#the majority is natural...

[nomorelikethat]

saw such a horrible post. growls

[bunnieswithknives]

Dev thinks the Minecraft movie trailer is epic, I think.

He likes nfts and ai art too smh

[hinamie]

Another blog noticed that Megumis scars are on the same position as Heian!Sukuna. And it's true! By that logic he should have scars under his armpits and on his belly (second arms and second mouth). You drawing it would be interesting

shoutout 2 megumi for making up fr all of yuuji's scars i no longer get to draw

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[aroaceleovaldez]

It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.

Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.

[ganondoodle]

once you notice how few characters in media have brown eyes it really becomes impossible to not pay attention to it and its been bothering me ever since

[fireladybuckley]

I can’t believe a boyfriend made a silly sex joke to lighten the mood after both partners had a moment of vulnerability. The audacity. The horror. The normalcy! Unbelievable. How dare a conversation about feelings turn to levity. How dare a couple have a light chat about trauma-related things over dinner that doesn’t turn into an incredibly deep heart to heart instead of a joke and moving on. Unbelievable. I’m never watching this show again! 👎🏻

[tofixtheshadows]

Because I've been thinking about the fandom tendency to paint characters of color as conservative versus their white counterparts, who are usually valorized as progressives, I'm thinking about the way fandom often talks about Kabru (calling him a cop, saying he's Lawful Good/Evil, saying he'd be an econ or business major or tech bro in AUs, I heard through the grapevine they're calling him classist on tiktok) and absolutely refusing to see his actions- of repeatedly sabotaging an imperial force's military operations for the good of oppressed peoples- as radical.

Kabru was raised by a poor single mother in an economically disenfranchised region, then rejected a life of luxury in the imperial sphere. He explicitly aligns himself with the exploited population (short-lived races) he is a part of. He wouldn't be a fucking investment banker, in any AU he's the most likely character to be an activist. I can't scroll for three posts without seeing Chilchuck hailed as a girldad working class hero (and I'm not saying that's not deserved!) but there is barely any thought given to what it means for the brown guy to care so much about fighting against the takeover of a first-world power.

[powersandplanetaries]

I know that news stories about Indigenous people leading ecological stewardship movements are very charismatic and heartwarming, and if your heritage or culture inspires you to work towards better care for the environment that is incredible and extremely admirable, but we're clear on the fact that Indigenous rights and Land Back movements shouldn't depend on First Nations people being mystical Noble Savage, Closer To Nature poster children, yes?

Indigenous self-determination applies to the person who becomes a teacher because she wants to help fill a need in underserved northern reservations. It applies to the person who studies engineering because the job market is good and he likes cool cars. It applies to the woman who works a government job because it's a stable job with a decent salary on which to raise her kids, and the woman who works a government job because she wants to represent and be a voice for her people. It applies to the person who is a lawyer trying to correct the over-incarceration of First Nations people, and her son who wants to be a professional baseball player because he loves sports. It applies to the grad student who wants to bring traditional knowledge into field work, and the goth hairdresser who spends every weekend going to punk shows and anime conventions in the city. It applies to the person who considers themself Two Spirit, and the person who uses non-binary instead because they dont feel that umbrella term fits them. None of these examples are hypotheticals- these are all people I personally know, either friends or family friends or even members of my family. All of these people are equally Indigenous, whether or not they fit your image of what a marginalized people's priorities "should" be. They are not gone, and they are not "stuck in the past". Happy National Indigenous People Day. Do better.

[dailyloopdeloop]

DAY 75: onehat

[lindagoesmushrooming]

(If you look closely, you can spot) Some birbs in the woods.

[dearabsolutelynoone]

The Viscount and Viscountess Bridgerton ♡

[bortmcjorts]

[ID: a drawing of pye from outer wilds, standing with her writing staff. she's wearing an orange nomai space suit without the helmet, and she has a light brown face with curly darker brown fur. end ID]

figuring out how i want to draw the nomai, so here's a pye since i am obsessed with her !!!

[piosplayhouse]

The way scum villain has so many themes about writing/the literary arts and mdzs has so many themes about music and tgcf has so many themes about visual art and how each character that represents each of those respectively has their own struggle with their craft (passion burnout, loss of control over their ip/creation, obsession and dissociation) that gets turned on its head as their stories continue and their art comes to represent satisfaction and connection and devotion and love

[3zethe3zr]

Working on a stp au, so take the designs of the protagonists: two dysfunctional and amnesiac detectives and their equally dysfunctional amnesiac client! This surely can't go horribly wrong!

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.