmatic sense 24- so NOBODY touched any of them ‘inconspicous’ wall decorations or translated the latin text on the SUSPICIOUSLY large wall map even though they have been searching for clues for hundereds of years in the house...sure 25- password protected mirror teleport 27- say friend to enter...wait, wrong movie 28- the banter, the writing, god I love this (why should I not kill you? Uhmmm...) also (Cut off his finger...I'll cut off SOMETHING) 29- convenient amount of storms in the area 30- assuming they need a living matter to conduct the electricity couldn't they just strap a jellyfish in the box and be done with it? Does the matter need to be inteligent? If so, how much? Would like Eel level sufice? Was this tested or did he just go like NAAAH NOT DRAMATIC ENOUGH 31- conveniently placed ball of steel-melting acid in a glass jug 32- fidget-spinning-vampires 33- what method of conduction do they use ffor reanimation process? Nobody wants partly fried offsprings or an undercooked batch 34- nobody in this movie takes fall damage...except for poor Igor 35- after a brief pause, Dracula accepted Gabriel as a furry and tried to get back together with him 36- slowest clock ever, since the first strike, they managed to throw eachother around, Zeta Jones befriended the Frankenmonster, defied gravity, killed vampirewife, almost killed the friar, boys had some more toss-around and we’re still not done... 37- we could have been friends, partners, brothers in arms (no homo) 38- convenient cloud for conversation purposes 39- she dead? She dead dead? 40- *sad werewolf noises*(but seriously...after ALL THAT FALLING the thing that kills her is lying down a bit faster on a cussioned sofa??? Seriously?) 41-yep, she dead...lol

Afterthoughts: 1-so what exactly is Van Helsing? Apparently immortal yet neither vam nor were? 2-can't bring myself to care enough about the monster to dive deeper into his very much unresolved ending or story in general but big F for him 3-Zeta Jones got into heaven because Dracula died like three minutes sooner than she did, imagine if the timing was other way around. Gotta love contracts. 4- so is this like post-high fantasy? Lost technology (teleports and cures for werewolfism) and ancient order with access to higher technological level than common folk (Helsing's spinning pizza cutters, machine-bow, the holy sun-granade)? It could also read as steampunk but there is not nerly enough cogs, brown and brass and too much horny, edgy and dark for that I think. 5- Faramir? In this economy? More likely than you think. 6- I couldn’t get the spelling of friar right, so I settled for calling him a fryer during the watch. It didn’t seem right but it looked wrong enough to be something christian. Spellchecked after and I’m glad I did. 7- The soundtrack slaps and the writing is solid, 10/10 would recommend

#van helsing 2004

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hospitalterrorizer · 1 year ago

Text

diary65

11/15-16/2023

wednesday - thursday

it's so quiet right now.

i showered just now, or like, at 11, and i've gotten out an hour ago maybe, 1 hour, 30 mins, maybe, i dunno. i had to do the rest of my working out in the bathroom tonight which meant no hip thrusts but i did bring my phone into the bathroom and that made me look at all my old pics after using it as a timer. it made me cry a little, seeing all that. the fan is off and it's so quiet. it's so weird. i can hear myself breathe, the apartments around us are creaking. i hear my keys. it's a long time since i've reckoned with silence like this. then after looking at all the old pics i took pics of myself thinking if i could get a photo of myself, a mirror selfie, where i get myself as front on as possible, with as many features exposed i guess, to try and understand what i look like. to see if i could compare it to the bad picture of me, and see if that one is lying to me or something. but i don't know. i don't know why i look better in the mirror, does that mean i look better in other human eyes too, or is it only because i am seeing myself at eye level. is eye level always flattering? i can't tell. i don't know. i don't want answers from the internet because they're always crushing. it feels intentional. people on quora and body dysmorphia forums want you to feel terrible so you have to stay near them, it feels like. i guess saying things are really as bad as you imagine, and every detail you've invented is actually real, is a good way to keep yourself from being lonely.

anyway, i don't want to keep imagining what angle produced my fucked up face in picture v. why my face seems (in my eyes from my skull from my brain and eye spacing and all the seconds and whatever making the perception add up to "a face" (can you tell i really feel insane because of this)) okay. i am tired, it is late.

today i recorded vocals and it felt good, and i exported 2 of the songs i redid vocals on, and i do like the vocals a lot more. one needs them to be quieter, the other needs them a touch louder + brighter. anyway, i need to get the mixing re-done on the third. tomorrow i will do that. honest. i think i said so already but this freakout is at least productive for writing.

youtube

i am unpleasantly sick in my stupid head. this song makes it feel better. i like how the song turns kind of evil at this speed. when they play it slow, it's scared, when it's fast it's evil. there's something so meaningful in that, something about fear turning to cynical abandon, crashing your car, jumping into the street, off buildings, your body reduced to something you are performing velocity functions on to see how far it could go or whatever. being freaked out makes that happen. somehow that's cool. i guess it's the abandon part. something about 'abandon' and the abandoned right beside eachother, infinite growth and overfed expectations + excitement into total failure, dead office buildings are a kind of manifestation of the death drive, right. don't mind me i'm just free associating, feeling bad makes that always seem more important than it actually is. that's how mark fisher got to be anything. he was so depressed he didn't realize he wasn't really that bright. i don't want to be mark fisher. he's not too stupid either. i just don't want to ever be as obvious as he was. it would wound me to be that obvious. i figure, though, everyone thinks i am, just like everyone thinks that's me in that picture, and it is but it isn't, and maybe i am but not like that. maybe not at all. i refuse it, that isn't me, and i can make myself not that obvious, right? now i'm just pleading with god or something. it's all nonsense anyways, mindvomit. tomorrow i promise to be more lucid, i promise to be happier and maybe i'll be prettier too. my selfies were good, i think. that's the scary part. in the mirror, i reached a point where i though, i look okay. but then it felt wrong again. i can't tell. i saw myself a little bit just now, i couldn't tell, was it okay, was i ugly, i didn't linger, i couldn't. why is this so overpowering for me. it's eating all my head, it's really bleach on a pattern, splash and then blankness forever. i need mouthwash. i am going to see myself again. i'll report back and say what i saw. it's like blair witch.

maybe i've come closer to understanding if something went wrong, or not. i can't tell though. i can't tell if i'm blind to my jaw, or if i see it too harshly. it looks okay, i think, when i relax in front of the mirror more.

i started crying, i think i see myself, right now, or i hope, i don't know, i'm treating my face like mars, i'm also the probe. anyway i started crying, i don't know, there were more thoughts, i can't keep doing this to myself but i feel like that really isn't my face but i'm too tense or i keep moving things around weird or something. i dunno. i can't tell. it's 4 am now. yay so fun i love being crazy lol.

anyway:

byebye!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

#Youtube

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victorlincolnpine · 2 years ago

Photo

It's interesting that in order to justify your worldview, you have to invent new characteristics about the person in question. In order to make yourself feel better, the starving person is "lazy", "immoral", and demanding of everything you have.

You have to fully and completely replace reality with a long-winded fiction that assigns some traits inherent to capitalism as being the "evil" things one would ask for when they want a piece of bread so they don't have to starve.

"You are not and never will be entitled to the labour of another.... ...Medicine, food, shelter, all provided through taking from those that make it" is a big one.

Do you know what employment is like in the USA? It's exactly that for most everybody save a few that are on the top. People get "compensated" in the order of many times less than the value of their labor every single day.

While the ones controlling this unfair deal leech the value of that labor for themselves, getting the best medical care, gourmet food and houses upon houses as a result.

But rather than looking at these people, the hyper rich who do in fact act as parasites on everyone else without a shred of a conscience...

...you look at the starving ones who dare to steal a little food.

You assign the traits of the hyper-wealthy onto people who have so little that thievery is their only hope so they won't die.

Your worldview allows someone to starve to death while someone else takes your labor to go on a joyride to space. And in the back of your head you know this wrong, and it causes you extreme cognitive dissonance.

So to resolve it, you flip reality on its head. Believing a mirror concept where a Just World Fallacy is universally true and everyone who is on top is a pure angel and a hard-worker that deserves their filthy lucre, while everyone on the bottom is an evil, lazy, amoral wretch that deserves to die.

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pillage-and-lute · 4 years ago

Note

Prompt: fake realtionahip/marriage, whoever you like!

Ooohoho! This has been chilling as a draft for ages, now I have completed it. *mildly evil laughter*

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The funny thing about Geralt, Jaskier thought as he did up the buttons on his best doublet, was that he really didn’t lie. He said things that weren’t true, but they were usually things he believed, or thought he believed because he was tired or grumpy. Sometimes he told half truths. He didn’t lie though.

It wasn’t even as if he didn’t have a poker face, Geralt’s face was all poker face, he just hated lying. Normally it wasn’t an issue, but tonight, Jaskier reflected, it wouldn’t be ideal.

Jaskier had heard through some whispered words at a pub that a bunch of Nilfgaardian nobles were having a gala, and the temptation of finding out what political secrets they could was two strong for their odd little family. So Geralt and Jaskier were going undercover.

There had been quite a bit of debate about that. Jaskier was obviously going. He’d grown his hair longer and had a bit of scruff going, and to be frank, all a bard really needed to disguise themselves was a new name, people saw the clothing and heard the music, but rarely remembered the face. Yennefer would have been the ideal partner in crime except for a crucial thing.

When Yennefer had been changed by magic, her eyes had been left the same. Somehow, the transformation had solidified them, and no spell would change them. Her eyes were too distinctive, and so she would stay behind with Ciri. That left Geralt, and since the ball was only for the nobility, he would be the fiance of Julian Pankratz, Viscount de Lettenhove.

Damn.

See, Geralt didn’t lie, and that was bad enough. Jaskier wouldn’t be able to rely on Yennefer’s in-depth knowledge of the nobility and that was worse. Worst of all though, was the fact that Jaskier would have to spend a night full of wine and dancing pretending to be in love with, and engaged to, Geralt. Who he loved.

And who had, not three months ago, blamed Jaskier for every bad thing in life.

Since then Geralt had caught up with him half-way down the mountain and there had been some grumbled words about how Jaskier ‘wasn’t actually, exactly, a total curse’. Not a glowing review, but then Cintra had fallen, and they had Cirilla and they’d found a wounded Yennefer and it had all gotten so very busy.

Jaskier cast a last look in the mirror as the door to his room creaked open. He turned, expecting Geralt, but it was Yennefer.

“I suppose,” she said, eyeing him. “That this is as good as you get.” It could have been said cruelly. A year ago it would have been. Now, though, the words were fond.

“I like the kohl, it goes well with the wrinkles at your eyes,” she winked. He smiled. There were no more wrinkles now than had been twenty years ago, and they both knew it.

“I wasn’t sure about the eyeliner,” Jaskier said, trying to sound haughty. “Overdramatic eye looks are your thing.”

Yennefer chuckled and sat on the end of the bed. “A tiny smudge of eyeliner is hardly overdramatic.” She studied him approvingly, then looked at him. Her expression was frighteningly soft.

“Have you told him that you love him?”

“Never,” Jaskier said, fiving his cravat in the mirror.

“Why ever not?”

“It would only be the mountain all over again,” Jaskier sighed. “I tried, you know. I spent years trying, and then on the mountain, I thought I was being clear...”

“What did you say?”

“I asked him to leave it all, just for a little while, with me. I thought we could go to the coast.”

“The coast,” Yennefer said from her spot on the bed. “As in Lettenhove? You wanted to show him where you grew up?”

“Partially. I could explain the immortality business easier if he met my sister, but mostly I just thought it would be peaceful.”

Yennefer snorted. “With Geralt? Peaceful? He’d spend the whole time fighting drowners and telling you not to write about mermaids because they’re vicious.”

Jaskier smiled wanly. “That’s pretty peaceful for him.”

“But he said no?”

“He didn’t say anything,” Jaskier said. “Then he, well, you know, he spent the night in your tent.”

“Ah,” Yennefer said. “For what it’s worth, I hate that it happened too.”

“He doesn’t though!” Jaskier cried, whirling around to face her. “He wants it to happen again! And you! You don’t want him but he wants you while I want him!” The frustration of the whole situation and nerves for what was to come were overwhelming. “And you’re here, trying to help me,” he said more quietly. “Why?”

“Because I like you,” Yennefer said, simply, standing from the bed. “And I like him. I also never, ever want to kiss him again. The djinn is sitting, somewhere in my chest, telling me I love him, but the feeling is...sick. It feels like love, as well as I can remember, but it’s poisoned and twisted and I want no part in it.”

Her purple eyes pinned Jaskier to the floor.

“And that poison pales in comparison to how much you love him. He deserves that.”

She swept out the door, tossing a “Sort it out,” over her shoulder.

Well.

The next knock at the door was Geralt, Ciri in tow. Jaskier hoped the witcher hadn’t heard any part of his and Yennefer’s conversation, but he suspected that no one overheard conversations that Yen didn’t want them too.

“Dandelion!” Ciri said, leaping at him and using the name she’d first met him under. “You look nice! Like a prince in one of your stories!”

Jaskier blushed and thanked her quietly as he scooped her up and tossed her, laughing, onto the bed.

He looked at Geralt for his opinion.

Oh he looked so good too. Yennefer had charmed him so that anyone else would see a different man in Geralt’s place, but to Jaskier he looked just the same. But he was wearing white.

A white chemise, the collar and cuffs with fine red embroidery, with a cream colored cape, half length so it fell just to Geralt’s hips. It was embroidered too, green and pink and so many other colors, despite being overall still mostly cream. The pants were the same creamy fabric with a stripe down each side. Dark boots and a wide, decorative, dark belt completed the look.

“Wow,” Jaskier said.

“Rivian traditional clothing,” Geralt muttered.

“I thought you’d hardly actually been to Rivia,” Jaskier said,.It was a better choice than the other thoughts in his head, which were half-formed screams about how absolutely skin tight those pants were.

“I haven’t been, but my...character is.”

“Right,” Jaskier said, dragging his eyes above Geralt’s shoulders. “My fiance, Ludomir of Rivia.”

Geralt said nothing.

Jaskier kicked himself for mentioning the fiance thing.

“We should go,” he said.

And they went.

The lord’s castle was small, as castles go, and the guards at the gate didn’t even bother to check their invitations. With all the other lords and ladies streaming past, no one would guess that the pair were out of place. Jaskier and Geralt enterred the ballroom and Jaskier felt his stomach drop straight through to his shoes.

The walls were positively lined with Nilfgaardian soldiers. Geralt’s shoulders stiffened too, but they steered themselves to a feast table as if nothing was wrong.

It took them almost a full circle of the tables to find the two little cards for ‘Viscount de Lettenhove’ and ‘Guest’. Getting onto the guest list had been laughably easy, and Jaskier just sent up a silent prayer of thanks that the stupid title was finally useful for something.

They sat in their places and guests populated the seats around them. There was a lady next to Jaskier who already smelled of the strongly alcoholic sherry that was being served. Her hair, probably a wig towered, and was strung all over with so many pearls and little tiny golden ornaments that when she stepped outside she must surely be attacked by magpies.

“My lady,” Jaskier said, as chivalrous as he could around a mouthful of her rose perfume. “I’m afraid we haven’t had a chance to be introduced.”

“Oooh,” she giggled, “You’re sweet, I’m Dame Au’Vigne, and I can see by your card that you are the Viscount de Lettenhove, I knew your father.”

Yes, Jaskier thought. I remember, he turned down your proposal. Jaskier had been a lad then, barely eight years old, but he remembered through a child’s eyes a mountain of lace and perfume who had offered to marry his father while actually at his mother’s funeral.

“It’s a pleasure,” he said. Heinous bitch, he thought. He remembered rumors too, which are always a bard’s stock and trade, that Dame Au’Vigne’s husbands were always wealthy, usually handsome, and all of them had shockingly short lifespans.

Rumor also had it that she was backing Nilfgaard financially and had been playing the shipping stock with insider knowledge of their movements. A very good person to be seated next to tonight.

“May I introduce my fiance, Ludomir of Rivia,” Jaskier said, gesturing to Geralt. Geralt nodded and hummed, somewhat politely.

“How handsome,” Dame Au’Vigne stage whispered. “Where ever did you find him?”

“You wouldn’t believe me if I told you,” Jaskier said.

The lord of the castle stood up and gave a droning speech. It was full of euphemisms about ‘upholding standards’ and ‘fostering strong relations’ that boiled down to ‘I’m an untrustworthy bastard who believes that allowing the deaths of my people en masse is fine so long as I make money.’ It was depressing, too, as Jaskier looked around the ballroom to see so many people nodding in agreement.

Traitors and bastards, the lot of them.

Geralt’s face hadn’t changed even an inch.

“So,” Dame Au’Vigne said as the appetizer course was served. “You two aren’t exactly in a honeymoon phase, are you?”

And she was right, for a couple, newly engaged, Jaskier and Geralt hadn’t acted the part yet at all.

“I’m afraid,” Jaskier said, inventing wildly. “That we’re both just a touch nervous, the engagement is so new, you see, and this is our first event,” he took Geralt’s hand, above the table, so Dame Au’Vigne could see. “As a couple.”

“Oh how sweet,” she said airily. “You know, they’ll have dancing between the courses, it’ll be a great way for you to wet your social feet. Sir Erdin and the lady in the lavender dress,” she pointed across the ballroom. “They’re newly engaged as well.” She lowered her voice.

“Sir Erdin is very supportive of the cause, word has it he’s in with the very inner circle,” Dame Au’Vigne giggled, as if being in the inner circle of a murderous group of intruders was as delightful as a recent engagement.

“How interesting!” Jaskier said, affecting a jealous and impressed tone. Out of the corner of his eye he saw Geralt’s eyebrow twitch, the way it did when he was listening hard.

“Oh yes,” Dame Au’Vigne said. “And Lord Snapcase, in the corner, he...” and she went on, was the marvelous thing, she couldn’t seem to help herself but gossip about everyone. And she had all these details about how they were helping ‘the cause’. Destiny must have finally decided to throw Jaskier and Geralt a bone.

Then the appetizer course was finished and Jaskier felt much less lucky. Dame Au’Vigne was ushering him and Geralt out of their seats to dance. It wasn’t one of the quick, hopping around, switching partners dances either. No, the band seemed insistent on only slow, romantic music.

Awkwardly, Geralt slid one large hand around Jaskier’s waist and they turned in slow circles on the dance floor. The witcher’s face looked like a thunderclap.

“Try and look like you’re having fun, darling,” Jaskier said. Please don’t look at me as though holding me is torture, his inner self begged.

“Hmmm,” Geralt said. Jaskier leaned in.

“Really dear heart,” he leaned in even closer, lips almost touching Geralt’s ear. “People are going to suspect something,” he said in the barest of whispers.

“Let them,” Geralt hissed back in the same fashion. “We’ve got the information, we can leave.”

Jaskier, keeping up appearances, tossed his head back and let out a delighted shriek of laughter, as if Geralt had just told him a joke or, perhaps, made a wonderfully indecent proposal.

“Later, perhaps,” he said, stage-whispering for the sake of those around them. Leaning in again he whispered for real, “We can’t leave until the party’s over, no one else will, they’d send some of those soldiers after us for sure.”

The music changed, and Geralt and Jaskier’s slow circles changed speed with it.

Geralt hissed in his ear again, “I don’t see why I had to be your,” this close Jaskier could see Geralt’s jaw working with distaste. “Lover.”

“Fiance,” Jaskier said, trying not to let his heart sink. It couldn’t possibly go any lower. “There’s a difference.”

They said no more to each other, and after the second dance, declined the third to sit back at their seats and await the arrival of the soup course.

The man sat beside Geralt was some old military man, mostly mustache and the rest of him was a rather musty and very old fashioned uniform. It had gold braid and a colonel’s insignia. The hat that sat next to his chair had a plume.

He leaned over to Geralt and said, rather loudly, in a voice that implied tone deafness, to both volume and social situations, “Just marrying him for the money, eh?”

People to both sides of Jaskier and Geralt looked around. Dame Au’Vigne looked at them askance.

“Hmmm,” Geralt said. It was a negative answer to the colonel’s question, but the man didn’t take it as such.

“Often is the way,” the man nearly bellowed. “My missus hated me right up to the day she died.”

Jaskier curled in on himself. The role of Viscount wasn’t a big one, mostly administrative and, these days, completed by his sister Rowena, who was better at sitting behind a desk. Still, argued a battered part of his long ago but still proper upbringing. The name of Pankratz was being dragged through the mud. Lots of these people would know the name too, these sour, vindictive, unpleasant, murderous people. And they’d know the gossip, would have taken part in the gossip about ‘Young Julian running off to be a bard,’ (this generally said with the same tone as is usually leant to slave trader) and how ‘he’ll never find a good marriage now,’ how he was ‘a disgrace to the name.’

And here was their long awaited confirmation. Jaskier-Julian, couldn’t find a good marriage, was being wed only for his money. Of course, more than half the pairings here were only in it for the money, but to have it said, so loudly too, and before the wedding had even happened, it was social condemnation.

Jaskier looked down at the table cloth, his face hot. He’d faced social condemnation before, of course, he’d survive. What hurt was that Geralt wasn’t really protesting, Geralt couldn’t even pretend to like Jaskier, not for a single evening. Twenty years he’d done a good enough job of acting to convince even Jaskier, mostly, apart from the punches and the insults and...maybe Jaskier had been a little blind to the truth but still.

It was ruining their cover though, so he protested quietly. “Not just for the money,” he said, patting Geralt’s hand where one fist wrapped around his goblet. “My fiance is just shy, that’s all.”

The damage was already done, but the old colonel hiccupped. “Well lad,” he said, giving Geralt a slap on the back. “This ale’s pretty good so drink up. Got me through three years of happy marriage, strong ale did.” The man took a slug of his own drink. “And fourty seven more unhappy years.” He guffawed hugely and unpleasantly, little drops of ale flinging from his mustache.

Wherever the soul of the unpleasant man’s dead wife was, Jaskier felt sure she was happy to be away from this miserable old drunk.

Geralt, however, was looking at Jaskier. Their eyes met. Jaskier knew he probably looked as hunted as he felt, and his cheeks were probably still burning from the embarassment. Still, it seemed as though Geralt was about to say something. His golden eyes were full of emotion, but Jaskier couldn’t parse out what kind.

Whatever kind it was, it caused Geralt to take the colonel’s advice and drink like there was no tomorrow.

Great. Jaskier had driven his companion to drinking.

He felt a little like doing so himself.

The soup course was good, hot and savory, but underspiced. Geralt slurped it up gratefully. Jaskier knew that rich food was usually too much for his senses if it was spiced to Jaskier’s taste.

More dancing. Jaskier didn’t stand, at first, assuming that Geralt would rather sit and drink more. There were some snickers as people judged him. Geralt stood though, and he offered a hand and led Jaskier to the dance floor.

“You need to act drunk,” Jaskier whispered in his ear. “If you were a normal man you would be.”

“I am acting,” Geralt rumbled.

“You’re very steady for a drunk,” Jaskier sniffed.

“You said I was shy, now I’m less shy,” Geralt whispered. “And I’ve been drinking. So...drunk.” It was torture, being held like this, having that voice in Jaskier’s ear. That hand, so warm cupping his own. He wanted to cry.

A couple whirled past them. It was the Dame Au’Vigne, gossiping to some new dance partner. A snippet of her words caught them.

“-de Lettenhove. Entirely loveless of course. Unlovable, his father said once, of course as a bard-” then the tide of conversation and other dancers stole the rest of the words.

Jaskier sagged. His father hadn’t been a nice man, and unlovable wasn’t the worst of what he’d been called in his life, but now, with Geralt so close and so disgusted by the prospect...well, it hit a little close to home.

“Laugh,” Geralt whispered in his ear.

“What?” Jaskier hissed.

“Like before, laugh like before, but...more so. Pretend I said a dirty joke.”

Jaskier did, heads turned as he pretended to laugh, half scandalized and half delighted at something Geralt said.

Geralt even chuckled along with him. Then his hand crept down Jaskier’s back to his hip. It wasn’t dirty. It was just so,so spine tinglingly close to dirty.

It was almost worse. If Geralt had gripped his ass that would have been bad, but this, Jaskier was left to speculate. He had a very active imagination. The couples next to them were giggling and tittering, scandalized, but not too much, at the pair.

They danced all three dances. During the second dance Geralt spun Jaskier out and then back in flashily, dipping him over one arm like a dainty maiden. Jaskier, who was no dainty maiden, knew the strength that elaborate dip must have taken and his head spun. The third dance was slow, and once again they simply held one another and turned in slow circles. Except Geralt pressed their cheeks together in a way that was so intimate that Jaskier finally gave in. Just tonight he had Geralt, all of him, his attention, his warmth.

There was only so much a bard could take, and Jaskier gave in to the fantasy.

“I wonder how Yennefer is,” Geralt whispered. “And Ciri.”

It was like having cold water poured all over him. Jaskier’s fantasy shattered as soon as it had formed. Of course Geralt wasn’t enjoying this, of course his mind was elsewhere. He had a beautiful sorceress to think of, even if they weren’t sleeping together. Geralt and Yennefer and Ciri made the perfect, happy family. Where did Jaskier fit in to that?

He pulled back a little, already missing the warmth of Geralt’s cheek against his own. They finished the dance stiffly.

Back at the table, squished between Dame Au’Vigne and the colonel, the main course was awful. Jaskier couldn’t judge it on the food, which he barely tasted. Dame Au’Vigne and the colonel, however, had apparently come to the conclusion that Geralt or, Ludomir, rather, was marrying Jaskier for the money and the sex. They tittered, loudly and drunkely, to those around, and Geralt leaned in.

“Surely we can leave after this course,” he whispered.

Desperate to be rid of the charade, Jaskier thought. To not have to be engaged to me. “Can’t,” he whispered. “Have to stay for dessert and more dancing, else it looks suspect.”

“Hmmm.” It was a displeased hum.

“And, there will be small talk, with dessert. You need to say something, people will think you’re mute.”

“You two twitter into one another’s ears all the time,” Dame Au’Vigne said loudly. She was fully drunk off the sherry and very loud. “But not one kiss,” she lowered her voice, as if trying to be discreet. It didn’t work. “Is it truly as loveless as they say? I know you aren’t waiting until marriage.”

As who say? Jaskier thought. The only person quite that invested seems to be you.

“Not loveless,” Jaskier said. It seemed weak even to his ears.

“Surely you’ll join the dancing again, then,” Dame Au’Vigne said.

“No,” Jaskier said, fiddling with his napkin. “I’m feeling quite too full to dance, ate too fast, I’m afraid.” He hoped she was too drunk to notice he’d picked at his plate. It seemed she was.

“Lovely little veranda, get some air there,” said a man who, according to Dame Au’Vigne, was shipping weapons to Nilfgaard behind the backs of multiple heads of state.

Jaskier nodded,stood, bowed, and made his escape. He sighed, but wasn’t surprised to find that Geralt had followed along behind. Of course he wanted to escape the party too, but Jaskier wanted to escape...him.

To his shame and surprise, he found tears in his eyes. The pressure of sitting in a room chock full of people who wanted to kill him, combined with the fact that every last one of them reminded him of being bullied in school, and add to that that he was supposed to be fake engaged to Geralt...it was too much. Fake engaged and even in their fake engagement Geralt didn’t like Jaskier.

Jaskier’s rational brain knew that Geralt did like him, mostly. He just didn’t love him.

Jaskier leaned his elbows on the railing, overlooking some moonlit gardens, and felt the tears roll down his face.

“They think I don’t like you,” Geralt said quietly.

“Yes,” Jaskier said. He knew Geralt could smell the salt of his tears or whatever, but still turned his face away so the witcher couldn’t see.

“I danced with you though.”

Jaskier chuckled wetly. “Nobles dance with people they hate all the time.”

Geralt was quiet for a minute then, very gently, he took one of Jaskier’s hands. “I don’t hate you.”

It was too much, Jaskier started crying in earnest, sobbing.

“C’mon, Jaskier, I like you. A lot.” Geralt was, for him, panicking clearly. Jaskier almost smiled. He was so bad at dealing with other people’s emotion. And his own.

“You’re my friend,” Geralt said, a little stuntedly. “You know I’m not a good liar.”

Too much. Twenty-two years and he finally said the word ‘friends’ and Jaskier wanted more. He whipped around to face Geralt.

“Tell me the truth, then, Geralt. Tell me you love me, it doesn’t have to be the truth for forever, but can you love me just for a night? Can you make it the truth for tonight?” Jaskier’s tears were ugly and blobby and drying up fast but he continued.

“Because I’ve loved you so long I don’t know any other truth,” He leaned forward and planted his forhead on Geralt’s collarbone and sniffled through the last of his tears, curling one, shaking fist into Geralt’s lovely pale cape as he cried. “Just this one night, Geralt, love me back.”

He hadn’t meant to say any of it, was half expecting Geralt to toss him off the low balcony into the bushes below.

Instead Jaskier was lifted by two strong arms and sat down on the railing. Warm, delightful lips pressed against his and suddenly he was being kissed within an inch of his life.

“The truth, you want,” Geralt said, pulling back and panting. “Is the only one I can give. I can’t pretend to love you.” Here Geralt looked into Jaskier’s eyes, like being struck by lightning. “I only love you, no pretending, I swear it.”

“But-” Jaskier was cut off.

“They think I don’t like you,” Geralt said, furiously. “I think you think I don’t like you, Jaskier I like you, I love you so much I don’t know what to do and I’m...I’m not good with words. Or emotions.” Geralt’s shoulders dropped a little. “I just am, and the way I am is... The way I am is better with you.”

Geralt’s face screwed up with anguish. “And I’m the reason you think I don’t like you, it’s my fault and that feels so...so bad. Yennefer’s been working with me on the feelings thing and always says ‘bad isn’t a feeling’ but I can’t tell you what all the feeling is.”

Jaskier was staring, mouth open, as frustrated, stilted, fumbling words left Geralt’s mouth. They sounded angry, but only at himself. Geralt was looking up at him as if seeking benediction.

“Tell me you love me again,” Jaskier said.

“I love you.”

“Again.”

“I love you.”

“Again.”

Jaskier giggled as Geralt lifted him and spun him around before tucking him in close and kissing his forehead.

“I,” he said.

A kiss to Jaskier’s nose. “Love.”

A deep, breathtaking kiss to his lips. “You.”

There was nothing left for Jaskier to say except, “wow.”

Geralt smiled, that lovely warm little smile he saved for special times and offered his arm to Jaskier. “Shall we?”

They paraded back into the ballroom and danced the final dance of the set. Geralt whispered a suggestion of what he’d really like for dessert and this time Jaskier didn’t have to fake the scandalized giggle. “Back home, perhaps,” he said.

Dessert meant more conversation with Dame Au’Vigne, which was of course unbearable. There was plenty of Champagne though, which was pretty good, and the bubbles seemed to fill Jaskier all the way up. He took pleasure in picturing the downfall of all these horrible people when Nilfgaard was finally defeated for good.

He especially enjoyed sticking it to her gossip when he fed Geralt a strawberry with cream from his fingertips and recieved a kiss in thanks. Geralt was clearly enjoying himself too. He had a sweet tooth, and that certainly helped, but his hand that never left Jaskier’s under the table was a much better clue.

They walked back to the inn, flushed and warm in the cool night air, bidding farewell to the other drunken lords and ladies all filtering to finer inns or grand coaches.

Then they were alone on their path back, Geralt’s witcher senses confirming their isolation. Then, Geralt, who never told lies, whispered sweet nothings into Jaskier’s ear the entire way home. Jaskier believed every single one.

-----------------------------------------------------------------------------------------------------------

It’s done, this one’s quite long and I loved writing it. Geralt is useless at playing pretend, but very good at loving Jaskier in his own way. I imagine his emotion lessons with Yennefer must have been rather intense.

#the witcher #geralt x jaskier #geraskier #fake dating #getting together #fluff #fluff and angst #tiny amount of horniness #read with caution

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clarenecessities · 4 years ago

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As my followers may have picked up from my long, spiraling rants, I’ve undertaken a new research project, courtesy of the death grip She-Ra has on my brain. And guess what? It’s finally at Disseminate Information Stage! So I’m going to lay out all of the gods, demigods, and godbeasts of the Masters of the Universe. With sources!

This table is more of a cheat sheet. We’re gonna tackle this god by god, with a section on Actual Lore & a meta section to help you decide how valid you think they are, because frankly some canons are more canon than others.

Asklepia, Benevolent Snake Goddess

Lore: Asklepia is one of two snake goddesses, the benevolent twin sister of Serpentia. We know very little about her abilities, but the Snake Clan (a clan of human warriors) were said to worship her, and they were famed for their architecture and healing. She had the ability to curse and deform people--to what extent is uncertain, but she’s known to have condemned a fallen priest named Ka, whose disfigured likeness now adorns Snake Mountain.

Behind the Scenes: First appearing in the 1987 comic “Il Nero Cristallo Del Potere“, Asklepia remained nameless for over 30 years, until Masters of the Universe Classics (MOTUC) released a few choice bios. For the unfamiliar, MOTUC seeks to reconcile the often contradictory canons into one overarching narrative, which is great in theory, but in practice is kind of like putting ice cream on a hot dog. And calling it a Chilly Dog ® as if that makes it taste better. But I digress. In 2019 they released a bio for the Staff of Ka which finally put a name to the less-evil Snake Goddess, in an obvious nod to Asclepius and the asklepian (that staff+snake icon people put on medical stuff).

Sharella, the Green Goddess and/or “Avatar” of Asklepia

Lore: Contradictory

Long Version: Okay I’ve put avatar in quotes because it is... contentious. Basically, and you’ll see here why I felt the need to make this post instead of relying blindly on the wikis, Sharella was introduced (in the ‘87 licensing guide) as a tribal leader who had joint custody of Gray, the original name of He-Ro’s alter ego, while he was growing up. This was further developed by Emiliano Santalucia’s concept work, wherein she was the leader of the Green Tiger Tribe (GTT) specifically. While the comic concept was not run through licensing & is thus not “canon”, the idea of her leading the GTT persisted. This teeny tiny image of her from Tytus and Megator’s 1987 Italian box art was all we had until 2008, when one of He-Man’s accessories described her as the “warrior woman ally” of Queen Veena, “who had been changed into the immortal green-skinned avatar of the Goddess Asklepia”. In 2009, MOTUC released a figure for The Goddess, apparently forgetting they’d done that shit the year before because the packaging did say “K’yrulla” was her real name. They had to cover it up with a sticker.

So who’s The Goddess? Way back in the days before Mattel solidified any of the lore around MOTU, there were mini-comics released with the toys. Initially, the Goddess served a similar function to the Sorceress in the cartoon, and was in fact sometimes called the Sorceress. She facilitated He-Man’s transformations, gave him missions, was generally magical and mysterious, etc. If you know who the Sorceress is, and you can picture Teela, but green? That’s about it.

Back to Sharella, though. The Third Ultimate Battleground rolled around in 2015, and for the first time since some packaging in the 80s, we saw Sharella in action! She was shot through the heart with a poison arrow. Yeah. But don’t worry, she received a blood transfusion from Moss Man (who we’ll get to later), and was transformed into the Green Goddess! She’s immortal now. How Asklepia figures in here is sort of unclear, which is weird since this is still part of the MOTUC line, but whatever. Whatever! Queen Grayskull (the aforementioned Veena) received a bio in 2015 as well, which described Sharella as her apprentice who became “The Goddess”.

Horokoth, Aspect of the Mother Goddess

Lore: DC went a little batshit (pun intended) with the lore for the Eternity War. Here the Goddess is three combined aspects, “Serpos” (Serpentia) for the Snake Men, Zoar for the human “Eternians”, and a third, invented deity called Horokoth, who represents the Horde. Horokoth is “the coming destroyer. The darkness at the end of days.” and is represented by a bat.

Behind the Scenes: That last link has a clearer picture of her, it just didn’t crop well. Also, I confess I couldn’t bring myself to read Eternity War. As thrilling as the prospect of a cohesive narrative is, if I wanted to see Adora slit her brother’s throat there’s the edgier side of deviantArt to peruse. Therefore I know little of Horokoth outside of a few still images of Hordak. The bat was almost certainly selected for the Horde’s vespertilian emblem.

Hordeous, God-Beast of Horokoth

Lore: A “primordial”, bat-like godbeast of Horokoth, created in response to the god Saz’s feline races. Their face was “forever infused“ on the surface of Horde World by Horde Lord (Hordak and Horde Prime’s father in the MOTUC canon) to grant their family power and immortality.

Behind the Scenes: Yes they’ve used some words wrong, but they’ve got the spirit, right? Hordeous was (allegedly, this is secondhand) an invention of the MOTUC crew in answer to Horokoth. Now, the Horde Supreme bio predates Horokoth’s introduction by about 3 years, but obviously the comics were in production already. There’s an undated sketch of Horokoth Hordak from an undated interview (thanks for nothing you useless website) but in that same gallery there’s an orko sketch labeled 2012 so. We’re good right? That makes sense, timeline-wise. Anyway the comics slam dunked Horde Prime out of existence and combined him with Horde Lord so it’s contradictory anyway. ¯\_(ツ)_/¯

Serpentia, Malevolent Snake Goddess

Lore: The evil counterpart of Asklepia, Serpentia is the goddess of the Snake Men. The priest Ka of the Snake Clan forsook Asklepia in her favor, destroying Asklepia’s sacred orb and stealing the Serpent Ring (an artefact capable of transforming humans into Snake Men) from the Ophidian Spire with King Hsss. In DC’s triune interpretation of the Goddess, Serpentia (here ‘Serpos’) is blood, passion, and desire. A primal and primordial force appearing to the Snake Men in their own image.

Behind the Scenes: Okay yes I’ve reused the Asklepia pic but in my defense they are twins and this is the easiest one to crop. So here’s the thing about Serpentia: we only got a name for her in 2019. We knew there was a snake goddess, and she was pretty evil, or at least hostile towards mammalian life (see: the source of the pic I chose for her). Where Asklepia references the asklepian, ‘Serpentia’ is a much more heavy-handed snake reference, even though Anguis was right there. Those Masters Mondays came through for us, though, with the shield and staff of Ka, Ssssylph, and of course MOTUC’s Dark Despot Skeletor, which is. something. Though only recently named, Serpentia has been a shadow over Eternia since the Snake Men’s introduction in 1985 (or, depending on how much of the presented backstory you accept, even sooner in the form of Skeletor’s lair, Snake Mountain).

Serpos/Sarcedon, God-Beast of Snake Mountain

Lore: Contradictory, but the gist of it is he’s a very large snake with elemental magic and a grudge, that was turned to stone and became Snake Mountain.

Long Version: Snake Mountain was conceived of towards the end of 1982, but wasn’t revealed to the public until September of 1983, with the debut of the Filmation cartoon. For another year, the snake coiled around its summit was simply a carving, its mouth hollowed out for Skeletor to stand in and loom. But in 1984 the Snake Mountain toy was released, completely discarding the Filmation design in favor of the hewn face of the figure we now call Ka. Instead of a snake carving winding its way up the peak, the Mattel toy featured a ‘striking serpent’, alive and attached to the mountain itself. From there, it was an easy leap to make to ‘this carving comes alive’. So easy, in fact, that they did it twice!

First attempted in 1985 in the newspaper storyline “Vengeance of the Viper King”, the snake was here called Sarcedon, the World Destroyer. At the dawn of time, he was said to crush Eternia within his deadly coils. He burrowed deep into the ground, causing fearsome storms that nearly destroyed the planet. Only a fearless hero (implied to be He-Ro) could defeat and imprison Sarcedon. Using a macguffin called a Mirror of History, He-Man forced Sarcedon to behold his own reflection in a reference to the Medusa myth that kind of missed the point of it being reflective. Sarcedon was sent back in time, Snake Mountain was restored, the good guys win, blah blah blah.

That was the last of it until the MYP cartoon in 2004. Serpos as a name was actually first invoked by Mer-Man in a 1982 minicomic, but like it probably wasn’t about the snake. Anyway in the MYP cartoon the Snake Men get this thing called the Medallion of Serpos that lets them un-petrify the snake around Snake Mountain, grow two more heads, and unleash his godly wrath. He breathes fire, trashes Eternos, beats up He-Man, then turns his attention on Castle Grayskull to consume the Orb of Power (containing the strength and wisdom of the Elders, who had first trapped him in stone). He-Man cuts off Serpos’s extra heads with a sword upgrade, the Elders are somehow magically restored to life, and they re-petrify him. Snake Mountain is restored, the good guys win, blah blah blah.

Zoar, the Fighting Falcon

Lore: Contradictory, but it sure is a bird!

Long Version: While Sharella’s backstory is fraught because of the comics couldn’t decide what they wanted her to be, Zoar was similarly tangled up by the toyline. Initially male, he went through several color schemes, some prettier than others. Though there was a vague association with the Sorceress before the cartoon (recall that pre-Filmation, the Sorceress was just the Goddess), Filmation made them literally inseperable by designating Zoar as the Sorceress’s falcon form, to which she was confined when leaving Castle Grayskull.

Some of the comics and Golden books showed Zoar as being flipping enormous & ridden into battle as a steed by Teela and Man-at-Arms. Pre-Filmation, Zoar was always referred to as male, but post-Filmation, always female, as an incarnation of the Sorceress.

The Eternity Wars comics describe Zoar as the third aspect of the Goddess, the ‘Great Preserver’ whose light would shine through the universe for eternity. They pull off a sort of tripartite priestess thing where it’s Serpos/Zoar/Horokoth represented by Teela-Na (the Sorceress)/Teela/Evil-Lyn.

MOTUC, of course, had to reconcile all of these contradictory canons. How’d they do it? “In the folklore of Eternia, the golden falcon symbolized the godhead Zoar, a powerful deity of Preternia. As a god, Zoar could appear in both male and female guises and while the blue-tipped female falcon was associated with the Sorceress of Grayskull, the golden falcon represented Zoar's masculine nature.” So Zoar is genderfluid now, and the Sorceress is merely borrowing their form when transforming into a falcon. This bio also established that Zoar had anointed the first Sorceress, Veena (Queen Grayskull), which explains why she has wings for no apparent reason.

Also it’s not offically MOTUC but the scultors of the line, Four Horsemen, made a single anthro Zoar for Power-Con 2013. In case you need that for some reason.

Glorybird, Emissary of Zoar

Lore: Many millennia ago, there were three siblings, who were very poor and mistreated by their stepmother, but had hearts filled with kindness and love. Zoar, recognizing their resilience and desire to help people, sent an emissary named Glorybird. Glorybird bestowed upon each sibling a divine gift, but as they used their new powers to fight for good, their stepmother revealed herself to be a Celestial Witch & attempted to sacrifice them to Zoar’s “greatest enemy”, Horokoth.

Backstory: Okay, so the Star Sisters (and Glorybird) were in exactly one episode of She-Ra, primarily to set them up as new toy designs. While prototypes were made for these, the figures weren’t actually produced until MOTUC released figures for them in 2012. Though they were referenced in Princess Prom, and we saw a brief cameo in a background, Glorybird was absent until the introduction of the Star Siblings in Season Five.

That’s right! This bird is a god, and there’s nothing you can do about it.

Saz, God of All Felines

Lore: One of the “Gods of the Multiverse” (he is the only member named explicitly), Saz was a blue-furred, feline deity responsible for the creation of all cats, humanoid or otherwise. He transformed himself into an enormous cat-beast to defeat Serpos and Hordeous, whose progenitors created them in envy of his children. Though Serpos was defeated, Hordeous escaped into the cosmos, and Saz himself vanished mysteriously.

Behind the Scenes: “By the whiskers of Saz!” is a fun pseudo-swear made by various cat races throughout MOTU, first in He-Man’s “The Cat and the Spider” and later in She-Ra’s “Magicats”. That was the only real mention of him until... okay, so MOTUC bios aren’t always attached to the product. Starting in 2018, they did this thing called Masters Mondays where they put unposted bios on the org forums. So while we’ve had the sword since 2010, we didn’t get the background on it until March of 2020. And then a couple weeks later, the Cat Mask of Catra bio referred to him as a “mystical being” instead of a god, but the mask was from 2011 so. He may not have been a god yet. It really depends on when the bios were actually written.

Saz wielded a blade probably best described as a falchion, whose quillon & langet formed a vaguely triangular shape around a deep red gem. I want to be clear that while it looks totally rad, this sword would be very impractical and have poor structural integrity were it not made by a literal god. Do not make swords like this. Also it’s almost certainly riffing on the Sword of Omens from Thundercats (affectionate).

Sabe-Or, Son of Saz

Lore: A green-furred, orange-striped paladin, Sabe-Or is one of the only named Ancients. He inherited his father’s blade upon Saz’s mysterious disappearance, and lived for centuries more. Upon his death, he transferred his “heroic essence” into a group of Eternian tigers, forever transforming them into the Green Tiger Tribe, whence both Granger (steed of King Grayskull), and Cringer, steed of Prince Adam.

Behind the Scenes: So “Battle Cat Man” is a concept that’s existed since they decided to make their hero ride a wicked tiger into battle. If you show a kid a superhero, and a supertiger, apparently the natural inclination of most children in the 80s was to combine the two. There are so many custom action figures. So, so many. Sabe-Or is visually a clear reference to this concept, and canonically seems to be the closest we’re going to get outside of the Thundercats crossover, unless you count Cowarros from 4H’s Mythic Legions line (I do, because it means Purrrplor is also canon and I fucking love calling him that).

Moss Man, Ancient Eternian Nature God

Lore: An ally of King Grayskull, Moss Man was something of an Eternian cryptid in the centuries leading up to He-Man Times. He has control over all plant life, the ability to meld with plants, and apparently can imbue sentience to said plants.

Behind the Scenes: Moss Man wasn’t featured in many episodes, because he’s a little... incredibly over-powered. He’s literally Bigfoot from 5000 years ago with magic powers. And like, since I don’t think the writers appreciate how long 5000 years is, you know what happened 5000 years ago? Stonehenge. This bitch is Stonehenge-old. But sure, you can trace a direct line of descent from his contemporary. smh. Anyway according to MOTUC his real name is Kreann’Ot N’Norosh so make of that what you will. Also his toys were pine-scented. I just love that.

Evil Seed, Rebellious Creation of Moss Man

Lore: Created by Moss Man to help fight in the Great Wars, Evil Seed betrayed his master and turned to evil (who could have foreseen this...), finding joy in corrupting all forms of plant life for his own amusement. Moss Man imprisoned him in enchanted chains, keeping him restrained for many millennia.

Behind the Scenes: According to MOTUC, his real name is Sero Malustro, clumsy New Latin for “(to) plant evil-burnt“. Why his name is New Latin and Moss Man’s is... whatever that is, I have no idea. As you can see from the image I included, he originally had an artichoke head, which was upgraded for the Mike Young Productions (MYP) cartoon. Personally I think the artichoke rules.

Volcana, the Fire Goddess

Lore: Canonically, she’s a fire goddess, and the mother of the Volcano Magus. Together, they are a rising force that seeks to conquer Etheria in the wake of Hordak’s defeat.

Backstory: Volcana has taken a long a twisted journey, but was first revealed to fans at Power-Con 2016 in a panel revealing previously unseen concepts and characters. After the first wave of She-Ra toys, a second wave was planned with a snow focus, to bring more attention the Filmation-neglected Frosta. This began with the introduction of a fire villain, an “evil lady that glows with heat” who would attempt to melt Castle Chill. That concept actually refers to a character named Amber (not Ember, as one might assume) who was reworked into a benevolent counterpart, Volcana’s twin sister.

Volcana was later fleshed out to be a Fire Goddess with flame-red hair, x-ray vision, and arms sculpted with flames. Her cape flew up with flame detail that rose up to control the volcano (of Volcanica, a proposed toyset that seems to have been reworked into the Crystal Falls). She was emphasized by Mattel to not start fires, which, honestly, is probably why they scrapped the character. He-Man couldn’t use his sword as a sword; a woman made of fire was basically doomed.

Now, though, we’re several decades in and lines made for collecters that are largely in their 30s and 40s can say whatever they want! So she’s canon, even if Amber isn’t. Yes there’s only one mention of her. Amber technically was mentioned in an unproduced episode titled “Amber Waves of Flame”, but as it was unproduced, it’s noncanonical.

Volcano Magus, Sinister Son of Volcana

Lore: Living within a dormant volcano, the Volcano Magus of the German audio plays was the source of most of Catra’s power and all of her evil intent. He supplied her with magic for spells and schemes with which to assail the Crystal Castle, but neither she nor Clawdeen were aware of the dark influence he held over them.

In the MOTUC canon, he’s specified as the son of Volcana, a demigod from the “Region of Volcanoes” who craved the nature magic of the Whispering Woods. When he learned the Twiggets were inextricably linked to that magic, he used his powers to petrify the former Rebels (this was after the Horde's defeat) and kidnap three Twiggets to drain the magic from their souls. Twiggets, for the uninitiated, are like purple tree-elf things. According to MOTUC, Razz is a Twigget, though the ‘real’ name they assigned her doesn’t fit their naming convention. She is purple, I guess.

Kowl, who avoided petrification, read Razz's spellbooks to find a way to save his friends, and learned of an Entrapment Gem that she hid in a shoe, for some reason. He confronted the Volcano Magus, spoke in the ancient tongue of the First Ones, and sucked him into the Gem.

Backstory: Admittedly this stuff is second hand, as I don’t speak German & they only have transcriptions/translations for the He-Man tapes anyway, but if anybody can find me an audio file I will do my best to verify. The MOTUC stuff at least I can confirm 100% because it’s from 2019 & I do speak English, for better or worse.

Oak, the Jackal God

Lore: Oak was the terrible Jackal God worshiped by the denizens of Zhar, an ancient civilization that once existed in a remote, forested region of Eternia. Long ago, Oak was imprisoned within a statue which could be found within the Temple of the Jackal. When Skeletor removed the statue from the temple, Oak broke free of the enchantment which imprisoned him and wreaked havoc on Eternia. Although the Jackal God was immensely powerful, he could be weakened by the elements of nature and was ultimately foiled by a rainstorm conjured by the combined powers of He-Man's sword and the magic of the temple's guardian priest.

Backstory: I have lifted this from a He-Man guide word for word as I cannot for the life of me find a copy of the Brazilian Editora Abril comic he came from, O Templo Do Chacal (1986). The description is like, suspiciously similar to the plot of the He-Man episode The Cat and the Spider, except the Grimalkin was never described as a god. The rest of it--statue, Skeletor, storm defeat--plays out almost the same. True pity I can’t find the original source, but I do trust this guidebook. You may be interested in Ceres from the UK comics--another dog-slash-statue who frankly might as well be a god himself, but as he’s not called one in canon he’s not going on the list.

The Bitter Rose Goddess

Lore: As Man-at-Arms told the legend, “Every day, a woman climbed Rose Mountain to look for her husband to return from the war. Alas, he never came back. Her tears poured from her cheek and entered the ground. One day she disappeared, but where she stood was a single, solitary rose. It’s the only thing that grows on Rose Mountain.”

The Insect People, who lived at the base of Rose Mountain, believed that the Bitter Rose is all that held the mountain together (and when it was picked, they were proved right). After the flower was restored, it transformed into the Bitter Rose Goddess herself, who explained that she had been a prisoner of her love's sorrow, so bitter that she refused to allow anything else to grow on Rose Mountain. She blessed the surrounding area, blanketing the jagged peaks with roses, and disappeared.

Backstory: She’s kind of... barely a god. She showed up in one episode and no other media & has objectively less power than like, every single demon they ever brought in. I almost didn’t put her on this list.

Mask-Ra, Goddess of Masks

Lore: A goddess who created the magical Masks of Power.

Backstory: Mask-Ra was first mentioned in 2019 and like, look, I’m gonna be real. I don’t respect her. She’s an invention of MOTUC (unless they were drawing on this concept art of Maska-Ra, which I doubt bc he was a Man-E-Faces precursor) and they retconned her into having created Catra’s mask, which is kind of redundant given the entire episode Magicats. This mask did not need two bios. There are no other mentions of her in any canon.

Potential other Masks of Power: The Deemos and Tyrella masks from the He-Man episode “Masks of Power”, lizard and canine masks from the mini-comic “Masks of Power”, Lord Masque’s Demon Mask from the He-Man episode “House of Shokoti, Part 1″, and whatever the hell Red Shadow has going on.

Procrustus, Giant Guardian of Magic

Lore: During the creation of the various dimensions (5 in MOTUC canon but demonstratably higher everywhere else), the gods installed the four-armed, immortal giant Procrustus to guard their secrets at the heart of Eternia. There lay the Starseed, from which the entire dimension was created. It still held immeasurable power, and could be used to conquer entire universes. Hordak, in an attempt to access the Starseed, cracked Eternia in two with the Spell of Separation. Though he was (mostly) thwarted, from then on Procrustus was forced to hold the two halves of Eternia together from within, lest the planet break apart and the Starseed be exposed.

Backstory: First appearing in the mini-comic “The Magic Stealer!”, Procrustus is a lot more tangible than most gods. We know where he is, at all times, and he seems confined to one size. His powers appear to be largely physical, as he had to burrow out of the ground to investigate in the mini-comic instead of teleporting or like, magicking the dirt away. This was his only appearance until MOTUC released a figure for him in 2012. He also showed up in the Subternia map the next year, holding Eternia together.

Standor, Cosmic Creator of Power

Lore: “Before time began, the great Gods of the multiverse convened in the Hall of Power to create all that was and all that will ever be. Head architect of this great task was Standor. A cosmic being of unlimited imagination, Standor helped lead his fellow deities by fueling their energies with raw creative force.”

Backstory: Released for Comikaze 2013 to celebrate the partnership of Mattel and Pow! Entertainment, Standor is literally just Stan Lee But a God. The prototype was called Standar--idk why they changed it, but I think it’s because it’s too easy to confuse with “Standard”. They made a bio for his sunglasses. I don’t want to talk about it.

Bash-Or, Slain Mystic God-Beast

Lore: Very little is known of Bash-Or, the Ram. His last remnant was sealed within the Ram Stone by the ancient sorceror kings of Zalesia, imbuing it with his divine power to overcome any barrier, magical or otherwise.

Backstory: Bash-Or was revealed in the bio for the Ram Stone, September of 2020, but his spirit (previously referred to as ‘the Spirit of the Ram Stone’) was twice utilized by Skeletor in the MYP cartoon, to great effect, before the stone was destroyed.

#she-ra #spop #motu #he-man #clare shares notes #edited to actually include the gd graph

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xx-completely-in-ur-car-xx-blog · 6 months ago

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I've been waiting on an excuse to do this analysis since 2012. Buckle up, folks!

So I think it's fair to say that it's made pretty clear that Benny is bad at magic at various points in the show. What he's not, however, is weak at magic.

What I mean by this is that, whilst many of the spells he attempts throughout the show (and the one in the movie) go slightly awry, they all work to some degree. This is best explained by example:

Though he fails to make the vampires disappear, he does successfully cast a 'disappearing spell'

In failing to reveal David to be a werewolf, he instead manages to cure Ethan with lycanthropy— an arguably more extreme feat. Beyond that, it's my personal headcanon that the reason the spell rebounds is that the spell he's using is to turn someone into a werewolf, and David already is one; Benny's reading this as 'a werewolf will change form if I cast this (turn into a werewolf)', when it is in fact 'curse someone to be a werewolf (turn into a werewolf)'. The argument stands without this interpretation, but it's worth mentioning, as it implies that his spells are powerful enough to automatically seek eligible targets.

There are other examples, of course (EG/ 'summon chicks'), but you probably get the point by now; S1 Benny isn't exactly an arcane pushover. He's also got a higher magical success rate than we see on-screen...

Betty jinxes the cheer hopefuls and, perhaps more significantly

Benny turns a goldfish inside-out, in what is implied to be a gory, lethal affair.

Again, there are more examples (S2 Benny apparently removes someone's eyebrows with lightning), but the point I'm getting at here is one I've made before: when Benny dismisses Evil Benny's threat to 'cook [him], turn [him] inside-out, maybe' (we'll come back to that first part) by saying he's not better at magic than him, one of two things are true:

Benny is trying to undermine him because he's aware that his ego might be a weakness, or

Benny is implying that he (and therefore his opponent) can mount both an arcane offensive and counter.

Why? Because we know it's not an empty threat: he really can— and has— turned a living creature inside-out!

...But he's never tried to do this against a monster of the week.

Let's pause for a bit to talk about S2 Benny.

From the get-go, it looks like Benny's majorly improved as a spell-caster— the first episode sees, for the first time, the 'monster of the week' (green mist) handled by Benny's magic alone. We also see (and hear of) him doing a lot more successful magic, but that's not his only development.

It's a bit more subtle but, between the lines, S2 Benny knows a lot more supernatural Lore: he knows facts about creatures they've yet to encounter (Siren Song), he can correct some of his own spellcasting mistakes (Halloweird), he's able to invent his own potions (Flushed), and he frequently casts spells without his spellbook (Welcome Back Dusker, Fanged and Furious, Mirror/Rorrim... there are so many). Additionally, his 'failed spells' play out a little differently:

For the first time, we see Benny attempt spells that actually do nothing— not 'the wrong thing,' or 'half of the thing,' but nothing at all.

Why is this significant? Because this seems like an unlikely change to occur after an increase in power. Logically (to me, at least), it's because he's not actually any more powerful. Rather, he's more controlled, and able to dismiss spells that would otherwise go awry.

Overall, everything we've talked about has suggested that S2 Benny seems to have a greater level of magical understanding and control— factors which, yes, allow more of his magic to work as intended, but also embolden him to use his powers more often.

Why do I say this?

For one, there's way more magic in Season Two; he's obviously trying more spells more often.

For two, we know that there's a degree of something— be it fear or uncertainty— that makes him hesitant to use his powers. Why do I think that? There are spells that he can cast which he avoids:

Turning something inside-out (Mentioned: Blood Drive, Use: physical monsters, but most obviously the gators in Flushed),

Conjured lightning (Mentioned: Mirror/rorriM, Use: he explicitly says he's not powerful enough to do this in Halloweird),

Fireball— I told you we'd get back to this— (Mentioned: Double Negative— 'What if I cook ya?', Use: physical monsters, Significance: he only ever uses this spell under Stern's influence).

Sure, these might be the only fireballs we see him throw, but there are plenty of throwaway lines that suggest there's much more magic occurring than the episode length, show budget, and— frankly— age rating allowed for. If we accept that Benny's shortcoming's as a mage are a question of control rather than power, and consider that the other half of Evil Benny's threat was unquestionably real within canon, it's easy to deduce that Evil Benny could 100% throw a fireball at you. If he wanted.

...But that's where this fight gets interesting. Because, as much as Stern-hypnotised Benny isn't necessarily the more powerful of the two, as one might initially assume, there's a more interesting factor at play here: Evil Benny's desire for Ethan's companionship.

In this hypothetical, where (somehow), normal Benny is irreversibly under Stern's control and Evil Benny is kicking about, I think Evil Benny wins.

Evil Benny wins because he works with Ethan against Stern— Ethan's already willing to work with one villain to take out another, and Evil Benny's more than happy to work with his best friend.

Evil Benny wins because he's all-out fighting himself— evenly matched on power, and control doesn't matter when you don't care who gets hurt.

Evil Benny wins because he's in his own head— planning in real time, not just moving on autopilot.

But, more importantly, Evil Benny wins because he could 100% dispel the magic on his other self, and choses not to.

He wins because Ethan's only choices are to accept his best friend has gone, or accept the next closest thing... even if he's wearing a leather jacket.

Need a s1 evil benny vs s2 lucifractor benny fight rn

who is gonna win

my vote is evil benny cuz he says he doesnt like when people tell him what to do while lucifractor benny was getting controlled af

it's true lucifractor benny's magic actually worked when being controlled by the vp

but consider S1 benny choosing to follow through and stick to touching spells that normal benny would never think of using whereas S2 benny was only doing what the vp wanted him to do

but then i wonder cuz evil benny didnt really have a plan vs lucifractor benny who def had one laid out by the vp and was only foiled by normal benny but then again evil benny was more chaotic and unpredictable so...

that would actually be crazy to see like an evil mastermind vs unbridled chaos

idk i like both ways winning and losing

if you saw this in the discord shhhh no you didnt || also shout out to betty weir for noting that s2 benny's magic actually worked with more efficiency, potency and danger

#mbav #mbav stuff #my babysitters a vampire #benny weir #i spent way too long on this #but here you go #benny cage match #sorry for the long post #i yapped #and i'll do it again #who is brave enough to ask me about my mbav magic lore theories and headcanons

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astarlightmonbebe · 3 years ago

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the devil judge ep. 4: thoughts

i know i already wrote like five paragraphs of thoughts yesterday. well it turns out i had some more, though this post mostly focuses on what we learned in episode four, as well as other questions, and some analysis.

yohan and the fire.

the number one question we’re (the viewers) left with at the end of the episode is how much of the story yohan tells gaon is true. considering what we know, i would say most of it is, but likely there are some crucial parts are different. now, this isn’t only based on yohan’s cryptic, ‘i knew it, people like stories like this.’

here’s what we know about the fire, and about yohan:

1) in episode one, at the ending when yohan looks at gaon, he sees a fire, and remembers seeing his brother looking at him. he also remembers touching his brother’s face, with what looks like a teddy bear in his hand - which i’m pretty sure we see elijah holding in the episode four fire. since this is introduced first, in episode one, and is obviously a true flashback, i am assuming that this actually happened. however, in yohan’s events, we don’t actually see this scene. of course, it might just have been omitted between yohan crying and then him leaving the church, but it’s certainly interesting, especially because parts we see in flashback usually make an appearance when the full memory is revealed. also note that the scene of his brother looking at him happened after the fire was actually put out, in the blue lighting, when he should have already been dead - of course, it could have just been what yohan saw when he looked at gaon, or it could have actually happened.

2) the firefighter. in episode two, i think, we see yohan looking at homeless people and checking their wrists. his motive is confirmed in episode four, when he finally finds the firefighter who stole isaac’s watch. however, the firefighter is terrified enough of yohan that he has a panic attack of sorts when he sees him and then flees, eventually accumulating in his suicide. now, this reaction seems out of proportion compared to what we saw in yohan’s flashback. yes, the firefighter is guilty of stealing from a dead person, but there’s really no reason for him to be that scared of yohan. he could have just given the watch back and run away, but he fled as if terrified for his life instead. this insinuates that the firefighter had a negative experience with yohan during the church fire. also i’m 99% sure that the watch yohan takes back is the same one he gave to gaon which is interesting for many reasons.

3) elijah herself seems to hate yohan. now, this could be because she hates him for leaving her parents there and rescuing her instead of trying to save them, but apparently she wants him dead, which is a little concerning, especially since they are uncle and niece and live together. her reaction is strange towards someone who supposedly saved her life, and it doesn’t just seem to be because she wishes she hadn’t survived, etc.

4) yohan’s line at the end itself. this line clearly indicates that he told his story for the purpose of manipulating gaon. if the story itself is more sinister, it makes sense for him to share a version that would make gaon clearly empathize with him.

my conclusion based on all of this is that the events likely happened in the order, but that yohan’s position in all of this might have differed a bit, and not been as heroic as initially described. yohan genuinely hates the people in power, believes in the cruelty of the world, and has a reason to. however, he also benefits immensely from making the events more sympathetic towards him, which makes it hard for us, as viewers, to completely trust him. all i can say is that i hope he’s not lying entirely, because if he lied with the purpose of manipulating gaon and steering him away from the actual truth, by telling a story he knew would make gaon feel strongly about due to his own trauma and backstory, then that’s just a disaster in the making.

gaon as isaac’s lookalike.

this episode clearly established the story of kang isaac, who gaon shares a remarkable similarity to. there’s a possibility that he is isaac’s son, but that feels like it wouldn’t fit. gaon looks like he’s in his mid to late twenties. yohan is probably somewhere in his thirties, but it’s hard to tell with men that look like that lol. there’s at least a ten year age gap between them in my opinion. elijah is probably in her mid teens, given it has been ten years since the fire and she was a young child then. still, the ages don’t exactly match up, and there’s no scenario for how that could have occured, so why does he look exactly like isaac?

there’s also the fact that no one else has noted his resemblance to isaac. i can understand why the other rich people didn’t, but jung sunah spoke directly to gaon about isaac, but didn’t seem to note any similarity. now, it has been ten years since his death, and i think if people aren’t looking for similarity they won’t see it, especially since glasses change a person’s face, but the jarring similarity should have at least turned some heads.

yohan is seen to give gaon isaac’s watch. this is symbolic for many reasons. one of them, like yohan said, is because he’s syncing gaon to yohan’s time, another way of demonstrating how yohan is introducing gaon into his world, bringing an outsider in. but the fact that he gave gaon a watch that belonged to his dead brother who looks exactly like gaon says something else. almost as if gaon is transforming into isaac, or something weird like that. it was just weird, period, and yohan obviously made it a deliberate choice.

gaon and yohan in general.

i already talked about them quite a bit, and a lot of other people have as well, but this episode really served. first there was the white vs. black, especially when introducing gaon to the corrupt world of the rich. the white coat initially protects gaon in a way, but he takes it off when meeting with the actual rich people, as if his kind morality is not allowed there, further demonstrated by yohan bodily throwing him out of his chair when he tried to speak up. although jinjoo also went with yohan to a social event, gaon is invited to the intimate gathering of the top tier organizations, given a seat at the table, with yohan basically wanting him to see things as they are at the moment, making him aware of what yohan himself knows.

there was also the scene in the car, when yohan jerks the wheel. i think this scene was super interesting because it clearly demonstrates how yohan is just. not really that sane. which isn’t exactly what i mean, but i don’t know how else to describe it, because yohan isn’t exactly mentally unstable, though he certainly seems to be. instead, the yohan of today is just a mirror of the yohan who the priest described as the devil. he thrives off chaos. yes, his actions as a child were inventive and clever, but it also demonstrates how yohan can and will exploit other people for no other reason than enjoyment. the live court gives him the opportunity to do this to the whole world. he has a flair for dramatics, he’s the gamemaster, carefully orchestrating everything and enjoying the results for his benefit. not only is he making himself popular, but he’s turning himself into a godlike idol, which is honestly blasphemous considering the fact that he’s a judge, but it makes a lot of sense when you consider the fact that he’s been called the devil, the judge robes look like a priest’s robes instead, he has the symbol of the cross on his back (scar), etc...it all adds up, and the religious imagery is frankly insane. one wonders if he’ll end up a martyr, or cast into fiery pits.

in cast interviews, or the clips that i’ve seen, gaon’s character has been referred to as an angel of sorts, a ray of hope. this is obviously in stark contrast to yohan, who is darkness, who is gray morality. gaon believes in the idea of justice taught in school, which i think makes sense when you consider the fact that his childhood was likely extremely unfair: living in poverty, parents killing themselves because of debt. he believes in lawful justice almost as if he has to, to have a chance to change things. he doesn’t understand what yohan is trying to make him understand: that lawful justice will never apply to the rich, that fairness doesn’t matter to million and billionaires, because they can change the law however they please the suit their benefits. it’s funny because that is what yohan is proving with the public, that the rich can be brought to justice. i’m really interested to see how their views will change when they get to know each other better and/or team up. there’s a lot of potential there (yes i’ve said this like five times. it’s all i think about right now.).

jung sunah.

i actually don’t have much more to say on that character, but as she’s revealed to be the actual head of the social responsibility foundation, we’re left wondering if mr. seo is just a figurehead, or if she just gained power by controlling him. idk if this makes sense - is she in charge charge of everything, or just in charge of mr. seo? i think next episode will more clearly demonstrate this.

the public, the ethics of live court shows, etc.

this episode was by far the most concerning one when it came to the live court show. whereas their first case was something that was clearly evil and neatly tied up, youngmin’s case was a brutal display of the power of the public and what it means when someone has the power to manipulate the public. youngmin definitely deserved to be punished. i think it’s actually super funny how his argument was that they didn’t have the right to judge him, when he did exactly that to everyone who suffered from his abuse. however, public flagellation seemed absurd. despite most people saying he deserved it, there was also the vibe that most people didn’t believe it would actually be shown. however, when it was, you could see that most of the public was deeply unsettled by this. yohan’s cult was also demonstrated in this scene, from the people cheering.

was youngmin’s punishment justice? maybe, in a way. i don’t think there really was a punishment that would be right for him. flogging would scare him, but it also ignites his anger. in prison he might live a better life than most, but he would also be kept away from people he could hurt, which is kind of the purpose of prisons.

the flogging felt very dystopian, but i think it also showed the danger of the live court show perfectly. not only did it incite people and their bloodthirst at being offered a sort of justice, but it also showed how people feel when confronted with a decision they chose. over 95% of people chose for that punishment to be carried out, but few appeared to actually enjoy seeing it carried out. it’s a lot easier to click a button and feel as if you don’t matter in the large scheme of things than it is to see what happened as a result of you and many other people choosing to do something. it showed the power of the public, or more exactly, how yohan was able to manipulate the public into torturing cha kyunghee and ripping her family apart slowly.

at the end of the day, i doubt few (of the viewers, at least, though i don’t really know) were actually satisfied or happy by youngmin’s punishment. it might have been satisfying to see his court breakdown, but when it comes down to it, it’s just more human suffering.

it also begs the question of if yohan will ever be put on trial. could that even happen? it seems an almost inevitable conclusion to his trajectory right now - when you fight corruption with corruption, the only thing left when the corruption is gone is your corrupted self - but i think right now he’s also building the public as a way to protect himself, which has proved right so far. it’s interesting to wonder if the public will ever turn on him, and what will happen if public opinion shifts.

#the devil judge #tvn the devil judge #episode four #kdrama #i mean the viki translation for the ending line is wildly different from the dramanice trans #it says 'indeed people put on a show by saying things like that'#which is a little concerning for me. but yk #i'm not here to debate the prison system btw i don't have the energy for that #anyways many thoughts #i think this is all #it's mostly just me having thoughts again #bsjajs did i even say anything new WHO KNOWS

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crystalbahamut · 3 years ago

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pounds of flesh

FFXIV Write Day 3: Scale

Summary: The Exarch is familiar with tactics used to dodge those most dangerous of creatures (Healers) and offers you his assistance.

Author’s note: Am currently ignoring the fact that there’s no faucet in the Pendant room (that I could find) because that seems inconvenient for such an otherwise nice kitchenette. The prompt started me off with the idea of scaling a staircase feeling on par with scaling a mountain but it sort of veered off from there. I really loved this prompt though; there are so many ways to take it.

Warnings: Shadowbringers spoilers, unspecified WoL, non-healing WoL (kind of), 2nd person pov, WoL/Exarch, overworking oneself on purpose

Words: 1,876

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You might have gotten a little bit…carried away today. Triffids, hoptraps, wargs, and more; you had carried out a number of quests to reduce the threats posed to those traveling the roads of Lakeland, and that wasn’t even counting the morning spent in Rak’tika helping out the Night’s Blessed with some of their chores. You don’t mind– it’s nice to be helpful, good, necessary even– but now that everything aches and some of the cuts have opened up again you wonder if maybe you took it a little far. All you wanted to do was make sure you slept well tonight, but even taking the intercity aetheryte was too much to ask of your energy stores. You have scaled cliffs and mountains, but right now the thought of scaling the steps to your room is making you want to find a place the guards don’t patrol and just lay on the ground. It’s a good thing the manager is on break right now, or you’d have to field some uncomfortable questions about why you’re just standing around, staring.

“There you are.”

You flinch. Mayhap the manager would have been the lesser of two well-intentioned evils, considering the Exarch sounds…not exactly smug, but knowing. You stand taller and clear your throat. “Evening Exarch,” you say. “Did you need something?”

“Not precisely, though I am wont to worry when you stay out so late,” he says and steps towards you.

That…you almost turn around for that. He worries? You shake your head; of course he worries, you are (supposedly) the one hope for the world’s survival. ‘Tis nothing more than prudence. “Nothing to worry about; I’m quite fine.”

“Oh?” You can hear the smile in his voice as he comes around your side, and you quickly look away. “Should I be flattered that you seem to be emulating me?”

You scowl and pull the head covering down farther. How in the world does he see anything like this? “You didn’t invent hooded robes, Exarch.”

“No, I did not,” he chuckles. “However I have not seen you wearing one, until now.”

“Mayhap I simply felt like it.”

“Mayhap you did,” he says. “Or mayhap you are trying to hide a head wound incurred when a lake viper used its tail to swat you into a tree.”

You don’t have a good comeback for that. “You know, nobody likes a know it all,�� you grumble and try to sink into your shoulders. One of these days you are going to break that damn magic mirror of his.

“My dear warrior,” he sighs as though indulging you in a whim. “What would it take for you to accompany me to Spagyrics?”

You turn to give him a look of incredulity and then realize that probably isn’t very effective. However he sighs and says, “I see.”

“Do you?” you ask. “I can’t see anything like this; I don’t know how you do it.”

He doesn’t take the bait, unfortunately. “Would you allow me to see to your wounds then?”

“I can heal myself.”

“If you could, you already would have.” He puts a gentle hand on your shoulder, though right on a sore spot that twinges, and you try not to wince. “I would just like some assurance you are well enough. If you are uncomfortable with me, I can fetch one of the Scio-”

“You,” you say immediately and take his arm. You pull back the hood to see with your good eye and find his mouth partly opened in surprise. “I trust you.” Also, if Alisaie or Y’shtola see you in this state, they will put you out of their misery. But you meant what you said. You do trust him.

“Thank you,” he says earnestly, as though he’s honored, and the wondrous tone of his voice is enough to give you the energy to make it up the stairs and to your room.

“I don’t think I’ve seen someone manage to limp so successfully on both legs before,” the Exarch says and goes to the cupboard where the first aid kit lives.

“It’s not that bad– though I’m going to warn you that I’m a bit dirty so it probably looks worse than it is,” you say and pull off the robe. Gently, as everywhere it touches seems to throb with new pain, or maybe the fatigue is getting to you. While he’s turned around you quickly (ow) change into some shorts and a tank top and sit on the bench by the door.

When he turns around the Exarch actually stops in his tracks. “Wicked white,” he says and sighs. “If Chessamile saw you like this…”

“The Warrior of Darkness would be ended by the wrath of a bypassed healer.” You put a finger to your lips. “But surely now my trusty accomplice will help me.”

He smiles again, though he looks like he’s trying to wrangle it back into a disapproving frown. “Extortion now, is it?” he asks as he starts filling a bowl with water.

“I think your offer belied the feelings of one used to dodging chirurgeons,” you say and give yourself a quick check to make sure anything that needs treating is visible. Thankfully your torso just endured some bruising; it’s your limbs that took the brunt of everything. And your head, you’re reminded as you try to gingerly scrape off some of the dried blood and accidentally reopen the wound, making fresh blood course back down over your eye. “Oops.”

“Perhaps I have, but even my own injuries pale in comparison. I can see why any healer would have their hands full with you,” the Exarch says as he comes over to take your hand, shove some cloth in it, and force you press it hard against the cut. “Pray just hold that there for now.”

Now that you’re able to relax and do nothing, exhaustion courses through your bones and you do as he bids if only because anything else is far too much effort. You struggle to stay awake as he pulls over a chair, the medical kit, and the bowl of water, and blink yourself back to consciousness when he sits down.

“Are there any sprains?” he asks as he looks over the injuries.

“My right ankle feels a bit funny, and I think I pulled something in my left thigh, but mostly I’m just scraped up,” you say. He dabs some of the scratches with the clean water and it’s uncomfortable but not unbearable. You almost start to fall asleep with his gentle ministrations.

But when he presses a new, slightly damp cloth to those scrapes, the stinging wakes you right up. “Thal’s balls!” you hiss and resist the urge to rip his hands away. On the plus side, your head has stopped bleeding again; now it only throbs as you set the bloodied cloth aside and try to quell the nausea caused by pain.

“I apologize,” he murmurs and dabs it more gently. It’s not a good feeling but you can bear it a little easier now that you know it’s coming. He clears his throat. “What were you working on so frenetically today?”

“Huh?” You think about the question. “Oh– nothing much really; I was just taking a few jobs here and there.”

“Are you in need of gil?” he asks and lifts his head. Presumably to look at you. “Surely some of these jobs could have waited another day?”

You take the washcloth and wring it out before you start cleaning your other leg, and then your arms. It will help him get through this easier. And it also makes it so you don’t have to look at him now. “They could have. But I wanted them done.”

“Because you plan to take the day for yourself tomorrow?”

“Perhaps,” you say. “Perhaps this is how I want to spend my days.”

“Working yourself to the bone when you already do so much?” He finishes wrapping your ankle and grabs your hand. He says your name gently, without reproach. “What is wrong?”

“Nothing is wrong.” You shut your eyes. “Sometimes…I just want to sleep. That’s all.”

“I see,” he says and doesn’t press for more. If this were Alphinaud you wouldn’t be able to escape without some awkward attempt at platitudes on his end, or Urianger, who would try to make suggestions while also nearly putting you to sleep with one of his lectures, but the Exarch keeps tending to you with hands that are gentler than they have any right to be.

When he starts treating the cut on your head it’s a good excuse to close your eyes, but even without some supposed excuse you don’t think you would do any differently. He’s so…gentle. Healers, even the kindest ones, are all business– as they should be, as they’re always the ones that have to make sure everyone is fighting fit for the next catastrophe. But the Exarch touches you so tenderly, like he wants to put you back together piece by piece, with soothing motions and soft brushes of skin, and crystal that’s warmer than it looks, and it’s all you can do to keep from falling apart in his capable hands.

“One moment, my warrior,” he murmurs and you realize you’re halfway to sleep by the fact that you can’t seem to open your eyes when he leaves, but it doesn’t bother you overmuch. When he comes back and nudges you to stand, you manage to do so, but you still don’t open your eyes even as you shuffle over to the bed with his help. You sit on sheets– the cover has been pulled back already, you realize with delayed thoughts as the Exarch tucks you in. You’ll be mortified in the morning, but for now…

“I pray sweet dreams find you tonight, my warrior.”

You think you imagine the gentle kiss placed upon your brow, but in case this isn’t some lovely dream and he is still around to hear it, you whisper, “Thank you.”

The next morning finds you sore and a little stiff, but you can recognize that you’re better off than you would have been otherwise.

You also find a collection of medicinal-looking mixtures all lined up in bottles in a neat little row on the table. And, when you go over to investigate, a note from the Exarch.

My dear warrior,

Though it is not a happy thought, there are many in Norvrandt who share your desire for uninterrupted sleep, as well as your difficulties attaining it. These elixirs each have their own cards describing ingredients and dosage; if you find one to your liking, it would be a simple matter of requesting more, and I should be delighted to do so.

Also, if you ever find the climb to your room to be too arduous, perhaps the smaller staircase leading to the tower itself would be less of a strain. Once inside, there are easier ways to get around that I would be happy to show you.

With fondest wishes,

The Crystal Exarch

You smile and fold the letter back up. An easier way to the Ocular, hm? You’d like to see that. Perhaps now is a good time to stretch your legs and make the climb.

#ffxivwrite2021 #ffxivwrite #ffxivwrite prompt 3: scale #ffxiv fanfic #shadowbringers spoilers #the crystal exarch #warrior of light #wolexarch #wol x exarch

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virlath · 5 years ago

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Hidden Trespasser mosaics

So I was researching some lore for a theory surrounding the environmental artwork in DAI, and happened to stumble upon this twitter post regarding unused mosaics for Trespasser.

Coincidentally, I’ve been so deep in statues and elven god symbolism the past few days that I thought I’d chime in with some of my own thoughts.

From left to right in these artworks, I think we’re looking at four different gods involved in Solas’ slave rebellion.

Fen’Harel, Dirthamen/Falon’Din, Andruil, Mythal

===

If this hidden game file is anything to go by, it seems to confirm one theory I’ve had for a while- that Solas had help from some of the evanuris with his slave rebellion.

Because when you think about it, it’s kinda hard to believe he could have started a slave rebellion at all with his high profile and attachment to Mythal, especially when slaves seems to have been a big economy in ancient Elvhenan.

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The gods in these mosaics

From left to right in the image

(Note: I actually posted some hi-res shots of the masks from DAO yesterday if you’re interested in seeing unedited screenshots, but I’ll break down my guesses here anyway.)

1. Fen’Harel is obviously the wolf.

2. Dirthamen’s mask is easiest to spot because it matches the shape of his statues in DAO. Note that Dirthamen and Falon’Din have very similar statues and masks.

Falon’Din is the statue with the spear (recognised by Tamlen as “friend of the dead”) while I believe Dirthamen is the statue with four arms (this also strongly implies the envy demon in DAI is his corrupted raven, Deceit)

I believe Falon’Din and Dirthamen are two aspects of the same being, but how that actually works remains to be seen. Some people have suggested Falon’Din walks the fade while Dirthamen walks the physical realm and perhaps that explains their togetherness and separateness.

Regardless, it does seem like both Falon’Din and Dirthamen were involved in Solas’ uprising due to the fact that both their mosaics are found inside the elven sanctuary before we see Solas’ mural removing vallaslin.

3. Andruil’s mask seems to fit most similarly to the third mosaic.

The overall curved shape mirrors Andruil’s bow in her mosaic, and the dotted indentation at the top totally looks like an arrow shaft. The eye placement in both the mosaic and the mask hints to me that this is very likely Andruil.

The big question- why would Andruil be helping Solas?

Perhaps because Mythal turned her to their side after she “sapped Andruil's strength, and stole her knowledge of how to find the Void.”

Or, perhaps Andruil isn’t as “evil” as people think she is.

Sure, she may have brought on the blight (although even this is conjecture, personally I feel like this could very well could be misdirection) and may have hunted “mortal men and beasts”, but who’s to say these beasts and men didn’t deserve what they got? Who’s to say she wasn’t corrupted by the void before she became the “goddess of sacrifice”?

One day Andruil grew tired of hunting mortal men and beasts. She began stalking The Forgotten Ones, wicked things that thrive in the abyss.

This implies to me she could have simply been hunting beings that had given her cause to hunt them. Remember, she was the only god that responded to Ghilan’nain’s cries for help, and at this time Ghilan’nain was one of the People, implying she wasn’t totally evil.

Andruil also has strong links to Falon’Din, because she and Falon’Din share the same symbol of the owl. What if Mythal meted out judgement, Falon’Din brought her judgement to them in the form of the owl (thus fulfilling the role of Andruil’s messenger as well as “friend of the dead”), and Andruil hunted them in turn to render Mythal’s judgement?

“Always keep an eye out for the noble owl. You never know: Andruil might have a message for you.”

It is interesting to see that the owl statue is always carrying what looks like a mirror or even dimension to another world (another prison perhaps?), possibly intended as a way to reflect the viewer’s own self and actions back on to them.

Anyway, to me there are a number of possibilities why Andruil would work with Solas and co. Perhaps she wasn’t as corrupted as they thought. Perhaps Mythal made her forget so much so she agreed to help them. Or perhaps Andruil was the mole in the rebellion - the person who began the events that led to Mythal’s death.

4. I think the last god represents Mythal, due to the fact the shape is similar to the bronze statues found in the crossroads and deep roads.

There are in fact two versions of this statue - the sun, in the crossroads, and the moon in the deep roads. (brightened and contrast boosted for clarity)

The moon statue is strongly implied to represent Mythal, because a note is found near this statue:

These statues are old. Better shape than anything I've seen on the surface. Many of them are for Mythal, though. And Fen'Harel. Not in a spot of honor, but guarding, attending.

Question is, why would the sun also represent Mythal when Elgar’nan is known as the Eldest of the sun?

Well, not only does the sun statue look very much the yin to the yang of the moon statue in the deep roads, the sun could refer to Mythal being both the sun and moon to the dwarves.

These statues are notably different to other elven statues we’ve seen- notable for the fact they have a large base of rock, and they are carved in smooth bronze. As these bronze statues are only found in this particular section of the deep roads where she controlled a lyrium wellspring, perhaps the dwarves carved these as a representation of her.

In the third note you find in the deep roads, a poem reads:

I am empty, filled with nothing(?), Mythal gives you dreams. It fills you, within you(?), Making our leaders proud. My little stones, Never yours the sun. Forever, forever.

It sure seems to me like Mythal was protecting these dwarves from something. Either that, or she was using these dwarves as slaves or minions in her operation and for some reason, they revered her enough to carve their own representations of her.

Morrigan says this of Mythal at the Temple of Mythal:

Let fly your voice to Mythal, deliverer of justice, protector of sun and earth alike.’

Similarly, Solas further says:

She was the mother, protective and fierce.

Regardless, I think there’s more evidence indicating Mythal was working with Solas over Elgar’nan. You do need Mythal’s passphrase after all to enter the elven sanctuary safely.

And if you want to take this one step further, check out the crown “Andraste” is wearing in DAO. Look familiar??? Maybe reminscent of the moon statue we see in the deep roads?

I don’t want to say Mythal was Andraste but...there are many signs that are hard to ignore.

===

More theory drabble

I realise a lot of the gods’ motives I’ve come up with above are based on conjecture and tbh, the writing for DA4 could go so many ways simply because of the fact that there are so many wide open threads that could be expanded upon.

These unused mosaics does indicate to me at least that the writers have a plan for how Solas’ rebellion actually functioned however, and that to me is exciting in itself.

One thing we can assume with high certainty is that Solas started the slave rebellion before Mythal’s death, because you need her passphrase to enter his sanctuary. Furthermore, even without these unused mosaics there are in-game mosaics of Dirthamen and Falon’Din in the sanctuary before we see the vallaslin mural.

This strongly implies to me that at the very least, even without this hidden game file, that Dirthamen, Falon’Din and Mythal aided and abetted Solas’ slave rebellion.

Further adding to this theory are the the rather compelling links to Dirthamen throughout DAI. For example, the gilded Fen’Harel statues in Dirthamen’s temple’s inner sanctum, Dirthamen’s bleeding statue in the Fade, Dirthamen, Falon’Din, Mythal and Fen’Harel imagery in the Knight’s Tomb, as well as Dirthamen’s statue at Calenhad’s foothold (where it’s implied he had a thing with Ghilan’nain). Not to mention- dual raven standards found underneath Fen’Harel’s sanctuary, as well as archer statues next to the eluvian as you exit (who I believe represent Dirthamen & Falon’Din).

Something clearly happened that led to Mythal’s death, and I’m leaning towards the fact that there was a leak somewhere within Solas’ trusted circle. Dirthamen seems to have been betrayed by someone close to him before the veil was created, because his statue in the fade is stabbed in the back and his eyes are weeping waterfalls of blood.

As Solas says “...an enemy can attack, but only an ally can betray you. Betrayal is always worse.”

And, when you tell him you trust your friends? He responds “I know that mistake well enough to carve the angles of her face from memory”

It is assumed he is talking about Mythal’s own betrayal when he says this, but he could also be referring to the person/people who betrayed him and his trust. Personally, I think Falon’Din and Ghilan’nain could be key players in Mythal’s death at this point. We don’t know enough about the other gods to also make assumptions on their motives unfortunately.

All in all, it seems to me like every one of the false gods were out to get one another, and Solas never even saw Mythal’s death coming because he was too arrogant/preoccupied with his rebellion.

If Solas really was Mythal’s oldest friend and guardian, his pride would have been absolutely crushed when she was betrayed and killed. The veil was likely a knee-jerk reaction due to his pride and “hot-headedness” more than anything- if he could be outplayed and have his own power and role as “guardian” outright questioned, then of course he would retaliate and raise the stakes even higher. It’s his MO- he has a means to an ends “you didn’t invent war” mentality, disregarding the collateral damage as long as he comes out on top.

This does make me wonder what intentions he has for the false gods once they’re freed though. Obviously Mythal wants her vengeance. But what of Solas? These false gods were his kin after all and the only ones who can truly relate to him on a level no mortal can understand. After all these years of stewing and realising his knee-jerk reaction cost him the entire elven empire, it makes sense he would want to restore what he effectively destroyed when his pride was hurt.

To me it does seem like he truly hates the evanuris...but could he still be in leagues with some of them? Something I may not put past him, considering I don’t think he worked alone during his rebellion.

#dragon age #dragon age theories #da4 #trespasser #solas #mythal #dirthamen #falon'din #andruil #environmental storytelling #theory crafting #da theories #drabble

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